#MY GOD THIS WAS SO LONG

[yinyuedijun]

kitsune!suo x fem reader | feudal japan au

→ notes for an au set in feudal japan, featuring supernatural creatures and spirits (e.g., youkai). suo is a kitsune, sakura is a nekomata, and nirei is an onmyouji. → see this post for backstory on the bofurin trio (recommended background reading)

note: most information on kitsune-mochi were sourced from folkorist lafcadio hearn's accounts of traveling in japan (c.1901). I did, of course, also take creative license with some of the lore.

reader | kitsune-mochi (fox-employing witch)

→ as a kitsune-mochi, you are a human who has entered a contract with a fox spirit to care for it in exchange for having it lend you its power and carry out your requests. → in your case, your familiar is suo, a nine-tailed kitsune that lost his hoshi no tama. → most witches employ kitsune for the purpose of carrying out malicious acts, like having the fox spirit possess their enemies, steal the wealth of other people, etc. you, however, rely on suo and his power in order to perform exorcisms and exterminate demons—something that you cannot do on your own because you have no innate spiritual talents yourself.

→ although a convenient source of power, these deals are typically risky for the contract holder. you are expected to care for suo for the rest of your life, and any descendants you might have would be cursed to serve him as well. kitsune-mochi are heavily ostracized by human society as well, so if this relationship of yours were to be discovered, then your entire bloodline would suffer. → additionally, these contracts typically favour the kitsune, as they are the ones who define what it means to be "cared for", and may request dangerous or unreasonable tasks. → fortunately for you, suo is not a very demanding familiar! the most basic act of caring for a fox spirit is feeding it, and he's more or less happy with anything you make, though he especially likes tea, wagashi, or dishes with aburaage. this is more or less all he asks of you! → suo's disposition is generally so patient and gentle that you nearly disbelieved that he was a youkai. you were convinced for a while that he was actually a messenger of god who was lying to you about his identity for some reason. (at the very least, you'd noticed that he had a habit of lying to people generally, though this was an unsurprising trait for a fox and it was usually harmless fun.) → this perception of him was shattered when you saw him fight a youkai that seriously injured you. he spent an uncomfortable amount of time toying with it in a distinctly humiliating fashion before finally putting it out of its misery. it was only in that moment that you realised that you'd signed yourself and all of your descendants up for serving a literal demon 👍

→ warning: immortal/human relationship, immortal deity meets reader as a child but doesn't get to know or grow close to them until they're an adult

your backstory with suo

→ at a very young age, you were adopted and raised by a priestess of an inari shrine belonging to a small mountain village. consequently, you developed a deep respect for the kami and affection for foxes. → as a child, you once found a one-eyed, wild fox in a near-death state. this was suo after he lost his hoshi no tama in a battle with a demon—but to you, he just looked like a regular animal. most people would have let this creature die peacefully, but you were adamant on nursing it back to health. while caring for him, you named him mr. adzuki because of the colour of his fur, which suo finds incredibly funny to this day. → suo disappeared after recovering, never making his true identity known. however, out of gratitude toward you and the priestesses for allowing him refuge, he decided to act as the guardian spirit of the village, protecting it until the end of your life. → conveniently, this meant that suo got to eat all the offerings given to inari's messengers at your shrine, as well as allowing him to gain power from the prayers directed toward him. (inari himself seemed not to mind, as no actual fox messengers showed up to throw hands with suo.)

image: gashadokuro, a youkai made from the skulls of humans who died in battle.

→ although your village was peaceful throughout your childhood due to suo's protection, in your adult years, a violent conflict between humans and demons broke out in your mountain range. this resulted in the destruction of nearly all its towns and the brutal deaths of your fellow villagers. suo, not at full power, was unable to stop this, but made it his goal to save you from the carnage. → after allowing you time to grieve your loved ones, suo—still considering himself indebted to you—asked what you would like to do next. he offered you wealth, status, and other material things, but none of these appealed to you. → recognising that the mountains you grew up in would be plagued by malevolent spirits and demons for centuries after all the bloodshed that just occurred, you asked suo to teach you jujutsu. your goal was to exorcise all the vengeful spirits, exterminate the demons, and purify the mountain range so that its villages could peacefully rebuild. → given your lack of innate spiritual abilities, suo suggested that you make a pact with him and become a kitsune-mochi to acquire powers. not wanting to deceive you, however, he fully explained how dangerous it might be to enter such a relationship, and warned you not to trust fox youkai like himself.

→ nevertheless, you accepted his offer and became a witch.

image: sakura irl

meeting sakura & nirei

→ you and suo thus embark on this crazy mission to purify the entire mountain range. while you are more than capable of exorcisms and exterminations, your spiritual abilities (one of a youkai) do not allow you to purify the land. → but that's okay, because nirei and sakura have been traversing these same mountains to exorcise and hunt demons! being an onmyouji, nirei can perform all kinds of purification rituals. when you inevitably run into the two of them, and suo suggests that you all work together. → nirei is more than happy to help you purify the mountain range (because he is a good-hearted person, and also because he usually gets assignments there anyway). he improves his jujutsu under suo's tutelage, and he gets insights on kitsune that he'd otherwise never learn (it's rare for an onmyouji to meet a kitsune-mochi unless it's to prosecute them for some kind of crime, and it's just plain hard to meet and talk with a nine-tailed fox spirit). → sakura is a harder sell. he doesn't trust suo at all at the start, and he trusts him even less when he finds out that he's a kitsune and has been lying egregiously to him. (sakura and nirei spent an entire month thinking that suo was a traveling tea merchant from china and being fed severe misinformation about the entire country.) → however, sakura is very curious about you, because you're the first human he's ever met who has a mutual and trusting relationship with a demon, which he didn't think was possible beyond weirdos like nirei. → you also aren't afraid of him at all even after seeing his nekomata form, which gives him complicated feelings. he reasons that this is because you've fought too many demons to be afraid of any of them, but the actual truth is just that you find suo incredibly scary, and sakura feels harmless and adorable in comparison </3 → sakura deeply enjoys the act of helping the mountain towns and being accepted by their communities, though he's very shy about admitting it! eventually, he does "resign" to joining you in a long-term arrangement, and the four of you take on the endless mission of exorcising and cleansing the mountain range together. it's a very "monster of the week" type of set-up hehe

→ although the work of purifying the mountain range will likely take the rest of your life (and probably will require generations after you), suo often asks you what you would like to do after the work is complete—so that he can think of ways to grant your request. → you decide not to tell him this, but your wish would be to return to your old village grounds and rebuild the shrine that you grew up in. rather than just inari, you would also dedicate it to the worship of the one-eyed fox spirit that once protected your village.

[poorly-drawn-mdzs]

Expertise can't help you here.

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[me-beef]

@strangeravatar made a great point

i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make

but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do

ooohh you want to go look at our stickers so bad

[hinamie]

oversaturate

[gravitysoda]

maybe in another life.

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[umblrspectrum]

i love learning cursive just to write text for exactly one character

[kcrra]

it makes me literally sick to think about alicent's relationship to her children. like. they are all she has. she loves them more than anything and hates them just as much. each of them is a shackle around her neck. they are her babies even though she was a baby herself, forced to be their mother. she'll pick up a knife for them. they are her living prison. everything she ever does is for them. their very existence makes her sick. she understands them and yet doesn't know them at all. they are her future. they stole her past.

she was 15 years old tethered to a rotting body of a man entirely against her will, watching each of her children invade her body as a result of martial rape. how were they ever supposed to have a normal relationship!!!!!!!

[merlinemryspendragon]

Because Cressida discovered my secret. And she demands £10,000 to keep it. Bridgerton 3.08 - “Into the Light”

[azuremist]

TME and TMA as intersexist terms: as written by an intersex transfem

I’ve had a few different people in my inbox asking me why I view these terms the way I do. In particular, why I claim it’s intersexist. So, I thought I’d lay out a few examples, so everyone can understand where I’m coming from.

Imagine an intersex woman. She was assigned female at birth by her doctors, and was able to go about her childhood as a woman with no inclination that anything was amiss. Sure, she didn’t experience certain parts of puberty, but puberty was different for everyone, right?

But, later in life, she learns she has Turner syndrome. This is an intersex condition where a woman has only one X chromosome, rather than the usual two.

Soon after she learns this, she finds that laws are being made to attempt to keep trans women out of women’s spaces (often specifically sports) which use chromosomes as a defining factor of womanhood.

Would this intersex person be considered “transmisogyny affected”? She has been raised as a cisgender woman with no problems regarding being ‘clocked’, but she is also a direct target of transmisogynistic laws. She lies in a gray area.

Now, let’s go to another intersex person. Imagine an intersex man with PAIS. AIS is an intersex condition where babies are born with testes and XY chromosomes, but their body is immune to or can’t respond to androgens (which includes testosterone). Intersex people with partial AIS (PAIS) often develop a vulva and clitoris during puberty.

This intersex person identifies as a man, and he was assigned male at birth. However, his body does not produce testosterone, and he went through a feminizing puberty. To the average eye, he appears to be a woman now because of this.

Would this intersex person be considered “transmisogyny affected?” He was assigned male at birth, and now appears to be a woman, much like many transfems. However, if many saw how he looks now, stating that he is a male, they would probably clock him as transmasc. He was raised as a boy until puberty, and then faced astrozcization from his peers when he began a puberty that feminized him. What he was facing was a form of intersexism where transmisogyny was playing a huge part. Does his childhood matter? Can one become TME over time, when they were TMA as a child? Again, he lies in a gray area, where the answer is not quite so simple.

What about the “opposite”, per se — an intersex woman who had a masculinizing puberty? She has aromatase deficiency, which means that many ‘male’ hormones (which would usually be converted to ‘female’ hormones) would remain unconverted. She identifies as a woman, and was identified as a female at birth and was raised, until puberty, as a female. But now, she would be clocked as a trans woman upon looking at her. What does that make her? Is it different from the previous example? How and why? This intersex person also lies in a gray area. How she should be described with these terms is not clear.

And keep in mind, these are all relatively simple examples. All of the examples I listed self-identify as cisgender. But there are intersex people who are trans in any direction you can imagine.

If that last example identified as a trans woman, because she is now clocked as one, would you be able to say she’s wrong for that? What about if she identified as transmasculine, because of her experience with puberty? What if she’s multigender, bigender or genderfluid, and says she’s both transmasc and transfem because of her complicated experiences? Would that make her a TMA transmasculine person? But I thought that transmascs were all TME? That’s how it’s so often framed, anyway.

The reason why these questions are so difficult to answer is because these terms were not made with intersex people in mind. Very real intersex transfems were pushed to the wayside in favor of centering the perisex view of transgenderism. Intersex people are nothing but an inconvenient little afterthought, annoying perisex people with their demand for “inclusion” and “consideration”. (As per usual.)

You cannot simply make a new gender binary and say, “No, really, this time everyone fits into these two categories! Forcing people to confine themselves to these two rigid labels which are shown as opposites, and as never interacting, will definitely include everyone this time!!” No matter what the contents of the new binary is, it’s not going to work, because sex and gender alike are too complicated for that. There will always be people in the gray area.

This isn’t even getting into the fact that these terms, for all intents and purposes, seem to have been popularized by and associated with the Baeddelism movement around 2017, which was essentially “Radical Feminism 2: We’re Trans Women, So It’s Fine!” This movement is known for chronic villainization of trans men and non-binary people who aren’t transfem. (They act like this with cis people too, but noticeably less so than they do with non-transfem trans people. How curious.) Think along the lines of how regular radfems treat all men (and who they deem to be men) as inherently morally disgusting scum who deserve to be attacked.

Methinks that maybe these terms aren’t the neutral, fact-based descriptors of oppression that many people nowadays tout them to be, considering that.

So, yeah. “Transmisogyny exempt” and “transmisogyny affected” as terms: not even once. Listen to intersex people, stop trying to make sex and gender into binaries, and for the love of God, stop drinking the queer seperationist koolaid!

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[bloominglegumes]

i love normal guys doomed by the narrative

[galaghiel]

i just had to draw this dialogue. the voices compelled me

[yourtamaki]

rip my ribcage open (devour what’s truly yours)

zoro x f!reader

word count: 2.1k

warnings: tummy-pusher zoro, squirting, oral (f!receiving), overstimulation, prone bone, chokehold, slight breath play, creampie, violent imagery, religious imagery, bit of aftercare.

zoro thinks you might be trying to say his name.

he’s knelt between your legs, sitting back on his haunches and rocking his hips just enough to fuck you with the fat tip of his cock. there’s a rhythm to the unsteady rise and fall of your chest. short inhale, long exhale, the same way you always sigh his name when he’s reduced you to this.

tears dotting your lashes, drool seeping from the corner of your mouth, hips bucking mindlessly trying to get him to slip in deeper.

fuck, you’re hungry for it.

zoro is not a man of many indulgences. he doesn’t allow himself to be. having too many vices can only lead to a weak mind and an even weaker will. he eats but he does not savour, he sleeps but he does not dream.

but he’d be a shit swordsman if he didn’t understand the balance in all things. denying himself all of life’s comforts would make for a rigid spirit, brittle and easily broken. so he’ll sip on some sake and enjoy its fire in his belly, he’ll nap on sunny’s deck so when he wakes, it’s to the sight of his crew set to the backdrop of the setting sun. and when the sun dips below the horizon, there’s nothing to stop him from finding you in the dark and pulling you into a hungry kiss.

that balance is what makes nights like these all the better. knowing that having you like this, spread open and vulnerable, is good for him. that you’re making him a better man, a stronger man, just by letting him take you apart and make a mess out of you. there’s no need to resist the temptation now of bending low to press his lips to your trembling ones in a slow, ravenous kiss.

you taste like need and the sweetest of sins and he licks at the roof of your mouth, knowing he’s damned himself long ago to crave you for as long as he lives.

"if you want something, you have to ask,” he says, pulling back and idly groping at your tits, pinching your nipple when you don’t answer. you throw your head back at the sudden sensation and a wild heat blooms in his chest at the sight, scorching his ribs. how easily you bare your neck for him. how thoughtlessly.

"please, zoro, please. want you deeper, i wanna feel you here,” you take his hands, sliding them down your body until they come to rest on your lower stomach. irritation, sharp and sudden, cuts through his haze.

“don’t fucking beg,” he says, low and even, “you don’t have to beg. ever.”

it’s so far beneath you to plead, he has to swallow down the growl building in the back of his throat. zoro would topple empires for you, would cut the very moon in half if you asked, and you think you have to beg him for anything?

he doesn’t wait for you to nod before he starts pushing in. it doesn’t matter if you understand yet or not, he’ll fuck it into you until you do.

there’s a moment after he’s bottomed out inside you where neither of you move a muscle. he grits his teeth from the effort of holding on to the frayed rope that is his restraint and letting you get used to the wide stretch of him. ages pass before you reach up, slowly as if to not startle the beast above you, and cup his face in your soft palm. you stroke your thumb across his cheek, just on the edge of his scar. your touch is warm and gentle and cracks something inside him wide open.

the rope slip from his fingers. he lets it.

there’s no warning, no build-up before he’s pressing both palms down on your stomach and fucking into you. you reach up to hold on to any part of him, settling around his neck, a balm on his flushed skin even as your nails dig and bite into him.

“you feel that? hmm?” his smile feels jagged and sharp, more demon than man but you only moan at the sight of it, “you feel me in there?”

it’s a strange sensation, feeling himself carve a space inside you, the push and pull. it’s filthy and more intimate than it has any right to be and he fucking loves it.

“fuck, feel you i feel—” a rough thrust cuts you off and when you catch your breath, you’re still rambling, “—so good, you’re so good.”

zoro’s been called many things in his life but good isn’t one of them. it’s never bothered him before. good men don’t claw their way up in the world and leave a trail of slaughter in their wake. good men don’t scream at the heavens and demand to be heard.

zoro is not a good man. but he can be good. to you. for you.

“breathe, baby,” he says, “don’t forget to breathe.”

he presses down a bit harder and your reaction is instantaneous, legs kicking out, the tears that have been threatening to spill over since he stuffed a pillow under your hips finally sliding down your cheeks. you take him so beautifully and something barbed wraps around his heart and squeezes at the sight, shredding him to bloody pieces.

he knows you’re close before your eyes start to flutter, can feel it building like a storm inside you and chases your pleasure with reckless abandon.

“zoro.”

short inhale, long exhale. his name a sigh on your parted lips as you clench tight around him and cum. he doesn’t stop moving for a second, doesn’t let up the pressure even as he feels you gush all over him, soaking his cock, his thighs, his stomach. his strokes stay sure and steady as he fucks you through your high.

you shudder beneath him before relaxing back into the bed and he slows to a stop to let you catch your breath. it hurts to look at you, all divine and fucked out. it’s a sight too holy for a hellbound man like him to behold but he drinks it in anyway, burns it into his mind. 

what’s one more sin to a demon?

zoro slips out of you with a hiss through gritted teeth, taking a moment to admire the creamy ring around his base, your arousal and cum still dripping off him. you’ve marked him as yours and yours alone without even trying and his cock twitches at the thought.

“no why?” you whine as he pulls back further, “give it back.”

“turn over,” even as he speaks, he’s manhandling you until you’re laid out on your stomach, hips propped up with the pillow he takes care to push under you. zoro kisses down your spine before settling between your spread legs and greeting your cunt with a broad stroke of his tongue, “i ever tell you that you taste good like this?”

“like- mmm fuck,” you say, all breathy as he circles around your swollen clit, “like what?”

“stretched out,” he murmurs, “open.” 

you’re past the point of words as he grabs two handfuls of your ass, spreads your sticky lips open with his thumbs and buries his tongue inside you. he savours the sweet little gasps you let you like the finest sake, groaning into your pussy as you start to rock your hips and grind your clit against him. he can’t catch a full breath, thinks he might be suffocating, and moans a bit louder.

a swarm of words bubble up hot and fast in his lungs, taking up space where breath once lived. half-formed thoughts try and fail to take shape in his mouth, weighing down the tongue that makes you writhe in the sheets. 

he can’t bring himself to speak but if he could, he’d show you. zoro wants to crack his ribs open so you can see the bloody wreckage you’ve caused, let you crawl in and keep you safe next to the heart that’s always, always, been yours. he’d probably burst into flames with so much goodness inside him but that’s alright. at least he’d keep you warm.

the words stay trapped where they are though and all he can do is all he’s ever known how to. he goes to work. zoro is singleminded in his task, fingers digging into the fat of your ass to keep you still while he devours you whole and it doesn’t take long before he’s pushing you off the edge he never let you stray too far away from.

he laps at your folds until you start to squirm away, crawling up the bed and away from him. he lets you put a bit of distance between you, lulls his prey into thinking it’s escaped before he pounces. between one breath and the next, zoro’s on you, draped along your back, licking at the sweat that beads down the nape of your neck. you arch into him, pushing back against the hardness digging into your ass before he rests his weight down on you, forcing you flat on your front.

“where do you want me, baby?” he asks, kissing behind your ear, “tell me where you want me.”

in this moment and in all others, zoro would do anything you told him to. you could make him hump you like an animal until he cums and lick your skin clean or stand across the room and jack off by himself with nothing but the lingering taste of your pussy to help him get off. he’d do it and he’d do it without an ounce of shame.

“want you inside,” you slur, “wanna be full.”

his entire being in the palm of your hands and you choose to be merciful.

“you sure?” he lifts up off you just enough to get a hand around his base and nudge his tip against your clit, “not too sensitive?”

“yeah, pl- i can take it.”

his grin is all teeth when he hears you correct yourself, “that’s my fucking girl. stay still, baby. let me take care of you.”

you’re soft and slick from his spit and two orgasms and when he bottoms out all at once, it’s with a low groan in your ear that echoes behind your breathy moan. sinking back inside you feels like rapture, like something he’s done nothing to deserve but basks in anyway with an endless greed.

he wraps his arms around you, one across your front groping at your chest while the other hooks around to put you in a headlock, keeping you pressed flush to him as he starts to rock into you. zoro is quiet in his worship, purposeful, and you’re nearly as quiet in receiving it, the room filled only by your soaked cunt and ragged breathing. though you don’t say anything, he can hear you loud and clear.

short inhale, long exhale.

a holy call he’s helpless to answer.

zoro fucks you to the rhythm of his name, short, devastating thrusts with his whole weight thrown behind him. he wants to live in this moment, could spend the rest of his days with his cock dragging along your walls slow and sure, relishing the way you tighten like a vice around him every time he flexes and cuts your air off mid-gasp.

but he swore an oath at your altar and zoro has always been a man of his words.

he cums with a sigh of your name, spilling inside you for what feels like ages before he collapses over you boneless and spent, his softening cock keeping you plugged nice and full just like you asked so sweetly for.

“you okay?” he asks, pulling out as gently as he can and helping you roll over when your trembling arms make it clear you can’t do it on your own.

“mhmm,” you pull yourself up until you’re nose to nose with him. zoro holds still as you scatter kisses across his face like stardust. his temple, his scar, the corner of his mouth. there’s no order, no pattern he can discern to the affection you bestow but he accepts it the way all blessings should be received. with silent gratitude.

“nothing hurts?” 

“no. but you’re carrying me to the bath.”

“okay.”

you tuck yourself into his side, reaching up to idly roll his earrings between your fingers, “and washing my hair.”

“okay.”

“and i’m gonna wash your hair.”

“okay.”

“say something else.”

he thinks for a moment, thinks of all he could never put to words and lets them stay as thoughts. instead, he meets your eyes and settles on a simple truth, “you’re beautiful.”

a smile, radiant and bright, breaks across your face. what happens, he wonders, when a demon is the cause of something as divine as your smile? it’s a question he doesn’t mind spending his life searching the answer to. 

dedicated to: mah wife @katslutski and the loml @saotoru

[walkerrenee]

sometimes i randomly remember how insane maggie stiefvater was for making ronan lynch—a man that can create reality—a man of god, when he himself is a god of a man. then to take this man and have him be not only in love with, but a literal soulmate of a man named adam. parrish. adam parrish. who, mind you, lives above ronan's very own place of worship. and is the namesake of the first of mankind that the bible says god made from the literal dust of the ground (adam parrish: comes from nothing, hair "dusty" in color) and appoints him to care for the garden of eden (adam parrish: sacrifices himself to ronan's sentient forest). then has adam viewing ronan as a god and ronan saying "maybe he dreamt (created)" adam???? like who just fucking writes that and goes about their life?