#Love it would do it again<3 | Explore Tumblr posts and blogs

marukyubi · 6 months ago

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OMGOMGOMGOMGOMG okay for the sake of readers who haven't read I won't add very specific spoilers but I gotta tell you smth SISSY I swear to god, you and my playlist must've made a treaty to make me cry cause -When Hobie laughed at her words, it played line without a hook, especially that "If I could take it all back, I swear that I would pull you from the tide~" PART!!!! AHHHHH (The shock in me so big I gotta stand up and walk around for a moment!!!) -When R and Hobie stares at eo longingly, you know what sound it played? FUCKIN' Apocalypse by Cigarette after sex!!!! (Yeah, I cried at there. I DIDNT EVEN NOTICE MY TEARS UNTIL THEY FELL) -When they finally kiss!!??? THE INTRO OF TELEPATIA BY KALI UCHI!!!!! AHHHHHHHHHHHHH!!!!!

On these Metal Tracks I Lay Myself Bare

Pairing: Cowboy! Hobie Brown x fem! Reader

Word count: 6.5k

Tags: Use of Y/N sparsely, no specific physical description of the reader, CW food mention, CW guns, TW violence, CW injury, Cowboy AU, wild west AU.

Our Place in the Middle of Nowhere Masterlist

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CHAPTER 5 >>> CHAPTER 6

The train station is packed with people, all finely dressed, waiting along the tracks, their luggages weighing heavy in their hands. The place smells of iron and steel, sweat soaked wood and rough leather. Your eyes wander around the station, domed ceilings loom above, carvings of horses and birds decorate the chestnut wood. Sunlight filters through the cracks, rays of light acting as a spotlight to the ornate building. It's a busier train station than the town you were in, the city you've stopped in is huge in comparison to the little towns you've passed by. The station is full of ticketing booths, lines stretching a few feet away that are full of impatient passengers. You look across the train tracks, seeing parents chastising their children, hearing hurried murmurs from husbands, holding their wives’ hands even though the luggage in their hand slows them down. You look at Hobie's gloved hand that's resting upon the ticket booth, you stare at it longingly, eyes getting glossy by the minute.

He's taking you home, and just like back home, you have no say in it.

A train whistle echoes, a signal of its metallic arrival. Its steel body creaks as it stops, its copper inlay is slowly turning green, and there's rust around the wheels. Soon, the station fills with smoke, dark tar belching smoke that sticks to your lungs as you cough. You feel a warm hand on your back, in a second you look back, the warmth is gone.

“You alright?” Hobie asks, lighting up a cigarette in-between his lips.

“It's the smoke,” you say, scratching at your throat that he cannot keep looking at for the scar in his neck throbs at the memory from the mundane act.

“Alright,” without a second thought, he takes his freshly lit cigarette from his mouth and then flicks it away from you, embers fly off in the distance just before it lands on the dirt outside.

You feel like the golden light in the summer. “I was talking about the coal smoke from the train. But that works too, thank you.”

He scoffs, a small smile ghosting over his lips. “Right, didn't do it for you, I did it for myself. Heard it kills people y'know.” Nudging you, he doesn't expect for you to shuffle away. Blinking, he avoids your eyes, “that's our train, it's an overnight one so we can rest in our cabin.” He tugs you in by the sleeve of your coat that's tucked in between his middle and forefinger, guiding you towards the waiting doors.

“That's good.” You follow, eyes trained on his back lest you get lost.

As much as you don't want to go home, you still don't want to leave him despite your mind telling you to forget about him and just leave on Cherry and wander around the west like a tumbleweed caught in the wind. You'd probably last a week.

Hobie stops by the doors, waiting in line with the other passengers. You flick your eyes downwards, his fingers wrapped around your sleeve, not taut, just holding you close to him as the crowd grows. So close to your own hands, yet so far from your heart.

“Tickets?” The man clad in a blue uniform asks, Hobie shows the pink papers and the man nods.

You enter the train car, it's a cute little thing filled with blue velvet curtains with golden tassels, and carpeted floors that run towards the end of the car. On your left are filled with little cabins, with clear windows that you can see through inside. It's big enough for at least four people, five if possible, though it would be a tight fit. The hallway is already small enough that only two people could walk side by side, you'd like to walk side by side with him, unlike now that you walk behind him, behind his shadow that gathers around you like dandelions in the spring.

“This is us,” he stops at cabin number three, opening the door with a creak, he leans away to let you enter first. Closing the door behind him, he pulls down all the curtains so that wandering eyes can't watch your every move. It's bad enough that there's a bounty on both of your heads, you don't want gossiping passengers peering inside.

There are four collapsible beds on each wall, all held by golden ropes, bed sheets in rich red cloth, pillows fluffed to perfection and blankets neatly folded. Hobie scooches in between you and the beds to close the top bunks so that there's more space for his tall frame. He has taken his hat off not for politeness but if he wore it inside it'll be squished by the low ceiling. Then there's the large window that sits across the door, before you could take note of the people outside, Hobie shuts the curtains close.

“What do you think?” He asks, taking his jacket off with a flourish. “It's not even close to the ones back home but it'll do for now. We'll be train hopping to get our scents off the lawmen.”

“It's nice— wait, train hopping?” You sit down on one of the beds, the mattress is surprisingly soft under you. “Please don't tell me we'll be jumping from train roof to train roof.”

Hobie chuckles, copying your actions, sitting across from you. Back resting against the wall, comfortably slouching. “Think you can handle it?”

“God, no.” You can't help but rest your tired head upon the goose feather pillow.

“Good, because we're not doin' that, love.” Again, he copies you. Arms tucked under his head, eyes above the ornate ceiling. “We’re not gettin' off at the last station, so we'll be ridin’ with Buck and Cherry for a bit and then to another train station. Confuse the wankers with our brilliant wiles.”

You lift your head off the pillow, and in turn, Hobie turns his head to look at you. “Wait, what about the horses?”

“They'll follow the train.” He smiles.

“Follow? Like they have our scents?” Hobie laughs, not teasingly, no, it's full of endearment, chuckling softly, but it flies over your head.

“Don't laugh. It's a genuine question.” You roll your eyes with slight amusement.

“They're in the back carriage,” he tamps down his laugh but his smile stays.

After that silence prevails in your cabin as the train slowly chugs on, sharp whistles piercing your eardrums, and the hum of machinery bringing you back home. You want to speak to him, to finally tell him of all your concerns about going home, going back to them. But most of all, you want him to speak to you about everything, to tell you how he was faring for the last five years, and how he became such a terrifying figure to outlaws. You want him to just…talk, and make up for lost time. You gather the courage, but just as you were about to speak, he no longer lies across from you. Hobie is sitting on the bed, body facing the door, hands busy with oiling his guns.

“Hobie…I—”

“What is it?” He flicks his eyes briefly to you, his tone was sharp, but he didn't mean it, blaming it for his own worries and fatigue. He'd say something about it but you're already facing away from him. Back turned, blanket shielding you from him.

“Nevermind,” you mumble into the covers, falling into a deep slumber where the conversation happened in your dreams.

This goes on for three days, hopping from train to train, from busy cities to dead empty towns. You barely speak, talking only when Hobie asks you something. It's like you're back at that empty mansion, with only the plants to talk to.

Hobie silently hates it, he doesn't know what to make out any of it. You seem hungry so he gives you a can of strawberries, you look tired so he lets you sleep without him saying a word. When goosebumps appear on your arms he gives you a blanket, when you're nervous, lips bitten until it's bleeding, he leaves you alone to calm yourself down. None of it works, he misses your chatter that has kept him sane the entire journey. The silence gives him time to think though, a situation that he despises since nothing good has come out of all the thinking.

—

The rest of the journey goes without a hitch, except for that one bit where Bucky was stolen by an outlaw while you and Hobie were buying train tickets. You panic while he sits and waits. People look at you like you were a mad woman pacing back and forth, hand petting Cherry, voice whispering your thoughts to the poor hitched horse. And Hobie just…stares. After what seemed like forever, or fifteen minutes, Bucky returns, riderless, still has his saddle on his back, and seemingly chipper. Turns out, Hobie trained Buckeye to throw off would-be thieves, and this time, Bucky found a convenient ledge to throw this particular man off. You and Hobie quickly ushered both horses into the back just in case a sheriff comes looking for a murderous horse.

You've been seeing a few familiar faces in the crowd of travelers, the same children that's tugging at their father's coat, the same old couple that helps each other up on the platforms. Some have taken notice of you too, to which you smile politely at them while they wave kindly at you.

—

It's another warm humid day, another train to ride in. You don't bother to look at the interior this time, only deciding to sit on the cushy seat you were assigned to, sliding inside the booth, eyes already staring longingly at the outside world. Hobie once again tries to speak about something— anything to try to get you to finally speak your mind, but his rapid pulse tells him otherwise. So he clamps his mouth shut, deciding to sit across from you instead of sitting next to you like he wanted to.

He feels eyes on his form as he picks mud off his spurs, raising his head, he comes face to face with a freckled child staring at him curiously with her big blue eyes. Her tiny hands are curled around a teddy bear, her fiery red hair is tied into a neat ponytail. You notice her a second later, smiling softly at the child.

“Hello,” you greet kindly, and the girl scampers back to her family's seat, hiding her blushing face behind her mother's skirt.

“Sorry about that.” Her mother apologizes, round pregnant belly prominent as she tries to coax her daughter out. “This is Clementine, she's a bit shy.”

“That's alright,” you speak on behalf of Hobie. “Hi, Clementine, my name's Y/N, and this is my companion, Hobie.” The second your eyes meet his own, Hobie's breath gets stuck in his throat.

“Say hello, Clem, be polite.” The girl's father playfully pokes her side. Blue eyes hidden behind rounded glasses.

“Hi,” she says in a small voice, giggling when she looks back at Hobie.

“I think she has a crush on your husband.” Clementine's mother chuckles, patting her daughter's back for a job well done.

“My husband?” Panic sets in your chest until you see her gesturing towards Hobie. “Oh,” you chuckle shakily, fists bunched around your trousers.

Hobie notices, he doesn't say anything about it. He takes your reaction as something else, so to keep your embarrassment at bay, he tells the couple otherwise. “Not her husband. Just escortin’ her.”

The air becomes awkward. “Oh,” the mother rubs her belly, smiling gently. “Sorry, you two just look like a good pair.”

Her husband taps her shoe with his. “Just like us, eh, sweetheart?” The wife shakes her head with a bashful smile, bringing a grin to the man's lips. You start to think that this is what marriage is supposed to be. Caring, loving, clinging onto each other in the best way that doesn't stifle or choke, just love in its most natural form. It's unlike any marriages you've seen and experienced back home. “So where are you folks off to? I'm guessing south? We've been seeing you two around since Valentine, it's nice to have some company during the journey don't you think?”

Hobie doesn't sense malicious intent from the parents. “Sure, whatever you say, mate.”

“You're not from around here aren't you?” The little girl listens to the conversation, head moving from side to side whenever someone speaks. “That's alright,” she laughs softly, rummaging for something in her bag. Hobie has his thumb pressed along the side of his gun. “I can tell you'll be good neighbors,” she hands you a small jar of honey, it's bright yellow and clear, you wish you had some tea to go with it. Hobie breathes a sigh of relief. “Here you go!”

“Oh no thank you, we can't possibly take it.”

“Please do.” The husband says, “we used to have a colony of bees, but we had to sell them all before we moved.”

“We have dozens of unsold honey, we're honestly just looking to get rid of it before we get to our destination. They're heavy, y'know.” His wife finishes for him. “Clem, can you give it to sweet Y/N for me?”

“That's so kind of you.” You smile, nodding. “You're moving to the south?”

“Okay.” She happily takes it, walking across the aisle to you and Hobie. Unsurprisingly, she gives it to Hobie instead of you. “Here you go.” She copies her mother.

Hobie takes the jar with trepidation. “Thank you?”

You quiet down a laugh while Clementine’s parents guffaw across you.

“Oh she's in love.” The mother says, arms raised to embrace her daughter who welcomes her touch. You can't help but feel a pang in your heart at her love for her child. “And yes we're going to be living there with my in-laws. Rent has gone too high in the west, y'know.” You nod along, making friendly conversation.

“Wish I had tea,” you hear Hobie mumble. You smile softly at his words.

—

It's been a couple of more trains, and more smoke in your lungs, you start to feel like your hands are starting to smell like the steel that you now know as your temporary home. The scenery outside your window has changed. From grassy dusty plains of tumbleweeds and windmills to rolling mountains that rise up high with large looming trees that shield you from the sun. Soon your view will be full of the southern charm, but you don't look forward to it, being there means that you're closer to getting back to the place you dread.

You've grown quite close to Clementine and her little family, even the other familiar passengers that are heading the same way as you are quite fond of you as well. You eat breakfast with them, have afternoon tea, and have even introduced Cherry and Bucky to the children. They've lovingly named them both ‘horsies,’ to which you'd always giggle at.

Clementine has latched onto you, you teach her about plants and flowers, and have her draw them for you just like you've sweetly described it to her. But when Hobie's near, she opts to be his shadow for the time being, following him everywhere until her mother calls her back. Hobie is half annoyed that he can't find the time to speak to you, but he's glad that there's someone as a mediator between the two of you or he'll start vomiting out words that may or may not make the situation worse.

Your back aches at the lumpy mattress that you've unfortunately landed into. You can't help but give up the assigned cabin for you and Hobie to Clementine and her family since the beds are much more comfortable in that cabin. So you offered to exchange it, citing that the mother, Florence, you've come to know, needs it more because of the growing baby in her. She gratefully gave you another jar of honey for your sacrifice.

Hobie enters the booth, heavy boots thumping against darkened wood, spurs clicking, footsteps rolling along like a thick heavy fog of loneliness.

“Where were you?” He asks even though he's afraid that he'd be overbearing. His worries win over him.

You grip the spine of the borrowed book, knuckles tightening, eyes drawn downwards to the written word that spells out ‘grief.’ “I visited Cherry, I don't want her to be lonely.” You barely look at him.

Hobie flexes his hands not out of anger, no, out of fear of losing you, this time, just like the last time he did, he doesn't know why or how he could even lose you. He sits down across from you, bed creaking from his weight. He tries to play as the nonchalant cowboy like he always had for the past five years.

“Clementine was lookin' for you.” *I was looking for you. “Cherry won't be lonely, she has Bucky with her.”

“Bucky hasn't been much help when all he does is look at her. Not much of a conversationalist.” You flick your eyes over to him, flashes of anger and hopelessness are melted into your irises.

“Maybe Bucky just doesn't have the words.”

“And maybe Cherry just wants to talk to him.”

“That fuckin’ horse,” he laughs, you don't find the humour in his words. But he clearly does. Your anger flies over his head. “that horse is already worth half of your bounty.” His words are a sharp sting in your arteries. “If she actually speaks she'll be worth it.”

“And what if she doesn't? That she's not worth your damned money?” You toss the book aside. Anger seeping out of your pores. “You'll sell her after you bring me in to my aunt?” Your voice breaks, and you hate yourself for it. “Am I just that to you? A bounty?” The dam breaks, and everything you've kept to yourself bursts open.

“That's not—” The heart that he has sewn together breaks at the seams.

You abruptly stand up, tears pricking your eyes. Inhaling, you stare down the man you love. The only man you've ever loved. “You are not what I hoped to find when I escaped on that ship.”

Before he could say something, anything, you disappeared into another train car, and amidst the metallic halls.

—

Another grueling day, another steel cage to get into. The train whistles as it comes to a stop, you've grown acclimated to the smell of burning coal, you let it coat your lungs as you enter the train with Hobie silently trailing after you.

Your eyes are glossed over, red and swollen from the sobs you've let out over the course of the last sixteen hours. Hobie hasn't talked to you since then, always looking at your back, face unreadable. You pass by familiar faces, you don't acknowledge them. You're tired, bones aching, muscles twitching from lack of sleep and water. Head thrumming, you enter your designated cabin like a doe who has lost its way.

There's a sinkhole underneath your feet, slowly it eats at you, up to your shins and up your thighs, coating your flesh in mud and dirt. You don't tug at him anymore, the small ember of hope in your chest has diminished, instead, you let the ground swallow you whole— letting it suffocate you, letting it drown your lungs in soil.

Just like he did on the first train ride, there's four beds on each wall, but instead of an empty space in the middle, there's a little foldable table. You close the top bunks and lay down on one of the bottom ones, head heavy against the soft pillow. You feel his presence behind you, and then a cool steel atop your bicep. You flinch away, thinking it was a barrel of a gun.

“I figured you're thirsty.” He says, hand hovering above your shoulder in an attempt to calm you down. The train whistle rings out, and the engine whirrs and starts up as more smoke bellows outside your window.

You take the flask, sitting up to take a drink. He sits across from you, elbows resting on his knees, hands clasped in front of him.

Hobie sees the glow of your ring, he instinctively brings his hand up to his own that has made its home around his neck; hidden behind his clothes, finding comfort in its gilded form, the closest thing he can get to you.

“Why do you still hold on to me? After all these years?” He asks, eyes swirling with unknown emotion.

“Why did you let me go?” You answer, and that was the end of the conversation. Then it hits you, he truly doesn't love you anymore.

—

Night comes, and with it your sadness comes flooding through you, getting in the corners, slithering around every crevice— it has memorized your form and made it its home.

Weirdly enough, Hobie hasn't left the cabin, his lingering presence doesn't stifle you, unlike the man back at home who watches you with piercing glares. Even with your fury, your mind still finds comfort in Hobie.

He hears your almost silent cry, he wants to hold on to you, to brush his palms on your cheeks, to wipe away the tears and press his lips against your own. But he can't, or you'll think that he didn't mean it, that he only did it to make you calm down. It would be a cheap satisfaction for the both of you.

“I didn't let you go, I had to go.” He suddenly says above the quiet cutting of an apple in his hand, leaving pieces of it on your side just in case you want it. His voice doesn't waver, perhaps he has been saying the exact words to you in his mind for the past five years. You still have your back turned facing him as the deep rumble of the train goes on. “I was young and stupid. I was forced—”

You suddenly turn towards him, sitting up on the lumpy mattress. “And I was young and stupid too, yet I knew in my heart that running away with you wasn't foolish. Was it stupid to you? Escaping with me? That you'd rather run away, alone, to another country than be with me?” The memory of a young you waiting for him with your luggage in your grip has you seething.

Hobie matches your anger, hunting knife pausing on the red apple. “Did you hear what I said?” He angrily skins the fruit, slicing and dicing at its flesh. “You have no idea what I've done to survive. I have endured a lot to be where I am now—”

“And what of what I endured?!” You stand up, taking your bag, rummaging through it. “I'm truly sorry for whatever happened to you— but how could I apologize for something that I don't even know?” You toss the letters on the desk after struggling to take it out of the bag. “There! The letters that were sent back to me because I had no idea where you would be! Read them, and you'll know of the things I've endured. Unlike you who would rather look at me with contempt than tell me why I deserve that horrid gaze.” You gasp for air, he lets you speak, his own anger dissipating, fear once again encompasses him. “I thought you were dead, everyone kept telling me you were, but I didn't believe them. It's been years, my hands are raw from— I mourned you.” You pause, watching your golden ring glow in the lampshade. “Do you know how much that hurt? To start to believe their words? To lose hope? I didn't know where you were but you knew where I was and yet, not a single fucking letter went my way.”

Hobie stares at the letters spilled all over the table, apple juice seeping into the yellowed paper. He takes one, the oldest looking one that has its edges burned. Breaking the wax seal, he reads as he listens to your words coated in venom and grief.

“One letter, Hobie, and I would've understood. Then I wouldn't have come after you if you just told me you didn't want to be with me anymore.” You nod, “and now you're bringing me home, to the same people who would rather keep me locked up and tell me lies. I don't know how your letter got in my possession, but now I know that you didn't mean anything you wrote in it.” For five years you've asked yourself, ‘was it me?’ ‘Was I the reason you left?’ you never got the answer to your question, so now you ask him finally. “Was it me?”

Hobie raises his head to look upon your sorrow, his hand shakes at the act they've done to you the second he escaped. He had thought they'd leave you alone, that they'd finally let you go once he was gone and forgotten; but he never thought it would get worse, the hurtful words and slaps on the wrists were nothing compared to what they've done after that night he was almost buried alive— the night you tried to escape with him. His mind draws the scene, blood coating your knees, your pained cry as your aunt jabs your hands with the tip of a fountain pen. And then her words of hollow apologies as she heals your wounds so that it wouldn't scar. You're filled with them, invisible to the eye, but not to you, the only person who has felt every single torturous wound.

‘It's terrible,’ you wrote, ‘not ever seeing you again.’ And he agonizingly read it. No, it wasn't you, it was them, them who would rather commit murder just to mimic what he had. Hobie can't form coherent words at what he just read, anger and sadness piercing his veins like a poisoned arrow of guilt.

You sniff, wiping the tears in your eyes as he just stares back at you. His hands shakes, paper crumpling under his tight grip, he needs to bring you home. But not there, not at the gilded cage he left you in.

The cruelty of memory has plagued you, you try to remember, you reminisce, but did it actually happen? Did all his love for you even happen?

“You don't have to keep reading,” you say solemnly, “it doesn't matter now, we're nearly there.” With a slide of the door, you leave.

—

After the twelfth tear stained letter, with his own tears flowing down and leaving moistened webs on the paper, he has had enough. His eyes always seem to see the same words now, ‘was it me?’ ‘Are you alive?’ and ‘When will you come back?’ Hobie hasn't even made a dent on the letters, barely reading half of the pile of longing you've left. Hobie's mind swirls into different emotions, going through every scenario where he didn't run away, where he came back for you while clutching his still bleeding throat and body covered in moist soil.

He was foolish to try and push you away, to hold you at arm's length, to only look at you like he has let the poisonous words thrown at him by the very same man that gave him the scar curl around him like blackened smoke that stains his clothes. He thought that wanting you back would bring nothing but hurt, especially that he thought that he didn't deserve it. To want is his demise, to have you again in his arms is his folly, but what a wonderful folly it would be.

How could he do all of that to you when his scarred flesh is in the shape of your name.

He pockets the letters, tucking it inside his waist coat, right above his heart just to feel your words through them. The door opens with a click, and he walks towards your direction like a compass built inside him that always points towards you. His fingers glide along the scar on his neck, raised skin felt through his gloves as he walks from carriage to carriage. Where there's open air in between, cool breeze stinging his moistened cheeks. Then he stops at the edge of a crowd, a jaunty tune plays from a traveling musician, playing for a scrap of coins in the corner. People gather around the brightly lit bar, alive and happy, and there you are standing as if you're frozen in time. As if he's seeing you just how he left you.

Amidst the familiar faces within the crowd that gathers in the small bar to converse, he stares at you, and by some miracle, you stare back at him, meeting his jade eyes that are surrounded by a sickened red. There's a soft, ghost of a smile on your lips, even after what you've told him— eyes full of love for the same man who has your heart in the palm of his hands; gentle, caring and yet unknowingly the only person that could truly hurt you the most without the painful slap of a wooden board against your back. It brings him back in time, under the cloudy gas light and the whir of the metal machines whose maw opens and closes to reveal heated metal— His mouth opens and he says the exact same thing that he has been saying every single time his eyes meet yours in secret— ‘meet you back at home.’ He utters, a promise kept under the smell of unlit gunpowder and cheap champagne that your aunt always buys to placate the workers. And you say the same words back without a bated breath— ‘wait for me.’ You almost cry out into the crowd, you'd scream it if it weren't for the forbidden relationship. It has been like that through every cheap congratulatory milestone the factory and your aunt has thrown. You don't speak to him, but your longing eyes do. He doesn't come near you, but his hand would always gravitate towards your velvet clad hand. ‘No one else knows.’ ‘No one else knows,’ those words echo in your mind like a root taking its place. Yet, someone saw, it only takes one good pair of eyes to see the growing love between you— ‘no one knows,’ he mirrors, but one does. It only takes one to set off a domino effect, an effect that would lead to his attempted murder, and to your demise that he isn't fully privy to. ‘No one knows,’ ‘no one knows,’ you whisper to yourself as you pack your bags to escape the life you haven't got a say in. No one knows, and yet, one did, and that one got your love's neck slashed and buried alive in the same soil you once kissed above on, under the same tree that you were supposed to meet in.

He wondered why you didn't show up, but the one that knew did. No one knows, and the one that did lived in your house, ate your food, shared a bed with your aunt— a story told through a letter from a man he once worked with, a man who now has one eye, a man that helped dig him out of the shallow grave they've put him in, waiting to bleed out in the earthbound soil. A dangerous letter that he had burned in the fire from anger. He wanted revenge, but you would be the cost. So he survived and killed, and survived again, always seeing you in the corner of his eye, always hearing your almost forgotten voice when he's on the edge of sleep. He survived and now he's here, meeting with your eyes amidst the crowd once again— with the evidence of his survival curling around him like a heavy rope, and your own hovering above you like a grey cloud that threatens to spill, yet he still utters the same words above the murmuring happier crowd, “meet you back at home.” His throat closes in around the words, almost screaming it to the crowd.

A tear slips from your eyes that are full of woe, and you say the words back, quieter, unsure, yet, the love is still there— “wait for me.”

Hobie breathes for the first time, his feet carrying him around the crowd, weaving through bodies to get to you while you stand still, waiting for him, watching as he desperately trudges to get to you.

You look just like how he remembered, standing by the oak tree, waiting for him even if his hands are stained black from grease— you'd still hold his hand. Now his hands are soiled in crimson that drips onto the floorboards, and yet you still hold your hand out towards him. He would atone for his sins if that's what you'd ask of him, but no one would grant him his penance, he has accepted that fact long ago. Only your touch could mimic it.

Hobie finally makes it to you, now he stands in front of your form, now he notices your hand grasping his own. Featherlight, unsure, if he'd reciprocate, giving him enough time to shake you off. But he doesn't, instead, he holds on to you tighter as he leads you outside of the noisy carriage and away from prying eyes, what he should've done all those years ago.

Hobie tugs you out of the hole that has consumed you.

Silently, you follow him, squeezing his hand twice to let him know that you're right behind him without him looking over his shoulder to inspect. You feel his fingers run along the ring on your finger.

The sound of the metal wheels are loud in your ears, steam rolling off in waves as it warms your back. It's dark out, the moon above guiding his path while he opens the other door leading towards the last carriage that carries horses and baggage.

The moon has always been a comfort to you. You thought in those years without him that he'd be staring at the same moon as you, that at least you've still got a connection with him. Even if you weren't sure he'd be alive to look up at the sky. Arms suddenly envelopes you, hands cradling the back of your head to keep you close to him, face hidden in the crook of your neck.

You're the first one to speak while you tentatively raise your arms to embrace him back. He's warm, warmer than you remember. “Do you mean it?”

Hobie sniffs, diamonds rolling off his cheeks, a promise falling from his lips, “yes, I'll bring you home, my home.” He molds himself to the shape of you once again. An act that you've been trying to attain since the beginning of the journey, now you're both perfectly aligned with each other, heartbeats synching and full. “I'll tell you everything, everything you need to know.”

“Just the ones you're willing to tell, Hobie. I'm so sorry for yelling those words at you.” You hold his head in your hands, gentle, caring, cradling him like you're holding the moon. Guiding it upwards so you could stare at his viridescent eyes that's full of hope for the first time in years. But the gnawing in your mind draws too close to you. “They'll never stop, they will keep hunting us down.” A sob breaks through your throat, “You have to bring me to them.” Tears flow out of you, “or we'll never be at peace. You'll never be at peace.”

The horses neigh behind you, Cherry huffs while Buckeye just stares at the scene. The carriage rattles for a moment before Hobie leans, laying his forehead atop yours, squeezing the soft skin on your nape. He closes his eyes, inhaling you in, you almost crumble in his arms. You've dreamt of this day, dreamt of holding him like this once again.

“You're my peace.” he whispers, “They can try to ruin that peace, but I'll stop them. I'll kill them if I had to.”

“Okay,” you close your eyes, just as he opens his own. “Take me home.”

“‘m sorry,” he kisses your forehead, lips lingering, a heavy kiss that brings you back to life, mending all your doubts. “Let's go home, yeah?” Leaning away, his eyes dart over to a man coming your way, he doesn't find it suspicious, but then the stranger brandishes a gun, raising it over your head. “Y/N—!”

Your body flings off to the side, hip hitting harshly on the corner of a crate. Then a loud cackle of a gun goes off, the sound bouncing off the walls, gunpowder flying over head, hiding Hobie from your vision. You yell his name, but you can't hear your own voice from the ringing in your ears.

Everything happens slowly in your eyes. Smoke spreads as you see Hobie still standing and unscathed, gun raised, barrel aimed at the man's head. Said man runs towards him like a bull, making Hobie miss his shots. Yet the man still shoots at him, slower than Hobie but just as deadly. Hobie leans his head slightly to the side, effectively dodging a bullet. You scamper towards Cherry, lifting yourself up, waiting for the right moment. And then you slap your precious horse, making her kick before he could reach Hobie. Cherry's deadly kick hits the perpetrator right on his back, where a sickening crunch can be heard. The sheer force of the kick has dust flying off his body, and now he lays motionless on the wooden floor.

“Fuckin' hell.” Hobie gawps at you, smile spreading across his lips. “You alright?” He walks over to you, or tries to while Cherry gives one last kick towards the dead man.

“Yeah,” you nod, patting Cherry, Keeping her calm. “It's okay, girl. I'm so sorry.” You coo at her, Hobie goes around the horse to hold you. “Are you—?”

His arms wrap around your waist, lips smashing on yours. You inhale and it's already over. Even if it was quick, it wasn't a cheap satisfaction, it's everything. He pats your cheek affectionately, beaming at you, holding you close. “You're brilliant.” His thumb rubs softly where you hit your hip on the crate, a silent apology.

You smile, heart thumping loudly like an engine. “It was all Cherry.”

“Should I snog the horse now too?” Hobie says smugly, eyebrows raised in amusement.

“No, preferably just me, for now at least.” You tap his chest, bashfulness encompassing you.

“Nah, it's you until the end, love.” He clicks his forehead against yours, making you chuckle.

A scream rings out from the other carriage, hurried footsteps bounding away. “Do you think—?”

Hobie reloads his gun effortlessly, giving the spare one to you. “You're a better shot than me anyway.” He takes one last look at you, as if this is the last time he'd ever set his eyes on you. “Whoever they are, I'll cut through them. Cover my back?”

“Always,” You nod, taking the silver six-shooter, “then we'll go home after this.”

He grins, hope in his eyes. “Home, you'll love it there.”

“Let's cut through all of them then.”