#Making Every Chance Count

[wickedzeevyln]

Building Blocks

“Opportunities are usually disguised as hard work, so most people don’t recognize them.” – Ann Landers Gratitude has always been the gateway for opportunity. Those who use sight of their mind to see greatness in small things are often rewarded with more what they expected and Cath’s story begins this way. If you ever step into Cath’s office, the one thing you’d notice is how organized…

[haveyouplayedthisgame]

Tetris (Any version)

[necrotic-nephilim]

Hello! New to comics and I don't really feel like the New-52 comics are for me and would really like to read and understand Pre-flashpoint and all the dark and good stuff there. Is there an order or starting point you would recommend? Thanks for your time, and I hope you have a great day!

hi! i'm so glad you want to get into comics! i'd love to help with some recs! since you're here, i'm going to assume you're a Batfamily fan and most of my recs will cater to that, but i will try to encompass a bit of everything to help you just understand some big moments and all this mess that is DC canon. adding a cut bc jesus this got long.

so your starting point for pre-Flashpoint is going to be Crisis on Infinite Earths. the TLDR of this event is: DC had a big multiverse in the 70s and early 80s that wasn't friendly to new readers. to try to push their titles more and become a proper competitor to Marvel, they created an in-universe storyline that nuked the multiverse and gave a solid entry point for new fans going forward. this is why you hear terms like Pre-Crisis and Post-Crisis. it refers to the comics canon before and after this event, in 1985. some characters had some big changes (for example: pre-Crisis Jason Todd was a circus kid whose parents were killed by Killer Croc) but most remained largely the same, just simplified. you don't *have* to start with Crisis on Infinite Earths if you don't want to. it's a *good* storyline, but it's a big one and a lot of big multiverse-scale stuff happens. so as long as you understand it as "big event that nuked DC's multiverse and gave the world a clean slate in 1985", then you've basically got the gist. also Barry Allen dies during it, but he comes back so don't worry about it.

in general, if DC has some big timeline/canon-altering event, they're going to call it a Crisis Event. the only Crisis Events that will matter to you, trying to get into pre-Flashpoint are

Crisis On Infinite Earths - the above, starts the Post-Crisis/pre-Flashpoint timeline

Zero Hour: Crisis In Time - an event in the 90s that sought to fix some of the kinks that the above Crisis caused, like fixing the origins of the Legion of Superheroes and other Golden/Silver Age characters, not *super* important tbh

Infinite Crisis - this was a big event that brought back some characters who got nuked by Crisis on Infinite Earths, unfucked Power Girl's backstory, and set the groundwork to bring back the multiverse. if you've heard "Superboy Prime punched a hole in reality and it brought back Jason Todd" yeah, this is the story where it happened

Final Crisis - a big event that was partly meta commentary but heroes fought Darkseid, Batman died for a hot second, it was all a big deal about evil winning and all that

Flashpoint - the event that nuked this timeline, a big storyline to do with Flash and the timeline that would result in the New-52 in 2011

are you confused yet? good embrace the confusion it's going to become second nature of a comic fan. you don't need to read these events as a beginner. you really don't i promise. they'll sound big and important, but besides Crisis On Infinite Earths and Flashpoint, the start and end of this era, the rest you can just kind of breeze by so long as you understand the big plot points like Batman dying or Superboy Prime punching reality. unless you really care about a character central to these stories, skip 'em for now.

now for any character, if they have a Year One comic? that is a very safe bet as a place to start. it is what it sounds like. Batman: Year One is going to be Bruce's first year as Batman. same as Green Arrow: Year One, Batgirl: Year One, etc. when in doubt, if there's a Year One, start with Year One. (note: for Superman, his "year one" type story is called Superman: Birthright and it is worth reading if you like Superman)

for Batman, i am holding you by the shoulders when i say this: people will tell you to read The Killing Joke. they're liars. do not listen to them. it's a bad story. you don't need it. do not let the Joker fanboys lie to you. people will also say Dark Knight Returns. don't listen to *them* either. i *like* DKR, i talk about it a lot here. it's not a good intro to Batman. it's an AU story, it's not canon, ignore it for now.

now where you *should* start with Batman, imo, is as followed

Batman: Year One - as said above, Year Ones are good, this is solid to start with

Batman: The Long Halloween - this is an iconic story and it's a followup to year One

Batman: Dark Legacy - the followup to Long Halloween, also a very good story

Batman: Hush - this story is a solid starter if you want to understand the general vibe of Gotham, the typical characters you see in the Batfamily, and a good Batman villain

once you've got the basics down, you *can* get into the big boy storylines like Batman: Knightfall and Batman: No Man's Land, but don't worry about those right now. they're long and complicated and shouldn't really be your starting point no matter how good they are.

other very good pre-Flashpoint comics that are easy to pick up and iconic storylines

Death of Superman - this is a long arc in the Superman run that if you collect in trades, goes Death of Superman, Funeral For A Friend, Reign of the Supermen, Return of Superman, Doomsday. it's long, but a very iconic storyline

Wonder Woman by George Perez - this the run that helped define modern Wonder Woman within the pre-Flashpoint era

JLA: Year One - if you want a good Justice League story where you get characters besides Batman, Wonder Woman, and Superman taking the shine, this is a great place to start

Green Arrow by Mike Grell - start with Green Arrow: The Longbow Hunters and then go into Green Arrow (1988). this has the darker, very 80s vibes that gets a bit gritty and very realistic with the issues it faces bc Green Arrow comics tend to be more rooted

The New Teen Titans by Marv Wolfman - this technically starts before pre-Flashpoint, don't worry about it it's fine. a good run for all of these characters, can get a little confusing, it is okay to be confused do not be afraid to google shit

so, some big stories out of the way i'm just. honestly going to run down the line of the major pre-Flashpoint Batfamily members and give you comic recs for them that you can start with. (besides Bruce obviously, bc well. see above)

Dick Grayson

NIghtwing: Year One

Robin: Year One

Nightwing (1995)

Tim Drake

Batman: A Lonely Place of Dying

Robin (1990)

Robin II: Joker's Wild

Robin III: Cry of the Huntress

Robin (1993)

Barbara Gordon

Batgirl: Year One

Birds of Prey (1999)

Jason Todd

Batman: The Cult (as Robin)

Batman: Death in the Family (as Robin)

Batman: Under The Red Hood

Red Hood: Lost Days

Cassandra Cain

Batgirl (2000)

Batman: No Man's Land

Jean-Paul Valley

Batman: Sword of Azrael

Batman: Knightfall

Stephanie Brown

Huntress/Spoiler: Blunt Trauma

Batgirl (2009)

Selina Kyle

Catwoman by Ed Brubaker

Helena Bertinelli

Batman/Huntress: Cry For Blood

Huntress: Year One

Birds of Prey: Manhunt

Damian Wayne

Batman & Robin (2009)

there are other very important pre-Flashpoint stories for all of these characters, but these are starting points more than anything. figure out what characters you're interested and go from there. understanding the universe at large helps, do not get me wrong. but at the end of the day, comics are a choose your own adventure of who you want to give a shit about. you're *never* going to read everything "important" and you're probably not going to understand everything. that's okay. don't treat it like a media you need to "complete" like a tv show or a movie, but more like an open world game where you decide what characters/teams/stories you like the most.

pre-Flashpoint covers a lot of ground. some stuff will be darker and grittier, some stuff will be more light-hearted. it will all be about what titles you pick up and what characters you decide you want to read about. you're obviously going to get a much more grounded storyline out of Green Arrow than you are say, a JLA comic. i prefer the more grounded, "street level" sorts of characters. (if you like gritty detective stories, i will be biased and highly recommend the Question (1987) just because. i love him okay.) but you might find you like sometimes more worldly and big scale. at the end of the day: don't force yourself to love a comic you're not enjoying, even if you like that character. you can put that shit down. sometimes, "important stories" are by shitty writers that you won't enjoy reading and you shouldn't make this hobby a chore. i don't care how "critically acclaimed" it is, you don't have to like it if it doesn't click for you. and on the flipside, a comic might be considered "bad" but you may enjoy it (a personal example: Robin III: Cry of the Huntress is considered a very weak comic. don't care. i love it anyway.) accept the cringe, have fun, and enjoy yourself at the end of the day. none of it will make sense anyway so just read what sounds cool to you.

this was all over the place and rambly, but i hope it helps at least a little! welcome to comics anon! if you or anyone else would like more character-specific recs, feel free to ask! if i don't know, i can at the very least hopefully point you in the right direction <3

[demigodofhoolemere]

Seeing Siegfried be sweetly supportive of Rosie and talking about how so many people tried to crush his dreams as a young man that he could never bring himself to try to discourage anyone else's is once again really really making me want to see him with his own children that this show won’t let me lay eyes on

[phoenixcatch7]

What I'd really love to see is a svsss au where shen yuan had the immense powers from saiki k.

Like, svsss is already a romcom of a guy shunted into a fantasy world with meta knowledge and immense power for no reason apart from 'make a happy ending' as a fairly thick veneer over an absolute hot mess of a tragedy with a happy ending, red flags galore, complete with a protagonist completely removed from the concept of romance and resigned to his fate of being abandoned by the people around him because of the circumstances he was 'born' into, but he's funny about it.

The disastrous life of saiki k is a fast paced crack comedy about a guy granted immense power for no reason with meta knowledge of the world as a thick veneer over something a little darker and traumatic with a happy ending, complete with a protagonist completely removed from the concept of romance and resigned to being ignored by the people around him because of the circumstances he was born into, but he's hilarious about it.

Now I don't think it should be a 1-1 transplant of saiki to the svsss world, but to imagine an sy with those powers who didn't manage to find loyal friends, who moved out to live alone as soon as possible to avoid issues with his powers, who gravitated to web novels because of their regular updates as opposed to being constantly spoiled for books with finished endings. An sy who despite his ridiculous levels of power died alone in a stupid way and woke up in a world filled with people who also had immense and varied powers, dealing with the prospect of immortality when his own powers are still constantly growing and interfering with his life, but be silly about it.

I want to see a sy with telepathy still failing to understand what lbhs deal is because of his own denial, a sy with the power to crush mountains with a finger trying not to blow down walls with a sneeze because someone put him on a mountain FILLED with plants in SPRING, an sy who deleted an entire country from the planet aged four trying to dodge overly enthusiastic maidens he keeps saving because he doesn't want to steal from the protagonist and also no, lady, please. Shen yuan sitting in the water prison absolutely deadpan as people try and scare him with 10 iq stories about the acid waterfalls. An sy who hares around the peak trying to avoid being spotted on valentines day as he redirects unwanted admirers and improves his disciples dates just so they can all have a good day.

An sqh who really, honestly truly doesn't know how pidw was made real, honest!! All he could do was see ghosts! It's not his fault the story he wrote to make rent turned into all of this!! But because you're here can you pretty please make some ice, I'm in desperate need of air con and my king hasn't showed up in weeks!

Sqq and sqh playing telepathic chess during boring meetings and sqq leaving him to suffer when sqh is asked a question even though he himself knows the answer.

Lbh trying everything to get shizuns attention and discovering his total weakness to his cooking. Like, will let you cheat in class levels of bribery.

Sqq stalking dourly through fields of aphrodisiac plant because he's raised his body temperature high enough to burn out any pollen before it gets too close and the system just despairing at getting this man to do something interesting.

Cat!sqq transforming back as fast as he can because he's got a meeting in half an hour and having to rush around trying to find something to cover the cat ears he didn't manage get rid of.

Shen qingqiu pulling out his limiters and dropping the mask to reveal a deity in the shape of a man, something crafted purely of psychic energy and burning fury, determined to hold maigu ridge together and keep the realms apart with his will alone, to save luo binghe if it killed him again. A shining aura stretching miles, glowing like a star, halting the earthquake with his bare hands.

Sqq seeing a bug and freaking out so hard he teleports to the northern demon realm and lands in a slushy pond, and sqh nearly giving him away because of how hard he's laughing.

[polestargios]

don’t mind me i’m just gonna yell about axel greylark in the tags

[juliareed]

Tell me how does it feel When your heart grows cold? How does it feel? How should I feel? Tell me how does it feel To treat me like you do?

[keeps-ache]

[walking around, peering into people's faces like i'm in an art exhibit] hm. nice

[heniareth]

It's interesting to note how the Tabris Origin, which involves a wedding, kidnapping and attempted sexual harassment, and fighting your way through an estate full of guards, is the Origin where gender plays a huge role in what story you experience. M!Tabris will always storm the castle coming to the rescue of his cousin and his betrothed, while F!Tabris will always have to fight her way out because the men in her life can't fully protect her (Nelaros dies, Soris literally hands her the sword, Cyrion is powerless to stop the abduction. Okay, this may be a little unfair to Soris who does fight side by side with Tabris and counsels caution the same way regardless of Tabris's gender). I'd go so far as to say that Tabris is the only Origin where the gender of your PC has a definite impact on the story.

TLDR to the rant in the tags: Tabris is constrained on all sides by being an elf, by their gender, in part by their family, and by society at large (both the Alienage and the wider city).

[amorremanet]

Man, I realize demanding that someone execute their own brother is pretty fucked up, but He Xuan asking that of Shi Qingxuan still gave them more respect than Shi Qingxuan ever got from Shi Wudu [gave them the ability to make their own choice after finally being given the full story and enough context to actually have the capacity for informed consent, something that Shi Wudu spent centuries denying to Shi Qingxuan] and also, He Xuan did nothing wrong and should be allowed to do all the atrocities he wants, thank you for your time

[alasy]

i need Kazu to be happy. like i don't know how to explain but i am capable of atrocities for this woman's happiness im not joking

[greyias]

My scene skeleton/expanded outlines for this fic are starting to get a bit out of hand.

Actual, written first drafts of the first two chapters:

Me pre-writing the next three chapters:

[pepprs]

ok actually yeah. i really need to do dishes and go to bed and not stay up late mentalillnessposting a little too viscerally on tumblr the night before i facilitate a workshop in front of the literal president of the university and the vp of my division (LOL about that btw. actively shitting my pants.) but oh my GOD. so saying goodbye to lia was actually fine in the moment. neither of us cried and we talked about all the ways we’ll still be in each others lives and reasons we’ll have to interact in the near future. and she gave me an extremely heartfelt thoughtful gift and we left on a very hopeful note and i felt better and content bc there’s still the rest-of-life and we’ll see each other there. but like an hour before that as i mentioned i was HYSTERICALLY sobbing. in full view of people i know AND people i don’t. and i just sat there and sobbed while everything carried on around me. everything carried on around me!!! and i feel like im about to sob again thinking about it.

[snoopyplushies]

officially hit the two month mark 👍 i love being in recovery.

[champ-wiggle]

'She is so old': One-eyed wolf in Yellowstone defies odds by having 10th litter of pups in 11 years

By Patrick Pester, published June 3, 2024

Wolf 907F recently gave birth to her 10th litter of pups, which researchers say is likely a Yellowstone National Park record.

Wolf 907F walking past a trail camera in Yellowstone National Park. (Image credit: Yellowstone Wolf and Cougar Project)

The alpha female of a Yellowstone gray-wolf pack has defied the odds by having a 10th litter of pups at the age of 11.

The one-eyed wolf elder, named Wolf 907F, gave birth to her latest litter last month, the Cowboy State Daily reported. Gray wolves (Canis lupus) have an average life span of three to four years, so it's rare for them to reach 11, let alone have pups at that age.

Wolf 907F has given birth to pups every year for a decade straight since she became sexually mature, which Kira Cassidy, a research associate at the Yellowstone Wolf Project, said is likely a record for the wolves of Yellowstone National Park.

At age 11, Yellowstone’s Wolf 907F has lived more than twice a wild wolf’s average life expectancy. In this photo from April, she was pregnant with a litter of pups that she’s since given birth to. (Courtesy Yellowstone Wildlife Project)

"Every day, I expect that she might die just because she is so elderly, but I've been thinking that for the last few years, and she keeps going," Cassidy told Live Science.

Cassidy has calculated that only about 1 in 250 wolves in Yellowstone make it to their 11th birthday, with just six recorded examples since wolves were reintroduced to the park in 1995. The oldest of all of these great elders lived to 12.5 years, according to the National Park Service.

Wolf 907F lies in the snow in Yellowstone in 2015. (Image credit: Kira Cassidy/NPS)

Wolf 907F is the oldest wolf to have lived her whole life in the park's Northern Range, where there is more prey but also more competition from other wolves. Wolves rarely die of old age in the wild, and in Yellowstone National Park, the biggest threat is other wolves.

"In a protected place like Yellowstone, their number-one cause of death is when two packs fight with each other," Cassidy said. "That accounts for about half of the mortality."

One of Yellowstone's oldest wolves, Wolf 907F is pictured here with her pack last year. She's the gray collared wolf on the lower left. (Courtesy Yellowstone Wildlife Project)

Wolf 907F is the alpha female of the Junction Butte pack, which has between 10 and 35 members at any given time. Cassidy noted that this is a large pack — the average wolf pack size is about 12 individuals — and that reduces the risk of being killed in territorial fights. Wolf 907F's experience also gives her pack an edge.

"Packs that have elderly wolves are much more successful in those pack-versus-pack conflicts because of the accumulated knowledge and the experience that they bring to that really stressful situation," Cassidy said.

Wolf 907F has likely boosted her pack's survival chances outside of battle, too. Cassidy noted that the Junction Butte pack rarely leaves Yellowstone's border and that Wolf 907F is "savvy" when it comes to things like crossing roads and avoiding humans.

Wolf 907F, Yellowstone's aging matriarch at 11 years old, only has one eye. She's the fourth wolf to pass by this trail cam. (Courtesy Yellowstone Wildlife Project)

What makes Wolf 907F even more impressive is that she does all of this with only one functioning eye. Researchers aren't sure what happened, but her left eye has been small and sunken since before she turned 4. "You would never know [when] watching her," Cassidy said.

Like other elders, Wolf 907F takes a back seat in hunts now that she's older, and she spends most of her day hanging around with the pack's pups. Cassidy and her colleagues have counted three pups in her current litter, which is smaller than the average litter size of four to five but not surprising. A 2012 study of Yellowstone wolves published in the Journal of Animal Ecology found that litter size declines with age.

"The fact that 907 is still having pups is amazing, and her litter being small is expected given that she is so old," Cassidy said.

A few of Wolf 907F's offspring now lead packs of their own, but most of her pups never reach adulthood due to the perilous nature of being a wolf. However, Wolf 907F and the others in the park don't seem to live like death is on their mind.

"They are happy to be with their family going from day to day," Cassidy said. "Even if they have injuries or are missing an eye or something really stressful is going on in their life, they move through that stress and go back to seemingly really enjoying their life."

At age 11, Yellowstone's Wolf 907F - the gray wolf in the center of this photo from 2020- has lived more than double the typical lifespan of wolves in the wild. (Courtesy Yellowstone Wildlife Project)

[the-hawks-rye]

Every December for a few years now I feel conflict over whether I should post about the officially liscenced Star Wars Christmas-themed short story collection in order to express how it is actually good stuff despite coming from the Disney's Cash Cow era and random shit with "Christmas" slapped on it being an old & very basic marketing technique. But like it's genuinely so good and steadfastly on the themes of Star Wars throughout. That "defiantly hopeful & optimistic" is the glue holding the whole collection together. How under the jolly red-and-green cover it's a genuine exploration of trauma & loss & inequality. That it not even for a second trivializes the struggles of its characters due to those things. That the only thing that kept me from sobbing reading it was because it takes nothing less than 3 days of heavy stress for me to cry. That I was still 35% of the way to crying. From the Disney's Star Wars Christmas short story collection, that I read a free digital copy of with expectations below the floor for because of the marketing gimmick red flags. But is actually genuinely so good.