#RAGE EVEN!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[potato-lord-but-not]

ep 43 doodles that are weeks late bc I forgot about them OOPS

[wowsillies]

I WISH Jorge had referenced the part of Luck Runs Out where Odysseus tells Eurylochus to be quiet because I feel like that’s an element missing from a lot of Eurylochus interpretations.

“I need you to always be devout and comply with this /Or we'll all die in this” is important because Eurylochus fails to do it by questioning Odysseus’ words (the bag is NOT treasure, it’s storm) and opening the wind bag and his actions lead directly to the facilitation of the death of most of the crew. I hesitate to say he’s to blame because, well, Poseidon is taking revenge due to Odysseus’ decision, but Eurylochus handed him means and perfect opportunity to do it.

So, after that, Eurylochus obeys everything Odysseus says to do. He takes men to explore Circe’s island. He stays put instead of running when Odysseus goes to rescue him. He follows intl the Underworld despite the fact that “hey this witch is helping us now by sending us to death’s realm, this is definitely not a trick” probably raised some questions. He doesn’t (or at least we don’t see) stray or talk to the souls in the Underworld even though Odysseus ends up doing it. He traps and kills the sirens.

He lights and gives out six torches.

So, if devotion to Odysseus wasn’t enough to save them? If Odysseusnis now using that devotion and trust to get them killed as long as he gets to make it home to his wife? What is he meant to do now?

Eurylochus doesn’t sound… fully there, during the second half of Mutiny. Whether there was divine intervention pushing him or madness or simply the pain of it all, he’s not acting rationally. He just saw six of his trusted men brutally murdered, asks Odysseus to lie and say it was a trick, and can’t even kill him when the truth comes out. Odysseus’ wounds are bandaged! (I’m not sure that he doesn’t actually know where Helios’ statue is from btw, both due to the melody and bc it seems outrageous)

We’re all talking about Odysseus pleading for Eurylochus to stop before killing the cows, but Eurylochus is pleading too. He asks how much longer is he expected to suffer, to push through doubt, to follow the orders. And Odysseus’ first plea is “I need to get home” (later “we can get home”). Let’s not forget Odysseus is selfish and Eurylochus knows that, maybe even loves that, but he’s not just hungry, he’s tired.

When Polites gets the location of the sheep cave from the lotus eaters and takes the men to it, he leads several of them to death and himself to his doom. When Eurylochus stumbles upon the cows, does he remember that? Does he deliberately invoke it?

Killing the cows isn’t about the hunger, not really. It’s about the devotion that was asked of him, the price he paid to learn that lesson, and the pain that silence put him through anyway.

[tagerrkix]

rage.

[justaz]

magic reveal where arthur doesn't say a word and starts walking away and then merlin is at his heel calling for him, pleading with him to talk, to let him explain everything, begging for him to turn around and look at him, his voice breaking with grief. arthur has never been able to deny merlin anything and turns but he is still hurt and angry and merlin can see it in his eyes before he even opens his mouth to spew accusations. merlin stands, demure, as he shakes his head yet he doesn't say anything - fallen silent under arthur's rage. arthur walks away and around a corner, merlin doesn't follow. merlin breaks down into heartbroken tears and sobs and arthur is just around the corner, leaning on the wall for support, and listening to merlin fall apart.

[natjennie]

something about "your anger isn't scary to me" is making me so emotional. something about as above so below, cassandra as a mirror of kristen. something about "I've been dropping the ball a lot lately" and kristen's struggles with adhd. something about teenage girls and rage and fury and justice. something about adaine's vision of ruining fallinel and the sylvaire looking for revenge. something about sadness and doubt and anger and love. something about "I choose to understand" being the absolute core theme of d20 in general. something something.

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[oppossums]

i'm about to go fucking feral for real

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[madhatter0309]

I want another female Doctor

I want another female Master

women

[thisgingerhasnosoul]

Do you guys ever see a post that’s so abusive and hateful towards Jews (under the guise of anti-Zionism, of course), that you want to respond and call them out on their gaslighting bullshit, but you know you can’t because if you do they’ll end up harassing and brigading you for the crime of being a (((Zionist)))/Jew they don’t like?

[dootznbootz]

Penelope is also Athena's pet/blorbo/special little mortal/etc. and if you think otherwise you're straight up wrong.

You're also wrong if you think Athena only likes Penelope because of Odysseus and/or Telemachus. As if Athena didn't see a young Penelope pull some shit and immediately think "Oh! Another mind to mold! C'mere you! Let's do some riddles and weaving!". Athena was happy that two of her favorite pets have met and fell in love!

[caramelldansenu]

[ironinkpen]

my thing with the rat grinders is like yeah sure jace and porter have been manipulating them to some extent and yeah sure they deserve to be saved or whatever but also! they should get their asses beat a little bit first. like come on. they got into this whole mess in the first place because they were so bitter and entitled that they jumped on the opportunity to get special treatment and have some of their teachers handfeed them exp with no effort. they then pressured their cleric to change gods and ignored all sorts of red flags all so they could be better than some kids they've never fucking talked to who are literally just out here trying to save the world. like okay yeah uncorrupt them or whatever, but also the bad kids deserve to fuck em up a little bit. play stupid games win stupid prizes baby

[starry-bi-sky]

No.

No, no, no, no, NO!

He's shaking. His heart is burning in his chest, pounding like a jackhammer against his ribs, and there's a trembling, aching rage building beneath his tongue and pressing against his teeth.

In his hands, his fingers tense and wrists locked, the article reads in big, black font: JOKER LOCKED IN ARKHAM ASYLUM AGAIN!

Danny shouldn't feel so angry about this, this is a good thing. Gotham doesn't have to deal with him for another few months at the least. He should feel relieved, a little more at peace.

He is not.

He cannot swallow the fury thudding behind his eyes, the burning white heat searing a deeper hole in his chest. A searing green filling static in his ears in the way only the rage of the restless dead can have.

How is he going to kill him now?

Arkham may be the only asylum in America made entirely of tissue paper, but it's still an asylum. There are cameras, guards, other patients resting inside. Danny can think of a million different ways to sneak in and kill Joker, but someone will hear his screaming.

It'd have to be rushed.

He doesn't want it to be rushed.

It's a cruel thought. Cruel and cold and merciless, but Danny doesn't feel an ounce of shame, not an ounce of guilt, for it. He wants to be alone with the Joker when he kills him, that's all he wants. In Arkham, you are never alone.

He forces his anger to bubble back down into his chest, stuffing it between his heartstrings and his ribs like a blanket you're trying to bunch up into a corner. It sizzles and burbles. The static begins to fade out into a high-pitched ringing; it sounds like distant screaming.

Danny is still trembling, but he can think a little clearer now.

He can wait.

He can wait. He can wait. He can wait. He canwait. Hecanwait. Hecanwait.

He can wait.

He's waited five years for this. He can wait one more week. One more month. One more year. However long it takes for the Joker to break back out, Danny can wait.

And when the Joker does, inevitably, break out.

Danny uncrinkles his fingers around the edges of the newspaper, loosens his limbs just enough so he can pay for it.

He'll be waiting.

The dead, after all, have all the time in the world.

[rainy-heart]