#Probably worth posting on here too

[dont-hug-me-its-yuri]

Fanart of my dear mutuals Colin design!!! @sillyvampir3

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[ask-the-totally-real-peppino]

Happy Holidays to Pep and the gang!

Pep: "..."

Pep: "Mrrp!"

Pep: "Niaga uoy ees ot deticxe ma I!!! Syadiloh yppah!!! Sdneirf olleh!!!"

Pep: "Kool emoc! Enoyreve rof staert gnikam yad lla ysub neeb ev'ew!"

Pep: "Olleh yas sdneirf ruo! Kcirb ,kool kool!"

Brick: *happy greeting squeak!*

Pep: "Enoyreve rof eikooc a edam ew! Kool!"

Pep: "Sdneirf, uoy rof tsuj eno laiceps a s'ereht dna!"

(Happy holidays to you too! Everyone can't be here right now, but I hope you guys enjoy a little bonus post for now, hehe)

[jils-things]

by the lighthouse.

dividers

[suddencolds]

.~

[the-holy-ghosted]

*putting on a moustache and sunglasses*

So like what’s the deal with ghosted what’s that about

now see the deal with Ghosted is that it's not what happens within the events of the film that captivates me so much, though don't get me wrong i love this film to bits, but rather, it's the idea of what happens after the whole thing that makes me FUCKING NUTS

because the whole thing is relatively cut and dry in the sense that we don't have to guess about what happened before and we don't have to guess about how everybody is feeling in the present. we know (MOST) important characters backgrounds and what they're doing at Falkhill and slowly revealing Paul's context was pretty interesting if not a little abrupt at the end there but its the very last scene of this film down to the very frame that flips the whole hour and a half you just watched over on its head and prevents me from getting a good night's sleep because i can't stop thinking about it

ELABORATING WITH A LOT OF SPOILERS UNDER THIS

explaining the plot of this movie is hard without sounding like im writing a pretentious review and not just talking out of my ass on tumblr but for my followers who haven't watched this movie and dont care enough to: Ghosted (2011) is set in a british prison in which Jack (John Lynch) is a long time prisoner who's wife just dumped him apparently on the anniversary of their sons death (tough break) and is being advised by his friend and cellmate Ahmed (Art Malik) (who does NOT get HALF as much screen-time or plot relevance as he DESERVES,) to find something to put his mind to and be proud of outside of his failures Paul (Martin Compston) is a prisoner who was just transferred out of a Young Offenders prison AS FAR AS WE'RE TOLD... though its noticeable from the beginning that hes not a very good liar and his story is suspicious at best Clay (Craig Parkinson) is kindof The Guy of their prison wing whos dealing drugs to other prisoners and assumes the position of authority over everybody else, though compared to other inmates with bigger cliques, his foundations are shaky. the description of this film on letterboxd calls him "the wing beast" and i have never cried laughing so hard reading something in my life

Clay and Jack both hone in on Paul immediately for different reasons. Jack, after his pep talk with Ahmed, sees Paul as a source of "a little self belief, something to be proud of", but Clay scoops him under his wing for being relatively young and impressionable. This puts Jack and Clay at odds with each other. after some plot, Paul gets into very big trouble with Clay and after An Incident is promptly plopped into Jacks hands, who had requested Paul move into his cell earlier but didn't have a good enough excuse for it. Well You've Got A Bloody Good Reason Now ect ect

Jack and Paul buddy up immediately and its noticable that Paul is sort of filling in the empty space where a son would be for Jack, however we discover that Paul has been lying about his past to everybody, including Jack. he lied about his family and he lied about having only just been transferred from Y.O. and hadn't been telling the whole truth about his sentence. what the truth ends up being, in a nutshell, is that Paul is accidentally responsible for the death of Jack's son, having been the one who started the house fire he died in (we were never even told that Jack's son died in a house fire before this, we are only told this in Paul's flashback at the end of the movie and are supposed to act, like, surprised?? whatever). consequentially, Jack flips his lid and prompts my personal favorite scene in this film in which he beats the living shit out of Paul with his bare hands and immediately regrets it the second the adrenaline wears off, hitting an alarm button within the cell that alerts the guards.

the guards whisk him away and he is put in solitary confinement, which we find out was actually the first sequence of the film where hes shown with an absurdly long beard, and considering every other fucking scene he's in is of him shaving his face, i assume this is to show just how long he's been kept in solitary confinement, which quite honestly was kindof exciting to realize at the end of the film.

and then. the end scene.

after solitary, Jack is put in cuffs and brought to see Paul who looked Extremely Dead after Jack had him, but hes not dead! just almost dead. Jack is sat next to him and tries to apologize but starts to cry, reaching out a hand to hold Paul's but retracting it regretfully. Paul, having looked unconscious not five seconds before, moves his hand to place it over Jack's...

and then the movie ends. and i am left writhing on my floor in anguish BUT NOT BEFORE I EXPLAIN TO YOU THAT THIS

THIS is what the deal is with Ghosted

the pathetic gestures of "im sorry" and "its okay" are what kill me. sorry is nowhere near enough to justify anything that EITHER of them did, NOR should they be forgiven. AND YET.

and what gets my gears going is the thought of what everything looks like AFTER this scene. after they've bonded so close and after Jack already thought that Paul stopped lying to him, thinking that he could protect Paul from Clay now... after they started to fill the spaces for people they were missing in their lives... and after they've RUINED each others lives. They Have Ruined Each Others Lives and yet Paul probably would have had to DELIBERATELY ASK for them to bring Jack to see him because he just BEAT Paul within an INCH of his life and would NOT !! have brought Jack to see him upon Jack's own request!! Paul would have wanted to see him too!! after all this what does their relationship look like now... the image of father and son has been all but shattered in each other's eyes, one can assume, but are they still close... does the guilt and responsibility drift them apart or does it pull them inseparably together? Ahmed tells Jack that "there is no such thing as coincidence, only fate" but what does their fate look like... does it end here or does it mean that they're together indefinitely? the end of this film swings the door wide open and i think about it. way too often. unacceptably often, even.

all in all theres no reason that this should be my favorite film but it is. if nothing else it's made me look into the other actors involved and branch out with a to-watch list as long as my arm that will only get longer once i branch out from there. is it the perfect movie? no this film is mediocre at best. have i made a number of my friends sit down and watch it and listen to me yell incoherently about it? of course i have.

[waywardsalt]

anyways. my very first attempt at malenia

[infernaltenor]

been losing my mind reading hsr posts online again so you get a jade analysis 👍

yes i KNOW evil woman. we're not going down that path rn. i know shes morally dubious and all shades of suspicious and works for the fucking ipc. i KNOW.

i'm here because i believe she has been misattributed like crazy.

a) the aventurine relationship. we already know this one. any good analysis on them will tell you clearly that aventurine made both the bet and the deal. what happens after is between two adults. (and yes, i'll give points that jade is a manipulative bastard, but so is aventurine. he works for the same fucking company. they do the same assignments.) anyway, i'm not really in the mood to rehash jade and aventurine's misinterpreted relationship beyond this: aventurine made the choice to make a deal with jade and start working for the ipc. in fact he wanted to meet with diamond, but didn't, which is a fascinating little tidbit. i digress. it's easy to say "jade manipulated aventurine into working as a stoneheart" but reanalyzing the scene will make it clear that she distinctly both didn't manipulate him (into that, anyway), and made a direct deal with his gamble. honestly, they both have similar strategies. hey, i wonder if this will come up later 🤔

b) the topaz relationship. i'm sorry, but there is absolutely no way jade singlehandedly made sure topaz didn't see any atrocities committed by the ipc in her entire life. are you fucking insane? topaz grew up on an ipc controlled planet, likely surrounded by ipc propaganda the whole time. along with this, topaz has nine other colleagues in the stonehearts (eight if you don't count jade) and more than likely hundreds or thousands of coworkers. this cannot fall solely on jade's shoulders as to why topaz doesn't fucking know the scope of the ipc. this falls onto "topaz grew up on a planet controlled by them, and more importantly, a planet surviving by the ipc." you can even contrast this with aventurine, who grew up on a planet with ipc agents; but unlike topaz, aventurine's planet had a vastly different result, including the massacre of his people. both of these are facts that have very little to do with jade. her having introduced and directly hired topaz and aventurine into the stonehearts is a different fucking issue, don't go confusing them. you will not survive the winter. i will kill you. ok. that wasn't necessary. i apologize.

c) so why is jade the way that she is? well, i'm delving into theory territory here but i have two main strands. one, all of the stonehearts have similar stories, something i cannot confirm without more of them, but i am of the opinion that all of them distinctly are "something that they don't want to be." two, i think i know who jade was before she was jade. ok let's get into this.

the stonehearts being "something that they don't want to be." well, this is obvious with aventurine, as he is actively working for the ipc. there's a lot to be attributed with his self destruct personality and tendency to gamble everything ever, but i'm really not an aventurine fan so i'm not here to overanalyze him. plus, i'm confident it's been said before (side note: if you're interested in a decent aventurine analysis that looks at misinformation, i found this one pretty good). topaz is another pretty obvious idea, seen as everyone is confident she doesn't know the scope of the ipc's atrocities. i cannot fact check this but i vaguely remember her introductory event, so i'll concede that point. topaz distinctly doesn't know what she's getting into, meaning that i'm characterizing her as "a good person, naive, hasn't had her world shattered" or something along those lines. and now you ask the question: but tenor, what about jade? she CAN'T be like that, haven't you seen her manipulate the shit out of people?

well. now i give you who i think jade WAS. in jade's character stories, there's a jewelry merchant from a failing system who goes to the bonajade exchange. interestingly, jade isn't mentioned at all in her first character story, as it focuses on the merchant. even stranger, the deal ends with the jewelry merchant being contractually obligated to work for the ipc, for life (this section ends with "give your everything to the ipc" <- paraphrased, but still). essentially, for the hope that her system will be saved, the merchant gives her everything. the second story is where jade shows up. i believe the original owner of the bonajade exchange would have been diamond. i also believe that jade didn't originally have the snake. as jade only shows up in her second character story, it's my opinion that jade is that jewelry merchant. her system is, incidentally, destroyed, as it hadn't survived, something that is also mentioned in her character stories. this wouldn't matter if it didn't have something to do with her. another trait that i feel doesn't line up with popular interpretations is, well, her lightcone. "yet hope is priceless," being the name and the image/description describes her (implied) common visits/donations to an orphanage. she is actively making sure the orphanage stays afloat. jade distinctly makes deals with adults and, more importantly, gives them directly what the owe, yet doesn't discourage them from making deals with her. i believe she doesn't expand this to children, especially not the ones she's fucking donating to the orphanage for. more so, jade's lightcone name, "yet hope is priceless," makes no fucking sense with her character, someone who typically puts a price on everything. the only way it makes sense is if she had hope at one point or another. if she was the jewelry merchant, bargaining to save her home (this also lines up, imo, with jade's heavy focus on jewelry motifs. i believe she has that because she used to sell it; which would also make sense why she has "a planet" as a bracelet, though i'm of the opinion that that's a metaphor).

ok so how does that connect with the first point. weeeeeeeell, if we're going off of "jade is the jewelry merchant, and the jewelry merchant made a deal to work for the ipc to save her home system," this is very distinctly a deal that didn't work. i do think that jade inherited the bonajade exchange and the snake from someone else. i also think that jade originally had hopes similar to say, aventurine or topaz, when she joined. jade, in my opinion, is a character who joined originally to help people ("yet hope is priceless"), yet lost herself in her work, culminating in the manipulative bastard we see now. i don't think this end point was where she wanted to be. given the fact that, if this is true, all three stonehearts we've seen in game occupy similar stories, i wouldn't be surprised if this pattern keeps up. it's literally the classic "live long enough to see yourself become the villain." topaz and aventurine get so victimized in analyses that people do not take the time to compare them with jade, and yet all three are more similar than people want to admit.

ok well, that was a lot of theory writing. to tell you the truth, i think this is way more interesting than simply writing jade off as "completely evil woman," which i'm not sorry about. she's an interesting character! it's just that she owns her employment to the ipc in a vastly different way to topaz and aventurine, meaning that she's easier to look at as distinctly evil. not to mention, her theming being very "snake in the garden of eden." but i digress. this was a lot more than what i intended to write LMAO if you read this far i'm kissing you on the mouth or whatever.

[br1ghtestlight]

i haven't written drawn painted music etc anything in so long its so sad. im sure the world really misses all my amazing art

[unfamiliaris]

don't ever look at popular social media personalities opinions on or check the tags related to a movie explicitly about the queer experience Worst mistake of my life. every single time a queer movie has gotten popular cishet people come out in droves to posit that Actually, my interpretation of the film where instead of being weird faggots everyone is normal is Just as valid as your stupid gay interpretation . and I'm meant to be like yeah okay

[icewindandboringhorror]

Hrmm... put together a roommates quiz finally after years of thinking it would be an interesting idea lol.. Though obviously not meant to be taken super seriously, I just like thinking about this aspect of personality compatibility. Like yeah, maybe you could get along with someone just chatting with them, but living together is such a different thing. .. curiouse...

[unproduciblesmackdown]

truly lmao 2024 lambda literary award finalist wynnstannery

[letsmcfreackingloseit]

I JUST SAW MATPAT IN THEATERS AND IT WAS AWESOME AND I'M SO HAPPY

[thecherrygod]

/

[floral-hex]

So this chick has been on-and-off again stalking me since high school. I could go into paragraphs of detail (I was about to), but no one wants to read all of that. Suffice to say, I guess she’s had some kind of crush on me for about 15-20 years or so (why??), and every few years it seems she pops up somewhere contacting me to try to persuade me to give her a chance. I should mention we never talked in high school, I actively avoided her, told her I didn’t like her, etc. nothing doing.

Anyway, somehow she’s been on one of my social media pages and saw I was having a hard time lately, so she found my phone number (what?? I hate that you can just find that online) and texted me out of the blue yesterday. Usual protocol is ignore and block so I don’t piss off an unstable person, but they decided to be gross, so

I wasn’t planning on posting anything about this before. If they were creeping around on my pages, mentioning it would only feed into them. Maybe. I don’t know. But this just kind of made me really uncomfortable and their response was shitty. I could have been a lot meaner. I wanted to be. But whatever, that wouldn’t have helped. So I just blocked them and hope that this time it sticks. If they see this, then hey… not cool.

[waywardsalt]

oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about

i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)

original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)

in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other week to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.

'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.

sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.

murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.

ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.

ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.

modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.

modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.

dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.

horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.

mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.

'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.

A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:

Warrior Cats

Batman

Jojo's Bizarre Adventure

Persona 5

Pokemon

(there are other, smaller ones, these are just the ones i consistently pay attention to)

So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!