#Physical Review D

[e-adlirez]

Treasure Seekers 2 go brrrrr

So this sequel... exists :D

Welcome to the second entry in the Treasure Seekers trilogy that I'm gonna ramble about for the next six hours (in me time, in you time it's probably gonna be like thirty minutes or less), if you wanna read it yourself before reading this ramble, here's an Archive copy. Otherwise, enjoy the ride :D

So our story begins with the Thea Sisters locked in a basement in the dark, with Russia's penchant for matches (and the basement's lack of a smoke alarm) coming in clutch. Seems like another vacation's gone awry for them :3 How could it have possibly turned out this way?

Flashback: so the girls are vibing in Moscow, visiting all the cool sights and all that, Pam is wanting to try some Russian cuisine, when they spot this girl that's wearing what appears to be a barrette that used to belong to Aurora's sister Hannah Lane. They follow her a bit, find a THUG JUMPSCARE, follow the girl, Cassidy and co into the building they're heading into, and oh dear door with passcode is in the way. They find this dood Sergei, explain to him the situation, deal with him being like "who is u, and wth are you on about mate" until they hear a scream and oh dear turns out that girl with the barrette is Sergei's sister Irina and she's in trouble.

Sergei opens the door, they go in, walk in on Cassidy, Stan and Max (who I will from now call SM for simplicity) doing their whole thug jumpscare thing and kidnapping Irina in 4K. SM somehow rolls a high enough strength roll (or the girls roll a low enough initiative) that two roughly intimidating guys successfully trap six people into a basement without breaking a sweat get yourself some self-defense classes girls oml, and that's the end of that.

Luke's up to his shenanigans again, and it seems that he's targeted Irina Lenenko for the same reason the girls double-taked at the sight of her barrette: Irina (and Sergei in conjunction) is a descendant of Hannah Lane, and Hannah Lane may or may not have known a thing or two about one of the seven treasures. It's such a shame tho that Irina doesn't wanna spill any of the tea. What's this about a "queen's jewel"?

Oh also Luke has Aurora's third diary. I would like you to pay attention to this detail in particular. Oh and he's keeping Irina ratgrabbed until she tells them what he wants to know from her. Oh naur

Meanwhile the girls infodump all of the TS 1 LANE LOORRREEEE to Sergei in one whole sitting and finally manage to get around to "what the hell does this have to do with my sister". Sergei thinks it's not really possible for Irina to know anything about great-grandma Hannah's involvement with Aurora, but Irina's still in trouble soooo time to solve this nerdy-ass science trivia keypad puzzle to get outa the basement. Irina's nowhere to be found in the lab itself, so they regroup at Sergei's place to use his phone tracker app on his computer.

Bad news, SM dumped Irina's phone somewhere in the lab so the tracker app is useless; good news, while looking for some Lane Lore™ to get some context about the situation, the girls find some Lane Lore™ :D

-

Turns out Aurora was looking for one of the seven treasures again, y'know just updating her sister on that, who'd moved to Saint Petersburg with her husband Ivan.

Seems like Aurora's quest at the time involved "the queen's jewel", which Aurora said she was 1000% down to ramble about to Hannah, maybe when she's done finding all seven treasures and hiding them from Jan.

I would like to take this moment to remind you that Aurora is a British Amelia Earhart, and if you dunno what that means, look up what Earhart was famous for and then look at this with that given context :']

-

With that lead, the girls plus Sergei take a ride on presumably the Krasnaya Strela night train to Saint Petersburg, read some Lane Lore on the way, Peter-Griffin upon realizing that they spent the whole night reading AO3 fanfics Aurora's diaries and it's like 2AM now, land in Saint Petersburg, stop by Nevsky Prospekt Street to have some breakfast (I think they went to Venezia?), and discussion.

(For the rest of this review, please assume when I say "the girls", I'm including Sergei because Sergei tags along with them and helps them out in their entire journey. It's okay, Sergei may be biologically male but he is an honorary female in our hearts /j)

Aurora mentioned the queen's jewel in her diary, and when you're in Russia, the first queen that comes to mind is Catherine II, so maybe something relating to her? Some Lane Lore of Aurora taking interest in Catherine II's Amber Room in her palace specifically confirms their theories, sooooooooo it's time to go to the Amber Room to see if Aurora left any clu--

The girls are about to walk out of the Catherine Palace to Peter Griffin in private when SM JUMPSCARE--

So SM is stalkin' around the Catherine Palace looking for something, so the girls stalk them back and follow them out of the palace, into a car (the girls called a separate taxi to follow them), and to a little gray building in the outskirts of the city. They don't follow SM into the building because it might be dangerous, but Irina's scarf lying around near the premises confirms that Irina was in fact there and possibly being held hostage in the building.

The girls do a little tactic I like to call "the Ding Dong Ditch": Pam and Nicky knock on the door, SM answers it, do a little Metal Gear exclamation point "HOW DID YOU GET HERE", Nicky and Pam book it so SM chases them, and that's literally how the other girls plus Sergei sneak into the building to get Irina out. (You dunno how badly I wanted to make a videogame reference for this but I couldn't find anything so here we are--)

With that, the girls plus the Lenenko siblings book it outa there without SM being none the wiser (seriously it doesn't even cross their mind that there are more than two Thea Sisters, that's how dum they are). Irina books a hotel room at a friend's place and gives them some extra Lane Lore that she never told Klawitz despite the interrogations:

Hannah Lane was once visited by Aurora unexpectedly, a little after Hannah and her husband moved to a house near the Ob River, in Siberia. Possible lead :3c? The girls think maybe, so they decide to head on over to the exact address in Novosibirsk, Siberia.

In Siberia, the girls cross the frozen Ob River in Novosibirsk to this abandoned little house, where they find this little note with a riddle that talks about Cleopatra and an emerald she had at one point, and CASSIDY JUMPSCARE--

Cassidy busts in, snatches the note and books it away on her snowmobile before the girls can even react. You may be wondering, how the hell did Cassidy get there and know where they were? The answer is the same as the reason behind the SM jumpscares in Russia and in book 1, and that is Luke.

Luke Von Klawitz is doing a little segment that I like to call: Luke Touch Grass, where it becomes increasingly clear that Luke's spent way too much time on 4Chan (/j but you'll see what I mean). Luke hears about SM's failure and facepalms. Then he calls his friend Petrovski, who has access to the database of all of Russia's airports, for help tracking down "six mice leaving Saint Petersburg". Petrovski gives him results in minutes: the girls and Sergei are leaving Saint Petersburg and heading for Novosibirsk, Siberia (most likely Tolmachevo Airport). With that intel, Klawitz looks into his own database of Aurora Beatrix Lane, finds a picture of Hannah and Aurora together, and uses his own version of Google Lens to figure out the exact coordinates where the picture was taken, which happens to be in Novosibirsk, Siberia.

No this man does not in fact canonically touch grass on the regular, who's asking

Anyway so he sent Cassidy the coords, instructions and Aurora's diary to go, and that's how Cassidy walked in on the girls in that little abandoned hut next to Ob River. Only thing is uh, she dropped her purse on the way out. A purse that just so happened to contain Aurora's diary that Luke gave her.

So the girls scoop that puppy up and assume that the treasure is Cleopatra's emerald, thus they think it's in Egypt.

So the girls go to Egypt :D (29 and a half hour flight there good god no wonder they conked out in the plane--)

The girls read some Lane Lore, something about Aurora finding the treasure and hiding it somewhere in a desert, in an "expanse pure and white" that a star compass will lead to. First thing the girls think of at the desert bit is the White Desert (Sahara el Beyda), specifically a spot near Cleopatra's pool, so they leave the airport (not realizing Cassidy is following them now) and head over to a market to buy some supplies because might I remind you, they initially went to Moscow, Russia for vacation.

While in the market, Pam meets a guy named Omar. Pam tells him a little bit about them going to Cleopatra's pool in Sahara el Beyda, and she finds out that Omar just so happens to be an Archaeology major in Oxford University who's here on his summer vacation and works as a guide for Sahara el Beyda, and is more than down to give the girls a tour. Talk about lucky :D

The next day the girls take the scenic route and after a while make it to Siwa, where Omar books a room in a hotel for them, and the girls find this interesting myth there about Cleopatra that I will summarize here:

Cleopatra was once given a jewel that maxes out the owner's rizz and the effect is supposedly indefinite. Cleopatra liked the jewel so much that she wore it on her crown at all times... until she grew a bit self-conscious about the gem's maxxed rizz effect and how everyone kept eyeing the emerald a second too long for comfort, so she decided to hide away said rizz in a spot where none of her rivals could get to it. Oh and uh Cleopatra wrote up a dedication to Ra that's hella cryptic too.

One long rest later, the girls go to Cleopatra's pool on a donkey cart. Yes, a donkey cart. It was Omar's idea. Speaking of Omar, prepare yourself buddy because the girls have dubiously decided to give you some Lane Lore to chew on. O-oh you like it a lot. A lot a lot. Well okay cool, maybe you can help out, cool.

The girls manage to figure out the riddle in Cleopatra's dedication, find a little stone coffer that has the queen's treasure and-- SM JUMPSCARE

With a donkey as the girls' only escape method and Omar having suddenly disappeared, a scuffle ensues where the girls play hot potato with the box until SM gets their hands on it and opens it, and here we get a very accurate depiction of what SM and the girls found in the box once it was actually opened.

Description: a hand made of salt shaped in an upside-down "ok" symbol, circa 1920s-30s.

The sheer whiplash of this leaves both sides of the conflict losing enough HP that they're all on red-- SM is blaming the girls for this (how dare >:[) and dip. Omar is gone, and all the girls get as compensation is the empty box and a letter from Aurora telling them that they'll know to read the hidden clues. The girls head back feeling very hollow and dead inside, and this is the one time one of the girls questions how the hell did SM know they were at Siwa. I mean they never get any answer to this (kinda), but it is a milestone! They're aware of it now!

Once they get back to Cairo, they ask around and find that Omar's completely up and vanished, and they decide they'll just head back to Moscow since their investigation has come to a dead end. On the way, Pam comments about the falafel she bought being hella salty, which leads Violet to an epiphany that hey, the Sahara isn't the only desert that exists, let alone the only desert known for how white it is (like how Boracay Beach is known for how white and fine its sand is, but it's not the only white sand beach that exists). A quick Google search (and a long flight (35 HOURS CAIRO TO SUCRE???)) leads them to the Salar de Uyuni in Bolivia.

Nicky reserves a room for them at Hotel Luna Salada (a real place you can book a stay at actually :D), and they make a friend by the name of Adriana, a local waitress in the hotel restaurant. Adriana helps them pick out a dessert, fills them in on some stuff about the Salar since the girls came here 100% out of impulse, and talks about possible itinerary locations to go to, like the Isla de Pescado, Tiwanaku (the "Gate of the Sun"), Lake Titiaca, and Laguna Colorada. Y'know, typical tourist stuff, and Adriana was so kind to show them pictures she took when she visited said places herself! :D

Anyway so while the girls long rest, Luke is mulling about in his base waiting for updates. Someone calls him about the whole Egypt thing, and Luke calls the girls incompetent? Rude, oh and something about the caller being Luke's "secret weapon". Cassidy calls him on a theory she has about the gemstone being in Cleopatra's palace, and since the girls are currently long-resting (which means they aren't doing anything), Luke figures that a little diving trip in Alexandria to search for the gem with Cassidy won't hurt. Besides, he still has his secret weapon.

Oh yeah and he knows the girls are long resting because he has a drone in Bolivia spying on them and showing him their every move. Touch grass, Luke. No, going on a diving trip in Alexandria doesn't count, there's barely any grass there /j

Morning comes in Bolivia, and the girls head out early to search the Salar as much as they can. They look around the flat white desert, eat some late breakfast, toy around with forced perspective camera shenanigans for a bit, and read up on some LANE LOOORREEEEE

So Aurora's been to Pumapunku and Tiwanaku which is cool, she paid a visit to the archaeological site probably and that's really cool. She says something about hiding the queen's treasure in a fish's stomach covered in very fine thorns. Sergei ends up having an epiphany, and that leads the girls to Isla de Pescado, which just so happens to be "Fish Island" in Spanish, and has cacti on it, it's all coming together :D

Oh and the fish drawing Aurora made is coords to the treasure seemingly so that's cool-- OMAR JUMPSCARE

The girls are very surprised to find Omar joining them, and Omar explains that he booked it when SM came over and lost his cellphone as a result. However, he managed to figure out that Aurora's riddle was about salt and not sand, and decided to head on over to Bolivia since he assumed that's where the girls are going. How did he find them? It was just out of pure coincidence, and also the fact that the girls are extremely recognizable. Hm.

Anyway, Paulina plugs the coordinates into her GPS and leads the girls plus Omar to a little cave at the bottom of a little embankment. The girls find that, lo and behold, there's an old tin box containing a bright green emerald!

Meanwhile Luke is not finding anything in Alexandria haha L, LVK L get dunked on Luke, Cassidy girlie that's not a man to simp for find someone else gurl-- oh dear Luke is alerted that the treasure has been found and now he's planning on heading over to Bolivia? Now how could he possibly know that?

In the meantime, I dunno what's up in the air or if it's the Archaeology major speaking in him but Omar's really invested in this treasure, even more so than the girls to the degree that the girls are a little freaked out by it-- RHEA JUMPSCARE-- Paulina calms the big bord down and gets it to not trample Omar please, he's still a friend of theirs. Colette picks up this blue notebook Omar seems to have dropped.

The girls plus Omar head back to the SUVs, and Omar is really trying to persuade the girls that he should bring it back to Cairo. The girls are not jazzed at the idea because Omar bringing it back alone will be too unsafe, y'know with Luke and Cassidy and SM and all. They gotta think about this rationally-- WHOA OKAY OMAR calm your man tits buddy why are you demanding they trust you like you automatically deserve your trust-- ohh that's how Klawitz has known about the girls' whereabouts, Omar was working as a double agent.

So yeah Omar snatches the box from Colette and drives off in his SUV, leaving the girls in the dust. The girls freak out and are feeling that EMOTIONAL DAMAGE, but Colette for some reason is very calm about Omar booking it with the emerald. And that's because SHE HAS IT :D she did a lil' switcheroo so now the emerald's with her while the box is with Omar.

For context about how Colette knew about this, remember the blue notebook Omar dropped? Yeah that notebook was a company LVK notebook, straight from Luke himself. Then after Colette saw it, everything about Omar became incredibly sus, so she performed this precautionary measure.

So now the girls talk to the local authorities about how the whole thing with the emerald is gonna go down, and soon the girls are waiting for a plane back to Moscow.

As for Omar, well, he goes over to Luke's super-fancy hotel in La Paz, Bolivia, and he hands the box to Luke, explicitly stating that he decided he'd let Luke open it before he himself can appreciate it.

Luke opens the box, and here we see an accurate depiction of what Luke sees.

Description: an upside-down "ok" symbol drawn in strawberry pink lip balm, signed Colette [insert last name], circa 2018.

Luke punts the box (prolly with the lip balm still inside it) into the swimming pool, tells Omar to get out, and that's the end of that. Haha Omar L Luke L

The girls head back to Moscow to drop Sergei off when SURPRISE PARTY BY IRINA'S SQUAD :DDD

Then the girls are about to return to Whale Island to presumably Peter Griffin in their dorms, when Colette suggests they make a journal a la Aurora Beatrix Lane, and they do. In a pink notebook because it was Colette's idea so we might as well give her that

And they take a black-and-white group picture of them wearing adventurer clothes like Aurora would've done. The brainrot is real, these girls are mentally ill /j

And that's the book :D

... Honestly it's the most meh out of the trilogy besides the big-brain bits in the middle and the end imo

The writing was so much more stilted in this one, even for Scholastic standards, and everything feels pretty..... kid's book. Even more so than the usual in the book's English translations. I do readings for the books in some of my Discords, and this book did not read well at aaallll. And I haven't even mentioned the typos in the book (they're not a lot, but they exist, and they're kinda egregious :D) and some grammar errors if I'm remembering things correctly. It might just be a translation thing-- I worry a bit for the translator who had to put this together.

Luke's character here is also kinda wonk? For one we see him directly contradict his anti-friendship spiel in TS 1 since he literally greets Petrovski like a friend (maybe it's a "friendship doesn't exist except in 4Chan" thing, I dunno). Then in the middle of the book, he gets... very Disney villain-y. The most egregious example here is the chapter "Lurking in the Shadows", where as you can see

I am confusion?? Luke has been described as a to-the-point brat who hardly cares for the means to his end (unless it will impact his ability to achieve the end) and is so fixated on his goal that he doesn't touch grass. Is this not-touching-grass behavior? Yeah, definitely, but this??? This is too Disney villain???? Why does the man break into an evil cackle in front of Cassidy???? I understood it in book 1 because man thinks he's doing a "You may think you have outsmarted me but I have OUTSMARTED YOUR OUTSMARTING", but this one?? Maybe it's my personal taste, but it's too cartoonish and too... deviated from what we know of him up to this point.

ALSO TWIRLING HIS MUSTACHE? WHAT MUSTACHE IS HE TWIRLING THAT THING IS NOT TWIRL-ABLE

Also time to address the one big plot hole in this book: Aurora's diary.

So in this book there's only one diary, which is infinitely simpler than the two we got in the first book. This diary supposedly contains Aurora's records of her mission in hiding Cleopatra's Rizzmerald, and the details are supposedly vague enough that Luke felt the need to kidnap and interrogate Irina, a Hannah Lane descendant, to fill in the blanks. However, when you look at the contents of the diary itself (which lord knows how many times Luke himself has looked through it), there's hardly any blanks that need to be filled, at least if you're Luke.

The diary itself is mostly in the background-- like I said, not as much Lane Lore here as the previous book, the girls mostly rely on Aurora's letters to Hannah here-- but there's one specific entry the girls read in the latter half of the book that explicitly mentions Pumapunku and Tiwanaku, and how Aurora is there for her mission to hide the emerald. Complete with coordinates hidden in a little drawing! My one question I have for Luke is, why didn't he go straight to Bolivia and started searching there? Why did he go through all the effort of kidnapping Irina, tailing the girls around Sahara el Beyda, letting SM fall for the salt replica gambit, left his base to touch grass and go on a dive with Cassidy in Egypt; all if he could've just gone straight to Bolivia to look for the treasure there? Sure, Aurora did a good job hiding the coordinates in the fish doodle, but someone as observant and as obsessed about the outcome instead of the journey like Luke would rather have sidestepped all the Aurora shenanigans and beelined straight to the goal if he was able to.

Luke hardly has an excuse here because he owned the diary at the start of the book, and most definitely read through it many times (and we know he's the type to do this, see TS 1). The plot hole is plot hole-ing, it seems :/

Maybe it was just an excuse for the girls to get a giant glowing arrow pointing in the direction of the treasure? It certainly feels like it.

Anyway, the things that carry this book and made it memorable when I first read it (and allowed me to ignore the iffy bits) are the gottems and Omar as a character. Aurora setting up a salt replica of the Rizzmerald as a gottem in a time capsule, only to be opened almost a hundred years later to still be as potent as intended when it was made so long ago? That is amazing, like c'mon, pure comedy material.

Even funnier is Colette doing the exact same thing, only with her lip balm. Luke is quaking in his bougie-ass leather boots.

Now for Omar. This may be a hot take of mine here, but Omar's sus-ness is actually at a decent level compared to the girls and what they usually deal with. On one hand, Omar is incredibly suspicious with how incredibly lucky the girls are to find an Archaeology Oxford major working as a Sahara el Beyda tour guide; but on the other hand, the girls had almost the exact same situation with Diego in Mexico (I didn't mention him in the first review, but he came in clutch in TS 1).

The girls met Diego in Merida, Mexico, and he helped them with their research into "the invisible place", which happened to be Uxmal, along the Puuc Route. Diego also just so happened to be a tour-guide-in-training for the Puuc Route, which was the place the girls just so happened to need to go to find Aurora's second journal.

In comparison, the girls meet Omar in Khan El-Khalili while they were looking for supplies for their trip to the Siwa Oasis. It comes up in conversation that the girls are headed to Siwa, and Omar just so happened to be a tour guide for Sahara el Beyda, which was where the Siwa Oasis is, and it just so happened to be where the girls needed to go. When you stack them up together, it made perfect sense that the girls thought they could trust him-- Diego didn't know much about their trip and helped them the best he could (which was a lot), so why wouldn't Omar do the same? He's an Oxford Archaeology major, too, for crying out loud, the girls struck gold in the end!

Gold that was too shiny and too good to be true. Gold that was, in the end, nothing more than pyrite, fool's gold.

Omar is a good case for why you should be careful with who you trust, and when you should start thinking a little bit when you're getting a little too lucky with the people you meet. When the girls got to know him a little more and decided to trust him and tell him the deal with their trip, he got way invested in the gem-- too invested to not be a little bit suspicious. Maybe the girls mistook it for his passion for his archaeology major, maybe they mistook it for something else-- but whatever the case, Omar pulled the cheesecloth over the girls' eyes and really only fell apart near the end, when his alibis and behavior started becoming more and more suspicious; and by then, Omar didn't need to be as inconspicuous, and the girls had gotten to know him too much to readily say to him "okay buddy can you kindly f%ck off, your vibes are not vibing here".

The girls probably should've been suspicious when Omar reappeared in Bolivia out of nowhere, but I guess his alibi was just good enough (and the girls at this point were probably running on adrenaline, caffeine and a brain on 70% capacity at most) to pass the Deception check.

Fr tho there were some bits where the girls should've found him sus but they didn't (him accidentally saying "I did it" when they uncovered the emerald, and also him handling the emerald the way he did), so shrugs. It could be a translation thing, but it could also be something else.

Anyway, kinda meh for a sequel, but it does have its standouts that allow it to somewhat stand on the same level as the first and third books. Kinda.

Hey, at least it's not as bad as Crystal Fairies-- that's the bar of bad-ness I'm setting. It's not as bad as Crystal Fairies and that's what matters--

Also special thanks to @ishmeowwow (it won't let me ping you for some reason bestie <:[) for making the lil' artworks haha

[crippy-tangerine]

Hello disabled lovelies!! We have a question for all of you who deal with chronic dehydration (for whatever reason): what products/brands do you recommend for water-soluble electrolyte mixtures?

We’d be interested in knowing:

-> which ones you find work best

-> which ones are most worth the cost

-> which flavour(s) are your favourite

-> whether you recommend liquid or powder sachets

-> which types/flavours/brands you do not recommend!

—

Thank you in advance! 🙂‍↕️🫶.

(We ask because we aren’t managing to stay hydrated and are back to pouring salt into our water- and that still isn’t making it much better. So we think we will finally have to invest in electrolyte sachets 🥹. The only ones we’ve really seen are “liquid iv” and they seem so expensive, but we will have to suck it up if there’s nothing better. If you have any advice on other ways to help manage dehydration issues feel free to let us know! It is welcome 🫰.)

[whatsnewalycat]

RUTHLESS

Stepdad Joel Miller x Reader

Rating: Explicit (18+ ONLY)

Word Count: 5.1k+

Warnings: DDDNE, literally just a fucked up stepdad/mom's bf fantasy, could read "mom" as tess but I don't name her or assign physical features to her or reader, post-outbreak, reader is def over 18 but not by much so yeah age gap, NON-CONSENSUAL, power imbalance, unethical d/s dynamic, slapping, spanking, punishment, orgasm delay/denial, humiliation, degradation, face fucking, anal sex, little to no aftercare

A/N: Category is "That old man would fucking never... but if he did..." Please be mindful of the warnings and don't read if it might trigger you. Sorry, mom. Sorry, God.

[ my masterlist ] [ taglist ] [ AO3 ]

------

Within the secluded world of your big noise-canceling headphones, you scan through silence on the CB radio, pausing for a few seconds on each channel before moving on to the next. 

Channel 11: Nothing. 

Channel 12: Zilch. 

Channel 13: Nada. 

When you turn the dial to channel 14, though, you pick up chatter and start transcribing. 

Channel 14 7/17/22 19:56

—got a bundle of carrots today. Budaydas, onions, too. Want me to come by tomorrow and make some stew? Over. 

Got enough for the kids? Over. 

And leftovers. Over. 

I’ll be at Margie’s around supper time. Over and out. 

The air goes silent.

After a minute goes by with no follow up transmissions, you glance at the clock. 7:58. Almost time for check-in. 

You tune the radio to channel 32 and review your transcription. 

Many people speak in code, encrypting their messages in seemingly benign conversations. To the untrained ear, they’re normal exchanges, people making small talk about jobs and rations and kids. Goodnight calls and check-ins that use predictable inquiries to convey messages. 

—got a bundle of carrots today. Budaydas, onions, too. Want me to come by tomorrow and make some stew?

Most of it you can translate from memory. The drug traffickers that use channel 14 have frequented the same lingo for years. Likely because of the high turnover rate of personnel. There’s less confusion that way. Confusion in communication raises more alarm bells for eavesdroppers than using the same code words across the board. 

You flip through your cipher for channel 14, searching for budaydas, but find nothing. Scrunching your nose up, you say the word out loud, “Budaydas. Buh-day-das.” 

Carrots, onions, budaydas in a stew. 

“Oh,” you nod in understanding, then jot down your translation, muttering under your breath, “Fucking Boston accents.” 

(Someone) picked up tranquilizers, benzos (budaydas = potatoes), and opioids. The caller wants to meet up and trade as previously agreed. 

The rest of it is easy enough to interpret without the use of a cipher. You probably don’t need to write down the translation, but do it in case your mom or Joel need to reference the notes at a later date. 

There’s enough to distribute product across their network of dealers in Boston QZ, plus more to stockpile. They’ll meet at their hub in Area 1, Margaret St, at midnight. 

You exhale through slack lips, glancing at the clock as it ticks over to 8:00, then pick up the microphone and hold down the speak button. 

“Radio check.” 

A few seconds go by before you hear a familiar gruff voice crackle over the radio waves into your ears, “Loud and clear. Over.”

Your nostrils flare when you hear him. Joel Miller. The bane of your existence. Your de facto stepfather, only because you don’t really remember life without him by your mom’s side. 

This isn’t to say he’s a father figure to you by any means. The two of you never shared the kind of heartwarming paternal bonding moments you read about in books. That would require warmth and vulnerability, which he distinctly lacks. 

Once, when you were maybe 11 or 12, you made the mistake of calling him Dad. The way he looked at you made you feel like dirt. Fire burning behind his dark eyes, he corrected you with one stern syllable that taught you your place: “Joel.” 

You sit up straighter and take a moment to gather yourself before responding. 

“Did you get your message from Uncle Paul? Over.”

“I did. Over.” 

“How’s the weather in Kansas City? Over.” 

“Cloudy. Over.” 

Fuck. 

You swallow around nothing, then clear your throat and ask, “And Grandma, how’s she? Over.”

“Fine, just busy is all.”

You exhale a sigh of relief that melts the tension between your shoulders. Joel continues. 

“Anything new with you? Over.” 

Tapping your fingers on your notes, you answer, “Rumor has it the market is gonna be busy tomorrow. Harvesting time, I guess. Other than that, same old same old. What about you? Staying out of trouble? Over.”

It feels strange, having a casual conversation with him like this. Even if it’s just a data exchange dressed up as a casual conversation. 

There’s a long pause, then he says, “Fine, yeah. Well. See you soon. Over ‘n’ out.” 

Stiff as a board. Cold as ice. Joel Miller, everyone. Round of applause. 

You snort, rolling your eyes as you unplug the headphones and toss them on the table. It takes a moment for you to re-acclimate to your surroundings. 

The dingy two-bedroom apartment is quiet and still. Outside, the setting sun casts the world in a dark golden haze. A FEDRA patrol vehicle roars down the street, broadcasting the curfew alert from a loudspeaker. Faint shouting from a few units down momentarily piques your curiosity before you decide it’s none of your business. 

You stand from the chair and reach your hands above your head, lungs expanding in a powerful yawn, then take a lap around the apartment to stretch your legs. 

Something catches your eye when you walk by the entry. A note slipped under the doorframe. On the outer fold, your name is written in a familiar scrawl. 

Your heart skips a beat. 

You pick it up and unfold the paper, revealing an invitation. 

I miss you. Come over when you’re done surfing the airwaves. XO, Bert. 

Warmth trickles down between your thighs. A smile spreads across your face. You glance up at the door, then to the CB radio and scanner on the desk. 

Indecision churns in your belly. 

You are explicitly forbidden from leaving the apartment while your mom and Joel are out on runs. A safety precaution you’ve protested dozens of times to no avail. They expect you to stay put and warn them if you notice any signs of potential danger. In return, you receive a cut of the profit and a roof over your head. Security, in short. Which is more than most could say. 

That being said… You break this rule from time to time, when the circumstances allow. 

Like when the Fireflies and FEDRA have been quiet for weeks and there are no smoke signals in sight. Like when you’re five nights into a seven day seclusion and think you might die of boredom if you don’t get the fuck out of here. Like when your boyfriend slips a note under the door and asks you to come over. 

You look down at the paper in your hands, re-reading the words I miss you. 

Fuck it, what’s the worst that could happen? 

—

Just before midnight, you wander down the hallway to your unit, jelly knees wobbling with each step. As you absentmindedly trace your tingling lips, still puffy from kissing, you unlock the door and push it open, then frown. 

The lights are on. 

They were off when you left, you’re sure of it. When you step further into the apartment, your foot catches on something. A backpack. This faint buzzing starts behind your ears as you blink at it, wishing it would go away.

Motherfu—

“Where the fuck have you been?” 

Your stomach plummets to the floor when you hear his voice. A thick knot of panic tightens around your windpipe as you look up to find Joel standing just a few paces away in the living room. 

He stares you down, dark eyes glowing with fury, and questions you again, “Where were you?” 

“N-nowhere.” 

The blatant lie sits sour on your tongue. His lips purse, so you fumble out another, “I went for a walk.” 

“A walk,” he repeats, tone disbelieving, “You went on a walk after curfew wearing that?” 

You look down at your clothing. A short skirt and tank top. Your throat bobs in a guilty gulp, then you meet his eyes again and nod. 

“And when did you leave on this ‘walk?’”

Your mind whirs as you try to come up with an answer. It feels like a trap. You try to calculate an answer that will provide minimal blowback. 

“I don’t know, maybe twenty minutes ago?” 

“Try again.” 

The electricity humming through you takes on a red, frustrated edge, and you snip, “I don’t fucking know, dude. It was a while ago, I wasn’t paying attention. Where’s my mom?” 

“Your mom sent me here to make sure you were alive,” he says pointedly, taking slow, deliberate steps towards you, “We’ve been tryin’a reach you for three hours. I got here an hour ago. That’s a helluva lot longer than twenty minutes, ain’t it?” 

Shrinking into yourself, you search his face. Jaw set, eyes boring into yours. Waves of anger roll off him as he approaches, and you remember all those rumors you heard about him on the radio. The fear you heard in grown men’s voices when they recounted run-ins with that bitch and her guard dog. 

You remember what Bert said about him: He’s fucking ruthless.

“You aren’t supposed to leave the apartment when we’re outside the QZ.” 

“I know.” 

“Then why did you?” 

Your heart thuds against your ribcage. 

Joel has never directed this kind of outright anger towards you. Sternness, sure. Contempt, maybe. But this is different. You’re in fucking trouble. 

There has to be a way out of this conversation.

You drop your gaze to the floor and ask, “Is my mom ok? Did something happen to her?”

“Don’t change the subject.” 

Righteous indignation straightens your spine and wills you to meet his eyes again, “I’m not saying shit until you tell me what happened to her.” 

“She sprained her ankle, but she’s fine. She’s safe,” he tells you, then takes another step forward, “Why did you leave?” 

You respond by rolling your eyes. 

“Answer the question.” 

With an irritated sigh, you search his face, then tell him, “You don’t know what it’s like to be here. Isolated for days or weeks at a time. I fucking hate it. It’s so lonely and boring, I feel like I’m losing my mind—”

“Oh, cry me a goddamn river.” 

You scowl at him, staring him down, “Fuck you.” 

“Watch your fucking mouth, you disrespectful little shit.” 

Red flashes through your field of vision, hot and angry and defiant. You gather the moisture in your mouth on your tongue and spit at him. It splats on his cheek. 

His face twists up with fury for one second before he charges, closing the distance between you. The impact pushes your back to the door with a thud. 

He grabs your jaw, fingers digging hard into the soft flesh of your cheeks. His eyes are hot coals, burning into you. The muscles in his jaw twitch, nostrils flaring, breath shaky. 

When he speaks, it’s through gritted teeth, “You don’t know what it’s like out there.” 

“No, because you won’t let me fucking leave—”

“You should be fucking grateful, you know that? Being here is a fucking cake walk. Your mom ‘n’ I have seen things, done things—horrible things you couldn’t even imagine,” he husks, searching your face, grip tightening so hard it makes you whine. “We keep you safe, and all we ask is that you stay put and keep a lookout for us when we’re gone.” 

Even if you wanted to respond, you can’t. The vice grip he has on your face renders your mouth immobile. 

All you can do is stare back at him, studying his furrowed brow and clenched jaw. Full lips pinched thin as he glowers at you. 

You notice how close his broad body is to yours. The heat radiating off his tightly-wound muscles onto your skin. His ragged breath scatters across your face and wafts into your open mouth. You taste the bootleg whiskey on his breath and your pulse jumps. 

Warmth drips down your spine and pools at the center of you, a horrifying sensation that makes you squirm.

“Were you with your little boyfriend? Hmm?” he asks, eyes darting around your face, trailing down to your body for a moment before returning, “That boy downstairs? Figure you musta been, on account of how you’re dressed.” 

You don’t say anything. You can’t. But it doesn’t matter, because it’s not really a question. 

“Abandoning your post to go out and get fucked, is that it?” 

A whimper slips from your throat as heat swells beneath your skin. 

He wouldn’t be treating you like this if your mom was here. He wouldn’t say these things or be this close to you. Knowing this, you understand that whatever is happening right now is wrong. 

You also understand that you like it. 

You hate that you like it, and hate him for making you like it, but you like it all the same. 

Letting go of your face, he demands, “Answer me.” 

“Fuck you.” 

Before you even realize what’s happening, you feel a sharp, hot sting on your cheek and yelp.

He fucking slapped you. 

“Wrong answer.” 

“What the fuck is wrong with you?” you retort, bringing your hand to the welt forming on your cheek, “I’m gonna tell her.” 

“Yeah? You gonna tell her I found you sneaking in at midnight, too? That you compromised our safety to go out ‘n’ get dicked down?” 

You harden your gaze on him, lips pressing together with disdain. 

“She wouldn’t like that, would she?” he asks, the smallest smirk tugging at the corner of his mouth, “She’d probably kick you out on your ass.” 

“She wouldn’t. You guys need me.” 

“And you need us,” he counters, searching your face, “So what do we do to make sure this doesn’t happen again? Hmm?” 

A dozen inappropriate images flash through your head, each more lurid than the last. An electric, tingling feeling shoots out from the base of your spine and works through your extremities. 

You swallow hard and shake your head, “I won’t do it again.” 

“If I don’t punish you, you will. You’re fucking disrespectful. Selfish. You need discipline.” 

Again, a flash of frustration taints the world red. Crossing your arms over your chest, you scoff, “Just because you’re fucking my mom doesn’t mean you’re my dad. I am an adult and you are not the boss of me.” 

He sighs and takes a step back, planting his hands on his hips. His gaze drifts around the empty apartment, jaw gnashing back and forth for a moment before he returns to twist the deadbolt closed and grab your arm. 

“What the f—” you swat at him and dig your heels into the floor, but it does nothing as he drags you by his steel grip, pulling you stumbling along behind him into the living room. 

He sits on the couch and forces you to lay over his bent knees, one big hand securing your wrists behind your back while the other flattens against the swell of your ass cheek. As soon his touch leaves, it returns, a sharp snap tingling across your skin. 

Shocked doesn’t even begin to describe the chaos throbbing through you. 

“You’re right, you’re an adult. And I’m not your dad,” he asserts, lifting his hand. Your whole body clenches in anticipation. “But as long as you live here, I am the fucking boss of you,” he slaps your ass again, “Do you understand me?” 

It surprises you when you hear yourself sob, “I’m sorry—”

He does it again and again, hissing, “Yeah, you’re fucking sorry now, aren’t you?” 

Each firm slap he lays down is firm, unflinching. Ruthless. 

It overwhelms your senses and becomes the only thing you feel. The universe world narrows down to just his palm on your skin. The reliable and exquisite pain ringing through you. Smack. Smack. Smack. 

Every time he draws his hand back, you don’t think you can handle it again. But you do. 

Soon, you start to crave the impact. His skin on your skin. You can’t feel the start or end of it. It’s just him and you. Pain and pleasure. Sobs and moans, all blended together. 

Far away, you hear him chide you for not wearing underwear beneath your skirt. Then he asks, “Are you fucking enjoying this?” 

Too ashamed to admit it, all you do is whimper in response.

Smack. 

He sucks in breath through his teeth, then grabs the meat of your ass and rumbles, “You do, don’t you?” 

When his grasp on your wrists releases, you pull your elbows beneath you and look over your shoulder at him, watching as he spreads your cheeks apart and stares down between your legs. You’re probably shiny and wet with the evidence of your desire. 

His lips form an ‘o’ when he kneads you back together and spreads you apart again. The motion teases all your hungry nerves and makes you moan. It feels so fucking good. 

You realize then that he’s grown stiff against your belly, hard cock leaving no mistake. 

“You fucking like it, too, don’t you?” you ask him, your voice breathy and amused, “I can feel how turned on you are.” 

Slipping a hand between your bodies, you press against his strained zipper. His cock jumps at the contact, and he groans, dragging his fingers through your slick lips. 

“Oh my god,” you gasp, eyes fluttering closed as you nod in approval. He works your clit in steady, firm circles while you smooth your hand along the big bulge in his pants, letting out a string of whines at the bubbling pleasure inside you. 

You lose yourselves here, both of you squirming and panting and petting the other. So wrapped up with how fucking good it feels that you forget to feel ashamed. 

When he smacks your ass now, you croak through clenched teeth, “Fuck yes.”

He likes that you like it. You can tell by the way he groans and throbs beneath you. This knowledge inspires your pulse to pound and your muscles to tense. 

“Joel,“ you whimper, opening your eyes to meet his heavy-lidded gaze, “I’m gonna fucking come, don’t stop—”

“Did I give you permission to do that?” he asks, slowing his touch to a torturous rhythm, “Did I say you could come?” 

You shake your head and whine, “Please, Joel, please—”

“Are you sorry for what you did?” 

“I’m sorry—”

“Are you gonna do it again?”

“No no no, I won’t, I promise, I’ll be a good girl—”

He groans, tossing his head back as you frantically rub at the bulge in his pants. Your palm chafes against the stiff denim, but you don’t stop. You would do this for eternity if it meant he’d let you find your release. 

“Oh yeah, you’ll be a good fucking girl for me?” he asks, touching you just soft and slow enough to twist your nerves ragged, but keep your orgasm out of reach. 

“I will, I promise. Please, Joel,” you whisper, holding his gaze as your face gets all hot, “Please make me come, please please—”

“Show me you mean it.” 

He doesn’t need to explain what he means. While he takes off his jeans, you scramble off his lap and kneel between his spread knees. His eyes stay glued to yours as you slide your hands up his thighs. 

Batting your lashes at him, you wrap your lips around his swollen cock. He fills your mouth. He feels smooth but hard against your tongue. He tastes salty and heady and when you inhale the musk of him, you moan around his girth. 

Nodding, he anchors his grip behind your head and bucks his hips, forcing his dick down your throat. When you gag, he doesn’t let up, but thrusts into the sensation, grunting, “Fuck. Yes,” before letting you pull off, gasping for air.

You wrap your hands around him, all shiny and slick with drool, and pump his length for a moment while you catch your breath, then take him in your mouth again. 

This time, you sit up taller. You relish the stretch of your lips as you bob up and down. Savor the tug of his fingers curled tight in your hair. Memorize the sound of his huffs and grunts as he fucks your face. The wet squelching gurgle of his cock squeezing down your windpipe. 

“Look at me,” he orders, so you do. 

He’s all blurred from your watering eyes, but you can make out the dark irises and stay locked onto them while relaxing the muscles of your throat to take him easier. When you make an enthusiastic humming noise, he groans. It’s wanton and lusty and lights a fire in your belly. 

Joel has never treated you this hard or soft. His regard for you has always been callous. Closed-off. Indifferent. With your assistance on the radio, he treated you like a tool for survival. Before that, or even in-between smuggling runs, he treated you like some kind of a household pet he had little regard for. Your mom’s responsibility, never his. 

For years and years, you ached for more. 

When you were younger, you used to sit up nights and wonder if he’d ever consider you his daughter. He wouldn’t, though. He won’t. 

But this is something. 

Distinctly, you want to please him. Be the best he ever had. You want to sink your claws into his brain and leave your mark for years to come. You want him to look at you after this and feel a flicker of desire and self-loathing. You want him to think of you when he fucks your mom. You want him to hate how you made him feel. 

When you pull off him and start to work his soaked length with your hands, you pant, “Does that feel good? Am I doing a good job sucking your cock?” 

“It’s good,” he nods, lets out a groan that pinches his eyes shut, then meets your gaze again, “So fucking good, Jesus Christ. Is this what you were out doing tonight? Sucking cock?” 

“Not tonight.” 

“But he fucked you, didn’t he? That boy?” 

You nod, stroking him slower. His eyelids flutter. 

“Did he fuck your pussy or your ass?” 

The question sends a jolt through your middle. You recall the sex you had with Bert. Barely an hour has gone by since he pulled out of your cunt to shoot his load on the mattress, but it feels like a lifetime ago. 

“My pussy,” you answer, then gather a thick, hot wad of saliva on your tongue and spit on his cock. You spread it with a slow churning motion, watching Joel’s face twist up with pleasure. 

“Were you bein’ smart about it at least?” he asks, studying you, “We don’t need you getting knocked up.” 

“He pulled out,” you shrug. 

He grunts in acknowledgment, then sits up and pulls on your arm to join him on the couch, “C’mere.” 

You follow his guidance, lying back on the cushions as he strips off his shirt. 

The only times you’ve seen him shirtless were accidental and slightly embarrassing for both of you. But now, you notice how his smooth chest glows in the dim light. Now, when you drink in the sight of his big arms and broad shoulders, heat bubbles up your spine.

While you pull your tank top off over your head, he tugs your skirt down your thighs, asking, “You ever taken it up the ass?” 

You shake your head. 

His eyebrows jump a little like he’s surprised. A sadistic kind of smirk plays across his lips as he pushes your knees up to your chest, then spreads you apart, the head of him nudging at your backdoor. 

He doesn’t ask for permission. He doesn’t ask if you want it this way, or if you want him to be the first. He doesn’t even warn you about the initial shock and pain you experience when he rocks his hips forward and breaches the tight hole. 

You yelp and try to lurch away from the sharp pain, but he grabs you and holds you there. 

Sitting up on your elbows, you cry, “That fucking hurts, Joel.”

“Wouldn’t be much of a punishment if it didn’t hurt a little, would it?” he murmurs, disinterested, watching your asshole stretch to accommodate the head of his cock. 

The sensation is overwhelming. Like being stabbed or split open. At first, you hate it. You sputter and gasp and shake your head as he pushes himself in further and further. 

Then he pauses the invasion, releasing his steel grip on you to tilt your chin up and meet his gaze, “Just relax.”

His eyes burn into yours, making your pulse jump. You bear witness to his heaving chest and parted lips and feel him twitch inside you. Sparks sizzle across your body, but you still scowl at him. 

“It hurts, I don’t like it.“ 

“It’ll get better, you just gotta relax,” he coaches.

“Why can’t we just have normal sex?”

He grunts, thinks about it for a moment, then tells you, “First off, this is not normal sex,” he points between your chest and his, “This will not be a normal thing, you understand?” 

It stings a little, if you’re being honest. But you nod, “I understand.” 

Nodding, he licks his lips. He throbs inside you, hips jerking a little in reaction. This time, the friction feels good enough to make you whimper. 

“Second, we don’t need another mouth to feed around here,” he says, searching your face, “We’re stretched thin enough as is. You know what I mean?”

“But if you—”

“Pulling out can still stick. This way’s tried and true, trust me.” 

“Trust you,” you scoff under your breath and roll your eyes. 

“What’s that?” 

You meet his hardened gaze, feeling emboldened enough to ask, “Do you fuck my mom in the ass?” 

“That’s none of your business,” he warns. 

“So, what, you can interrogate me about my sex life, but I can’t do the same?” 

“That’s right,” he barks, “Know why?” 

In response, you glare at him. 

He takes this moment of bitter silence to drag his knuckles up your slick, swollen lips. The light touch branches out beneath your skin and makes your heart pound. You gasp a little, but try to hide it. He clocks it immediately. 

“There we go,” he murmurs under his breath, almost as an aside, smoothing the pad of his thumb in soft circles on your clit. Pleasure churns beneath the touch, hot and hungry for more. When you whimper, Joel’s eyes go wild for a second, then he says, “I am the fucking boss of you, understand?” 

You swallow a moan as he arches forward and starts to roll his hips. It feels better now. Good. Fucking amazing, almost. Electric and gooey. He fills you so completely with each thrust, you wonder how you can even breathe. 

“So if I tell you to be home, that’s where you’ll be. If I ask you where you’ve been, who you were with, what you were doing—you tell me the truth. Understand?” 

Nodding, you gasp, “I understand.” 

“You don’t get to ask me about your mom. You don’t tell your mom. You don’t sneak out to go get fucked by some boy who doesn’t even know what to do with you—”

“Holy shit, Joel I’m gonna—” you gasp at the pressure building at the base of your spine, spreading thick and hot and delicious across your body. 

“And you don’t come without my fucking permission. Understand?” 

“I understand I understand,” you cry, literal tears burning behind your eyes at the ache of trying to keep the ecstasy at bay, “Please can I come, please please please—”

“Are you sorry?” 

“I’m sorry, I’ll never do it again—”

“That’s right, you’ll never fucking do it again. Why’s that?”

“You’re the boss,” you beg, your voice so raw and pleading it sounds foreign. He pounds into you now, a wet slap that echoes off the apartment walls. It takes all your concentration to keep your pleasure contained, to not spill over the edges, but you hear yourself babble somewhere far away. 

“You’re the fucking boss. I’m sorry I’m sorry I won’t disobey you again I’ll be a good girl I’ll do anything just please give me permission to come daddy please please please—”

When he moans, loud and depraved, it just about breaks you, but you manage to keep your resolve long enough for him to pant, “Go ahead, let it go.” 

With a choked sob, you untether your pleasure and allow it to expand, growing hot and wide and unlike anything you’ve ever felt. Every muscle in your body tenses up as the sensation swallows you whole, then spits you back up, sending wave after wave across your body.

“That’s it, that’s a good girl,” he grunts, taking his hand from your clit to hold your knees down and fuck your ass hard and fast and ruthless.

It surprises you when heat starts stretching out from the middle of you again. Your heart starts to race as the feeling grows. 

“Ffffuuuuck,” you whimper, “That feels so fucking good—”

“I told you, didn’t I?” 

“You did you did holy shit,” you meet his eyes and nod frantically, “I love it I love it—please can you come in my ass?” 

“Is that what you want? Want me to come in your tight little asshole?” 

A feral noise escapes you, and you sob, “Yes—”

“Do you wanna come too?”

“Yes—oh my god, yes, please please please daddy—”

“Come with me, baby.”

You let the feeling overtake you again, gasping out, “thank you thank you thank you,” as it takes you strong and fast. Pleasure pulses through your body, causing you to convulse and strain against Joel’s grip spreading you open. He releases a moan from his belly and gives you a hard, deep thrust that he holds for a shuddering moment. After emptying himself inside you, he pulls out, falling back to his seat on the couch. 

Chest heaving, you prop yourself up on your elbows and study him. He pinches his eyes shut and catches his breath before meeting your gaze again. 

His expression goes soft long enough for something dangerous to flicker between you. 

Then he turns away and starts getting dressed. 

“Get yourself together, I’m gonna go get your mom.” 

As you sit up, you fold your legs into your body and watch him button his shirt. 

“Joel—”

He looks at you, searching your face expectantly, but your brain goes static and you’re not even sure what you were going to say. 

“This stays between us, understand?” 

His tone is firm but gentle. You swallow hard and nod, “I understand.” 

Nodding, he glances down at your lips, then back to your eyes. He rises to his feet to leave, but before he does, he leans down to press a kiss into your forehead. 

“Good girl.” 

[ NEXT PART ]

[thedexcat]

VotV Speculation Megapost

(For posterity's sake, the latest major release is 0.8) (Also, buckle in. This post is a long one.) (Edit 9/20/24: Added Addendum 1) (Edit 10/14/24: Added Addendum 2) It should be extremely obvious, but spoilers ahead.

As we all know, Voices of the Void has a "story breadcrumbs" approach to its plot. Combine that with its alpha status, and we're left with a lack of hard answers. However, some pieces did seem to click into place. This is far from anything definitive, but here are some of the conclusions I've drawn. Let's start with everybody's favorite:

Part 1: The Arirals

god i want one to hold me like that

You know em. You love em. Like 90% of the fanart is about them. But the question is... what the hell are they doing here? Judging by the fact that they construct a campsite in the facility, they clearly expect to be here for a while. A common interpretation I hear from people is that the ones out in the facility are either political refugees, or just some sort of benign "tourist group". I've personally come to a different conclusion. Let's consider what they brought with them.

Exhibit A: The weapon (left)

The weapon they drop around Day 24 is no mere Star Trek phaser. If you drop it in the main building, pretty much EVERYTHING in the building is going to be sent flying from the resulting blast. Not only that, but the "human-wieldable" version that can be unlocked for the sandbox mode has one hell of a fire rate. Something tells me that there's no way in hell this thing is a civilian-grade weapon. And, as established in a previous post of mine, they're kitted out in full-body armored stealth suits.

Exhibit B: The stealth suit (Kerf dutifully remains there for scale)

These aren't tourists or runaways. They're goddamn Black Ops. But you're probably asking, "If that's what they are, then why do they have nothing better to do than to steal shrimp and prank you?" Don't worry, I'll get to that later. Eventually. Maybe.

For now, let's move on to a third thing of theirs: The letter to Kel.

Exhibit C: Esraniki's Letter (D-, see me after english class)

This is the letter left at the Ariral camp if you have maxxed reputation with them. There's one line in particular that's always stood out to me. "GET WE HOME YOU GET DEATH AVOID" So... why can't they go home? Let's review: A: They have perfectly functional spacecraft parked right behind you. Even if they were broken, surely some random Pre-FTL primitive wouldn't be able to help with a mechanical failure in their technology. Hell, they buzz you at the radio tower with one. So there seems to be nothing physically stopping them from leaving. B: They've come kitted out with some serious weapons and armor C: Something in the facility is drawing the attention of all manner of extraterrestrials (and ghosts and demons. are 'metaterrestrials' a good word for them?) So my take? They're monitoring something, waiting for an opportunity to act upon it. (In keeping with the Patch Note naming convention, I will be calling this unknown something "The Threat") Not only that, this 'opportunity' may only open up with the assistance of a human. But what could Dr. Kel possibly do that an Ariral couldn't? Well, I can think of one thing he can do better... Interface with human technology.

Exhibit D: Ariral Communique (quality: shit) Computer technology isn't some universal constant. You can't make a program and expect it to magically run on alien technology with an unknown architecture. This ain't Independence Day. The fact that the Arirals barely managed to send a heavily-garbled message to Kel's computer, quite frankly, speaks of an extreme amount of effort on their part. And it was all just to say the word "OUTSIDE".

If The Threat has some ties to human technology, then perhaps Kel actually could be more qualified to deal with it than the Ariral Black Ops. Hmm... An unknown threat with ties to human technology. Could it possibly involve...

Part 2: The Incredibly Suspicious Bunker

"I left a 'Do not enter' note on the floor. That'll stop people from investigating!" This damn thing is quite obviously, as TVtropes would put it, The Very Definitely Final Dungeon. It is my firm belief that this is what the Arirals were sent to monitor, and where The Threat can be found. But we can't really get much further in than a few doors. So... what's in there? An easy assumption to make is that it's some sort of fallout/storm shelter. But something nearby might tell a different story...

Exhibit E: *squints* ...Liberty Prime? If you take a metal detector over to the bunker entrance, you'll quickly discover a buried drive nearby. The image you just saw is its contents. It's clear that something is being depicted here. What exactly it is, well, that's hard to say. but if you look at that teeny tiny thing at the top, you'll see something that looks like the Alpha base and its radio tower

oh god we're getting into crusty duende video territory now

What this says to me is that there is a colossal something underneath the base. Some sort of mega-facility? Unnatural cave formations? Something else entirely? Or I could be looking at it entirely wrong. But the point is, it's very likely that something extremely expansive is down there.

What if we could just take a peek a liiiittle bit further in? Well, there is ONE way...

Exhibit F: The Least Cursed Elevator in Horror Fiction

Roughly around 3:33 each night, there is a chance that a camera inside the bunker will become active. It's monitoring what appears to be a heavy-duty elevator coated in blood. An elevator like this would also indicate something buried deep underneath the base. Say, this elevator seems familiar...

Exhibit G: Monique Santificer's Extremely Ominous Foreshadowing

...Huh. I'm sure that only means good things. So we have a Hellivator and evidence that there's some place that you'd need a Hellivator to get to. Are there any other clues around? Well, there's that handy instruction book on robotics. You can make your own little friend!

POV: You're 5'11 and she's 6'0 And... Oh! looking back at that camera, it looks like someone else made their... their own... friend...

Exhibit H: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA- ...I don't think they followed the instructions to the letter. So it seems the people in the bunker were working on combining robots and, er, 'biomass'. I don't think our meaty friend here is The Threat itself, but I do believe that it is some aspect of it, or at least a result of it. And whatever The Threat is, it seems to be "leaking" out of the bunker. After all, this toothy bot here seems to have little siblings burrowing out from underground!

Exhibit I: should start running Kerfus. Kerfur. Whatever name they have, they love you! Such a shame that the flesh inhabiting their chassis does not.

they seriously recalled the ++ models over a little thing like this, smh Something deep underground, cursed flesh, and occult sigils. Hmm. Things would tie together neatly if there were, say, some sort of demon around associated with flesh and dark depths.

Part 3: Furfur (and conclusions)

"I WATCH YOU SHIT AT NIGHT" The Great Earl of Hell and raw flesh afficianato, it's Furfur! Demonology refers to him as a liar, but also a teacher of secrets. And he seems to really really like flesh. Not bones, though. He's always leaving those behind.

They say that if you burn an offering of flesh at his altar, he'll give you a marketable Furfur plushie!

The children who survived loved them! Interestingly, there's a certain location connected to Furfur: The bottom of the well. If you pass out at the bottom of the well, you will end up in a (dream of a?) mysterious structure.

Exhibit J: all shall be well and all manner of thing shall be well

A few things of note in this place: -More demonic sigils -The only 'exit' is a tunnel leading upward with a broken ladder. And even if you could reach up there, Furfur's giant skull-face is blocking the way. -A unique knife, which when examined in the inventory, says that it was found "deep underground".

How very interesting that this flesh-loving demon has his own little place down in the depths of the earth. And you say the bunker reaching downwards has been spawning horrific robot-flesh amalgamations? Robots that are specifically of human design?

Well then. So here's what I think is going down:

no i'm not crazy it's invisible alien catgirls versus demon cyborgs you weren't listening were you?

-Some scientists from before did a Very Bad Thing in the bunker depths. If I had to venture a guess, it's that they bargained with Furfur for secrets of the flesh, perhaps in the pursuit of cybernetics, biocomputers, or somesuch. This resulted in the Very Bad Thing happening, thus creating The Threat. -The Threat was contained to some extent, but is starting to noticeably leak out. It is also severe enough to have drawn extraterrestrial attention. -The Arirals have sent a squad to monitor the situation and act if necessary. Seeing as there's been no urgent need to act as of yet, they are bored out of their skulls and taking it out on you. -The fact that the bunker hasn't been blown up by catgirl black ops already says to me that the situation down there is delicate, and a 'guns-blazing' approach would be inadvisable. Not only that, but The Threat seems to be tied to technology they have little knowledge of. They would most likely need outside assistance if they want a 'clean' resolution to the problem. -And wouldn't you know it? Right there in the facility is some nerdy, crusty, half-crazed twink that seems to be very proficient in handling human technology. How very convenient.

"average person eats 3 roaches a year" factoid actually just statistical error. Dr. Kel, who-

That's how I think this ties together, personally. Of course, there's always unaccounted for 'loose ends' that may or may not be tied to the Bunker Conspiracy (the rozital pit in particular has been bugging me with its vagueness). Plus there's always the chance that I misinterpreted things like a dumbass. There were a few other smaller things I wanted to cover, but my fingers hurt from typing, and my ability to hyperfixate has its limits. And sorry if the screengrabs are a bit mismatched, I've already spent hours on this post without having to get screenshots from the game myself. If anyone actually read through this monstrosity of a post, congratulations! If you're as deeply brainrotted as I am, feel free to point out the reasons I'm dumb and wrong :)

Addendum 1: Meta Aspects

no, not this. wrong place. wrong time.

Every now and then I hear talk of lore clarifications in Discord servers, Google Docs, etc. Will I be covering these?

(source) The reason? I want to give my impressions based purely on the work as published. Death of the Author and whatnot. The furthest I'll reach 'outside' the games are those ambiguous little teasers on YouTube, which you don't have to be in any 'specific server' or anything to see.

haha what if funni meme robot was irreversibly corrupted by the horrors?

Think of it as me giving a form of feedback on how the game is presented as an isolated work. Anyway, I'll be posting another Addendum later, connecting more demon stuff to the bunker. Fun! One thing I intend to investigate between then and now is a rumor of a very poorly documented... item interaction. As a little preview, consider this note.

It seems, in my pursuit of knowledge regarding a mysterious bunker in an incomplete videogame story, I find myself investigating a skeletal entity of ambiguous origin described as having a single glowing eye. God. Fucking. Dammit. Every time with this shit.

This always seems to happen whenever the protagonist is bullied by tall monstergirls

Addendum 2: Classified

Progress on my investigation has been slow due to a combination of poor RNG and real-life stuff. Fun fact: I've never encountered the fossilhound in my many months of playing, and it looks like that won't change anytime soon!

I'll get you one day, ya boney bastard. In the meantime, it seems that someone has leaked classified pokemon data communications from our employers...

And just who do we encounter within the first few weeks?

Our classified documents are their vacation photos

So it seems that at the very least, our employers seem to be aware of the Arirals. So to what end do they want to draw them out? And why would the Arirals show any particular interest in a human presence in this facility specifically?

They clearly seem to be hiding their presence from the world at large with their cloaking ships and whatnot, but they seem almost eager to grab the attention of anyone working at this particular site.

And, as everyone already knows, Arirals are certified Goobers. They form like 3/5ths of the Counsel of Goobers*. The ones we encounter at the very least are very much not what our employers expect to kill us. So our employers are also aware of the existence of some other threat, possibly even THE Threat. *the remaining members are Kerfuses and Dinguses

Truly an incomprehensible menace from beyond the stars. (source)

Personally, I feel like this all feeds back into my previous thoughts. There is clearly a Threat at this location, and the Arirals probably believe that they may need human assistance to do something here. Or maybe I'm just biased towards whatever random thoughts got cooked up in my head.

Anyway, hopefully next time I'll be back with reports of yanking the lifecrystal out from the Fossilhound's head and shoving it up its ass. I am so, SO sick of trying to get that thing to show up.

[mycabbagesbitch]

A rundown of pithy pending Letterboxd reviews I have for Challengers (2024) d. Luca Guadanino

This is the "I Don't Dance" sequence from High School Musical 2 on crack cocaine

Is this what Lorde was talking about when she said "let's go down to the tennis court so we can talk it out like yeah"?

On all levels except physical, those people were having SEX on that tennis court

In my sophomore year of college, the professor of my Dada and Surrealism class insisted that anything, (in this case, a truck,) could be interpreted as a phallus if you try hard enough. Using this perspective has made watching movies 1000000x times more enjoyable. Case and point: that churro scene.

Checkov's "I fucked your wife" ball to racket move my beloved

[dontbesoweirdkira]

A/N: I love platonic yandere Johnny Cage so much. Here’s Johnny obsessing over a new and upcoming talent. He wants to protect you and boost your career but he ends up going overboard with it.

Inspired by

Warnings: Yandere themes (stalking, murder, physical abuse and manipulation) blah blah blah it’s a very fun time for you!! :D

Request: open 24/7

Masterlist

I think we as a community all agree that Yandere Johnny Cage is absolutely batshit insane…I mean he’s already operating on a certain kind of time usually but it’s just cranked up to 1000% with you.

Everything in his life just has to be picture perfect, his hair, movies, cars, house, and…you. Especially you! He sees himself in you, full of life and absolutely beautiful! You will have the absolute best if you just do exactly what he says.😀👍

Don’t get me wrong, he absolutely adores the crap out of you and he truly means well. He’s trying his absolute best to take care of you, he’s just an emotionally unregulated fuck.

When Johnny saw your audition tape he just knew you were destined to become America’s next sweetheart. It’s so hard to come by a natural like you in today’s world so he’d be a fool to just let you go.

His career is steadily on the decline so why not try to save it by living vicariously through you. If his name is attached to the new hot shit then he’s sure to skyrocket back into fame.

Johnny coming to you with this deal at first glance was the dream! THE JOHNNY CAGE LIKES YOU?! He thinks you’re star material?? Who wouldn’t take up this one in a lifetime opportunity.

Press conferences, interviews, red carpet and product reviews…Johnny kept you booked with little to no free time.

There was no saying no to this aswell. Take a good look at what you signed sweetheart! You’re his property. You have a script to follow and you better follow it.

What you wear, the way you walk, talk and dress are all under his creative direction.

Just smile at the camera, y/n and say how he’s the best co-star in the entire world and how perfect it is working with for him!

He’d flip out so fucking bad if you even suggest you wanted to leave the spotlight.

He’s the main reason anyone ever even looked your way! Johnny is the “only one” who cares for you, don’t you think that he knows what’s best for you?

He brought the shirt on your back and the food in the fridge and if you want to be an ungrateful little cunt, he’ll take it away from you.

He’ll tell you how if you really didn’t want to be here, he’d just hire someone else to take your place. And not just as America’s sweetheart…as his too.

Yeah you're an adult and he technically has no legal rights over you once your contract is up but imagine the constant conditioning that you’re going to be nothing without him.

He set up everything in a way where you can’t escape. The house he “gifted” you is all under his name, so is that fancy car and even your cell phone.

Even though he consistently threatens to disown, replace and ruin you, he will go absolutely psychotic if you decide to ignore him.

Oh and that cell phone I mentioned earlier? He’s constantly tracking you with it. Has access to personal files and even a parental mode at his disposal.

The revival of his career is crumbling in front of his eyes…worst yet, the entire WORLD.

He’ll blow up your phone with tons of texts and voice messages, spend copious amounts of money on gifts to bribe you back, kick up the charm too and tell you he didn’t mean what he said and that he’s such a terrible mentor.

He cries how he just wanted a better life for you and how he just wants to do something great and if all of this work fails he’ll become even more of a joke.

If that doesn't work he’ll even go as far as to try to manipulate you by saying he’s going to terminate all of his projects, delete his social media and tell the world he’s such a horrible man and that he doesn’t deserve any of the fame he has because he’s hurt you.

Of course you come back and start doing as he says again, only for the cycle to repeat.

Johnny isn’t the absolute worst, he does protect you from any potential dangers out there. He works extremely hard to keep your image very clean and pure even though you’re in your 20's . As much as you hate basically being stuck in a girl next door persona, he explains how once you start becoming a sex icon like him…the exploitation becomes worse.

Johnny definitely has been through and seen a lot of shit so he’s got the right spirit but wrong execution.

He even beat the shit out of a producer and got arrested because he tried forcing himself on you.

Speaking of getting arrested for fighting, this is such a common occurrence for him that you hold onto some of his credit cards just in case you have to bail him out on any given day.

Has threatened to murder multiple people in great detail for making you uncomfortable…now I’m not saying he’s ever carried out those plans but have you ever seen any of those co-stars ever again? Eh..Johnny said they just weren’t working with the camera.

He will vet any jobs you want to take and hand pick the safest sets and crews for you to work with. Your real manager doesn’t even argue with him anymore, he just accepts the fact Johnny is the self proclaimed one.

Hey well at least your idol doesn’t interfere in your romantic life! He just has to run background checks, stalk their socials and inner circles, be there on the date…nothing major….

You just can’t hook up with anyone, y/n. Can you imagine what this would do to your image??

Don’t bring up the hypocrisy of him practically dating most of the tri-state area….in the past year!

Has thought about getting a conservatorship over you but has been rejected because if anyone needs one, it’s really him.

[altaneenarts]

"Oxeye Daisy" Printable PDF

Here it is! A physical copy of @cgogs amazing c!dnf series "Dreamer's Memoir", "Oxeye Daisy", and "epilogue." It's taken a lot of time and effort to put this together so I hope you guys enjoy :) And thank you so much to @cgogs for letting me bring this story to life and for writing such a lovely fic series <3 The files included will be a 409 page PDF containing all three fics (which have been lightly spellchecked & grammar edited), a summary of all three fics, a table of contents, some decorative graphics, and a separate PDF of a Penguin Classics style book cover (both for Paperback & Hardcover). They're all sized for an 8.5" x 5.5" (Digest Size) book.

Below I've attached printing instructions and the needed files to print your own book. To be clear, I am not selling this book and any price you pay will be strictly printing and shipping costs. These files are for personal use only and if I find anyone selling copies/files I will take them down <_< so behave. Now go have fun and enjoy your own copy! (And if anyone catches any spelling errors that I've missed, feel free to message me so I can fix them & reupload the document :D) INSTRUCTIONS:

Create an account on lulu.com

Go to the home page and click on Create > Print Books > Start My Print Book

On the Start My Project page select Print Book for both the Product Type & Select a Goal. For Book Details put whatever you'd like & click Design Project

Upload the interior file PDF (ignore the transparency warning)

For Book Specifications I recommend Black & White Standard > 60# Cream > Paperback or Hardcover (depending on your budget/preference) > Matte

For Book Cover Design, upload the respective Cover PDF (Hardcover or Paperback) > Click Review > Publish

Once published, you can add the book to your cart and buy it :)

FILES:

Interior File PDF

Hardcover Design PDF

Paperback Design PDF

[askoverlordvox]

Eventually…

Jenn makes it back to her apartment, Jeffie following close alongside her. After she had ensured everything was locked, she took a hot shower, changed, and finally sat down to review her employment contract.

She read through it twice and signed her name, the contract disappearing back to Vox.

Jenn grabbed the book she had abandoned before everything and read while Jeffie slept next to her on the couch.

@helluvahotelfan

Vox pauses what he's doing as the employment contract appears in front of him. He sits back in his chair, mulling over whether to file it or amend it. On the one hand, just because other things had changed didn't mean Jenn necessarily wanted a change to her job. She enjoyed working with the R&D teams. She could probably head up one of her own at this point.

His gaze went to the screen bank in front of him, at all the video feeds and logs he'd been reviewing, and all the ones he still had to check.

Setting aside the signed copy, Vox drafted a new contract to function as an addendum. The original would still be valid, of course. However, he thought she might sign this one- or at least get a chuckle out of it.

VoxTek™ Dating Agreement

I, @helluvahotelfan , invoke the infernal powers of Hell to complete the following agreement between myself and the Overlord, Vox. Hereafter, "the girlfriend" will refer to Jenn, "the boyfriend" will refer to Vox, and "the contract" will refer to this agreement, signed and sealed by a kiss.

Payment: to complete this contract, the girlfriend and the boyfriend pledge loyalty to each other and trust in each other. For as long as both parties agree, the terms and conditions of this contract are considered valid. Additionally, neither party can cause physical harm to the other while this contract is in effect without explicit and enthusiastic consent.

Terms: the boyfriend and the girlfriend agree to a mutually supportive relationship. Each party is responsible for vocalizing their needs and wants, to be fulfilled by the other to the best of their ability. Expected activities include but are not limited to: hand holding, kissing, hugging, cuddling, hanging out, watching TV or movies, listening to music, going out to eat, going dancing, and sharing meals. Surprises are authorized but only within reasonable levels of consent.

Conditions: This contract remains in effect provided both the girlfriend and the boyfriend wish to continue adhering to the terms. At any time, either party may request breaking the contract. The request must be accepted by the boyfriend.

Ground Rules: Date Nights are Thursday nights. This section to be amended as necessary.

Options: the girlfriend may, at any time, request to move into the boyfriend's condo. The girlfriend may, at any time, request a direct promotion to personal assistant to the boyfriend, in the hopes they can stop each other from becoming workaholics. Both parties may, at any time, request acts of affection to be fulfilled by the other when appropriate.

Hours: 24/7/365. April 29th will hereafter be reserved as a day to vent all lingering annoyance via pillow fight.

Signed and confirmed via kiss with the boyfriend,

Vox chuckles, nodding and throwing the contract at the nearest screen, where it digitized itself and hurried to Jenn, popping out of her phone in the same cool blue envelope as the first one.

He grabs his coffee cup and takes a sip. "I'm fuckin' hilarious."

[shih-coulda-had-it]

ok i’m doing a reread of my hero academia (and trying to redraw at least one pose per chapter), and i’m just thinking. are there any fics where all might gets de-aged (either physically, or mentally AND physically) temporarily to junior high age during the ten months he’s training izuku?

izuku, only a third of the way through the American Dream plan: all might? all might please tell me you remember me. i’m supposed to be training as your successor.

toshinori, looking age 14 and totally ignorant: you’re my what??

izuku: OH NO

toshinori: hahaha, just joking, young midoriya! :D i remember you perfectly. just as i unfortunately remember this quirkless body of mine--oops.

izuku: q-quirkless??? you were quirkless?!?

bonus points

Toshinori is resigned to asking Gran Torino to assume guardianship rights.

He asks Izuku how Aldera is, gets a vague answer, and then schemes to infiltrate Izuku’s very class. Very confidently, he announces he is Quirkless at the very first day. Results vary.

Gran Torino reviews the American Dream plan. He looks at Toshinori and Toshinori looks anywhere else. In the spirit of teamwork and Quirkless camaraderie, Gran Torino makes Toshinori follow an even harsher plan to match Izuku’s stress level.

izuku, seeing toshinori doubled over and retching: ??!?!?!?

gran torino: doesn’t that make you feel better?

izuku: NO

[stationintern]

Hello all!

This month was, truly, a beautiful month for me reading-wise. The birds were chirping, I found smut that made me sweat, and I revisited some old favorites. Let's jump right in. I am so excited to share these with you. (Hence why I am posting this a day early.)

Strap in!

Dwelling On Dreams by @the-sinking-ship for H/D Big Bang 2021, 135k, E

I reread this fic this month, and it was just as delicious as I remembered. There are aspects of this fic that felt burned into my memory, so it came as a shock to me when I realized that the last time I'd read this fic was over a year ago. Everything about it feels so vivid. Harry's magic, his raw sexual energy. Draco's ability to make me scream at my phone and throw a mini temper-tantrum. I love flashbacks, and this fic has them in abundance. If you're looking for a thick read with complex characters and an interesting case to solve, look no further!

Hear Me Out by @rainstormradish for @dronarryfest 2024, 5.2k, E

I am pleased to announce that I have officially bought my ticket and jumped on the Dronarry train. You've all convinced me. This fic, in particular, is what really got the ball rolling. This was... immaculate. When I said I found smut that made me sweat, I MEANT IT. I had to, like, physically reconnect with my limbs after I read this. A bit of fake dating to start you off, and it only gets better from there.

The Way You Say My Name by InnerLilith 5.3k, E

Ya'll ever just bark at your phone? Sometimes, a girl just wants to read about Harry Potter going absolutely bonkers over Draco Malfoy calling him sweet little names. Very hot, very important to me.

Please hold. Your call is very important to us./Bloodlust and Bureaucracy by @goblinmatriarch 5k, T/8.5k E

DOUBLE FEATURE! I love the smell of wizarding bureaucracy in the morning. What a little world you have built! Authors who can create a new little piece of the wizarding world to explore mean the world to me. Very interesting in regards to how the medical system in the wizarding world relates to its real-world counterparts. Also, some biting action. Very smart, very hot.

Crossed Wires by @skeptiquewrites 11k, E

Critics are raving. "Literally ripping up the wallpaper in my home," says one reviewer. "Gnawing at the bars of my enclosure," says another. Bureaucracy lovers win forever and ever. Also, Draco gets to wear many suits. Harry Potter the reluctant politician. I couldn't have wished for more.

Our Objective Remains Unchanged by @citrusses 46k, E

BOATS, REPRESSION, MORE BOATS, EDGING (for sports purposes), EVEN MORE REPRESSION, AND WILL YOU BELIEVE ME IF I SAY THERE'S MORE BOATS. I don't know how you've done it, but you've managed to parallel the epic highs and lows of college rowing with the literal wizarding war. If that isn't talent, I don't know what is babe.

Truth or Dare? by @lettersbyelise 3.4k, E

There is truly nothing more intimate than jerking off your childhood rival while a party goes on around you. THAT, my friends, is the key to post-war, inter-house unity.

Borrowed Time by @the-starryknight for @dronarryfest 2024, 7.6k, E

Oh this was fire. What do you know about body swapping threesomes? Would you like to know more? Yes. Yes, you would.

Alrighty, I think that's all for now, folks. Very thankful to be in a fandom with so so so many talented people. You all blow my mind. Here's to another month of fantastic fiction!

See ya!

XX, Moon

[sphnyspinspin]

OMG TFONE HEADCANNON/REVIEW TIME LETS GOO‼️✨💙❤️🩷💛✨‼️

[B-127]

I just want to say I FUCKING LOVED TRANSFORMERS ONE!!! It has officially won a special place in my heart that I’ll cherish fondly until the end of time.

Okay, now I just HAVE to talk about some of my headcannons that theorizes some things that a certain review that—may or may not have irked me the wrong way—has gotten me thinking about. Like, for example:

Is B-127 really just there for comedy relief?

HELL. NO. You know why? Because he was forged to be a yapper, that’s why. He’s a storyteller. He might not be the most mature one in the gang, but he’s the type of immature that stems from being repeatedly outcasted and ignored to the point of not understanding other people’s boundaries or a majority of social cues.

And let’s just face it, everyone is their own type of immature.

His yapping tendencies can actually play a big part in some potential development as more than just a bystander. BY BEING A STAND-BYER! HEY-OH!

I think that B-127 is going to be the one to spread the true narrative about his three other friends during their long trek across Cybertron and their beginnings. Because he was there… he was always THERE.

He was there when Orion Pax and D-16 found the SOS message from THE Alpha Trion. He was there when Alpha Trion was discovered—and was REVIVED thanks to HIS pocket energon. He was there when Sentinel’s allegiance with the Quintessons was revealed. He was there when he, Elita-1, Orion Pax, and D-16 were given the T-Cogs of the deceased Primes. He was there to see D-16 rally the High Guard after beating Starscream for the first time.

And he was there when Sentinel Prime violently carved the face of D-16’s idol into his chest while parading around that same idol’s T-Cog right in front of him… In front of the both of them…

I’m not even going to try to repeat the wise banger that Alpha Trion said about how the T-Cogs are the physical embodiments of their race’s freedom to choose what they become and stuff, because I genuinely can’t remember any of it. I’m so sorry. But I know for a FACT since D-16 and B-127 were both there when he said it they immediately made it a core memory for themselves—therefore they BOTH knew the downright gruesome implications it meant for Sentinel wearing one as a trophy after murdering the Prime it belonged to.

That also means B-127 was able to see what Orion Pax and Elita-One weren’t able to see right before D-16 was about to murder the guy. Yeah, they were able to show all of Iacon all of the shitty actions he did BEFORE he captured B and D and half of the High Guard, but none of what transpired in that torture room was ever broadcasted to any servant class workers, or civilians in general, or to Orion Pax and Elita-1.

But B-127 saw it. He saw ALL of it. He was THERE. He was the only other friend that D-16 had in there, the only other friend of Orion Pax and Elita-1 that was in there. The High Guard didn’t count, they haven’t seen any of what Sentinel did through the lenses of B-127.

Through the lenses of a friend to the inevitable Optimus Prime.

So here’s what I’m imagining. B-127 is going to play devil’s advocate, one way or another, whenever there’s a time when the subject of a conversation would be Megatron related. He would be able to recollect their time together in that room with Sentinel and the rest of the High Guard—waiting to be tortured and framed and EXECUTED in front of the WHOLE CITY OF IACON. B-127 and D-16’s HOME.

He’d most likely be able to sympathize, maybe even EMPATHIZE, with Megatron’s motives. Unlike Orion Pax or Elita-1. Of course we all know that Optimus was friends with Megatron for way longer than B-127, but again he didn’t see what B-127 saw. And… now that I’m thinking about it… B-127 is a little bit like D-16. In a sense.

I think we all saw how eager he was to use his knife hands as often as possible after he discovered them. Kind of like how D-16 became real attached to his canons, both in and out of his alt-mode, when he got them. Oh my god, I could seriously go on and on about so many minor character parallels between D-16/Megatron and B-127 if I could. Like I’m just now thinking about how B and D could’ve gotten along a lot better if they actually got to know each other. The main reasoning why they’d understand each other a lot:

They both know what it’s been like to face the unjust consequences of the system they were unknowingly forced into.

While Orion was, from a shallow perspective, a rebellious punk who was always putting himself in these whacky situations to get what he wants, where D-16 would have to come and save his aft, while he’d suffer the consequences later on. Though Orion was able to subdue D-16’s wrath with calming reassurance, D-16 would still continue to be the “understanding type” from Orion’s perspective as long as he was able to be forgiven after another one of his stunts, that sometimes, he even brings D-16 into against his better—more cautious—judgement.

And Elita being the commanding type, incredibly determined at any given task she puts her mind to, like Orion, she too faced the consequences of Orion’s actions, like D-16. But then again, her strong headed attitude and overall ability to get back up and immediately put herself back to work to accomplish her goals, is what separates her from the rest of the gang; by being responsible for herself and herself only, and when ORION’S actions got HER demoted, she’s rightfully upset and makes it well-known to Orion and holds him accountable.

But B-127 isn’t headstrong like Elita, and he isn’t rebellious like Orion. He’s his own in-depth unique thing that has a slightly more similar comparison with D-16 than the other two. It’s definitely hidden well. But not completely invisible. He’s more complaisant when it comes to facing consequences, especially when he doesn’t have a choice in the system he grew up in.

And so is D-16. He literally said he deserved it when DARKWING of all bots decked him in the face for defending Orion.

As I was saying, I genuinely do believe that B-127’s progression through the story would be him being a kind of devil’s advocate to Megatron, with him being able to better comprehend the events that were put into play and how they conspired into D-16 killing Sentinel, cementing his role as Megatron. And how B-127 would be the one to be the metaphorical dampener when it comes to any misinformation that’s potentially passed around when it comes to Megatron’s “descent into madness” and be able to back himself up with the proof that’s up in his noggin.

He’ll be able to SAY something.

He’ll be able to say that D-16… that Megatron is worth sympathizing, is worth UNDERSTANDING, even when what he did was horrific to say the least.

.

.

.

And imagine how much of a downfall it would be if Megatron were to be the one to tear out B-127’s very instrument that was one of his main tools in saying ANYTHING that could’ve brought a bit more understanding to HIS story… From an up-close and personal perspective, outside of his own.

To show is to inform, to communicate is to educate.

Without his voice box he can always just let someone project his memories onto a screen… but to sit back and not give any verbal feedback of his personal feelings about it, would be less than ideal to the interaction-starved mech we know and love. Especially since he was one of the mechs that played one of the biggest roles in history that could wholeheartedly understand Megatron’s origins more than anyone could know.

[bronx-bomber87]

Hello my wonderful fandom :) I CANNOT believe we are at the finale already. This season went by in the blink of an eye. I was VERY excited for this finale and what it would bring. They don't have a ton of moments. But the ones they do the writers made count. My goodness I was happy and hopeful after this episode ended. Hard to believe we won't see our babies on screen till 2025. *grumble*

D sent me something about that actually (thank you bestie) Here it be. A.H. saying he's pretty sure all networks are doing this mid season 18 ep start. One of the reasons being the Election coming up. They want to protect shows and their ratings from the debates, coverage etc. And those usually happen on Tuesday nights. Which is actually really intuitive foresight from ABC. So to protect our ratings and show I get it. Especially if we wanna lock down a S8. I don't love it but I get it. Anyways lets get to it shall we? My last "mini" thoughts of the season.

6x10 Escape Plan

Always makes me nervous for Lucy going UC but still amazing to watch her in her element. Even if it makes my stomach tie in knots. Now maybe this is just me but Lucy seemed EXTRA uneasy on this OP. This is pure speculation on my part. But could be lending a little more credence to this not being the path for her? Just the feeling I got while watching her in these moments with with the kids in this one and the sneaking around.

I will say I do love seeing Lucy with the kids. Gives us a glimpse into her as a mama. I'm liking what I am seeing. Can't help but have that thought. I really can't. Chenford has taken over my brain and I'm very ok with it. Smitty's text to Lucy did crack me up. 'Red incoming.' Gotta love Smitty. Lucy is giving me a damn heart attack being undercover though.

The panic in her soul is so evident the minute she sees Monica is approaching. The way she guides the kids out of the room. Then the sheer terror when the kids wanna take a shorter exit. She has to pivot and redirect them quickly. I feel like the pressure of this specific UC mission was getting to her. I really do. It was felt in all her movements and body language through out these scenes IMO. I could be wrong but it was just a gut feeling I got watching her.

I think her expression in this scene after Monica departs is everything. Melissa be crushing it out here. Almost like she has to take a deep breath. Calm her racing heart down before unrooting herself from that spot to investigate further. I feel like her look of unease and panic here brings home the point I've been making.

Her questioning if doing UC is worth this stress? Worth the constant worry? Like I said back in my 5x20 review. Just because you're good at something doesn't mean it's meant to be your destiny. i.e. Lucy being a permanent U.C. Pretty sure her cover is blown after she runs right into him but she got the info she needed. At the expense of my own anxiety and worry though ha

The look in this scene oh my lord. How can they have so much chemistry with just one look? Melissa and Eric are a damn treasure to this fandom. To this amazing ship. Tim saying 'It's good to have you.' That loaded look between them. *screams into a pillow.*

You know that man is happier now that she's folded into this OP. His eyes were on her from the moment she stepped on scene. Be more in love with her Tim please. Then sharing a look with Angela. I’m dying. Angela is us we are Angela. She is the fandom in this moment watching this exchange. *sigh* So good.

Someone please tell me how do they look so amazing just standing next to one another? It's unreal how they can exude SO much chemistry just standing next to one another. Forever floored by the amount of physical chemistry these two have without even touching. It blows my mind in the best way.

Also I always enjoy me some Tim in T.O. mode it's sexy af. It revs my engine to watch him back in leadership mode. Not gonna lie. So very confident and sure of himself. Gah makes me need to cross my legs watching him in action LOL Sorry (sorta)Feral Caitlin made a return there haha But I do love seeing it. Like he’s getting his mojo back professionally. It’s nice to see. Does my heart good to watch it.

Oh my word they haven’t really been alone to talk (not counting the hug last ep) since 6x06. I’m so happy. I was legit buzzing watching this. My heart Tim telling her he took her advice and went to therapy. Yessss been waiting for this to unfold. Was hoping when they got a moment alone he would tell her about it. Look at him taking the first opportunity they have solo to tell her this. The growth of this man is incredible to see. I'm so proud of him it's insane. He takes a beat and makes the best of their time together. Breaking the uncomfortable ice with it. *happy sigh*.

I'm so proud of him. I can't state this enough. It is NOT easy to have this convo let alone be the one to start it. Another way to see he's grown. Tim is tackling the conversation. Being the one to broach it. Not Lucy dragging it out of him. I love her telling him that's not normal what happened for him. Definitely hasn't been my experience haha I do love her following up her little joke with being serious. Wanting to encourage him to keep going. I love this. Doesn’t want him to think one bad experience will tar the entire profession.

Tim nodding with a smile asking her if she wants to know the irony of it all? Lucy of course does. Tim continues on that she was a good therapist. The sessions they helped him. Damnit Blair.... I do adore the way Lucy is looking at him while he speaks about this. That angry look she started with has softened quite a bit. Truly hope he continues in S7 and we get to hear about it. God I would love to see sessions. Some of my all time fav Beckett scenes in Castle's S4 was getting to see her sessions with her therapist. It's on my wish list. *fingers crossed.*

His continued sharing with Lucy makes my heart so happy it might implode. Letting Lucy know therapy despite Blair being dirty has been good for him. She unearthed things he wasn't even aware of. I felt the same way too after a couple weeks. I felt more regulated tbh. I had massive sleeping problems from age 15 to when I decided to go to therapy in my 30's. After a couple sessions my sleeping issue's were gone for most part. I had been carrying my problems for so long. Like a pressure cooker with no release valve. So with no outlet they followed me into my unconscious and manifested into anxiety attacks. Couple weeks of sessions and my sleep issues all but disappeared.

Therapy when you truly lean into it can do wonderful things. i.e. Tim opening up to Lucy like this. Also look how SOFT Lucy looks with him as he bares his soul to her. I would be remiss if I didn't go in depth on this. The look of pride and love splayed all over her face is everything. Also reverence and love as well. This episode has a lot of loaded looks and I ate them all up. We started this scene with her face hard and holding a lot anger still. Then Tim melts it with his genuine vulnerability and sharing of what going to get help has done for him. Not only that but giving her props for the original advice in the first place. I'm beaming with delight.

We move onto Tim is being anxious his sessions are going be heard for evidence cause of the FBI investigation. Ugh. This kicks Lucy's brain into gear about that. Asking if he said anything revealing about her? His reply had me rolling. I adore him making a joke like this. Letting her know he mentioned ‘Freak in the sheets.' about her. I’m dying. I have no doubt there is some truth to that for them both LOL Look at our boy making jokes and getting her to laugh. God it was so so nice to see her laugh again. He earns a smile out of her too. The first time he's been the cause of that since her gifted her that KIA Radio in 6x05. I'm floating. They're both smiling by end of this scene. *sigh* We needed this.

We got to see some BAMF Lucy in this moment. Something that just like Tim in confident T.O. Mode has been missing since 6x06. I love her being like take this guy my man is in trouble. Getting him dropped off and instantly taking off after Tim. Who is also trying to pull off some bad assery tbh. A little recklessly but that's why Lucy is coming after him.

She see's his play and wants to be there to back it. Literally waste's no time in pursuit of him. Peels right out of that damn laundromat after him. Tim's play going south VERY quickly when this guy catches on to him in the bed of the truck. Sends his gun flying and my heart racing.

Adore the worried wifey look as she watches from the car. It's pouring out of her in that brief shot. Well done Melissa. Just like Eric she knows how to convey so very much with just a look. Lucy knows Tim is in trouble. That she can't just sit there in pursuit of the vehicle without helping him.

Especially after she watches him get pulled into the cab. Knowing that he is currently at a tactical disadvantage. No way in hell she is leaving him to fight this guy off alone. Telling Lopez to take the wheel as she makes her way out to help him.

Lopez's face when she makes the jump is shocked and amazed. Lucy continuing her BAMF streak on this OP. I loved the surprised look on Tim's face when she first jumps on the truck. Like he can't believe she just risked her life to come help him out. He can't stay in the feeling long as she takes the guy out for them. But it needed to be noted his utter surprise she was there to have his back. Risked her life to do so. Such a bad ass battle couple. Back to back finales we get to watch them be poetry in motion in the field with a battle.

Oh my lord what an epic scene to watch. Lucy jumping onto that moving truck bed to save her man. They take him down together. Their work dynamic easily coming back into play here. They don't miss a beat in this moment. Working as harmoniously as they always have in the past together in the field. I love the looks shared once they've stopped the truck.

Especially Tim's. He is so damn impressed with her. Always finds a way to blow him away with the bad ass she's become. Man is falling in love all over again. It shows all over the two looks he gives her in this scene. First one is his falling back in love again. I mean he already was but think sunk him deeper. Second one is more of just being in awe of her. The pride he feels watching the amazing cop she's developed into. I love these two so much.

Let me start with how happy it makes my heart that Tim smiles when she walks up to him. Despite all the hurt just the sight of her elicits a smile out of him automatically. His walking sunshine. Love of his damn life. She truly is his happy place in human form. Lucy making a crack about him taking a half day. Their banter still simmering beneath the surface. It's a little subdued in this moment but it's alive and well with Tim's reply. He is ever the gentlemen letting her go first.

His elevator version of holding the door for her. That chivalry never dying with him. It's the little things. Can't ignore how Lucy is looking at this man the entire scene. From start to finish. With such reverence and love. Still so in love with this man standing in front of her. Lucy can't help it. She is a moth to a flame with him. Especially with Tim thanking her for saving his life. Let's delve into that a little shall we? Tim Bradford is saying he didn't have it. Admitting fault he would've lost that battle without her.

Saying not only did he not have it but Lucy did. That he wouldn't be standing here without her. Giving her the kudos and all the praise for saving his life. Far cry from 1x01 and his future reaction to that moment in S5. This is a different Tim we see standing before us everyone. The amount of growth in this moment is immense. Because not only did she save his life but she saved him in a deeper sense. Feels like it's truly hitting him like a freight train the impact she's had on his life. I think there is double meaning to his words above. It's what leads him into this next section below.

The loving expression on Lucy's face when she replies ' You're Welcome.' That look of I'm still in love with you, I would do anything for you despite the hurt, and her realizing the deeper meaning of Tim thanking her. The growth she is currently seeing in him is prompting this soft/warm look and even softer reply. It's what encourages Tim to say his next portion. You can see him psyching himself up before he turns around to apologize. To own what he's done to them. To her.

Tim starts his apology by telling her he knows what he’s done (thank you lord for this) That he knows he ruined everything. You sure did babe...but you’re gonna earn it all back I know it. Lucy has the most loving and forgiving nature. The biggest heart. Also we can see there is still a tinge of anger to her expression at first above. So that journey will not be an easy one for Tim. Nor should it be. He has a lot to make up for. But my god will it be worth it in the end. I truly believe that. I'm going to be crying river's when we get there.

Look at how he has grown. Immediately spilling his guts emotionally to her twice in one episode. Not once but TWICE. Hell three times really. With saying she saved him and admitting fault to what he's done. I can't get over this. He had two really hard conversations with her in this episode. Swallowing that pride of his he's trying to hard to overcome. Doing this in order to communicate better with her. To show her he's putting in the time and the effort. To let her know he knows he messed up and is owning that. Something Tim wouldn't have done before. At least not easily. These are great strides for him. I couldn't be prouder of where they are ending the season for him. Imma need more therapy though in S7 you hear me writers?

Tim thanking Lucy for extending him the kindness she has shown him. *my damn heart.* That he can never explain how much he appreciates it. That she could've easily turned on him and he would've understood. But that's not Lucy. We all know that's not who she is. Or ever will be. It's that forgiving nature of her's that is one of the many reasons Tim is so damn gone for her. I think there is once again a double meaning to his words. To me Tim is saying this is for far more than just post break up. It's for their entire relationship. Together/apart and especially when they were not 1-4. The kindness and the empathy she's aways shown him. Even at his worst.

Like I said earlier it's all hitting him hard. The place she held in his life for so long and the impact she's had on him. Imma cry. A giant epiphany moment for Tim I think. Maybe starting to slowly understand the unconditional love she has for him. This scene made me tear up. That anger that is still present melts away a little more for Lucy. If she continues to see Tim work on himself. He shows her his continued growth. No reason she wouldn't take this man back when he's put in the work to re-earn that place in her life. Tim saying he's gonna spend rest of his life repaying her back for said kindness. *screams into the void.* In whatever small doses she allows of course.

Respecting her boundaries and hoping she will allow him to do so. It's the sweetest most sincere part of his apology. The way she looks at him as he departs. *heart clutch* You can see he's stunned her into silence. But also Lucy can see the growth in him and it’s written all over her face. This is a fantastic way to end the season for them. It wouldn’t be right to get back together right now or even just a 'we almost died' hook up. (Wonderful fic's out there for that just recently BTW.) Just wouldn’t. As much as my shipper soul LONGS for them to be back together. Legit longs so much it hurts. This was a good way to end them for the season. With some hope, some growth and a path forward leading us to S7.

Some Final thoughts below. With a Chenford hug to this lovely fandom of ours.

First off I want to thank you all for doing this not so mini review journey with me. I was nervous to do them. Even after doing 9 plus months of them with 1-5. This was different. It was first impressions. Hope you all enjoyed them. I'm more than happy to do this next season too. First impression thoughts for S7 as well if you are all interested. Let's move onto some final thoughts I'm having. You know months could pass by when we get to 7x01 in their timeline. I’m hoping he’s in therapy during this duration. Ready to prove he wants to earn her trust back. To earn her back. I don't think for one second that moment in the elevator is the last deep conversation they're going to have before we get a reconciliation. Tim has her love. Always has. Always will.

Lucy's decisions and responses in 6x10 show that. No matter what she loves this man. What he needs to gain back is her trust. To prove over and over again. He's there to stay. To show her through kind acts. To rebuild his rapport with her. I’m excited for that journey cause when we get there. *phew* God the fandom is gonna implode with happiness. It’ll be well earned. Their relationship is going to be even better with the growth Tim has done. (Hoping for some more for Lucy as well and getting the support she needs/deserves)We saw massive results in this episode alone. Can you imagine how it’ll be when they’re back together? *chefs kiss* it’ll make all the hurt and pain so worth it.

Getting emotional writing about this. This ship has a stranglehold on my emotions and I’m ok with it. Eric and Melissa love our passion for this couple. So I won’t be ashamed for the affect it has on me. I’m excited for s7. It’ll be a long hiatus. But we will get through it together. I will probably wait till mid July to do my thoughts fully fleshed out for S6. Think we all need time for finale to settle. For us too as well. I'm most definitely not ready to re-dive into everything just yet. Especially 6x05/6x06. But I'm hoping couple month hiatus for me will help with tackling that. Then we can start that journey for us all to go on with my deeper analysis.

As always thank you all for the likes, comments and reblogs. For being interested in my thoughts at all. It means the world you have no idea. Love this fandom, love this show and this incredible ship we are so fortunate to have. So once again thank you all for being on this journey of S6 with me. Like said earlier I’ll get started in my fleshed out S6 reviews come mid July. :)

~~~

Side notes-Non chenford

Monica cleaned up a mess for Blair. Manipulated her by helping her most Monica thing I've ever heard. Glad to finally have answers to that. I knew it felt like manipulation. She had too much of a conscience to be dead inside and doing it for money. Sucks cause she is very good at her job. That scene with Aaron was a mic drop moment for him. So proud of how far he came this season as well.

Friggin Nolan never listens. And get shot for not listening. In the ass. Because he's a pain in one. Was apropos. Also he's right back to being a dumb putz to me. It was short lived john you made it half an episode before falling out of my good graces LOL

Once again music amazing for their final scenes whoever handled that this season crushed it. Bringing out all my emotions.

See you all later this summer for my in-depth ones. Till then be kind and rally around each other. Gonna be a long hiatus.

[anarcho-physicist]

After 4 years of work, I've finally published my very first peer-reviewed theory paper: Design rules for controlling active topological defects

(and it's open access! :D)

I am sooo excited to finally be able to share this! I'll probably write some more in the future about what it was like to work on this project, but for now here's what I want to say about it:

I think this work is a beautiful example of how the long, meandering paths of curiosity-driven research can bring us in completely unexpected directions, yielding new ideas and technologies that might never have been found by problem- or profit-driven research.

We started this project because we were interested in the fundamental physics of active topological defects; we wanted to understand and develop a theory to explain their effective properties, interactions, and collective behaviors when they're hosted by a material whose activity is not constant throughout space and time.

Along the way, we accidentally stumbled into a completely new technique for controlling the flow of active 2D nematic fluids, by using symmetry principles to design activity patterns that can induce self-propulsion or rotation of defect cores. This ended up being such a big deal that we made it the focus of the paper, for a few reasons:

Topological defects represent a natural way to have discrete information in a continuous medium, so if we wanted to make a soft material capable of doing logical operations like a computer, controlling active defects might be a really good way of putting that together.

There have also been a number of biological systems that have been shown to have the symmetries of active nematics, with experiments showing that topological defects might play important roles in biological processes, like morphogenesis or cell extrusion in epithelia. If we could control these defects, we'd have unprecedented control over the biological processes themselves.

Right now the technique has only been demonstrated in simulations, but there are a number of experimental groups who are working on the kinds of materials that we might be able to try this in, so hopefully I'll get to see experimental verification someday soon!

[reqxxyt]

followed by december

pairings: oscar p. x f!reader

summary: after a winter night in december, you had a soul goal to find the boy that had your heart soaring at first glance. That was until your best friend introduced him as her boyfriend.

disclaimer: heavily inspired by 'One Day in December' Josie Silver

warning: angst, falling in love at first sight, part two

masterlist requests are open!

[uedited] 1.6k

_________ ׂׂૢ་༘࿐

Finals week had to be your end of existence. It currently held you in the library near midnight like most of the other students, praying to just end the class on a C. Although, right now a D sounded nice. Finishing up the last bits of your flashcards, already setting up your alarm for the following morning to give you enough time to review one last time before you started to pack up. 

The quiet environment of the library always had you held within, admiring how silent a habitat can be. You frequently visited the location seeing as not many were interested in studying unless there was a test that week but with finals week, it had the library being the loudest it's ever been. Not like a rager or anything, but like a coffee shop type of loud. The constant chatter of study groups, shuffling paper, scraping of the chairs, and keyboard clinking feet away did send a headache over time but you learned to deal with it after your sophomore year. 

Right now, you dreaded the idea of having to walk out of the library building to reach your apartment on a cold winter night. But either way, you slung your bag onto your shoulder and began walking out. As you passed the front reception, you took a singular glance at the lady flashing a warm smile but before you could turn back, your body found itself colliding with another almost losing balance of your footing. 

“Crap, I’m sorry” a soft voice, almost raspy apologized. You looked in front of you to see an unfamiliar face. He had short dark brown hair that was messed with the wind of the winter. His pale skin now held a red tint on his nose and cheeks. His dark eyes looked frantically around your figure trying to gather that you were physically okay but the second his eyes found yours they seemed to also stall. 

You hated the idea and fantasy of ‘love at first sight’ but the way your feet were planted, facing him it didn’t seem like such a bizarre thing. Your lips parted to say something, anything you could muster but a buzz in your back pocket pulled you away from whatever trance you were held in. 

‘Where the hell are you? Your mom called me, says it's an emergency’ your roommate texted and before you said anything else, you dashed out the door only sparing another small glance at the boy you swore you would never see again. It was a huge campus after all. 

The walk to your apartment was only a five-minute speed walk (which you very much intended on doing). You arrived in 3, frightened about what happened thinking the worst happened by her desperation to call near midnight. As the phone rang, your hand ran through your frizzy hair trying to fix the mess the wind made. 

“What happened?” you immediately asked the second you heard the phone pick up. Instead of the sounds of sobbing you thought you would hear, the sound of cheering came on and your face contorted into confusion. 

“Your sister is getting married! Isn’t that amazing?” Your mom exclaimed. You wanted to glare through the phone. 

“And why is that an emergency?” you asked now growing annoyed. You weren’t surprised though, your mom tended to do these things. You swore the day that an actual emergency, you wouldn’t believe her. The boy who cried wolf and all. 

“You weren’t answering your phone so I had to get your attention somehow” she huffed, not believing you weren’t as excited as she was. You were, you were just too tired to express anything but annoyance at the moment. Finally, your mom must have realized how absurd it was to call during this time telling you, “Make sure to come home safe so we can talk more about this”

“Yeah, okay goodnight” You pressed the red button and groaned. Your roommate now looked confused as to why you looked angry about asking but instead, you interrupted. “I bumped into someone”

Now interest sparked in her eyes urging you to continue. It was rare to find you so entranced in someone, especially someone you just saw and knew nothing about. Martha, your only friend and roommate believed in the whole ‘love at first sight’ so immediately you knew her mind was racing. 

“But your text interrupted before anything could happen” Her frown quickly spreaded, mirroring your own. 

“So no name, number, anything?” her voice of desperation grew but your shake of the head made her wince. She rubbed your back to give some sort of comfort but it only gave you reason to feel worse.  “I’m sure you’ll find him again. Soulmates are a thing, you know?”

March

“No name, number, anything?” Now was your sister the one asking, sounding just like Martha after having just explained anything. Unlike your friend Martha, she didn’t believe in the first-love scenario so she could partially not care any less about it but with your pathetic desperation voice, it made her feel a tad bit sad for you. 

It was spring break and you decided to visit your parents once again to help organize the wedding. And while you weren’t trying to make it about yourself the whole asking how it's been got you rambling. 

“There's still a chance she might find him,” Martha said, trying to encourage you as she typed away probably texting one of her many ‘acquaintances’. Your sister rolled her eyes, 

“It's been months, on the real note: give up” your sister bluntly stated. You thought about her words for a couple of moments, as your leg bounced up and down until you finally decided enough was enough. 

“Yeah you’re right” you sighed and your sister nodded along Martha sprung but before she could say anything more to feed your delusions, your sister glared at her and with that, she backed off. “I need to focus on school anyway”

“You sound like Oscar,” Martha said, flopping back onto the couch and you gave her a confused look not knowing the slightest who she was talking about. “I’ve been talking to him. Super nice dude, I think I actually like him” 

“What happened to ‘staying a bachelor throughout college’?” you asked, the exact phrase she said as one of the first things she said to you. 

“A girl has to settle down at some point, no?” 

“You though? You have your standards soaring greater than the sky”

“Had” she corrected. “You should meet him, I think you’ll like him” 

You just shrugged realizing your sister must have left mid-conversation as she no longer stood in front of the two of you, probably exhausted by the college talk. 

December

“I promise you’ll love him,” Martha said as you two were about to finish getting ready for your sisters' wedding. Martha and Oscar (who you have yet to meet) have been going out for the past 5 months and she had been talking so brightly about him every night she would come back. It's a surprise you haven’t found him the morning after. 

Her past guys made it terribly awkward. 

“He should be at the altar when it begins” Her excited smile made your own curve upwards, happy she found someone who could make her so smitten. “But be completely honest with me when you meet him. Tell me all the red flags” 

“I’m sure he's fine,” you said, finishing up your own makeup. 

“Fine is no good” she reminded you. Pointing her finger at you, suddenly appearing stressed to you so you held her by the shoulders making her take a deep breath. 

“I’m sure he's amazing then” Your comforting smile definitely made her feel all the better. 

The reception was perfect, just like your sister wanted it to be and the second pictures were done you turned to Martha and realized she no longer stood by you. That's fine, you thought all though right now you really needed an excuse to get out of the exhausting conversations wondering when you’ll get married. 

As if your guardian angel heard you, you felt a tap on your shoulder and heard the familiar sound of Marthas voice make you turn around about to rant to her about the conversations before your eyes finally landed on the same pair of brown eyes that once had your heart souring by the simple thought of. 

No. This can’t be possible. 

“This is Oscar. Oscar this is y/n” his eyes seemed to widen for a second before his smile covered. You couldn’t help but wonder if he also remembers you. 

Your lips parted, knowing you needed to seem normal. This is fine. You’re fine. 

But your smile covered whatever shock showed and his soft smile almost made you want to dissipate. 

“It's so nice to meet you” you were the first to say, reaching out your hand for him to shake, and although it only lasted a second, shock waves ran through you. You took a glance at your friend, seeing her excitement between the two of you and you could feel your own heart ache at the sight. 

Martha tried sharing similar interests between the two of you but you found yourself spacing out most of the time. Out of everyone in this world, he had to be the one that caught your attention at first glance, you felt disgusted by yourself, having to excuse yourself away just to get some fresh air. 

With your chest feeling as if it were tightening, you tried anything to get more air running through you. It was ridiculous, you barely knew Oscar yet you felt as if you knew him all your life. But he wasn’t yours, he never was. He was with your friend, and you’d have to accept that. 

“y/n?”

[datshitrandom]

‘Maybe Happy Ending’ Review: For Robots, Is It Love or Just a Hookup? by Jesse Green

"The same applies to the acting, which is daring enough to tell the robot story yet not so extreme as to obscure the human one. Criss, who has sometimes seemed stiff onstage, is especially fine here, delivering a startlingly gestural performance, all tics and glitches, that never obscures the true feeling within. The trap of twee is thus thoroughly avoided. And Shen, making a confident Broadway debut, similarly backfills Claire’s facade of wit and smart-girl impatience with the surprise and pain of newfound affection. Though she also sings, as Criss does, divinely, their singing is never an end in itself; it is how we feel that their story is ours. And when their duets become trios with Duron’s Gil Brentley, we understand just how powerful popular music can be: It has given these robots hearts." [..] "A good question for robots and, as posed by this astonishing musical, maybe the most deeply human one of all."

‘Maybe Happy Ending’ Review: Broadway’s Deeply Moving Robot Musical, Starring Darren Criss, Teaches Us How to Be Human by Christian Lewis

"Both Criss and Shen give excellent, very different performances. As an older model, Criss is purposefully more robotic: angled arms, stiff neck, straight spine, minimal facial expressions. His commitment to the physicality is remarkable and impressive — you might only fully appreciate it during curtain call, when he walks and emotes normally. He is the stronger singer of the pair, but his roboticness, though true to character, can make him slightly harder to connect to. (His silent-film star makeup, by Suki Tsujimoto, is also distracting.) Shen, on the other hand, feels practically human, and there’s more pathos to her pained performance, especially in her awareness of her own impending mortality." [...] “Maybe Happy Ending” is an undeniably moving, well-made, adorable musical, and it is a pleasant surprise to see an audience weep at a show about two robots in love. The musical makes the bold claim that maybe we are not that different from robots after all, or that they are not that different from us. Just as robots have much to learn from humans, we in turn can learn from them, especially how to care for each other and for ourselves. It’s crucial to know when you need to charge your battery, but likewise it’s important to be willing to share that charger with someone in need."

‘Maybe Happy Ending’ Broadway Review: Darren Criss And Helen J Shen Delight As Lovestruck Androids Dreaming Of Electric Cheek by Greg Evans

"It takes a special type of theatrical talent, one loaded with heart and wit and insight, to imbue something that looks like an Apple MagSafe iPhone Charger with more romantic appeal than a decade’s worth of Valentines Day chocolates, but that’s just what the creators and performers of the delightful musical Maybe Happy Ending have achieved." [...] "Featuring marvelous performances from Darren Criss and Helen J Shen as two obsolete “helperbots” retired to rooms in a sort of well-appointed robot hospice center – think those all-the-rage tiny houses as if designed by Pee-wee Herman – Maybe Happy Ending is set outside Seoul at some point later in this century. It’s a world that seems distant enough to quality for sci-fi, but familiar enough to look like that eye-candy Mid Century Modern furniture catalogue you got in the mail last week."

‘Maybe Happy Ending’ Broadway Review: Definitely a Big Hit Starring Darren Criss by Robert Hofler

"Oliver is an older model, so Criss delivers a lot of robotic mannerisms — there’s a distinct jerkiness to his gestures and gait, his speech sometimes emphasizes the wrong syllable. All and all, Oliver is a remarkable achievement and brings to mind Haley Joel Osment’s David in Stephen Spielberg’s “A.I.,” if that boy robot had ever been able to grow up." [...] "More than delivering big, Arden knows how and when to hold back to make the audience a participant. His direction never fails to activate the imagination."

Review: ‘Maybe Happy Ending’ Is the Best New Musical on Broadway by Tim Teeman 

"The show begins with Claire requiring a battery recharge, so knocks on the door of neighboring retired robot Oliver. He takes so long opening the door when he does so it is to her frozen, temporarily without-power figure. A nervy, very particular robot himself (whose most intimate relationship is with his houseplant HwaBoon), Oliver doesn’t know what to do. Criss plays him with the coiffed handsomeness of a K-pop star and the stiff gait and easily-rattled manner of C-3PO (he has the added skill of really knowing how to decorate a small studio space)." [...] "Criss erupts with puppyish excitement and panicked worry, while Shen gives Claire a defiant edge that co-exists with a resigned fatalism." [...] "In the end, you are not only rooting for Claire and Oliver, but also for them recognizing the intricately weird routes we take to figure out what and who we love, and what and how we feel as we do so. For a musical about robots, Maybe Happy Ending is a very human show about not just the value of connection, but also the life-saving, heart-expanding importance of us recognizing that value."

Maybe Happy Ending: Beguiling Musical Charmer from Korea by Michael Sommers

"The performances of Darren Criss as the chipper Oliver and Helen J Shen as the clear-eyed Claire are not so utterly adorable as to be cloying, but they are pretty adorable anyway. Dressed by designer Clint Ramos in cute boy-bot duds, Criss’ slightly androgynous looks suit Oliver’s character, whose movement reveals subtly robotic gestures. Making an auspicious Broadway debut, Shen gives her sensible Claire a warm voice and presence. Another newcomer, Dez Duron looks sharp and sounds dreamy as the big band singer. Marcus Choi, Arden Cho, Jim Kaplan and Young Mazino ably depict various people throughout the story." [...] "Lately there’s been audience complaint – if chat boards can be believed – how some recent Broadway musicals blast out hellishly loud, banging music. Maybe Happy Ending is surely the balm for any such feelings, since its sometimes jazz-inflected score is orchestrated gently for mostly strings, keyboard and woodwinds with exceptional grace by the composer."

Darren Criss in a robot rom-com that will fly you to the moon by Naveen Kumar

"Their single-occupancy apartments are the vision of urban loneliness. Flashbacks to the cozy but bleak self-sufficiency of solo pandemic-era isolationare inevitable for some of us when Darren Criss, who plays a model No. 3 named Oliver, sings an ode to the world within his room. (I’m not saying I also sang to my favorite plant, but I’m not saying I didn’t.) Part toy box and part hypermodern studio, Oliver’s is a space for maintenance and introspection. Claire, a more-advanced model No. 5 played by Helen J. Shen, comes knocking because her charger is busted and she needs some juice. (Newer models have advantages, but Oliver is quick to point out sacrifices in durability.) Oliver, who inherited his owner’s appreciation for Duke Ellington and Bill Evans, moves like a graceful marionette; Claire carries herself like a regular girl next door. There’s an offbeat ease to their chemistry, and Criss and Shen are both lovely singers with an unshowy confidence that’s become all-too rare." [...] "The Broadway debut benefits from the swells of self-reflection many of us have waded through in the meantime — about what makes us who we are, why we want to be with each other and how long any of this is really going to last. Whether anyone’s ending turns out happily or not, at least we have the choice to be together."

‘Maybe Happy Ending’ review: Darren Criss shines in one of the best musicals in years by Patrick Ryan

"[...] Criss, on Broadway for a fourth time, is delightful as the eager-to-please Oliver, whose sunny outlook gets clouded by the sobering realities of life. Portraying a fish out of water, one could easily overdo the robot’s wide-eyed wonderment and stiff, mechanical movements. But the “Glee” star is smartly subtle, deftly landing many of the show’s funniest punchlines and sight gags. (In a clever bit of stage magic, Oliver briefly short-circuits and smokes up after nervously downing a cocktail.) " [...] “Maybe Happy Ending” is undoubtedly the most original musical to grace Broadway since 2022’s “Kimberly Akimbo,” another small story with big ideas and even bigger emotions. With gentle humor and pathos, Park and Aronson manage to tap into the most human of questions: Is it still worthwhile to love, knowing that pain and loss are inevitable? "It’s the kind of show that’s hardwired to make you cry. But judging by the resounding sniffles from our audience, there’s nothing artificial about this rare, tender gift of a musical."

MAYBE HAPPY ENDING: A Visionary Ode to Emotion — Review by Juan A. Ramirez

"The story concerns Oliver (Darren Criss) and Claire (Helen J Shen), two “helper-bots” residing in a sort of purgatorial dorm for obsolete technology in near-future Seoul. Oliver is all bright smiles, perfectly gelled hair, and a ‘50s sense of politeness, which gives Criss a chance to play into his own squeaky-clean persona, and wring humanity out of a Kabuki-level performance of surface sheen. (Clint Ramos did costumes; Craig Franklin Miller hair; Suki Tsujimoto makeup.) He’s spent the past decade or so mindlessly amassing stuff he gets delivered, poring over the Jazz Monthly subscription his owner left him, and hoping he’ll one day return for him. " [...] "[...] One becomes aware, throughout its lush 100 minutes, of what a humbly groundbreaking experience is unfolding onstage. This is a very special show; a tender, visionary ode to the space we’re able to create and hold for feeling, and the hope that it may continue."

‘Maybe Happy Ending’ Review: Robot Love by Dan Rubins

"[...] Arden deploys a series of theatrical gestures too breathtaking to spoil here. It’s stagecraft that illuminates the musical’s messages about the value of looking up and outward from our devices while simultaneously pointing towards theater’s unique ability to transcend technological bells and whistles in the service of a more natural, unadorned beauty. Criss and Shen, too, turn the slightest of touches into electric connection. Criss, expert at gluing a not-quite-human grin to his face and circling Oliver’s apartment with mechanical grace, lets his rigid, aloof character gradually thaw out. He inherits a century-spanning tradition of musical theater characters, from Marian Paroo to Henry Higgins, slowly shedding their tough exteriors, unleashing a bottled-up potential for passion, though Oliver just happens to be a literal robot. Shen, charmingly kooky off-Broadway in Teeth and The Lonely Few earlier this year, makes an explosive Broadway debut as Claire: Only 24, she has a preternatural gift for marrying the tender and the deadpan. Both do Aronson’s music, which he orchestrates himself with a richness that deliberately belies the HelperBots’s artificialness, full justice." [...] "[...] But a musical made as well as Maybe Happy Ending deserves to be with us for some time to come."

Maybe Happy Ending review: Darren Criss is effortlessly charming in a visually dazzling romance between robots by Shania Russell 

"Shen and Criss share an easy chemistry as Claire and Oliver, a mismatched pair who delight with their charming interactions. As the older model, Oliver is the more robotic of the two, an amusing distinction for which Criss nails the physical comedy. Oliver is gleefully stilted where Claire is natural and relaxed. Together they are playful, his sass matching her snark, his optimism complementing her jaded outlook. Despite the perpetual pep in his step, it's Oliver whose path forward seems unclear, as Claire embraces the potential offered by the time that remains to her. From that push and pull emerges a constant, endearing tension." [...] "Despite Oliver’s earnest nature — familiar territory for the Glee alum — Criss is not the one stealing the show. Charming as Oliver’s pronounced quirks are, his interiority feels as though its held at arms length — especially when compared to Claire, whose fraught emotionality pulls focus courtesy of Shen’s moving performance. Oliver may have his optimism challenged and his nerves tested, but he remains much the same, clinging to life’s simple joys. Alas, charm goes a long way. Criss is often his most compelling when given a character with edge (his stint as the titular East German rocker in Hedwig and the Angry Inch or his Emmy-winning turn in The Assassination of Gianni Versace: American Crime Story) but here he is charming, spirited and wonderfully funny." [...] "[...] There’s nothing robotic about this production: it wears its heart on its sleeve and on charm alone, succeeds"

Review: Maybe Happy Ending With Darren Criss and Helen J Shen, a Balm for Trying Times by David Gordon

"From his stiffly humorous movement (choreographed by Moni Yakim) to the unblinking sincerity in his delivery, Criss is immensely impressive as he captures the discreetly emotional essence of this outdated bot. His tightly coiffed hair (styled by Craig Franklin Miller) and shellacked makeup (Suki Tsujimoto) go a long way in helping him bring us to an uncanny valley that’s legitimately freaky. Shen is effortlessly charming, infusing Claire with a shy humor that makes her utterly lovable. Together, they share such easy chemistry that you find yourself rooting for these two lonely robots to be together forever." [...] "Despite its flaws, Maybe Happy Ending exudes an undeniable charm and warmth, which sets it apart from many other new Broadway musicals these days that go for bombast over emotion. Refreshingly original, this story about two robots who, for a brief moment, meet each other halfway, becomes a poignant celebration of finding connections in an ephemeral world. It’s a comforting reminder that love and friendship, however temporary, make the journey worthwhile."

Maybe Happy Ending. These are the robots you're looking for by Adam Feldman

"In a Broadway landscape dominated by loud adaptations of pre-existing IP, Maybe Happy Ending stands out for both its intimacy and its originality. Arden and his actors approach the material with a delicate touch; they trust the romantic comedy to be charming, which it is, and let the wistfulness emerge naturally. In the faint artificiality of both his movement and his appearance–pale face, neat dark hair, red lips, high-waisted pants—Criss’s Oliver endearingly evokes the silent-film clown Buster Keaton. (He also sometimes suggests a neurodivergent adult.) Shen’s more naturalistic Claire—she’s a Helperbot Five; he’s just a Helpbot Three—has a winsome, Eponine-y combination of pluck, resignation and piercing pop-vocal emotion." [...] "Can a show as strange and special as Maybe Happy Ending find a place for itself on Broadway today? I like to think that maybe it can. But as the show reminds us, everything is ephemeral: “We have a shelf life, you know that,” says Claire. “It’s the way that it has to be.” The fact that this show is casting its firefly glow on Broadway at all feels like a gift. In its gentle robot way, it helps us see ourselves through freshly brushed eyes."

Maybe Happy Ending review: heart-grabbing robot Broadway musical by Adrian Horton

"This refreshingly original musical, first staged in Seoul in 2016 and directed here by Michael Arden (most recently of Broadway’s excellent Parade revival), makes swift work of time and space; sheer layers of digital displays (video design by George Reeve), impressively constructed modular sets (scenic design and additional video design by Dane Laffrey) and Criss’s rote movements succinctly illustrate the patter and (robot) heartbreak of Oliver’s daily routine over 12 years in the Helperbot Yards, waiting for an owner who never comes back." [...] "[...] Criss’s at first overtly physical performance – the startled, staccato movements and jerkiness of a machine – settles along with Clarie’s scorn into beloved familiarity over the course of the show’s 1 hour and 45 minutes. Both robots struggle with their obsolescence and hard drive memories of past humans, and the strange tale kicks into gear once they hit the road as reluctant buddies in a quest for answers." [...] "Which may hit one’s hardened soul – it did mine, a bit – while still pulling some punches. You will likely leave without a song stuck in your head, but with a lump in your throat nonetheless."

‘Maybe Happy Ending’ review: Romantic robot musical is glorious on Broadway — really by Johnny Oleksinski

"The sublime start of “Maybe Happy Ending” is the closest I have ever come to experiencing a Pixar movie on Broadway. Oliver, a lonely robot played by Darren Criss, goes through his usual daily routine — over and over and over again." [...] "This big swing of a musical wouldn’t work without the perfectly tuned performances of Criss and Shen. These roles could easily be twee and irksome — they are anything but. Criss’ Oliver is a smiley mix of J. Pierpont Finch from “How To Succeed” and Pee-Wee Herman with a bit of earnest boy next door. He’s a bucket of bolts with a heart of gold."

When Robots Meet Cute: Maybe Happy Ending by Sara Holdren

"Park and Aronson get a lot of mileage out of the pair trading barbs over their different model types — one of the most genuinely funny bits involves Claire recalling a function by which the Helperbot 3 must respond with “You’re welcome” any time someone says “Thank you” — and it’s all very Threes Are From Mars and Fives Are From Venus. It’s a little easy, but the show’s not trying to be hard, and Shen and Criss are the ones who make it work. Shen especially is a delight to watch, with an open, emotive face full of quicksilver expressions and a tartness that can turn explosive when she needs it to. “You just said it was my turn!” she roars at one point during a shared song in which Oliver keeps blithely noodling over her. It is — another requisite of the genre — #relatable." [...] “Why, love?” croons Gil Brentley from Oliver’s record player. “Why did we bother to try love? … When all things end in good-bye, love, / Why did we dream that this fate would not be ours?” If you find yourself cruising the streamers at night, sipping chamomile tea and searching for Sliding Doors and Sweet November and French Kiss, then Maybe Happy Ending is waiting for you."

[dominatecharlotte]

Let’s talk about sub etiquette!

I don’t need to explain why good manners are important, especially as a sub. Even outside of BDSM, good manners are important to interact with people in our society.

Here are some basic etiquette guidelines for subs. Learn from them and adapt them in your approach to Mistresses.

1. Respect and Titles: Address your Dom with specific titles (such as "Mistress," "Madam", “Goddess” ) and use respectful forms of speech.

2. Honesty and Open Communication: Communication is crucial in any relationship. As a sub you have to share your feelings, desires, and concerns honestly and promptly with your Mistress.

3. Obeying Instructions: Follow instructions and rules laid out by your Mistress, which could include aspects of your behavior, appearance, or daily routines.

4. Permission Seeking: Ask for permission before doing certain activities, like eating, spending money, or making social plans.

5. Posture and Presence: Some D/s relationships might include rules on how the submissive should present themselves physically (e.g., maintaining eye contact or avoiding it, specific postures when sitting or standing).

6. Hygiene: Make sure you are clean and put together when you meet your Mistress. Brush your teeth, use mouthwash, deodorant, perfume etc. Always present yourself at your best.

7. Privacy and Discretion: Respect the privacy off all involved. This goes both ways.

8. Punishments and Rewards: Understanding and accepting the system of discipline (like tasks, restrictions, or physical punishments) and rewards (praises, privileges) set by your Mistress .

9. Safety Words: Both sides should always respect safety words. These are essential for ensuring the physical and emotional safety of Dom & sub.

10. Dress Code: In some D/s relationships there are certain types of clothing/ accessories required. If your mistress doesn’t tell you a specific dress code, make sure you are dressed well.

Each relationship will have its unique set of rules and protocols, tailored to fit the individuals involved and their specific dynamic. It's important for these rules to be consensually agreed upon and regularly reviewed to ensure they continue to meet the needs and limits of both partners.