#Quite Like that book
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lovelyrottingcrows · 7 months ago
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it's hard being a possessed teen in this economy
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adriles · 10 months ago
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they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes
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aethersea · 6 months ago
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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
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stump-not-found · 2 months ago
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bro has not slept for a week .
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watchingwisteria · 1 year ago
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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offonaherosjourney · 8 months ago
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Why did no one tell me that Dracula was a fucking COMEDY.
The book opens up with Jonathan experiencing a paprika overload. Dracula pretends to be the coachman and drives Jonathan around in circles until he decides he's established enough of a dramatic atmosphere. By day three in the castle Jonathan has picked up that there are no servants and Dracula is secretly doing all the chores, including driving him there. The first time Jonathan tries to shave, the count barges into the room, yeets his mirror out the window, refuses to elaborate and leaves. Jonathan also notices that he is a prisoner in the castle but doesn't dare to bring it up, which... is a mood, but also hilarious. A week into his stay he sees his employer/kidnapper crawling facedown out a wall
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notbecauseofvictories · 1 month ago
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sometimes, you wake up and your first thought is "I cannot be a person today." often---most of the time---you have to then get out of bed and proceed with being a person, regardless of your feelings on the matter.
but sometimes, occasionally, once in a while....it's nice to email your boss, get back in bed, and go the fuck back to sleep.
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cosmicrhetoric · 3 months ago
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can these guys quit it.
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benevolenterrancy · 3 months ago
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I'm on chpt20 and I want to study SQQ like a bug. My man is flushed, hair down, robes literally falling off his shoulders, LBH on his lap playing with his hair and kissing him... and he finally cottons on to the fact that maybe this isn't how you have a platonic and important discussion. Enforces it for all of five seconds at which point LBH starts massaging his waist and SQQ is back to being like "yeah this is fine and normal". Amazing. Can't believe he insults the IQ of SQH's characters.
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12thbiologist · 2 years ago
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annihilation is soooo good because the biologist is aware that she is an unreliable narrator and also hates it. she WANTS to be completely impartial and objective and just observe everything without influencing any of it. but she cant so instead she omits her name from the entire book to the point where it's almost absurd and completely intentional and splits her journal into "objective" chapters detailing her expedition and "subjective" chapters detailing her memories about her husband. ill never be over you biologist
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joanofexys · 9 months ago
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can we all keep it together and promise that we're not going to go back to the "i love these dumpster fire books" mindset with aftg and with tsc when tsc comes out? i'm tired of y'all pretending the writing isn't good and like the character arcs and plot and subplots are bad when they're actually beautifully structured and they deserve our attention and our praise without a "but it's sooooo bad haha" being added to everything. these books are good. and if you can't admit to yourself that you're reading them because you like them and they're good then maybe you aren't ready to pick up the story that we've been waiting for for years.
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kurohaai · 26 days ago
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I'm officially in LaDS swamp make way for my ffg (freaky fluffy guy)
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vaguely-concerned · 11 months ago
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sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go
#the locked tomb#harrowhark nonagesimus#john gaius#harrow the ninth#this is why I don't buy john as misunderstood and initially well-meaning AT ALL#this is a pattern you see with him again and again and again -- right down to his interpersonal relationships#(and indeed it's in the more grounded interpersonal relationships you can most clearly see him as he is I think#the fantasy death empire of a thousand years doesn't register quite as viscerally because it's like. heightened; not quite real#but the emotional violence and manipulation that surrounds him? oh boy that is EXTREMELY real and scarily well-observed)#there's a premeditation to so much of what he does (contracts with planets that only end 'in the event of the emperor's death' anyone?#yeah john we get it you're hilarious and I wish you weren't)#the greatest trick john ever pulled was making anyone think he's just a lil guy. what does he know he's only god#when you first read the book the complete callousness of the other adults is so horrible that john seems like an oasis of care#(though you start to get this uneasy feeling when that care never seems to translate to like... relief or soothing or resolution)#and it makes it feel almost obscene when you find out what's actually going on#it's the mercy & augustine enabler hour but at least they're completely honest in their cruelty there#while john is -- well he sure is being john huh#this is just me being angry with him btw philosophically I don't think this is how the story will or should end#(with john slam dunked right into hell that is)#it's just... harrow is so vulnerable. and what he does to her is so insidious and fucked up#john is very deeply human. unfortunately the capacity to quite simply suck so much is deeply human too
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starry-bi-sky · 3 months ago
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do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.
His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.
His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.
Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.
Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.
Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.
But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.
But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.
He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.
And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.
And the truth is worse than all of the lies.
How horrifying.
#dpxdc#danny fenton is not the ghost king#dp x dc#dp x dc crossover#dpxdc crossover#dpdc#danny fenton is a clone#clone danny fenton#clone danny#thinking about the inherent trauma that comes with growing up as a clone and not knowing and questioning everything about yourself#thinking about the amount of effort and lying that Jack and Maddie would've had to to do if they wanted to pass Danny off as their bio son#the MEDICAL RECORDS#danny's medical history is completely different from theirs. any generational health problems the waynes have would/could be passed down to#danny and he's completely oblivious to it up until the reveal. he'd have no idea about any medical risks until they hit him before that.#so many little things and inconsistencies that would just build and build and build until it finally came to a head and the truth came out#forever and ever and ever fascinated by the underlying horror of being a clone. there's a horror in being cloned but there's also a horror#in BEING a clone. like yes he could've always known from the start and that comes with its own set of issues BUT. just. him not knowing#for the longest time. the lies and deceit and betrayal. you know how adopted kids come out and talk about how they didn't know they were#adopted for the longest time and how traumatizing and betrayed they felt when they're finally told 15-20 years down the line? yeah that#i imagine finding out you're a clone is a lot like that.#i read a book in middle school once abt a girl moving to a new town with her family and getting these horrible nightmares and noticing how#everyone was acting strange around her. one of her nightmares was about the 30yo police officer being a shambling corpse talking to her#and at the end of the book she finds out she's actually the clone of a dead older sister and the police officer was her sister's boyfriend.#and she was in gymnastics but quit and her parents were so disappointed bc the og sister was a champion/award winning gymnastics player#and i never did finish the book but god am i reminded of that.#i love reading the dpxdc clone danny posts and they usually have him brush off being a clone which is literally totally fine but duUUDE#just imagine his own horror over it. its SOOO good
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tea-cat-arts · 7 months ago
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
#svsss#scum villian self saving system#shen qingqiu#shen yuan#the fact that people think scum villain#-a series that examines and criticizes common tropes in fiction-#is somehow against criticism or being a little hater is wild to me#especially since shen qingqiu never gets punished for being a hater#heck- he's still a little hater by the end of the series#he mostly gets punished for treating life like a play and like he and the people around him are characters#(or in other words- he suffers for denying his own wants and emotions and his own sense of empathy)#I think some of y'all underestimate how much writing/art is inspired by creaters being little haters#like example off the top of my head-#the author of Iron Widow has been pretty vocal about the book being inspired by their hatred of Darling in the Franxx#I think my interpretation of Shen Yuan's transmigration is also supported by the fact that this series is an examines writing processes#side note- though i understand why people say Shen Yuan is lazy and think its a valid take it still doesnt sit right with me#i am probably biased because my own experiences with chronic pain and depression and isolation#but ya- i dont think Shen Yuan is lazy so much as he is deeply lonely and feels purposeless after denying parts of himself for 20ish years#like yall remember the online fandom boom from covid right?#being stuck completely alone in bed while feeling like shit for 20 days straight does shit to your brain#the fact that no one came to check on him + he wasn't exactly upset about leaving anyone behind supports the isolation interpretation too#+in the skinner demon arc he describes his life of being a faker/inability to stop being a faker now that he's Shen Qingqiu#as “so bland he's tempted to throw salt on himself” and “all he could do is lay around and wait for death” (<-paraphrasing)#bro wants to be doing stuff but is stuck in paralysis from repeatedly following scrips made by other people#another point on “Shen Yuan isn’t lazy” is just the sheer amount of studying that man does#also he did graduate college- how lazy can he really be#he doesnt know what hes doing but he at least tries to actively train his students#and he actually works on improving his own cultivation + spends quite a bit of time preping the mushroom body thing#+he's experiencing bouts of debilitating chronic pain throughout all this#but ya tldr: Shen Yuan's transmigration is an encouragement to write and not a punishment and also i dont think its fair to call him lazy
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amarguerite · 5 months ago
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honestly I think there's a huge generation of readers who read 'the song of the lioness' at an impressionable age and it rewired their brains
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