#Pharmaceutical-Translations

[biomedicatranslations]

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[transcriptioncity]

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[translingua01]

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[katherinekjjackson]

The final draught of the document is written by Top Notch pharmaceutical translation services after several rounds of editing. After completing this stage, you ought to have a cohesive document that both accurately presents the translated information and preserves the structure of the original.

[transmutationisms]

in addition to being prone to an obvious naturalistic fallacy, the oft-repeated claim that various supplements / herbs / botanicals are being somehow suppressed by pharmaceutical interests seeking to protect their own profits ('they would rather sell you a pill') belies a clear misunderstanding of the relationship between 'industrial' pharmacology and plant matter. bioprospecting, the search for plants and molecular components of plants that can be developed into commercial products, has been one of the economic motivations and rationalisations for european colonialism and imperialism since the so-called 'age of exploration'. state-funded bioprospectors specifically sought 'exotic' plants that could be imported to europe and sold as food or materia medica—often both, as in the cases of coffee or chocolate—or, even better, cultivated in 'economic' botanical gardens attached to universities, medical schools, or royal palaces and scientific institutions.

this fundamental attitude toward the knowledge systems and medical practices of colonised people—the position, characterising eg much 'ethnobotany', that such knowledge is a resource for imperialist powers and pharmaceutical manufacturers to mine and profit from—is not some kind of bygone historical relic. for example, since the 1880s companies including pfizer, bristol-myers squibb, and unilever have sought to create pharmaceuticals from african medicinal plants, such as strophanthus, cryptolepis, and grains of paradise. in india, state-created databases of valuable 'traditional' medicines have appeared partly in response to a revival of bioprospecting since the 1980s, in an increasingly bureaucratised form characterised by profit-sharing agreements between scientists and local communities that has nonetheless been referred to as "biocapitalism". a 1990 paper published in the proceedings of the novartis foundation symposium (then the ciba foundation symposium) spelled out this form of epistemic colonialism quite bluntly:

Ethnobotany, ethnomedicine, folk medicine and traditional medicine can provide information that is useful as a 'pre-screen' to select plants for experimental pharmacological studies.

there is no inherent oppositional relationship between pharmaceutical industry and 'natural' or plant-based cures. there are of course plenty of examples of bioprospecting that failed to translate into consumer markets: ginseng, introduced to europe in the 17th century through the mercantile system and the east india company, found only limited success in european pharmacology. and there are cases in which knowledge with potential market value has actually been suppressed for other reasons: the peacock flower, used as an abortifacient in the west indies, was 'discovered' by colonial bioprospectors in the 18th century; the plant itself moved easily to europe, but knowledge of its use in reproductive medicine became the subject of a "culturally cultivated ignorance," resulting from a combination of funding priorities, national policies, colonial trade patterns, gender politics, and the functioning of scientific institutions. this form of knowledge suppression was never the result of a conflict wherein bioprospectors or pharmacists viewed the peacock flower as a threat to their own profits; on the contrary, they essentially sacrificed potential financial benefits as a result of the political and social factors that made abortifacient knowledge 'unknowable' in certain state and commercial contexts.

exploitation of plant matter in pharmacology is not a frictionless or infallible process. but the sort of conspiratorial thinking that attempts to position plant therapeutics and 'big pharma' as oppositional or competitive forces is an ahistorical and opportunistic example of appealing to nominally anti-capitalist rhetoric without any deeper understanding of the actual mechanisms of capitalism and colonialism at play. this is of course true whether or not the person making such claims has any personal financial stake in them, though it is of course also true that, often, they do hold such stakes.

[wynnyfryd]

Trailer park Steve AU part 22

part 1 | part 21 | ao3

“…Go ahead,” he relents with a heavy sigh.

He turns the radio back on for background noise, and Robin launches herself into a breathless recap of every minute detail she’s ever learned about Eddie Munson. Genuinely impressive how quickly the words come out; Steve thinks that if her dream of becoming a linguistics researcher ever falls through, she’s got a bright future ahead of her as one of those speedreaders who rattle off the fine print at the end of pharmaceutical ads.

Warning: Discussion of Eddie Munson may cause nausea, heartburn, palpitations, sweaty armpits, and an inconveniently timed half-chub any time you use a pocket knife. Talk to your doctor to see if Discussion of Eddie Munson is right for you!

“Which brings us to tonight,” she’s saying when he zones back in. “Let’s examine the facts, shall we?”

“Must we?”

“Yes, we must.”

She makes a loose fist, lifting her pointer finger with an aggressive flourish to kick off her ‘list of reasons Eddie has a big, fat crush on you.’ “Fact number one: he was conveniently wearing a super nice outfit.”

“He said he ran out of laundry.”

“And we’re buying that?” she scoffs. Her middle finger springs up to join the first one. “Two: he was so disgustingly up in your personal space. Like, you really should have seen it; it was—”

Mwah. Mwah mwah mwah. “Yeah, I don’t need another demonstration.”

“Three” —there goes her ring finger— “he came to a movie rental store that you just so happen to work at and then left without renting a movie.”

“Because you did something to spook him!”

“Which brings me to my fourth and final point.” Her pinky lifts up to join the team, fingers spread wide like a paper fan, and she telescopes her arm to shove them back and forth under his nose until he goes a little cross-eyed and bitches about her distracting the driver.

“Cut it out! You want me to drive us into someone’s trash cans?”

“Wouldn’t be the first time.”

“Yeah, well I’m sending you the invoice when it scratches up the paint.”

She retreats to her side of the car, curling her back against the door and repeating, “My fourth and final point: I think he thinks we’re dating.”

“And? Everyone thinks we’re dating.”

“No, everyone wants us to be secretly dating,” she corrects. “But I’m pretty sure Eddie actually thinks I’m your girlfriend. You remember last week when you dropped me off at school?”

He does. Eddie had actually been there early for once; had been sitting on a bench out by the soccer fields, looking surly and half-asleep while he sucked down a cigarette. Hair all messed up by the wind. Looked kind of dangerous. Wild.

“He was, like, fully glaring at me when I walked into school that morning, and then he was super rude to me in band. Which, at the time, I was like, ‘oh, well I guess that’s just Eddie no one can ever tell what his mood’s gonna be like from day to day,’ but noo-o-ow…”

She starts squirming in her seat again, excitement overflowing as she finally cracks the case. “Now it all makes sense! Oh, my god! He totally hates me because he thinks we’re dating, and I’ll bet you anything he either didn’t know we work together or didn’t expect me to be there tonight and he totally, one hundred percent was there to flirt with you because he’s in lo—”

“Okay, Detective,” he cuts her off, because the tips of his ears are burning, and he doesn’t think he can handle her saying the L word out loud right now. “You’ve made your point, thank you.”

“Tell me I’m right.”

“Uh, no.”

“Come on.” She jabs at his side. “Tell me I’m right tell me I’m right tell me I’m—”

“—A fucking menace? Gladly.”

“Translation: I’m right and you’re mad about it,” she smirks, victorious.

Steve knocks his forehead against the wheel as he pulls up to her curb. “Why do I drive you places?”

“Because you love me." She flips her visor down to freshen up her lip balm, mumbling around the chapstick, "I’m adding Surly Best Friendlish to my list of fluencies; I think it'll really make my college applications pop."

"Yuh huh," Steve grumbles. The thought of Robin leaving for college always sits in his gut like raw bread dough — thick and heavy and gross, rising to form a swollen lump in his throat. "Didn't you already submit all of those?"

"Yes, I diiiid," she sings, shimmying her shoulders with pride. "Duke's gonna say yes, I just know it. Picture it with me: Robin L. Buckley," she gestures to an imagined marquee somewhere just beyond the windshield, "class of 1990."

Steve swallows the urge to be a sulky dick about it. "They'd be lucky to have you," he says quietly.

"Nope. No no, none of that. No moping." She tugs at his arm; links their elbows together. "You're not allowed to mope when we have a party to get ready for."

"No, you have a party to get ready for. I'm going home."

"Steeeve-uh!" Holy shit. He just had to be soulmates with the whiniest lesbian in a 500 mile radius, didn't he? "Come to the bonfire party with me!"

"Yeah, that's a no."

“It’ll be fun!"

It most certainly will not be. "You really want me to go freeze my ass off in the woods all night while a bunch of former classmates talk shit about me the second they think I'm out of earshot?" He's been to enough of his parents' 'networking events' over the years to know exactly how that'll go. A full night of subtly closed-off body language, smirking whispers and judgmental glances that dart away as soon as he meets them head on. Fuck that. "Thanks, but I'll pass."

He just wants to go home. Feels momentarily sick with the desire to drive himself to Loch Nora.

"What did I say about moping?" Robin asks. She shoves into his space, hugging his arm tighter and deploying her most lethal sad wet kitten face (and Steve doesn't even like cats; this shouldn't fucking work on him.) "Pleeeease," she begs. "Vickie's going to be there, and I could really use a friend."

"So ask a friend!"

"I am, dipshit!"

Oh, my god. Oh, my god. Goddamn this woman. Steve hangs his chin to his chest in defeat, notices the weird stain he got on his shirt during work. "I have some conditions," he concedes.

She throws her arms out wide. "Condition me, baby!"

"First— ew. Okay, I don't like that; don't call me baby." Yeesh, and furthermore, yuck. "First, I'm borrowing one of your shirts, and you're probably never getting it back."

"Understandable,” she nods as she gets out of the car. Steve follows her out, propping his elbows on the roof.

"Secondly,” he continues, “I'm getting very drunk at this stupid party, and you're figuring out how we get home."

She reaches out over the top of the car; gives his hand a quick squeeze when he puts it in hers. "That's three things," she says fondly, "but I can work with that."

—

part 23

tag list part 1 below the cut; comment if you'd like to be added tomorrow (not tagging ageless or under 21s unless we're mutuals or you let me know your age ✌️)

@a-little-unsteddie @ahsokatanoss @alyelf @anne-bennett-cosplayer @aol19 @awolfstudio @bambibiest @bananahoneycomb @bronwenmarie @cheonsazu @cinnamon-mushroomabomination @courtjestermunson @dauntlessdiva @dawners @dontwasteyourchances @eddie-munsons-missing-nipple @eriquin @estrellami-1 @fandomfix8 @griefabyss69 @grtwdsmwhr @hallucinatedjosten @hellion-child @hiimlevi @honoragreyskull @hotluncheddie @jackiemonroe5512 @kas-eddie-munson @littlebluejane @marvel-ous-m @melonmochi @messrs-weasley @milklechee @mrsjellymunson @mugloversonly @munsonslure @nburkhardt @nerdyglassescheeseychick @notsopersonalcharlie @novelnovella @nuggies4life @questionablequeeries @runninriot @silver-snaffles @singmeyoursimpsong @slowandsteddie @slutabed @slutforcoffein @solalasoforth @spookednsaucy

[licorice-and-rum]

SOC and Neoliberlism

So, as promised, here it is my analysis of Six of Crows and how neoliberalism is amazingly portrayed in Ketterdam, and how the city is an example of what happens in a community that is not provided for.

Before we begin, I wanted to say that English is not my first language, and, considering I read SOC in Brazilian Portuguese, I might translate some names literally or differently from the English version but I think it's manageable to read and understand my point. If not, I'll edit the text.

The first thing we have to understand is how neoliberalism works and the theory behind it, and then we'll talk about how it's portrayed in Ketterdam.

So neoliberalism is a theory born more or less at the end of the 20th century (70s-80s), and it finds its roots in laissez-faire capitalism, meaning that it's a political current that tries to suppress and/or eliminate the State's influence from the market. The neoliberalist view understands that the market can supply by itself the population's needs without help or limitations imposed by the State.

The thing here is that most people listen to this and think neoliberalism is about electronics, cars, and other stuff. The truth is, that neoliberalism aims to suppress the presence of State-run facilities in ALL corners of society, such as health care, housing, water access, electricity, etcetera.

So, we can use the American and Brazillian health systems to understand it better, for example:

In the US, the ones providing health care for the population are great corporations - they decide the price of care, they work together with pharmaceutical companies to define medicine prices, and the laws that bind them are pretty much only offer and demand. There is almost none State intervention to provide the population with accessible health care.

However, this brings problems, of course: not everyone (actually, most people) has real access to health care simply because they can't afford it, or they can't afford it without taking a big financial hit, which threatens their other basic needs, such as food, housing, water, electricity, etcetera. Not everyone can provide for their medical needs, such as diabetic and disabled people.

That leads to:

(a) an increase in poverty;

(b) a decrease in educational levels - if you don't have the means to pay for higher educational levels because of health care debt, or if you're sick and need to go to class and tough through it but you're not really learning anything, and so on, which leads to a major workforce in base level production and a minor class who has access to this education;

(c) an increase in overworking people - meaning that we have a lot of people taking on several jobs to be able to pay for things like health care, which increases the competitiveness between people, making individualism levels go up and breaking up human beings' natural sense of community.

I could also talk here about how this breeds isolation and increases the potential for mental health problems but I think you got what I was saying.

On the other hand, we have the Brazilian health care system (SUS), which is a universal gratuitous medical care service through the whole country. Its purpose is not profit, it's providing health care for the community, so therefore, any SUS unit is bound by State law and run by the State. By law, every SUS unit must provide for anyone who enters its premises in need of medical care. Everyone, Brazillian and foreigners, poor or rich, must be treated if they need to. It's the law.

Of course, that doesn't mean it's all rainbows and flowers, there are definitely many problems in SUS. However, what I'm trying to showcase here is that, when the needs of a population are met, the population itself is more resilient, their life quality goes up and so does their participation in their community.

On the other hand, in neoliberalism, when the State is absent from these areas of community service, the market is, in theory, the one providing for the community. In practice, however, what we observe from neoliberal policies in cities with a great poor population in Latam for example, is that when the State doesn't provide for the community, the market is unable to step up for them because of their obscene prices.

The poor population that doesn't have their needs met by the State or the market sees a great boom in criminal activities within their spaces. That's mainly why criminal organizations are so present in slums and favelas throughout Latin America: criminal organizations are a way for the community to provide for themselves and, as a means to become more powerful, they provide for the community in exchange for their services (not to say they do that for the good of their hearts, of course not).

It's why it's so common, for example, that criminal organizations such as PCC in Brazil pay for kids from favelas to undergo Law school, for example.

And that's is where I wanted to go to start the conversation in SOC: one of the main traits of Ketterdam is the Barrel and, in the Barrel, we have the presence of many criminal organizations, such as the Dregs, the Dime Lions, the Menagerie staff (not the girls, ofc), etcetera.

This, as observed by Kaz himself, is one of the only ways to survive on the Barrel - you filiate yourself to a gang because you need to be able to provide for yourself and, more times than others, for your family as well.

Kaz's story is actually a perfect example of how Ketterdam is the representation of America in the early 20th century in full policies of laissez-faire (neoliberalism): as we can see in Titanic and many other historical fictions, the said American Dream had people believing the US to be this economical paradise where they could all enter the market and become millionaires.

The result of it is the Great Depression, of course, but I'm getting ahead of myself here.

When Kaz and Jodi leave Lij for Ketterdam, Jodi believes he'll become a merchant - which is a pretty common belief of those who arrive at Ketterdam, as Pekka Rollins and Kaz himself state in Crooked Kingdom.

The reality of it, though, is much harsher, because the truth is that when you have a market that controls everything, as we see in Ketterdam with the Merchant's Guild (I think that's how it's translated?) and the Stadwatch as a police force, you see perfectly how neoliberal policies really work in real life:

You have a higher class who controls the market and the riches (question: who do you think got the money Shu Han sent to Ketterdam at the beginning of the first book: the people of the city/country or the merchants in the "government"?), and a lower class that, without support from the State or the market to have their needs met will turn to their own means to do so.

So you have the trafficking that brought Inej to the island, the unlimited gambling that Jesper was trapped in, the cons Jodi and Kaz fell for - it's all product of liberal policies.

And so, you have Ketterdam and its neoliberal policies (:

(I really love to make this kind of analysis, please, if you have something you want me to talk about, don't hesitate to ask)

[howtofightwrite]

I'm working on a monster apocalypse story. I've outlined how the monsters emerged and spread throughout the world, as well as the abilities some humans developed to combat them: physical, mental, and therapeutic powers. I also have ideas about the strength and intelligence of the monsters, including some rare unranked ones. The story includes four main powers - Companies, Government, Agencies, and Hunters. However, I'm stuck on how these powers will fight the monsters, how society will evolve, and how to allocate power among the four main groups, especially considering the presence of illegal agencies and hunters.

There's a few slightly goofy things here. Don't take this too harshly, and I suspect this is a translation issue, but “therapeutic,” is probably not the term you wanted. It sounds like, “I hunt monsters through the power of unlicensed chiropractic adjustments.” You may have meant pharmacological powers, as in characters who are chemically enhanced via drugs.

There's also a little bit a weirdness in terminology here, there's three categories of powers (physical, mental, and whatever augmentation you meant), and there's also four categories of powers.

There's a very basic rule of writing, where you don't want to reuse the same word multiple times in a sentence. Except, that also extrapolates out to larger contexts like this. Now, a “power,” can refer to anything from electrical energy, a paranormal ability, or a faction, up to deities. But, if you're going to use a term like this (at least in your world building) you probably want to use it in one specific way. So, for example, you might want to say characters have three broad categories of abilities, and belong to one of four factions.

This kind of word choice can also be very helpful for establishing tone. Consider for a moment how differently it reads if you have a setting “where characters are augmented in different ways, and then work for various powers in their world,” versus one “where characters gain various supernatural abilities and then work for various conspiracies.” Not much changed in the text itself, but the kind of world you're likely to build from that core statement will be radically different.

Now, using the same terms for both is a viable choice, and also has implications. Primarily that those powers derive directly from the powers your characters work for. In that case you would probably want to have a direct 1:1 mapping of abilities to factions. For example, the corporations augment characters (cybernetically, pharmaceutically, or however else), the agencies train psychic powers, the governments provide better tech and support, while the hunters... do something.

Another problem I see up front is a lack of specificity. There are over 200 governments in the world today, with radically different philosophies and approaches to problem solving. So, lumping all of them together under a single banner is peculiar.

Governments depend to be distinct entities from one another, (at least if we're ignoring the specific edge case of puppet governments.) How they interact with one another will reflect their shared and exclusive history with one another. This creates a complex and varied tapestry that is an absolute goldmine for worldbuilding. International relations shapes the world in a way few other things can compete with.

Similarly, “companies,” is incredibly vague. I can make some educated guesses, but it doesn't really tell me anything. Are these private mercenary bands, the military remnants of fallen nations, megacorporations, or something entirely different? Again, the real question you'd need to ask yourself is, “who are these companies?” They're not a monolithic, unified force. In the world before, they were probably in direct competition with each other, and that may have persisted into the apocalypse. Depending on the nature of the story you're trying to tell, is this going to be another case where you have some factions trying to ally with, or use the monsters for themselves? By, “therapeutic,” do you mean that some of these corporations are trying to graft monster parts onto their own loyal subjects, or looking for means to mind control the monsters, turning them into a domesticated combat force, loyal to them?

Agencies is probably one of the hardest to lock down, because that can refer to either a private or public organization. So this is either part of the companies or part of the governments. Unless the intent was to indicate that these were some kind of separate group, like a foundation, or even a guild.

I'm assuming with hunters, you mean freelance hunters. Because, anyone hunting monsters for any of the above groups could be considered, “a hunter,” but this one isn't a big deal.

So what do you do? You probably want to start with the specifics. You might have a general thought, like what you're describing at the top, but ultimately, that's a very brief stepping stone. You'd sketch that out, and then immediately flip over to detailing the various factions and kinds of characters in more depth. You don't necessarily need to have much detail when you're getting started with your story, but you should be able to, at least, name off most of the major factions that you know are important, and how they interact (with each other, and also with the story.)

A lot of world building lives or dies on how well your various factions interact with each other to create a credible gestalt.

-Starke

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[biomedicatranslations]

Medical Translation Services Online for Healthcare Professionals

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[transcriptioncity]

Clinician Reviewed Medical Translation Services

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[pikahlua]

Fine I’ll explain the joke

Send this post to anyone who needs it to understand why the Viz translation is actually really good.

I can’t believe this page is leading to the third time I’ve had to do this (first with the “Swiss cheese” thing and then with the “biggest grand slam/one closest to Izuku Midoriya” thing).

Let’s talk about the very intentionally bad slang and author’s footnotes for Camie in chapter 380.

Context: Camie is a gag character who speaks in gyaru slang. Her use of slang is so heavy that all the other characters often find her speech incomprehensible. The cringe slang is the gag. This gag is emphasized in chapter 380 by her speech being so incomprehensible that even the author writing her speech doesn’t quite understand her. He leaves notes in the margins explaining all her slang for the benefit of the audience, but with each note he gets progressively more confused about what she’s saying and ultimately gives up on the explanation. THAT’S THE JOKE.

For comparison purposes, here is the original Japanese scan and the Viz official translation. Note how both have footnotes in the margins.

Here is what she says in Japanese (katakana is represented as capital letters):

te yuu ka KAN’ICHI! ※1 ROOTO ※2 no RENMEN ※3 KOru ※4 toka chou SHAKOTAN ※5 da shi

If I were to translate this literally into English, first of all I wouldn’t be able to, because there aren’t literal translations of slang, but my best attempt would be:

I mean, close shave! ※1 A Rohto ※2 hottie ※3 passing away ※4 would be like a super shakotan ※5 or something

Note that I’ve got no good translation at all for “shakotan.” That’s because shakotan is a type of car that’s been modified to ride low to the ground. It’s from bousouzoku subculture and seems to be popular in the yankii subculture too. I’m not gonna act like I know what the hell I’m talking about with this slang. The best I had when I did my initial translation of the chapter was “low-rider,” but it’s really not the same thing at all; Shakotan has more to do with drag racing and such.

But even if I had a good translation for shakotan, the rest of the sentence is nigh incomprehensible given how much of it is slang. Here are the footnotes Horikoshi left translated into English:

※1 Abbreviation for “a hair’s breadth.” ※2 Rohto Pharmaceutical. Eye drops. Good for the eyes. It means “eye-pleasing.” ※3 A romantically desirable man ※4 Belated (deceased). It means “to pass away.” Probably. ※5 When a vehicle’s height is lowered. Dunno.

Yes, Horikoshi literally wrote “probably” and “dunno” in there. That’s the joke. The footnotes are part of the joke.

So I think (but have absolutely no confidence in saying) the message she’s trying to convey is that letting a sexy dude like Hawks die would be like taking a perfectly good car and cutting it down into a super super low car. Maybe. (I’m honestly just as confused as Horikoshi on this one.)

This means that in order to preserve and translate the joke into English, the translator had to find a balance between relevant English slang that is incomprehensible but also just comprehensible enough for the audience to get what’s going on--oh, and slang that also works with the joke continued in the original footnotes.

I feel really proud of my “close shave” translation for slang that comes from “a hair’s breadth,” but another translator could easily decide that “close shave” isn’t slangy enough or isn’t incomprehensible enough. Rohto is a hard one to translate by itself, but the renmen word (short for ren’ai ikemen) easily refers to a sexy man, so “hottie” is one of the better translation options by far (sorry, but “twink” doesn’t mean what some of y’all think it means--it’s a bad translation here). The slang for “passing away” is a difficult one and the one I was most interested in seeing how the translator would handle. We don’t have many words in English that are slang for dying but maintain a tone of respect like you’re sad or don’t want the person to die. In my opinion, “unalive” is a pretty good attempt.

But then the translator also needed some slang that he could maintain Horikoshi’s jokes for footnotes #4 and #5, namely his “probably” and “dunno.” There was no way shakotan would make the cut. The translator chose “fetch” and “no cap” as the solution. They’re cringey enough slang that walk the line between incomprehensible and just comprehensible enough AND allow for a literal description in the footnote to joke about how the writer just gave up on understanding. Maybe you think you could come up with better slang the translator could use, but remember one does have to consider the entire reading audience and what slang they’ll be able to understand. All in all, the translator did the best they could in these circumstances. Whether or not a joke like this would land very well in English versus in Japanese isn’t really the point, as the translator’s job is just to translate the joke that’s there. What’s funny in another culture isn’t always funny in your own.

That said, I love me some meta jokes, so I did enjoy this one.

[ikeasharksss]

here's the thing. i think will in mortal aus would be a good doctor. a solid, in character choice. but canon will? hm. that's a bit more complicated

none of the demigods we meet in the rrverse are, like, Thrilled about their godly parent's guardianship. like percy isn't a marine biology freak who spends every summer at the beach before he realizes he's the son of poseidon. & even after he realizes, he's never like "oh my GODS i have such a PASSION for CONEY ISLAND!!!!" we don't see that in anyone else either: piper doesn't care for beauty much before & after she is claimed, nico didnt show any hades traits before bianca died & he goes rogue, and frank was actually afraid of showing aggression (around others at least) before he was claimed if i remember son right. the only exception i can think of is leo bc he worked in his mom's garage as a kid. but even then, he isn't a mechanic bc of his dad, he's a mechanic bc of his mom. (we don't know how academic-oriented annabeth was before she came to chb. it's possible that, bc she came so young, she formed her childhood personality around athena, since she had nothing else to hold on to.) so, therefore, i don't think demigods are enthusiastic about their godly parent's guardianship specifically bc of their godly parent. i don't think will would be enthusiastic about being a doctor just bc of apollo.

being a healer at a summer camp & being a field medic in a monster war is very different from being a doctor in a clinic, hospital, or private practice. the type of illnesses, injuries, & disorders a doctor sees in the field would be very different from what will sees in his healer career. we don't actually see much of the healing process in the books outside of ambrosia & nectar, but it's obvious that will would never use them if he became a real doctor. i don't think his healing skills would translate into doctor skills.

additionally, ive seen a lot of ppl in the fandom point out that will would have to relearn all his medical knowledge if he went to med school. that's true! add in his adhd & i don't think will would be to happy to sit through 7(?) years of school learning things he either A) already knows or B) would never use bc he has healing powers.

sure, i think will would CONSIDER becoming a doctor. it makes sense! that's the only life he's ever known! but i think he'd go get a bachelor's in biology & realize after like 3 semesters that it sucks.

"but tumblr user ikeasharksss!" i hear you say. "what profession would will go into if he isn't a doctor!!!!" oh don't worry. Don't Worry. he'd go into pharmaceutical sciences.

hear me out! ive already said we don't know much about healing outside of ambrosia & nectar. & those are basically just the demigod equivalent of mortal medications. will already works so closely w/ them, so it'd make sense for him to be interested in creating an alternative that is safe for mortals. in pharmaceutical science, will could research & make mortal medicine!! it would scratch his innate need to help ppl while also engaging his mortal side!!!!!

thanks baes

[utapri-translations-uuuu]

Loneliness and Despair - Translation (孤独と絶望)

Please do not repost/retranslate without permission.

I have also made a version which includes the members' notes found in the script.

[Human limitations - Faust’s house, nighttime]

He is sitting in a chair in his dark, dusty room.

Faust bites his nails while clicking his tongue. A habit of his.

Faust: … How cruel life is.

He is overcome with despair.

Faust: It is far too short a time for a person to live…

Faust holds his head between his hands.

Faust: I’ve spent my life's precious time studying. I have gone to great deals to master every possible field from philosophy to jurisprudence, medicine, and theology. I spared no effort, doing anything in my power to achieve this.

He slams on the desk.

Faust: And yet! I couldn’t discover the truth of the world. None of it…

He violently sweeps the books off the desk.

The books fall off the desk with a clatter.

Faust: Professor, Doctor, scholar…? Being called by such titles means nothing. Even if you achieve a certain level of success, it becomes a responsibility and puts pressure on you. I was pushed even further into learning, and I was unable to escape from that cycle…

Looking at his trembling hands.

Faust: Learning left me nothing… As an old and decrepit man, there is nothing left for me to do. My wrinkled hands tremble weakly, and my eyes, which have lost their sparkle, reflect a hazy world.

A longing for death that comes from loneliness.

Faust: How much time do I have left…? Until I cease to exist… There is no escaping death. It comes equally to every human being.

He hugs himself and endures his loneliness.

Faust: Am I going to meet my end in solitude…? With no one to mourn my death, and no one to watch me draw my last breath.

Faust is beset with remorse.

Faust: If I had spent more time on other things, would my life have been different…?

He stares into nothing and mutters as if imagining it.

Faust: Having a warm home and a happy life with a loving partner and our children?

He smiles self-deprecatingly.

Faust: … That would be hoping for too much. I wanted at least someone who I could call a close friend with whom I could share my heart with.

He speaks while thinking back to times gone by.

Faust: Ha… I can’t find an answer to the question of what I should have done. If I had been able to do that, I probably wouldn’t be having regrets now. I keep thinking ridiculous thoughts. It’s pointless, all of it. Just near-death dreams…

His hand finds the vial of poison in the medicine cabinet.

Faust: Let’s end this already… Taking away the pain and going to sleep. Permanently…

[The suffering of successful people - Downtown, daytime]

***

Faust’s recollection

A conversation between Faust and his disciple, Wagner. On the way back from buying chemicals to make poison.

Faust: …

Wagner waves his hand in the air.

Wagner: Doctor! Doctor Faust!

Wagner runs up to Faust, who then turns to face him.

Faust: … It’s you, Wagner.

Speaking with great enthusiasm.

Wagner: Good day! You’re certainly carrying a great load… Those are all chemicals…? … Oh, I see. Are you planning to do some new experiments in pharmaceutical science?

Faust: … Yes, something like that.

Wagner holds out his hands to take the package.

Wagner: Shall I carry it for you…?

Faust smacks Wagner’s hand away.

Faust: Don’t treat me like a senior citizen!

Wagner: P-Pardon me… I apologize for overstepping. However, all of these materials seem to be very expensive. I wouldn’t ever be able to afford them. I’m really envious.

He scratches his head in embarrassment.

Wagner: Well, I still have much to learn, so even if I were able to get them, I would probably be unworthy of them…

Faust: Envious…? Material things are of no value at all.

Looking into Faust’s face.

Wagner: Is that so? With great materials and your knowledge, you are sure to discover something new, Doctor! There absolutely is value to them!

Faust quietly shakes his head.

Faust: … You still don’t get it. The knowledge gained in life is only a small part of it. Rather than mastering it, the more you know, the more desperately you want to learn more.

Wagner: What can you, someone beloved by God, say? You have exceptional talent and have achieved many successes. From my perspective, you seem to have everything you could ever want…

Faust: What really matters in life is not talent, wealth, or fame. All of those things will be of no use at the time of the Last Judgment.

Wagner: Even someone as great as you feels that way… I'm still inexperienced and haven't reached that level yet. I must work even harder!

He clasps his hand tightly, enthusiastic.

Wagner: I will do my very best to follow in your footsteps and continue your work!

Faust seems to have resigned himself.

Faust: Yes… You still have a lot of time left. That’s right, the world is full of possibilities and hope… Go ahead and pursue your dreams as you like.

Wagner: Yes, sir! But I am sure that I, an ordinary person, would not be able to accomplish that alone. However, I have a trusted confidant!

He gazes dreamily into the distance.

Wagner: I have an intimate, close friend who is pursuing the same dream as me. He saves me from despair and getting discouraged…

Faust bites his nails while clicking his tongue. A habit of his.

He’s quite annoyed.

Faust: … Close friend…?

Wagner reports happily, as if talking about his own achievements.

Wagner: Yes! He’s a genius! Not only is he clever, but he's also pure, beautiful, and flawless. He's a talented friend I'm very proud of!

Faust bites his nails while clicking his tongue. A habit of his.

Faust: How cruel life can be.

Envy towards Wagner. A desire for youth and popularity.

Faust: … You're completely different from me. There isn’t anyone who will listen to what this old man has to say, let alone be my close friend. That's just how popular I am. I don't even have anyone who will be by my side.

He gently pats Wagner on the shoulder.

Faust: It's a lonely life. Knowledge has not filled the loneliness. Wagner, don't go astray. Don't lose sight of what is truly important. This is advice from an old man.

He gazes at his clenched fist with regret.

Faust: No amount of wealth or fame can buy you eternal life. And you can't turn back time...

Faust smiles with a look of resignation.

Faust: Do you know what the ultimate dream of the masters is? Immortality… I was never able to fulfill that dream.

Wagner approaches Faust agitatedly.

Wagner: Immortality…? Eternal life…!? What are you talking about!? That means stepping into the realm of the divine!

As if reminding him to be careful not to let anyone hear him.

Wagner: You will incur God’s wrath! How blasphemous… Such dangerous thoughts… are not allowed.

Faust: You'll understand when you're older. Right now, you're young, so you have the luxury of time.

Wagner is shaken. He can’t deny it completely.

Wagner: Is… that so…?

As he expresses his genuine gratitude, he comes up with the idea of leaving him a keepsake.

Faust: Wagner. Thank you for listening to this old man’s rambling. Oh, that’s right… About the documents you wanted, feel free to take as many as you want.

Wagner: Eh! Really? Thank you very much!

Faust: … I don’t need them anymore. Come get them sometime... See you.

Wagner feels a little uncomfortable.

Wagner: Doctor Faust…? Doctor Faust…!

Faust ignores Wagner and walks away.

***

[raven-at-the-writing-desk]

diasomnia, 1 — 19

***Spoilers ahead!!!***

Note: this is just a general summary of what has happened so far and my initial reactions to those major events. I focused my comments on whatever interests me the most (ie lore and funny character interactions), so there are definitely details that were overlooked and lines that were simplified to make a joke; please do not rely on this as a translation.

Big thanks to @shuuenmei and @curekibouka-writing for clarifying the more confusing tracks of the story (some parts were difficult to follow the sequence of events for) and the details of the✨ deep lore ✨ It was fun screaming with the both of you—

Ah yes, Yuu’s Sleeping Beauty dream right on cue. Finally starting to put together the puzzle pieces, huh (Yuu goes to check on the Great Seven statues to confirm they saw the Fairy of Thorns in their dreams)? About time—

As expected, Sebek loses his mind and tells Yuu to not abuse Malleus’s kindness. He’s also super pissed that Malleus and Yuu act familiar with each other (and over the nickname). Yup, that interaction went about as well as we all predicted…

Not Lilia being the “I’m an anime boy late for anime school (the internship meeting)!” trope 😂 All he needs is some toast in his mouth!

Crowley talks about boring things how the internships will work and we hear more about the areas of interest for the third years.

Lore ✨ Each internship “semester” is 3 months and you can only take certain internships if you qualify for them via your grades, credits, and electives. You can choose to do 3 separate internships (again, 3 months each) or do 1 internship (for all 9 months). A B or higher is needed on two of the “semesters” to graduate. Students must also submit reports each semester. Some places additionally require interviews and/or special tests to be passed before a student is accepted as an intern. Placements are not first-come, first-serve; you need to earn that spot.

Trey says he wants to do something related to pastries or agriculture; basically, things close to food production 🌾 He wants to take advantage of his opportunities as an NRC student while he still can!! Trey said he wants to work right after school rather than go to university.

Cater is interested in the entertainment industry; he mentions magazines and videos?? It seems he isn’t interested in higher education.

HELP they randomly mention that Ace’s older brother interned in the entertainment industry too (it gets brought up when Cater was considering a theme park for his own internship)??? TRAPPOLA NII ALSO CURRENTLY WORKS IN ENTERTAINMENT????? When do we get to meet him, Ace—

Vil is continuing to advance his own career in film. He already picked out a studio to apply for, and expresses an interest in magical pharmaceuticals (though he doesn’t intend on going to college). Very fitting specialties for everyone, I must say!

Rook is interested in archeology so he can learn more about the world! After learning about S.T.Y.X., he realizes there’s so much more he doesn’t yet know. According to Trey, Rook does appear to intend to pursue college/higher level studies.

LMAO at Trey constantly having to translate Rook-isms for everyone 😂 Classic Science Club…

Unca Weona is cwanky cuz the talking is disturbing his nappy—

Leona’s going to a mining and energy facility in his home country. It’s an option offered only to those with high grades. Leona wants to be a lazy ass 🦁 “They won’t fail their prince, lmao”

Idia is doing an software engineering internship at Olympus Corp (ie TWST Google) 👀 This is huge because back at the end of episode 5 (ie the episode 6 preview), Idia was actively rejecting offers from Olympus Corp, claiming that he wasn’t welcome anywhere. Character growth… Idia isn’t welcome back at S.T.Y.X. because of the Overblotting and how it nearly exposed the organization to the public eye LOL 😂 Absentee Shroud parents upset with him cksbskwbkcnfke

Malleus doesn’t seem to be interested in picking an internship; he says that, to him, 3 months is too short a time to really learn anything (temporal dissonance strikes again). In the end, he is going to research historical ruins?? He can hang out with the Gargoyles 😎 and Rollo/j

BRO WHAT ???? Lilia is dropping out of NRC??? THE FUQ,,,,!.’sveksbskebkzvczbvvv?$$$&85inmw I had to hard stop at this scene because it caught me by surprise.

The first years are talking about Mickey (like if there are certain conditions to get him to appear??). Oh god, they're planning a Mickey Mouse stakeout????? AND ORTHO IS INCLUDED IN THE GROUP AWWWW 🥺 He searches his databases and uses his cool robot tech to look for more information about Mickey but finds nothing.

GRIM MAKES A SUS COMMENT ABOUT HOW ORTHO IS MORE HELPFUL WITH THIS (Mickey and Yuu's worlds perhaps being tied or related to one another) THAN CROWLEY IS.

They overhear Sebek shouting in the cafeteria; he’s in disbelief that Lilia is dropping out of school.

So anyway, Lilia’s magic has, in fact, weakened significantly (he was almost late for the internship meeting because he woke up and found that he couldn't teleport). He plans on retiring in the Land of the Crimson Dragon (Mushu???? IS THAT YOU).

Interesting??? It seems that Lilia has been progressively losing his powers since even before Sebek and Silver were born… It’s not a super recent occurrence.

Sebek and Silver are understandably upset and mention that while it would be easy for either of them to visit Lilia, it would be almost impossible for Malleus because he will be so inundated with his royal duties after graduation. Malleus is distraught as well, but he insists that they respect Lilia's decision. AND HE’S LEAVING IN LIKE A WEEK? That’s barely enough time to mourn or to emotionally prepare for the fallout…

Malleus pitches an idea to talk to his grandma to not overwork Lilia (vice dorm leaders being overworked? What? In this game? Nooooooo/s).

Malleus's grandma is name-dropped (Maleficia)??? Is everyone in the Draconia family just Mal-something????

LOTS OF OMINOUS DIALOGUE ("Time is running out", "Fate cannot be defied", etc.)

After that whole conversation it’s clear that something isn’t right (despite Malleus maintaining his calm in front of Diasomnia). As soon as he’s away from them, the weather instantly turns stormy AND we see Malleus's blot accumulating as early as 7-13 in what I assume will be a very meaty episode.

Sebek and Silver help Lilia pack; Silver finds this tin in Lilia’s room. There is an old bracelet of acorns and thread inside.

Lilia shows up and says that it’s the most precious item he’s ever been gifted??? But it’s not clear who it’s from.

There's another item in the tin (the ring on a chain)! It has a weird effect on Silver?? I think it makes him sleepy???

The gem in the ring is the same color as Silver’s eyes; Lilia thinks its because his parents wanted his eyes to be forever unclouded and pure 🤨 That’s cute and all, but it makes me really suspicious that something super bad will happen later and I’m living for that—

This ring was tied to baby Silver when Lilia found him. He planned on gifting it to Silver when he's finally an adult... and now is that time 😭 Ain’t no way they’re giving us these heartfelt moments only to not tear it down later with something devastating… And?? With the ring being so fancy, there’s no way Silver isn’t descended from some rich family (or even royalty/nobility) himself??? Prince Silver real????/j cuz that ring sure does look like Princess Aurora’s crown…

Sebek pulls up with THIS fucking monstrosity?? It’s a weapon (axe???) Lilia used from back in the day (like, in war). However, nowadays he uses it to chop regular shit like wood. The weapon looks very similar to one that Maleficent’s minions use.

It's made out of a special magical ore! It’s called Mystium, and it changes shape according to the wielder’s magic.

Back to Yuu and co. staking out Mickey! Grim is finally realizing that if Yuu goes home, he’ll be alone 😔 Noooo, fur baby… Don’t be sad..

They wait for a while but get sleepy because Mickey is taking forever to appear. When Yuu wakes up, they see Malleus’s green lights and they go outside to find it’s snowing (again, because of his weird mood). He apologizes and makes the snow vanish, then confides in Yuu about his insecurities.

Malleus tells a story about how he froze the castle and some people when he was a little kid (omg Elsa core???) because because his grandma had promised to eat with him and was late or didn’t show up due to her royal duties keeping her busy. It sounds like even the palace servants were afraid of his power because of incidents like this. Like. It’s kind of implied Malleus almost killed them (Lilia says Malleus almost “lost” those people) with his magic.

Lilia was the only one who came for Malleus to check on him when he was upset, dried his tears, and tried to understand him. He comes over and frees the people that Malleus froze, then everyone starts preparing and eating shaved ice made from the ice encasing the castle (not randomly, I think it was Lilia’s suggestion).

Malleus gets jealous because he saw everyone enjoying food without him and/or he thought Lilia was angry at him. (This is the point when Lilia tells him he has great power so he has to be careful how he uses it, ie the “you almost lost the people that you’re now happily eating with at the hands of your own magic” talk.)

Lilia uses his weapon to make some shaved ice for Malleus and invited him to join in (I think this may be the same weapon Sebek finds in his room in the present???); this helped Malleus “connect” with other people, or at least invited him to join and do the same thing the others were) It’s because of Lilia that Malleus is okay with eating cold things. UM???? HELLO???? Is that why Malleus’s favorite food is ice-cream??? Or at least a part of it?

BTW LONG HAir PONYtAIL LILiA CANON yes I’m way more excited about this than I was about that entire ice story

Yuu calls Malleus lonely 💀 and Malleus is shocked because he’s so used to being alone that the thought never occurred to him…

Oh no, Malleus learned that Yuu has “found a way home” (ie Rickey Rat hunting) 🙃 he’s like. “You are leaving me as well?” AND RIGHT AFTER HE JUST LEARNED ABOUT LILIA GOING… Lilia, who has been with Malleus ever since he hatched from his egg…

Friends, family… everything and everyone he cherishes is leaving Malleus. “Even if I have great power, I have nothing. I gain nothing, I always lose. No one will invite me, not anymore.” No Lilia, No Yuu 😞 Malleus, your abandonment issues are showing—

NAUUUR not more ominous shit 😭 Not the “man, I sure do wish everyone wouldn’t go :(((( if only there was a way for me to have everything I want…” coming from the mouth of a super insanely powerful magician…

NOOOOO not Yuu unintentionally enabling Malleus… He asks if there was a way to be with your loved ones forever, would Yuu take it?????? YUU DOnT SAy YES YOU FUQQinG IDIOT… ENABLER Yuu didn’t learn from Trey/j

MaLLEUS MY duDE 😔 DOn’T PULL ANY STUPID ShIT PLEASE (ie we all know he probably will)

Aaaand that’s all for now, folks!! Lots of sketchy lines and lore centering around grandpappy Lilia 🤡

Overall, I like the direction episode 7 is going so far! I was really worried that it would focus too much on Yuu and Malleus’s relationship rather than elaborating on Malleus’s relationships with the rest of Diasomnia, but I’m glad that the main story actually touches upon how integral Lilia is to his found family—and to Malleus, of course. A lot of interesting plot points have been set up (especially surrounding Mickey and Lilia), and I’m really looking forward to seeing how those conclude 👀 I feel like we also got spoiled with character lore; I love that time is a Real Thing in TWST and the the boys are aging and thinking hard about their futures. Can’t wait for the angst to hit me full force like a truck 💕