#OTP meta

[carrythatwayt]

They fall in love over and over again in fanfics do you know how powerful that is??? Do you know how persistent and romantic and defiant us fans are for this????? To take two characters and say: first of all, this is a love story. Fuck cringe culture this is powerful

[mischievous-thunder]

Logan not only held onto the photograph after the fight until he fell asleep but also kept it with himself until what he thought was going to be his last conversation with Wade.

Just prior to going into the chamber to destroy the Time Ripper, Logan gave the photo back to Wade because the man didn't think that he'd make it. He wasn't someone who expressed their emotions too eloquently but in that moment his expressions and voice conveyed what his heart truly felt. Seeing Wade teared up and realising that that moment could be their very last together, Logan let the voice of his heart take over.

That was their declaration of love.

[sammaggs]

3x01 Burning Down the House | Continuous

THIS IS ALL ONE SHOT!!!!!!!!!!! THIS IS ALL. ONE SHOT.

A nearly two-minute walk and talk in the precinct set with NO CUTS. For TWO MINUTES.

This is TWO FULL YEARS before The West Wing, which popularized the long hallway single shot walk and talk.

Genuinely hard to convey how difficult a shot like this is to choreograph with so many different moving pieces. As one continuous take this shot is WILD. It means everything—including the push in to Ray and Elaine, the pull back out to include Fraser stepping precisely back into frame, the ACTUAL LIVE DOG, the walk into the bullpen with all the extras cutting in front of camera, the gag with the ink—all of that is in ONE GO, NO FUCK UPS.

INCLUDING!! One of the best pieces of acting in the ENTIRE SERIES right here:

THE love at first sight moment. In the MIDDLE of all this.

My favourite thing about this is imagining Gordon Pinsent standing patiently in the bullpen waiting for his moment for the 45 times it took to get the first ninety seconds of this shot clean.

Oh I will never be done being obsessed with this show. The level of stagecraft involved here alone is insane. Paul Gross the man you are,

Happy 27th birthday today, Burning Down the House (Sept. 14, 1997)!! You are still iconic🇨🇦🍁

due South Long Shots [one] [two] [three]

[heartsandmuses]

i keep seeing posts about how ppl wish that deadpool and wolverine actually fucked in the honda odyssey... but they did! they used almost every cinematic shorthand for sex possible in that scene. the focus on penetration (knives, claws) in incredibly close proximity. the bodily fluids (blood) spraying everywhere. the car rocking. the day-to-night transition. the way they're laying beside each other afterwards. the very deliberate choice of "you're the one that i want" playing in the background. they fucked!! it's hays code era fucking, bc it had to be approved by disney at the end of the day, but it still counts!!

[galedekarios]

i can't believe it took me this long to realise that almost all of gale's greetings, whether they are:

low approval

friendly

romanced in act i

to romanced in act ii

to romanced in act iii

are just variations of asking what he can do for the protag / what they need from him

[bertoyana]

i'm so sorry i don't want to be the "the party ended 5 years ago and he's still here" person but dark phoenix's final scene is still SO funny to me. especially to see how erik plays charles like a fiddle

like: he shows up with NO helmet AND a chess set. (he did this last time in days of the future past, and it worked, right? so it should work again, right? right???)

so, he sits, completely uninvited mind you, and he tries (and fails terribly bless his heart) at starting a normal conversation, he asks charles about his retirement, probably trying to get charles to like, talk about it or whatever

(rip erik's hairline)

charles is not having any of it, which... valid. the last time he and erik had a full conversation, erik told him to shut the fuck up 

anyways, erik realizes his failed attempt at being casual did NOT work like he wanted, so he pulls out plan b - he calls charles his old friend (which, if you pay attention, in the prequels they use 'old friend' as a term to de-escalate the situation)

which WORKS, for some reason, and charles immediately deflates and gives erik the tiniest smile in existence, because erik showing he cares always seems to do it for charles lmao

(he's so embarrassing . god bless. @ x men: is this your leader)

anyhow, erik pulls out the second part of his plan b - he asks charles if he wants to play a game. still playing casual. just two buddies. just two guys. some guys. just some friends having a toootal normal n casual conversation.

and you can immediately see charles close himself up, he crosses his arms and avoids looking erik in the eye. erik managed to soften him up with the 'old friend' and having his helmet off, but it's not enough YET so erik pulls out his plan c. luckily his last one, christ, charles really does like to keep them waiting doesn't he

keep an eye on erik's entire demeanor in this scene, his position is not closed off like charles', he's open, he leans on the table, and maintains eye contact with charles. his head is tilted to one side and everything, completely harmless

i'm so obsessed with charles' microexpressions here james mcavoy you are so insane

anwyays, charles uncrosses his arms and his position does come off a little more open, but if you watch the scene you can see him shake his head. this obviously touches him - but he's probably intending to say still no. probably because he has the biggest martyr complex i've ever seen in a fictional character 

so, erik pulls up his fucking plan d (lol) and hopefully this time IT WILL be the last. he pulls the pawn out of his jacket pocket.

(why the fuck is this played like a fucking romantic scene i'm so serious, why is he smiling to himself like that)

mind you, erik had the pawn in his pocket the entire time, which could mean either of two things:

charles looks surprised/confused the entire scene, but in THIS part he doesn't look confused, he just looks like he's still trying to figure out what erik is trying to do. so it either means erik makes charles play this 'guess where it's hiding' game all the time (????) which doesn't really sound likely for him to do, but erik is always begging charles to get into his head so it wouldn't surprise me if he actually did this every time. god knows he's desperate enough or

erik was expecting charles to reject his offer right away, and had multiple other plans shoved up his ass if this was the case. this also seems likely, he's obsessive enough to have thought multiple ways through. 

anyways, he puts his two fists up and pulls up the most mortal sentence in existence. one he knows charles won't be able to deny him

"just ONE game 🥺 for old time's sake???? 🥺🥺🥺" man stfu you are 62 years old GET UPPPP 

anyways - pay attention to his wording. 

"just one game" because erik came ALLLL this way for charles, so charles might as well play ONE game with him, and then erik could be gone - if charles wanted it that way. 

"for old's time sake" when things were easier and when they were more at peace - when they were on each other's side. when they were together and the mansion, just after charles had saved him and gave him a hom- oh wait 

(also, there's 100% a hidden meaning here. and there’s also a 100% chance i’m reaching but idc. the pawn could be in his left hand or his right. the possibility is 50/50. the only way charles could know with 100% certainty was if he entered erik's mind - if he took up erik's offer. but he could also not get into erik's mind and just... guess and fail - by thus, not taking erik's offer. erik is giving him an out, a choice to make the first move)

(and the chess piece he offers charles a WHITE pawn. the white pieces are the first ones to move. 

also also if you have paid attention to the previous movies, erik is always the one to use the white pieces, this is the first movie where we see charles play with white)

anyways, charles does struggle a bit with the choice, but ultimately he decides to accept erik's proposal and """guesses""" right.  

and going from erik's... entire face and smirk lmao i'm guessing charles went into his head to get it right. mind you, this is like sex for them

charles accepts - erik is very relieved to know he's not the only one who's down horrendously. and after the worst guessing game in history (seriously, the pawn was in erik's right pocket and then he had it hidden in his right hand... man i guessed that shit and i'm not even a telepath) they start rearranging the board

so anyway, erik gives charles this look like he wants to climb him like a tree, which means that playing edward 'down embarrassingly bad' rochester in jane eyre (2011) finally fucking paid off

erik doesn't even blink mind you, and charles doesn't take his eyes off erik either way, which means they are just STARING at each other without blinking for god knows how long LMAOOO 😭😭😭

once everything is said and done, erik makes a silly little joke and charles rebuts. then erik gives him the biggest smile i've ever seen him give to someone since magda, and then he follows it up with a smaller, softer smile with no teeth

seeing this for the first time in the theater was like getting shot in the chest, no joke

mind you erik stopped trying like three minutes ago but for some reason, the first time we finally see charles soften up in the ENTIRE movie is after he sees erik smiling at him. which could mean nothing.

and the thing is: charles does have a big heart, and he means well, most of the time, but he also doesn’t necessarily has… the best way of showing it with his actions lol. erik knows this, and he knows charles has a thing for lost causes, for people the society has given up on. charles threw himself into the freezing water to save erik - even when he didn't KNOW him. 

AND he also knows charles has the biggest soft spot for him, he KNOWS - because all those years ago, charles' biggest accussation wasn't "you paralyzed me" it was "you left me". because after erik lost his wife and daughter, charles rushed to find him, to make sure he was okay. because nine years ago, charles looked at apocalypse and said "fuck you you are twisting erik's grief, and you are hurting him" to A GOD BTW. TO HIS FUCKING FACE NO FUCKS GIVEN AT ALL

tldr: call erik the fucking violinist because boy he sure knows how to play charles like a fucking instrument and how to press all the right keys to get him to say yes to him. he gave charles an out if he didn't want to come with him, but he also came PREPARED for it, mind you, he came PREPARED to take charles with him to genosha. he didn't get to take charles with him 30 years ago, and he was going to be dammed if he didn't take charles with him NOW (this time with no bullet wound and no helmet lol)

and the most insane thing to me is, that he knows charles has a soft spot for him, he's known this for 30 years, and yet, the only time he uses it in his favor is to get charles to say yes to him on this. the only time he uses it is when he thinks he can do something to help charles - to give him back all the kindness charles gave to him 30 years ago. 

anways i'm insane. i'll be back here eating glass if you need me. i'm so normal about them. simon kinberg broke something in me 5 years ago

[lizardkingeliot]

This moment cannot be captured in gifs. You can feel the madness in Lestat's mannerisms and hear it in his voice. He is not even a little bit okay. This early part of the performance is based on the biggest lie of the trial: that Lestat was the one who was hunted by Louis. And I imagine that was the hardest thing to sell for him. The idea that he hasn't always wanted Louis from the very moment he laid eyes on him. It's understandable that he almost lost himself a second later. That he dissociated and forgot his lines. That standing there and lying about that truest truth of their early love story—that Lestat wanted him so much it was agony—was nearly an impossible task for him...

I'm going to need to digest the episode a bit more and rewatch the whole thing to fully grasp what I think Armand the coven was doing when they forced him to lie about this specifically when so much of the rest of the performance was based on truth (and Louis confirmed as much when he said Lestat's recounting of Claudia's turning was accurate). But I think it's probably just that it plays into the whole Lestat The Victim narrative they were trying to sell much better...

[thievinghippo]

I'm never getting over Emmrich's face here, just after Rook has flirted with him over a dead body. This is a man who has dreamed of love, has yearned for it for years and never truly expected to find it at his age

I think it's very telling how in the garden date he says it's been years since he's had company, not that it's been years since he's been in a relationship. My guess is he's mostly had very discreet liaisons with fellow Mourn Watchers over the years, maybe the occasional noble when he's helped with their problems. But that he has very limited experience with actual relationships (because of his first partner, Hezenkoss, a hill I will die on)

And then Rook

At first, I'm sure he brushed it off. I have to imagine that flirting with Professor Volkarin is a rite of passage for young students of necromancy, which would explain how he didn't miss a beat the first time Rook flirts with him

But then Rook keeps showing up. And keeps flirting. Rook compliments his necromancy, his looks, his kindness, all things that are important to him as a person. (We know he's a bit vain. A gentleman is never without a brush and a razor, after all)

This, I think, is the moment that he actually lets himself hope. That he starts to wonder 'what if?' And eventually, those hopes will lead him to a love that he could have only imagined in his dreams

[stevebuckythyla]

Don't forget.

FINALS. NARUMITSU VS SASUNARU.

choose.

[meldingintheunderdark]

Halsin being so aroused he transforms spontaneously into a cave bear is very sweet. His shame and annoyance because of his lack of control... I like to think his wildshape is his oldest coping mechanism.

We know the Silverboughs are all dead because of a combination of illness and misfortune, therefore Halsin faced death and grief early in life. I wonder if his wildshape helped him to grieve his family after he joined the druids. Even as a cub/young male, he was already stronger and bigger than his wood elf self. Fur and fat, claws and fangs, he was at long last able to defend himself, even against the hardships of life. He discovered a way to deal with his feelings thanks to the most primal side of his personality. Maybe it helped to make things simpler. His feelings seemed less daunting. Some animals grieve too. Perhaps living among beasts as a bear allowed him to experience tragic deaths all over again, the harshness and unpredictability of nature as well as its beauty, until he could grieve and find joy once more.

In other words, his wildshape was often used to process intense emotions, hence its overwhelming presence when he’s enraged... or extremely close to the elven equivalent of a rut. Despite the passing years, the habit stayed as an adult. Halsin also mentions hibernating. Perhaps these periods were somewhat akin to “depression naps”, but excessively longer. After all he was the sole surviving Silverbough and one of the rare survivors of the shadow curse.

That’s why the scene is endearing. Such an ancient, childish habit Halsin was utterly unable or unwilling to ditch. His oldest coping mechanism exposed out of the blue to his first lover in a long while. So embarrassing. When the PC accepts and even desires his wildshape, it shouldn’t be reduced to a comical moment. Yes, the traumatized squirrel is funny, fucking a wildshape is a risqué kink, but come on. His lover wants him as he is, imperfections and all, from the wounded kid to the wounded adult. The PC embraces Halsin whole, unconditionally.

Sszazar won't understand how essential this wildshape is to Halsin at first, no time to muse over this when he's going to get railed by his cave bear of a lover, however he will sense it isn't merely about arousal. It's the uncontrollable and purest expression of Halsin's vulnerability.

[ironshieldchild]

they really have a habit of thinking about each other when the world is ending, huh.

[wistfulwatcher]

2.05 The Aftermath | 5.01 Nameless, Faceless

[mischievous-thunder]

Wade, during an argument: Now you sound like those boring unromantic people.

Logan, deadpanning: Says the one whose idea of flirting is to kidnap an unsuspecting drunk man at gunpoint from a bar.

Wade: YOU LEANED AGAINST MY GUN OMG YOU-

Logan, smirking: -Which further proves that I'm neither boring nor unromantic.

[bitspieces]

The thing is Aziraphale is convinced Crowley falling was a mistake in the system. Crowley is good and he's kind and Heaven is supposed to be the good side so it shouldn't have cast him out, that's why he wants to reinstate him as an angel, because what else would he be?

Whereas Crowley understands perfectly that him falling was the system working as intended, Heaven doesn't care about angels being good and kind, it cares about them being obedient and loyal.

And as long as Aziraphale doesn't see that he won't be free from them, because it's inconceivable to him that someone good wouldn't want to be on the good side.

[jessmalia]

Rewatching some 1x02 scenes for giffing purposes and I just wanna take a minute to appreciate Emily Carey's acting as Alicent. She's got back to back scenes comforting Viserys and then Rhaenyra, and in the text there's not much difference between them, but it's so clear just from Emily's delivery and facial expressions that with Viserys Alicent is only saying/doing what she thinks is expected of her and with Rhaenyra she's acting from a genuine place of wanting to help her friend.

[galedekarios]

[x]

i'm not saying we were robbed, but we were robbed. please imagine: