#Oh be quiet

[fuckyeahgoodomensfanfic]

Good Omens Fic Rec: Oh, be quiet

It is the happiest of times for Aziraphale: After years of hard work, he finally gets casted for his first major leading role in an elite theatre production. If only he didn't have to work with Crowley, a notorious West End star, as famous for his arrogance as he is for his magnetic stage presence. (And for looking unfairly good in those indecently tight jeans.) This nuisance of a man is constantly trying to challenge Aziraphale with his snarky remarks - and a fierce quarrel between the two most cantankerous actors ensues.

Length: 15,370 Words AO3 Rating: Explicit/ Spice Level 🔥🔥🔥 Best for/Keywords: Mostly Safe in Public, Human AU, Actors AU, Enemies to Lovers Major Triggers: None

Read it here, fic by Sabotaged_Words

*Minor Spoilers* This time, we join our pair on the stage! Aziraphale and Crowley are preparing for a new production of Hamlet, and about two seconds from all out war. Well, Aziraphale is ready for war anyway. After their disastrous first meeting, Aziraphale decides he hates his co-star, and it's about to be everyone's problem if they can't get their act together.

This is just tons of fun. I loved the voice of this story, it's witty and cheeky, and I just flew through it smiling the whole time. Their chemistry is undeniable to everyone except Aziraphale. The poor dear is so repressed from his feelings, and tamps down every rational thought when it comes to Crowley. He's such a bitch in this, and I loved it! It's clear to us what's going on, how Aziraphale's anxieties and insecurities are blocking him, but his absolute refusal to see that makes the entire thing so satisfying to watch.

You'll probably be fine in public with this, but we do get a very enjoyable steamy moment behind the curtains towards the end so be prepared.

Read it here, fic by Sabotaged_Words

[lizadale]

yeah, i don't think it would go as King Boo expects

(Boo jumps out of Mario before the first hammer swing connects. Luigi would pursue him, but he's busy being revenge-tackled by a very bruised Mario, who really doesn't care what's happening, just knows that Luigi hit him with a goddamn hammer and he needs to dispense noogies)

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[pinacoladamatata]

blink and you'll miss it moments around skyhold....

[newquestion]

And by that logic, Wild, Burned Grey and HEA could also speak cat.

What about the Harsh princesses? Well...

They're sukeban

Stranger can go anywhere tbh, she's Stranger

tbh idk with Nightmare, Wraith and PATD

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[lover-of-mine]

All aboard the clown car 🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡

[inkskinned]

something bad happened to you, and you died, and you came back wrong.

not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.

you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.

but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.

you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.

but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.

you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.

you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?

you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.

you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!

you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"

[konigsblog]

mutual masturbation with simon riley...

simon's dick hardens at the sight of you getting off, that fucked-out stupid look in your eyes, with tears brimming in your waterline—he's obsessed.

it's addictive. simon's thick fingers prod against your tight hole while you wrap your hand around his veiny shaft. your strokes are slow, biting your lip and gazing into his eyes while attempting to calm your breathing. you pant like a filthy mutt in heat, your grip on his lengthy, slick cock tightening at the wet, throbbing sensation between your soft, supple thighs.

simon's dick pulses and aches at the pleasure, the softness of your hand in comparison to his rough, calloused, and scarred skin feeling heavenly. simon begins to push another digit inside your entrance, watching your jaw fall slack and your eyes glisten with delirium. he pumps two fingers into your swollen, soft folds while cooing at you for being so pent up, so sexually frustrated. you look perfect like this; legs spread wide open for him, gazing up at him needily, and jerking him off messily.

“that’s it, there we go. attagirl, you’re doin’ so well, ain’t‘cha? strokin’ my dick, that greedy cunt swallowin’ my fingers, yeah?” simon cocks his head to the side teasingly with a cruel grin plastered on his stupid mug. the effect he has on you leaving him feeling playful, sliding another finger into you unexpectedly, your moans only getting louder.

god, simon adores stuffing your pretty holes full, finger fucking you into stupidity until you're begging for permission to come all over his scarred fingers.

you watch as simon's tip begins to weep, oozing out strings of his creamy arousal. pearly orbs of his stickiness flow from the head of his lengthy, fat cock and run down his stuff shaft, acting as lube as you jerk him off rapidly and eagerly, tears beginning to roll down your cheeks from overstimulation and desperation, with pleas flowing from your lips.

[eggnoodles0up]

slay the princess is a very serious and existential game

[loveinhawkins]

ao3

It’s the last day of school before Christmas, and the first thing Eddie hears when he enters Family Video is Steve Harrington saying, “Fuck this,” which seems kinda unreasonable; he’s not even done anything yet.

But then Steve continues, his voice turning distant as he heads to the back of the store—“I don’t care what the goddamn handbook says, the radiator’s goin’ on full blast,”—and Eddie realises he hasn’t actually been noticed at all.

Not by Steve, at least. 

Robin Buckley is standing by the computer. She’s checking her watch; Eddie can see the thought cross her mind, that he should’ve been out of class over an hour ago, like she was.

All of a sudden, he feels uncomfortably aware of what he must look like: drenched from the rain, dripping water onto the carpet. 

“Hey, Munson. O’Donnell got you working overtime, huh?”

Eddie fakes a laugh. He doesn’t know Robin that much—but still just well enough to know she doesn’t mean anything by it.

So he nods and rolls his eyes, concocts a story about an unjust detention; he even embellishes it with a pinch of truth as he brings the video tapes out from the shelter of his jacket. Says that his last-ditch attempt at improving his grade before the holidays was offering to return the videos O’Donnell rented for her classes.

He doesn’t mention the fact that he stayed behind voluntarily. That he spent all that time staring down at a perpetually unfinished essay, gripping his pen with an all too familiar desperation. That kind of honesty somehow feels more embarrassing than lying; it always has.

Robin takes the videos from him. “Okay, tell me if that works,” she says, with a hint of sarcasm; she’s joking, Eddie reminds himself, but not in a mean way. “Because I’d be returning, like, so many library books if…”

She trails off with a frown, eyes on the computer screen. Glances to the stack of video tapes before punching in something.

Eddie doesn’t mind the wait; it’s only now that he’s really appreciating just how cold he is. He shakes some water off his jacket sleeve, fingers numb, and realises too late that he’s creating a puddle on the floor. 

“Uh, sorry for, um. Dripping,” he says awkwardly, but Robin doesn’t seem to hear him; she just keeps frantically tapping on the keyboard.

Outside, the wind picks up even more, throwing rain against the windows. 

There’s the creak of a door swinging open somewhere in the back, followed by a voice calling, “What’s up?”

Eddie startles—he almost forgot that it wasn’t just him and Robin in here. He watches Steve sidle up to the register.

“It’s this stupid—“ Robin gestures to the computer with frustration. “It keeps going all, you know, aaaah.” She draws out the sound, wiggling her fingers.

Surprisingly, Steve catches Eddie’s eye with a wry look. “Technical term,” he says, deadpan.

If Eddie didn’t know that he was the only other person in the room, he’d think that surely he’d been mistaken for someone else.

Not that he thinks Steve would ignore him outright; it’s just that they’ve not got much history—no fleeting camaraderie forged from sitting next to one another in class. Sure, they crossed paths as much as anyone did in Hawkins, Steve a recurring figure in Eddie’s peripheral; he knew of his existence, obviously, it’s Steve Harrington, but nothing more than…

A collage of all the times Steve’s picture has appeared in the school newspaper flickers through Eddie’s mind. Okay, but that was because of The Tigers, and the swimming team, and—anyone would’ve noticed that—

His justification is brought to a halt at a particularly fierce howl of wind; Robin flinches so badly that she knocks the video tapes onto the floor. 

“Just the wind,” Steve says quietly.

As he speaks, he gently nudges Robin out of the way with his hip. Picks up the fallen tapes.

And to anyone else, it might seem kind—and nothing more. 

But there’s something almost imperceptible in the way Steve does it, Eddie can’t get away from that fact: a meaning behind the words that he can’t grasp.

Then he hears Wayne’s voice in his head—son, you know fine well when something’s none of your damn business—and tells his curiosity to quit it.

“Sorry, it’s still not working,” Robin says, giving the computer one last thump. “I can, um, write you a receipt? To prove you returned them? So O’Donnell doesn’t get all…”

Eddie nods. “Sure.”

Robin gets a pen out of her shirt pocket and writes a receipt, triple-checking the movie titles as she does so.

Eddie thanks her as she hands over the paper. Catches himself hesitating. 

There it is: the familiar prickle of discomfort, not knowing what else to say. Jesus Christ, isn’t that a failure on its own? Another year at school, and you’d think he’d be somewhat closer to other students, just from the sheer amount of time they’ve spent together in the same four walls. And yet, he’s starting to feel more distant than ever.

Granted, there’s Hellfire, but on bad days even that chafes, not that he’d ever admit it. Like he’s playing a part far bigger than who he actually is.

Eddie expects to just walk out without another word being said. In fact, he’s bracing himself for the cold again, almost at the door, when Steve inexplicably speaks up.

“Are you actually leaving?”

Eddie turns around. Steve’s leaning by the desk with his arms folded, looking at him expectantly.

Eddie’s half-convinced there’s a joke he’s not getting.

“Uh, yeah?” he says. He tries to ensure that ‘what the fuck else am I supposed to do?’ goes unheard, but from the way Steve’s eyebrows rise, he doesn’t think he succeeds. 

Steve gives a pointed, dubious look outside. “Dude, you wanna drown out there?”

Eddie rocks back on his heels. There’d be a time where he would really snap back at that (the first time he flunked out, maybe), but now he’s more caught off-guard. 

So he just glances outside and says, “Ideally, no.”

Steve gives a slight huff of laughter at that, shaking his head.

“Look, I’m just saying, man, I’m not gonna be driving till it clears up. Thought I was gonna need a canoe just to get into the parking lot.” He turns to Robin as if looking for agreement, stacking the tapes Eddie returned as he adds, “I said that when I drove you in, right?”

“I dunno, I’ve had crazier journeys,” Robin says.

Steve rolls his eyes like she’s made a corny joke—but he’s grinning like he just can’t help himself.

Eddie watches with a flicker of amusement rather than irritation, which catches him unawares. If he was honest, he’d felt drained not even a few seconds ago. But seeing Steve and Robin’s back-and-forth sparks an unexpected urge to respond in kind.

“Since when were you the spokesperson for road safety, Harrington?”

Robin snorts.

Steve shrugs. “At least wait until it’s not so brutal out there.”

And what brings Eddie up short is that, despite the dry tone, Steve sounds sincere. It leaves him struggling for an acceptable reply.

Before he can work one out, Steve steps to the side and pushes a swivel chair with his foot, right into Eddie’s path.

Eddie sits down in silent bewilderment.

He braces instinctively for an unbearable awkwardness, but it’s not so bad: Steve and Robin just continue working. It gives him time to try and dry his jacket off, at least, and when that ends up a lost cause, he turns to noticing the background noise in the store.

There’s a TV overhead playing It’s a Wonderful Life; George Bailey and Mary Hatch are about to Charleston right into the swimming pool.

Steve wanders into his eye line, scanning the aisles with a clipboard. Eddie doesn’t actually know how long he’s been there. He’d kinda got caught up in watching the movie. Steve seems to notice that; it’s gone too quick for Eddie to be sure, but his lips might’ve quirked, as if in approval.

“Hey, d’you want me to take your jacket? I’ve got mine and Robin’s on the radiator in the back.”

Eddie does his best not to stare. It’s a habit he’s still not shaken off: waiting for the other shoe to drop when anyone apart from Wayne is so… so…

“Didn’t realise this place was a hotel, Harrington.”

Despite his misgivings, he shrugs off the still damp jacket; Steve’s already stuck his hand out for it.

“Not everyone gets this treatment, Munson. You just haven’t annoyed me yet.”

“Then what am I doing wrong?” Eddie returns flatly. 

This time Steve’s smile is obvious.

“Don’t move my scarf off the radiator!” Robin calls as she wheels a trolley of tapes.

“What do you take me for?” Steve says.

He disappears into the back again, returning empty-handed when the phone rings. He mutters at it before he picks it up, “Yeah, of course you still work,” and it’s not endearing, Eddie tells himself. It’s not.

And no, he isn’t listening in to the phone call. That’d be… that’d be stupid. It’s just that the movie isn’t all that loud, so he can’t help but…

“Hello, Family Video? Oh, hi, Mrs Wilcox, how are… Mm-hmm. Mm-hmm.” Steve listens to whatever’s being said on the other end. His eyes find the TV, and then he’s silently mouthing along to George and Mary singing, ‘Buffalo Gals.’ “Oh, are you kidding? No, no, stay inside. It’s not a problem, I can just—yeah, of course. I’ll push it back to after the holidays. Yeah. Yeah, you too. Thanks for calling. Enjoy the movie!”

He hangs up, absentmindedly humming. Eddie quickly looks away.

He notices then that he’s sitting right on the edge of his seat like an idiot. He makes an attempt to sit back—be normal, just be fucking normal—but there’s a rigidity he can’t quite shift, that’s been stuck there probably since middle school, when the cafeteria was full of whispers, did you see the new kid? There, the one with the buzz cut.

“Steve, you off the phone?”

“Yeah. Hey, Rob, if I forget, could you make a note to extend Donna Wilcox’s rental? I’ll do it when we’re back, if the computer’s—”

“Sure, sure. Um, so—”

“Oh, God, what?”

Robin grins, a mixture of sheepish and teasing. Eddie stays put. Has she forgotten he’s here? Should he move? Leave? Yeah, he should leave, they’re not gonna notice… He’ll grab his jacket, slip away; the weather’s not that bad—

“I’ve got something for you to—”

Steve waves his hands in disagreement. “Nope, we said we weren’t doing presents!”

“It’s not really a—my grandma wouldn’t listen, Steve, it’s, like, more of a punishment, honestly, just—just wait there.”

There’s a clatter as Robin rushes off, scattering some more tapes off the trolley. The employee door slams shut behind her.

Steve tsks to himself, but picks up the tapes again. As he bends down, he glances over his shoulder with a brief ‘what can you do?’ sort of expression—which forces Eddie to consider the fact that he hasn’t been forgotten.

He doesn’t know how to feel about it.

He settles for an attempt at nonchalance: sticks a foot out to spin the chair ever so slightly, just side to side, and says, “So, uh, is this job just throwing tapes on the floor?”

“Yeah, we take turns,” Steve says without missing a beat.

He scoops up a tape, twirls it deftly before slotting it into place on the shelf. Eddie should probably find it annoying.

He doesn’t.

In the silence, he tries to lose himself in the movie again, at least a little bit, but he can’t manage it—feels too aware of himself, the creak of the seat as he moves even the tiniest amount, the restless fidgeting that he doesn’t even want to be doing, but knowing that never helps him stop—

“Ta-da!”

Eddie turns in time to see a blur of red; Robin’s just thrown something at Steve, who catches it easily—of course he does, Eddie thinks, but he can’t pretend that the thought comes from a place of resentment, not even inside his own head.

It’s a sweater. Steve unfolds it with a cackling laugh; there’s not a trace of the artificial veneer of high school in the sound.

Unlike you, whispers a nasty inner voice.

Steve’s still laughing. “Robin, this is the best—”

“Shut up, no, it’s so bad.” Robin hoists herself up to sit on the desk. “Grandma did the actual work, all the bits that are messed up are from me—”

“You knitted this?”

Steve beams. Eddie notices that there’s an endearingly crooked tilt to one of his incisors.

And then Steve’s glancing around like he’s checking no-one else has come into the store. He ducks out of view of the windows, but is still very much in Eddie’s view as he throws off his work vest, yanks his shirt up over his head, and…

Eddie suddenly feels like he’s been flung back into the claustrophobic space of the school locker rooms, the dread of changing for phys ed. The voice in his head gets louder: don’t look, don’t look; they’ll know. 

But Steve doesn’t seem to care. He just leaves his shirt in a heap on the floor, wincing overexaggeratedly at the cold, and practically dives into the sweater with a boyish glee.

He laughs again; the sleeves are far too long. “I love it.”

“You do?” Robin says, and while she’s playing up her dubiousness, Eddie can hear how she’s pleased underneath it all.

“Uh, yeah!”

The back of Steve’s hair is ruffled from how eagerly he put the sweater on—but instead of fixing it, he focuses on artfully rolling up his sleeves.

Eddie should look away. Should, at the very least, attempt to appear like he’s zoned out, in a world of his own.

And yet…

Despite everything, he watches Steve Harrington with all the silent, rapt attention he usually reserves for movies.

Moth to a fucking flame, Eddie thinks, resigned.

“Suits me, huh?” Steve says to Robin; he does a stupid little move, one hand on his hip, like he’s on the front cover of a magazine.

“And you’re modest, too.”

“You just don’t know style when you see it.”

Steve’s at the desk now, nudging one of Robin’s feet playfully, before turning round to lean against the corner again. “Hey, Munson, what do you think?”

Eddie finds himself fighting the instinct to reply with something undeservedly cutting. He’d just be trying to cover, anyway, using barbs to conceal what the question makes him feel: something akin to the franticness when confronted in class with a test he hasn’t studied for.

And he looks. Really looks—his heart slowing, the initial panic from the flash of bare skin fading away.

Steve’s right; the sweater does suit him, in all its homemade charm. The shade of red is flattering, brings out his eyes: maroon, if Eddie had to put a name to it, although he suspects that the colour’s actually got nothing to do with it, more the way Steve holds himself—a quiet, certain confidence that’s always been out of Eddie’s reach.

He inwardly gives himself a shake as Steve and Robin keep waiting on his response.

This isn’t school, idiot; they’re not trying to catch you out.

“I’m hardly an expert on high fashion, Harrington,” Eddie says—thinks he just manages to pull off the lazy, unbothered drawl.

“Well, you have a look,” Steve says faux delicately, like he’s being incredibly generous.

Eddie cracks a genuine smile; it sort of weakens the whole aloof thing he’d settled on, but he surprisingly doesn’t care all that much.

“Damned with faint praise.”

Steve scoffs as if to say touché. His gaze catches on something outside, and Eddie wonders if it’s an actual customer, if it’s time for whatever all of this is to stop.

But all Steve does is poke Robin’s foot and add, pointedly singsong, “Rain’s stopped.”

“So?” Robin asks.

“I think it’s in between storms,” Steve says sagely. “Like, we’ve got a little window before more rain hits.”

“Great, Steve, I’ll love waving that opportunity bye.”

Steve tuts. “Rob, I’m saying we should ditch. Come on, it’s been dead all day. We can be home early and warm, it’s, like, single-handedly the best plan I’ve ever had.”

Better than when you won the championship game? Eddie thinks—wisely keeps that strictly to himself, because he’ll admit following Hawkins High’s basketball results on pain of death.

Robin looks torn. “I don’t know, Steve, what if—”

“Who’s gonna tell?” Steve says, gesturing around at the empty store. He nods at Eddie, says sarcastically, “Oh yeah, Eddie Munson, known snitch.”

“You flatter me,” Eddie says. He surprises himself at how easily it slips out, like for once, there was no need to overthink it.

“See? Rob-in,” Steve wheedles, “come on, I’ll cash out. You and your grandma could knit for hours.”

“Shut up,” Robin says fondly. “Fine! Quick, quick, I’ll flip the sign.”

The whole thing resembles a military operation, with how speedily Steve and Robin manage to close the store. Eddie stands up and moves the swivel chair out of the way, but feels almost exposed without it.

Steve’s just finished at the register when he catches Eddie’s eye. He snaps his fingers, “Oh, shit, yeah,” and yells over his shoulder to Robin in the back room, “Hey, pick up Munson’s jacket, too!” Then he’s stuffing a couple of tapes into a backpack. “Want one?”

Eddie blinks, confused. “What?”

Steve wiggles one of the movies in demonstration before zipping up his bag. “I always take some home. As long as you have it back by, uh,” he waves a hand vaguely, “some time in the New Year, whatever.” He clicks his tongue. “Damn it, forgot to turn this off…”

It’s a Wonderful Life falls silent.

Through the whir of it rewinding, Eddie speaks almost without meaning to. “Can I have that one?”

Steve looks up at him in faint surprise. “Sure. Hang on, I’ll just find…”

He ejects the tape and passes it to Eddie. It’s still warm from being played.

And then the case is being handed over, too—there’s scraps of paper folded in the corners, rolls of receipt in Steve and Robin’s handwriting: games of tic-tac-toe and movie recommendations.

As Eddie puts the tape inside, a thought occurs to him. “Wait, uh. Were you gonna take this one home, too?”

Steve’s folding up his discarded shirt and vest. He smiles, and if Eddie didn’t know any better, he’d think there was something shy in it.

“Oh, nope. I—” He laughs under his breath. “I have it already.”

The back door bursts open to reveal Robin all wrapped up in a scarf. She throws Eddie his jacket, jangles some keys and imitates Steve’s half-singing when she announces, “I’ll lock up.”

The wind’s thankfully died down so the contrast from inside to the parking lot isn’t terrible—though that’s probably helped by the fact that Eddie’s jacket is warmed right through from the radiator.

As he gets to the van, he expects that Robin and Steve will already be out of the parking lot. But when he slides into the driver’s seat, he sees Robin’s the only one actually inside Steve’s car; Steve’s half-in, half out, one hand on the roof. 

“Safe journey, Munson!”

And maybe it’s just how Steve’s voice is anyway, but it sounds like it’s more than just a platitude. Like it means something.

Eddie honks his horn in reply. He lets Steve drive out first—his car’s parked closer to the road—and absentmindedly drums his fingers on the VHS case in the passenger seat.

This was a fluke, he tells himself. Like a movie being played in last period, the curtains drawn—how it always feels kind of like a dream.

Still, he drives home warm. Thinks in a gentler voice, one that sounds like Wayne—a reminder that not everything is a trap waiting to spring shut on him.

[lackpenny]

a broken man's last effort, all for nothing

[coolguyontheblock]

So in highlight of that collectors edition...

[spideyhexx]

wet cat holding wet cat

[lightbluesleeper]

weird little long quiet sketch. pretty bird <3

[pharawee]

"His face was covered, but I know it was a man. Tall and wearing black clothes."

—SPARE ME YOUR MERCY · การุณยฆาต · Episode 01