#Really really really wish the writers handled her character better

[gaykamenridermemes]

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[absolutebl]

This Week in BL - I'm having a GREAT time

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 5

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 7-8 of 12 - I do love these 2 a lot. It’s such a slow burn sweet comforting quiet little romance. It’s not complicated, it’s not stretching my thoughts or imagination, but it is easy and absorbing. I'm entertained by it without being taxed. And sometimes that’s nice. It's what Thailand does best.

Addicted Heroin (Thai Tues WeTV) ep 3 of 10 - Oh I’m still enjoying it. It’s only episode three and they’re basically boyfriend’s palling around shopping together and hanging out on a bicycle. What’s not to love? Also he got to meet the in-laws. Well… eventual in-laws. Also the girlfriend character. I totally forgot about her. Good times.

Sunset X Vibes (Sat iQIYI) ep 12fin - Baby faints. Bad guys caught and beat up a bit. Lots of romantic moments, come checking in with ALL the sides, and it ends.

Summary?

Classic CEO meets ingenue archetypes make for a somewhat banal and simplistic romance. This could’ve come from an 80s Harlequin, except that they’re gay. It's... old fashioned. There was nothing meta about this, there was no subversion or commentary on anything BL, queer, or beyond. It’s just a straight up (okay not straight) romance. I was not wild about these characters for this particular pair, but that’s not the pair's fault, they did a decent job with their parts and I look forward to their next show - here’s hoping it’s a bit more meaty. I preferred the side couple because they were more complex and true to BL archetypes, even if they were also a bit miss-handled. A serviceable show if somewhat lacking in its convictions, but with some beautiful sex scenes, people, and fashion. I was a particular fan of Lin‘s gender bending femme style. It’s groundbreaking to see that aesthetic on one of the leads. There were multiple times they could’ve leaned into well established plot points, paranormal elements, and character tension, and instead just glossed over them.

This should probably get a 7/10, but I’m giving it an 8 because of that one oppa line at the beginning, Tenon's tatas, and the call back to Big Dragon with that iconic musical refrain in the final episode. It was a pretty fun ride, emphasis on pretty and ride. 

Battle of the Writers (Sun YT) ep 5 of 12 - Lots of kissing this episode. And lots of different kinds of kissing from the same two actors in various different forms and characters. I really liked it. It’s nice to see that this pair can mix it up a little bit, even if it's just with their lips.

I Saw You in My Dream (Weds Gaga) ep 7 of 12 - OK the leg care massage was so boyfriend I can’t even. Who are they trying to fool? I love the way Ing always knows exactly what is going on. Thank goodness for that confession! I’m very much looking forward to the next episode.

(The socratic method, is it?)

The Trainee (Sun YouTube) ep 9 of 12 - Still couldn’t care less about the hets. Yawn. Ah Jane’s ex shows up. (Is that Green? Hi baby!) Meanwhile, Jane gets worried and jealous. I loved Pah in this ep, and almost wish this were a show just about him. Like a grown-up Green Fictions. (Where tf did Poon COME from allasudden? He’s a killer actor. GMMTV better use him wisely.) Also, in that scene with Pat and P’Jo, they’re eating some of my favorite food. I got a little bit of linguistic negotiation with Khun Par Phi. Cuteness. And we end with some actual communication. Yay!!! It’s kind of hilarious to see OffGun in a tentative hug. I don’t think they’ve been that way for a years.

In fact, this whole episode was pretty much about communicating properly between ages and ranks within an office and social structure. I loved that. I’m liking this one more this week. It’s still not my favorite currently airing, but I think that mostly has to do with how much other good stuff is on right now.

SPEAKING OF...

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 3-4 of 12 - Uh huh, a game of one-up-man-ship is it? I think not. That boy wants to jump his cute stepbrother’s bones so bad that big brain of his is starting to melt. I'm here for it. Also, said sunshine cutie is clearly a big old cock tease. Everybody is happy about this. They sure know how to end these episodes on cliffhangers too. I don’t know how I’m gonna wait until next week.

I’m legit mad about how fucking good this is. After Unknown too?! Taiwan is spoiling us this year and THEY SHOULD HAVE BEEN DOING IT ALL ALONG.

Sugar Dog Life (Japan Sun grey) ep 3-4 of 10 - Oh my goodness do I love this show. It makes me laugh, I adore the premise, I'm wild over the characters, and the acting is killer. I’m just really happy about this show, OK? I tend to sing and clap: Oh they so cute.

Baby got his first crush and he has no idea what to do about it. I ADORE how angry he is about it. Like... How dare I even consider falling in love with somebody? How annoying of me. It’s great. I even liked the girl in the confession and how cool and sweet they both were to each other over his rejection. Bang up job. This is fantastic BL of the newer modern style. (As contrasted to On1y)

These top two shows are neck and neck for best of the week, for entirely different reasons. But I love all my sons.

Speaking of...

Cosmetic Playlover (Japan Tues Gaga) eps 7-8 fin - Oh it’s so adorable with the drama and the little subordinate coming to their rescue, and them meeting each other’s family. "I want to become someone who is essential in your life" = peak romance.

Summation?

I loved this little show. It was a classic office BL about the older workaholic who loves his job and the younger upstart who unexpectedly loves his boss. It’s a hyung romance where everybody is extremely earnest and sweet and pretty about everything. Except our seme, who is slightly unhinged and a little obsessed in all the ways one likes best from Japan. Plus the kisses were good! I can’t ask for anything more, utterly charming unexpected gem of a show. What a great time! 9/10

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 11 of 12 - The lack of communication between these 2 may actually drive me insane. But I still love them. Such a sad ep. 

Seoul Blues (Korea Fri? YouTube) ep 3 of 8 - Argh but also oooooo. I bet the uncut version was fantastic this week.

First Note Of Love (Taiwan Mon Gaga) eps 5-6 of 12 - I'm starting to like this better. I’m still not convinced, but I did enjoy watching it this week. I’m getting some chemistry off the leads. Admittedly. that’s because they both behave like 16-year-olds. Surprise MosBank cameo - looking handsome as ever, boys. (Honestly, Taiwan really wants that King of the Cameos crown.) And FINALLY our side couple. I’m looking forward to next week primarily because of them. And I don’t even have them yet!

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 9 of 10 - OK the lap cuddle was v cute. As was the handholding. But hiking with a metal griddle? Insanity. Might be the craziest thing in a BL this year. And The Sign aired this year. Meanwhile, not a dead fish kiss! Yay! 

It's airing but...

4 Minutes (Sat Gaga) eps 1-6 of 8 - Gaga picked this one up so we can watch it there. I'm waiting until the end, it seems angsty and confusing and full of awful people being awful. But also... high heat and I'm shallow. So we shall see which devil wins (and how it ends).

In case you missed it

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging. It's just taking me some time. This isn't really a bingable show, not for me anyway. It's A LOT to take all at once.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming SEPTEMBER 2024:

9/? The Time of Fever (Korea iQIYI) 6 eps - HoTae & DongHee are back! Side couple from Unintentional Love Story, same actors, same character names I an WILD for this.

9/1 Live in Love (Thai Sun Gaga) 5 eps - Short series featuring and online romance turning IRL.

9/3 Happy of the End (Japan Tues Gaga) - Based on a manga, longer than usual run time. A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL. Here it is!

9/6 Kidnap (Thai Friday GMMTV YouTube) 12 eps - Ohm Pawat is back for Frigays it's gonna be a blast.

9/7 The Hidden Moon (Thai Sat ????) 10 eps - This is a supernatural romance (my ghost boyfriend trope) ‘เดือนพราง’ by Violet Rain (I Feel You Linger)... A Bangkok writer is hired to write an article about an old mansion in Chiang Mai which is being converted into a café. He gets into an accident and nearly dies on his way there. After that, he sees the ghosts of people who died at the mansion, one boy catches his attention. Was substantially recast.

9/9 Jack & Joker (Thai Mon IQIYI) 12 eps? - Be gay YinWar, do crimes. Dehup gives us Yin, War, Mark and a few other familiar faces in a Leverage sitch, only queerer.

9/14 Love Sick 2024 (Thai Sat ????) ?? eps - Remake of the original. I'm scared too.

9/15 Bad Guy My Boss (Thai Sun Gaga) 10 eps - Assistant to a player boss who is in love with that boss decides to quit to save himself. The boss then makes a move. (A gay What's up with Secretary Kim?)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 10 eps - Lawyer and a con artist meet at a bar, pair up, fall in love.

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

Adventures in miss-captions

(been a while since we had one of these)

SNICKER "nail you" and a "nail you down" = completely different things. But this being Japan they might have met either or both. (Cosmetic)

THIS WEEK’S BEST MOMENTS

Why yes, you do have the prettiest lips in the biz. No need to tease us like that. (Battle)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[nqueso-emergency]

I've been a 911 fan since it started, but have only joined the fandom since S7 (what can I say, BT reeled me in). I've been in various fandoms over the years, and seeing/hearing a lot of what the toxic buddie shippers have been up to reminds me a HELL of a lot of the toxic Lena/Kara shippers from the Supergirl fandom. Like Buddie, they interpreted a romantic relationship that didn't exist from the most obscure stuff, they harassed anyone who shipped (mostly Kara) with anyone else, and they sent abuse, death threats etc to the actors who played rival LI's as well as the writers.

And the show suffered for it. One by one, the male cast members who were copping the abuse left the show. Kara's main LI (played by the actor Melissa Benoist (Kara) eventually fell in love with and married in real life) who appeared in S2 left in S3, and the writers seemed too afraid to give their MAIN CHARACTER a LI arc until the final season (who they then promptly killed off). Melissa Benoist chose not to renew her contract after S6 (thus ending the show) and I can understand why, considering the toxic shippers were saying things like they wished her husband and FATHER OF HER CHILD would die, all because his CHARACTER remained the only viable contender for Kara's LI throughout the run of the show. And while some of the actors tried calling these "fans" out for their behaviour, saying "hey, we're human too, please be kind", it didn't help that they had some of those shippers in the media, spinning the tale about this "great romance" (that never existed) and thus never calling these people out (instead boosting their delusions that one day, their ship would be canon - and boy were they pissed when it never did, feeling like they had been "cheated" and "queerbaited").

And then these shippers would justify their actions by saying they wanted to see "representation" with a f/f ship rather than the main ending up with a "straight white guy" while completely ignoring that a) the two characters in their ship were canonically straight and b) there already WAS representation! Kara's sister, one of the main's, was a lesbian! But in an episode where Kara's sister got married to a woman, some of the biased "media" declared that the episode "could have been gayer" if only their pair had got together.

Hmm, doesn't all of this stuff sound kind of familiar...

Thankfully, the 911 actors and writers seem to be handling all this a little better because so far it looks like they aren't caving to a toxic minority and have started shutting it down when it pops up. But these people are only human, and I just worry that one day this hate is going to get to them and we might see the show suffer as a result, whether it be from actors choosing to leave or writers taking the easier option and choosing to no longer tell the stories they want to tell. I know shows don't last forever, but when 911 eventually does end, I'd like it to be able to end organically, not forced to an early end because a bunch of people can't handle their pair not getting together

Thank you for sharing this with me!! Omg it's the exact same shit we're seeing!!

Tbh, I'd say this is the exact reason why Oliver and Ryan don't really comment on the treatment of their LI. It would just add fuel to the fire.

And if you don't think people who were associated with Supergirl talk to 911 people... you're extremely naive.

The real issue here is IF an actor were to leave the show, it would most likely be Ryan seeing as a majority of the problematic people are Ryan/Eddie stans first.

[nyxtsu]

Yap session about Zane~Chan

Zana/Zane~Chan gets a lot of hate as a ship, but I think it's the healthiest romance in the series.

I personally don't think it's THAT rushed, maybe towards the end, but they didn't just come out of nowhere, it was set up in s2 and they had moments here and there in seasons after that. It was clear even before Starlight that it was set up to be something in the future. But that's besides the point. Their relationship shows healthy communication and growth between two people, and an overall good representation of how a relationship should be. It shows mistakes and flaws within the relationship, and how it's important to communicate and try to fix these things.

Despite how Nana is in relationships, and despite how Zane had never been in a relationship before, it's surprisingly the most mature romance we see.

In the beginning, we see Nana sort of trying to rush things, like she's known to do. Zane tells her that it's okay to go slow and that it's best for them. She takes this criticism and tries to better herself. Zane comes out of his shell a bit more thanks to Nana. In the 'Nana accidentally kissing Garroth' thing, Zane showed true maturity in the way he handled that. He was sad at first, but once Nana explained, he said he believed her. He believed her because he trusted her. That kind of trust is so important in relationships. I think they both truly try to understand each other, because they genuinely care. I think that's a great representation of problems within relationships and working past them. For a Minecraft roleplay.

A lot of Zane's growth as a character was on his own or with the help of Aphmau at the beginning of Mystreet, but we definitely see even more of it in his relationship with Nana. This is how it should be! A character going through self improvement on their own, throughout a series. We see him grow as a character, we got more lore as we went on, saw him warm up to the people around him, etc.

But Nana... my babygirl... what did they do to you...

In Starlight, Nana felt like a character thrown in there as a love interest for Zane. Her character didn't have much growth or depth before that, and all of a sudden in Starlight she's telling her deepest darkest secrets to Zane. While I think that they really did grow closer in "Aphmau's Year", and I do not think she was wrong for suddenly telling him about her past, it felt like bad writing on Jessons part. It just gives the feeling of "oh lets finally give this female character some depth so she can be with this male character." If that makes sense. I wish she had that growth or that lore was revealed earlier on, not just for her relationship with Zane.

So, of course Zana has its faults here and there, but I don't think it's because of their relationship dynamic or anything, I think it's the fault of bad writing (especially on Nana's part). If their story had more thought put into it, and the writers weren't so focused on one ship(Aarmau), it would have been much better. I still think it's great, and I love them, but it could have been better.

Nonetheless, they have a healthy relationship, and they send a good message to the young audience about how things work in relationships. They don't have a very suspicious age gap! And they don't punch each other or sexualize each other to a concerning degree!! Stares at Aarmau and Travelyn.

[spacerockfloater]

Hi, I just wanted to say that I wholeheartedly agree with your recent post. It really bothers me how the fandom, especially those who are supposed to be green fans, are turning on Aemond. Don't get me wrong, I loathe the way they handled his character this season, but it's really interesting how for the last two years we had to listen Aegon stans complain about him being ruined by bad writing. Yet, they never turned on him. He was just the writers' victim, according to them (which isn't untrue). However, those same people (you saw it in the replies) are unwilling to extend the same courtesy to Aemond when he's being treated even worse by the writers for the whole f**king season, all that without having a decent amount of screentime or an actual POV (unlike Aegon who actually got a much better material this season). I guess these fans only "liked" Aemond while he was what Aegon thought of him, "a loyal hound he could set against his foes and who knows his place". Double standards much? Let's get this straight, I hate what they did with RR and Aemond burning Aegon is another dirty trick of the writers in order to divide the green fandom. Apparently, TG fans are unfortunately eating it all up. Nevertheless, it's not the reason the greens are in a bad situation because we saw that Aegon and Sunfyre wouldn't be of much help in battle anyway. Sunfyre could go against dragons like Vermax and Moondancer, but that's it. And Aegon is not a great warrior or a leader. Therefore, just like you said, Aemond can't fight alone so him asking Helaena to join with her big ass dragon isn't unreasonable. Yes, she isn't violent and doesn't want to burn anyone, but nether is Rhaena and I can bet she'll get the Nettles arc, ride the dragon and burn things.. So why does everyone treat Helaena as a little fragile house pet? Aemond is right, she can't defend herself and they would tear her apart. But no, he's also in the wrong here (showing him being violent towards Helaena is so OOC I won't even comment on it). And don't get me started on Alicent. She practically betrayed her faction twice, in ep 3 when she let Rhaenyra go. And she could have ended the war there and then, even before RR. Now she goes to Dragonstone to tell Rhaenyra she'll open the gates for her and this is framed as a good thing because her son is awful and she just wants to save her daughter? Yeah, no. However, Alicent is also defended, it's all on Aemond now, he is the evil villain ™. Aegon can be forgiven , Alicent can be forgiven, but Aemond can't? It's ridiculous. The worst thing is that I'm saying this as someone who has loved Alicent and all her children since s1.

THANK YOU SO FUCKING MUCH FOR THIS!

You’ve done it, you’ve said exactly what I have been thinking!

I wish I had something of substance to add to what you said, but I don’t. This needs to be a post of its own.

Aegon was treated horribly by the show. I am a huge fan of his. But now they’re doing the same thing to Aemond and he doesn’t deserve that shit.

Aemond is all that left of the Greens.

This show has butchered every single TG character.

[tobiasdrake]

Ranma 1/2 Reboot 01x09 - I'll Never Let Go

Here we go with more of the ice skating arc. Fuck these people up, Ranma and Akane.

Modern dubbing has gotten really good. I have my beefs with some modern dubs, like the way Spy x Family translates Anya's comical gaaaaaaan shock noises into just... generic gasps with no funny sound whatsoever. But they're a lot better than they were in my day.

Sometimes I'll flip over to the dub when watching something just because I'm curious how the dub team for this specific piece handled something.

For this bit, the joke is that Ranma called him 慢性発情男 Mansei Hatsujou Otoko, which sounds kinda-sorta similar to Sanzenin Mikado and means "Chronically Horny Man". Or "chronic horndog" as the subs translated, which is accurate but doesn't sound anything like his name.

The dub opted for "McHorny Sex Pest" as a kinda-sorta for Mikado Sanzenin, and that's perfect. Chef's kiss.

This man is so gross. He already forced himself on Ranma and now he's going to use their competition today as an opportunity to force himself on Akane.

I kind of want him to die. I am so glad he does not get to stick around and join the cast full-time.

That is easily the best photo of Ryoga that he has ever had taken of him in his life.

A kolkhoz is a type of Soviet farming co-op. I'm not sure why this was chosen for the name of Azusa and Mikado's school.

Do not attempt complex figure skating maneuvers without proper training. I need y'all to understand how many places Akane's skates could have ended up just now after Ranma slipped. This maneuver was way too complex for him.

Okay but felt though. When I was her age, I was exactly this sore of a winner. I hate that this character speaks to me as much as she does.

(Sharp blades hovering over very dangerous places right now.)

Seriously though. Fuck her personally but she is so goddamn cool.

How can you not wish you were this cool? But, y'know, with better taste in partners. And... also better lifestyle choices. This is why people adore villains. Because villains have style.

RANMA

RANMA THERE ARE KNIVES ON YOUR FEET

YOU CAN END THIS RIGHT NOW

RANMA

RANMA

Mikado does this so often in competitions that it's considered a signature move for him. I hate that. I hate him. Ranma, stab him with your footsy knives.

See, what Mikado doesn't know about Akane is that she is basically Furinkan's #1 expert on guarding yourself from pests like him. For her, this is Tuesday.

(Should have put a little more force on it. Ice skates have blades but they aren't ultra-sharp. It takes pressure to cut. Don't worry, Akane, we all make mistakes.)

I love how even Azusa gets in on the karmic steamroll that Mikado's earned for himself.

These two are way too invested in breaking up couples.

Narratively, the purpose this serves is a pretty on-the-nose test of Ranma and Akane's budding relationship. Writers do this with canonships all the time. "Once you swallow this pill you will die a gruesome death unless your feelings for your designated love interest are TRUE!"

This certainly explains Mikado having a signature kissing move.

But it's crazy that these two, whose relationship with each other seems entirely platonic, have made it a point of pride to destroy other people's relationships.

Azusa has shown zero interest in Ranma up to this point. Her thing is losing her cool about cute things. She and Ranma have barely said two words to one another.

But then she's like, "Oh, we're doing a Matchbreak? I'm on it!"

Like. It's not enough for Mikado to be a sex pest and for Azusa to be a cutesy kleptomaniac. They have a vendetta against romance. These two are My Little Pony villains. Who hurt you both?

An interesting detail of the Goodbye Whirl is that Azusa's connection to Ranma is the bond that breaks.

It would have been easy to set up Mikado and Azusa as a high-skill but low-chemistry partnership for Ranma and Akane to overcome through superior trust in one another. But Mikado and Azusa click very well. They both reflect one another's flaws and they have a fantastic level of teamwork, experience, and cooperation.

They didn't become masters of a cooperative sport by being islands.

So it isn't Ranma and Akane's connection that breaks, despite that being the intent of the Goodbye Whirl.

And it also isn't Mikado and Azusa's connection that breaks, because their bond is just as strong if not stronger than Ranma and Akane's.

It's the connection between the two pairs. Ranma and Akane are an iron-forged bond, and Mikado and Azusa are an iron-forged bond, but never the two shall meet.

Ranma and Akane don't outlast Mikado and Azusa. But they do implicitly outlast every couple that the pair have matchbroken in the past. The impulsive and self-indulgent Azusa getting tired, ceasing to care about this, and letting go is the weak point of this technique. But it's a weak point nobody's ever held on long enough to discover before.

There are a lot of words in Japanese that can be translated to the English catch-all "monster". The one here is け化け物 bakemono, which is a shapeshifting occult spirit that impersonates people or objects. It literally translates to "Thing that Changes Shapes".

So, literally, this line translates. Azusa is saying that no human would have survived that, and only a bakemono impersonating human form could still be alive now. "Only a monster would survive that."

But. In context, knowing Japanese, I need y'all to understand how funny this is. Azusa claims that only a bakemono could have survived that, and then Ranma wakes up.

Ranma is a person, not a bakemono. But. I mean... He and P-chan kinda are. They are Shapeshifting Things, which impersonate other kinds of being.

That's not why he survived. He survived because he's been doing Anime Warrior Training for his whole life. But she's not wrong.

And then Akane got unceremoniously ejected from the Couples Duel. Now that her role as Primary Love Interest has been firmly reinforced, she is of no further value to this fight scene. It's time for the boys to take over. Great.

Oh well. At least she got to do that cool flip-kick.

This is not a fakeout, either. Much like when Ranma stole her match with Kodachi from her, Akane will no longer be directly participating in this fight from this point forward.

That cool flip-kick was Akane's one and only contribution to this entire confrontation. Other than that, she's been tossed around by Ranma a couple times, survived the Goodbye Whirl because Ranma wouldn't let go even though she wanted to, and now she's fired so we can have more Ranma and Ryoga shenanigans.

It was the one flip-kick and that's it. That's all she gets. She defended herself from the predator like she said she could last episode, and now she's done. She has no further value that she can add to this fight.

Like, they even made a big fuss over how injured Ranma is. Ranma is so badly hurt that it... inexplicably warrants benching Akane? She has to leave because of his injuries.

Ranma wants to keep Akane from dueling with Ryoga and Akane wants Ranma benched because he's injured, so the compromise they come up with is that the injured Ranma will duel with Ryoga.

Like. I get that Ranma and Akane can't go out there together like this because heteronormativity, gotta have a M/F partnership, all that jazz. But if Ranma's injuries aren't going to be a problem then they can just excuse themselves for a moment, hot water Ranma in the back room, and get back to Ranma and Akane dueling.

I mean. Hell, they could probably get away with doing it right out here. Azusa's already pegged Ryoga as Charlotte and requires no explanation for how that's possible.

She doesn't even know about Jusenkyo curses and she accepts this without question.

There is absolutely no reason why Akane would need to retire from the rink right now and I'm kinda mad about it, especially right after the Kodachi thing.

This is why people think she's boring. This is what makes her the most divisive character in the series, with a fandom either loving or hating her with no middle ground. Akane is an interesting and relatable character, but she isn't allowed to do things. Even when it makes absolutely no sense to suddenly banish her from her own storyline like this.

I honestly think Takahashi just couldn't think of a good way for Ranma and Akane to win this fight. The match has thoroughly been established to be too heavily skewed against them for them to prevail. Last episode/chapters established that they'd take this in a street fight, no contest. But this episode/chapters establishes that their skills just aren't enough to overcome the disadvantage of the ice rink.

So... bye, Akane, I guess. Enter Ryoga and the Ryoga-esque complications that will form the answer to this unwinnable fight. Now we get the absolute shenanigans of this episode's back half, as well as the arc's final chapters that will form the next episode. For which Akane will be nearby cheering for her boys.

[youroomwasquare]

Marcy Wu, and Why Her Unfinished Character Arc Worked.

I'm gonna ramble a bit about our favorite newtopian ranger, marcy wu!!

so. I, like many others in the fandom, was a bit disappointed with how the show handled marcy's growth and character arc. it felt rushed.. incomplete, and overall messy. I felt that marcy's growth wasn't given the same attention and care that anne & sasha's growth was. coupled with the overall tragedy of marcy's character and role in the story, I was feeling extremely discontented with marcy's character.. until I realized that the show writers may have unintentionally made that the point of marcy's arc.

because LISTEN. out of all of them, marcy was the one who came away with the least positive things from amphibia. she didn't connect with her amphibian charges (she even admits it herself in the finale, and says that she wished she got to know them better), she was more focused on the technical and worldly aspects of amphibia, and while she did come into her own, she wasn't able to address and tackle her underlying core issues in the way that anne and sasha were. --

the two main themes of amphibia are learning to embrace change and letting go. and all the story arcs of the calamity trio showcase this in different ways (that's a discussion for another time, however). of these two themes, marcy's arc leans more towards the letting go aspect. but here's the thing. that was her main problem. marcy's greatest fear is being alone, and her greatest flaw is her inability to let go. marcy couldn't FATHOM a world without anne and sasha. they were her biggest support system, and by moving, marcy was essentially stranded. she had a hard time connecting with people, and she didn't have the social skills that anne and sasha did. so to her, moving was the absolute WORST thing that could have happened. she was unable to live in a world without anne and sasha, and so she didn't. she chose to take matters into her own hands, and as long as she was able to get anne and sasha on board, everything would be fine, right? wrong. we obviously saw how catastrophic that was, both for marcy and everyone around her. it was beat into marcy's head repeatedly how reckless and stupid and downright fatal her mistake could have been, how fatal it was. marcy's biggest lesson in amphibia was that there are some things you will have to let go of. no matter how desperately you latch onto them, there will always be claw marks left behind.

--

my point however, is that this was marcy's only major flaw. marcy was a flawed character, deeply flawed in some ways, but from what I observed, she was never flawed in the way anne and sasha were. outside of her major flaw.. marcy was a pretty well rounded person. and of course, there is growth to be left desired, but most of marcy's (visible) flaws were communication, and the ability to make yourself be truly seen in a friendship.. and they aren't really even flaws. more just things she needs to work on.

unlike anne, she didn't have self-esteem issues. she was pretty confident in her abilities and her interests, as shown by the first temple. surrounded by the right people (which at the time, were unfortunately not anne and sasha), she would've flourished. and in amphibia, she did. because for once, she was allowed to be the person she truly wanted to be. and unlike sasha, she didn't have horrendous control issues. anne and sasha's flaws are what I like to call character flaws, flaws that are innate and come from you; ie, they aren't as a result of other people's actions. anne and sasha were allowed to address and properly correct their character flaws because amphibia (and the places they landed in) was the perfect environment for them to see their flaws and to see the consequences that came with them. sasha learned that trying to control everyone and everything around you will only drive them away, and end up destroying both them and you in the process. her strength came from lifting people up, allowing them to rise WITH her instead of pushing them down like she used to. anne learned that self love is important, and in order to become the best version of yourself, you need to surround yourself with love, and in turn, it will come back to you. anne's heart comes from the people around her. their love allowed her to give love tenfold-- both to herself and the people around her. their major flaws only got resolved because of amphibia.

but marcy? her main flaw, which is letting go? that could not be resolved in amphibia, no. because amphibia only amplified this flaw. because choosing to go to amphibia, making the conscious decision to run away, is the entire reason why this flaw is most prominent. marcy flourished in amphibia, yes, but she was never able to address her major flaw. because of a multitude of different reasons, of course, but also because to marcy, amphibia was another out. another way to run from her problems instead of facing them head on and dealing with the fallout. anne dealt with the fallout. she stood up to sasha, for ONCE in her life, and watched her plummet down a cliff in return. (this is a weak point, but for the sake of parallels, I can't take it out.) sasha dealt with the fallout. she betrayed anne, once, twice, and was forced to go back to wartwood, anne's town, with the knowledge that she and anne are no longer friends, no longer anything. marcy's way of dealing with the fallout.. was not the core. to many, the core may be a physical personification of all of marcy's flaws coming back to bite her in the behind, but I disagree. the core was a cruel, merciless, and downright horrible way for marcy to learn her lesson, yes, but the core was not the fallout. the fallout, that showed marcy the consequences of her major flaw, was in true colors. was in the throne room. was in watching anne and sasha's faces twist into horror and disgust, respectively. the fallout was in living with the fact that everything she did was for nothing, and that she still had to live in a world without anne and sasha, that in her mind, they now hated her. that was when marcy hit rock bottom. and when you hit rock bottom, you have nowhere to go but up, right?

--

marcy did atone. in the core, in the face of everything she could have ever wanted being handed to her on a silver platter, she said no. she swatted aldrich’s hand, and said that for once in my life, I'm not going to run away. I'm going to face this head on. and why did she do that, pray tell? because of anne and sasha. because everything that marcy wu did depended on anne and sasha. because in her mind, even if they hated her, she'd rather face their potential wrath instead of accepting a reality without them. the real them. it's natural, of course. her major flaw was not of just letting go. it was letting go of anne and sasha.

--

and so, the reason why marcy wu's major flaw could never be resolved in amphibia, is because amphibia is a personification of marcy wu's major flaw. sure, she had good moments, and things about it she will always cherish and remember (and less good things that she’ll always remember), but marcy wu could not start getting better, could not start healing, until after she left amphibia. going through that portal meant many things, for all of them, but for marcy, I think it represented her final act of truly letting go. of letting go of her escapism, and her tendency to run away. of letting go of the old version of her, who came to amphibia with the intent of being with anne and sasha forever. going through that portal also symbolizes the end of that version of their friendship, the version that marcy kept chasing after. and I think that’s one of the many reasons why the only way to close off marcy’s journey, at least from our point, is by having her move. the move, and how marcy dealt with it, was what started this entire, crazy journey. and by choosing to have marcy move at the end of the series, even after everything that happened, is a brilliant move from the show’s writers. because it shows that marcy truly did learn from her time in amphibia. she HAS accepted and is taking the steps to overcome her major flaw, and I think more than anything, that is proof of the growth that marcy is capable of. marcy acknowledges that anne and sasha changed, yes, but through her actions and words, she also acknowledges that she changed as well. going through the portal, going back to earth, facing everything is a symbol of marcy's growth. because the marcy we were introduced to would have never done that.

--

going to amphibia changed all three of them. and even though we only get to see anne and sasha’s growth, marcy’s growth is SO poignant as well. I think it was for the best to leave marcy’s arc unfinished, because it shows that she still has a lot to learn and a LOT of healing to undergo. marcy’s final arc in the show has drawn to a close. but her character has not. and the amount of opportunities, possibilities, lessons, friendships, love, and more, are limitless. I also think it's poignant that we're left with a sort of open ended interpretation as to what happened to marcy after she moved. as for her friendship with the girls, I have many thoughts on that, but that’s also a discussion for another time. I think I’ll close it off by saying that moving was good for marcy in a different way as well: it allowed the calamity trio to truly come into their own. their reconciliation with marcy in all in was proof that they want to give their friendship another try, and that they are better off in each other’s lives. but showing that they drifted apart, came back together, and redefined their friendship on their own terms is beautiful. I think even without amphibia, they eventually would have to come apart. not forever of course, but long enough to carve out their own paths and figure out what they want to do with their lives. I know the fandom loves the idea of them being codependent messes together (it’s also a guilty pleasure for me lol) but I LOVE the fact that in canon, they allowed their childhood friendship to morph into something new, something better. in the wise words of anne boonchuy, change can be difficult, but it’s how we grow. but of the things you let go, you’d be surprised what makes its way back to you.

not to get all sappy, but out of all of them, I think I’m the proudest of marcy. and I relate to her a lot! so writing this was extra personal :,)

[luminousdryad]

to make things brief cause I suck at organizing what I have to say, the live action was definitely Something™.

Cast: 10/10 kinda biased personally but yall can't take this from me

Gordon as Aang and Dallas as Zuko were the standouts imo. Gordon needs some direction on line delivery and the angstier scenes but overall he's very charming and I'm so proud of him for getting so much exposure!

Ian as Sokka was great, I just wish he was allowed to be more...messy? like Sokka pretends to be chill and all that but he's actually dramatic so I hope that gets improved in the next season if there is one

speaking of improvement, Kiawentiio as Katara brought out a softer side to the character but sadly diminished her spark and passion. I like that Katara now actually feels like a younger sister, it makes sense within the context of the story that Sokka and Gran Gran would shelter her after what happened, but as someone said, her anger is so central to her character and I just wish that got shown more. It's more of a script and direction problem tbh, if you look at Kia's interviews she has the sass and feistiness Katara needs

Lizzy as Azula is great, the writing is a bit clunky though so she did the best she could with it. Can't really comment on Mai and Ty Lee yet because they're kinda just there but it's a nice setup

Maria as Suki? perfection show stopping never the same she is a queen and I love the tidbit of Suki backstory which she never really had in the og show. I love her being such a loser around her crush we love to see girlfailures girlfailing. I wish the writers didn't make them KISS though 😭 slowburn ftw

the adults were great

Writing: 6.5/10

There were genuinely good moments and I love the concept of mixing up certain plot points to condense the story

But they just suffered from too much Telling instead of Showing WRITERS PLEASE LISTEN TO THE CRITICISM YOU HAVE TIME TO IMPROVE PLEASE

Omashu, mechanist, and Jet plot mixing as a concept was fine, but it dragged on and my friends and I got bored of it. I like it in theory but if it was going to take THAT long couldn't they have just separated one of those storylines for a different episode?

I appreciate that they tried to develop the water siblings' relationship by making them the stars of the Secret Tunnels, but I would've changed the way they "conquered" the problem (really? badgermoles respond to love? cute in theory but like why). If anyone's watched Barbie: A Fairy Secret there's a part where Barbie and her frenemy accuse each other of why their friendship failed, and it helps them make up and breaks the curse put on them. So that's what I would've done, force them in a life or death situation in which they have to say the unsaid things, maybe hug it out and boom

The way they handled Koh and the Spirit World was a Mess™ but the effects were decent

Zhao meeting horrible ends in every incarnation is so deserved

Yue having more agency was a welcome change AND I LOVE THAT SHE WATERBENDS. Then waterbends even when the moon is gone. It's such a nice visual nod to the fact that she has the moon spirit within her

That said, the show could definitely use more visual storytelling, less weird dialogue. Like it's so strangely common for shows or adaptations these days to exposition dump. Like they did not have to make Yue say that the ocean spirit was angry, literally just show me the dead moon fish and I'll get the idea. Then Iroh says "That's Wrath" that's just redundant now isn't it

I like that they saved Katara bringing Aang out of the Avatar State until last even if it could've been done better

HOW DARE THEY MAKE ME LIKE HAHN HE WAS A JERK IN THE SHOW BUT THEY MADE HIM A GENUINELY GOOD CHARACTER. Yes to brown men not being portrayed as jerks but also in the original it was a nice contrast to how far Sokka had come because Hahn reflected who he used to be. But live action Hahn </3

I like that they showed the deaths and blood. I wanted a live action that was both lighthearted but more realistic when it came to the injuries and death, and that'd kind of what I got

Other thoughts + overall

You can tell they put so much heart into this show, watching the bts, the bending boot camp with the correct martial arts, the easter eggs, the nods to the comics, the beautiful adaptations of Cabbage Merchant and Secret Tunnel nomads, there's so much passion behind the show it's a shame it suffered in its writing

which is why if they read reviews and criticism from the bigger name fans (TheAvatarist, HelloFutureMe, etc.) it would really help them improve for future seasons! The cast is stunning already and they have great chemistry (hopefully gets improved too!)

The live action is just a different angle to the show. And I'm saying this as an Avatar fan–the original wasn't perfect, either. I had some problems w it but the overall show was genuinely so good and heartfelt, those problems weren't glaring enough to put me off (unlike The Dragon Prince, sorry). The live action definitely wasn't perfect, but it tried to give us a new look into Avatar. Again, no adaptation will ever be a 1:1 remake and none should be. Where's the fun in that? But while the show is so full of heart and with actual fans working behind the scenes, I doubt if they listen to any criticism that they can't pull this off better next season.

[fooloftheunknownworld]

Okay, I got done watching Hazbin's fourth episode and holy shit fuck it with every cell in my body!! Jesus Christ this is not how you handle the topic of rape and exploitation! The visuals in Poisons are less tragic and more fetishy, "Loser Baby" or whatever the second song's name is made me want to strangle Husk for basically saying Angel's a loser and his gambling addition was as bad as him being a sex slave.

I unironically think Ultra Despair Girl's Kotoko Utsugi is a better representation of a rape victim. Sure, the game gives her panty shots, has her make pervy jokes and is the one responsible for the infamous Komaru rape minigame that is played for comedy while expects you to take her trauma seriously, but at least nobody called her a loser for having trauma.

Seriously, just fuck this episode, fuck Husk, fuck everything about this cartoon fuck it all!

Congrats writers, your cartoon makes any attempt at touching the subject of rape by Kodaka look like the most tasteful and respectful attempt by a writer in the history in fiction in comparison.

But, as shit as this episode was, there is one good thing about it;

I really like the designs for the minor characters here, as always, they look much better then the main ones, especially since their designs aren't the definition of visual clutter. And yes, I do think the character of the first two pics are hot, I like both hunks and femboys, I'm not picky. Plus I wish we get to see more of the octopus guy.

[klonnieshippersclub]

I really wish TVD wasn’t made by a racist coz IMAGINE what a storyline we could’ve gotten out of Bonnie’s witchcraft. Like the Bennett witches did get a good storyline but like they could’ve delved into her ancestry more, like African or creole traditions and stuff and where the Bennett magic hails from and stuff like that.

Imagine if Bonnie was the one who got pregnant by Klaus due to the one night stand and left Mystic falls and ended up in New Orleans. ( I know it would have been very ooc of her but let’s imagine there was a build up with Klaus in S4, they could’ve went from enemies to lovers) With the whole Witches storylines in The Originals, it would’ve made a better storyline and more sense than Hayley getting pregnant out of nowhere.

She could’ve showed up in TO, imagine her and Marcel as a BFF duo OMGGGGGG.

And Hope would’ve been a Bennett witch tribid as well, that would’ve been so interesting.

The Bennett lore is quite unmatched being the foundation of everything. That’s the pro in this and every woman in their line is a witch how badass are those women! The con is how the writers reduced them to servitude other than that I agree. The writers loved the heroic, selfless, courageous, intelligent, and powerful character that Bonnie embodies but they don’t like the black aspect of Bonnie. Which is why the other shows and witches are different variants of Bonnie. Seeing African or creole culture included in the originals would’ve been nice! I know some fans praise TO for how they handled black characters but they were a very small step above the Bennett witches. Kat Graham does have Liberian roots they could’ve done something with that as well.

Not to bash Hayley or Phoebe Tonkin at all but it is a sign of favoritism and white privilege that she showed up after Kat/Bonnie (same for the Originals themselves) and got a spin off and full push that Bonnie or the Bennett’s were never going to get.

I don’t think it would’ve been OOC if Bonnie got with Klaus or any other vampire/villain. Bonnie was friends with all vampires. She wasn’t getting emotional support and always getting the short-stick. That alone would push anyone to snap and find bliss in the darkness. Bonnie’s expression arc was all about her showing that darker side. Bonnie, Abby, Sheila each have tons of unpacked family drama that anyone else would have explored. If Hope was biracial not only would she have a connection to a witch-bloodline there would have to been a plotline to see how Bonnie unpacks her mommy and daddy issues. Least we have fanfics for our girl!

[princess-of-the-corner]

Sorry, this may get a little salty, but I have a difficult question.

What do you think the single BEST thing about ML is, and what do you think the single WORST thing about it is?

For me, the best thing is the potential. Every single plot thread, lore idea, and character they introduce has a LOT to explore, even if those ideas are really poorly executed a lot of the time (more for us as fanfic readers and writers I guess). Like, even stuff that was added after the show kind of went to shit has potential if you do it right---the senti-plot, su-han and the order, Marinette never being able to trust anyone, etc.

The worst thing is the really weird morality of the story (see, the two 14 year old girls are iredeemable monsters but the fully grown child-abusing domestic terrorist is actually a hero because *checks notes* he has a girlfriend).

I agree that the potential here is one of ML's best qualities! So many good ideas! The general idea of the Hero Team, any combination of identity issues (from the Lovesquare to the "the villain is the Hero's dad and neither knows, to the Mari/Alya-Superman/Lois Lane dynamic, the Mari/Chloé-Spider-Man/Flash Thompson dynamic), the potential in the Kwami and their Lore and the Wish and the mysteries and even the Sentikids(I am a SUCKER for 'Artificial creation wonders if they're Alive™). All the characters and their personalities and story and designs are fun!

The morality is the second worst thing because the worst is just the whole. Changing their mind/poorly retconning things.

Like I do think saying that the abused teenager who literally doesn't know better is worse than the grown ass abusive father supervillain is Fucked™

But the idea of 'Chloé is just a dumb irredeemable brat who can't change' would be easier to stomach if they rolled with that narrative in the first place. Instead of showing that she's a kid who is acting out because of abuse/neglect/following her parents' orders/example, showing how she wants love and acceptance and will choose good when given the chance and cares about her friends and can be self-sacrificing and needed to be beaten down into joining the villains. If we got Season 5-era Chloé from day 1 instead of the version we saw the first three seasons, I'd find the way she's brushed off somewhat easier to stomach. (Still fucked™, but easier to see what they're going for.)

And it's not just the Chloé thing because this also applies to things like the Sentikids plot. If we saw Adrien as his season 5 doormat self who would have a breakdown over his dad being the villain originally instead of a rebellious kid fighting for his freedom and willing to fight his father if he turned out to be a villain, the more baffling stuff would be easier to handle.

[a0random0gal]

If you had the chance to change something about the dance of the dragons (TV show or book), what would it be? For example, how a character dies, which team a house is on,or an entire character personally. How would you change it to make the story better, in your opinion?♥️🖤💙💚

Ohh anon i've got a list.

When it comes to the tv show there are a few choices the writers made that just don't sit right with me.

Laenor

I do like the characterization they went for, he's a pretty cool dude who really loves his weird, dysfunctional family. What I really don't like is how they handled his death.

See I truly can't stand it when a character is sugar coated just because they're the protagonist and thus must be righteous and always objectively correct.

So to witness the writers white wash his murder, having him flee to essos instead of being killed by Rhaenyra pisses me off. I get that after showing them being good friends it would be very odd to have her kill him.

But that's the thing, they should have opted for a more ruthless Rhaenyra in the first place!

Laenor's death in the books (at least for me) was the first instance of Rhae Rhae making morally wrong choices in order to pursue her ultimate goal. It was compelling! Here she just takes the easy way out, without having to make a tough choice.

Also his survival really fucks her up when you really think about it. Now all her sons are bastards since her marriage to Daemon isn't valid, and for the upcoming season 2, how are they going to handle Addam and Seasmoke? Laenor is still alive, his dragon won't accept a new rider. This doesn't make any sense and just causes plotholes what the actual fu-

Sidenote: After Laenor's very moving speech on how he was done goofing off and was now willing to really step up for Rhaenyra and their family it's super strange to imagine him ditching them all immediately afterwards Lol.

Rhaenys

My gosh, where do I even begin with this woman?

She too is pretty cool at the start, but then episode 9 rolls around and I roll my eyes.

She's so hypocritical. She tries to shit on Alicent for "toiling in the service of men." When that's all she does in the goddamn story!

She wants Baela to get Driftmark, tells Corlys about it, he shuts off the whole plan cause he wants a kid who he's not even related to on the driftwood throne, and when she complains about it he dismisses her.

So what does feminist Rhaenys do about it?

She... submits to her husband, something she conveniently forgets about when talking to Alicent. My god. Just remove this entire exchange, it hurts to watch.

And the coronation scene, Jesus Christ! It was so cool in the books, why did they have to ruin it? Had they replaced it with something better I wouldn't have complained, but this is just, the worst.

Rhaenys shows how badass she is by.... Brutally crushing hundreds of small folks to death and almost slaughtering the greens.

Cool, cool, absolutely necessary. Thanks Sara.

And you know what's even more infuriating? When she flees to Dragonstone to inform Rhaenyra of all that happened. She says she didn't kill the greens cause she didn't wish to start a war. I'm sorry what?

That would have ended the war at the start! As glad as I am that Rhaenys didn't barbecue them it makes absolutely no sense!

If she had killed them there would have been no dance in the first place!

I hate these dumb show only moments. They needlessly complicated an already complicated story and just mess everything up.

There's probably other stuff I could rant on, like how Aegon was made a rapist sorely to make the audience think:

Oh look! The greens are so baad, they believe a rapist alcoholic douche should be in charge instead of our empowered dragon queen, they sure do suck!

Or how house Velaryon was disrespected and mistreated by D*emyra but still somehow decided to support Nyra's claim.

They didn't really have a motive to be greens though, so I think they should have stayed neutral. Their fervent black support makes no sense.

The writers really should have given them more reasons to back up the blacks or had their beloved queen treat them better so that their loyalty made more sense ( I mean holy hell I wonder how they will handle the two betrayers and Corlys's arrest lmao).

But other greens have already shat on these awful decisions and I won't beat a dead horse.

Book

When it comes to fire and blood I surprisingly have very little complaints, except of course, the Jaehaera situation.

My poor baby deserved better, I've made a post about it in the past

(where I ranted and said stuff I kind of regret now, don't post while very angry guys I don't recommend it)

tackling how the little queen was unnecessarily killed off and how her death genuinely adds nothing so why was it added? God I get upset just thinking about it lol.

Some people say George did it cause he needed Aegon's kids to be born after Viserys's, and apparently he couldn't fathom a married teen not having kids until her 20s, which is veery weird.

The more plausible theory is that he got rid of her cause he wanted more Velaryon queens to showcase how close they used to be to the Targs.

Which is something I had understood already thanks to Alyssa, the sea Snake and all the Velaryons who were masters of ships but whatever.

[devastatinglygreen]

Please don’t apologize for writing extremely long responses I say as some who always thinks her asks are too damn long

And THANK YOU for acknowledging that the show really did include the same basic structures as the book. book!Colin is my love as well but the way everyone is like “oh the book love declaration was much better” Yeah bc my man took over half the book to acknowledge he was truly in love with her, including having to ask his sister. show!Colin was making sure everyone within a 2 mile radius of Mayfair and Bridgerton house knew he loved Penelope, not a second of second guessing. That’s really why he says he could never forgive her for LW, bc he couldn’t forgive her for making him fall in love with someone he thought he hated.

My biggest complaint really is that by saving the LW drama to not be revealed and solved until the final two episodes it didn’t give us time to see the gradual acceptance by show!Colin that we did book!Colin. But as a person with media literacy and understanding that Colin is a character who must succumb to the wills and wishes of writers of a drama series, I guess I will continue to go to war for the most romantic of the B Boys.

i think we should do the polin scene where i apologize for my long posts then you do it for your long asks and then we're both awkward until one of us walks away victorious in our ability to be awkward.

no yeah, there's a lot of the book plot/elements in there and people seem surprised by it? it was one of the biggest criticisms i saw for s2 and i think they did what they could to tie in the show story they already had to include in there to make it more cohesive. and a lot of the things they did bring in, i think they made better. i did not want to watch colin waffle around about loving her because he expected love to be something he heard about instead of something he experienced. he was minutes away from just standing in the street telling everyone about how much he loves penelope featherington and he's so sorry for them but they can't have her because she's his.

oh for sure, i think that's my biggest issue with it as well. they pushed the angst too far back and it was a little too heavy to be handled in the way they tried to show. there was no breathing room after it and that's pretty much it for me tbh. like, i get it, i know why they did it but yeah, had we gotten another 20-30 mins past the angst, i think it would felt more settled.

if you are at war alone over the most romantic bridgerton boy, please know i am dead. or stuck in traffic. possibly stopped for coffee but definitely on my way.

[omegastation]

If you could implement anything you desire into the next ME game, what would it be? Could be narrative, gameplay, controls, etc.

Ah!!!!

Honestly the first thing that comes to mind is letting Shepard rest. That would be my main concern. I also think they would make Shepard come back for the wrong reasons, to make the franchise as popular as it was, and I wouldn't like it.

I would also like some kind of shift in the way power is distributed post Reaper Wars, and I want it to make sense. I want the writers to worldbuild as best as they can and come up with something believable because the same old same old just wouldn't work after everything that happened. If there's still a Council, how does it work? I would love for every race to have a representative on it, and if not, they better explain why because the wars changed the dynamics. Prejudices must still exist but I don't think it makes sense to still have the regular old talk of "lesser species".

What kind of other shifts can we think of? If Spectres still exist, do they still have that much power? Are the Volus still having all the financial power? Is there a new seat of power? How does it reflect the multiples races of the galaxy? Would the next version of Avina still look like an asari or would it look completely different?

And really, the krogan are my fav so I might be biased, but I really want them to no longer have to prove they're not how people perceive them to be. I want them living their best lives, full of hope. And hope also means seeing more children and female aliens. Bioware needs to do better with that.

I've liked Mass Effect Andromeda so I do hope there's a follow-up there as well:

WHO WAS THE BENEFACTOR?????!!!!!!

Angara mixing with all alien races in the Milky Way and Andromeda

But after that, since you said anything!!!, I would always love more lore: - If we're talking about "rectifying" stuff, I would say some kind of explanation about Ardat-Yakshi because they didn't have a good handle of that lore. It's way too contradictory. - I would also like a resolution to the dark energy storyline, even if it's just one mission. - More AIs such as EDI or SAM explored. Everything about the way EDI aked questions and chose to prioritize certains things in her life made sense to me, but we can go one step further. Couldn't she design her platform? What about a being like SAM? Wouldn't SAM want their own platform? What does it mean for an AI to have design preferences? Can aesthetics relate to their identity and sense of self? And what does it mean to process things so fast? How do you love in those conditions? And how do the geth will evolve? Would we see new designs for the geth? Will we see more individual geths (from a "we" to a "I") or will we see the opposite? And why do we believe one is better than the other when it's just a different system and way of living and thinking? - More languages lore and especially an explanation about the trade language. Just release a complete guide to your writing system Bioware!!!! It's all over the trilogy so it must mean something. I would also love the same for Khelish - Quarian and geth lore, because those two races always manage to bring something new and interesting and honestly just really poignant. - More homeworld or settled worlds/colonies that we can explore. I think Kahje especially must be something

As far as relationships/friendships/LIs:

more aliens as squad or crew members (including volus, drell, batarians)

a krogan LI would be wonderful

a female drell as squadmate is a special wish for sure

more romance options in general

no hints of an "official" romance because that always backfires. Not only do players resent the hints that they should romance a character, but even the character gets judged for it.

Speaking of a character that gets judged, if Liara is present, I'd love for her to be there but not take center stage. I also don't want a Shepard-obsessed Liara. I want her to be fulfilled and curious and happy.

Regarding the Shadow Broker, I don't think the old version that has terrorized the galaxy so much and spied on its every corner can survive the Reaper Wars unscathed. But it can be replaced by worse things, so who knows?

Thank you for the ask !!!! <3 (and sorry for the long answer, I got way too excited)

Would love to have your own answer anon, or anyone who wants to answer the same question! I'm sure there are many things I forgot.

[asm5129]

Out of curiosity, is there any aspect of the Faunus arc you think was mishandled? Personally I think RWDE and the FNDM focus far too much on Adam and never address the problems with characters like ghira.

I see even the FNDM say it was poorly handled as a subplot but they never actually explain what was done wrong and seem to spend more time defending it from RWDE’s complaints.

Personally I’m a lot more fond of the White Fang arc than most, but I do wish we had a better idea of what they’re doing differently now.

That’s to me where things fall short—I genuinely believe the implication was never meant to be that Ghira’s old approach was the best one, but the way things were left doesn’t really address what exactly is going to be different, how the White Fang will integrate those who could no longer accept Ghira’s leadership as it was, etc.

That said, the books are much more thoughtful about Faunus discrimination, such as acknowledging the existence of microaggressions and animal-based derogatory stereotypes like a bunch of assholes implying Velvet is—to put it bluntly—a slut due to her bunny traits.

And the Atlas arc indicates a lot of growth from the writers in how they understand and write complex political realities.

So I have a lot of hope for when Faunus discrimination inevitably comes back into the narrative.

But TLDR, I think they fumbled the ending a bit by leaving the final image of the white fang being Ghira returning to some kind of leadership role.