#REALIZING A MAJOR FLAW IN MY THINKING

[jupiter-reimagined]

Stone wakes up in the morning, hoping that him being lost in the woods was a dream. But when he opens his eyes, he realizes that it was not a dream, at all.

He yawns and smacks his lips together, feeling how dry his mouth is. He makes the decision to get down from the tree and find a nearby stream of water. Stone is barely upright on the ground when his feet hits the ground, but he manages to stumble forward.

His aging body hates himself for sleeping in a tree all night, but it was better than risking a bear finding him sleeping on the ground. He strains his ears and hears a stream of water, walking towards the sound.

Drinking water from a stream without a way to filter it is not ideal, but at least it's flowing water and not still water. Flowing water is still safer than water that isn't flowing, so he has to take what he can get.

Stone drops down onto his knees and takes off his gloves, placing his hands in the stream and cupping water. Once the water is in his cupped hands, he can't help himself from leaning down and drinking the water.

He lets the water soften his dry mouth and throat, taking a few more sips of the stream water. He sits on his heels, looking around for where to walk next.

NOOO rip his old man back </333 all that falling off buildings aint doing him any favors right now </3

[goldensunset]

nemona being emotionally insensitive and oblivious yes girlie 💖

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[gch1995]

Not to mention the fact that George Lucas change their stance all the time. However, yeah, even my boyfriend doesn’t like Anakin or Luke Skywalker because he thinks they are annoying, but loves Obi-Wan Kenobi. For the most part he does also think the prequels suck because the writers made the Jedi Order so awful, and he thinks Hayden Christensen couldn’t act. I don’t think Christensen was amazing in the prequels, but I think a lot of it came down to bad dialogue and poor script writing, rather than a lack of ability on his part.

To be fair to the Jedi apologists, I don’t really think most of them would actually ever be okay with child abuse, child neglect, committing and/or enabling war crimes and systematic abuse, trafficking children for warfare in an army cult, or telling major lies to get their way “for the greater good” on a regular basis, if at all, in real life. I think it’s just easier for them to let themselves get lost in the badly written fantasy that Star Wars became because both Lucas and many of the writers behind it can’t be objective.

For those of us who have spent a lot of time analyzing fictional, literature, and stories for coherency, growth, meaning, relatability, and symbolism, rather than just surface level entertainment, such as authors, bookworms, English lit majors, and media critics, it’s harder for us to get invested in the story when the characters don’t grow, they don’t get treated fairly, double standards exist, the narrative is inconsistent, and the “heroes” only seem to be able to have that role at all because their enemies are worse.

Plus, while Obi-Wan and Yoda absolutely were deceitful and shady with Luke in the OT films, if you were to ignore the existence of the prequels, I could understand being willing to hand-wave it as a one time “shitty, but justified” decision. If I had never seen the prequels, personally, it still would have always bugged me that Obi-Wan and Yoda never seemed too apologetic about it, but I’d be willing to still let it go. After the prequels, though? No way. The Jedi were the lesser of two evils, not good guys.

Are their crazy Jedi fans on Tumblr and the internet? Sure, but the majority of the ones I’ve met in real life seem to understand that they would suck as people from a real life perspective. They just would rather not think too deeply about how fucked up they are within the confines of a fictional universe written by authors who intend for the audience to view them as “heroes” because they are the lesser of two evils within it.

i think the Jedi-Positive and Jedi-Critical stances can be summed up on whether you value authorial intent or authorial execution.

Most of the Jedi-Positive people I follow quote George Lucas and director commentaries to prove their points, as well as utilize analyses from others at LucasFilm that have to keep the general status quo. It's all based on what Lucas was trying to portray, while ignoring the product in execution.

The Jedi-Critical stance tends to look at the prequel execution, and they question the obvious uncomfortable moments that have real-life parallels to atrocities. They tend to be more Legends fans, whose writers actually delved into the terrifying implications. It's all on criticizing execution while disregarding intent.

Like, take the argument about Jedi children. A Jedi-Positive person would argue that all the children are all given up with consent from their parents; this is what I am sure Lucas was intending to portray. A Jedi-Critical person will look at this and go "wait. how much 'consent' was in this encounter? the government can legally take these kids and have a representative show up to a farmer's house and tell the farmer they can technically say no? that is some bullshit." And there is real-life evidence for this. It's more on the execution.

Or the argument about love. Jedi-Positive people turn to Lucas's interview to show that they really meant it in the Buddhist sense, and if you value intent that works. Jedi-Critical people would argue that the marketing states that the Jedi cannot love, and nothing in the movies states that the Jedi meant non-toxic love when they eschew attachments.

They're both valid positions, but I think a lot of fandom brutality comes from not understanding either view, or demeaning one view in favor of another. It's perfectly acceptable to value one over the other.

[skrunksthatwunk]

been wringing my hands about the concept of family therapy. scary stuff. like maybe it could help and we sure as hell need SOMETHING to change but i think it would be like taking a potato peeler to the soles of my feet

[tyrantisterror]

For whatever reason, I found myself thinking about the theme of heritage/inheritance in Harry Potter and how it's, like, catastrophically broken in the text.

The villains in Harry Potter are almost unanimously racist and classist - they believe they are entitled to behave however they wish and live at the top of the social hierarchy because they were born to rich, pureblooded families, and anyone who wasn't is filth to be exploited and/or purged. That's the philosophy of evil in the book - "I deserve everything because I was born in the right family with the right genes and the right social standing. My heritage makes me better than you."

All the injustice and evil in the books is rooted in this belief in entitlement by way of heritage. People are abused and die because of it. Inherited wealth and status, and more specifically the unfair priveleges it affords, is the root of evil in Harry Potter.

So you'd think the protagonist would present some sort of strong contrast to it, right? That they'd be born poor, or mixed race, etc. But no, Harry is from a rich pureblood family, with the vast wealth and social status that affords.

Well, that's OK, we can still make a contrast. Maybe Harry differs in how he acts with wealth - perhaps, realizing his inheritance is an unfair privilege, he gives it away? Maybe he works to give the underprivileged their due? Again, no, not really. He sometimes buys stuff for his poor friend Ron, and defends his "mudblood" friend Hermione from racist criticism, but he sees no reason to change the system that dehumanizes them in the first place, and by the end of the tale is pleased to exploit his privilege for his own gain.

The whole house elf subplot illustrates this failing well - we have a race of slaves who are frequently shown to suffer from abuse. One of them, the property of a rich racist, risks his life to save Harry, and Harry frees him in return. Oh, nice, finally fighting the system, eh? Except no, not really - while Harry frees that specific slave, he's content to leave the others in bondage, especially when he inherits a slave of his own.

The contrast Harry Potter puts up against its rich, racist, privileged villains is "Hey, being rich and higher in the hierarchy is awesome and just, but you can't be a dick about it." That slaves belong in the dirt, but masters should be polite while putting them in their place.

Voldemort posits himself as the heir of Slytherin - claiming his inheritance is vital to his rise to power and villainy. And Harry opposes him by... also claiming inheritance from a rich old dead guy. Hell, the final battle comes down to who rightfully inherits a specific rare Wand!

The fact that Harry and Voldemort have shit in common is not a flaw on its own - villains and heroes are often foils for each other. But in this specific tale, the relationship the villain has with inherited power is so central to the conflict that the hero having the exact same relationship is a major failing. The story is just shy of saying "Voldemort was basically right, but he shouldn't have been rude about it." It's bad from both a moral and a writing skill perspective.

(The only inheritance Harry fully rejects is parseltongue, i.e. the ability to talk to snakes, which was accidentally given to him by Voldemort, and could be argued to be a symbol of trauma rather than inherited wealth. Also I'm still salty about how that series turned on snakes so cruelly, but that's a whole other rant.)

[sepublic]

Thinking of how the Titan showed Luz the first glyph, Light, because she was kind to his son and listened to him, made him feel like his interests mattered when so many others overlooked the little guy and didn’t care about people like him. He didn’t force Luz to painstakingly find it on her own, as Philip did; The Titan freely gave this to her.

Then the second glyph, Ice, comes when Luz takes the moment to listen to the Titan; To say that she’ll learn on his terms, she’ll respect his body and work with him. Luz paid attention to the unheard son, and now the parent, speaking with and not for him as Philip did.

She gets the Plant glyph afterwards by continuing to follow that principle and give his son fun and company...

And the final glyph, Fire? Wing it like Witches is a major epiphany for Luz’s development, where it really hits her that she can’t drag her friends around in her attempts to play out certain beloved tropes and story beats she grew up on; In particular, this episode was about her desire to be the underdog hero, dragging Willow into relatively high-stakes consequences for a Grudgby match she did not ask for.

Sound familiar? I wonder if the Titan was low key afraid of Luz following in Philip’s steps, recognized that similar hero complex... Even if Luz was nowhere near as evil as Belos, well. Philip started off from somewhere, he didn’t begin as a genocidal dictator with countless sins to his name, he built his way up. Maybe the Titan is just being paranoid, Luz is so young after all! But in the end, he hid one final glyph from Philip because of his need for control, and it was admittedly Luz who jeopardized this precaution by giving Philip the Light spell.

Yet in Wing it like Witches, Luz really matures when she steps up and takes responsibility for her recklessness, for subsuming Willow’s problem and low key making it about herself, and what she decides for the group. Luz takes the full consequences of the stakes she set up so neither Willow nor Gus have to, and it’s this mature gesture of self-awareness that prompts them to reciprocate and forgive Luz.

So I wonder if THAT moment was what solidified to the Titan that yes, I really can trust this child. This human, the first after centuries of another who has been desecrating my corpse, bastardizing my name; She truly didn’t know any better, and meant well, teaching Philip the Titan’s last glyph. The first few glyphs were like little gifts, but giving Luz the last one meant she had full access to all of the Titan’s magic, so long as she experimented with glyph combos. And the Titan felt safe to entrust her with something he barred from Philip, because why?

Because Luz got over that fatal flaw of Philip’s; The desire to be the hero at any cost. That proved she wouldn’t follow in his footsteps, she diverged at a crucial point, and it meant she’d never become another Belos. They both worked and studied for the glyphs, but what mattered was the compassion that Luz had, and it was her kindness that began her discovery of glyphs. The Titan could trust his final glyph to her, Fire... But as he’d find out, it wasn’t even his final gift to Luz, either.

There really is this recurring arc of hesitancy from the Titan; Someone who was used, betrayed, and taken advantage of. And knew how easy it was for the same to happen to his son. So to see the little ways in which he opens up, recognizes Luz’s kindness and maturity and responds to each step in her growth... It’s like someone learning to trust again, realizing they’ve really found a friend after all. It’s no wonder Luz is treated like an old friend by the Titan, because she is one, and it makes his final gift and farewell to her all the more impactful.

On a lighter note! I’m just imagining the Titan figuring out how to show Luz the Fire glyph, after deciding he’ll do just that. I keep thinking of him watching Luz in the Grudgby game, cheering her on and giving Luz support by illuminating his last glyph in Boscha’s fire; “Here kid, take this!” It’s such a relatively casual and silly moment too, because the Titan isn’t obsessed with the theatrics and drama of godhood.

[zipper-neck]

Trans Rules of Engagement

By Florence Ashley

Strong communities make us all safer. As anti-trans movements gain in power and influence, holding space for each other through our flaws remains critical. Yet the very conditions that create our need for community care make it hard for us to care for each other. We are raw, wounded, traumatized, and hypervigilant. We make mistakes brought on by fear and hurt. We lash out at each other when we do wrong, often partaking in pile-ons facilitated by the synchronous nature of online interactions. Whether we realize it or not, we often exclude trans people from community when they need it most.

I have lost count of the number of trans people I have seen cast out of online trans spaces for misdeeds both major and minor—far too often with my help. I sometimes find myself wondering where they are now and whether they are still alive. Because, as Kai Cheng Thom has taught us, social death often means real death for trans people. Trans communities are life-sustaining in a world that hates us so, so much. In a world that wants us dead. We have lost too many people not to stop and think about how we can foster life among each other.

This goal I have for myself—that of fostering life—motivates the following principles and rules for engaging in online intra-community conflicts while preserving the life-sustaining spirit of our communities. Countless times have I failed to heed these principles and ignored these rules. This failure, which many of us share, is precisely why I now want to lay these principles and rules down on paper. If only as a reminder of my aspirations. The principles and rules are meant to be adopted for oneself, not imposed onto others. Their purpose is to foster productive engagement, not create even more conflict and rigidity. I hope that this will be a living document, and invite you to make your own version if you would like. Borrow what is useful, supplement with what is needed, alter what can be improved.

Some, and perhaps all, of the principles I acknowledge are false, hence the need for a living document. Each of my suggested rules have exceptions. In setting them out, I am staking a claim as to the sort of myths and half-truths that are necessary to sustain life in a world that wants us dead. We must treat them as true if we wish to foster life-sustaining communities and survive the hellscape we belabor.

Principles

1. We are all flawed, traumatized humans at the end of their rope. Many of our actions say more about the conditions we live under than who we are as people.

2. No one is disposable. No one is unsalvageable.

3. Life holds greater value than being right or comfortable. Hurt is preferable to death.

4. No one should be deprived of community.

5. Harm does not require further harm. Punishment does not equate protection or healing.

Rules

1. Do not depart from these rules, unless you have to.

2. Morgan M. Page’s Rule: Try to avoid criticizing other trans people in public. The world does it enough already.

3. Favor in person or private conversations: Addressing someone’s comments or actions in person or privately is typically more constructive and effective. It allows you to communicate more cogently and with more nuance problems in someone’s actions or words and because it is less likely to make them react defensively from a place of trauma or fear.

4. Take your time: Few things require an immediate response. Responding while caught in a surge of thoughts and feelings is often unproductive. Ask yourself how much harm was done, versus how much we are reminded of an earlier harm. Ask whether your response is rooted in misperception or potential biases towards the person due to race, disability, gender, or other marginalized identities. Consider whether their words or actions reflect a different kind of thinking or communication style, a lack of access to education, or limited access to progressive communities and norms. You can respond tomorrow, once you have collected your thoughts, talked to others, and gained perspective.

5. Don’t mob: Be aware of group dynamics. Ask yourself if you are connected to this person and in community with them. Avoid jumping into the fray when others are already criticizing the person. Do not invite others to join in and mob them. Withdraw if others join in, and kindly ask people to stay conscious of mobbing dynamics. Mobbing rapidly grows out of proportion.

6. De-escalate: Focus on de-escalating conflicts. Ask what people mean or want, and why. Ask them for clarification or elaboration if needed. Ask yourself if you know enough about the context of the situation. Distinguish the action from the person, and acknowledge that it is normal to respond defensively or aggressively to public criticism and mobbing. People are traumatized, mentally ill, and are scared of losing the little social support they have. As a result, conflict can trigger a fight-or-flight response in both those who are criticized and who criticize, which leads to escalating conflict and ends in a loss of community. Dropping the conversation to return at a later date is preferable to escalation. Often, I find it best to limit myself to three replies in conversations that aren’t constructive.

7. Respond proportionately: Responses to words and behaviours should be proportionate to their harm, and reflect a need for healing and protection rather than punishment. When we speak from a place of hurt, we can understandably but unfortunately forget the measure and impact of our response. Use language that reflects the nuances and gradations of harm rather than a coarse good and evil binary. Cutting all social support and community banishment are rarely a proportionate response, even for someone who doubles down and does not apologize. Responding proportionately is asking first and foremost what response sustains rather than dissolves life. Especially when it comes to words, it is better to under-react than to over-react.

8. Ensure support for everyone: Check in on those who are criticized and those who criticize them. Remind people that we are all in this together, and that banishment is not how we work as a community. Everyone deserves to have their needs met. Do not shun or reproach people who offer support to those who were criticized or called out. Distinguish supporting a person from enabling their behavior.

9. Hold space for people to grow: Allow space for people to be accountable, change, and move on from previous conflicts. Do not hold past behavior over people’s head, nor dig up past misdeeds to fuel present conflicts.

10. Resolve conflict and harm as a community: We must ask how our communities enable and cause hurt and harm, and find ways to transform the conditions that create them. Holding accountable, problem-solving, and conflict resolution are functions that should be taken up by the collective, not isolated and unsupported individuals.

11. Center those most hurt or harmed: Focus on supporting and empowering people who are hurt and harmed rather than on punishment. Ask what they need to be safe and integrated in our communities, while committing to support for everyone; what they need to repair their relationship to the person who hurt or harmed them. Focus your involvement on bringing people together, fostering dialogue and mutual understanding, and restoring a sense of community togetherness, rather than deciding who is right or wrong.♦

[star-girl69]

Love Song

Clarisse La Rue x Fem!Demigod!Reader

—-

a/n: just needed to do some general hc’s to get all my thoughts in order i hope you all enjoy!!

Love song - Lana Del Rey

warnings: the formatting is weird idk why i can’t fix it but y’all will live, swearing, a little itty bitty bit of violence, every facet of clarisse finding its way here and i love them all, tell me if i missed anything!!

—-

i’m sure we all agree on this

but clarisse is very protective of you

even if you’re a very capable fighter, even if you’re even better than her, clarisse is still so protective of you

i mentioned this in one of my fics (maybe so it goes…????) but like the reason behind this is the fact that clarisse is just SCARED

she is terrified of losing you bc you are the only one she feels like she can be herself with

like clarisse is insane!!!!! in a good way!!!!! but also she’s a 17 year old girl…. she wants TO BE LOVED

she tries to talk to you about how she feels about her dad and about everything else in her life, but even though she doesn’t want to be, she’s locked up like a vault

she knows her emotions are always super intense and she has big reactions

major anger issues but they’ve gotten better with age

the problem is she spent her entire life being told that she needed to calm down, that she couldn’t feel like that all the time, and she just tried to shut down

obviously that did not work

but it still makes it virtually impossible to talk about her feelings

when it comes to you tho she’s an open book

she’s a daughter of ares she’s headstrong she’s proud and her fatal flaw is PRIDE

i mentioned this before but she wants everyone to know that you’re hers and she’s yours

your relationship is partly very public

she’s not afraid to touch you or kiss you

she’s not afraid to show you off and (needs to) show everyone that yes your beautiful self belongs to HER

so naturally she gets very jealous

even when you’re like clarisse you are INSANE

there’s been a few times when you first started dating and you were still getting comfortable and weren’t that public yet so like someone would flirt with you

it went like this

boy: hey what’s up you’re kinda fine

y/n: oh! oh yeah no….. no…..

clarisse: WHAT THE FUCK DID YOU JUST SAY IM GONNA FUCKING KILL YOU—

then she started attacking him

lost dessert privileges for a month, she proudly declared that it was worth it (besides you would sneak her bites of yours like)

now that everyone knows you’re hers her jealousy is rooted a lot more in delusion and insecurity

you’ll be like in a group talking someone and she’ll pull you closer and be like “i think that guys staring at you a little too much.”

“clarisse no the fuck he’s not what”

b/c of the fact that she isn’t a son for her father she gets insanely jealous if specifically a MAN gets even an inch too close however innocently

she doesn’t want to think it but she thinks you’ll eventually realize her father is right and she’s not as useful or good bc she’s a girl

most of the time when she gets jealous bc of her insecurities she just becomes extra clingy

but also any emotion she feels she gets extra clingy to you so sometimes it’s hard to tell LMAO

she isn’t really a big hand holder but that’s only because she’s actually holding you CLOSER to her by your waist

also one more note about your relationship publically

everyone gets whiplash bc like she’s a BULLY fo everyone else and then you walk over and she’s all heart eyes

i hate everyone but you trope save me

save me i hate everyone but you trope

THIS HAPPENED IN IN A GOOD WAY

clarisse: pushes percy over

you: nuh uh clarissseeeeeeee

clarisse: omg hi beautiful gf

you: touches her shoulder, looks at her disapprovingly

clarisse: fine i’ll go, *scares percy*, bye bye beautiful ily

like she’s just being a bitch and then all of a sudden you come around and she’s like hiiiiiii babyyyyy how is my gorgeous gorgeous girl today??

so outwardly clarisse is just very proud and touchy

privately she lets herself be a little more chill

this is where she really touchy you thought before was worse nah

idk if y’all have noticed but in my fics clar’s always holding on y/n’s hips and that’s just me self projecting bc i have the most horrid hip dips but my point still stands

SHE LOVES YOUR HIPS

would totally call them “love handles” IM SORRYY

but she just likes having a place to hold where she can just like kinda actually physically grab you with her hands

like yeah she can wrap her arms around your waist but she likes to GRAB you

cuddling w her is fun bc like this girl cannot get ENOUGH of you there’s only like three ways you cuddle

you on top of her whether just like completely on top of her (one of her favs) or just with your head on her chest

this is what happens whenever you feel scared

like there was a monster attack just near the barrier and you’ve all been feeling uneasy all day

TRUST you are sleeping in her bed tonight

wraps her arms around you so tight it’s like she’s crushing you

also she’s running your back or caressing your head whichever you prefer

she keeps her spear right next to her bed and makes sure you can see it so you know however subconsciously NOTHING can hurt you bc she’s right there (nothings gonna hurt you baby vibes)

or she’s on top of you this one usually happens when she’s feeling a little extra insecure and jealous and it’s like no one can see you if she’s on top of her so then you’re hers

she isn’t the smartest one in the bunch but she has good intentions!!!!

also she lays on top of you if you get hurt

like after so it goes for example when y/n got that little cut on her hand

you’re like “clar pls you’re crushing me”

“um ok you scared the shit out of me today tho you need to LET ME do this fuck”

third option

you’re both laying on your side and facing each other legs tangled together and she’s probably whispering to you

she’s a big whisperer i feel it in my heart

like tracing her hands on your face and saying your so beautiful or telling you how you make her feel

oh lord take me now

also she loves you the way hozier loves

“someone asked me in the end i’d tell them ‘put me back in it’ // darlin’ i would do it again // if i could hold for a minute”

“when my time comes around lay me gently in the cold dark earth no grave could hold my body down i’d crawl back to her”

like she BREATHES for you

if she died and then you were like “i miss you” trust she would find a way to come back to life

totally daydreams about going on such a fantastical quest that the gods offer both of you immortality so you can be together forever and ever and ever and ever and ever

like if the world ends y’all would still be there having a little picnic date

devotion is the only word that comes close

anyways

ok nicknames she calls you:

baby, angel, gorgeous, pretty thing/girl, beautiful, lovely, dummy (lovingly)

(recently saw a few posts abt clarisse saying mama/mamas i may be swayed)

dates she takes you on:

forces you to train w her even if you don’t like it but she lets you win OBVIIIII, under the stars in the woods, take your dinners to go and sneak back to either hers or your cabin to eat together, secret makeout sessions in the bathroom her cabin your cabin anywhere she can get her hands on you

this is so random but i get horrible migraines and i am ADDICTED to these like headache relief frequency sounds on youtube i swear they work and i was like omg you can’t have electronics at chb I WOULD NOT SURVIVE

so if you are a real one like me and get horrible migraines but this goes for being sick in general she’s like a little puppy pretending to be a wolf barely holding it together

she’ll be like at the foot of your bed begging you not to go into the light while shouting at someone at the same time to refill your water

you like have a cold

she would rub your temples if you had a headache and she would literally be like a doll for you to move around like oh you wanna lay on her chest? by all means

you wanna lay upside down with your feet in her face? as long as you get better you can do whatever you want!

you don’t wanna touch her at all? that’s where she draws the line

you’ll be like “ugh i’m hot get away from me”

“okay ☹️☹️”

“why are you touching my feet with your feet”

she places you above everyone else

like yeah other people are ok…….

but you 😍😍😍😍😍😍

this is slightly cringe but she would fr burn the whole world down and not let a flame touch you

LIKE HAVE YALL SEEN THE ANONS IVE BEEN POSTING AND THE CAPTURE THE FLAG THINGS 😱😱😱😱 (y’all always check my blog im always posting the funniest shit bc i’m funny)

“you’re one opposite teams blah blah blah you get hurt clarisse drops EVERYTHING to help you even if just a paper cut” (i have no chill fic coming soon)

THEN THEN the other one that was like “ok but what if you ACTUALLY get hurt like broken leg”

clarisse just goes crazy when you’re hurt

in so it goes: “what if that cut gets infected?”

you’re her WORLD she literally can’t stand the thought or something happening to you or else she starts literally shaking in anger and sadness

but when clarisse gets hurt it’s a whole other story

LIKE FUCK YOU JUST WANNA CARE ABOUT HER AND SHES ALL LIKE “it’s chill.”

NO ITS NOT YOURE GONNA BLEED OUT 😭😭

clarisse never let’s anyone but you see her true emotions

like yeah when you’re in public and you’re being cutesy she starts smiling and everyone is SO confused

but still

she never lets anyone see her as WEAK

so she always downplays her injuries in terms of how much they hurt, but flaunts them off proudly at the same time?? yeah that makes sense

after a capture the flag game you march her to the bathroom with a first aid kit “ok baby take off your shirt”

she always makes some flirty comment like SHUSH NOT RN

then she has all these bruises and every once in a while a cut from someone’s sword

you’re like 😔😔💔

you’re the only one she will let clean her up

unless she like breaks a bone or needs stitches (which has never happened) no way in hell she’s going to the healers

if you’re a child of apollo or smth she’s like “i literally have my own person healer right here…..”

anyways i think that’s all but i will probably be updating this when i think of more stuff bc as we know i have no chill

thank you all sm for reading and reblogging and liking and commenting and sending all of your WONDERFUL asks they make me so happy i’m always giggling when i get one

anyways bye bye 😘

—

taglist:

@lvrue @t-wylia @laughingcheese037 @kroumi @urdeadpoet @colezb @rey26 @harmzilla @elliewilliamsbae @amberfreemansburntface @kyuupidwrites @neverwaakeme-up @shark1008 @liballer @heyimadison @nvirskies @pnsteblnme

[fellthemarvelous]

Holy forking shirtballs

I'm choosing violence today. I started this on Twitter, but I'm going to finish my thoughts here like I always do.

But what really blows my mind the most is the way that people look at Aziraphale's "choice" at the end, as if he had one to fucking begin with.

I'm sorry, but Aziraphale knows how messed up Heaven is. He told The Metatron, more than once, that he did not want to go back to Heaven! We can debate what each of us means by "choice" all night because my "choice" and your "choice" might be two different concepts. He could have been strong armed by The Metatron or he could have looked at where things were headed and realized he had no choice but to intervene himself.

You need to ask yourself what Aziraphale has a moral imperative to do.

What do we owe to each other?

Seriously, if you have not watched The Good Place, I recommend you go and watch it, because it absolutely shaped how I've viewed Good Omens 2 since its release.

My levels of frustration with the bad faith mischaracterizations of Aziraphale are off the charts. If you are blaming him for everything, implying that he should have to grovel and that Crowley has a right to hurt him back, you have missed the point of Good Omens entirely.

I defend Aziraphale, but I don't think one of them is more right or wrong than the other. They're equals. They're a group of the two of them, acting and reacting to each other throughout history. They're Alpha Centauri.

I cannot even begin to explain how fucking devastated I felt when Crowley said these words, knowing he was fighting a losing battle. What he said took a lot of courage because he's finally admitting something they've both been too scared to publicly define for 6,000 years. Crowley has had to spend so long with a rough outer shell because he fell and had to hide all of his softness.

The look on his face was one of pure joy when he created that nebula, but I think the fact that he got to share that moment with Aziraphale is what has always stuck with him.

So yeah, seeing Crowley with a broken heart at the end of "Every Day" was sad for me as well.

My brain still lives here!!

But Neil has said that Good Omens 3 is not quiet, gentle, or romantic. I imagine it's going to be more like the the first season in which they are not central to the plot. GO2 will help us make sense of how they ended up where they are when we see the bigger picture with all the other major players involved with GO3.

Aziraphale was still a soldier and accidentally got himself discorporated in his own magic circle in season one. He had a platoon waiting on him to start Armageddon, and he deserted them to go save the world with Crowley instead. Aziraphale is a deserter. I need everyone to remember that. He yeeted himself out of Heaven and sought out Crowley before even locating a body just to warn him about what was happening so they could try to save the world together.

I can't help but think of 1941 and that magician who had been arrested for being a deserter.

Aziraphale disobeyed orders. That took courage but it branded him as a traitor against Heaven. They tried to destroy him for it the same way Hell tried to destroy Crowley for his part in stopping the war.

Aziraphale and Job are the only characters we have seen interacting with God directly. Aziraphale has spoken to God before and he is determined to do so again.

Aziraphale knows Heaven is flawed, but he also knows it's supposed to be good. He wants it to be good. He does not like the way the system works and he wants to make a difference. (And I'm pretty sure he's also determined to talk to God without being intercepted by The Metatron.)

Since when is that a bad thing? I don't get it. And I've had this discussion before.

If you need to change the system by burning the old one to the ground, it's still change, and we don't know what Aziraphale has planned.

It seems to me that people just want to see Aziraphale fail because it would punish him for returning to Heaven instead of running off with Crowley.

Some of y'all take everything Aziraphale says or does and twist those things into malicious anti-Crowley actions because you think the only reason Aziraphale exists is to make Crowley happy, and if he isn't thinking only about Crowley then he's doing something wrong.

Aziraphale does not exist as a plot device to further Crowley's character. They come as a pair. They've been learning from each other for 6,000 years. Crowley challenges Aziraphale just as much as Aziraphale challenges him.

You can be mad at Aziraphale all you want, but villainizing him is gross. Defending Crowley does not mean you have to tear down and mischaracterize Aziraphale anymore than defending Aziraphale means you have to tear down Crowley (but I don't see that happen on nearly the same level it happens to Aziraphale). Stop painting Aziraphale as an abusive partner, for fuck sake.

Aziraphale knows there are flaws in the system. He wants to make a difference, and since he has seen that Gabriel can change, then maybe the whole system can. He has to at least try, and if he can succeed then maybe he and Crowley can stop hiding and finally be together without having to look over their shoulders all the time.

Why is that a bad thing? He's just as protective of Crowley as Crowley is of him!

But don't forget that Aziraphale's wing was covering Adam and Eve too. As much as a wants to protect Crowley, he has a moral imperative to keep humanity safe as well.

He sent Adam and Eve into the unknown with a flaming sword so they could protect themselves.

As much as he wants to be with Crowley, there are 8 billion people on Earth heading toward the Second Coming and Judgment Day. They'll work together to fight alongside humanity in the end. Aziraphale should not have to humiliate himself just to earn Crowley's forgiveness. That's a rancid notion.

The Resurrectionist was a whole ass moral dilemma for Aziraphale, which is why I brought up The Good Place earlier, but that's a post for a different time.

Aziraphale has his own motivations and they're just as important as Crowley's, and they don't have to be chalked up to Aziraphale being the bad guy. Weird, I know, but shades of grey.

"To the world."

[akascow]

the blue and red blanket Jayce wraps around Viktor is symbolic of the humanity he's still holding onto...

and also their love for each other

he keeps it throughout his entire season arc, and through his "gLoRioUs evolution" process you see it starts to cover less and less of him the further he strays:

the first time we see it, its completely draped over almost his entire body, only barely showing his hands, feet and head

in the next scene we see him, his head is covered, but more of his feet and arms are showing through

he loses the hood being in his lil cult after a while, the way the rest of it is pinned up reveals more of his body; his legs and entire arms, and the sides of his torso are showing as well

when Jayce finds him, its now only covering half of his body, but still holding on even after being blasted through the chest with a Kamehameha

with the Herald form, aka the furthest thing we see from the Viktor we know, the blanket only has a tattered idea of it wrapped around him, just covering his shoulders, even the neck of it looks slightly ripped or torn. its almost completely gone, the blanket that once covered his whole body is basically just two strands of fabric now:

but it still manages to incorporate itself into his astral form as well, because though it feels more Herald than Viktor now, he's not completely gone yet, Viktor is still in there. he still had a small shred of humanity left to him, a small shred of that blanket.

and THATS why and how Jayce is able to bring him back to himself... with a hug no less, which is something inherently human in nature,, as well as just being Jayce's way of expressing love throughout the whole show (x). and Viktor's humanity is still there- weak, but not completely gone yet. notice how once the image of the Herald is cracked and diminished, Viktor's form is still completely made up of blues and reds. even now, while not visually being draped on him, the blanket still incorporates its way through color

the mask is metaphorically AND literally shielding Viktor from himself, but finally he's able to slip through once the mask cracks, and we see the real Viktor behind the Herald. and only here is Jayce able to break through and show Viktor his mistakes and make him realize the things he's done. likely this wouldn't be possible had Viktor been completely gone.

and in the end, what colors are they bathed in together?

blue and red

also sky represented that humanity on the inside while he was still Viktor too, which is why in the astral form, theres no blanket, he's just Viktor in there for the majority. but she's always with him, and once Singed transforms him and takes that away, the Herald's blanket(?) cape(?) is show in the astral plane now that Viktor's inner self and Sky's projection link are not [completely] there anymore🫠👍🏻

you can also think of it as- his most ideal body and form is with the goal of inhumanity, thus the more he loses of what actually makes him human directly influences what of his body he perceives to be perfect and therefore proud to show to the world

the blanket being the figurative idea of humanity and its literal idea of how much outwardly shown in his physical design:

him covering himself up near the beginning, still mainly the human Viktor we know, but his body is flawed in his eyes, and the blanket is huge and encompassing, covering him up

and in the end, its almost completely showing off and revealing his form that, in his eyes, is almost perfect and ideal, the blanket now a mere ghost of what it once was, only a small part of him covered by it because while he is more Herald than Viktor, he is still in there and able to be saved

…

also shameless self promos but u should check out my jayvik butterfly effect and jayce's hallucinations analysis posts if u liked this one :3 👉🏻👈🏻

[drdemonprince]

I always used to think about like sending authors I liked letters but somehow that felt too personal and weird but I guess messaging you on tumblr from my torture fetish blog is fine yeah. Anyway I just wanted to say I’ve been a fan of your writing for a while and I’ve always found that even if I disagreed with your ideas, they were thought provoking and made me consider new perspectives, which is something I appreciate. I’m also trans and autistic and I finally got my hands on unmasking autism in my local library and really enjoyed it.

I know I’m not exactly the target audience, as I was diagnosed as a child and don’t mask as much as some autistics, but I actually found I resonated a lot with it and it also helped me empathise more with other autistics I know who do have more of these experiences that I don’t share. I wanted to reflect on the fact that despite knowing I was autistic from an early age, I still feel that I have been pressured into hiding and compensating for my autistic and adhd traits (which I was diagnosed with as an adult, you know, because the previous version of the dsm didn’t let you have both), both intentionally through special education and being penalised for these traits and passively through absorbing societal ableism and prejudice.

Masking is definitely something more intentional for me, and I appreciated that you did touch on how for some of us it is necessary to our survival in certain contexts. I’m a nursing student and while I think I still come off as obviously neurodivergent to a lot of people, I do have a work persona that I find I have to put on, and even in the organising space, I feel that I also have to be more considerate of how I’m socialising and how I come across to others.

I helped found and run the disabled and neurodivergent students society at my university and in doing so I’ve come across a lot of autistics, the majority of whom were diagnosed or self realised as adults and have had to go through a process of unmasking. I have unfortunately found that even among these groups, I still feel the need to mask and I am often judged for my authentic autistic self. I do worry that if I totally unmasked I would actually just not be a pleasant person to be around. I’ve lost friends who have seen me have meltdowns, which can be destructive and distressing for people around me, and I think by nature I am quite blunt, stubborn and maybe don’t have a very agreeable personality, which to me is part of my autism, but other autistics around me still see this as a personal flaw of mine.

I’ve even had to leave a local autism organisation as their policies were very exclusionary and they did not want to listen to feedback or make any changes, and this was mostly attended and run by later realised or diagnosed autistics who seemed to have a lot of internalised and lateral ableism. They intentionally excluded people with learning disabilities from the group and would not let people attend with carers as this made others ‘feel less comfortable sharing their thoughts openly in that space’. I guess I just wanted to highlight this because we still have a long way to go as a community to truly accept our unmasked selves and peers and we need a hell of a lot of societal and structural change for people to truly be able to live authentic lives.

I also just wanted to quickly ask, why do you choose to use neurodiverse as opposed to neurodivergent when talking about people who do not fit societal norms? I always thought that neurodiverse included both neurodivergent and neurotypical people and was more about the diversity of populations, whereas neurodivergent specifically refers to people whose minds diverge from the neurotypical standards. Either way, it was a great read and I will for sure be recommending it to others in my community! Thank you for all your work! -S

Hey thanks for the message!

Oh god yeah, newly realized and newly unmasking Autistics can truly be such nightmares to be around in terms of projecting their internalized ableism at every fuckin body, speaking over nonverbal and intellectually disabled people, prioritizing their own concerns, and insisting upon a singular community point of view. I have some complicated feelings about writing The Book that encourages them and speaks directly to them, because I don't think centering the more privileged and therefore dangerous within a heavily marginalized group necessarily benefits anyone else in said group, and can worsen existing power imbalances... but still, I wrote the book that I desperately had needed when I was still figuring this stuff out, and I'm grateful to hear that some of it still resonated with you and was helpful in conveying how others feel.

I also have determined that in a lot of public spaces I pretty much do have to mask, at least by inhibiting myself heavily, and it's really sad and draining, but it is also the experience of the majority of my Autistic siblings in the world. I have unusual ways of moving, emotions do not come easily or consistently to me, I lack empathy, I find most social exchanges pointless or annoying but still want people to care about me, I am impatient and easily flustered and defensive, I have a somewhat controlling codependent bent and a deep fear of abandonment that can turn manipulative and BPD-y, there is a lot of shit about me that I often feel I need to keep on lock. It is alienating especially when I bump against more respectable and emotionally highly sensitive Autistics who wish to connect in a particular way and are disappointed that I can't give them the glimmering positivity that they like. This is worsened by so many of the aforementioned high masking Autistics being white Midwestern woman socialized and incapable of contending with any negativity or even just neutral even handedness. I know how exhausting that shit is to deal with, is what I'm saying, and honestly sometimes it makes me feel some type of way to see my book being so heralded by people of a kind highly likely to socially aggress against someone like me. But ultimately this is all just pattern recognition and I can't really tell.

As for the neurodiverse/vergent usage it's a long story but basically comes down to some editorial feedback I got at a crucial point in the process. For the sequel, Unmasking for Life, I have gone back to occasionally using neurodivergent, though I prefer neuroconformity / nonconformity as a framework for describing things instead these days. It's not a one to one replacement of the term ND, it's more contextual and flexible and I think a hell of a lot more precise

thanks for writing

[emin-folly]

(@ftl-faster-than-life HI THIS TOOK A HOT MINUTE WEH Also thanks Tumblr for eating my asks again smh) oH BOY, WHERE DO I START Oh Barry, Barry, Barry, my sweet babygirl, how you've been so incredibly villainized by this fandom I'm going to take this opportunity to address and debunk as many misconceptions about Barry's character that I can remember, in the case if someone who doesn't really know Barry all that well is reading this or to hopefully change some people's minds~

* "Barry is boring": Well, yes but actually no. That's the beauty of Barry--he is designed to be your average, unassuming everyday kind of guy. Problem is, a lot of people think that's all there is to him, but that's really only just the surface.

He has flaws. He's prone to making decisions without consulting his family if he thinks it's for the greater good. You need to explicitly tell this man if you wanna be his lover because he absolutely can NOT read romantic cues to save his own life, he's a guilt sponge, he's weird, he LOVES science and comics and is a huge nerd!! He gets jealous!

Guys-Guys?? He's aN ELDRITCH HORROR??? HELLO????? He is CONSTANTLY living in sheer and utter denial and is desperately grasping his extremely thin veneer of being human, and yet, because of this, he actually puts his family in more jeopardy. Do you even realize how fascinating that is

Barry is a character who also deeply craves companionship/people. He struggles with depression and suicidal tendencies ever since being resurrected. He tries so hard to be what everyone else wants him to be and meet their expectations while failing to take care of himself in the process. He's so much more complex than just "Wally's nice father figure who died in Crisis". People also tend to equate "boring" with "being good/kind" which, you know...I very much disagree with but that's just my opinion * "Barry is racist!" LOL This one is just so wildly incorrect. The origin of this misconception comes from an out-of-context panel Justice League of America #173) of Barry being angry about Black Lightning joining the JL. If you read the whole page the panel comes from, you'd see that in actuality Barry is NOT angry about a black man joining the League but rather, he's angry that that seems to be the only reason Oliver wants him and Barry is (rightfully) calling Oliver out on that. There has been no other time where Barry has a problem with people of color

* "Barry is a Republican" I don't even know where this fanon came from. I think this may have originated from Wally's run where Wally was a conservative and he just assumed?? Barry was the same??? Which is SO laughably wrong (Wally bby, stop projecting on your uncle challenge) For the major part of Barry's original run (and honestly, the majority of the Flash runs after that), he remained largely apolitical . People see a white guy from the 60s and automatically assume he's right leaning /shrug * "Barry's a cop!" Yeahhh, not quite actually. He's a CSI, a forensic scientist, not a blue collar badge sporting cop. He's the behind-the-scenes guy, the one who studies the crime scene and tries to piece together the evidence and bring the culprit to justice. There IS a difference. But people don't really care about the technicalities, tho, they just want to hate Barry and him being "basically" a cop is a fast and easy excuse to do so. And DC certainly isn't helping matters with them constantly pushing the cop agenda for him (thanks a lot DC) * "Barry is sexually-repressed": This is a headcanon I seen a fair amount of and--okay, I get it. Barry is shy and reserved and blushes up a mad storm when someone compliments him. I can see how that might lead people to interpret that as him being sexually repressed/being a prude. But like....Buddy. Homie. Amigo.

This man had more canon sex than Hal Jordan. He and Iris were getting it on FREQUENTLY in the Silver Age and that's not me exaggerating. Just look at Flash #197 where it was Barry's birthday and he and Iris made out and stayed in bed practically the whole day together. Maybe you could say they just did that in the morning and they did other things later buuuut I don't believe that for a minute lol. Or! In Flash #195 where Barry was late to a ceremony of a submarine departure because (you guessed it!) he was too busy exploring his wife's mouth. Just because Barry doesn't make sexually-charged remarks or cop a feel from Iris constantly doesn't mean he's opposed to sex. I see it more as him just being way more private and reserved about it, but he IS very much down to fuck as she is (or Hal! Whichever your ship may be~)

While we're kinda on the subject, I'm really not a fan of the whole Barry being "shojo-fied/uwu-fied" thing, if I'm being honest?? Like, yes, if you give him any kind of compliment, he will blush furiously and stutter. But that's different from him being totally ignorant on what sex is/being a weak, delicate little flower who needs a "Big, Strong man" like Hal to save him (also, like...can we stop treating Barry as the "girl" of the ship just because he's skinnier and smaller than Hal pls and thank you). He is an mid-20-30 year old adult man. And a forensic scientist who probably seen a lot of sex-related crimes in his line of work. I'm pretty sure he knows what sex is, guys (in fact, he would be the guy who actually hosts Sex Ed classes bc the misinformation out there is staggering lol)

"Barry is weak/one of the weaker superheroes": Ok, I've never seen anyone say this persay, but it is very evident in how people portray him a lot of the time. They see his smaller frame and the fact that he runs fast to mean he's a glass cannon (Honestly they do this to a lot of the other speedsters as well) which hi! Wrong again! Speedsters are actually INSANELY durable little dudes. He could tank a punch from Darkseid. He can drag MASSIVE SHIPS behind him!! Wally once punched Eobard with the equivalent force of a dwarf star. Yeah. Now I get whump, I personally love it, I do, but I also enjoy seeing Barry being the absolute powerhouse he is. He can vibrate through solid matter, he can manipulate frequencies, and he's incredibly smart with how to use his powers, always thinking up on the spot improv strategies and techniques! Please stop nerfing him, guys, speedsters get too much of that from the writers OTL * "He's conservative because of his buzzcut!" Ok this one actually had like, a whole article?? On it?? And it truly is so wild lmao. When the only thing people can find to hate a character on is his haircut, you know they have no basis for their argument lol * "Barry is abusive!" Nope. Not even close. People love to pull this as a "gotcha" to Barry fans, regarding the panels of "Barry" beating up Wally and verbally abusing him (The Return of Barry Allen). Except....that wasn't Barry, that was Eobard disguised as him. You know...if you read the full run, you would know that lol You literally couldn't find a more least abusive person than Barry lol. Which actually leads me into the next one... * "Barry was an example of toxic masculinity!" AH yes, of course, with how he's so openly kind and compassionate, how he loves kids and animals, how he openly cries and shows emotion, how he's super respectful of people regardless, how he chugs Respect Women juice all day everyday, how he's contributing to fundraisers to help impoverished people and further medical progress, how he's so concerned about the state of the environment and is firmly against consumption of fossil fuels, how he constantly tells his son nephew he's so proud of him and that he's his hero, how he runs home after work bc he's genuinely so excited to see his wife, how he loves her SO much and smothers her with kisses every chance he gets UGH. How does Iris stand him /s And since we're talking about Barry and how the fandom treats him, I can't not talk about the elephant in the room--Flashpoint To start off, lemme preface this real quick:

FLASHPOINT WAS NOT BARRY'S FAULT

He DID NOT intend to trade the lives of his family for his mom He DID NOT run back in time because he was jealous of Wally (uhh lmao what???? Yeah, I can't even begin to explain how wack that is) He DID NOT run back in time because he was "selfish" and "wanted his mommy back" (unfriendly reminder that Nora is a separate character and shouldn't be treated as just an appendage of a male character <333) Some actual context for non-comic readers: Eobard killing his mom is actually an aberration of the true timeline. It was PERFECTLY REASONABLE to assume that it would restore itself to its original version!! Barry had also traveled in time before in the comics without any repercussions or ill effects, so there was NO CONCEIVABLE REASON FOR HIM TO THINK ANYTHING OF THE SCALE OF FLASHPOINT WOULD EVEN HAPPEN If people had read the issues preceding Flashpoint, they'd see Barry did all of that for Nora!! Because he despised the fact that she had to pay with her life because of a villain of his!! That it wasn't right for her to die for his sake!!

"But Eobard said Flashpoint was Barry's fault-!" EOBARD is A BITCH ASS LIAR who purposely twists the truth to hurt Barry as much as he can!! Of COURSE he would say that!! What ACTUALLY happened is that Eobard is the one who somehow made Nora's death such a critical and important fixture in time to the point of just tempering with that can cause a catastrophic domino effect. Flashpoint is EOBARD'S FAULT and HIS ALONE (and Idk, Doctor Manhattan's too ig if you wanna include him)

Barry loves his family and cares so, so, SO EXTREMELY MUCH. He could literally not be any prouder of Wally if he actually tried!! Everything he does is for his family, even sacrificing his own mental health and happiness for them and it makes me SO sad to see everyone cling to this butchered version of him in their minds (though it's not entirely their fault, DC is also definitely to blame)

[rewrittenmha]

I'm gonna be completely real... I feel like BNHA should've been more about the LOV fighting to change a corrupt system instead of what we got.

They're way more interesting than the cardboard heroes and that they actually had a point in how things were and wanted to change that.

And that the ending would've been something similar to the ending in the DLC We All Fall Down from We Happy Few. Where now the people hate them, with time others will start to realize that they really did the right thing.

I like the idea of them meeting somewhere in the middle.

Because when you think about it, the heroes suffer a lot of the same things the villains do. Hawks and Nagant were exploited children raised to be assassins and used to do the HPSC's dirty work. Izuku, Shoji, and Monoma faced discrimination. Shoto was abused.

Someone, forgot the name, made a good point a few weeks back. That MHA is the only series that pits victims against each other instead of the abusers. And in a lot of ways, that's right. Because other series do that, but in a way that it's obvious and supposed to be something that's called out and amended.

A great example of this being The Hunger Games. The Districts are pit against each other to keep them separated and foster animosity so that they won't rise up against The Capitol. That's why some Districts are kept in poverty while others prosper. The only way to resolve this is to unify the Districts by making them realize that the true enemy here is the corrupt system.

I was waiting for the LOV to start to actually be the ones to teach Tomura this because let's be real, he's sheltered. What he knows about heroes was a bad experience one night and everything AFO told him. The other members actually lived through and faced corruption firsthand. Tomura didn't actually have a plan in the beginning; he wanted to destroy heroes but he didn't actually know why. Not until he formed the LOV. But the majority of the LOV's goals didn't align with Tomura's in the beginning, they aligned with Stain's.

Spinner, Dabi, and Toga even explicitly state that they were only joining the League because of its (fake) connection to Stain. Spinner because he wanted a world with justice and equality. Dabi because of his detestation for false heroes. Toga because she felt a kinship with Stain due to their quirks and wanted to find people like her after being outcast and shunned for so long.

And if we take these goals/motivations for what they are, they aren't bad at all. In fact, I would even say that they're reasonable. I barely counted Spinner as a villain until the Final War because he believed in true heroes and wanted equality for people like him, he even saved Izuku from Magne. Out of all of the LOV, he would have been the easiest to redeem.

(Yes I'm still mad that Horikoshi ruined him leave me alone)

The problem is, those goals were undermined by their actions later. They were either completely disregarded (Dabi), simplified (Toga), or contradicted (Spinner). Horikoshi basically said screw their established characters, they're one dimensional mustache twirlers with no substance. Every character who points out the flaws of society is demonized to justify the status quo.

And this is actually why I take issue with the whole every character having a villain thing. Because this shouldn't be a case of Hero vs Villain. We shouldn't be looking at the LOV like obstacles to defeat, or even to save. We should be listening to them. The goal here should have been to make a better world where what happened to them doesn't happen to anyone else.

My Hero Academia should have been a story of change, not war. And I think that's going to be the heart of this rewrite

[nartml]

I get that THW was going for a sobering message of "sometimes you have to let people go" and "some friends can't stay forever", but it was hilariously unsuccessful.

It's still baffling to me, the amount of raving reviews calling it "the perfect ending".

Apart from the wild thematic inconsistencies, and the endless flaws with Hiccup's logic of "oh, yeah, I know that things have never before been this good for dragons, I know that Berk is living proof that even the most stubborn people can change their minds on dragons, I know that dragons thrive on companionship and love their humans, I know that good people exist, I know that I'm the instigator of a huge revolutionary period, butttttt..... because bad humans exist I'll lock away the entirety of the draconic population in a glorified underground cage, in the hopes that one day humans will stop being bad and learn to cooperate with the creatures that they question, or even forget, the existence of a measly decade after their disappearance. Magically.", this message plainly didn't fit.

Not just in a thematic context. I mean that it literally doesn't fit in this situation, and it doesn't fit the characters.

It doesn't even fit reality, because you have to let go of people for reasons. Some friends can't stay forever, for reasons.

Valid ones. Reasons like, you grew apart, you don't have shared interests anymore, they betrayed you in an unforgivable way, they're not good for you, they're not good to you, they died, etc etc.

Had any one of these happened? At any stage? The one thing you could, albeit pointlessly, argue is that they grew apart. That they outgrew each other.

Only that...they didn't? Did I miss something? Because Toothless flying away for, what, a day to spend some time with his love interest, is not outgrowing. Toothless finding romance does not mean that he and Hiccup grew apart.

And this isn't just about the Light Fury. I'm not discussing whether or not she's a good character (she isn't), and I'm not discussing whether or not she deserves Toothless (Ha, you're funny). Even if she were the absolute best, most perfect match for Toothless and a compelling character, it still wouldn't even remotely mean that he and Hiccup grew apart.

In fact, if you grow so far apart from your best friend that you can say goodbye to them forever, just because you found a new partner, then I really don't know what to tell you. (Except that you're probably not a good friend.)

Hiccup realizing that Toothless doesn't make him who he is, and doesn't define him, that he doesn't need Toothless in order to be someone, or even that he doesn't need Toothless at all, doesn't mean that he outgrew him. Not even slightly.

I mean, come on, I don't need the vast majority of people in my life. Arguably, I might not even need any of the people in my life. This doesn't mean I don't want them there.

This doesn't mean that I won't fight for them to stay right here, by my side.

Oh, look, how's that for a change? How about a movie where your friends refuse to leave you? Because that's what I want, and that's what How To Train Your Dragon deserved.

That's what Hiccup, and the rest of the Berkians, deserved. And that's what fit. That's what thematically fit, what fit reality, or at least the httyd reality, and what fit the characters themselves.

This movie treated the dragons as mindless pets, whereas in every other step of the way, they were treated as people.

Toothless isn't a just slobbery puppy.

Toothless is intelligent, curious, kind, understanding, funny, snarky and sarcastic, graceful, elusive, protective, loving, wary, and fucking loyal (plus much more).

I can't think of a character that has demonstrated as much loyalty and protectiveness as this guy.

And yet he was barely any of the aforementioned things in thw. He became unrecognizable.

All the dragons became unrecognizable, for no justifiable reason.

The final message shouldn't have been that your friends sometimes have to leave you, and that you have to let them go.

(The humans left the dragons just as much as the dragons left the humans btw)

It should've been that they'll fight tooth and nail to stay, even when the going gets tough, even when priorities shift, even when you tell them to go.

No matter how passionately you insist that caring for you is rotten work.

It's not to them.

[gigisriley]

wait people say charpim is toxic or that they wouldn't work out as a healthy relationship??? im so confused is this just angst being grafted onto them or is there a valid argument to be made here?

Im new to the smiling friends fanbase btw and mostly am a lurker that seldom comes by to see fan content lel

first off, WARGGGHHH thank you for the ask i’m literally SO excited to answer!!!

rambling below the cut!!

i’m in two camps on this one. I think charpim in its CURRENT state definitely wouldn’t work. BUT Pim is definitely the kind of person who has the capacity to help Charlie. Pim is a very affectionate guy, and he’s open, honest and sincere. Hle’s very genuine, compassionate and beyond kind. In other words, he’s *exactly* what Charlie needs. Pim can make him better.

Charlie isn’t a bad guy. He’s far from it, actually. His whole job revolves around making people smile, even if his goal is a paycheck and not that fuzzy feeling you get in your chest when you make someone’s day better.

But he’s a very flawed guy. In Charlie goes to Hell and Doesn’t Come Back, I remember reading somewhere that Micheal and Zach wanted to originally make Charlie vape in the beginning, but the studio wouldn’t let them. So they settled on energy drinks. Thats why The Devil says “I can quit my addicted vices whenever I want”- this is supposed to be a moment of realization for Charlie. He can see himself in The Devil in that moment.

In Erm, The Boss Finds Love? Charlie literally gets shitfaced at the wedding. Even as he walks into the break room the next day, he says “I can’t keep doing this. Something’s gotta change, brother.” in reference to his hangover. He’s unhappy with where he is, and he recognizes there is a problem. But he doesn’t do anything to fix that. In the alien episode, both him AND Pim get shitfaced.

Charlie also instigates fights. In both Charlie Dies and Doesn’t Come back and the alien episode, Charlie’s the one to stir the pot. When they go looking for a tree to chop down, Pim keeps a level head and calm voice. Charlie’s the one who raises his voice and takes the axe to the tree. Charlie instigates thus fights with the dudebro aliens, literally egging them on. He’s so caught up in this that he literally elbows Pim in the face.

Plus, you never want to get into a relationship with someone under the notion that you can “fix” them. More often than not, people don’t change. It takes a MAJOR life event or some kind of trauma for someone to change. And Charlie, in the face of LITERALLY being given a second chance, continues to drink, instigate fights, and give in to his addictive vices.

In his current state, Charlie would definitely be the ‘toxic’ one in the relationship. He’d instigate fights, come home drunk out of his gourd, and he’d hurt Pim emotionally. Whether or not he’d hurt him on purpose is up for debate. Pim would overexert himself trying to keep them together, and fall apart. You can’t help someone who doesn’t want to be helped.

Charlie needs to change if they’re going to work. He needs to get better. THATS why I think they wouldn’t work, at least not yet.

At the end of the day they’re just silly little guys in a cartoon about Friends Who Smile so i’m probably reading WAY too much into a guy who looks like a peep. But oh well. To be cringe is to be free.

(ID LOVE to talk more about this—- if anyone has any comments on this or disagrees, PLEASE PLEASE PLEASE let me know in the notes. i like talking about my silly little pink and yellow middle aged men)