#Modern Creative

[zef-zef]

Matana Roberts - Come Away from: Matana Roberts - Coin Coin Chapter; Three River Run Thee (Constellation, 2015)

[dankalbumart]

Psychonavigation 4 by Psychonavigation FAX +49-69/450464 1999 Ambient / Ambient Techno / Dub / Experimental / Techno / Ambient House / Art Rock / Dark Ambient / Modern Creative / Jazz / Reggae

[sonmelier]

19. Fire! Orchestra | Echoes

🇸🇪 Suède | Rune Grammofon | 110 minutes | 14 morceaux

Le bigband stockholmois Fire! Orchestra poursuit son travail d’exploration aussi hypnotique qu’euphorisant sur un cinquième album fleuve (près de deux heures) – qui sait maintenir tout du long notre intérêt à flot. Pas moins de 43 musiciens combinent leur énergie et leur maitrise instrumentale (y compris au niveau du chant) au service d’une œuvre produite avec maestria par la tête chercheuse de génie qu’est Jim O’Rourke. Un véritable dédale de cordes, de cuivres, de percussions et de saillies vocales, un tour de force musical à l’ampleur sidérante.

[my-darling-boy]

But where have we come? And where shall we end?

[yllu-stration]

Tattoo flash sheet inspired by Simon "Ghost" Riley (2022) because I hate the ones they gave him in the game 😇

[aestheticanimegirl15]

You want to know someone who would be an absolute menace in the kitchen? No its not Johnny who always is sneaking palmfulls of flour to throw at you or leaving flour marks on your tits or ass. No, it's not Simon who is always hovering around you and manages to stand directly in the way of every counter or ingredient you need. Kyle is actually pretty helpful, handing you what you need or taste testing it in-between wandering touches.

It's Price. Not because of anything that he does but because of what he doesn't do. He just stands there watching every move you make with crossed arms as he smokes a cigar by the only open window in the kitchen. Needless to say, it's irritating. You always tell him that if he is gonna be in the kitchen, the lest he could do is help. But he never dose, he just stands there or sits down at the dining room table like some sort of king and just watches.

Not only does it irritate you, but it's the way that he looks at you that is the real menace of the whole situation. Staring at you like you are a better meal than the one you're preparing. He keeps raking his eyes over you in a way that makes you squirm because you know exactly what he's looking at. It makes you feel like some sort of meek housewife whose only purpose in life is to serve her husband. Which at times doesn't seem like such a bad idea, until it's like this.

The way he just watches you makes a heat bloom in your core, as another one blooms in your cheeks. It makes you squirm as you stir the sizzling vegetables in the cast iron, thighs pressing together underneath the (his) shirt you were wearing. He knows what he's doing too, wearing such a cocky smirk on his lips that makes you not able to decide if you want to smack him or kiss him. But he never acts on the way he's making you feel. Oh no, he waits until after the two of you are done eating.

He knows you won't fight it when he pulls you into his lap once you finish cleaning the table off. The bastard knows how worked up he made you from all his staring. He'll mumble something about desert, and if you actually made one, he'll shake his head

"Not the desert. I'm wanting, sweetheart." He'll reply, and then next thing you know he's got, you splayed out on the kitchen table with his head absolutely buried in your thighs. If it weren't for the fact you just fed him a full meal, you would have thought he was starving with the way he was devouring you, moaning and groaning like he was the one on the receiving end. Mumbling praises about both you and your cooking skills, no matter how good or bad they are. And he won't stop until your conculsing under him while stars dance across your vision. Then you hear the fumbling of a belt buckle and a scrape of a chair across the floor

"Now that I'm full, let's have some fun yea?"

So yea. Out of every one of them, he's the biggest menance, always making sure you're waking up the next day with a sore body and a limp.

[gofishygo]

everyone always talks about ‘medic reader’ this and ‘teammate reader’ that but what abt weapons engineer/mechanic reader ?

just a silly little fella who helps out the 141 with their weapons when they go out of whack, who works very closely with the team to coordinate certain weapons for specific missions .

they’d probably have a really close bond with soap , both having fun with testing demolitions together . who’s able to add in ideas and carry conversations with you when you ramble on about weapons . johnny pulls you close to him when they get startled from the loud noise of an explosion , laughing a little at how they excuse their sudden vulnerability with ‘not expecting it to be that loud’.

price who seeks them out when he’s having issues with his cm901, having to endure your age-long lectures about not accidentally slamming the barrel to hard. he subconsciously makes sure the brush his hand over yours when he finally retrieves his now-fixed weapon.

yeah nyways weapon mech! reader has my heart

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[zhanteimi]

Toshiyuki Miyama & His New Herd: Masahiko Sato – Yamataifu

Toshiyuki Miyama & His New Herd: Masahiko Sato – Yamataifu

Japan, 1972, experimental big band / free jazz / modern creative One might think, upon listening to and enjoying the wild creativity of this album, that it is the musical equivalent of the storm battering the side of the mountain, but one would be mistaken, for it is nothing more than an evil horse sat before an elaborate table setting.

[reasonandfaithinharmony]

Fandom mood

[zef-zef]

Klein - ray from: Klein - Harmattan (PentaTone, 2021)

[dankalbumart]

Outer Dark by Bill Laswell FAX +49-69/450464 1994 Dark Ambient / Ambient / Experimental / Modern Creative / Tribal Ambient

[sonmelier]

46. Steve Lehman & Orchestre National de Jazz | Ex Machina

🇺🇸 Etats-Unis & 🇫🇷 France | Pi Recordings | 71 minutes | 11 morceaux

"Ex Machina" marque la rencontre entre l'Orchestre National de Jazz dirigé par Fred Maurin et le saxophoniste/compositeur américain Steve Lehman. Cet attelage artistique de très haut vol, complété par des processus électroniques génératifs de l’IRCAM intégrant de l’intelligence artificielle, explore de nouveaux territoires musicaux saisissants, fusionnant les langages du jazz et de la musique spectrale de façon éblouissante.

[eiraeths]

ear’s guide to writing stab wounds

disclaimer!!!: this isn’t to be used as actual medical advice there isn’t enough information at hand to properly treat someone, this is just for writing.

hemostatic (blood clotting) control is the number one priority. minor bleeding can be controlled with direct pressure to the wound. moderate bleeding may require a compression bandage as well as direct pressure. severe penetrating wounds or a nicked artery means wound packing will be necessary as well as direct pressure.

types of stab wounds:

- blunt stab wound means whatever object caused the trauma wasn’t sharp or wasn’t moving fast enough so the skin tears.

- penetrating stab wounds go deep into the skin and into the muscle.

- superficial stab wounds don’t go too far under the skin and look worse than they actually are.

steps to treatment:

1. if the object is still inside the person’s body do not remove it unless it’s to the groin, neck, or axillae (armpit) and the bleeding is hard to control.

2. remove person’s clothes to check for any other wounds and keep the area clear.

3. keep an eye on blood pressure and airway.

4. the wound type and location changes how the rest of treatment will follow.

location:

head: direct pressure is mainstay. head wounds also bleed more than any other part of the body. has the highest mortality rate.

face: severe wounds to the face means the patient has to be seated forward to keep blood out of the airway.

neck: direct pressure is mainstay. if the airway can be secured and is absolutely necessary, wound packing can be applied.

arms: depending on the severity, any of the three treatments can be used.

legs: depending on the severity, any of the three treatments can be used.

abdomen: damage to organs is highly likely. direct pressure should be applied first while surveying if the object was long enough to damage an organ. if so, wound packing may be necessary.

chest: if the wound is deep enough it can cause open pneumothorax (‘sucking’ chest wound) a seal needs to be placed over the wound to keep air from getting inside. if this isn’t done in time the affected lung will collapse.

back: can typically be treated with only direct pressure. wound packing is rarely necessary.

neck, chest, abdomen, and pelvis wounds should never be packed unless absolutely necessary.

treatment types:

direct pressure: key to any wound. can be done with whatever is available even if that means the medic needs to use their own body weight.

tourniquets: applied to the limbs. typically not applied for more than thirty minutes. in some cases, they can be left on for hours, keeping the phrase “life over limb” in mind. complications with tourniquets like nerve damage or ischemia (no blood circulation) are rare. don’t apply over a joint and apply above the wound.

wound packing: done with standard gauze and or hemostatic dressing

wound packing steps:

1. control the bleeding with pressure. use anything available even if it means t shirts or a knee.

2. place a gloved finger inside the wound too apply initial pressure. this will hurt like a bitch. also gives you an idea of what direction the blood is coming from so gauze can be used more accurately.

3. begin packing the wound with gauze. keep pressure on the wound with finger while wrapping gauze around another finger and pushing it in the wound.

4. keep packing the wound until no more gauze can fit in, and then keep direct pressure on for at least three minutes.

5. after the three minutes, use something like a bandage wrap to keep the gauze secure inside the wound.

6. splinting the area to keep it immobilized may be vital to keep the hemorrhage from restarting

7. if bleeding continues medic has to decide if they need to take out gauze and reapply with new gauze or apply more direct pressure. this is usually done by how long it takes to get to further treatment. the longer the wait the more of an incentive it becomes to repack the wound. if it’s just down the road then apply pressure.

most likely complications:

hypoxia, shock, and hypothermia are complications that need to be watched for and treated immediately if they occur.

hypoxia:

occurs when a region of the body doesn’t have enough oxygen in the tissue. can lead to organ damage, brain and heart damage being the most dangerous.

symptoms include: tachycardia (rapid heart rate), difficulty breathing, confusion, shortness of breath, anxiety, headache, and restlessness.

severe symptoms include: bradycardia (slow heart rate), extreme restlessness, and cyanosis (blue or purple tint to skin).

treatment: oxygen

shock:

life threatening condition where the body doesn’t have enough blood volume to circulate through itself. if it goes on for long enough, organ damage and death may occur.

symptoms: rapid, slow, or absent pulse, heart palpitations, rapid shallow breathing, lightheadedness, cold clammy skin, dilated pupils, chest pain, nausea, unfocused eyes, confusion, anxiety, and loss of consciousness.

treatment: if they’re not breathing, cpr is required. if they are breathing, lay on back and raise feet a foot off the ground to keep blood in the vital organs.

blood transfusion and fluids once in a hospital setting.

hypothermia: occurs when the body is losing heat quicker than it can produce. the more blood that’s lost the more likely hypothermia is to occur.

symptoms: differ based on severity

hypothermia:

in mild hypothermia: shivering, exhaustion, clumsiness, sleepiness, weak pulse, tachycardia (rapid heart rate), tachypnea (rapid breathing), pale skin, confusion, and trouble speaking.

in moderate hypothermia: bradycardia (slow heart rate), bradypnea (slow breathing), slurred speech, decline in mental function, shivering slows down, hallucinations, cyanosis (blue or purple tint to skin), muscle stiffness, dilated pupils, irregular heart rate, hypotension (decreased blood pressure), and loss of consciousness.

in severe hypothermia: shivering stops, hypotension (low blood pressure), absence of reflexes, compete muscle stiffness, fluid builds up in lungs, loss of voluntary motion, cardiac arrest (heart stops beating), coma, and death.

treatment: covering with a blanket, hat, and jacket, adding external heat like a hot pack, and if severe and in a hospital setting, warm fluids via iv, warm oxygen, and or a machine to warm the blood in the body.

if you have any questions feel free to ask! i plan on making a guide to gunshot wounds and a more in depth guide to hypothermia later.

[k6tzie]

let's talk about his mask for a second...

it's somewhat implied that none of his teammates have seen his face before, "it's rumoured what's under the mask is even scarier." unlike ghost - the mask doesn't seem to be there for a cool look or practicality, from what we see it's as though he can't show his face for a particular reason?

we can see he's wearing a balaclava even under the hood which doesn't seem healthy for his breathing to have so many layers over your face in fact it'd most likely cause issues to his breathing. why would someone do so much just to hide their face? similar to before, he has no skin shown in any skins of his, why could that be? i just want to generate some ideas and discussions :)

[11oh1]