#Monty deserves a better ending

[mostly-functional]

Someone tell me if this is a horrible idea before I sink too much time into it. It’s a dead boy detectives corpse bride au where Edwin is Victor, Monty is Victoria, and Charles is Emily (but then instead of Emily crossing over they all get together because I’m a sucker for a happy ending)

[floatingeyeball8]

i imagine it’s hard to sleep at night not knowing whether you sacrificed your best friend or a mimic

wanted to try something a little messier than my usual style, and i like how these turned out!

cassie drawing without words below

[ellecdc]

Soooo, I'm not the usual requester of the poly!moonwater x reader, but I fell I love with them and the way you write them!

With that being said, could I request Mia and Monty taking in Regulus and reader, saving them from their cruel families, and the holidays being absolutely hectic with everyone there.

Maybe some Mia and reader bonding?

If not that's fine! All my love,

🦕

*gasps* thank you lovely! I'm so glad you've loved moonwater enough to submit a request!!! sorry this took so long, I had this half finished and couldn't figure out for the life of me how to wrap it up happily, and then I was like "of course! Effie!" - not so much chaos but a lot of hurt/comfort and fluff

~please note: my requests are currently closed as I work through my older ones~

poly!moonwater x fem!reader

CW: toxic/abusive family dynamics, mentions and insinuations of abuse, your parents suck in this - I'm sorry, but just call me Euphemia Potter because you're all my children now

Remus had to admit that he was getting increasingly worried about you and Regulus the closer it got to the summer holidays. It seemed that no matter how much brighter the weather became outside, clouds were determined to follow the two of you around.

Remus only knew why Regulus would perhaps grow tense at the thought of returning to 12 Grimmauld Place on account of Remus’ years’ long friendship with Sirius. But the youngest Black, since reconciling with his older brother, has staunchly refused to discuss family life. Remus could accept that; he understood the gist.

But you, he was at a loss with. Though, he would admit that your occasional flinch at a raised hand or sudden quick movements by either Regulus or Remus spoke volumes on that end.

So here you all were (being Remus, you, Regulus, Sirius, James, Peter, and Lily) sitting by the Black Lake and enjoying the sun on one of the last few days of the school year, and you and Regulus were nearly comatose in your melancholy. 

Lily and Peter were doing their best to pretend they didn’t notice any tension in the group as they busied themselves with a game of wizarding chess, but James and Sirius had no such qualms and were staring hard between Remus and Regulus. 

“I told you that you could come with me, Reggie.” Sirius said surprisingly softly for the oldest Black. Regulus’ jaw twitched as he stole a fleeting glance at James.

“You told me that a year ago. I wasn’t smart enough to go then, I don’t see why I’d deserve that option now.” He muttered, sounding disturbingly more and more like the aristocratic Pureblood he was raised to be.

“It’s not about deserving, Reg.” Sirius said at the same time Remus said, “of course you do.”

“Honestly,” James interjected, “at this point, my mum would be pissed if you didn’t come live with us.”

Regulus’ face appeared to remain impassive, but Remus knew better; there were signs. His jaw tightened, there was a small movement in his left eyebrow and a subtle glossiness in his eyes.

Suddenly his gaze flit to Remus, his eyes almost begging him to understand something he hadn’t yet voiced. Remus held Regulus’ gaze until his eyes turned to something else; to you.

But it didn’t appear that you had heard any of the conversation going on around you; your eyes pointed to some unmarked point in the horizon, your mind far away.

“I can’t leave her.” Regulus whispered once he knew you wouldn’t hear.

“What’s the point of both of you suffering, Regulus? You can’t help her from Grimmauld Place.” Sirius argued. 

Regulus finally groaned, and Remus’ heart clenched knowing how close he was to frustrated tears. Remus felt just as close, feeling completely helpless in this situation. But his parents struggled enough supporting him alone. He knew that if he asked, his mum would have the two of you in a heartbeat, but the Potter’s had the space and funds to do it far more easily. 

“Y/N can come too.” James said plainly.

“Hm?” You hummed quietly, turning your attention back to the group at the sound of your name.

Regulus grimaced slightly but James, either ignorant to body language or choosing to ignore it carried on. “I was just thinking, we’re inviting Regulus to move in with us for the summer. Perhaps you could join us?”

You stared hard at James without breaking eye contact and Remus grew more and more tense the longer you stayed silent.

“It’s good that Regulus is staying with you.” You commented, sounding nearly robotic.

“You could-” Remus began, but you cut him off.

“Don’t, Remus.”

“Amour.” Regulus pleaded quietly.

“Leave it.” You ordered before standing and walking away. 

Regulus sighed and buried his face in his hands. Remus couldn’t stand it anymore and moved to sit beside him, rubbing soothing swipes up and down his spine.

“Your brother is right, love. You’ll be more help to her if you’re safe at Potter Manor. You need to be brave for the both of you right now.”

“She’s never told me either, you know?” Regulus spoke from inside his hands. “I have no idea what happens when she leaves here.”

Remus fought back the tears that threatened to infiltrate his eyes. “You’ll be more help to her from Potter Manor.” He repeated.

You’d been avoiding the boys, that much was certain. And even if you weren’t avoiding them, it was like you weren’t even there when you were sitting right next to them. Remus hated to think that this was the note you were all leaving on, knowing you’d not see each other again until September first. 

Regulus had agreed to stay with the Potters, though he refused to discuss with anyone what was said to his parents (or, perhaps more importantly, what his parents had said in return). 

So, they stood there in Central Hall with their bags and school trunks; James and Sirius arguing over what they were going to do first when they got to the Manor (in an attempt to hopefully lighten the mood for Reggie's sake) while Remus stared at Regulus’ face without pretending that he wasn’t, as his boyfriend stood painfully rigid.

You appeared then, the strap of your duffle bag thrown over your shoulder and your school trunk trailing behind you. Remus didn’t think he’d ever seen you look so forlorn.

It was like a switch was flipped in Regulus, and he went from a soldier standing at attention to cooing over your shorter frame.

“Let me get this, amour. Did you get everything packed okay?” He asked you softly, pulling your duffle bag gently from your shoulder to throw over his own. You barely nodded in acknowledgment, eyes staring at the ground unseeingly. Remus felt sick to his stomach.

“Okay.” Regulus murmured at you quietly, giving Remus a quick shake of his head as he went to move to you. Remus had this overwhelming urge to pick you up and huddle you under his arm, not letting go until you were all the way to Wales – where your family couldn’t get to you.

But Regulus perhaps understood your mindset better than he did.  

“Can Rem take your trunk for you?” Regulus asked, mostly as a means to invite Remus into the conversation and less trying to get him to be your pack mule.

“No.” You said as firmly as you could manage in this fragile state. “I’ve got it. Thank you, though.” You said, finally looking up to make eye contact with Remus and Regulus. 

Regulus, for his part, managed to smile sadly at you. Remus was sure his discontent was written all over his face.

“Ready to get this show on the road? Look at me, sounding all muggle.” Sirius called. One would think he sounded indifferent to what was going on, but Remus (and Regulus) could see this for what it truly was: distraction.

“No.” You whispered.

“What is it, lovie?” Remus asked, turning his attention quickly back to you.

“I’m not, I-” you took a few quick breaths, face scrunching up painfully as your eyes filled with tears. “I’m not ready, I can’t. I can’t go. I’m not...”

“Okay.” Regulus said softly.

“I can’t go back, I can’t - I’m not ready.”

“That’s alright.” Sirius offered just as softly. 

You were disturbingly close to hyperventilating – surveying your surroundings like you were looking for a place to run, looking for a way out. “I can’t do it anymore, I can’t.” You cried.

“Then don’t, love.” Remus pleaded. And you broke down into sobs. 

Something inside Remus snapped and he made for you, enveloping you in a hug that was probably far too tight, but you nuzzled impossibly further into his chest anyway as if he could perhaps hold your pieces together as you fell apart.

He’d find a way to do it for you if that’s what you truly needed.

As your gasping sobs ceased and your breathing evened into only the occasional hiccup, James let out a theatrical “Phew.”

“What?” Regulus asked, voice somewhat taut from both protectiveness and frayed nerves. 

“I sort of told my mum she was coming to live with us, anyway.”

Remus could have kissed the sod right on the mouth at that moment. He opted to kiss the top of your head instead. 

“I don’t want-”

“-to be in the way. You won’t be, amour.” Regulus interrupted your train of thought, voice far softer than the one he’d used with James.

“Yeah, Regulus is far more inconveniencing than you are, dollface.” Sirius snarked with a wink, earning him a quick stinging jinx from Regulus. 

If Remus had thought that the hard part was over in Central Hall, he was very wrong.

You had settled not too badly as you all rode the wagons to the train station holding onto Remus’ hand like a vice, and Regulus appeared to be far more comfortable now that he was less worried about you. Regulus undeniably had some abandonment issues, and the thought of going to the Potter’s without you left him with the sense that he would somehow be letting you down. Remus supposed that at least before, the two of you could commiserate together knowing that whatever you were going through, so was the other.

But as the group travelled on, some of your own tension returned the closer you got to Kings Cross Station. 

“You don’t have to say anything to them, you can just leave with us.” Sirius said plainly as Remus reached to grab your bags from the overhead compartment.

“That’d be considered kidnapping.” You responded quietly.

You hooked your duffle over your shoulder and stood, looking through the compartment as if you could somehow see your family through the sheets of metal separating you and Platform 9 ¾.

“Would...would you like us to come with you? Stand by your side? How would you like to do this, love?” Remus asked, leaning back slightly so he could see your face directly. 

You seemed to ponder that for a few moments before returning his gaze. “Maybe...maybe you guys could just, stay a little behind me? Not close enough to say anything or for them to say anything to you, just...”

“Close.” Regulus finished for you. You nodded in response.

“Consider it done, dove.” Remus said and pressed a kiss to your forehead. 

James and Sirius spotted the Potter’s quickly after exiting the train and brought your bags and trunks to them so that the Potter’s elves could bring them to the Manor. You watched as your trunk disappeared with a pop; there was no going back now. 

“Y/N.” An indifferent tone called, causing you to stand up straighter, though you didn’t seem ready to turn your gaze towards it yet.

“We’re right here, amour. We’re not leaving without you.” Regulus insisted. Remus wanted to touch you, grab your hand, kiss your cheek, but he knew he’d have to wait until you felt safe.

Safe.

Soon you’d be safe.

True to their words, Regulus and Remus followed you towards your parents who stood poised like models in a Victorian Era portrait, staring down at you over their noses, though the two boys paused a good distance away as you had asked them too.

“I hate this.” Regulus murmured as you said hello to your parents. Your mother turned to leave before you asked them to wait.

“We’ll be able to take her home after this.” Remus placated, but it did nothing to soothe his own nerves either. 

“You’re doing what?” He heard your mother ask derisively. 

You repeated yourself, albeit quieter and more meekly than you had before. Remus wanted to hex her for making you feel so small.

“Absolutely not. Get your things.” Your father barked.

You raised your hand carefully, pointing towards the Potter’s to explain that they’ve already brought your things to their house.

“You insolent little witch. How dare you undermine me like this.” Your father spat and took a menacing step towards you. You stepped back quickly with a full body flinch, and that was it for Remus.

“We’re done. Let’s go.” Remus said authoritatively. “Come on, dove.” 

You needn’t be told twice, allowing Reg to steer you towards the Potter’s as Remus cast a quick muffliato around you to spare you from any trailing remarks your parents made. 

Remus and Regulus exchanged a worried glance over your head as you kept your eyes glued to the floor, letting yourself be guided blindly through the platform.

“Ready to go, dearies?” Euphemia Potter asked kindly, softly, as she beamed at the five students in front of her with Fleamont at her side. Even Remus felt like he had whiplash at the difference of atmosphere on this end of the platform; he couldn’t imagine how you or Reg were managing. 

“Hello, cariad!” Remus heard his mother call before any of you could answer Effie’s question. He turned his gaze to see his parents, Hope and Lyall Lupin, move through the crowds towards them.

“Gangs all here now!” Lyall called, and you tightened your hand currently enclosed safely in Remus’. He gave your three quick squeezes in return: a silent promise of safety. 

“This must be Regulus and Y/N!” His mum cheered, looking awfully close to embracing both of you. However, Regulus’ aristocratic upbringing appeared to save the day as he quickly stepped in front of you and stuck his hand out, bowing politely to her.

“Mrs. Lupin, it’s very nice to finally meet you.” He said, posh accent on full display.

Remus gave a pleading look to his family, knowing his mother was the kind to say “oh, I’m really more of a hugger.”

But apparently, one thing motherly love was very good at was reading the room, and his mum accepted the handshake before his dad, Effie and Monty all got one of their own. You nodded politely and exchanged a quiet ‘hello’ but opted to stay glued to Remus’ side.

He couldn’t say he minded that option entirely. 

Euphemia Potter was no stranger to troubled children showing up at her doorstep, but she couldn’t help but admit how different this time was.

Last year, Sirius showed up battered, beaten, bloodied, and bruised, not to mention completely scared out of his mind. And underneath all of that was this horrible fear for his younger brother’s safety, as well as an overwhelming sense of guilt for leaving him behind.

Sirius never really recovered from feeling like a burden, not last summer at least. He remained entirely too polite for Effie’s tastes, full of “thank you, Mrs. Potter”’s or “that really isn’t necessary”’s right up until the day she sent them off to Hogwarts.

“Now boys.” She said, giving the two troublemakers as stern a face as one Euphemia Potter could muster. “Though I would certainly prefer no trouble at all, can we at least promise not to get quite as many detentions this year? And for the love of Merlin – no more broken bones! I like that when people ask me how my sons are, I can at least say ‘well, at least they’ve got their health!’”

Effie was certain that the pressure behind Sirius’ eyes from fighting the tears must have been excruciating, but he held out for as long as he could before he launched himself into her chest. 

“Thank you, Effie.” He finally whispered through tears.

“Please, Sirius.” She whispered as she stroked the boy’s hair. “Call me mum.”

If last year was full of guilt, grief, and fear, this summer seemed to be full of caution, hope, and love.

Where James spent last summer trying to keep Sirius in as high spirits as possible, this year he got to simply play the role of host. Where Sirius spent last summer trying to stay out of the way and convince himself and everyone around him that he was completely fine, this year he got to show his brother what real family looked like.

And though he saw a lot of Sirius in Regulus, there was so much that was so distinctly him.

Regulus’ trauma came out in impeccable table manners, speaking in a manner far more suited to a member of parliament than a teenaged boy at a casual meal, and assessing the atmosphere in the room with the efficacy of a social weather man. 

But his personality was completely contradictory. 

He made jokes and comments that he didn’t seem to realize were funny until people around him laughed, which caused him to blush but let out surprised laughter of his own. Where Sirius’ jokes were performative and always for the sake of amusing the people around him, Regulus’ humour came naturally and unbiddenly. Where Sirius showed his love and excitement as loudly as possible in order to make sure everyone around him got to share in it, Regulus dutifully handed out his love and excitement in carefully curated doses. 

She loved them both beyond measure.

And you...well, Effie could certainly see how you managed to win over not one but two of her favourite young men. Your trauma seemed to come out in the form of fading into the background. Everything you did, you did quietly. You never asked for anything, whether it be for seconds at dinner, something to drink during the day, or to go into town to shop for supplies.

But even though you were clearly struggling, Effie could see how much you cared for those boys both actively and passively. Your body language seemed to change the second either of them entered a room, their presence’s easing any discomfort you may have been feeling nearly immediately; you smiled brighter, made more eye contact, and even contributed to conversations when one of them was around. Right now they were your confidence, your safe space. Effie hoped to get the chance to see it for herself one day, but she felt unbelievably lucky to get to see it in this way too. 

You always showed up with bottles of water when the boys were outside playing quidditch, somehow knowing Regulus was the kind to completely miss any cues his body gave him of thirst and predicting his needs. And you always brought sunblock out unprompted when Remus would fall asleep with a book over his face, ensuring he wouldn’t burn in the sun. 

She loved you so much.

It had been about two weeks since summer holidays started, and Hope and Lyall Lupin were going to be leaving their mini holiday at Potter Manor in a few days when Effie felt that you had made enough progress to broach the subject. 

“Y/N, dearie. Do you have a moment?” She asked as you and the boys walked in the back door after spending some time down at the lake.

Effie noticed a flicker of concern cross your features, though you readily agreed nonetheless. Remus smiled while Regulus promptly stood at attention.

“Hope’s going to be leaving in a few days, and I was thinking perhaps we could get a shopping trip in before she does.”

At this Hope looked over with a beaming smile. “Oh! I’d so love to go shopping! The shops are not nearly as posh in Cardiff.” 

You looked between the two women uncertainly but began nodding your head. “Erm, yes, sure. What...what are we shopping for?”

“Well, I thought we could go shopping for some clothes.”

You looked absolutely horrified at this. “I have clothes! I brought everything I had from school.”

Effie smiled encouragingly at you. “Yes, and what you had packed for school was appropriate for a Scottish autumn and winter, not for a summer in London.”

Sirius, never one to leave very well alone, piped up at this. “I want to go shopping! Can I come?”

Hope chuckled and ruffled the boy’s long hair. “I think it’d be better just us ladies, hm?”

Sirius pouted at that, but Regulus took pity on his brother. “You can come with me and Fleamont, Sirius.”

Sirius stood abruptly and planted a smacking kiss to the younger boy’s cheek. “You’re officially my favourite sibling.” He declared, earning him an indignant ‘oi!’ from James. 

“Get off of me, you sod.” Regulus grumbled, leaning further into Remus’ side. 

You looked at your two boys then; Remus was smiling at you with a look so full of love and pride it nearly rivaled Effie’s, and Regulus was smiling encouragingly and so sweetly, Effie was certain her blood sugar levels spiked just at the sight.

“That...that would be very nice. Thank you, ladies.” You agreed quietly. You nodded your head in decision, mostly to encourage yourself but Effie was thankful for the effort.

It was hard to imagine a time nearly eighteen years ago that Effie and Monty were heartbroken and struggling to finally have a child of their own. If only they’d know that seventeen years later, their lovely, lovely boy would bring home four more for them to love.

She was simultaneously sad for you, Regulus, and Sirius that you had to grow up in homes that didn’t love you the way you ought to have been, but she was so beyond grateful she got the honour to love you properly, now and for the rest of her life.

As long as Euphemia Potter lived, none of you would ever spend a moment being anything but loved.

[cherry-cola-on-ice]

Can you write a story that has Thomas Hewitt getting jealous at a guy flirting with his S/O please love your work🙏🙏🙏🙏

Jealousy Jealousy

It shouldn't bug him so much. Especially after all this time.

It wasn't your fault after all. Anyone with eyes could see how beautiful you were. Everything about you was crafted by some higher being, sculpted from the stars and the skies. And you were so sweet, so kind. You brought a smile to even Uncle Monty's face.

And most of all, he knew you loved him. He repeatedly told himself, saying it over and over again in his head like his own personal mantra. As long as you loved him, he didn't need anything else.

Thomas's eyebrows furrowed as you laughed at the joke. He couldn't tell you jokes. But this stranger could. This handsome, younger man with perfect teeth and perfect hair. He looked like one of those men on the front of the harlequin novels Hoyt steals out of suitcases.

You laughed again, head thrown back. God, you were perfect. Too perfect for him. This stranger was the type of man you deserved.

From the back room of the gas station, Thomas shifted his weight nervously. He knew he should have left you at the house. It was a bad idea, just like Hoyt said. You brought to much attention to yourself. Unknowingly and unwittingly, of course. Never your intention.

But you had a magnetic power around you, drawing people in.

Your soft eyes were what made him fall in love with you. When his family first found you, hiding out in their barn, crying your eyes out, he felt a pang in his heart that was new to him. You looked scared and you were alone. Everyone else had left you, all meeting their ends by his chainsaw.

He asked you why you didn't struggle and you always shrugged "I guess they were never really my friends to begin with. They tried to leave me for dead. "

And he didn't question it at first. After all, it all brought you to him. You were his now.

But-

You should hate him. You should fight him. You shouldn't be able to stand the sight of him. You were better off with this man, this stranger who could give you the life you deserved. The overwhelming feeling of despair hit him like a shot to the stomach.

But then you turned to him. And smiled. That sweet smile, the one that lit up a room and light up his life. And it was directed at him. It was his smile.

And for a moment, all was right in the world. You chose him.

But then-

"So, I gotta wonder... What's a sweet thing like you doing in a shit hole like this?"

From afar, Thomas could see you bristle, your demeanor change from jovial to defense "What's that supposed to mean? There's nothing wrong with here."

The stranger laughed "Yeah, it's cute in tetanus shot kinda way. But nowhere such a hot piece of ass such as you should be. "

Thomas ought to punt this creep straight into a grinder. His fist balled up and he began stalking towards him-

Except you beat him to the punch. Quite literally.

The stranger fell to the floor, holding his bloody nose. Whimpering. Thomas was surprised, he didn't think this guy would go down that easily. The man wasn't as tall as him, but he was still a sizable man. And you floored him.

Looking back to you, he watched as you shook your hand out, cursing under your breath "Fucking hell, dude! Your face made out of concrete?!?"

"YOU BROKE MY NOSE, YOU BITCH!"

"Yeah, and I'll do it again if you don't get your ass outta here!"

The man, holding his bleeding nose, lifted himself off the ground, shooting daggers at you. Instinctively, Thomas placed his body between the two of you, glaring back at him.

The stranger, though looking absolutely terrified, feigned confidence and scoffed as he walked by. You grabbed Thomas's arm, shouting as the stranger left the store "Yeah! Get out here, you-"

Thomas spun you around, grabbing your face in his hands. He looked you over, looking for any signs of harms. You scrunched your nose "I'm fine, Thomas!"

Thomas huffed, pulling you close to him. You laughed in his arms, standing up on your tip toes to press a kiss to his mask. Thomas looked down at you, taking in the lovestruck look in your eyes.

Yeah, he had nothing to worry about.

[legolasghosty]

Okay but Monty from Dead Boy Detectives has such a heartbreaking arc.

Like imagine you've lived your entire life, centuries of it, all with one person. The one who caught you, who created you, who tied your souls together so you could remain by her side for eternity. Who took care of you in exchange for favors. A few feathers here, a letter delivery there, a watchful eye on a cruel family who cast her out and deserves what's coming to them.

And perhaps, over time, some of her habits become distasteful to you. You're not overly fond of having your talons ripped out, and her shrieking when she's in a bad mood hurts your ears. And then of course there's the nasty snake in the basement, always complaining and keeping you awake and growing bigger and bigger and bigger all the time. But all in all, it's not a bad life.

And then They come along. And they ruin everything, at least that's what she screams. Your whole life is thrown into chaos, because she's getting older and that ugly snake is getting louder and that Cat has trapped Them here so nothing is settling down. You're not sure if you loathe Them for upending your life or appreciate the little lesson in humility they taught that stupid snake. After all, you've gone months on end with barely a mouse, it really could stand to lose a few pounds. But she's set on revenge, so that's most important.

But she asks something new of you. Well, she doesn't really ask. She never asks. She simply takes. But she gives you a new body. And it hurts. Everything hurts. You can't fly or fit in your cage anymore, and your body is so heavy.

But it's also beautiful. You can walk down the street and no one glares or throws things when you stop to look in a window. It's so much easier to read now that your eyes are bigger and your fingers can grasp the pages. So maybe it's not so bad.

And then there's Him. At first you only speak to Him because she wants you to. But then it's more and more because you want to. Because He's smart and curious and you find yourself increasingly more drawn to his eyes, rather than the shiny buttons on his coat. You're not sure what to make of the odd, fluttery way you feel when He smiles, but you know you like it.

But then you have to go and mess it up. Because He doesn't feel the same. You should have noticed, should have seen the way He looks at the other boy, the one who has been jealous of you since day 1. But He doesn't care. And if He doesn't, then who would?

So you go back to the only thing you've ever known. But she's different now. Or maybe it's just that you're different. Was she always this cruel? This dismissive of anything but herself? Did she always take such pleasure in the suffering of others?

But what else is there for you? It's been made clear that you'll never be welcomed by anyone else. So you do as she bids you, despite the ache in your chest over causing Him harm. And He agrees, despite how He must loathe you now. Really, this will be better for everyone. He'll be sent away and she'll be happy and you can nurse your broken heart in peace.

Except 'sent away' isn't right. She means to destroy them entirely. And you don't understand that until it's too late. By then, they're hooked. Just like she wanted. It's not like you can talk sense into them anyways, He hates you.

But then He doesn't. He doesn't hate you, and maybe there's a chance you can still save him.

If only the Cat hadn't come. If he hadn't told Him everything. Hadn't hardened any sense of friendship He might have felt for you into anger and betrayal. And you deserve it. Because you did betray Him. You thought all was lost, and lost what little you had in the process. You're a monster. Just like her.

She's livid. She tears you limb from limb all over again, and the pain is almost a relief. It's what you deserve. And you can fly again now. And the feelings don't hurt so much when every hollow bone is on fire. You manage to get away, back to the only home you've ever known. You can't bear to watch them be destroyed.

Only they aren't. And her rage can barely be contained in the rickety old house. She doesn't say where she goes or what she's doing, but you know. Being a witch's familiar means you know entirely too much about what she wants. And there's nothing you can do to stop her as she builds that monstrous contraption. The one meant to torture Him for eternity.

And it works. You wish you could run, could get away from His screams. But you can't. She has you on a much tighter leash now, cage or not. And the jealous one curses you out, which you deserve. You're a failure. To everyone. You couldn't be a good familiar, you couldn't be a good human, you couldn't get anyone to care one bit whether you lived or died, you couldn't even fulfill the one purpose you were torn apart to achieve.

But maybe you can stop the screams. At least for a moment.

The jealous one grins, and says something about redemption. You don't think that's for creatures like you. But they escape. And she's gone.

What do you do now?

For a moment, you dare to dream about redemption. After all, there's only one group of beings you can think of who might understand what you went through.

But they're gone. They have each other to pick up the pieces with, but you're alone.

Forever alone. You had it coming.

Like come on, the feels?! Monty needs a hug and soooo much therapy I'm telling you!

[jellycreamjammedart]

I have such a brainrot idea of post-betrayal Cassie teaming up with Roxy to help get her out but with the elevator destroyed they have to take the long way back, aka going through the entire PizzaPlex again. Roxy is determined to get Cassie out no matter how hard it is but Cassie decides she has a lot more to do down there in the meanwhile.

First thing turning M.X.E.S security back on but it's very weak and vulnerable without the security nodes. The Mimic is down there somewhere still but it certainly will try to follow and escape once it's no longer stunned. So Cassie offers M.X.E.S her vanni mask as a first initial node (with M.X.E.S and Helpi instructing her how to do so,) so that the security bunny has some grounding to start on. This allows both Helpi and M.X.E.S to talk to Cassie through the mask's implant.

So on the long way back Cassie tries reactivating the parent nodes and child nodes.

Since she gets on better terms with M.X.E.S it no longer tries to get her killed, meaning most past threats aren't gonna be prone to attack her... but thats not enough for Cassie.

She goes out of the way to help those broken, confused things seemingly tortured beyond repair. She tries to save every thing stuck down there with her. She clings to the idea and need to there being some meaning in a little compassion in such cruel, twisted world.

Getting her hands dirty pulling trash and rotten food out of Chica's body to disobstruct these nasty things from her endo ontop of returning her voice.

Getting her hands scratched up trying to reboot Monty after draining the water he was electrified in.

Getting her hands sore trying to pull out every sharp metal seen impaling into Prototype Glamrock Freddy.

They join Cassie along with roxy.

Reactivating the mini Music Men, they help her through too vertical vents. Reactivating the wet floor bots.

Basically undo everything the Mimic tricked her into doing, with an additional offer of bits of kindness. It was her kind heart that led her down. It can lead her back up. And she's taking everyone up with her.

Trying to patch and fix Bonnie up. Recruiting the Daycare Attendant so they're not doomed to an empty lonely daycare.

Cassie tries to make everything better for everybody. By god does she wish she had the power to just fix literally everything! But she can't... so she sets on her heels and tries to fix whatever she *can* fix.

By the time they make their way back to the lobby where this nightmare and deception started, Cassie has gathered a large group of unlikely friends. They're finally here! They finally can leave. See the sun. Be free! Be happy again!

As beautiful of a sentiment that is... it's not that simple.

They can't all just leave; they need to stay to help M.X.E.S keep the Mimic sealed away. They're guardians as much as M.X.E.S is. And if a similar crisis happens again, M.X.E.S needs guardians to send distress signals to to come and help. It can't guard the place alone.

Cassie can leave though. She earned it. She deserves her happy ending. She did enough- no she did more than enough. She did more than many ever did.

But if it's her happy ending, then why does she feel her heart breaking? Why does it feel so unfair? Looking at those disfigured broken faces (or lack thereof, in the case of Prototype Glamrock Freddy,) she can see real friends there, despite everything they've gone through. Real friends that would show up to her birthday party in a heartbeat, she knows. Real friends that wouldn't leave her behind. She's never had such friends before in her life!

And now she's the one who has to leave them behind?

This feels awful. She feels awful. It doesn't feel like a happy ending at all. All she can bring herself to do is cry her heart out while hugging and clinging to those metal monsters.

But it's necessary, as painful as it is to part ways. It's the right thing. They have a very important mission in there, and Cassie has a whole life ahead of her-- she shouldn't stay really, there's no proper or safe food for her down there. And this is no place for a child, this is no longer the fun Freddy Fazbear's Mega PizzaPlex where people come to play, eat and watch the Glamrock band. Those are times long passed, long gone, and forgotten by most.

Besides, she can leave with her vanni mask, the first and now last node. Even if history repeats itself, there would always be one node left. It's a perfect safety plan.

Or... Cassie can choose to stay a little longer, if to check if there's anything else she can do... such as unlocking that mysterious scooper room... it sure is scary, the thought of getting down there again. But with those new friends by her side rather than trying to stop her, the trip back down is quite easier, if still rather dangerous due to the place's hazardous condition. But she will not fail this time. She's determined not to.

Maybe then, she can make everything right again, for them all, after all.

[icyg4l]

PAC: Uncovering the Lies

Which area of your life have you been lying to yourself about? In this pick-a-pile, truths that you have been scared to face will be revealed to you. If you’ve been having any doubts about a situation, have been in denial about something or do not know about deceit, then it will all be confirmed/shown here. Without further ado, pick your pile.

Left-to-Right (1-4):

Pile One: If you chose the photo of the word ‘she’, then you’ve been lying to yourself about that situationship, or should i say ‘shituationship.’ You have the tendency to put a lot of energy into relationships in comparison to the other person. You hope for that person to come around and they simply don’t show up for you the way you want to. It’s time to stop trying with this person. This could honestly go for other relationships too like with a friend or a distant family member. You’re looking for some stability, Pile One. You’re not looking for a fair weather friend or a part-time lover. You’re looking for the full package & it’s time to stop denying yourself of that love you are seeking. You’re pure-hearted but need to start acting accordingly. Get a little more strict so that you can attract the relationship(s) that you are looking for. You deserve better. And I’m not going to lie, Pile One, people are saying that you deserve better behind your back. So, put yourself in a better position, love. I pulled some oracle cards for you for some advice that you can follow and here is what was said:

“A new romantic cycle begins”

“Communication is key”

“Nothing is yet set in stone”

Cards Used: 7 of Swords, Ace of Cups, Queen of Swords, 8 of Wands, Ace of Discs, The Chariot, Knight of Discs.

Signs: PISCES, Sag, Libra, Leo.

extras: let it go by elsa. flowers by iyla. red hair. glowing skin. honey. abandonment issues. gapped teeth. upbeat song listener. open heart chakra. peace sign. bridgit mendler. ivy league. political internship. yoga.

Pile Two: If you chose the pile of the headless woman, I would say that you definitely need a break, Pile Two. You deserve to come out and play with everyone else. When was the last time you went out for a drink with some friends, huh? You’re all work and no play. You’ve been saying that you’re fine when you’re not. I sense that you’ve been a little hotheaded lately because you have no outlet for your frustrations. Please, let loose. I’m channeling the movie Daddy’s Little Girls, specifically the scene where Monty and Julia go to the local bar after she has a long day at work and they end up bonding with one another over drinks. I think that’s what you need, babe. You’re such a hard worker but you’re also an overachiever. Those go hand-in-hand just like work and play. I feel like this pile is just so serious like your tolerance for things that you once could handle has probably decreased, so you’re more irritable nowadays. With that being said, you should probably book that flight or call up that friend. You need to just wind down. I pulled some oracle cards for you and here is what was said:

“Be bold and make the first move”

“What do you need to release?”

“Hold your vision”

Cards Used: Temperance, King of Discs, King of Swords, Death, King of Wands, Page of Wands.

Signs: Virgo, Capricorn, Scorpio, Aquarius.

extras: refill by elle varner. work hard, play hard by wiz khalifa. smoke break. 22. paying close attention to the news. puffy eyes. headaches. going to bed early. miami for spring break. mean girls. stress eating. fight night.

Pile Three: If you chose the closeup of Megan Thee Stallion, then you’ve definitely gotten yourself into a sticky situation. There is some sort of pattern that you have not recognized yet and you’re wondering why this thing keeps happening to you. You feel like you cannot escape this toxic situation. One minute things are fine, the next minute, you feel like nothing can go right. Pile Three, you’ve grown accustomed to toxicity. It was taught to you as you grew up and you never really unlearned it. But I’m here to tell you that the relationship you’ve got yourself in is acting as a mirror for you to do better. Some call it a karmic relationship or a twin flame relationship. But either way, this is not meant to last for a long time. Everything will be okay as long as you choose to see things for what they are. This means attending therapy, doing the shadow work, crying, transmuting the pain into something beautiful and purging. Your situation is dysfunctional, Pile Three. But only you can get yourself out of it. I pulled some oracle cards for you and here is what was said:

“A fiery climax approaches”

“A personal issue reaches resolution”

“A time to give rather than take”

Cards Used: Page of Wands, Ace of Cups, The Tower (RX), Queen of Cups, Three of Swords, 5 of Wands, 7 of Cups, 4 of Wands (RX).

Signs: Taurus, Leo, Virgo, Aries, Cancer.

extras: chipped tooth. salt and vinegar chips. chocolate. breath of fresh air. greedy by ariana grande. twins. we belong together by mariah carey. fish and chips. wakanda forever. peppa pig. y8 games. tilapia.

Pile Four: If you chose the leopard’s paws/lady’s hands photo, then you need to stick to your word! You’ve been playing games. I feel like this pile doesn’t really believe in themselves. You’re your own biggest critic. You can be very nitpicky and judgmental or fall victim to the words of others and end up sulking because of it. You haven’t been putting in as much work to accomplish your dreams. The intuitive feeling that you get when you think of that idea — use this energy to create! Maybe you don’t have a lot of supporters around you and this is what’s preventing you from going hard. But that’s the thing, you can use the haters as your motivators. Very cliche what I just said, but it’s true. I feel that you think too much about what could be done instead of actually doing it. Don’t just talk about what you’re going to do. Be about it! You don’t even have to tell people what you plan to do. You can always keep it to yourself. That’s the best option for you anyway. Worry about the results later. You can do it, Pile Three! You got this! I pulled some oracle cards for you and here is what was said:

“Believe in the impossible”

“Nothing is yet set in stone”

“Expect powerful change”

Cards Used: The High Priestess, Seven of Swords, Justice, Prince of Swords, Princess of Cups, Strength, The Sun, Judgment, 4 of Cups.

Signs: Taurus, Virgo, Gemini, Pisces.

extras: close friends. the challengers. lorde fan. skin-to-skin contact. silver rings. LA. dynasty. pick me. time tables. clock in. red lipstick. side bangs. the game (2006). twiggy eye makeup. how high (2001).

[skayafair]

A Light in the Dark

I never noticed it before and don't know if anyone mentioned it already but we know how a lantern is important as a metaphor and a symbol for Charles and Edwin relationship, right?

Well. That's not the only lantern there is.

Monty also carries one while he walks with Edwin through the forest, even though he was rejected. Still, they keep a relationship - Edwin stresses that he cares for Monty and considers him a friend. And it's clear this is important for Monty, too.

But then.

The lantern is extinguished. Monty can't be the light. And by whom? The Cat King, who enters the scene with his own sourse of light. "Look at me, I'm fabulous, sure I'm better and you want me?".

Honestly, all this time I was wondering what was the deal with that chandelier, it just seemed SO out of place and out of nowhere. Now it's pretty clear though!

The lanterns/sources of light in the dark often represent relationship in this show. The Cat King ended Edwin and Monty's and tried to use this as a fuel for his own.

But also a "lantern" (romantic feelings mixed with friendship) is way closer to what Edwin wants and has, it has little to do with the posh "chandelier" (apparently just sexual attraction).

It's interesting that in the same episode there's one more source of light, only smaller.

At first it's Edwin who has it, then he gives it to Charles, but eventually the one carrying it is Crystal. And it briefly goes out when she drops it while David is trying to undermine her self-esteem, simultaniously aiming for her affection for Charles ("You think you deserve a hero?").

Honestly I'm not sure what to make of it except for the fact that it's clearly a very deliberate choice that has its own meaning, but I think in this case it may be different from the rest?

At first I thought it was trust - Edwin trusts Charles and Crystal to go together. Sure he's preoccupied with Monty, but still, there's no trace of his usual jealousy. This is a serious situation and everyone's safety is the most important. So Edwin trusts them, handing the light over.

Then I've got confused a bit but this may still be it? Crystal drops the flashlight when David shows her an image of her being posessed, black eyes and all, undermining her ability to trust herself: IS this the real her? What if he's right?

The lantern blinks. Sure it blinks from the impact but I think there's an additional meaning since the camera takes a pointed shot of it. David threatens not just her - he threatens everything that is her and everything she has, relationships included, and that's what he goes for next with his "do you think you deserve a hero like Charles" speech. Then Charles promptly steps in with his protective instincts and magic cricket boomerang bat.

The next time we see them, Crystal has the flashlight again.

Also this is literally a leading light in the dark - both Edwin and Crystal take leadership, so they hold it. In Monty's case it's not Edwin who leads the way though. He gave up this position for some time.

I may be wrong with this one, so I'd be glad to learn everyone's opinions!

Also there's another thing. Monty's lantern gets extinguished as his relationship with Edwin end (it wouldn't have, I'm sure they could be friends even after all that, but Monty didn't have a chance). Charles and Edwin's lantern is left in Hell, but their relationship clearly doesn't end. It changes significantly though. Any change is a small death of the old and a beginning of the new?

I mean, the situations are similar. There are 3 (sort of) rejections throughout the series: Crystal rejects Charles with "we'd better be friends... for now", Edwin rejects Monty with "It wasn't you but you are my friend I care deeply about" and then Charles with his "I can't say I'm in love with you but we have literally forever to figure out the rest". They all have similarities and differences: Crystal wants to be friends but leaves room for developement with this "for now", same as Charles with his "forever to figure out the rest". At the same time friendship is the cornerstone all four of them hold on to and come to eventually. Romance may or may not come into the picture later but what's important is that they are friends and care for each other.

Oh, right, I forgot Edwin's goodbye to the Cat King. It does tie up with the rest in a way though: the Cat King represents selfish desires (even if less so in the end), and what he shares with Edwin - and by extention, with everyone who has been rejected, - is loneliness. Friendship is great, but it's not the same, and it's hard to swallow your romantic feelings once they're there. It is lonely and painful to not be desired, even if it's for the best eventually. And Edwin admits it.

Now shush I know Charles' words weren't a rejection from the audience's POV but Edwin clearly took them as one, so I refer to it this way since the characters' POV is what's important here.

[kk-phantomcat]

Maybe I'm overthinking BUT

At the end of the ep. 7 Esther sends Monty to see if Edwin has returned from hell. Monty could have done this quietly and unnoticed but he deliberately draws attention to himself.

I think he wanted to warn them about Esther's terrible plan.

Monty deserves better.

[read-write-thrive]

JATP x DBDA crossover where the Phantoms are free but Willie still isn’t and Caleb is playing dirty now that the boys have bested him (possessing Nick but also cmon he definitely has more magic up his sleeve) so they start trying to figure out Magic on their own, which is really just Julie and Flynn googling things and trying out various types of magic/spells/scam artists in the area, only for someone to come across something to do with the DBDA who are happy to take the case 👀

I have too many WIPs for this but just some ideas floating around my head:

- Crystal at first butts heads with Julie and Flynn (residual mean girl tendencies/differing senses of humor) but end up bonding over being surrounded by (dumb) dead teenage boys

- None of the Phantoms are good at proper spells but their music 100% has magical properties that is utilised in whatever final battle type event happens

- Edwin has come to terms with Charles’s eccentricities but the Phantoms are a whole other type of teenage boy and I think he would be just so catty about it all. Like why are they cute and so stupid this is ridiculous why the Hell did we even take this case can they please take this seriously

- Charles and Reggie vibe. I don’t make the rules

- Flynn can’t see the boys either which naturally leads to hijinks

- Monty attends a concert (he deserves to have fun) and while I considered him being the link between the two groups I think it would be funnier if he decided to go to a concert and runs into them coincidentally

- Based on a precursory AO3 search I’ve seen some fics where Monty gets in trouble with Caleb which makes sense with the whole magic familiar angle but I’m not copying here so I won’t get into that

- I think Willie interacting with DBDA would be wild. Like. Dead pretty boy with a sense of humour and tragic backstory? They’re all swooning fr

- Niko (shhh) gets along with Julie and Flynn IMMEDIATELY like they are talking about shows and DIYing things together and it’s great

- Crystal gets along better/faster with Julie and Flynn with Niko present fs

- There’s at least one dance number with everyone involved

- possessed!Nick is still trying to woo Julie and not only do we get the Phantoms side eyeing him but now we get the DBDA just openly judging him (Crystal roasts the shit out of that fedora and she’s RIGHT)

- Crystal would decimate any of Carrie’s attempts at being bitchy so I think we have to redeem Carrie for that reason alone

- DBDA goes to a JATP concert and the boys are actually awful at vibing there. Like Crystal is relatively normal (idk if it’s her scene but she’s been to concerts before) but Edwin does not know what to do at a modern concert and Charles is used to a much different style of dancing/concerts (I don’t know enough abt aka punk to elaborate unfortunately but ykwim)

- girls night includes style swapping bc the DBDA girlies deserve some butterfly clips and the JATP girlies deserve some eyeliner

- in the nature of JATP I don’t think Caleb gets sent to hell in the end but I do think his ending needs to be ridiculous. Like have him get the Night Nurse treatment and get eaten by that fish so he can be redeemed by Kashi

- not to bring up Monty again but I think he sticks around and keeps up with the JATP crew more than the DBDA (he is not interested in any more of that Hell/monster energy and that’s so valid of him)

- montage of Edwin and Charles teaching the Phantoms ghost abilities (I can’t remember if/how they vary between shows but if so shhh or explain it away yk)

- Unseen Emily reprise and it’s all the boys mourning loved ones. Just for the feels.

- Actually just more backstories for everyone please

- Love ballad/slow song that Willex and/or Payneland dance to 🥰

- Palasaki being openly in love (which inspires whatever the Flynn x Carrie ship is bc I love them)

[bree-cheesy]

HC's: Friends To Lovers with Ted

Nsfw and Sfw (Minors gtfu)

Ya'll it's been a fat minute. I'm sorry! Btw, I've never written hc's so be patient with me pls😭Tried my best to keep it gn!reader. The smutty parts don't really go with the friends to lovers stuff, but it's still smut so just take it, sluts.

I'm writing a different person, everyone should be so proud of me.

Now, some head cannon's with Mr. Nivison himself

Sfw:

Ted giving you flirty nicknames such as sweetheart, babe, love, etc >>>>>>>>>>>>>>

Being the jealous best friend.

"He's just not good for you, sweets. You deserve better than that waste of space."

Movie nights that end with cuddling and a very flustered Ted in the morning.

Denying feelings for each other, even though everyone says you're in love with each other.

Realizing your feelings during a movie night when you guys were watching Monty Python and the Holy Grail.

Getting fuzzy feelings when he laughs at something in the movie.

Avoiding him for weeks until he forces himself in your house, demanding you tell him what's going on.

When you finally tell him he cuts your ranting off by a kiss.

"Why didn't you just say something, babe? Loved you for years."

--------------------------------------------------

Nsfw:

WORHSHIPPING YOUR BODY.

The sight of your body was 1000x better then what he imagined while jerking off by himself so he just had to worship it.

Making you feel like the most amazing bitch alive.

"Yeah? My cock feel so good inside you, baby?"

Moaning and groaning sweet things in your ear.

King of face fucking.

Whining your name softly when you pull on his hair a little.

Making it so you can't walk and he has to carry you everywhere.

Def having a movie night after he blows your guts out.

Was that a good comeback post? I hope it was enough to satisfy y'all. I hope to drag in some new people with this post.

[ikamigami]

Ooof things don't look too good rn..

Earth being kidnapped to be used as bait for Monty reminds me when V2 Eclipse put a bomb im Lunar's head and bargain with Monty to give him the star so Lunar could live..

But we all probably remember how it ended..

Lunar died anyway..

And I fear the same will happen with Earth..

Also I don't like how much they're implying that Eclipse will sacrifice himself bring Solar back..

I like Solar but I don't want him back in expense of Eclipse.. sorry..

Also why they always try to kill Eclipse whenever they bring him back.. 😮‍💨

But we shall see.. If Earth will die and Lunar also has high chances of not surviving everything will be just a mess..

It almost look like Moon's dream is really likely to happen..

Anyway.. Sun will have to face a not so new trauma once again.. poor guy deserves better.. they all do..

[idkmanwtfishumanityanymore]

y’all someone needs to ban me from this channel ISTG I just got SO HEATED with someone in a comment section for saying Monty and Puppet are in the right for mocking BloodMoons’ brothers death💀

here’s my comment if y’all were curious. (People who are easily upset/affected by BM’s trauma DO NOT READ FURTHER. I went feral💀🙏)

“You do NOT. want to start this fight. Ahem.”

“FIRST OFF, no one fucking deserves to have a serious loss in their life mocked. I don’t care what they’ve done, if Monty and Puppet want to be any better than BloodMoon, they wouldn’t stoop to his level.”

“SECOND, the murderer part? Have you just COMPLETELY FORGOTTEN that they have a programmed bloodlust they CAN’T GET RID OF? Eclipse programmed them to kill, it’s all they’ve ever known. OF COURSE THEY’RE GOING TO KILL PEOPLE IF IT’S THE ONLY THING THEY KNOW.”

“THIRD, I know you didn’t mention it, but they weren’t “incapable of redemption”, when they were staying with Foxy and FC, (sure they had a bomb in their head, but) they were the most “tame” and calm we’d ever seen. Still snarky and making threats left and right, but they accepted the infinitely-bouncing-chicken and played with it for a while, they mostly just sat in silence when they weren’t being bothered, and if I remember correctly- FC and BloodMoon ended up sparring or something, or it was atleast mentioned that FC wanted to spar with them-“

“FOURTH, EVERYONE THEY’VE EVER TRUSTED, BETRAYED OR HURT THEM. Eclipse, their original creator, already betrayed them by forcing an inescapable Lust for blood on them. Lunar, Lunar was using them to get rid of Eclipse, and inevitably abandoned them. Eclipse AGAIN, not only did he MAKE THEM INTO a backup for himself, and forced his way into their minds, but he also MADE THEM go back to the Pizzaplex when they were perfectly happy on the streets killin’ hobos like TrashMan. KillCode, he claimed to be their father, but did he ever really act like it? Sure he gave them advice and blood, but what else did he do for them? Because from what I remember, it sure wasn’t much. Ruin, Ruin rebuilt them after dying to Sun, and SPECIFICALLY PROGRAMMED them to NEED someone to control them, Ruin claimed to care about them, promised their body had nothing strange about it, but when talking to Solar, BloodMoon was informed of a secret, hidden weak point in their casing, which they VERY MUCH were not happy with. Solar, before they even agreed to help him get back Sun and Moon and defeat Ruin, they had a panic attack because they were afraid they’d be tricked and used again- WHICH HEY GUESS WHAT? IT HAPPENED AGAIN JUST LIKE THEY FEARED, Solar promised them they could go free as long as they didn’t go after the Celestial family, or their friends, which up until Solar said he wanted to KILL THEM, they were listening to! They were back out on the town, killing people like the first time they ran away from someone that claimed could be trusted, (The one before having been Lunar) and they only decided to attack any of the family AFTER Solar said he wanted to kill them. (Not including Lunar, that was before the deal with Solar) Rotaerc/Rodrick, creator in disguise, also just using them as a weapon. StitchWraith, literally threatened to separate them and show them what “True loneliness” felt like or some shit. Monty and Foxy, sure they didn’t TRUST those two, but they were still used. Everyone they’ve ever trusted, has used them, betrayed their trust, or hurt them.”

“SPEAKING OF ECLIPSE AGAIN, WHEN STITCHWRAITH SAID SOMETHING THAT REMINDED THEM OF ECLIPSE, THEY HAD A REACTION I CAN ONLY DESCRIBE AS TRAUMATIZED, AT THE THOUGHT OF BEING STUCK WITH SOMEONE LIKE ECLIPSE AGAIN.”

“MAY I ALSO MENTION THAT IN THE EPISODE WITH A REAL BLOOD MOON IN THE SKY, THEY MENTION THAT THEY DON’T LIKE HAVING THIS BLOODLUST? WHEN THEY DON’T CONSUME/SPILL BLOOD, IT’S ALMOST LIKE THE SYMPTOMS OF A SUBSTANCE WITHDRAWAL, WHICH ARE PAINFUL AS HELL.”

“Sorry for the Essay, but I’m 100% willing to go OFF on anyone who just completely disregards that the twins had trauma too. All the villains except maybe Creator, have their own traumas, and I’m sick and tired of everyone ignoring that.”

Y’ALL SOMEONE GET ME AWAY FROM THIS CHANNEL BEFORE I LITERALLY ATTACK SOMEONE AHDHHDHDHFCH /hj

Edit: SCREAMS AND CRIES SUPERSTAR BONGOS REPLIED TO MY COMMENT I COPY-PASTED TO HERE MAKING FUN OF MY AGGRESSION OVER AN OPINION- IDKWHETHER TO LAUGH OR CRY💀🙏

[queerly-done]

So my opinions on all the Dead Boy Detective/DBDA Characters

All of these are opinions as someone who has watched the show a few times now and also the Doom Patrol episode and I’ll give my opinions on the Doom Patrol versions at the end.

Spoilers for Dead Boy Detectives Show. And Doom Patrol season 3 ep. 3 and that episode alone

Charles Rowland

- Charles is such a sweetheart I love him. He’s always looking out for his friends and literally went to hell for Edwin, and kicked the Night Nurse for him. I just love him so much.

- I felt so bad for him in episode one when he says his dad, “wasn’t the nicest guy,” and in episode three when we see him break being forced to see a father k!ll his family over. I was actually crying with him saying he doesn’t “want to be a bad guy”! It broke me so badly, the abuse he went through and the fear he’ll become like his abusers is a very real thing and to see a character go through that makes the story feel more real, and makes me more sad. He could use some therapy.

- Him being the “brawn” of the team is pretty funny to me but thats most because if you watch the cast interactions you’ll see what I mean.

- All in all, I love him. He is loving, protective, loyal and has golden retriever with attachment issues energy mixed with scary dog privilege but the dog isn’t scary unless provoked.

Edwin Paine/Payne

- Adorable, get him some therapy please! He needs it! Man was so repressed for the first part of this show I thought I’d die before he confessed. But I don’t blame him honestly, his death was traumatic and being called a “Mary Ann” whilst being sacrificed likely would put a bad taste in your mouth about the idea of you being queer in any way shape or form. I am so proud of him good job!

- Honestly he just makes me so happy, and I love how he interacts with everyone and grows!

Crystal Palace

- I love her she is so bad ass and I hope wish the best for her

- She needs better taste in men, my suggestion date women

- I want to see a little more of her Nepo baby side of her past cause clearly that was a thing

Niko Sasaki

- Sweetie! I miss her! She was the only other person other than Charles to get Edwin out of his shell and it hurts me so much to see her be gone. Her death will forever haunt me.

Cat King

- I love him so much, he is my favourite kind of not evil but not good guy the kind that plays a game with people by flirting! Ahhh I love him! I don’t love that he falls for Edwin(I’ll make a separate post on this issue)

- Anywho I still love him he gives off chaotic gender neutral vibes and the song Sex With a Ghost was made for him, I just love him!

Monty the Crow

- Monty I love you but don’t kiss people without consent!

- Honestly he was very important, and sweet he didn’t deserve all the pain he’s been through, may better things come his way.

Jenny the Butcher

- Badass. I love everything about her. Her style, the way she gives advice, yes I just love her so much. I want to see more of her.

- Her episode made me so sad for her ;-;

Esther Finch

- Honestly I love her as a villain she was so evil, and a genuine threat. She is also so hot and scary I just love her.

David the Demon

- A creep I didn’t like him, I don’t know what else you want?

Doom Patrol versions!

Charles Rowland

- He was so funny in this, I loved him. I love how the show conveyed a mutual interest from him to Edwin they are both just too dense to say anything about it. I also love that it seems the only thing he knows about America is that they like baseball.

- They did have to go off and hurt me with the fear of water scene, but he was so sweet protecting Edwin from the Night Nurse(who in this is just 10 times scarier)

Edwin Paine

- Him not getting anything about modern times and brushing off his feelings for Edwin was so well done! I love how he tells Larry he “isn’t like him” saying he isn’t queer and that if he were that would be bad, he says this all in a very rude and brash tone and then proceeds to comfort Charles in the nicest to he is capable of.

- Beautiful 10/10

Crystal Palace

- Boss ass Bitch, girl boss. 8/10 I love her but no real opinions yet that is I may go back one day and edit this for her

I hope you liked this dumb post :3

[fnaffancontentbutmostlyglamrocks]

I'm about ready to just boycott Steelwool games from now on because of Monty not being in Help Wanted 2.

Before you @me saying I'm be over dramatic. It's just been so annoying how Monty is treated in the games.

Security Breach: He takes the most dammage of all the Glamrocks, despite the fact no worse than any of them. Hell Roxy deserved her shattering the most for how cruel she could be.

Ruin: Roxy gets a full on redemption/ second chance because she’s Cassie's favorite. That's it. There is nothing indicating she’s shown remorse for wanting to kill Gregory.

The player can show kindness to Chica and repair her voice box. For absolutely no reason, too.

Sun/Eclipse gets a form of closure

Monty gets electrocuted and fucking dies.

Then in HW2 he doesn't appear at all, and it wouldn't be as noticeable if it weren't for the fact that he is the ONLY animatronic too not appear.

I don't get why. Does Steelwool hate him or something? Did they look at Glamrock Bonnie fans saying they hate Monty for killing Bonnie, and this is there "apology"

On the topic of him killing Bonnie. I'm more annoyed that it is being used as justification to get rid of him. That he’s "pure evil" and so doesn’t deserve to appear.

By that logic, Scrap Baby shouldn't be in HW2 cause she's homicidal, and there's nothing to indicate she's under mind control.

Even then, why not play that up? Make Monty evil, outside of Glitchtrap. A purely malicious animatronic.

I do like the idea that even when the Glamrocks were "safe" and couldn't harm guests. Monty found a loophole. He can't harm guests, but nothing in his programming can stop him from harming an animatronic.

Why can't they make him a villian then?

Why couldn't we have a game where you have to repair staff bots that Monty has broken, keeping an eye on the doors (and in the hard mode an ear out for the vent) while Monty stalks around Gator Golf. Then the game ends when, instead of a staff bot, it's Bonnie's body brought to you. Then, in replaying, a sharp eyed player could see the moment Monty attacked Bonnie.

Or, make him as "friendly" as the others. Give him a minigame where you help him sign autographs, and you need to be a bouncer for obnoxious fans (played by staff bots). If you don't keep them away enough or fail to give him photos to sign in time, he gets angry, and you have to calm him down.

What's most upsetting about Monty not being in Help Wanted 2 is that this was a chance to give him a good final send-off.

Now fans of Monty have to hope he appears in an Update or DLC. For the latter, it is shitty that we have to potentially pay more just to see him.

Monty deserves better, not as a "person" in the universe, that it's still up to debate. Just as a character in Security Breach.

This has just snapped the twig

[peachyfnaf]

If you could say something to all TSAMS characters, what would you say?

WHOOH boy, that's a fuckin' question and a half, ain't it? i'm prolly gonna piss some people off with this, let's see... i kidnapped most of these characters from polaris' list lol

So I don't go off on tangents for each of em, i'm gonna try to limit myself to 1-3 sentences

Sun: You've been through a lot, haven't you? Find something to do in life, something that you love because you want to, not something that you love out of obligation or programming. You're smarter and stronger than you think, stop being held back by the past.

Old Moon: You have not changed as much as you think you have- you still have some very toxic and abusive behaviors. You are not irredeemable, but you are deeply flawed. Take time, work on yourself, and understand that while making up for your past might be impossible; it's not impossible for you to carve out a future where you and those you love are happy.

New Moon/Nexus: Oh, you poor thing, what happened to you? You fucked up, but you didn't deserve the hand you were given in life, no one in your position would. Please, let yourself feel again- the pain of losing it all- only then will you be able to come back out the other side ready to love again.

Earth: As you've grown and experienced life, you've become very immature. This isn't directly a bad thing, but it contrasts with what you try to be, and makes you an unreliable person to go to with mental health struggles. Don't take life so personally, and push a little bit harder, there's no need to be so soft on people who reject help who clearly need it.

Lunar: I am BEGGING you to show some vulnerability. I know it's genuinely so fucking hard after all you've been through, but if you keep acting like you're okay after every loss then eventually you'll become a shell of a man. ...And also, respectfully, humble yourself- you are incredible, but you are not the main character.

Solar: Take a break. Please, for the sake of yourself and everyone you care about, take a break. You can't save anyone if you yourself are dying- and the people you are trying to reach won't extend their hand to a dying man. Take a break.

Eclipse (V4 Specifically): ...What can I even say to you other than that I am so incredibly proud of you. And that I'm sorry, I'm so sorry for everything you went through, being compared to someone you're not. I wish people would leave you alone, as you so desperately want to be, you more than deserve that peace.

Bloodmoon: You're a lot more put together than people give you credit for. I'm sorry you were made the way you were, with the inability to live life without being consumed by your urges. You were born a monster, and no one gave you the proper chance to become anything but one.

Ruin: I'm sorry to say this, I really am, but even though the life you lived was horrid and tragic, that gives you no right to end billions of innocent lives in your quest for justice and revenge. You have my sympathies for the trauma you experienced, but my sympathies end there. Everything you experience after the massacre you pulled is your victims coming to bite you in the ass.

Jack: I love you, so much- I love you for trying as hard as you do. Remember, it's okay to say no. You are still growing and have a lot of it to do, be kind to yourself when you make mistakes.

Dazzle: Sweet girl, the most precious thing. Never change who you are, you are literally the shining star in the darkness that is this world. Never forget how much you are loved, for it is more than you could ever know.

The Creator: No matter how many machines you build, what scientific discoveries you make, how much progress you offer to humanity, you will always be alone. No one will ever love you, and it's all your fault. Remember that when you die alone, old man.

Monty: Your violence is not funny, at least not at the severity of which you do it. You lying to your girlfriend is not funny. Do better or fuck off.

Foxy: You try so hard, and I appreciate it, but learn that there are some things that you can not fix, and some places where you shouldn't stick your nose in. It's okay to be "a rubber duck", it's okay to be normal. Stop trying to be something you're not and embrace what you can.

F.C: I love you so much kid. You're a bit wild and off your rocker, but you've also shown so much unexpected maturity. Stop growing up so fast, yeah?

Puppet: I can appreciate all that you try to do, but please, understand that you acknowledging that you make mistakes does not nullify them. You have been hypocritical time and time again, and you need to learn and grow from those experiences, not just brush them off. You are capable of great things- just learn to do them.

AND THATS EVERYONE. YIPPEE. im gonna go eat shrimp now lol