#SHE USE HIS TREAT

[juuuuunaaaaaooooo]

THE BRIO PARALLEL I LOVE THE MOST!!!!!!! THIS IS SO AWESOME!!!! OMG!!!! AHHHHHHHHHHHHHHHH <33333333333333333333333333

[sp0o0kylights]

Steddie but it's from Robin’s perspective and she treats Eddie like a feral dog her and Steve adopted. 

“Steve he got into the chocolates again.”

“Steve your boyfriend has the zoomies and it's your turn to walk him!”

“You know how you told him that if he licked the candy cane sharp enough he’d end up stabbing himself? Yeah so we’re at the ER can you bring--”

“STEVEN I TOLD YOU not to leave him alone with the GLITTER!"

[giddlygoat]

mario + peach is such a good ship istg they’re so good. straight ship so good it feels gay

[puppyeared]

i like him

[eerna]

me explaining why Will/Elizabeth/Jack love triangle was a perfect little one-movie arc that wasn't present in the final movie because it was never about choosing and instead just about dynamics and character development so they all outgrew it by then

[ewwww-what]

Okay, pack it up nerd squad.

[hajihiko]

“oh no people tell me I have no sense of personal space and I'm a man and her unofficial coach what if I've been making her uncomfortable- and Akane is like nah. You're not gonna do anything to me I can feel it. Like hes the only person who can overpower her but he just uses that strength to be there for her” og my god. i need a minute after that ome. god i had a whole long winded analysis of this and i was gonna put it all here but i seriously have no words. this is so real in every possible way and a lil too relatable lmfao

ITMEANS A LOT TO ME OKAY. I too could rsnt but idk where it would go

[boarcide]

I truly think that one of the biggest tragedies in BEAST in regards to the Akutagawa siblings is that, at the core of it, Ryuunosuke viewed himself as a beast, and showed his love in a way a beast would, while Gin was the only person who ever saw him as human and judged him accordingly. She did not see a beast acting like a beast, the way everybody else did, she saw a human acting like a beast and it’s part of what drove her away.

The ADA saw their rookie detective at his worst, and watched—and continues to watch—him grow from a beast to a human over time. Consumed by hatred and only knowing how to be cruel, and slowly learning how to become human.

Gin saw her brother at his best—the best he could be in their situation—and then watched him grow from a boy to a beast within moments. The scraps of humanity that he had, all disappearing into rage so primal it no longer made him seem human.

[e-vasong]

listen everyone’s all karnadeli this colindeli that and i get it they’re both so juicy. but let’s set shipping aside for a second because i also need people to be a thousand times more invested in colin and karna being slow burn best friends who come to a gradual understanding of each other and eventually bond over their surprisingly similar traumas and hangups. I want them to gossip over meals and share commiserating glances when the nobility do some stupid rich people shit. I want colin and karna to team up during arguments, and deli to be exhausted because he has to deal with the fact that his skalds have unionized. I want them to quietly have each others backs, even though they’d never fucking admit it if you asked. Are you all seeing my vision.

[hearts401]

Tessa fucks me up dude can I just talk about her for a sec? Yeah? Yeah.

She loved those drones. She loved them because they were what she had. She felt sympathy for them when nobody else did. And I like to think there was a little bit of loneliness motivating her as well.

Her mother hated her. She was nothing to her. When her mother scolded her by saying "seems you still can't follow simple orders" her respone was "No, no no! Please!" BEGGING. Begging her mother to believe in her and be kind to her. She got chained up in her room (multiple times btw. At leas tthats implied. the hand she winced at and rubbed is the same hand the chain was on, which means shed be chained up long enough for it to rub her skin painfully. long enough to leave lasting pain.)

She is very connected to these drones, to the point where she kept all the error drones aroud because she LOVED them. She spent time digging them up. HELL SHE TOOK A FAMILY PHOTO WITH THEM DUDE...

Even when Cyn was creepy and scary, she kept her around. She'd rather lock Cyn up than get rid of her. and when n points it out, shes apologetic and hesitant. But we know WHY she did that. Even if it was kind of a sucky move, it was because she didnt wanna have to throw cyn out. and in the end that killed her.

Also she knows J well enough to know what sets her off (enough to. bite the shit out of a chain). She knows them. and she loves them.

I wish we'd gotten to know more about her an N. why is he so clearly her favorite? but thats not relevant ig

also her saying "I've only ever yakked to robots, J!" She has NO human friends. she has nobody to support her other than these robots. these robots who get treated like garbage by her family.

and then she has to watch these robots turn on her. Not just THESE ROBOTS but the three that she loved most. (also im going off what wouldve happened in ep 5 WITHOUT uzi, where n doesnt get out of the swamp, and nobody goes down to the basement)

V first, then Cyn, then J. And we KNOW she loved these three+N especially bc she took a family photo w them, interacted with them more often, and generally just seemed much closer with them.

and what does she get for it? killed. And also its implied by this screenshot that she wasnt ACTUALLY killed by cyn right then

(the scientists, the sword beside her, the footprints, the way shes sitting against the wall, the expression she has. she totally just saw all that shit)

and she cant have been skyn bc the scientists wouldve known. the skinsuit wasnt exactly. hm. pretty.

which means she DID see her whole family+more slaughtered in front of her while she was powerless to stop it. She DID see J violently kill everyone around her. She DID see Cyn kill everyone. And she just has to. Deal with that. And despite all her efforts, the solver took over and cyn killed her. (im assuming tessa died somewhere around when n's mineshaft flashback was like i mentioned b4)

and all the while she was convinced shed lose N, id assume. based on the state of the other drone out there.

And honestly, i think what she got was worse.

also i am team "N knew Tessa wasn't the same Tessa he knew back on Earth"

The way he looked at her, and the way he was suspicious of her. He knew HIS Tessa would never treat a drone like this. Cyn has been known to have relatively shitty recreations of people at times (like Thad in episode two) But even so there was no way he could believe it was someone else (like. who would it be? he saw her blood he heard her voice like...) which is why he was so stressed after killing her (when he leaned on his sword and was breathing heavy, yk?)

he loved her and she loved him and now shes dead. just like everyone else he loved.

this isnt about n but like. idk if tessa could see him now i think shed cry. she loved him and all of them

[oneluckydragon]

BREAKING NEWS!!! Local idiot ghost absolutely blown away when boyfriend gives him a nickname for the first time, more info after this broadcast.

Bonus pet-name edition:

(Yeah I know it's ooc for grovyle to EVER use the term "babe" but lets go ahead and assume he's done it accidentally a few times rather than intentionally. He's deeply in love with the dumb ghostman, ok. Sometimes it just slips out.)

Dusknoir is still recovering from hearing it. And when he finally calls grovyle "love" himself on accident a few days later, he falls deathly ill for two weeks cause his body couldn't handle the aftermath and started rapidly shutting down on a molecular level.

[case-files-and-wine]

thinking abt maya seeing through trucy's facade because she's ALSO been a young traumatised child who grew up wanting to please the adults around her and having to be grateful to be taken in. about her accepting that this is something trucy will continue to do because as a child with no real agency it is the one thing she has to protect herself. and she doesnt try to fix it but instead reassures her as often as she can that love can be unconditional

[batcavescolony]

A Batfam AU where instead of going to get Dick to be Robin again Tim uses necromancy to bring Jason back from the dead. He just leaves Jason on the Wayne doorstep with a 'do better this time' sticky note. Batman can't find out who did it and Tim stays his little latchkey self with semi ok but distant parents (cus canonical they weren't really abusive just not there which isn't good but they could be worse). His parents bring him along on trips but again they love him but they just leave him to do as he pleases. so in Paris he ends up still getting trained by Lady Shiva. This keeps going and Tim just keeps reviving batfam members, if they fake their deaths and Tim tracks them down to check on them. They still have no idea who their shadow is, they can't find him, Tim likes it this way. Bruce goes MIA and Red Robin happens just minus Tim actually being Red Robin. The JLA doorstep gets a passed-out Batman with a 'I can't believe I have to keep doing this shit' sticky note on his head.

[cent-scratchnsniff]

doodles for the thoughts i get at the morning when unable to sleep

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?”