#NEED TO DO A CHARACTER ANALYSIS

[littlemissclandestine]

I just watched Platoon y'all...

One word: Barnes 👀

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[peacockrulz]

Comic I made earlier this month. Based on a convo w/ a friend :]

bonus:

Can you tell,,,shes my favorite,,,,

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[holopossums]

One of my favorite details of all time in the ROTTMNT Movie is that when Casey Jr. is so angry, he either seems to not think right or does not care about hurting himself to unleash his anger. And it's so funny.

Consider the scene with Casey and Leo, the one after Casey chews him out.

After a little bit of time alone, Leo resolves to do better. While moving rubble, Casey finds a break in the wall with light shining through and understands it's a way out, so he focuses his efforts on that. Leo joins Casey at the top of the rubble pile, trying to help.

Casey is still steaming mad and gives Leo a hilarious glare before ramming into the wall to break it.

Now, remember where Casey's armor is. The shoulder armor is on his right. What shoulder does he use to ram into the stone wall?

His left.

Yep, he was so mad that he rammed into a stone wall with his unarmored shoulder when he has a perfectly good armored shoulder on the other side. This action also hurt him quite a bit, it seems, considering his expression.

(As a side note, it is true, you're really not supposed to ram your shoulder into things, you'll injure it. That's why it's common advice to kick doors down, not shoulder slam them. That's also why in contact sports, including hockey, people wear shoulder pads.)

It gets better, though. Clearly it hurt the first time so he wouldn't do it again, right? He can't be that stupid, right?

WRONG.

Casey is probably too angry and full of adrenaline to consider much or not try to hurt himself. So he rams into the wall the exact same way a second time. Really it's only when Leo tries to speak more openly here, admits his flaws, and agrees to work together that Casey pauses.

But wait, it gets even better. The third and final time when they break through the wall together...

HE'S STILL USING THE SAME SIDE TO SLAM THE WALL. 😭 He learned nothing. He just doesn't hurt himself too bad the final time because they successfully break through to the elevator shaft.

Not once within this scene did it occur to him to use his armored shoulder. Not once. Not even after it clearly hurt.

Casey Jr. truly is a gift. 💗

[moraymiso]

// bsd ch 119

akutagawa’s line in that one panel where he asks atsushi “who the hell are you?” might genuinely be him losing his memories or something sure

but i think it’s more likely he’s gonna turn around later and be like “i asked who you were because you were sitting there sulking and crying for fyodor’s mercy like a damsel in distress. and that is NOT the atsushi i fight with”

like maybe i’m just coping but that seems right up his alley. to practically slap some sense into atsushi mid-breakdown over his dead friends

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[allastoredeer]

THAT MOMENT YOU REALIZE ALASTOR IS ACTUALLY WAY SCARIER THAN WE GIVE HIM CREDIT FOR

So, in the throes of doing world-building for my Hazbin fics and analyzing characters and how they fit into Pentagram's political system, I realized not only how powerful Alastor actually is, but how fucking scary.

Now, yes, in the grand scheme of things, Alastor is far from the most powerful person in Hell. Far from it. The Royal Family (Lucifer, Lilith, and Charlie), and the Goetia are way above the Overlords. Our twinky, angsty, galaxy bird, Stolas, could 100% body Alastor. I'm sorry, Al. I love you, babe. But in terms of the hierarchal system, you and the other Overlords aren't influential to the rest of Hell, at all.

But, it's an entirely different story if we stick exclusively to the Pride Ring.

I'm not trying to do a big, essay-length analysis, that's a lot of work and I'm tired, so I'll try to make it as brief as possible.

We know three crucial things: 1) sinners aren't allowed to leave the Pride Ring, 2) they've built a semi-functional society for themselves that is exclusive to their specific ring (with a political system that they've molded just for them), and 3) sinners can't kill other sinners.

So, what we have here is a big piece of land stuffed with people who can't leave it, in a society they've built specifically for themselves, with an amassing population that is constantly growing because they have no way of dying/or killing each other. (Honestly, it's like Heaven was setting them up for an Exterminations - THOUGH I'VE ACTUALLY COME UP WITH A COMPLETELY DIFFERENT, COMPLETELY FANON BASED THEORY/WORLD BUILDING IDEA ABOUT HOW HELL HAD KEPT THE POPULATION DENSISTY CONTROLLED FOR THE MILLENIA OF COLLECTING HUMAN SOULS, HOW THE POPLUATION STILL GOT TOO LARGE AND THUS RESULTED IN THE EXTERMINATIONS, AND HOW IT WAS ROSIE WHO HAD A HUGE HAND IN IT ALL.

Anyway, back on topic, so the Overlords essentially control this Ring. We know Stolas lives in the Pride Ring (judging by the red sky we see when he's at his house), so its possible more Goetia live there too (and imps, and succubi; the Pride Ring is known for being the most diverse of the Rings), but we haven't seen any evidence of the Goetia, or any of the other Hellborn, interact or influencE Pentragram City in a political way--outside of the Goetia being above the Overlords in the hierarchal system). I headcanon that they do have some involvement in Pentagram City, as they do live there, but for the most part, the Pride Ring is left completely to the sinners and how they run things.

Lillith got involved, obviously (but she's been missing for years in the beginning of the show), Lucifer hasn't been involved for who knows how long, and Charlie obviously doesn't have a lot of sway, nor did she have any previous influence given how she's treated by the very people she rules over. Her status is known, but there's no actual respect for her or her title as the literal Princess of Hell.

The royal family may the the strongest beings in all of the 7 Rings, but outside of Lillith, it seems they had very little involvement (in Charlie's case) or interest (in Lucifer's case) in ingratiating themselves into Pentagram City.

The entire Ring is being run by the Overlords. They cannot leave it. The Pride Ring is their domain. This is their new home. This is their world.

And in this world, the Overlords are the top dogs.

So, Alastor is powerful just in the sense that he is one of the Overlords. Like them, he is essentially one of the rulers of their personal, caged-off little world. He has power and political sway. He joined the other Overlords for Carmilla's meeting, where they were going to discuss the aftermath of the Extermination and what they can do about the loss in the population (and thus, their power, given that owning souls is how they get it).

It's implied that this isn't the first time they've had meetings like this, and if they get together to discuss the best ways to recover from the Exterminations and make up for their mutual losses (literally working together when they could've all just been rivals trying to undermine the others to get more souls), who knows what else they've discussed in their efforts to keep Pentagram City running (especially considering that the best way to maintain their power IS by maintaining the city, it's people, and keeping it from falling apart at the seams. Taking care of the city is in their best interests - I use "taking care of" very, very loosely, considering this is still Hell and it's hardly the gold standard of utopia's). They're essentially a Board of Leadership with mutually shared power.

The Overlords have all the power. All the sway. In their established world, THEY are at the top of the food chain.

BUT then, you take into account that sinners can't kill each other (a rule that extends even to the Overlords), and that's when things get interesting.

In episode 4, "Masquerade" Valentino told Angel that he's "killed people for less" during the scene in the dressing room. But, in episode 2, after Valentino had torn apart one of Velvette's models, she wasn't upset in the way an Overlord would be if they lost someone under contract, especially considering that owning souls is what gives them power (and I assume that they own the souls of most, if not all, of the people they employ). She said that she can't sit and wait for "that bitch to pull herself back together," so, yeah, the implication is that sinners can literally be torn apart (even by the Overlords, who are the strongest among them) but won't die is immense. No matter what you do, a sinner will reform, or heal, or whatever, but they will come back.

So, consider, that there is only one person who's been able to kill sinners, permanently, and that person is Alastor.

Not only that, he killed Overlords.

In a realm where death is impossible, Alastor had cheated the system. And as far as we know, he's the only one who's been able to do it.

The only person I can think of who has something similar is Carmilla, but that's because she'd integrated angelic steel into her apparel. (Though, there's something to be said about her selling angelic weapons to the masses, as she is a manufacturer and distributor of them not only in Pentagram city, but all of the 7 Rings, (as Stryker had gotten his hands on a "Carmine blessing tipped rifle" to kill off Stolas, who's a Goetia), thus, sinners killing other sinners can still be possible, but that's only if they get you're hands on a weapon with angelic steel, or they're wealthy enough to buy onr, and I imagine Carmilla doesn't sell those cheap.

But Alastor didn't use angelic steel. He found a way to tear souls apart, where otherwise they were only able to be owned. Considering how terrified Husk (who is one of the most calm and collected people in the Hazbin crew; who had once been an Overlord, himself) was when AIastor threatened to do they same to him, like, that goes to show just how serious it is. He was literally full-body shaking. Ears-pinned back. Flight-fight-or freeze. Pressing himself down into the carpet.

We've never seen him like that at any other time during the show, even during the Extermination when they were all about to die.

Alastor's threat had scared him more than literally getting killed my an army of Exorcist's.

And like, yeah???? I get it????

That shit has to be terrifying. Not only for those that Alastor threatens, but for every single sinner in Pentagram City.

This random guy cheated the system, killed without any outside means, and if he can topple Overlords (the strongest and most powerful of them) almost over night, there's no saying what he can do to regular sinners. (Or what they think he can do, I have more thoughts surrounding whether Alastor would be able to tear apart a soul that is owned by someone else, but this is already getting long).

And, presumably, the only reason he stopped is because he decided to.

Like???? Do you guys understand what I'm saying???? For someone to have that kind of power??? In a system where that power SHOULD NOT be possible??? A power that gives him this massive advantage over everyone else???? That no one else can do???? And the only reason he doesn't use it is because he decides not to????

It's no wonder Alastor was so feared. Why he still is feared (by those who know of him at least LOL he has been gone for 7 years). And, like, yeah we see him be all creepy and scary during the show. We see him use his magic and grow into his demon form, and he is intimidating in that right, but I think the true horror of his character comes from this ability to kill the unkillable in a system where it never should've been possible in the first place.

That's where the true terror of the Radio Demon lies. That's where the visceral fear comes from. And it's why he's someone you wouldn't want to mess with, even for the other Overlords (especially for the other Overlords).

Like, it makes sense why he has such a massive ego. Why he thinks he can take on anyone. It's because he has. He's powerful, even by Overlord standards, and he knows it. And it makes further sense why him now being on a leash is making him unravel at the seams.

Am I making sense??? Is this all just meaningless rambling to you guys??? Idk! Idk. It's just been tumbling through my head, and it made me realize just how scary Alastor is, especially from an outside perspective.

I have SO many headcanons T.T I've done so much world-building, and I am have so much fucking fun. I feel like a kid in a sandbox. My brain hasn't stopped buzzing since this show came out.

Anyway, I'm off to outline more wips and work on the fics I'm writing. Happy Hazbin-ing to the rest of you.

[iwritenarrativesandstuff]

Suddenly remembered something I wanted to say re:Akechi, because I think it's really core to his character (at least the way I interpreted him?) and I feel like it explains a lot of his contradictions. Essentially, he is incapable of seeing himself as just a person - he's either the greatest hero/detective ever, or he's some violent monster, and it's like there's no in-between. It's very in keeping with his obvious superiority-inferiority complex, but it goes deeper than that too; when he's in a role, it seems like his self-perception kind of changes too depending on how he is perceived by others. He really does get a confidence boost from being the Detective Prince. He really does shut down emotionally as the Black Mask.

They're masks that he's made, and it's not that aspects of them aren't based in truth to some extent, but I think it goes to show why he's not actually that fantastic a liar (imo, I found the outright lies pretty obvious), but he is a very good actor. He's either an angel or a demon, and never a person, but there are conditions to that. He is an angel when he is perfect - to society. He is a demon when he is vengeful - again, to society. He is never a person, because he never was seen as one - to society. He was disregarded. To be anything of value or notoriety, whether that's hero or villain, he has to be wildly more or less than who he actually is, and he's been building these masks up for so long that I really think he lost sight of the actual person behind it all. And I don't think he wanted to see that person anyways, because that person "wasn't good enough" and I do think he'd rather be anything other than himself. That trickery, that deflection from the person within, in itself brings him pride and satisfaction. He wants to be loved and needed instead of being cast aside, but I also think that if he can't have that then he'd much rather be hated than never have mattered at all. He weaponizes his own loneliness - if he can't ever be accepted then he'll build his own pedestal apart from everyone else.

It's so fascinating too, because I just wonder how much of this he was consciously aware of pre, during, and post engine room. There's this recurring thing with him where he goes "I can only be myself" etc but I just want to shake him because, well, who is that, Akechi??? Or, who do you think that is? Do you actually have an answer? Is it predicated on your actual feelings or solely on your success at fooling everyone around you? Is there any part of you that you actually like that isn't based on a painstakingly constructed mask? Isn't it all mostly lies to deflect from the truth? Isn't it all founded mostly on truth, nonetheless?

It drives me insane. And I think this is a big reason why he breaks so hard in the engine room, because so much of his mask requires his "audience" to perform in a particular way. And here he is, and the Thieves have beaten him, so there goes the first mask, because he's no longer "perfect". He swings wildly into the ugliest sides of him, but this mask is broken too, amidst him vehemently and desperately denying that he has any other emotions than hatred and rage, or any other needs or desires than vengeance. And after that, it's just him. And they should reject him, right? That's what happens. He's not useful, he's not needed or perfect, his hands are stained with blood. But the Thieves, again, don't play the role he expects them to. They, despite everything, relate to him - because he is in fact very similar in a lot of ways and they acknowledge him as a person - not a hero, or idol, or villain, or tool, or unwanted child - but as a damaged teen like the rest of them. And he does not know what to do with that. His identity is intrinsically dependent on getting the right reactions from other people as a form of ingratiating himself - if he does not get that reciprocal reaction he's looking for, his act falters, and, I really do believe that so does his self-perception. That's why you see different aspects of him seep out when he's spending time with Joker, because Joker does not react the way he expects, and Akechi both does and does not like this, because it leaves him feeling both intrigued and vulnerable.

I do think this particular aspect of his character is something a lot of the Thieves don't fully grasp - certainly, I think Joker "I need the mask" Persona 5 understands to a degree, but the sheer degree of reliance and the level of pride attached to it is something that confuses him a little, I think, especially in Mementos Mission. I think the thief that comes closest is actually Morgana, who has a similar superiority-inferiority complex and a desperate need to be seen as competent and useful lest he be discarded. (This is a big part of why the rather lackluster writing with Morgana's arc frustrates me so much because I really do feel it was meant to be contrasted with Akechi's, but I digress.) Morgana is the one to make that emotional appeal to Akechi, which makes a degree of sense - Morgana struggled all along with finding a place in the world. His form leads others to underestimate him; he visually doesn't fit in. He's acting out the role of a chivalrous and cool phantom thief but is more pragmatic with how he views relationships, at least at first. He wants a place to belong where he is appreciated more than anything but his pride won't let him spit it out. Accepting that he belongs and that he is loved even if he really did have nothing of value to provide is a big part of the resolution of his arc. He tries to offer that learned lesson to Akechi in turn ("Follow your true feelings. Even if you think people hate you, or don't want you around-"), but Akechi just wasn't in the right space to listen. There's also an important distinction between the two - Morgana envies humans and looks up to them. Akechi envies humans and looks down on them. Morgana is perfectly happy once he is assured a place amongst the group, but Akechi see-saws wildly between wanting to belong and wanting to be a step above the rest and separating himself further. So while Morgana actually really did cut to the core of the issue, his appeal would never have worked at this point because a) Akechi's pride is dependent on him maintaining his solo act, and b) he just got outed as not actually hating Joker in front of seven other people including Joker himself lmao.

So, uh, sorry, Morgana. Points for trying.

[ahamkara-apologist]

okay disclaimer: ik that categorizing female characters as the 'mom friend/figure' is a legit disease in fandom caused by general misogynistic views of female characters, and it's something that personally greatly irritates me bc its not only awful to do, it also tends to ruin the characters its put upon. ESPECIALLY in D2, which is outstanding in its cast of strong female characters

however. in the case of Eramis, I do believe that the fact that she was a mother and is a genuinely caring, nurturing person at heart is something that is a deeply important core part of her character, as well as thematically important to the future of the Eliskni moving forward. It's important because in her case, I believe that her motherly inclinations are why, pre-Witness-whispering-through-the-Darkness, Eramis was such a successful kell- because unlike some other kells who sought a future for the Eliksni via domination, her main focus for them was to create a haven for her people that could be defended from Lightbearers. Riis-Reborn wasn't something to sniff at- it was the closest thing to an actual Eliksni city in a very long while. What got her was her trauma of the Whirlwind and her desire to destroy the Traveler to level the playing field for everyone involved- trauma that the Witness preyed upon in order to get to us. Like a parasite, seeking its secondary host. Eramis certainly is not the only Eliksni who lost her family during the Whirlwind, but I think that her specific brand of anger is closest to that of a mother lion whose cubs are in danger, and is lashing out in a furious fight-or-flight reflex at anything that she perceives as a threat. It's just that in this case, her 'cubs' were the Eliksni as a whole, and the threat she perceived before the Witness started torturing her was the Traveler.

I also think that her relationship with parenthood also makes for a very interesting character contrast to Misraaks (aka the other successful kell viewed as a source of hope for the Eliksni), and helps to set them up as antiparallels to each other. Eramis was a gentle, nurturing mother with a reverence for the Traveler who turned into the bitter, cunning warrior we see now when she lost access to her wife and children; Misraaks was a fearsome, ruthless pirate before he became a father, which gentled him and turned him towards being more pious. Eramis represents the old ways, and offers hope to the Eliksni who cannot bear to cohabitate with humanity; Misraaks represents a change in the tide, and kells the open-minded Eliksni who are willing to lay down their arms to live among the humans of Sol. Misraaks is of Light (change, forgiveness, moving forward), while Eramis is of Darkness (memory, control, looking back). They're opposites in every way except for the fact that both of them were/are amazing parents, and I'd argue that their ability to nurture and overlook others is what led to their success as kells.

Most importantly, however, is their relationship to Eido, who represents the future of the Eliksni. Misraaks was her father, and he did his best to raise her to be kind and openminded, but he also shielded her from the horrors of the past a little too well. She's outgrown that, and now that she's strong enough to handle said horrors, Eramis has been acting as a mentor to fully introduce her to the tragedy of what she lost and why elder Eliksni are so angry about it- and I don't think that she would have been receptive to Eido attempting to talk to her if it weren't for the fact that under all of her prickly armour, she's still that nurturing person at heart. It's her desire to care for others and to see a better future for her people that has kept her going despite her having no hope for herself, and it's that loving heart that has saved herself and her people from utter destruction at both our hands and Fikrul's- because if she didn't look at eido and go 'oh this child is the future of our people and i must protect her with my life', then both her and the rest of House Salvation would have been marked for death. And now here she is, continuing to care for Eido even as her father declines by telling her stories about Riis and helping her track down an apothecary to try to cure him, despite her not believing in his ways. I don't think it's entirely because she used to be a mother, but...I do think that it's playing a huge role in it.

(I also think it's personally fascinating to see how someone who used to be known for being a doting, sweet mom to her hatchlings and a caring mate to her wife can turn into someone who's a terrifying warrior on the battlefield and a cunning, politically saavy ruler, but even then, that doesn't surprise me all that much- if you've got a dearth of experience wrangling hatchlings, then being kell of a house is basically just wrangling a bunch of grown-up hatchlings. Same principles, just upped a level or two in complexity.)

[djevelbl]

I feel like explaining how Branzy's mannerisms look like in my head is SO. HARD bc he feels like SUCH a peculiar and specific type of person, that even if I TRIED there wouldn't be a fully correct way to string words together to paint the picture. But fuck it we ball — lemme try anyway

(ofc, I'm here talking about his character and personality as he portrays himself in his videos; the same goes for any other youtuber I namedrop as I'm yapping. I don't feel like I have to clarify this, but still. covering my own ass out here, media literacy, yadda yadda, you get it)

In the LifeSteal videos I've watched where he participates/is the main focus of (the Heart Factory + Amusement Park saga mostly, so not a lot lol) he has this... This showmanship, this stage presence, like he's standing alone on the stage floor, the spotlight's on him and the little earpiece hung on him has told him "it's showtime." It's like he's the opening number for the Broadway Musical you came to watch, like he's the circus master of the show; he's all you can focus on once he starts talking, really: he's hilarious and charismatic, disarming with that devilish charm of his, that has endeared him to the deadliest player of the server — even if you never see his face, you can hear his smile every time he talks.

For having been on a Minecraft server that prides itself in death, destruction and preying on players' insecurities before shaking hands on a good season played, Branzy wears his emotions very plainly in how he speaks: he doesn't hide his fear, or his amazement, his excitement, his bloodlust. It's how he is, of course — hiding who you are is hard, but Branzy also plays this all up in his favor: faking his reactions when necessary, blatantly able to disregard his current emotional state to match the attitude of those around him (main example being him matching Clown's attitude even through his own fear of the guy), being able to lie through his teeth about pretty important things (like the state of Carnival Mode to Squiddo at the end of season 5), and others.

His poker face is a smile — all crow's feet and charming show of teeth, something happy and elated as he shows his newest killing contraption and explains it out to his soon-to-be victims. And they fall for it hook, line, sinker. A practiced dance everyone follows Branzy's lead in, subconsciously or otherwise. Because how deadly can it be if it's Branzy who made it?

Not just that, but he's very energetic and has a brand of attitude and sass that kinda reminds me of JT Music in The Details in the Devil (stay with me. I SWEAR this makes sense) — it's the over-the-top singing, the way he goes from a higher pitch to a lower one, the way JT Music's voice rasps around the edges; it all has the same vibe and attitude to me as Branzy's showman persona: all glamour for the camera, a big smile to attract new clientele, charm that oozes out of every pore and you don't even notice that it's a deal with the devil you're making. Until he's gone and you're left to pick up the pieces — even then, sometimes you just don't. notice.

A maybe (hopefully) easier to picture example

To me, in a sense, Branzy feels like the in-between missing link of AM from I Have No Mouth, and I Must Scream and Caine from The Amazing Digital Circus: all the bloodlust, anger, and sadistic tendencies from AM, and all the genuine, kind, goofy showmaster personality of Caine — a weird combo, for sure, but Caine is already based off of AM so like, thought it was as appropriate of a comparison I could make; especially bc Caine is a ringmaster, and Branzy does give ringmaster vibes to me so idk

Ofc, this is him at his peak, in his element, where he controls the playing chips — he's playing 4D chess and everyone's using checkers pieces. This is him gathering and casually using the power and influence he lords over the server — I mean, have you seen how ppl react to his mere appearance?? People love him, that's where he thrives: where people have an attachment to Branzy, Branzy has power; people kept coming back to the rollercoaster bc it was fun and a challenge and bc it was Branzy who made it — throw the credit onto Clown, ManePear, FlameFrags, any other pvp-skilled player, and watch as people run the other way. Branzy is the perfect combo of charismatic, charming, boyfailure-coded, somehow still competent, and fun to amass server-wide cred that wouldn't be broken no matter how many lives he claims via his machinery.

Clown is dangerous, sure — he's good at pvp and intimidating, he can do his fair share of manipulation when needed, but he's ultimately relatively easy to avoid: he follows a set of rules and while he doesn't vocalize them, if you observe him enough you'll eventually learn them. You'll eventually understand what the triggers are, which convo topics are best to avoid and how to best gain favor with him.

Branzy, though? He's very much a loose canon — beyond keeping his good relationship with Clown for protection (and bc he cares, let's be honest here) and whatever he deems fun today, I doubt he cares about much else; these two things are THE. MOST important to him, and there's little you can personally do to control either, if anything at all.

Branzy is SO interesting to me bc he's outwardly all smiles, happy-go-lucky in a sense and a coward — everyone knows this, it ain't no secret, and if it ever was meant to be we've left that station SEVERAL seasons ago. Yet inside there's a raging beast that begs to be released — the only reason we don't see it too often is LITERALLY bc Branzy is HORRIBLE at pvp; we STILL see it though: in how he encourages people to keep trying his deadly park rides, how he dangles prizes in front of their faces so sweetly and so casually so they keep coming back. In how he doesn't hesitate to betray his team so he can gain favor with Clown, a character he believes will be a bigger protection than his team was beforehand. In how he didn't even bat an eye as he bold-face lied to Squiddo about Carnival Mode being broken when it was most beneficial for Clown for it to "be broken". In how he casually makes a bragging joke about having easily killed two of the strongest players without lifting a finger to battle, because they wanted to play his carnival games.

Branzy has two loyalties: first to Clown and second to himself. Everyone else be damned

So coming back to the mannerisms thing — in my head he's extra extra: I'm talking "dangled upside down from a tree branch to scare someone as he introduced them all to the Chicken Launchers" type of extra, I'm talking "he did a handstand on the rollercoaster cart (with his elytra on, he isn't stupid I swear) as it jumped over the tiny lava pit to introduce people to the attraction" type of extra, I'm talking "he designed a mechanical crossbow he could wear on his arm so he could shoot the door locking mechanism trigger at the bigtop tent the most dramatic way possible" type of extra. He's a theater kid at heart, I just know it — he's dramatic and extra and so fun, so of course he'd have fun with it all! He's an adrenaline junkie (honestly? Why else is he still a sucker for Clown?? Adrenaline junkie + that's his work bf) and he will do a dramatic full split in front of Fleshy's to introduce people to the food stand and you cannot change my mind

So. Yea! In my head Branzy's mannerisms are a combo of showman enthusiasm, theater kid dramatics, acrobatics fueled by his adrenaline junkie ways, and random rubberhose-like body movements that are uncanny on like. an ACTUAL normal human body bc he reminds me of Bendy and I. Don't know. How else. To cope with it, so deal with it.

[noxiousgrace]

In my mind i keep assuming krs spent his entire life alone and surviving on his own

But that isn't the case, there's clearly proof that he was at some level helped by other people

He mentions it often

He was saved by social workers from his uncle when he was a kid

LSH saved his life

Grandma kim always looked after him like her own son while LSH was gone

CJS and LSH died for him

And so many other incidents

But why does it feel like he's still all alone?

I think his tendency to self isolate is why i keep assuming he survived on his own, when he very much didn't.

Everyone fails him or leaves him eventually, he ends up all alone so often that it's hard for me to think about krs as someone who's had support.

He's had the rug pulled out from underneath him so many times, that it no longer shocks him anymore (take chapter 1-3 for example, he was so chill about waking up in another world and stated he didn't have anyone who he'd miss

But that isn't true either, krs spent 10-ish years of his life as team leader and protected his coworkers time and time again, of course people would miss him. In elisehns illusion, Kim Min Ah and Bae Puh Rum came to check up on krs who hadn't returned to work.

While he mentions the physical support and companionship he's received from other people, his mental wounds run too deep.

He keeps a very clinical count of who he owes and who owes him in return, support is not a familial thing to him, it's transactional

The biggest reason grandma Kims death affected him so much was that he owed her A LOT, she was always quick to have his back and support him, Willing to treat his bruises over and over again despite her ability being limited.

Same with CJS and LSH, they supported him more than his own family ever did (parents dead and an abusive uncle), he was devastated that he couldn't spend the rest of his life with them in order to "pay back" all of their kindness so far.

He doesn't feel responsible for their deaths, but he feels responsible for every opportunity he lost to care about them in return. He mourns the future he could've had with them and the happiness krs could've brought to CJS and LSH.

"you can't smooth things over with the dead" is something he said in the novel, around the time choi han figures out who he is and krs is ready for CH to be extremely upset with him.

Krs!Cale feels responsible for everyone who shows kindness to him, a part of it is because whenever someone has cared about him, his heart always cared about them in return. And krs caring about people caused them to get hurt, that's why he feels the need to protect them so that they don't fall victim to krs' affection, and he actually has enough time with them for their "kindness" to be evened out.

This is why he's annoyed when his group grows larger and larger because of his subconscious altruism, there's so many opportunities for all of them to get hurt before he's done caring about them to the amount he thinks is acceptable, it worries his emotionally stunted heart.

Anywho, i think he feels alone to me because of how little he opens up to other people. He is a self isolating king and manages to be the most famous man ever.

I want him to open up that scarred heart of his and finally allow himself to be loved beyond transactions.

[jomtones-bussy]

People on tiktok infantilizing curly from mouthwashing and saying that him becoming crippled was his punishment. Killing u. With my teeth.

[lesbianfakir]

Something that is an example of good character writing in Princess Tutu is how Fakir and Duck have little incompatibilities in their personalities (you know. Beyond the obvious). It makes it a little harder for them to get along and understand one another but you get the sense that they’re both putting the effort in. It’s sweet and it makes the relationship feel all the more real.

Fakir is serious, blunt, and he doesn’t sugarcoat things. His words often come across as harsh, even when there’s real care behind them. As a result, Duck—who reads his tone but not always the intentions behind it—doesn’t always pick up on when he’s doing something nice for her. For example, when Duck starts to tell Mytho she’s Princess Tutu, Fakir startles her to interrupt her, causing her to turn back into a duck. She takes offense and only later realizes he did it so she wouldn’t reveal her identity to mytho before she was ready (and even then I don’t think she picks up on the full extent of it). There’s another scene where he tells her point blank if she doesn’t want to fight the raven she needs to stop being princess tutu. It comes across as quite harsh and seems to visibly sadden Duck, though he cares about her deeply and is only trying to keep her safe.

The other “incompatibility” that comes to mind is how Fakir is sensitive and easily offended while Duck tends to blurt out whatever’s on her mind. While there are many scenes where he does get upset (take the scene in the Wandering Knight where he takes her request to stop getting in fights as an attack on his character), there are just as many where he doesn’t take the bait. Watch the show a few times and you’ll notice Fakir has a habit of going silent when Duck says something insensitive. He waits for her to finish speaking and he either ignores her or moves on. In those moments, you can feel the conscious effort he’s making to not lash out. Duck’s earnest naïveté is part of why draws him to her but at the same time it causes friction between then when she’s overly hopeful about something delicate to him, like his writing.

Anyways tldr; Fakir tends to hide what he’s feeling and thinking behind a deadpan demeanor, which sometimes obscures his true intentions from Duck. Meanwhile Duck tends to trample over the things Fakir is sensitive about in conversation, and he often has to stop himself from getting upset. In these moments you see how these characters may not completely understand each other but they care about each other a lot and actively work to smooth out their differences. Also it’s very cute when Duck realizes after the fact Fakir did something nice for her and her face lights up.

These little quirks make room for natural misunderstandings between the characters. Honestly, I like how Princess Tutu doesn’t smooth out compatibility issues or completely rewrite Fakir’s character when he and Duck become friends. The same flaws and tendencies are present, we just see the characters taking more active, conscious steps towards getting along.

[tare-anime]

When Yor said that she rarely have fun during her youth, and told Loid that she would love to go out with him the family again....

I'm so glad that she does have the opportunity to have fun now. 🥰 Because one way or another, Loid and Anya take her to places she've never visited before, and do activites she never did before. 💖

But it is also apparent that she lacks in experiences in doing those activites. 😢😢

Nevertheless, by being the Forger mom, Yor's life does become more happy.

And I do hope she will continue to be happy 🥰🥰