#his design is like... the basic of the basic; his personality IS NOT

[thyinum]

I have a lot of outdated art and writing about my OCs and sometimes it bothers me but then I remember about the things called "continuity drift", "early-installment weirdness" and "characterization marches on". Practically every story goes through it and there are literally published things that became outdated because the creators decided to change things. Like for example the first Discworld books where Terry Pratchett was still exploring his ideas and characters. Some characters' personalities and worldbuilding concepts are a bit different there from what he established later. Basically the same goes with Star Wars canon. It's evolving, there are new concepts developed while the old ones get outdated and are not considered canon by some people anymore.

Knowing that there are literally huge franchises with inconsistencies in their canon makes me much less anxious about my own stories. After all, it's all about the creative process and having fun, and it's okay to abandon or change some things along the way. For me as a viewer, it's also sometimes interesting to have a glimpse into the creative process of other people.

So go with the flow! Drawing your characters and writing about them are also great ways to explore them and establish their designs and personalities.

I have a question for people with ocs cause I have this weird thing that’s blocking me from creating any art with mine, that if I don’t have their story finished then I’m afraid to draw anything related to the current story cause what if I change it? what if I change the characters designs again and then all the previous art is outdated? so the question is — does it bother you too or do you just go with the flow and draw them regardless? it might be a stupid thing really but it’s always in the back of my head when I think about my characters and universe that if it’s not finished then it’s not worth sharing with others

[sludgekludge]

what are some of your most minor pet peeves with hellaverse?

this is a funny question. i like it

whining about silly things under the cut

the white on imps sometimes being scars and sometimes not throws me off because i can never tell what's meant to be subtle indications of a characters history (especially fun for bg designs imo) and whats like. a spot

i honestly think the main 3 in helluva have pretty good design synergy with each other and it makes me hate loona's design because she throws off every group shot

niffty being designed so similarly to the morningstars (stark white skin with red cheek spots) bugs me more than it should

it wasn't so bad in his first appearance iirc but ever since then asmodeus consistently gets drawn with a really tiny head and i can't not notice it

i struggle to really articulate why and this is probably dumb and snobbish of me but the form everyone gets where they get bigger and scarier being called 'full demon' just feels oddly juvenile to me. what does that even mean. full demon. are they like, half demon at their basic self? make up a cool word instead. it sounds like something i'd have written into my cool death reaper umbreon oc at age 9. i hate it. i dont even know why. it just sounds so dumb to me. like peak 'a child wrote this lore'. watch out guys im going full human (permanently injuring a muscle in my body because i stretched slightly funny while over the age of 25)

this feels mean to say but cherri's voice actor doesn't do a very good australian accent at all and it's incredibly distracting if you're even remotely familiar with how it should sound. similarly maybe it's just auditory processing issues on my end but i can't even tell what accent valentino is meant to have

his design is otherwise fine comparatively but i hate the eyes on pentious' tail. breaking up his shape and like. you slither on those. floor in your eye. at least 10 floor hairs in your eyes. i dont care if theyre just markings i hate them

remember when viv said vaggie's name wasn't vagina and then canonised her name as vagina (the only lesbian main character across both shows btw) and also instead of changing her name for real after she restarted her life from scratch she just changed the pronunciation instead of just the whole fucking name, so like clearly it bothered her just not enough to change it fully like she for some reason wanted to keep in part the name 'vagina' given to her by a misogynist man she hates-

i'm irrationally irritated that emily and sera's underwhelming. 'full angel' forms i guess turn up for a split second, it felt so weird and useless to reveal them now for nothing

in fact why is every angel we meet personally in heaven in s1 a normal humanoid even though there's a diverse variety of designs in the background. imo adam is the only one who has an excuse to just be some guy. furthermore where are st peters fucking ears. why were ears deliberately ommitted on his design and no one elses. he has no fucking ears viv

saint peter

[ro-bee]

Hi!

Could maybe say something more about your Goat Realm?

What is story of Puppy narinder here?

What heretics look like here and how are they behaviour? (I'm curious about it because I love these beans. I'm all ears to any littlest detail)

How other bishops look like?

And anyway anything. I'm all ears to all ramble!

Drink your water!

HELLOOO

It is time for the goatverse yap section ! Everybody cheers!!

Anyway little disclaimers :

1_ is very work in progress... Unfortunately all my focus is on those two gay furries and not much on the world so I don't have many drawings to show :(

2_ it's heavy... And I mean there are strong themes and stuff (I'm not gonna go in details here) ... You'll see it better when I finish one of my many projects but it will require a lot of time... Like a lot, sorry... Anyway :)

Goat's world is very harsh. Here we live by the philosophy of kill or be killed very often, despite that there are some people that manage to live in piece and tranquility (example: goat's family and people that don't venerate any specific bishops or that venerate Kiran)

The world is ruled by the 5 bishops (these design are still concepts expect our beloved wolf lol)

Four of them command on different regions, Kiran being the god of death rules the purgatory

He doesn't have many followers like his siblings but he prefers it like that, it doesn't really matter to him because people souls would end up to him anyway.

His siblings have more of an evil alineament, they use their godhood for bad often, taking entertainment on their followers pain. Kiran is the opposite and witnessing his followers suffering fills him with sorrow, that's why he always gives his followers a painless death, is the last he can do for them... After all their souls gives him power :)

Anyway I think I already explained kiran's plan here , tldr bro is sad people suffer so he thinks that killing everything is a good solution

A little thing I want to add to kiran's backstory thing (idk):

I think that unfortunately we're not gonna have a ratau in this world, since Kiran's objective is to get rid of pain with putting everyone's soul to rest I think he won't let any previous vessel go away after failing (I'm not doing this because I hate ratau, he's my dad I love him so much)

So goat had no guide in what they were doing

Heretics here are just like regular heretics(?), if you wanted to know more about their design unfortunately I don't have anything with them :( I have some sketches in the comic I'm working on but I need to keep it as a surprise

Most of them are just regular people that want to survive...

Talking about people who want to survive:

Goat wasn't always this fucked up in the head, this whole deal changed them for the worst. Before the crown they lived a normal peaceful life with their family, when they lost everything they were forced to learn how to fight back to survive. So they spent many years running away and fighting back, they felt terrible at first but then it started to feel normal, almost enjoyable. Getting the crowns powers made killing people fun for them so yeah lol this is the evolution of goat going from calm Lyra player to killer machine, they have a loooooot of anger issues lol.

About the bishops... I'm currently drawing them better and they still have no name right now...

Their personality is the opposite of the canon one basically

The leshy is calm less impulsive

The geko is a prudent and a bit coward

The kraken is fearless and violent

The scorpion is ruthless and impulsive

Kiran is their older brother and loves them very much!! the feeling is not very mutual but anyway :)

I need to work a little bit more on them ngl

Aaaand I think this is all? Hmm idk feel free to ask more :)

[liiiiianne]

I haven't posted much abt the reawakened au lately but here's what Romeo & Ortisia are like in it;

In the au they now have a sibling type relationship. They became closer after Romeo stopped being evil. Ortisia is currently living in a forest that's a bit far from Tarabiscoville. But sometimes she spends days living with Romeo. He has a room for her in the flying factory that has basically turned into his own personal greenhouse.

And I honestly always liked the idea of them being close because of how opposite they are. Like, Romeo is all about science and technology while Ortisia is all about magic and organic life.

Btw, what do u guys think abt the design I made up for ortisia?

[cheshiresaf]

why do I have an inkling that kai monteago might be trans.......... Like I don't have any substantial proof (only chapter 1 is out right neow duh) but it's just a feeling

I mean butterflies are a common symbol for transformation right? It just so happens to be his motif, a pink butterfly being sewn onto the left side of his sweater (where his heart is). Also in the beach designs, he's covering his chest too

Even in this official art (Desmond and wenona look so FINE but that's not the main focus here) Kai is basically fully covered. I'm pretty sure swimming binders do exist, so I wouldn't be surprised if that's why he doesn't reveal his bare chest like most of the male cast.

I mean, its also possible it ties into him as a person. He begun as an influencer by posting edited photos of himself. He's definitely not as confident as he makes himself out to be.

Anyway transmasc Kai canon trust I'm actually the apple Damon's holding in the trailer

[have-you-seen-my-sanity]

If reader were to be a famous person what would each Oscar Isaac character be like/act like if they knew them and what would they do? Your choice of characters of course ❤️

-anon

This is gonna be wild👀

OI characters with famous reader

Featuring: The moon boys, Poe Dameron, Nathan Bateman, Santiago Garcia, Miguel O'Hara, Blue Jones, Basil Stitt, William Tell.

A/n: I did Basil and Steven a bit dirty. Nsfw is only for those two.

Poe Dameron: He is probably going to be a fan of you. Goes to every planet you may have fan meetings and would ask for a picture of you.

Most likely develops a crush on you. Blushes deeply whenever you two have eye contact.

Would send BB-8 to you while watching from a far. If BB-8 brings you joy, Poe's butterflies in his stomach go wild and he feels like he's about to pass out.

Would definitely buy VIP if you offer it.

William Tell: He has his bit fame too, and therefore would apply to become your manager or personal asisstant.

During fan meetings, William has the idea of setting up a Poker table, where fans could go against him. If they win, they could get a free picture with you.

But William is hard to beat, maybe don't expect many people to actually win against him.

Santiago Garcia: Would probably like to be your bodyguard. He definitely has the experience and would exceed at it.

Would always make sure the area is safe and if you have VIP, he would actually check the bags of anyone wanting to meet you.

Most likely gets Benny, William and Frankie as bodyguards for you too. No need for basic bodyguards when you have ex militaries.

Nathan Bateman: Definitely knows about you. Would perhaps apply to be your tech guy, keeping all your devices safe and hack free.

Even likes to design and install his own security system that once triggered, he himself would appear, maybe bring along some of his androids to protect you.

Miguel O'Hara: Miguel pretty much likes you and could apply to be your personal asisstant or PR manager.

Also wouldn't shy away from bodyguard duty. And since he's having spidey senses, people could actually come to meet him too, thus will lead you to get more famous because people know you have Miguel O'Hara.

Blue Jones: Blue sees you as an opportunity for himself to get more famous.

Wants to send you an invite to come to Lennox, and do a fan meeting in his club.

Not that he doesn't like you, but Blue likes fame so he could definitely get used by having you pay a visit. Plus it may lead to more girls wanting to join him...

Basil Stitt: He knew you before his incident, he had a bit of a crush on you. But now with his scarred cheek and embarrassment of it, Basil feelings towards you grew.

It pisses him off knowing he can't meet you in person again, he isn't good at accepting rejection and thinks you will find him ugly.

Basil would continue watching every video of you he can, eating takeout pizza and jerking off after. He wishes he could see you in person again...

Jake Lockley: Jake would definitely apply to be your personal driver. He likes you and a fat paycheck here and there definitely won't hurt.

Though he wouldn't shy away of protecting you, always having his trusty gun with him.

Jake would actually offer taking pictures with him too. Your fans should know who drives the famous you around.

Marc Spector: Definitely has the skills and experience of being your bodyguard. Would walk beside you with his sunglasses and chewing on gum.

Would want nothing more than to keep you safe. Marc can definitely deal with rude fans.

Also would agree to take pictures with your fans if they wanted. Some fame or even money could never hurt him.

Steven Grant: Oh dear... Steven would be... the obsessive fan...

Always goes to your fan meetings, probably has a big crush on you. Would keep any magazine cover and pictures of you stashed in a box.

Steven would also send you fan mail. But he is smart enough to not send... substances...

He isn't that stupid like most obsessive fans would be therefore keeps jerking off in private rather than sending it to you.

----------------------

Tags:

@nekoyin @steven-grants-world @iolaussharpe-24 @my-secret-shame-but-fanfiction @buckyssugarchick

@krakenkitty @libblesdoodles @tanks606 @yeanika

@mochiitoby @xcherryxmilkx @mooksmouse @autismsupermusicalassassin @silvernight-m

[ranticore]

im so curious about the kitchen nightmares au, is félix a waiter? are erica and jean creating crimes against the culinary arts in the back? why is esk of all people gordon ramsay

relevant background info was that when i first got my ipad and was getting to grips with procreate, i was also drafting the first go at mvf so i was drawing mostly refs and character designs, and while i was doing that on an ipad i realised that i could, for the first time ever, watch something on another screen while drawing. guess what i watched

this super old art was one of my first paintings all in procreate and i did it while watching kitchen nightmares. love the show (uk version only), it's absolutely terrible and fake and ramsay sucks but something Compels me

i drew a series of fake interview portraits for all main characters of mvf, as different staff members in a failing restaurant on the show. esk who was kind of the straight man/critical voice of the group ended up being the celebrity chef

anyway the basic plot is they work at a tacky outdated italian trattoria with all that entails, that serves french cuisine, in the year 2005. the restaurant was a money laundering front owned by helena but she was an absentee owner who would deny any claim over the restaurant flaws and be generally away & uncooperative

the restaurant was failing because it looked awful and the food was not good but also because the staff could not work well with one another and the constant arguments that customers would overhear was turning them off

the person who called in gordon ramsnake was the restaurant manager, Félix, in a very roundabout attempt to try to bring heat down on Helena

general overview of the staff & their flaws

Manager (Félix) - actively embezzling from the business, basically a middle manager tyrant trying to control everyone else, ambition of becoming the owner one day (and then they'll ALL see). Would deflect the blame for the restaurant's issues onto every single other person except Francis because he can do no wrong ever. Aw jeez guys we just don't know where the money is going!! Don't look at his meticulously-kept, well-hidden balance books or his incongruously nice car. He looks like the sleaziest businessman you have ever seen.

Head Chef (Jean, you guessed right) - confrontational and rude, could not accept criticism no matter what and would pick fights with customers who sent the food back. He could cook decently but only to his own schedule and preference. The type to go "my food is perfect and nobody can teach me anything" before esk convinces the owner to hire a new head chef who can actually listen to feedback. His prized menu hasn't changed in 7 years.

Front of House (Islin) - zero charm or charisma but otherwise pretty sincere, though it IS weird that an ordained priest is working here and not in a church somewhere. He explains in an interview around the back of the restaurant that he's identified a new route to finding converts because just knocking on people's doors hasn't had a good return. He has zero interest in any aspect of the restaurant experience. Attempts to preach to most of the diners.

Head Waiter (Erica) - he's clearly had no training and is never where he's supposed to be at any given time, and it almost looks like he's ambushing the diners while they're mid-bite on purpose. Calculated bare-minimum work while spending most of his time in the kitchens for some reason. In the course of the episode it's discovered that he makes a decent cook and gets relocated. He had a habit of telling customers that the food was bad even if it wasn't.

Barman (Francis) - eager to please and maybe the only truly friendly face in the restaurant, he's the only reason anyone comes back. But he has an inconvenient habit of giving steep discounts to women, so the bar almost never turns a profit. There have been a few complaints about Barman's inappropriate advances from diners & the fact that his shirt is always a little bit too open. He seems to believe that there's nothing wrong with the place and it's a perfectly legit successful business, so it's hard to get through to him to change his behaviour. Won't hear a word of criticism against Félix or Islin.

Sous-chef (Léá) - hates it here hates every second of every day can't stand anyone wants to be out of there asap but she knows she lacks the experience to actually be a sous-chef in a legitimate restaurant, which means she'd take a pay cut if she tried to find work anywhere else, so she's trapped. She has a habit of throwing parsley garnish far too liberally over every single dish because she read in a book from the 90s that this is how you get a Michelin star

Rival Restaurateur (Senca) - she runs an equally tacky fake unpopular italian trattoria across the street and she's been trying to get Helena's one shut down for years by doing various etsy badluck curses and getting the hygiene inspectors called on them but it hasn't worked yet. She suggested to Félix that maybe trying to get the restaurant on TV would draw enough negative attention to get it shut down (and then he could reopen it of course). She's a bit surprised he actually went and did it even though the show could not have been less flattering towards him and he's essentially turbo-nuked his own reputation into the dirt forever. But she's waiting behind the scenes to make an insultingly-cheap offer and then they'll ALL see

over the course of the episode the above flaws are identified. esk attempts to propose a remodel of the tired décor which is fiercely resisted by Félix because he kind of likes the fake tuscany look but eventually he gives in and the place is given a modern and fresh feel. it draws a crowd on its reopening night but the staff struggle to meet the demand, unused to such numbers, and it ends up with Jean refusing to cook and walking out (he's fired shortly after).

they regroup and organise a charming promo event where they serve real french cuisine in a stall outside (oysters mostly) to draw customers for a new lunchtime service. this is well-received because new Head Chef Léa (now even MORE trapped in a role she has no real claim to) doesn't have to cook the oysters so she can't fuck them up. Félix actually tries to be receptive to the staff he's managing, for once, and he does a good job of supporting them and finally effectively managing the floor.

episode ends with Esk walking away and wondering if it left the restaurant in good hands, concluding that "only time will tell". there's a sequence of the restaurant's one successful lunch service, everyone smiling and working well and diners happy, with the text "RESTAURANT closed its business in August 2005, three months after the filming of this episode".

Esk goes back to interview the owner and ask why it failed, and Helena just explains that she sold it and moved on while dodging every other question. Esk berates her for having no passion for the business, calls her lazy and immature, and she simply walks out of the interview.

[spencerrsmopbucket]

Tides of Venom (3) | Finnick Odair

Pairing: Finnick Odair x reader Summary: You. the Snake of Seven, had a knack for being efficient. You'd do what needed to be done to get out of the arena alive. But is it that simple?

Warnings: Death. Brutality, basically. The reader being the Snake of Seven.

(NOTE: I am writing the arena and the games differently. It won't be exactly like the movie. The arena isn't a clock, for one. It's very similar to the one in Katniss's first games -- except more water.)

The waiting area was oppressively quiet, a stark contrast to the chaos of the training facility. Gone were the sounds of clashing metal and grunts of exertion. Here, the silence was almost deafening, broken only by the faint hum of Capitol machinery and the soft clicks of heels against polished floors as attendants flitted in and out, making final adjustments to the tributes’ outfits.

You sat in the corner of the room, perched on a small bench as you tightened the laces on your boots. The gear they’d given you was lightweight but durable, designed for speed and agility rather than brute force. Perfect. The Capitol had spared no expense in ensuring every tribute had what suited them. Something practical. You cracked your neck as you closed your eyes, taking a deep slow breath.

You were strapping in. You were becoming her.

Across the room, Reid paced nervously, his fingers twitching at his sides. His dark hair was slicked back, but a few strands had already fallen loose, sticking to his forehead. He looked up at you every so often, his expression a mix of fear and determination. You could see it in his eyes: he knew he didn’t stand a chance out there. Not against the Careers. Not against the arena itself. And certainly not against you.

“You need to stop pacing,” you said sharply, not looking up from your boots. “You’re wasting energy.”

He stopped mid-step, glancing over at you with a sheepish expression. “Sorry. It’s just… hard not to think about what’s coming.”

You finally looked up, your cold e/c eyes locking onto his. “Thinking won’t help you now. You either act, or you don’t. That’s the only thing that matters in this arena." You say coldly, standing up.

Reid nodded, though you could tell your words hadn’t reassured him. He sat on the bench opposite you, his hands clasped tightly in his lap. “You’re not scared?” he asked after a moment, his voice barely above a whisper.

You tilted your head, studying him. Scared? No, that wasn’t the right word. Fear had no place in your mind anymore. Not after everything you’d been through. “Fear’s a luxury I can’t afford,” you said finally. “Neither can you.”

He swallowed hard, his Adam’s apple bobbing as he looked away. “I’ll try.”

You sighed, leaning back against the wall. Reid wasn’t going to last long. He was smart, sure. Probably the smartest person in the room. But intelligence only got you so far in the Games. The Careers would tear him apart the moment they got the chance. That thought settled heavily in your mind, twisting uncomfortably in your chest. You’d made up your mind days ago, but now, sitting here with him, it felt more real than ever.

In your own interest and in the best interest of Reid, you would take him down first. Before anyone else touched him. In some twisted way, in a way that you knew his parents wouldn't understand, it was an act of mercy. An act of kindness. You would be quick, keeping it as painless as possible.

Maybe you would take the coward's way and kill him while he was asleep. Maybe you would creep up behind him and snap his neck. Whatever it was, it would be your first act in the arena. You weren't going to let one of the bloodthirsty careers, especially Cashmere, who had shown an interest, get to him.

He was too soft, too gentle, too kind.

The waiting room’s oppressive stillness was broken by the sharp sound of the door opening. A Capitol attendant stepped inside, her polished smile as jarring as it was false. Her words were clipped, her tone professional, like this was just another day at work for her.

“It’s time,” she announced.

You stood immediately, tightening the last strap on your gear. The air around you grew heavier, the tension suffocating as you glanced over at Reid. He hesitated, his hands twitching at his sides before he rose to his feet. His face was pale, his jaw set, but his trembling hands gave him away.

“Stay close,” you said again, your voice firm. It wasn’t a suggestion.

He nodded quickly, following behind you as the attendant led you into the hallway. The stark, polished walls glimmered under artificial light, the hum of Capitol machinery filling the air. Your boots clicked rhythmically against the floor, a steady beat counting down the seconds until everything changed.

The launch pads came into view, their cold metal surfaces gleaming with a sterile finality. Capitol technicians bustled around, making last-minute adjustments and murmuring instructions you ignored. The attendant gestured toward your designated platform, and you stepped onto it without hesitation.

The metal beneath your boots was icy, a jarring contrast to the heat simmering in your veins. The glass cylinder descended around you, sealing you inside with an eerie hiss. Across the room, you caught one last look at Reid as he stepped into his own tube. He glanced your way, his eyes wide, searching for reassurance you didn’t have to offer.

As you started ascending, you once more closed your eyes, speaking to yourself in your head.

Don't be merciful.

Don't slow down.

Don't show weakness. For the love of God, don't show pain either.

Get what you need, nothing extra. Don't waste time.

Be smart. Always be one step ahead.

Ignore Finnick Odair.

When your final thought rang through, you opened your eyes. You were being lifted into the arena.

The arena was a brilliantly crafted nightmare. It was a perfect circle, with the Cornucopia perched on a central island surrounded by water. The golden horn gleamed blindingly under the sun, its shadow stretching across the pristine white sand that encircled it.

The water surrounding the Cornucopia wasn’t the refreshing blue of a tropical paradise. It was a dark, ominous teal, its surface deceptively calm, rippling faintly under the weight of the tension in the air. Beyond the water, the arena’s outer edge formed a ring of dense jungle, the foliage impossibly thick and teeming with life. Towering trees with unnaturally large leaves cast deep shadows, and the air buzzed with the constant sound of unseen insects.

Your eyes narrowed as you looked around.

The jungle beyond the water loomed like a living wall, an unrelenting mass of greens and browns that seemed to move and breathe on its own. Thick vines twisted like snakes around tree trunks, and the undergrowth was so dense you could barely make out what lay beyond the first few feet. The shadows within the trees were darker than they should have been, as though the jungle itself was hiding secrets, waiting for the right moment to reveal them.

The air was heavy with the oppressive heat, already making it hard to breathe. Sweat began to form on the back of your neck as you stood still, your boots firmly planted on your platform. The sound of the jungle’s distant life—the chirps, growls, and rustles—melded with the faint lapping of water against the shore. It was a cacophony of unease, designed to unsettle even the strongest minds.

You shifted your focus to the Cornucopia, your sharp eyes scanning the scattered supplies. Weapons glinted in the sunlight, their edges polished to a lethal shine. Packs of various sizes were scattered haphazardly across the sandy island, their contents unknown but undoubtedly essential for survival. The tantalizing glimmer of resources was a trap—a lure for the desperate and the greedy.

To your left, Reid stood frozen on his platform, his chest rising and falling rapidly as he took in the scene. His wide-eyed terror was palpable even at a distance, and you clenched your jaw. You had no room for distractions. Reid was a dead man walking; it was only a matter of when, not if.

The countdown began.

A booming voice echoed through the arena, counting down from sixty, and the tension became suffocating. Your hands curled into fists, every muscle in your body coiled and ready to spring. Each second that ticked away felt like an eternity, the sound of the clock reverberating in your ears. You inhaled deeply, steadying your nerves. You had one chance, one opportunity to grab what you needed and retreat.

“Forty-five,” the voice droned.

You assessed the tributes, your mind calculating distances, reactions, and potential threats. Cashmere stood with a smirk on her face, her hand flexing at her side like she was already envisioning her next kill. Finnick’s expression was unreadable, though his stance was loose, casual, and far too confident. Brutus practically vibrated with anticipation, his eyes locked on the Cornucopia like a predator eyeing its prey.

You noted their placements and trajectories, marking who would go where. You weren’t the strongest or the fastest, but you were smarter, more calculated. You wouldn’t waste time vying for weapons with the Careers—those were theirs for the taking. You needed supplies, something to sustain you in the hellscape that awaited.

“Thirty.”

The seconds blurred together now, each heartbeat syncing with the countdown. Your eyes darted back to the Cornucopia, mentally tracing a path to the nearest pack that wouldn’t put you in the Careers’ immediate line of fire. A medium-sized bag lay just off-center, near a long, slender blade half-buried in the sand. Close enough to risk. Far enough to escape.

“Fifteen.”

Reid shifted nervously, glancing toward you as if looking for direction. You didn’t return the glance. He needed to make his own choices now. The arena wouldn’t wait for you to hold his hand.

“Ten.”

The sound of your own breathing drowned everything else out. Your chest rose and fell rhythmically as you prepared to sprint. Your fingers twitched at your sides, aching to move, to act.

“Nine.”

The sunlight glinted off the Cornucopia, a final cruel beacon of hope for those foolish enough to think they’d find safety there.

“Eight.”

Your muscles tensed, coiled tight like a spring about to release.

“Seven.”

This was it.

“Six.”

No hesitation.

“Five.”

Every second counted.

“Four.”

A decision was a life.

“Three.”

The world stilled.

“Two.”

The game began.

“One.”

And then, the gong rang.

The instant the gong rang, you propelled yourself forward, your boots slamming against the metal platform as you launched into motion. The sand was firmer than you expected beneath your feet, but you didn’t let it slow you down. Your eyes stayed fixed on your target: the medium-sized pack lying just off-center from the Cornucopia, its muted green fabric almost blending into the sand.

Around you, chaos erupted. Tributes surged toward the golden horn or scattered into the jungle, their movements frantic and desperate. The sharp clanging of metal meeting metal filled the air as the Careers, with their practiced ease, went straight for the weapons. The sounds of screaming began almost immediately, some cut short, others turning into gurgles as blood spilled into the pristine sand.

You tuned it out. All of it. Your focus was singular.

The pack was closer now, and you adjusted your path to grab the blade lying beside it. You skidded to a halt, crouching low as your fingers wrapped around the hilt of the knife. Its weight was perfect—light enough for precision but heavy enough to do damage. You sheathed it quickly, slinging the bag over your shoulder in one fluid motion before turning back the way you came.

You darted away from the Cornucopia, weaving between other tributes as the chaos continued to unfold. A boy from District 10 lunged at you with a spear, his face contorted with fear and desperation. You sidestepped him easily, slamming the heel of your boot into his knee as you passed. He crumpled to the ground with a scream, but you didn’t look back.

The jungle loomed ahead, its thick shadows promising cover but also danger. You pushed forward, your breath steady, your movements calculated. You didn’t hesitate as you plunged into the dense foliage, the cool shade of the trees enveloping you like a second skin. The sound of the bloodbath at the Cornucopia faded slightly, muffled by the jungle’s oppressive canopy.

You didn’t stop running until you were deep enough that the sounds of violence were just an echo. Finally, you slowed, your breaths coming hard and fast as you ducked behind a massive tree trunk. You slid the pack from your shoulder, quickly unzipping it to assess your supplies.

A waterskin. A few packs of dried meat. A coil of rope. A small first-aid kit.

Not bad. It wasn’t much, but it was enough to get you through the first day. You slipped the knife from its sheath, holding it tightly as you scanned your surroundings. The jungle was eerily alive, its sounds louder now that you’d stopped moving. Insects buzzed relentlessly, and the occasional rustle of leaves hinted at unseen creatures moving through the underbrush.

Your mind raced as you considered your next move. The Careers would consolidate their power at the Cornucopia, picking off stragglers who lingered too long. You had to stay ahead of them, keep moving, and find a vantage point to observe the arena’s layout. Knowledge was your best weapon here, even more than the blade in your hand.

Your eyes narrowed as you thought of Reid. He’d run in the opposite direction, veering off toward the water’s edge when the gong sounded. He hadn’t even tried for supplies, his fear and lack of instinct driving him to flee. You exhaled sharply. You couldn’t think about him now. Not yet.

A faint rustle nearby snapped you back to the present. You tensed, the knife in your hand at the ready. Your heart pounded in your chest as you strained your ears, trying to determine whether it was an animal or another tribute.

“Come out,” you said coldly, your voice steady despite the tension in your muscles. “I don’t have time for games.”

The underbrush parted slowly, revealing…

...a woman, a Victor you didn't recognize, her wide brown eyes filled with terror. Her hair was tied back messily, dirt streaking her face. She held no weapon, just her trembling hands raised slightly in a gesture of surrender. She was from one of the outlying districts—you recognized her as the girl from 11, the one with the quick hands during training.

She froze when she saw you, her chest heaving as though she’d been running for her life, which, in a way, she had.

You didn’t lower your knife. “What do you want?”

Her lips parted, but no sound came out. She swallowed hard, her gaze darting to the blade in your hand, then back to your face. Finally, she whispered, “Please... don’t.”

Your grip tightened on the hilt, but you didn’t make a move toward her. Your mind calculated the risks. She wasn’t a threat—not yet. If you let her go, she could alert others to your position. If you killed her now, it would be cleaner, simpler, less risky in the long run.

But her trembling frame, her pleading eyes—it twisted something in your chest. A pang of something unfamiliar. You shoved it down. Compassion had no place in this arena.

“Turn around,” you ordered sharply. “Walk away, and don’t let me see you again.”

She hesitated for a moment, her body rigid with fear. Then, with a quick nod, she backed away, keeping her eyes on you until she disappeared into the foliage.

You exhaled heavily, letting your arm drop as the knife remained at your side. A small part of you cursed your decision, but the rest—the part that still clung to a shred of humanity—felt relief.

You slid the knife back into its sheath and adjusted the pack on your shoulder. The jungle wasn’t going to wait for you, and neither would the other tributes. You needed to find higher ground, something that would give you a better vantage point to scope out the arena.

The faint sound of running water caught your attention, and you followed it cautiously, keeping low and moving quickly. The dense jungle opened up slightly, revealing a narrow stream cutting through the terrain. You knelt by the water, cupping your hands to take a quick drink, your ears tuned to every sound around you.

As you rose, your thoughts returned to the bloodbath. The Careers would be regrouping by now, and anyone who had tried to challenge them was likely dead. Reid’s face flashed in your mind again, pale and terrified as he’d sprinted toward the water’s edge.

He wouldn’t survive the night.

Your jaw clenched as you forced the thought away. Survival came first. Attachments—emotional or otherwise—were liabilities. You tightened the straps on your pack and began moving upstream, your eyes scanning for any sign of movement.

The arena was waking up now, and you could feel it. The air grew thicker, the sounds of the jungle louder, more chaotic. The Capitol’s hand was everywhere here, manipulating the environment to push you, trap you, force you into confrontation.

And yet, as the sun began its slow descent, you felt a flicker of resolve deep within you. You weren’t here to survive. You were here to win.

Whatever it took.

-

Hours had passed. The sound of the cannon was like a beautiful melody, reminding you of those that you wouldn't have to take care of. You were up a tree, glaring down onto the ground, waiting for someone to drop down on.

Alerting the others of your position was stupid. You wouldn't move until you had to. You wouldn't move until there was someone to get rid of, to get you closer to home.

Your bag hung on the branch securely as you sat next to it, your expression mildly bored. You prayed to yourself that Reid hadn't died yet.

As if on cue, you heard his voice.

Pleading.

Then, you heard Cashmere's.

Your body tensed immediately, muscles coiling like a spring as you shifted silently on the branch. The sound of Reid’s voice, frantic and desperate, cut through the humid air, sharp enough to make your chest tighten.

“No, please,” he begged, his voice trembling but still carrying that faint, foolish hope that someone might show mercy. “I don’t have anything you want. Just let me go.”

Cashmere’s laugh followed, low and cruel. It echoed through the jungle like a predator’s growl. “Let you go? Oh, sweetheart, it’s not about what you have. It’s about making a statement.”

You inched forward on the branch, your e/c eyes narrowing as you spotted them through the foliage below. Reid was on his knees, hands raised defensively in front of him, his face pale and streaked with sweat. Cashmere stood over him, a spear glinting in her hand, her posture casual yet predatory. She was savoring this moment, drawing it out like a cat playing with its prey.

“Please,” Reid tried again, his voice cracking. “I’m not a threat to you.”

“That’s the problem,” Cashmere said smoothly, twirling the spear. “You’re too easy, Reid. No challenge. No fun. But I’ll admit...” She tilted her head, smirking. “Your fear is so fun.”

Your grip tightened on your knife as you watched, anger simmering in your chest. Cashmere wasn’t killing him for strategy or supplies—she was doing it for the thrill, the spectacle. It was pointless. Cruel.

And you weren’t going to let her have the satisfaction.

Carefully, you secured your pack and shifted your weight, positioning yourself on the branch directly above them. Your mind worked quickly, calculating the angle and force you���d need to take her down cleanly. You couldn’t afford a drawn-out fight—not with other tributes potentially nearby.

“Any last words?” Cashmere purred, raising the spear with a flourish.

“Yeah,” you muttered under your breath, pushing off the branch. “Mine.”

You dropped like a shadow, landing squarely on her back with all your weight. The impact sent her stumbling forward, the spear clattering to the ground as you wrapped an arm around her throat, yanking her off balance. She thrashed wildly, her hands clawing at you, but your grip was ironclad.

“Reid, move!” you barked, your voice sharp.

He scrambled back, wide-eyed, as you wrestled Cashmere to the ground. Her nails raked against your skin, drawing blood, but you didn’t flinch. With a quick, precise motion, you drove your knife into her side, aiming just below her ribs. Her body went rigid beneath you, a strangled gasp escaping her lips before she collapsed.

You heard garbled speech as crimson poured from her mouth, her eyes still wide in shock. Moments later, they closed in what seemed to be exhaustion.

The cannon boomed a second later, the sound reverberating through the jungle like a judge’s gavel.

You shoved her body off you and stood, breathing hard as you turned to face Reid. He was staring at you, his face pale, his hands trembling. “You... you saved me.”

You barely registered the words before your gaze snapped to Reid, his eyes wide with a mix of disbelief and gratitude. But as you took a step forward, your instincts screamed at you. You were being watched.

A shadow darted behind a nearby tree, too subtle for Reid to notice, but not for you. Your heart sank as another figure emerged from the foliage.

It was the girl with the dark hair, the one who had been trailing behind you both. You didn't have time to think. She’d seen everything—Cashmere's death, your unguarded moment. She wouldn’t hesitate.

Reid was too distracted by the scene unfolding before him, too overwhelmed by the adrenaline and shock. You had to act fast.

Before the girl had a chance to make her move, you whirled around to face Reid, your hand snaking out like a viper. You grabbed his neck in a brutal grip, yanking him toward you with surprising ease. His eyes widened in panic, but he didn’t scream. He just stared at you, trying to process the sudden shift in your demeanor.

“W-what—what are you doing?” Reid gasped, his voice trembling.

“I’m doing what needs to be done,” you hissed, your face cold and emotionless. “I'm sorry. But this is the easiest way. I'm doing it for you.”

His face contorted with confusion, his body struggling weakly against your iron grip. His hands clawed at your arm, but it was futile. You could feel his pulse racing under your fingers, his fear palpable.

“Please,” he whispered, his voice breaking. “Don’t... please don’t do this. I trust you.”

But the trust was meaningless. You had your orders, your mission. And that mission wasn’t to protect him. It was to survive.

With a swift motion, you twisted his head to the side. His body went limp instantly, the bones in his neck snapping like a twig, the life leaving his eyes in an instant.

The cannon fired immediately after. The sound deafening, final.

Your breath came in ragged gasps as you stood over his lifeless form, your hands slick with blood. It didn’t matter how much your heart ached in that moment. It had to be ended before he suffered a worse fate. The worry was setting you off focus -- and even if you'd tried to save him, to bring him home, it wouldn't have worked. You couldn't act as well as Katniss Everdeen and Peeta Mellark. It would've cost you too much.

You stood over Reid’s body, your chest heaving with a mixture of exhaustion and something darker—something you didn’t want to acknowledge. But then, as you looked down at him, something unexpected happened.

A single tear, clear and cold, slipped from the corner of your eye and ran down your cheek. It was slow at first, as if the reality of what you had just done was finally settling in. The warmth of it contrasted sharply with the coldness of your heart, and for the first time in a long while, you felt the weight of your actions.

You quickly wiped it away, as if the motion could erase the moment. But it stayed with you, the faint trace of moisture on your skin, lingering like a whisper of the person you used to be—the one who might have hesitated, the one who might have saved him.

But you couldn’t afford that weakness now.

With one last glance at Reid, you turned and disappeared into the jungle, the tear still burning a path on your face, even as you moved further away from everything that had just happened. The silence swallowed you whole, and the only thing left was the sound of the jungle and the fading memory of a decision made in the name of survival.

[kurohaai]

I'm officially in LaDS swamp make way for my ffg (freaky fluffy guy)

[monkayy]

[starrysharks]

evilution

[br1ghtestlight]

obsessed w/ how many attempts they've made at redesigning gene's younger design over the years to make him look less uncanny and how they failed every single time. he's so fucking ugly. I don't even take any of these designs as canon Bcuz they keep doing my boy DIRTY. soo ugly

[crystal-verse]

god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?

he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.

[silkentine]

(Hypnotizing voice) You guys wanna ask me about my OCs… you wanna do it so bad. 🌀

[jstardoesthings]

Finished these little hazbin hotel designs!!!

These aren’t meant to be animatable or be a redesign really I just made these for fun

[shorthaltsjester]

free my complex female character, she did the same thing as complex male characters but the fandom takes Any analysis of her actions/choices/motivations that doesn’t strip her of all of her agency in bad faith and claims that only misogynists would dare to critique the things that they’ve noticed in her character because she’s a woman, completely ignoring the over-presence of discourse about similarly traited male characters in their fandom.