#Really want to draw these guys more often

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[year2000electronics]

Honestly my favorite thing about you by far is how you build on aus and fanon of old without being needlessly cruel and disparaging to it. OG reverse falls had a lot of issues, but people tend to get lost in dogging on it as opposed to embracing the beauty that comes with creating new content for it with hindsight and maturity that the fandom of old didn’t have. Basically just thank you for being so kind. Anyway my second favorite thing you do is draw reverse ford like a silver fox you’re so fucking real for that

thank you!! i really do try to be kind and positive about stuff as best as i can when it applies, i know fanon stuff gets a lot of flak for often being derivative or just very shoddy at times but its like. idk. ive always seen the bridge to better fanon being lifting up and supporting what you do like, because the more lamenting that happens the more you end up just sorta chasing this giant invisible strawman of "you guys" who are "making the thing i dont like instead of the thing i like" (as a pretty relevant example, ill see posts pop up in tags complaining about "you guys'" humanizations of a certain triangle... -_- )

because like its true! sometimes fan stuff is dumb. because we're all creating stuff out there so some of its going to be dumb. even some gravity falls stuff is dumb. roadside attraction is dumb. parts of the wendy crush arc are dumb. which is why i want to lift up parts of something i like and when i do point out stuff i dont like i always want to kinda be constructive about why. and i do think that trying to build something i like attracts people! i think they pick up on the passion there! and it just feels so much more rewarding than if i were to complain all day. idk. its all about striking a balance and its something i like to think about and ruminate on a lot as someone who participates in the community of fandom.

its also a bit of a glass houses thing to me, because i dont think i can even claim to have fanon that like, doesnt suck. not in a self deprecating way you just have to understand where im coming from here... because im the type of person who loves to ruminate on how the relationships between people affect them and how it makes their story, which ends up meaning i go REALLY hard on shipping! and someone could point to me and be like "wow youve got Yaoi Brain" or something! and i draw my human bill as a skinny white guy because idk i just Do! and people could call that derivative if they so wished! if i was going around proclaiming that i could 'be better' and 'fix bad fanon' it would just feel ironic to me. because sometimes the art i make isnt perfect too. and im fine with that. its a part of my art to me.

anyways thank you for the ask and the gateway for me to ramble :] i always like talking about this stuff. here's silver fox ford gleeful again

[devinox-art]

My MC!Detective I've made for the @sanguinesky-if , Darcy Rowe. Her first outfit is definitely more of a "what she really wants to wear". Her second outfit is what she usually wears (jewlery, shirt styled in some way). The third outfit is how she ends up dressing during the events of the story (no jewlery, less styled). Her hair is usually up while she's at work, I just couldn't resist drawing it down. A couple things:

- Yes she has black wavy hair + micro bangs, and black eyes.

- Her twin's name is Lorelei and not only is her hair longer, but she has light brown eyes and curtain bangs.

- Yes she has chronic closed-eyes-always-smiling anime trope syndrome.

- Yes this means Kyle managed to bag a goth baddie (and is fumbling her so, so hard).

- She fancies herself as a composed person who can not only handle her own emotions and emergencies, but other people's emotions and emergencies as well (which is why I always have fun pairing her with the hotheads). This has yet to be challenged.

- I like to headcannon that the rest of the precinct finds her to be cold hearted since she's continuing to act as if her mentor and father figure hasn't just died.

- (As if little things are starting to slip out behind closed doors, like how she fought against the feds taking over her case).

- Klemmens is just the dad from Full Metal Alchemist.

- If she can't hold someone at gun point and look hot doing so then what is the point™️

- If looks could cut...

Personality wise:

She's blunt, reserved, and distant except with her sister and Lexie (these scenes mess up her stats so I don't regard anything in the stat page as "canon"). Her sense of her humor can be dry and usually taunting, often leaving people who don't know her well to question if she's even joking in the first place.

Her relationships currently:

Lexie: Her good friend and someone whom she absolutely adores (but is completely friend-zoned; Darcy might be bi, but I was never really fond of the friends-to-lovers trope).

Kyle: The guy she hates to love. He's more than proven himself to be capable and reliable. In certain situations she even finds his temperamental nature enduring. But the way he seems to be satisfied with leading her on is leaving quite the bitter taste in her mouth. More than once she has concidered outright rejecting him and putting an end to what she keeps thinking is mutual attraction, but something always has her hesitating to do so...

Morgan: They call her by her title. They work well together, but not knowing them outside of work has always left a divide between the two. Their relationship is mostly professional, but after learning their actually a CID agent she is left her unsure on how to handle their relationship going forward.

CID: Initial encounter aside, she's chosen to be dismissive of them. She doesn't feel the need to respond to them unless it directly involves work. (She actively ignores R and has taken more of an action speaks louder than words approach).

Side Note: Kyle is her cannon route but I've been exploring the CID's routes with her with a "Kyle won't fucking do anything but the new arrivals seem to be interested" mindset, which is really fun. They are all so interesting ✨️

S: She keeps at a distance but can't help but to want know what he knows... as long as it's during office hours.

Definitely drawing more for this IF eventually!

[myrathefarmer]

HOTGUY AND CUTEGUY 🎀🏹🎯 Based on the original Hawkeye comics!

[neuroid]

[iris-drawing-stuff]

Happy Pride Month everyone!

Lets all ponder the gay ass apple with Kazui.

[lordichamo]

hey guys is this anything

[buwheal]

I try so hard to be nice. Seeing spamton so distressed makes me feel awful. I wanna reach through his screen, give him a hug and tell him it’ll be okay. But I’m nothing but a letter to him. Words on a screen he can easily ignore.

I want him to be happy, I want to whisk away every single bad ask and wrap spamton up in a blanket and give him the warmth and love he deserves. I really, really wish I could.

I suppose for now sending this will do. Thank you for the amazing stories, bu ❤️‍🩹 you’ve genuinely broken my heart for this poor man, I cannot wait to see more

But he hasn't. He doesn't ignore what you guys say. He really really cares about what you say, in fact. Easily ignorable, but he is paying attention. Anyways, thanks :-)

[gobstoppr]

hey guys am i allowed to say on main that i dont like metadad . am i gonna get beaten up for saying this.

guys i think we all took the term found family too literally and now everythings flattened into a boring nuclear family. guys can we stop. hello . is anybody there

[triglycercule]

if dust takes off his hood and scarf then nobody can recognize him. he has literally no permanent traits that make him recognizable (which actually kinds upsets me because,,,,, there is no physical representation of his character development from sans to dust BUT EAAHHHH whatever,,, we cope with it.) but in like a silly goofy comedic way. it's like perry the playapus ans dr doofenshirmst (incorrect spelling but only by societies standards)

dust with hood down and no scarf

killer: a sans?

he puts on the scarf

horror: a GENOCIDE sans???

the hood goes up

killer: DUST SANS AKA MURDER SANS AKA DUSTTALE SANS FROM HIT AU DUSTTALE?????

horror's skull breaks a second time on the other side from sheer shock

[onehundredfallenpetals]

Sleepy Akira clings so hard he drags Goro into bed with him too, forced to cuddle in jeans - how tragic

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[crescentfool]

does anyone else want to stick these two in the same room together or is that just me... i simply think they are adjacent in vibes... (+a bonus thing???)

get u a fictional guy that makes you feel like this... seeing these guys just evoke a Similar Kind of Brain Chemical and Response. Help Me.

also have bonus yosuke doodle featuring the same brushes used here...! from january 23rd, lol.

[moeblob]

I normally don't repost my art like this but since most of these are just posted as one picture I also don't wanna reblog a lot of posts. So! Please look at my Dream Wardens. I love them so much.

For the outfit meme thing btw, I would like to point out they don't really need sleep and they exist to work so no need for fun outfits. HOWEVER! Marcus and Colette's ties are the other's eye colors. Sil and Luce have gray ties because Luce was more recent (still a hundred years of partnership) so it's pretty much "you're being scored to make sure you can keep the job" and they eventually would get ties to match the other's eyes color.

The basic premise is! They live in a realm filled with dreams which they have to keep watch over to make sure don't escape. Whether dreams or nightmares, they must be contained. So it's kind of like a prison - each person has a cell that contains their dreams. There are.... a lot of wardens. But each "floor" has eight wardens and it's a circle where the wardens work in pairs. So Marcus and Colette are the focused pair and then they make rounds, they'll end the shift in a rest area where they either hang out with Luce and Sil or Sophia and Ruby. Those are the four they interact with while those four have another duo that they meet on their rounds.

The wardens cannot die. Literally impossble. They can get injured but it heals really quickly. So while Marcus would prefer to not be impaled (again) it wouldn't actually kill him. He'd just be sore.

They also just do not age. So they're centuries old. That said, for a while Colette had a different partner who retired and she got Marcus... and Marcus was incredibly quiet and reserved and scared of messing up for like 10 years before he started to warm up to her. (Time do be feelin' different there) And then he opens up a bit to Sil and Robert who was his partner at the time. And then hundreds of years pass and Marcus is super comfy with them (Sophia and Ruby still intimidate him a bit but that's different) and suddenly! No more Robert. Now it's Luce. And Marcus spends five years avoiding any and all conversations with him because oh no he's hot. Sil gets interrogated by Luce because "have I offended him in some way? he won't even look at me" and Sil is just "dude's shy. took him ages to warm up to me and my previous partner" and eventually Marcus laughs at something Colette says and Luce is like "ohhhhh nooooo I'm doomed he's so cute". While the entire time Marcus has been refusing to attempt conversation because "no he's handsome I'm doomed since I'm bad at conversations".

And they mention Robert sometimes (Colette, Marcus, and Sil) around Luce and Marcus seems chill about it. But then Marcus gets a serious injury that will recover but it would impact his job too much to patrol without a head so they send a temp replacement and it's Robert. And Sil is like "oh oh trade you Luce for my old partner give him" and Colette "are you kidding? you had him for sooooo long I wanna patrol with Robert now! it's only gonna be a little while!" and Robert just .... doesn't wanna be there. And when Marcus is fit to return he begs the people in charge of their routes to NOT LET ROBERT LEAVE until he can say hi and they let him. Unfortunately it involves Marcus busting into the break room saying "ROBBIE ROB!" and Robert sighing but standing up and extending his arms for a hug. Two pats on Marcus' back. and "okay bye". Luce is left in absolute despair cause he's never seen Marcus that happy oh boy.

Anyway my dream wardens mean a lot to me and I really miss them now.

[robotsafari]

deep in the kingdom hearts trenches..

[kathybluecaller]

Finally got around drawing Aioros :D