#Put on the costume

[itsdabatt]

happy national impersonate your favorite vigilante day to those who celebrate

Part 2

[chloesimaginationthings]

Happy 1 year anniversary to FNAF ruin!!

[rh35211]

Vesti La Giubba or 'Put On Your Costume' in English from Pagliacci

aria is about Canio the Clown discovering he has been betrayed by his wife but nonetheless must don his costume, walk out on stage and play his part regardless as 'the show must go on' as they say and the audience is waiting

Canio sings: "Ridi, Pagliaccio! Sul tuo amore infranto! Ridi del duol, che t'avvelena il cor!" meaning "Laugh, clown, your love is broken! Laugh of the pain, that poisons your heart!" basically meaning 'now is the time to act as if you're feeling something your not'

ridi, pagliaccio! sul tuo amore infranto! ridi del duol, che avvelena il cor! meaning laugh, clown, your love is broken! laugh of the pain, that poisons your heart! basically meaning now is the time to act as if you re feeling something your not

“Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But doctor...I am Pagliacci.”

[ask-zacharies-snackarie]

Yet another photo post heheheh

[eltsia]

my stress relief canvas.

[persephonaae]

TERFs die mad: you just reblogged a nasty transgender person with pronouns and all who did this historical look to explore their cultural history as well as express their own nonbinary identity in a way that resonates with them. An edit I wish I didn’t have to make on this post

I’ll try to post the actual pictures I took soon, but I was bored today and wanted to shirk some other responsibilities, so I decided to do some general vague Minoan or Mycenaean look since it’s been on the mind and also my hair was looking really good today and I wanted to take advantage of that haha

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[marzipanandminutiae]

The Met Used AI For Their New Costume Institute Exhibition And I'm Not Sure How I Feel About It.

breakdown:

How did they use AI? Was it in a capacity where they could have used human digital artists? The wording on the website makes it sound like they used both- whether anyone was put out of a potential job by it has a huge impact on how I feel about it. But that's not disclosed online

"We used AI and CGI to demonstrate how these fragile garments would move on a body!" you all will do ANYTHING but talk to real people who have lived experience of wearing similar clothing- many of whom are also museum professionals and historians! Historical Costumer and History Worker are not mutually exclusive! friendly reminder that Abby Cox and Nicole Rudolph and Cheyney McKnight and many others all work or have worked in this field professionally beyond the YouTube space, to say nothing of people like Ruth Goodman who do experiential archaeology fully outside of social media! -won't you like geez. I'd rather have a video of Nicole Rudolph spinning in a Worth replica you paid her to make and demonstrate than an AI holograph, personally

Any incursion of AI into the museum-space worries me deeply even though AI can't do my jobs within the field...for now. If we don't stand up for those first affected, we will all fall eventually, I feel. Even nonprofits aren't immune to cost-cutting measures, especially those that run on a shoestring budget as most of our orgs do.

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[heartorbit]

catch us if you can! ☆

[bet-on-me-13]

Bruce Wayne was never Batman.

So! The night that Bruce Wayne's parents got shot, he developed an Unbreakable Resolve. He needed to get rid of the Crime that had taken his Parents away from him, no matter what.

But that night, he also developed a deep-seated fear of Death. He was face to face with his own Demise and instead of dying himself he saw his Parents die instead. He was Terrified of ending up like them.

But he still needed to stop Crime. He couldn't just let criminals go unpunished, and while he was still using his wealth to try and prevent it before it began, he knew there needed to be something to stop crime After it had been committed. And the Cops were useless on that Front.

He eventually found a solution while looking through his Parents Family Heirlooms.

Ancient Books dating back to the founding of Gotham and even before then, telling of a Creature from another world who his Ancestors had helped in the Past. A Being of Fear and Shadow, who owed a debt to the Wayne Family. He needed that Being. A Monster of Shadows and Fear was exactly the answer to scaring criminals away from committing crimes and punishing those who did.

But he needed to find the Being from another world first.

So he left home, traveling across the Globe training with the best Magicians and Demonologists in the world in search of the Monster who owed his Family a Debt. His travels took him far, from the streets of LA where he met a man named Zatara, to the Snowy Mountains of Nanda Parbat where he learned of the Lazarus Pits and the Demon's that came out of them.

While studying the Lazarus Pits, he was trained by the organization who guarded them. They despised Weakness, and while their leader was in awe of his Intelect he was less impressed by his body's conditioning. If he was to study the Lazarus Pits, he would first have to earn the Right in Combat.

He eventually managed to pass their Tests and eventually left them, having handed over a Copy of his research as the price for being allowed to Study the Pits.

Years later, he finally returned to Gotham, fully equipped to Summon the Being that owed him a Debt.

Bruce drew up the Summoning Circle as perfectly as he possibly could, he had one shot at it.

A drop of his blood and a splash of Lazarus Water later, and the Circle began to glow an ominous Green. Slowing, a shifting shadow began to emerge from the Circle, at first only a mass of writhing darkness before their form Solidified.

The Books he had found on the Spirit said that it would take the form of the Summoners Greatest Fear, which just so happened to be Bats for Bruce. The Form that the Spirit chose reflected that, with large Dark Wings falling over their form as if they were a Cape, and horns looking like the Ears of a Bat. From the Darkness, two glowing eyes appeared.

"Spirit, hear me. My name if Bruce Wayne, and I am calling in the Debt owed to my Family centuries ago. My City is plagued with crime and malice, rotting from its Core. My efforts to prevent Crime from the side of the Light have been in vain, Crime persists despite my efforts. In order for my vision to be fulfilled, the Criminals of this City must have their hearts pierced by Fear. Fear of Retribution. Fear of Consequences. Fear of Vengeance."

Thoughout bis Speech, the Shadowed Figure stayed silent.

"That is why I have called you here. I want you to stalk these streets, punish the criminals of this City and strike fear into their hearts from the shadows, so that they know to stay in the light. I don't want you to Kill them, never kill them. Let them live with that fear in their Hearts until their final days."

After he finished his speech, the Figure finally spoke.

"Your Quest is an Honorable one. You seek the betterment of your people's, and are unafraid to resort to drastic measures to achieve that goal. It reminds me of my Liege's resolve." It Spoke, it's voice low and rumbling. "Very Well. From this day forth, I shall protect your City from the Darkness in its own Heart. I shall be your Dark Knight."

...

Had this idea out of nowhere and needed to write it down. In this AU, Bruce still wants to protect his City from crime, but is understandably traumatized from seeing the Deaths of his Parents. He has a deep-seated fear of Dying, so he chooses to forgo fighting crime himself.

Instead, he finds out about a Spirit that his Ancestors helped long ago, and decides that the most logical next step out be to Summon a Demon to protect his City. Instead of training his Body for a decade to become Batman, he trains his Mind and Studies as much about Magic and Demon's as Possible.

He still knows how to fight because he trained with the League. He approached them with an offer to study the Lazarus Pits and give them his findings, and they accepted. But Ra's didn't want a weakling on his Base so he also required Bruce to train his body. He saw his potential for combat, and was so disappointed that Bruce had chosen a different path. He could have been Great!

Bruce still has a thing with Talia that produces Damian, he is still a point of interest from Ra's since he is insanely smart and has huge potential, and he knows how to fight pretty well. Albeit not as well as in Canon.

Bruce becomes the Benefactor/Guy in the Chair for Fright Knight (who is the one he summoned if you couldn't tell), who looks like a "Bat Man" because of Bruce's fear of Bats. Fright Knight agreed to this because 1.) He had a debt to pay, 2.) Bruce reminded him of Danny, and 3.) He respected Bruce's ballsyness to Summon a demon and command it to protect people.

Bruce still adopts his Kids, but there are some changes.

Dick is adamant about fighting Crime, and eventually Bruce is forced to let him go on patrol with Fright Knight, who has started going by Batman. Thankfully Frighty managed to give him some blessings so he had minor powers and would be safer.

Jason is mostly the same, and he is so excited that Robin actually IS Magical. When he dies, Fright Knight, who had gotten attached to their Family, goes into the Zone to search for him. He is unsuccessful unfortunately.

Tim is kind of funny. He figured out that Dick was Robin, and Jason was the 2nd Robi , but assumed that Bruce was Batman. When he approached Bruce about becoming Robin so he would stop going down his violent Cycle, Bruce Redirected him to talk to Fright Knight, who was not taking his failure to find Jason well.

Damien grew up knowing that his Father was a Genius, and the Master of the Batman, which gave him a bit of an Ego. At first he thought of Fright Knight as a Servant, and tried to command him like he did with Alfred. Frighty corrected him quickly enough.

Any more ideas for this AU? I have so many, but I think I need to stop for now.

[cairafea]

they're matching costumes.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[thefandomfires]

Me the second I saw Channing Tatum walk down those steps as Gambit

[sibmakesart]

they have a traditionnal wear party with the crew

thanks to @a-random-fandom-friend who gave me the push to finally draw sanji in traditionnal elsassisch wear

also

zoro is breton, but born from a japanese mother (as in canon his mother is from wano and dad from a random village in east blue, well now hes from a random village in bretagne dw about it)

and

i have to admit

i had to fight the urge to put sanji in a dirndle

[figloom]

"Ughhh, I'm too pretty to be doing math Azul... You there, come here~✨️🦀"

The glamorous mascot of Mostro Lounge. What he lacks in brain, he makes up with with his looks (driving Azul insane in the process, however he can pay him in exposure so it's not that bad). He may not serve drinks but you best believe he'll serve cunt🦇