#Little Sisters of Purification

[oldschoolfrp]

The Little Sisters of Purification, space marine chapter from Roger Hamlin's scenario "Sunstroke" in Challenge #36, "GDW's Magazine of Futuristic Gaming," 1988, illustrated by Tim Bradstreet.

Early White Dwarf had run many articles about Traveller; here GDW returns the favor in their own magazine that was a successor to The Journal of the Traveller's Aid Society. This "refereed Warhammer: 40,000 scenario for a small unit of Space Marines and opponents" is just one example of the highly imaginative directions players were taking 40K in the Rogue Trader days. This one has a lot of backstory and suggested modeling to run it as written -- 15 space marines from a new chapter, 20 Jokaeros (one of whom actually is a vampire in disguise), and an ancient Slann base on an asteroid protected by forcefields inside a sun.

[voices-of-favor]

An interesting bit of old 1st edition lore, putting it out here for those who havent seen it yet

Found it?

1st edition had a lot of female space marines, and even female-only space marine chapters, the LsoP being just one of those

And theres more: They are Ultramarine successors

Makes me wonder if they would be less pissy if GE never retconned this (Update: I found out that they didnt, oop)

[awwsha]

Little Sister of Purification

Painted a Little Sister of Purification from GDWs Challenge magazine no. 36 a while back. She looks so cool.

[doolallymagpie]

Pantariste’s done, apart from emblems and maybe a coat of Soft Tone on her face.

[coldfanbou]

Purification or Desecration

Day 10! So funny thing I got multiple requests of Nun sana so I combined them a bit. Anyway, Sana can't stop herself in this fic

Length 2.1K

Sana X mreader

“What is wrong, my child?” The feminine voice asks from the other side of the confessional. As of late, you’ve been having impure thoughts about the community’s favorite nun, Sana. You decided to come to confess it in the church. 

“Um, well…I-I’ve been having impure thoughts lately.”

“Do not worry, my child. I will not cast judgment upon you. You are free to speak.” The voice says. 

“Well, I’ve been having these impure and sexual thoughts about Sister Sana. I know it’s wrong, but I just feel these urges when I look at her. I’m sorry for these and all my sins.”

“I- well, that is certainly not what I expected. I suggest you speak to sister Sana personally. I’m sure she’ll be able to provide you with more guidance and grant you freedom from your urges.” The person responds. 

 You give the person a small thanks before leaving the booth and heading home. You would speak to Sana the next day, hoping to fix your feelings about her. After waiting a few until you were gone to step out, Sana came out of the other side of the booth. She looks around nervously before leaving the area as a whole. 

The next night, you came to her. "Sister, I have something to speak to you about. May I come in?"

"You may," Sana says as she steps aside, allowing you into her abode. There were no religious figures in your small village until a couple of months ago when nine sisters came in. They helped lead the village now. "What seems to be the problem, young man?" 

"I- um," you gulp; seeing Sana up close brings your impure thoughts to the forefront. You stand silently, staring at Sana. Though her clothes conceal much of her body, they clung to her in just a way that brought those thoughts to you. Sana looks at you; as more time passes in silence, she asks her question again. "I-I've been having impure thoughts about you, sister. I was told to come to you to talk about it."

"I see; come take a seat." She says, walking a few steps to her bed. She pats the space next to her. "Tell me more about these impure thoughts." 

"It’s a bit embarrassing sister." You say, sitting next to her.

"Then tell me where these impure thoughts impact you most." 

"I can't." 

"It’s okay. Show me if you need to." You hesitantly take Sana's hand and place it on your crotch, where a bulge has developed. “I-I see, they’ve progressed further than I thought. As a sister, it is my duty to aid you.” Sana takes a deep breath; she had been taught this when she became a sister. Her life before she became a sister was spent sleeping around, constantly hungry for sex. She already knew how to use her body, but to have to use her skills now that she’d become a sister was going to be a challenge. Sana took another deep breath; her actions now would be to aid a member of the church, not to give herself pleasure. “I can aid you in dispelling these impure thoughts. P-please take off your pants.” You feel stunned at her words, but considering her position, you trust her. You stand and take off your pants, freeing your bulge. Sana was stunned by your cock; it had been years since she’s seen one, and she felt her loins start burning. As you sit back down, Sana places her hand on your cock. “Please relax and let me take care of you.” You feel Sana’s grip on your shaft; it’s firm, yet she’s putting little strength into it. Her small, soft hand begins to slide along your shaft. You tilt your head back and groan as you feel her hand rub against the head. “You can release your impurities at any time; try not to hold on to it.” She says, continuing to move her hand along your shaft. You close your eyes and focus on the sensation.

Sana unconsciously licks her lips and stares at your cock as precum starts to flow from it and cover her hand. Her free hand begins to move to her crotch, but Sana manages to stop herself. She continues stroking your cock, keeping a constant speed that makes you near your climax. “Sister, I think it’s coming.” 

“Let it out, let it all out.” She says; Sana feels her mouth become wet as she hungers for your cum. A few moments later, you cum on her hand; your impurities cover Sana’s hand as she strokes your cock. Sana leans forward but quickly stops. You start to shrink in her hand, and Sana pulls away from you. “It seems like they’ve gone away. Sana says with a forced smile. If you continue to have this problem, come to me. I’ll help you with it; just come to me at night.” You nod your head and pull your pants up before leaving. Sana goes to the bathroom and turns the water on. As she’s about to wash her hands, she stops, staring at the cum on her stained hand. She brings it up to her nose and smells it. It’s intoxicating to her, and Sana slips her fingers into her mouth, tasting the salty liquid and moaning before realizing what she’s doing and washing her hands. She splashes her face, trying to clear her head of the thoughts she’s having.

The next day, you feel much better and can go about your tasks, but the following day, you struggle after seeing Sana and have to visit her again. This becomes a routine for you; every other day, you go to Sana to be purified, and she does her best every day. Until one day, Sana says the problem needs to be solved another way. In truth, she was being broken down by giving you those hand jobs. The cum you would leave on her hand would no longer be washed away. She would drink it all, always wanting more. “I fear that you’re impurities will not go away so easily. I will have to take further measures. Please drop your pants.” You do as told and sit down next to Sana. “Please lay down and spread your legs just a bit.” You follow the new instructions. Sana gets between your legs, “Please relax as usual.” Sana inches closer to your cock; she grasps it in her hand and strokes it until it is fully hardened. For a moment, she thinks about her vow to the church and considers how her actions would be seen. This was breaking protocol, but Sana knew she could say it was part of her duty. That was what she told herself. As she stroked your cock, she felt her mouth become full of saliva. She was practically drooling. She presses her lips against the head and swallows it. You moan loudly; her mouth was warm and wet; as she took more of your cock in, you could feel her tongue run along the underside. A gently sucking sensation brings you great pleasure; when Sana’s tongue swirls around your shaft, you can’t help but let out another moan. Sana's mind becomes mush as she gets her first taste of your cock. She bobs her head quickly, taking more and more of you in each time. Once she reaches your base and feels your cock hit the back of her throat, her eyes roll into the back of her head. She continues like a mindless zombie, only coming back when she feels your cock throbbing in her throat. 

“Sister, they’re coming.” You moan. A second later, you release your cum into Sana’s throat, pouring it into her. She happily drinks it, not missing a drop. She pulls out slowly, her tongue swirling along your shaft, gathering any drop she may have missed. She wipes her mouth, “I think we may need to have you come in more often. You seem to have a lot of impurities in your body. If things get any worse, drastic measures must be taken.” Sana would continue to give you blowjobs nearly every day, relishing her job and slowly returning to her previous state. Yet somehow, she managed to keep herself from moving on to sex for some time. She knew in the back of her mind she could never justify that action, but the more cum she drank, the less she began to care.  She spent her nights alone, fingering herself until the early dawn, until she would have to bathe and then put on her robes and act like a pious woman.

Nights would go on like that until you met Sana one morning. “Excuse me, sister.”

“Yes? Are you having problems?” 

“I-um am. Is it possible that you cleanse me tonight?”

“Hmm, You seem to constantly be in need despite our methods. I believe drastic measures are needed.” Sana says without a second thought. It’s only after her words that she considers the actions she’s taken. She thinks to herself that she can’t cross that barrier, but then her mind is flooded by the memories of her previous life, of the pleasure she once had.  

“Thank you, sister. I shall meet you tonight.” Sana nods and continues with her tasks. Reaching a place where she can be alone, Sana rubs her crotch before stopping herself again. She grows frustrated and knows she’s losing the battle. She heads to the church to pray for the rest of the day. As men come and go, she can think of nothing else but what they could do to her and the pleasure they could give her.  She could not clear her mind. 

That night, when you came into Sana’s abode, she had you wait on her bed, telling you the treatment would require you to be naked. While she went to the bathroom, you did as you were told. Inside, her mind was beyond what would be done if anyone found out she could no longer resist her urges. When she came back, Sana was standing there naked. You got hard immediately. Sana's body was toned; her breasts were perky and of good size. Your eyes travel downward, and you see how wet she is. “Sister?”

“Lay back and relax; this treatment requires the utmost care.” Sana climbs onto the bed and crawls toward you. She straddles you, placing your cock between her folds and your stomach. “Let me do the work. Relax.” She says as she moves her hips, your cock slides between her lips, slowly being coated in her nectar. “Mmm, I think this is going to work,” Sana says, trying to hide her moans. You groan, and Sana moves on to the next part. She lifts herself and positions your cock against her; she sinks onto it slowly. “Ahh, nearly there.” She moans as she reaches your base. With your cock buried inside Sana, she smiles. Sana revels in the feeling of being filled. She remembers just how much she loved sex. She starts to move immediately,  bouncing on your cock. Her modest breasts bounce along with her; she takes your hands and places them on her breasts. “Release everything you have into me. I’ll purify you,” She moans. You moan loudly, feeling Sana’s wall massage your cock as she bounces on you. You knead her breasts; the pleasure shoots through Sana’s body. She slams herself on your cock, whispering, “I’m going to cum.” 

Having been so long, Sana was sensitive and was nearing her climax already. She continues to bounce on your cock, enjoying every moment. She buries your cock in her as she comes crashing down. She cums on your cock; you feel her walls clamp down on you. The tightness of her cunt brings you closer to your own orgasm. “Sister, it’s coming.”

“Let it out inside me; give me it all!” Sana screams as she starts moving again; she’s more sensitive now. Every time your cock rams against her womb, Sana feels another orgasm course through her body, wracking it with pleasure. The constant tightness makes you cum, and you spill your impurities into Sana. Sana throws her head back and moans loudly; her walls milk you dry as she rocks her hips. “So much inside.” Sana moans with a satisfied smile on her face. 

The door to Sana’s home busts open, “We heard screaming; what’s wrong?” The other sisters stand in the doorway along with the other villagers; they look at the two of you in shock. Sana defended you, saying she was curing you of your impurities. Despite the others telling you she was lying, you believed the sister and were banished from the village alongside her. The two of you managed to survive building your home far from anyone, where the two of you would go at it night and day. Sana claimed she was purifying you. You believed her lies for the rest of your days with her.

[minamorsart]

Enter Merla: Queen of Darkness!!! 🖤✨

I was pretty disappointed when VLD didn't explore the culture and politics of the Galra Empire more, especially after Lotor took the throne, and I was also quite disappointed with Merla's cameo. So I decided to take a crack at her design myself! Some backstory below!!

I made her Acxa's twin sister because while I don't believe it was confirmed, I always thought that 80's Merla's character must have been divided into the four women who became Lotor's generals in VLD, so why not make Merla and Acxa related? Plus in every piece of fiction you need to have at least one set of twins ;) That's just da rules babeyy~

Acxa and Merla are from Planet Drule (a loyal territory of the Galra Empire) and are half-Galra and half-Drule. They are not of royal descent, and since they were children they were looked down on because they are half-breeds. As the oldest, Acxa takes on the responsibility of looking after Merla, who over the years begins to grow restless with the two of them settling for low-ranking positions in the army and living a less than satisfying life.

One day exiled Prince Lotor comes to oversee the planet just as Merla is planning a coup to overthrow the corrupt Drule king. The coup fails, and wanting to protect her sister, Acxa takes the blame even though she had nothing to do with it. When she is sentenced to death, Lotor, seeing the potential and skill Acxa possesses, offers to pardon her in exchange for her loyalty to him, thus saving her life (it is my personal headcanon that Acxa is the first of the generals to be recruited). She accepts and tries to convince Merla to come with her, but Merla refuses and insists on staying, saying that she wants to change things on Drule, and that by leaving Acxa is abandoning her. The two part ways on bad terms, and do not see each other for many years.

Merla eventually succeeds in taking the throne, her followers assassinate the king, and she becomes queen of Drule. She and Acxa have the occasional run-in, which is how Lotor and the other generals get to know her more. There is still lingering resentment between the two sisters, however, particularly on Merla's part. The events of VLD proceed as normal up until the end of season 5, and I personally would like to take out Lotor killing Narti and the generals turning against him. Now emperor, Lotor works tirelessly to unite his people and deal with the growing Galra factions which plot to rise up against him.

News of Lotor's ascent to the throne spreads throughout the universe, and soon Queen Merla is paying a visit to the Empire and demanding an audience with him. She knows all about the Galra factions, including Sendak's Fire of Purification, and proposes that she and Lotor marry in order to combine the forces of both the Galra Empire and Planet Drule. If Lotor accepts, the two nations will become stronger than ever and no one will dare stand against them. If he refuses, Merla will merely seek support from the factions, perhaps even form an alliance with Sendak, who will eventually try to take the Galra throne himself.

What can this mean for not only the Galra Empire, but for Voltron and the Coalition as well?? What can this mean for Lotor and Allura's developing relationship??? For those who haven't seen the 80's show, Queen Merla debuts in the US-made 2nd season. She and Lotor are actually engaged for a time! Merla is cold, cunning, and calculating like Lotor, and perhaps even a little more manipulative. She enjoys being entertained and can on occasion be condescending.

And this is not meant to create any unnecessary love triangle between Merla, Lotor, and Allura. While Merla has people in her life she cares for and she respects Lotor, her first priority is maintaining her seat on the throne and looking after her people, so she really only sees Lotor as a means to gain more power. Lotor recognizes this, because he mostly shares the same mindset as her and can see the benefits of marrying her, regardless of his own feelings. And how does Allura feel about this whole matter?? 👀 Only time will tell, though it is also likely that the princess may be too proud to ever reveal how she truly feels. At the end of the day, I just think it would be fascinating to explore more of the politics of the VLD universe and the complications that come with ruling an entire empire whilst trying to keep alliances and territories intact. Plus it would make for some fun drama! Particularly in the romance category hehe.

[literallyjusttoa]

What’s better Christmas present than a bit of angst huh?

When Apollo was young, not yet a year old, he was banished from Olympus due to his crime of murder. Gaea called for his head, but Zeus shielded him.

“I will not rule as my father did,” he said “The boy can learn, he can be better.”

Apollo was sentenced to exile. Nine years, though he was not told this. No, Apollo was certain that he had lost his chance to join his family in the heavens. His father had spared his life, and as penance he now had to stay on the mortal realm for all eternity, alone.

The young god made due with what he had. He wandered through the fields of Greece, tending to the animals he found along the way. He would sing, as light and clear as the birds, and mortals would flock to the sound. Apollo was never allowed to linger long, but he fell in love with that feeling of warm comfort mortals seemed to carry with them, that joy that he could never quite reach. When he could, he worked, often for little reward. He wanted another taste, another glimpse of a less lonely existence. So he became a shepherd, a soothsayer, a musician, always a few steps away, watching but never being.

One day, in the middle of the coldest months, Apollo was hired by a farmer in the Vale of Tempe. He had a large herd of cattle and was in desperate need of a someone to care for them. Apollo traveled through the backroads and forests, making his way to the valley. When he arrived, however, he found no farmer, and no cattle. Instead, a lone man sat at the base of the river that flowed through the vale. The water was near frozen over, but the man did not shake. Instead, he turned, and smiled wide.

“Apollon,” Zeus said, “Olympus has missed you.”

Apollo was shocked. Had his father truly come for him? He dropped into a low bow, too nervous for words.

Zeus chuckled, low and warm, “Rise, son. There is no more need for humility. It has been decided you have done enough.”

“Truly?” Apollo asked, “May I truly join you on Olympus?”

“You may join me at home, Apollo.” Zeus responded, “Your home. Come, we shall perform a rite of purification in these waters, and then you will ascend to your throne.”

And so the rite was performed, and Apollo was cleansed. As far as the rest of the world knows, the two immediately ascended to Olympus, to the glorious applause of the other members of the divine court. Apollo took his throne, next to his dear sister, and began his immortal duties.

But there was a moment, one moment, which was kept away in that sheltered vale. Once Apollo had been cleansed, he stood at the bank, waiting for the next step. Any demand his father asked of him, he would have agreed too. But Zeus held nothing over his head. Instead, he summoned a cloak of sheep’s wool, and placed it over Apollo’s shoulders.

“A gift,” he murmured, “The golden treasures you were born with will bring you glory, but this my son… I hope this will keep you warm.”

And Apollo believed, with all his heart, that he would never be lonely again.

Time is a cruel master. As years bled into centuries that bled into millennia upon millennia, Apollo realized that loneliness would be his most constant companion. He realized that the source of this loneliness, this suffering, would often be the very man that promised to keep him warm. The fire of his father’s hearth burned everything it touched, leaving Apollo with blistered hands and a scorched heart.

But he still wore the sheepskin. When the loneliness crept into his bones. When the lightning crackled across his limbs with a burning pain, as warm as his father promised with an agony he’d never mentioned. When all seemed lost to the ground and the dust. Apollo found that wool cloak and cast it over his shoulders. Even broken promises can bring some sort of comfort. Even old sheep’s wool can bring an illusion of warmth.

I was his child once. He used to love me.

If only the bite of a king’s cruelty could be chased away as easily as the chill of a winter’s day. The wool does nothing, and the loneliness remains. Apollo shivers, and goes to rest.

[ackerfics]

my love is mine all mine ch 3 | toji fushiguro x female reader

part one of to the girls who are failed by the narrative series.

series summary:

'the glorified womb', 'the heir bearer', 'the blessed flower of the jujutsu society' — they are just some of the titles given to the women of your mother's clan, and all of them eventually fell to you, the prodigal firstborn who has the misfortune of birthing someone who will be stronger than their predecessors. with the fate of someone's clan on your shoulders, there are only a handful of things told to you while growing up; be as demure as you can be, never open your mouth and squash your thoughts, sit with a posture befitting that of a lady wearing an invisible yet heavy diadem. but the one that rings the most goes like this: your only purpose in this world is to be a silent wife to a man who will give you the opportunity to carry the next generation of powerful sorcerers. you remember all of these as you walk toward zen'in ogi in your uchikake, the constricting material around your waist akin to the gripping hold of your cursed technique.

and in fate's funny little ways of fabricating legacies and stories, you forget them when you are spirited away by the man who always welcomes the coming of the seasons with you without fail.

chapter title: the answer will be an echo: why did you do this?

warnings: the zen'in clan.

Your sister inherited the Joushou clan’s cursed technique.

It’s an announcement that has any member of your family reeling. What a waste, they say. This could have been phenomenal if not for the sex of the child. What good would a woman have if they assume the position of heir to a powerful clan that owns shrines of purification for generations? And with the head’s reluctance in re-marrying another pitiful woman, there is no chance that a son will be celebrated, which brings you at this moment—holding your little sister who was given the role of the heir a few months ago. It’s something that you have to accept for you have no ability to create a field of reversed cursed technique that can nullify any nearby techniques.

Four years have gone and your sister celebrated four birthdays with only you and a couple of loyal maids by her side. Your father, being the head of the clan, has growing paperwork and responsibilities on top of his desk with the passing years. Now older, your father has been scrambling with marriage proposals from other clans, all vying to have you in their hold — their riches on his table.

A wife. Pliant, obedient, meek, poised, virtuous; are some of the traits expected of you. They are drilled in your head every time you have lessons with your current tutor, a lady from one of the Joushou branch households, one Lady Yukina. Despite the harshness of the lessons she brings, she might be the only old lady who has never looked at you with disdain. Her gaze fills with understanding and sometimes sympathy when she reminds you that you have to be a woman fit for the jujutsu society.

You have long since understood that even with a title to your name, you are not safe from the whims of men. You remain as a piece in their games, meant to be broken when Time and Fate are not merciful to your soul. You know it—after all, your mother has lived long enough to tell the tale.

The Hanamo clan has always stood as the harbinger of a new generation of sorcerers, as the historians so love to write about in their scriptures. 

The ancestry flowing in your veins is proof that you will always be tied to the workings of the jujutsu world, that you will be a slave to the norms delegated by the higher-ups who uphold the traditions of time immemorial. It continues to resemble the essence of your existence. Without it, you are nothing but a husk—tossed aside for lacking purpose. To put it bluntly, you don’t want to be a wife if it means having a life lived by your mother. You are older now and aside from gaining marriage proposals, you have gained this awareness that not even your father can prevent. You wish to enjoy what they call middle school. At your age, you can’t help but think that maybe you could have been a senior. You want to join clubs, stay at school after classes, or go to cram school because you want to enter a prestigious high school. You long to experience staying up late and getting confession letters in lockers—feel the giddiness stolen glances in a room brings.

However, since Fate is not kind to girls like you, you are stuck here letting the wind carry your thoughts.

“Onee-chan!” 

“Hmm?”

You are drawn to reality at the sound of your precious little sister’s voice.

“What is it, Tiny?”

She giggles, teeth showing and eyes crinkling in happiness at the syllables of her nickname from you. The little girl of four bounds over to the picnic blanket that you are sitting on, the constricting material of the kimono around her figure preventing her from running too wildly. You carefully watch her, your arms stretching out and torso leaning forward when she nearly topples to the ground. The sigh of relief your chest has been holding is let out when she is secure in your arms, which is then followed by a small huff since she has been getting bigger. The little girl in your embrace places her chin on your chest, her pudgy cheeks pressing against you. “Onee-chan’s sadness, go away. I don’t want Onee-chan to be sad.”

You hum, your smile mirroring hers. “Why would I be sad when I have the cutest, most special girl in my arms?”

She squeals when your fingers start tickling her sides.

“Onee-chan, no!” Her voice is being carried by the wind, gleefully intermingling with the melody of the breeze. “Stop it!”

Laughter continues to bubble in your throat. A huge surge of warmth prompts you to lean down to press your forehead against your sister’s. “Why would I be sad when I get to see the most precious thing smile and laugh?” You nuzzle your nose on her hair. She always smells of something citrus and sweet, a combination fitting for the reason behind your smiles. “Tiny, your existence is enough to drive the sadness away. Nothing can make me shed tears if you’re here by my side.”

“Did Mama feel like that about me?” The slightest falter in your demeanour is unnoticed by your sister. “Ah! I didn’t mean to make Onee-chan sad again.”

“What?” You breathe out. You try painting a smile on your lips. “I’m not sad.”

“You are!” She retorts with an adorable scrunch on her nose. “The flowers never lie, Onee-chan! They always lose their colour when you’re sad.” You don’t even have to ask how your sister knows about your connection with the flowers in the garden because she continues explaining in a tone that is awfully similar to Father when he was still instilling the ways of the clans in you when you were a child. “Aida-san told me that Mama’s family speaks to flowers. I know Onee-chan can speak to them, too, and just like me, they feel sad when Onee-chan is sad.”

“I do have a smart girl for a baby sister,” you muse, running your hand through her hair. “Yes, Mama could speak with any kind of plant you can think of and I know that your existence is something she asked for; she prayed every night for you to be here. You are her precious little dewdrop—I know it because the flowers told me so. Mama talked to them while she was carrying you in her tummy, you see.”

“Was she happy when she had me?”

The smile on your face never dims. “ Super happy,” you make sure to emphasise the first word.

“Were you happy?”

“The happiest big sister in the world.”

“I’m happy you’re my big sister, too!”

Your bottom lip wobbles, quickly hiding it by burying the toddler back into your arms. “You’re so cute, Tiny! Ah,” you sigh out, “I don’t ever want you to grow up; I want you to stay this little forever.” Your tiny dewdrop that you can carry in your arms forever, a place where she truly belongs and will remain untainted by the world revolving around you two.

“But I want to grow up!”

This surprises you. “Why, Tiny?”

She beams, “Because I get to be with you more! You’re always away with Papa and I’m all alone. If I’m grown up, I will be by your side more often.”

You give her a rueful smile. Your hand perfectly cups the side of her head as if both are puzzle pieces fitted with each other. “I can’t wait to see you in the future; but for now, I’ll cherish you like this. Because you want to know a little secret?” The smile on your face grows at the sparkles lighting up your baby sister’s eyes. They seem to gleam like jewels within a pool of moonlight. The hand cupping her face transfers to cover her ear, your voice dropping into a whisper purely for the two of you to hear—not even the flowers can be a witness to your little secret. “Nothing in this world truly belongs to me except my love for you, owner of my heart and my tiny dewdrop. You are the one gift Mother gave to me and I don’t know what I’d do if you slip from my fingers too soon. Let me love you as my baby sister and let Time pass by the way it always does. Alright?”

A sheen then covers your sister’s eyes as she stares at you in pure, adulterated emotions that a four-year-old like her can muster.

“I love you so much, Tiny—always remember that, okay?”

She meekly nods, your words flustering her cheeks in a faint surge of heat. “I love you, too, Onee-chan.”

It’s you two against the entire world. Despite how the circumstances bring you your sister, you will never love her any less. You may have familial burdens to carry on your poised shoulders, they don’t include the most precious treasure to you at the moment. 

The moment is shattered when the flowers slightly express their disappointment before you can sense the pattern of footsteps behind you.

“Ojou-sama, Lord Yoshiki is summoning you to his office,” Aida, a maid that you have grown quite fond of through the years, tells you, her head low like the head maid has taught her during her initiation—always show reverence to the members of the main family; they are your benefactor, your salvation, your puppeteers.

“Did he say why, Aida-san?” You pry from her, your arms still around the girl nestling on your lap.

The woman shakes her head. “No, Ojou-sama. But if it helps ease your mind, he is not in a troubled mood.” A knowing glint sparks her eyes as she trails them on the swaying vermillion blades dancing by her feet. 

“Very well,” is all you offer to her as a response. You turn to your baby sister, who is already pouting at the thought of spending the rest of her afternoon in solitude. “Tiny, I’ll see you at dinner, okay?” She is looking at you like she’s begging for you not to leave her alone and that alone nearly shatters your resolve. As the only child aware of the workings of the clan, you must attend to Father’s summons. Your sister will have this role in the future but for now, even with no shed of the Joushou’s cursed technique in your veins, you should do your duty. So, you carefully lift her from your lap before settling her feet on the grass. “I promise we’ll eat your favourites later.”

“And watch Sanrio?”

The smile on your face grows. Ah, your obsession with that cartoon and its characters; it’s purely the reason why your sister adores the white long-eared puppy as well. You, yourself have developed a liking toward the hooded bunny and the golden retriever characters. “And watch Sanrio,” you echo after her. 

“Yay!” She cheers, her hands high in the air and her smile bright enough to illuminate an abyss.

You let go of her small hands before turning around to face the maid sent to escort you to where Father is. “Take me to him, Aida.”

“As you wish, Ojou-sama.”

The walk is silent—you can even hear the grating of the wood against a sudden gust of wind, bringing the scent of cherry blossoms in the air.

Ah, it's spring without your mother again. 

You remember watching her work wonders in the gardens during this lucky season of the year. The pinks the entire world is waiting to sprout are sitting on top of Mother’s palms, the small spark of her cursed technique speaking with the roots and the trunks until all you can see are raining petals of cherry and plum blossoms. You never once looked forward to spring again after her passing. But there is an undeniable clench in your chest when you think about your baby sister never sharing the same enthusiasm about that season; she doesn’t get to press her face on the glass windows at her age every time spring knocks on your household’s door.

The scent of the flowers die down when the shoji doors to Father’s office slide open.

“You called for me, Father?”

The image of your father has long since dwindled. He was never the same again since the death of Mother. The elders have always expressed their bafflement at him refusing another proposal to be remarried. The clan needs male heirs, they say, one that can withstand even the next strongest sorcerer to be born. His previous impeccable appearance is replaced by a rugged man with the constant presence of stubbles and hastily tied hair. There are no elaborate kimonos; instead, he is often dressed in rather simple hakamas, but that doesn’t betray his station. He is still the head of the Joushou clan, the only clan to have ever survived the Domain Expansion of the recorded strongest sorcerer across centuries. 

Father doesn’t look up from his paperwork. “You are dismissed,” he directs the words to the maid who escorted you.

You flash Aida an imperceptible smile right after she bows her head as lowly as she can without toppling over. Her footsteps are silent and she leaves behind you and the man who will decide your fate.

“Who is it this time?” You still fix your eyes on the hardwood panels of the floor. 

The sigh that comes out of Father amounts to the weight he carries after reading the papers on his hand. He doesn’t answer your question. Instead, he fishes out an unsealed piece of paper from a nearby stack and throws it on the table.

You walk to the edge of his desk to catch a glimpse of the sender. Something pulses inside you at the implications the letter’s seal brings. You know it’s inevitable to be tied to this family and you have long accepted it but that doesn’t prevent the trepidation clogging your throat. “The Zen’in?”

After you make it real by uttering the syllables of their name, Father pinches the bridge of his nose, his eyebrows scrunched in an uneasy exhibition of pain. “I’m sure you remember that Zen’in Ougi’s wife died a few months before.” Your silence is an enough answer for Father to continue. The memory of attending the funeral is still fresh in your mind and there’s no mistaking the reeking disappointment coming from the clan elders of the Zen’in. Another wife gone; another chance for a holder of the Ten Shadows lost. “They want you as his second wife.” His fists clench on top of the papers.

You’re quiet for a moment. “Can I read it, Father?”

Father waves his hand.

The sound of crinkling paper fills the room. You flip the folded flaps of the letter. The tidy calligraphy starts by addressing your father. Your eyes skim over saccharine words crafted to impress him.

The letter opens with the head of the Zen’in clan iterating that this is the perfect opportunity for the Joushou clan to enter the inner circles of the jujutsu society.

It goes on by saying that if the Gojos never had that pesky godling born in the same year as your little sister, your clan would have made it within the triad of jujutsu families, even rivalling the authority established by the Kamos. Pity that the Gojo clan beat your family by a hairbreadth and pity that the inheritor of the Purification Technique is of the lowly sex. You take a glance at Father, knowing that this section of the letter is the reason behind the tick in his jaw. You continue on reading how the children from this union would be the leaders of the next generation of jujutsu. With the Glorified Womb and a carrier of the Ten Shadows Technique, it is bound to be fruitful—the most awaited heir of the Zen’in clan won’t just be a figment of someone’s imagination.

We hope this is met with utmost consideration. After all, this is the pinnacle we are both waiting for. Wed your bloomed flower to my youngest son and all will be well—you will be compensated handsomely. Everything you could think of, we will provide as long as they belong to our capabilities. Do not make the wrong decision, Joushou. The fate of your clan rests on your word. 

“This is not in my position to ask but,” you start, lifting your head from trailing your eyes over every well-crafted, harsh word the Zen’in sent, “Father, tell me you’re not going to consider this?” He doesn’t offer a response. He simply stares at a spot on his desk, his hands woven over his mouth. You hear your heartbeat in your ears as you place the letter on the furniture separating you from him. “Father.” The man goes on to blankly stare at you. At the silence, your voice gains volume. “He’s the same age as Uncle Hatsugu!” He stands up from his seat, lifting his chin in the air while you feel tears peeking through your bottom eyelids. At the stony facade he dons, you slowly shake your head. “Father, no. No, no, no!”

Father merely blinks. The previous tension weighing on his shoulders vanishes and in front you is the man who thought it was best to force your mother to bear the son he wanted. “[Name].”

“Please tell me you haven’t—”

“It’s the Zen’in.”

“But that doesn’t mean—!”

“You will have four years.”

Standing in this room with him becomes suffocating with each passing second. Marrying young has always been the culture in your hidden world. Women are a commodity. You hope that because Father was kind enough to tell you of each suitor sending their letters, he will also be kind enough to reject them until you have fully lived your life. “Please,” one word is all you can say. And if that isn’t enough for Father, you try to convince him with your eyes. Yet the more you look at him, all ready to kneel and plead to give back your girlhood, you gradually understand that you have no choice. Father looks like he’s seen a ghost within you. The shock morphs into rage, then, later calms into a quiet nothing that rings so loud your tears cascade on your cheeks. “I-I don’t want this, Father. The Zen’ins—”

“Are a respectful family that is worth leagues more than ours,” he finishes. “They stand as what orthodox should be in our world. This,” he taps his forefinger on the letter, “is just the beginning, [Name]. We are nearing the pinnacle of jujutsu in this generation and it starts with your marriage to this man.” You open your mouth to retaliate. He cuts you off from speaking with a hand. “You are someone born in my family. Do your duty just like any other woman before you.”

“Just listen to me—”

“Am I clear, [Name]?” Father fixes a wide-eyed glare at you. “You didn’t inherit your mother’s viability for heirmaking for nothing. This is your purpose. Whatever fantasies you have running in that head of yours, cease it. Do you understand?” 

You don’t answer him.

“[Name].”

Flinching at the way he says your name, you look down at your feet.

“Do not make me angry; we both know that it won’t end in your favour.”

You swallow a lump in your throat. “I understand, Father.”

“Good.” Then, he waves you away. “Go. I have a letter to reply to.”

You don’t know where your feet take you. After the shoji doors slide shut behind you, you are floating. You see and hear nothing. When you lift your head from mindlessly tracing the ground you walk on, you are outside in the gardens, the little girl you left behind earlier still in the same place. She turns around at the sound of your footsteps but you don’t give her a chance to call you because you pull her into your arms. You can feel her pressing her cheeks against yours and it hurts. You bury your face in her hair, your embrace fully encompassing her from the world. The air smells of hellebore and amidst the lake of white and purple, a clump of begonia stands as a beacon.

Toji spits out blood on the blades of grass surrounding the Zen’in estate. Imposing eyes follow him from the visible hallways of the traditional Japanese household. He can already assume what they are whispering about— the black sheep of the family is at it again, disappearing in random hours of the day and coming back all bloody like he wants to taint our sacred home . Toji clicks his tongue at the thought and by doing so, irritating his split gums, which irritates him even more. He couldn’t care less. Let them talk, let them paint him into their version of a devil, let them say that he’s the curse of the family; to Hell with all of them.

He keeps on walking until he reaches the nearest entrance to his father’s wing, where his side of the family resides. The maids scurry away from his path and the only sound accompanying him to his destination is the jingle of charms dangling from his wallet. It’s jarring, how stark the various shades of pink and blue are against his dark garb. If he is one of the nosier women in the estate, he would have questioned it as well. The carved flowers make a nice melody with each step and they all sing something that’s purely her . Because that’s the reason why the hanging charms are in his pocket—they’re all for her , the precious doll of the Joushou clan and the belle of everyone’s ball, including his. Even as he let himself loose by facing a dozen curses in an abandoned hospital, he still managed to think of something so soft, a feat in itself that he never thought possible for someone like him.

It’s a miracle that nothing intercepted him. Usually, during his excursions, Jinichi would make himself known and throw remarks that would have the two of them grappling for the first punch. This time around, none of the notable people in his family lurks around the corner, waiting for their moment to strike. It’s peaceful for once and Toji doesn’t know how it makes him feel.

“You.”

A maid squeaks when Toji’s gaze falls on her.

“Where are the others?”

Her chest rises and falls rapidly. She can’t fully look him in the eye.

“I’m fucking talking to you,” comes from Toji’s mouth.

With a hitched breath, the maid answers, “They’re all gathering in the Master's office.”

“The old man is dying; what are they gathering there for?”

The maid grips the edges of her cheap uniform, creating creases that would surely earn her some nagging from the matron of housekeeping. Locking eyes with him is a mistake because she starts sweating even though this part of the estate hasn’t met any heaters in the last few months. Perks of being the most favourite disappointments. Toji carefully wraps his hand around the kanzashi nestled inside his pocket, the ornaments it carries caressing his skin. This is taking too long. Then, the maid stutters, “I-I heard they received a message regarding a marriage proposal.”

“Who?”

“I-I don’t know, Sir.”

Toji lets out a mirthless laugh. “It’s bitchy Ogi, isn’t it? Should’ve known.”

The maid keeps quiet with her head down. Without addressing her any further, Toji walks past her and makes his way to the main wing of the estate. 

Despite saying that he doesn’t care for the inner workings of their clan, he can’t help but feel amusement for another failed marriage to surface. After his newest aunt’s funeral, all anticipation and hope for the clan’s future has been sucked dry. Pity that these women are sent to this wretched family, hoping to at least be treated as royalty. All they got is the constant spiel that they are far beneath their husbands even though they share a last name through marriage. Toji’s mother was one of those women. And Heaven forbid, another tombstone will be added to the clan’s guarded cemetery with this letter.

With silent footsteps, Toji leaned on the wall next to the sliding doors of his grandfather’s office with his arms crossed on his chest.

“—Can’t tell me this is fucking fair!”

His father.

“You have not proven yourself worthy for this, Ichiro.”

The wheezing gives it away.

Booming laughter erupts from behind the closed doors, followed by a guzzling of a drink. “If only your wife died before giving birth to two failures, one of which is standing with us in this room also vying for this girl’s hand in marriage. Would you look at that, you two are almost twins sneering at me like that!” Another round of cackles from his alcoholic uncle. “You would have a chance with this girl who’s even younger than your sons! Ha! Just saying that makes me want to puke—”

“Not in here, Naobito,” a warning from Grandfather.

“—the contents of my stomach.

“Like Ogi is any better.”

“Do not bring me in your squabble,” says a calm, grating voice.

“I still believe this is something you have planned to dethrone me from my chance of being the heir. Are you that threatened by my son’s manifestation of cursed energy?”

Ogi scoffs. Toji imagines him lifting his chin in the air—the arrogant bastard. “It’s not my fault you are hindered by the existence of your precious child. Or do you regret ever siring him for a chance at a young girl? I’d say you are a hypocrite, brother.”

“Say that to my face, you little piece of shit!”

“Father, why not Jinichi?” Toji’s father tries pulling the tides in their favour. “They are close in age. My son developed a technique uniquely his, a promising one that would shake the other clans if he would inherit the position of heir. Why not give him this girl as a chance to redeem our bloodline? The future user of the Ten Shadows Technique will surely emerge from their coupling.”

“It is true that our family has established a hierarchy unlike the others,” the senile man coughs out, “but I would never waste something worth more than diamonds on your dying bloodline.” Toji can hear his father raising his voice while his older uncle cackles in glee. If only he’s not carrying treasure in the depths of his pockets, he would have bled through his pants with how tight he’d be clenching his hands. “Compared to Ogi, your son’s technique is nothing. My son has gained a reputation from the higher-ups of our world, a feat your son could only dream of. What Ogi can do will only be the catalyst in a fruitful union.” There is a pause. “And there is the case of your other child. What’s to say Jinichi is tainted by his younger brother? Don’t even make me begin on how that abomination always succeeds in being the family’s blunder. I have presented the letter for her hand in marriage with Ogi in mind and no one else. Do not make me exert my power over you, Ichiro, because you are nothing but a failure to me.”

“Father, you surely know how to knock down someone,” Naobito says in mirth.

Toji is still against the wall of the old man’s office. His hands are itching on pummeling something to the ground. Fucking elders and their ridiculous degrading words—they make him want to wring their necks and feed them to the curses they keep in the basement. Toji wants nothing more than to witness the light dim and eventually flicker out from this senile man’s eyes. Heat starts travelling all the way to the tips of his ears. Hearing everything urges his body to retreat in his room and wallow in self-pity. But anger gets the best of him, always. This fucking family and their superiority will be the death of them; he is already cursing them. They would ask for Heaven for what he is doing to them in his head. Then again, Hell would probably be Heaven for them for all the grotesque things they do behind closed doors. 

“Then, it’s final. Ogi will wed Joushou [Name] the moment she turns eighteen. This is the pinnacle of jujutsu and I expect nothing but congratulations from you pitiful fools.”

That is the moment Toji realised, he would take down the pinnacle of the jujutsu world.

Notes:

in the victorian language of flowers, hellebore can mean 'we can overcome scandal and slander'. when paired with begonias in a bouquet, it brings a reminder that future challenges will arise.

taglist (send an ask or a reply if you want to be added !! )

@booblikerlhc @sugutoad @sakuralikestars @fandomfloozy @the2ndl @silent-sondering @idktbhloley @ruixrei @m0nsterzl0ve @mooniro @kenstarsworld @bealiz13 @viclentdeliqhts @elisaa-shelby @oh1boy @wonderland173

[desultory-novice]

White-Haired Noir (Older)

I wasn't kidding when I said Noir has become more of "my OC" than before. Anyway, they tell me cringe is dead, so let's get on with it!

BE HAPPY TEENAGE BOY ...Uh... ADULT MALE??!

(Pictured: Would you believe this guy was once my Dark Matter Swordsman???)

No longer a teary-eyed apprentice, White-Haired Noir in ~the future~ (circa Star Allies??) has become a knight in his own right, swearing his service to Dedede as thanks for helping house the bruised, battered, emotionally unstable teen boy so many years ago.

Dedede Stop Adopting People Challenge (impossible)

Over the years (and with plenty of hard hitting, gloves-off training from Meta Knight) Noir has both grown up and grown accustomed to life on Popstar. He's regained some semblance of a life (gasp!) and inner peace. (...When Popstar's not being invaded, that is.)

He has friends (and rivals), is able to stomach food and drink a bit better, and has accepted Gooey, finally. He can even speak positively of his lost childhood with his little sister, on occasion.

Despite Popstar's generally warm weather, the Shiver Star native continues to dress in highly concealing fashion, as his upper body still bears the scars of his interrupted Dark Matter transformation; one reason he grew his hair out long was to help conceal the ones on his neck better, so as not to frighten the younger Waddle Dees.

[Assorted Text Wall Below]

-

Age Range: Mid 20s and up (Tbh, his specific age'll probably fluctuate depending upon the kind of story I want to tell. This is, quite simply, an adult Noir who's got his life more together.)

Abilities: Mild regenerative abilities, magic reflection, healing/purification, light projection [Rainbow Sword] 

Protective magic and various physical ability-boosting magic [These come courtesy of the crystals adorning his jacket, a gift from the Queen of the Fairies. Noir is still a squishy human, after all. His fine swordplay aside, he needs magical enhancements to not get accidentally steamrolled by Kirby's other friends.]

Hobbies: swordplay, stargazing, crochet (Taranza taught him the last one, both as a mental grounding exercise and to help rehabilitate Noir's Dark Matter corrupted hands for performing delicate tasks. Half of Dream Land has one of Noir's early crochet octopi sitting in their storage. Nowadays, he makes toys for the younger Dees.)

Etc: Because of his closeness with King Dedede (and in large part due to their matching scarves/sashes), his general protectiveness of the Waddle Dees, as well as his fairy-tale outfit (which Ribbon helped with) Noir has picked up nickname of the "Prince of Dream Land"

A highly unfitting one, Noir has been heard to privately complain. In what world could an unwashed, damaged, sharp-tongued orphan with hands near-literally dyed in blood become a prince...?

Height-wise, if we consider King Dedede to be one of a breed of extinct "mega penguins" then Noir, fully grown, is of comparable height. (Dedede insists he's taller because of this crown puff. Huzzah! His title as king is safe!) In human terms, this does make Noir a short king :cough: prince, which in his case is due to malnourishment, physical abuse during puberty, and just plain genetics. ^^;

Anyway, despite how shockingly decent he looks cleaned up, Noir is still a feral cat at heart, and he hasn't lost his sass either, even if the edges have been somewhat filed off with time.

(Even the most angsty and tragic of emo boys can only go so many years with sparkly, shimmering, pastel rainbow hair (1) before they give up the act and start smiling ju~st a little more! ^_-)

-

(1) It is completely impossible for Noir to return his hair to its original dark maroon/black, btw. Even the strongest dye refuses to stick.

...And yes, he has attempted.

--

(Q: When is this...? Cause he still looked 16 in that FL comic you did.) (A: That's because I hadn't thought ahead when I wrote it! This form is basically meant as something to pull out for the later games with some extra padding for any future games/events. >w< )

(Q: So... is that FL comic still Apologies canon?) (A: ~ish! He would definitely be his older self now. That said, this Noir did still encounter Elfilin by chance, immediately recognized him as ID-F86, and had a PTSD episode over it, dredging up old memories he'd believed he had come to peace with. It was the closest the Dark Matter in Noir had come to re-awakening in years. Elfilin's sincere apology to the innocent victims of Forgo's rage helped Noir keep from losing himself completely and he was able to recover.

Also, following Crystal Shards, Noir DID resume having daily nightmares about Adeleine and her fate. That was why MK encouraged him to stay with the fairies of Ripple Star for a time and recuperate; that Noir could resume his training with Meta Knight later on. The grateful fairies all turned out to completely ADORE him - particularly, his shining rainbow hair. This period away from Popstar meant that he totally missed out on Amazing Mirror though.)

(Q: If he missed Amazing Mirror, what games DIDN'T he miss?) (A: He was actually there for a somewhat altered version of Meta Knightmare Ultra in Planet Robobot! It was his first "mission" with his teacher. (And I have a fanfic brewing about that, thanks to the anon who asked what if Noir got within wishing distance of Star Dream...)

Unlike Meta's relationship with Kirby, where Meta trusts Kirby to bounce back from everything and is excited :wipes drool off face: to see how much Kirby will grow, Meta Knight tries (somewhat) to keep his very human disciple out of danger, if he can. He's not soft on him by any means, with hard blows and even harder life lessons, but he knows that Noir came to them hanging onto life by a very frayed thread and he only pushes as far as he believes Noir can take.

Nowadays, he's much more trusting of him to handle himself.

(Q: Assuming he was in SA, where was he during TDX, RtDL, and FL? (A: In both Triple Deluxe and Forgotten Land, he was away from Popstar. Record of Stopping Dedede Abductions: 0/2. He rolled his eyes at a giant beanstalk erupting from Dream Land leading to a kingdom in the clouds "...You're kidding?" and Dedede was stomping mad when Noir laughed outloud about the story of the abduction - which concealed the fact that Meta Knight WAS LAUGHING TOO.

In Return to Dream Land, Noir was still on Popstar but didn't participate in the adventure in any capacity. When everyone returned and told the tale of Magolor's betrayal, his response was a deadpan, "Okay but you all saw that coming a mile away though, right? .........Tell me you saw that coming." He was a little less sassy when he heard Magolor's downfall came at the hands of a corrupting artifact.)

(Q: Wasn't Noir taller than Dedede in that one random sketch?) (A: As an Earth human. Noir eventually became Popstarian size.)

(Q: It's nice that he's okay but... but Adeleine... ; _ ; ) (A: Yeah... However, similar to Blade and Gooey in the main verse, in the AU AU, it was Painter who took care of and sheltered the Dark Matter outcast. Noir initially hated Gooey, because he despised Dark Matter for destroying his family and he hated it every time Gooey tried to approach him - like a sign that he would never escape his mistakes. Only later was he forced to confront Gooey and realize that Gooey was always seeking Noir out because of Adeleine's memories Gooey had taken in. They eventually had a painful heart to heart, where Noir was able to experience his sister's last memories through Gooey. Noir now lets him wear Painter's beret in memory of her.)

--

Anyway, that's now two (and a half (?) if you count "Snowflakes") Noirs who have escaped the cycle of misery! Hooray!

Don't worry, Main Timeline Noir, your salvation comes next............Probably???? >w<

[emanation-aura]

So we've got Meetings in the Outrealm: Series V (for those of you who've forgotten, it's the "beat a boss in co-op" set of the achievements) now, and I think it's a good time to look back on the five Outrealm achievement namecards we've got and their connections to lore.

(Long post warning. Go grab a snack and some water, like I forgot to do when writing this post)

Achievement: Reunion - We shall meet again someday.

Released in Version 1.0. Pointedly, predates Chapter I Act IV: We Will Be Reunited (Version 1.4), but carries the exact same theming— the Traveler twins will meet again.

So we'll meet again. Though we need not rush, (brother/sister). I have more than enough time to wait for you.

It's my belief that, from this point forward, all the "Meetings of the Outrealm" achievements foreshadow, or at least echo, the themes of the Traveler Archon Quests, as well as other relevant Traveler lore we learn.

2. Achievement: Gate - What encounters lie on the other side of this door?

Admittedly, this one immediately breaks my presumption because it bears very little resemblance to anything I can remember of Chapter II Act IV: Requiem of Echoing Depths. The door depicted in the namecard (released Version 2.0) is obviously the loading screen door, which is located in the same sky-heaven area (suspected to be Celestia but we're not sure) in which the twins encountered the Sustainer of Heavenly Principles by trying to leave Teyvat.

There is one crucial difference between the two depictions, which is the four-pointed star/primogem present on top of the door in the namecard. It's not present on the loading screen (I know the screenshot above is night-time which makes it hard to see, but I'm pretty sure the symbol is different). The symbol is obviously so well-known and thematic everywhere in Genshin that I'm not surprised it's here; notably instances of its use, apart from in primogems and Khaenri'ahn eyes/neck, includes: the "eye" in the Traveler's original wings, the logo of WWBR (representing each twin) and on the front of Lumine's dress/back of Aether's cape.

The fact that the same symbol now hangs over the door that brings us into the world of Teyvat raises several questions and possible ideas that aren't within the scope of what I want to say. In this context where the Outrealm achievements are very clearly Traveler lore-themed, I'll just suggest that the door to Teyvat with the four-pointed star represents that the purpose of our journey, at least in Teyvat initially, is to search for our sibling (this becomes less relevant later on, but is still generally true).

Also, Rudolf Koch's Book of Signs suggests that the four-pointed star "is a phenomenon carrying a grave and solemn warning", so there's also a more sinister outlook to the door in the namecard.

I think the link with Requiem of Echoing Depths might be loosely based on "encounters on the other side of the door" theme. Dainsleif emerges from a portal (a more metaphysical 'door') at the beginning of the quest, just as our twin disappeared into one at the end of WWBR. The door is a symbol and gateway of both the unattainability of our twin, and the regular encounters we have on our journey in Teyvat.

And, if you want to stretch it a bit further into the future, the door to Khaenri'ah in Hangeh Afrasiyab, released in Version 3.6, carries on this theme of doorways and encounters— you cannot enter it at the moment of writing, but the existence of such a door is a reminder of Khaenri'ah. What sort of encounters did your sibling have behind this door, in the kingdom underneath the ground? You don't know, and that's part of the mystery that separates the two of you, and why in Requiem, you two share such differing beliefs on why or why not the purification device should be activated.

---

3. Achievement: Fated Encounter - One day, our encounter at this moment shall shine like a star of reminiscence in our hearts.

4. Achievement: Orbits - "O Almighty Sovereign, the Universitas Magistrorum has provided the predictions you requested: The two stars have been captured by the world's gravity… After a lengthy orbital period, today their paths shall intertwine once more."

I'm putting these two together (released in Version 3.0 and 4.0 respectively) because I think the corresponding Traveler acts, Caribert (Version 3.5) and Bedtime Story (Version 4.7), correlate inversely with the release dates of these namecards.

For example, Orbits and 3.X lore:

In Version 3.3's Archon Quest Interlude Inversion of Genesis, we indirectly hear the words of Pierro (a Khaenri'ahn) on the topic of our sibling, retold to us through Scaramouche.

The reason why there are records about your (‍sister/brother‍) in Irminsul… It might have something to do with Khaenri'ah. Apparently, Khaenri'ah was (‍her/his‍) first destination when (‍she/he‍) arrived in this world. Plus, (‍she/he‍) only came to this world because the heavens responded to the summoning.

Later on in Caribert, Chlothar Alberich, Khaenri'ahn and founder of the Abyss Order, tells us:

We once believed that you [the Traveler's sibling] would bring new strength and hope to Khaenri'ah. To us, you were the Abyss... A wondrous mystery far beyond our imagination and comprehension...

Setting aside debates on what the Abyss actually is, all of the above dovetails with Achievement: Orbits, which clearly depicts two primo-stars representing the twins in 'orbit', and the Khaenri'ahn organisation Universitas Magistrorum talking about them, suggesting they are somehow scrying the fates of the two who have been 'captured by the world's gravity'. Given that it is all but directly stated that Khaenri'ah summoned the twins (or, perhaps, just the sibling depending on how you look at it), the namecard is basically the Khaenri'ahn perspective of everything we learn in Version 3.X.

Perinheri (a book released in 4.5) also tells us that Khaenri'ah awaited the arrival of beings who could transcend the gods, and this dovetails nicely with Orbits and Chlothar's statement to support the hypothesis that the twins were summoned, or at least, scried on and waited for. The implication that the 'Almighty Sovereign' (explicitly, a royal, likely the king, in CN) requested this scrying almost confirms it.

While the text obviously means that this hypothetical comment must have been made when Khaenri'ah still, well, existed, it also thematically resonates with all quests where the Traveler does reunite with their sibling in some form, most prominently in WWBR, but also Requiem of Echoing Depths (via mirage), Caribert (via memory and shattered mirror), and Bedtime Story (via Caribert's realm, and subsequently forgotten).

---

Meanwhile, Achievement: Fated Encounter ironically suits the themes of Version 4.X Traveler lore better.

Let's get the big one out of the way first. Chapter IV Act VI: Bedtime Story is a cruel, cruel subversion of the namecard's theme— because no. Your reunion will not shine like a star of reminiscence in your heart. You will not remember it at all. Narratively, I find it neat that 13 versions after Rukkhadevata's wiping from Irminsul, the audience is now thrust into the same position as the Traveler: as the only one who 'remembers'. As the witness to something wiped from history. (Can you tell this makes me emotional?) As an audience member, this moment is for you, you will remember it, and nobody else. Even the phrasing of "one day..." suggests that only at some nebulous point in the future will this reunion become remembered.

Hell, the namecard is two hands hovering over a four-pointed star. Given the symbolism of the primo-star as representative of both "your twin" and "warnings of an encounter" (roughly), it is basically a perfect set-up for Bedtime Story; not withstanding that the symbolism also suits the events of Caribert, where we're jumpscared with our twin in a shattered mirror, suiting the portend of an omen (the first and last quests in Caribert are named Destined Encounter and Portended Fate, neatly tying this together as well).

Of course, Fated Encounter's text harkens back to WWBR itself, as both the 'fated encounter' and becoming the moment upon which we reminisce.

The reason I think it fits better with 4.X Traveler content is because of where else we get moments of reminiscence of the Traveler and their twin: notably, in Wriothesley's SQ, Reborn in the Land of Grievances, and Xianyun's SQ, A Thousand Moonlit Miles.

For context, recall that Wriothesley's SQ is about a 'fear gem', which the villain is using to control a society of people to do his bidding by injecting them with liquid fear. Traveler and Wriothesley pick up the gem containing this liquid at the beginning of this quest, and touching it causes unpleasant flashbacks of, essentially, moments that create fear. For the Traveler, these four images are shown when they touch the gem:

Top left is vs Sustainer from the opening of the game when their twin is taken away. Top right is from Caribert, where Traveler realises they have been experiencing a memory from the perspective of their twin. Bottom two are images from the Defiled Statue room in WWBR, including the dead Grand Thief.

It is almost self-explanatory why these are a record of moments when Traveler felt 'fear'. I think this works particularly well as a thematic reflection of Achievement: Fated Encounter because this is a negative-context reminiscence of said 'fated encounters'. Here, Traveler is recalling these moments with a very strong negative association due to fear.

Compare and contrast with Grus Serena Act I's ending cutscene, where due to Xianyun's 'positive dream' Suspensus Somnium Mechanism, we get this lovely scene with the Traveler dreaming of reuniting with their twin:

Now, this is explicitly a dream, which isn't real and hasn't happened. I would argue, however, that regardless of whether this is real, this is the second important Traveler scene in Version 4.X before the release of Bedtime Story, serving to both set the emotional stakes, and as the positive counterpoint to the theme of reminiscence touched on in Wriothesley's Story Quest.

Thematically, this is the other side of the 'star of reminiscence' in Achievement: Fated Encounters. While the scene in Xianyun's SQ is a bittersweet dream, ending up with the Traveler waking up in tears and thus is not a straightforward positive happiness, this melancholic nostalgia for a more innocent existence in Grus Serena Act I still contrasts with the sharp burst of fear we're served with the images of our past experiences Cerberus Act I. They are two sides of the same coin and a reflection of the conflicting myriad of feelings the Traveler has about their twin— longing, heartbreak, fear, confusion— exploring what the memory of their twin means to them. Shine like a star of reminiscence in our hearts much?

Also, you encounter the gem of negative reminiscence at the beginning of Wriothesley's SQ, and the dream of positive reminiscence at the end of Xianyun's SQ. You could possibly stretch this to reflect the journey as a whole— which begins with fear, loss, and confusion, and ends with bittersweet happiness. Wait, shit, does that mean one of the twins is going to die—

Essentially, it's all about memory. Which also echoes Bedtime Story and how Caribert attempts to connect with others, however briefly, through his incomplete Loom of Fate, trying to 'live' like a real person even though he cannot exist as anything but a memory in people's minds— I would make a slight tie with Nara Varuna (the twin, as referred to by the Aranara), but I'm running out of short-term memory storage to load Aranyaka lore, so I'll try again later.

(Cheekily, the four-pointed star in Achievement: Fated Encounter is actually part of the co-op mode symbol, which is the star plus radiating waves resembling a WiFi symbol. You could point to this just being an acknowledgement of the fact this namecard is obtained from playing in co-op mode, but apart from what I've discussed, I can add a suitably unhinged suggestion that the co-op mode icon contains lore. It's a modification of a WiFi icon, which popularly depicts a dot as a broadcast origin, and concentric waves surrounding it as the signal broadcasting from it. Simple, but Genshin replaces the dot of broadcast origin with a four-pointed star, ostensibly just representing the game's version of connectivity. And yet, the four-pointed star broadcasting a signal outwards can also use the symbolism of the Traveler/the Twin as the point of origin as a reach for 'connection', both reaching for their sibling, and as a general harkening back to the theme of the Traveler being a 'connector' of people's wills, a la Liyue finale, Inazuma finale, Sumeru finale— wait, I'm sensing a pattern here...)

Of course, let me not forget to mention that Achievement: Orbits is also relevant to Bedtime Story and some of 4.X. That quest is where Dainsleif casually drops the Five Sinners of Khaenri'ah on us, so it ties in with the disembodied quote we get about Khaenri'ah addressing the twins. We also learn about the Universitas Magistrorum from the Narzissenkreuz WQ series beginning from 4.0, where it is stated that they 'inverted the alchemical stages' (likely referring to how, in real life, the alchemical stages of Magnum Opus, the process of creating the philosopher's stone, were Nigredo -> Albedo -> Citrinitas -> Rubedo, whereas from Albedo's ascension voicelines, we know his Art of Khemia, originating from Khaenri'ah, inverts Citrinitas and Rubedo, suggesting that the irl Magnum Opus is actually the lore-accurate method as opposed to what the Art of Khemia says about Rubedo -> Citrinitas. But that's a story for another time). While unrelated to twins lore specifically, the gradual addition of Universitas Magistrorum lore might serve a purpose like the continual drip-feeding of Qiaoying Village pre-4.4, as well as Dornman Port and Blackcliff Forge now, building up to eventual relevancy. For now, there's no way of knowing.

---

...wait, why did I make this post again?

(nervously checks notes) ah right, to dissect the Outrealm achievement series. So, let's look at what we have for 5.0.

While I won't suggest we can predict the plot of the next Traveler Chapter through this namecard alone, we can go through the themes and plot points brought up by this namecard, and see where it gets us.

Obviously we are tying back with Bedtime Story here. That is where we first learn that the "Sea of Flowers at the End" is a real place (and not just Travail's artistic concoction of the finale of the game)— both the title of Achievement: Endpoint and the depiction of Inteyvats reinforces that this is where our journey will end.

You: Why... Why can't we continue our journey together? Sibling: At the end of my journey, I arrived at a place known as "The Sea of Flowers at the End." Do you remember? A long time ago, when we traveled between worlds together... You told me… You wanted to find a place in the universe where that one flower was in full bloom. To have a place like that suddenly appear before me…  Well, would you think of that as a coincidence?

It is all but outright stated the reason our sibling cannot move on from Teyvat and travel with us is (aside from the war with the Heavenly Principles) because Teyvat contains the true endpoint of their journey, not just the journey through the land itself but their journey through the cosmos at large— the Sea of Flowers, which is the location we will reach at the end of the game.

The Sea of Flowers is a field of seemingly-endless Inteyvats and, contrary to my belief before 4.7, an actual physical (or at least metaphysical) location. Achievement: Endpoint says of this place "a sea of blossom awaits the return of a single flower, anticipating the day when both hearts and petals shall become soft and tender".

Breaking this down, we can identify that the return of a single flower should refer to Lumine, regardless of whether she is your Traveler or your twin, since she wears the Inteyvats in her hair. This creates two completely different narratives about the game depending on who you picked, which seems mostly antithetical to how Genshin has written the siblings thus far. (Well, she wears Inteyvats plural on her hair, so the single flower thing shouldn't apply.)

So let's skip that and contextualise the rest. If the Sea of Flowers is waiting for an Inteyvat to 'become soft and tender', then there is a condition we need to fulfill. Recall Dainsleif's words in Requiem of Echoing Depths about the Inteyvat:

But if you were to pluck one and take it out of Khaenri'ah, the petals would stop growing and turn hard. Only when it finally returned to its home soil would the petals grow soft once more, and finally turn to dust... So the Inteyvat is a symbol for a wanderer far from home, signifying the tenderness of the homeland.

The symbolism is incredibly blatant. The Sea of Flowers awaits the day when the return of a single Inteyvat, because only when the flower returns to its homeland will it grow soft.

Here's where we resolve the Lumine problem. The name of this flower is the Inteyvat. Prefix in-, which English borrows from Latinate words, where the prefix was used in a variety of ways but in our case, to mean "not-". Therefore Inteyvat, as in "not-Teyvat", or more fancifully, "not of Teyvatian origin".

If the returning flower is an Inteyvat, it is not actually about who carries the flower, but what the name of the flower represents: "not-Teyvat". Which means it should be your chosen Traveler, regardless of gender, because your twin has become "part of this world" for a reason unknown to us, and no longer counts as an external being, or Descender— we learn as such from Inversion of Genesis.

Nahida: Irminsul does not keep records on the Descenders. Anyone who comes from beyond this world is not counted as part of Teyvat. Scaramouche: The reason why there are records about your (‍sister/brother‍) in Irminsul… It might have something to do with Khaenri'ah. Apparently, Khaenri'ah was (‍her/his‍) first destination when (‍she/he‍) arrived in this world.

Essentially, this is a giant lore teaser for: you're going to the Sea of Flowers at the end, and everyone will be happy again...

Or, not?

Because Endpoint tells us that it awaits the day when both hearts and petals shall grow soft and tender. This is a yearning for the softness and happiness of reuniting without anything standing in the siblings' way, except... Dainsleif explicitly tells us that after the flower returns, it doesn't just go soft— it turns to dust.

This is why, earlier, I suggested that theory about the emotional overtones of our journey, as derived from Wriothesley and Xianyun's SQs. Without the supporting evidence of the Inteyvat's dissolution implied at the end, it's just crack; but now, I think it's going to compose the bittersweetness of the reunion or ending we're promised, like Xianyun's SQ depicts.

(I want to be clear that this isn't a prediction of Traveler or twin dying. While it certainly isn't outside the realm of possibility, I wouldn't lock in the Inteyvat dissolution symbolism into that event alone; it's also possible, for instance, that one or both of them lose their memories, etc, or they lose something else dear to them. We can't even be sure the story will end on such a note anyway, so this is purely extrapolation on extremely limited connections.)

As a mini-prediction: we could either get more Sea of Flowers lore in Natlan's Traveler Chapter (unlikely, doesn't seem Hoyo's style to follow-up so soon, we still don't understand the Defiled Statue etc.), or we could follow the emotional beats implied by the namecard description. Or, like Achievement: Gates and Requiem, it could have loose or no connections at all.

This post is mostly an excuse for me to talk about my favourite lore in the game. I'm going to bed

[yarrayora]

De-aged Touma. Let's get some vulnerability round here.

Or Mikuni - it's Misono's turn to be big bro

Touma Taishi wasn't 15 yet when he accidentally killed Tsurugi's father in self-defense. In the future he would claim that it was all premeditated and that he was a cold-blooded killer through and through. Right now, though, he was a scared teenager who made a phone call to ask his classmate's sister for help.

Touma Taishi was almost 15 when Shirota Akira helped him dispose of the body and drove him to a temple for purification in case of a lingering grudge. Almost 15 when he fell asleep thinking it would have been nice if Tsurugi was here too for the night ride. Almost 15 when he thought about how he could easily make that happen by tampering with his parents' weapons. Almost 15 when the midnight bell tolled and it wasn't January 9th anymore.

He woke up and he still wasn't 15.

---

"Tai-chan! Do you remember me? It's me! Tsurugi? Tsurugi!!!"

It was hard to believe the small, fragile thing Taishi picked up grew up to be someone so... tall and loud. It seemed he had been flung 20 years into the future or something.

"Oh, good! You're awake!" A man wearing an expensive looking suit walked in. His face was older now but Taishi would never not recognized a Tsukimitsu's unfortunate shady looking smile. "Do you remember who you are? Or what happened?"

"I know who I am," Taishi answered vaguely just in case it was a trap. "What do you think happened?"

Tsukimitsu cooed. "Awww, that's adorable! I forgot there was a time when you didn't know how subterfuge works!" He pointed his thumb at Tsurugi. "He already mentioned your name, you know. That means we already have your name and you are already doomed if we are actually supernatural creatures in disguise."

It was amazing how Tsukimitsu managed to sound like he was a predator without even trying.

"I'm guessing you don't have your memories as an adult, then?" Tsukimitsu needled. "Can you tell me what's the last thing you remembered?"

The image of Shirota's sister using an abandoned crematorium to burn Tsurugi's father came to mind. The flickering flame was reflected in her eyes before she looked away, feeling ill from the smell of flesh burning. "That's none of your business."

That was their little secret that he wouldn't share with anyone.

[goblingirlpicnic]

I think I’m gonna repaint this dude tonight, I might just turn him into sisters of purification. I think it would be fun to free hand the little logo.

[nephilimsss]

𝗶'𝘃𝗲 𝗯𝗲𝗲𝗻 𝘄𝗮𝘁𝗰𝗵𝗶𝗻𝗴 𝗵𝗶𝗺 𝗳𝗼𝗿 𝗺𝘆 𝗲𝗻𝘁𝗶𝗿𝗲 𝗹𝗶𝗳𝗲. coriolanus snow

PAIRING ➨ coriolanus snow x fem!oc (named brutus) GENRE ➨ fiction SUMMARY ➨ taken after the song brutus by the buttress, it essentially goes lyric by lyric, and the chapters will be based off the lyric i choose that day ! WARNINGS ➨ maybe some smut in later chapters, death, manipulation, the hunger games, friends to enemies, enemies to fake lovers, fake lovers to murderers. SELENE NOTE ➨ first installment ! MAIN MASTERLIST

coriolanus snow was a strange child, no matter what he said against it. he showed little to no emotion, and sometimes he had to look around him to figure out which emotion he had to put forth to make himself look normal. however, coriolanus believed brutus—a girl with a boy's name—to be strange, from the way she picked haphazardly at the frayed edges of her uniform, to how she picked apart her steak sandwich and ate it in three separate pieces. first the bread slices, then the meat that was once in the middle, though she would nibble slightly at it before placing it in her back, wrapped in an expensive silk handkerchief.

if corio did that, his grandma'am would surely be angry with him for dirtying up something that was more than likely older than his father. he did not want to associate with brutus, no ma'am or sir, he was perfectly fine with sitting away from her, halfway across the classroom. she didn't exactly look dirty or poor, since every time she frayed her skirts, they would be immediately repaired or replaced with ones made of a heavier, more expensive material, or how she once complained about how the water had tasted funny when it was coming out of the drinking fountains—which, to be honest, corio did agree with her ramblings—and the next day it was announced that brutus' father had paid for an entirely new purification and fountain system in the academy so his precious daughter didn't have to drink the disgusting water.

nonetheless, when the professor announced that they were to do a group project, coriolanus wanted to team up with one of his friends in the class, however, his wish was not answered when he heard he was paired up with brutus. he was hit with a gust of what he once knew to be the smell of champagne and strawberries.

"hello coriolanus," she stuck out her hand for a shake, the pleasantries that had been drilled into them before the war had not left the younger capitol citizens. the adults, however, were still haunted by the monstrosities they had committed during it, and sometimes struggled with keeping face.

"hello brutus," he grasped her hand in his, shaking it gently before letting it go and grabbing his pencil. something about her was fascinating yet slightly unnerving, whether it was the way her auburn curls fell softly about her shoulders or the fact that her left eye was a bright green while the right a muddy brown. the green seemed to see straight through him, see that he needed the others' emotions to influence him because he did not seem to feel anything other than possessiveness, anger, and a slight need for vengeance after the death of his parents. his father he barely knew, but his mother. . . he was angry at the world for the way it took her from him. . . both her and the unborn sister he was going to have. if it weren't for the districts, he wouldn't be an orphan.

it had taken a while, a few months, to be a little more exact, for coriolanus to think of brutus as a friend. he found out why her name was brutus—her mother had wanted a boy, and was angry to find out that the child she bore was a girl—and why she stored the meat from the steak sandwiches they got at lunch—she wasn't the biggest fan of meat, and she had a pet dog at home that would be happy to eat it.

sometimes brutus was a little strange, but corio did not care for that as long as it did not affect his own image. sometimes she would invite him to her home—much larger than the apartment he shared with the grandma'am and tigris—to play with her dog, which was much larger than what he had imagined (he thought she had gotten a lap dog, which was very much not the case), and would sometimes even spend the night after he called the grandma'am back home to tell her where he was. after he had fallen asleep there a few times, on the ninth sleepover he had, he found out that brutus' mother had begun getting him his own clothing and even an armoire for the things she had bought. brutus's mother would even send him to school with a full belly of eggs, bacon, and a nice toast with some goat's cheese, and he was ever more thankful for her presence in his life.

brutus had broken off their friendship.

years of it in the making and she had broken it off.

corio thought he wasn't a bad friend. in fact, he was the best person that anyone could have in their lives. sure, he used them for his own personal good, but they received some of it back. when he felt like being nice. however, when brutus came to him to break off the friendship, she had been crying for who knows how long before she approached him. the puffiness of her eyes and the ring of red that marred the once-white sclera told him so. "what is it, brutus?" he snapped. "your mother wants me to come over tonight," he tapped his foot impatiently on the ground.

"you're no longer invited," she replied, quiet sobs marring her speech.

"did your mother say so?"

"no," she shakes her head. the curls, once at her shoulders, now hung by her waist, and they flew softly around her. "i say so. you have gotten closer with my mother, and i see that you are now only using me to get closer to her. she has always wanted a son, and now that she has you, she has cast me aside. never come by again." she breathed in, but it was broken by a few unshed tears. "i'll leave your things in a box outside the gates. but after you get them, leave. never come back. go back to that shabby apartment of yours. never talk to my mother ever again. don't contact us any more. and stay away from me."

thank you to @tinfairies for feeding into this illusion! love you will all my heart <33333

[doolallymagpie]

Found Pantariste’s goofy Combi-Volkite, so I got a coat of primer onto her and Punchy McSmashy, whose face, I think, is a great piece of hobby work and tells you a lot about her.

Just a mass of hamburger on one side. You know there’s a fun story behind that.

[quasitsqueeries]

Gender and Warhammer 40,000

Look I’m sorry. It’s been a long time since I’ve played 40K but I still find the setting really interesting and also I have *opinions* (also I’m thinking it could be fun to play some Dark Heresy).

Dudes who play 40K love to point out that there can’t be any space marine women (they say female space marines) because of how you can only have like eight livers and two hearts if you’ve got XY chromosomes or something. Anyway it’s really difficult reading about this stuff because every post about it has this energy.

So why aren’t there space marine women? There were, back in 1st edition, this post from Bell of Lost Souls includes two models that were released of space marine women and talks about how retailers asked GW to stop sending them because they couldn’t sell them to their players, who in the 80′s were mostly men. As far as I can tell the stuff about only men being able to survive the space marine making process because of some chromosome rubbish was just post-facto justification for discontinuing those models.

Which is a shame because there’s a better justification. Someone on Twitter was pointing out that they’re basically children kidnapped by the Fascist empire and turned into supersoldiers. Of course the Catholic Fascist space Empire isn’t making space marine women. I think it’s pretty clear that the space marines were initially intended as a pastiche of Thatcherite militarism, just like Judge Dredd. In the Rogue Trader they’re depicted as thuggish, inhuman instruments of the state.

I also feel like there’s something about English boys’ public schools going on here. I’m not from the UK so I’m not sure I can quite make sense of it but there was a decision made to have the punk hive-ganger’s butt be really prominent in the image.

There aren’t women space marines for the same reason there weren’t women in the Sturmabteilung. Military organisations in Fascist states serve a double purpose, they don’t just fight, they also serve as propaganda. It’s clear from most 40K imagery and fiction that the image of the space marine is meant to communicate the strength of the Imperium. Imperial propaganda calls the Imperial Guard “the anvil” and the Adeptus Astartes “the hammer” in an empire that seems fixated on hammers, in a game that is largely about hammers (it’s called Warhammer).

But here’s the interesting bit, the image of the space marine *also* communicates the Imperium’s ideas about the role of men. The figure of the space marine represents the glorification of toxic masculinity, not just because it depicts men as warriors and protectors who are inherently violent, but also because these are men who are utterly disposable and who’s subjectivity and individualism have been completely erased for the sole purpose of making war. The primary role of a space marine apothecary isn’t to heal wounded marines, it’s to ensure that their gene-seed is harvested at the point of death so they can make more marines. It doesn’t matter that space marines die, only that hyper-masculine bodies can continue to make war.

I can imagine some Imperial Guard recruitment poster with a picture of a space marine saying “They put their bodies on the line to protect the Imperium, and you should too! Join the Imperial Guard!”

But, if we’re going to talk about what ideas the Imperium wants to engender about women, we need to talk about everyone’s favourite nuns with guns.

Okay that image probably doesn’t communicate what I’m trying to say but I had to include it, here’s Saint Celestine.

So the Adepta Sororitas, actualy first here’s a Reddit post with an extract from a Rogue Trader scenario including a chapter of space marine women called The Little Sisters of Purification (you know they’re carrying a lot of flamers). This is interesting because while Astartes are technically supposed to be monastic, their imagery (with the exception of the Dark Angels, and in that case the major theme is HERESY) rarely leans on that aspect. From the start, the Imperium’s women warriors have been explicitly coded as nuns.

The themes that come through with the sisters of battle are things like purity, innocence, piety, faith, martyrdom. They have a propaganda role, like the space marines do, but it’s a different message. While the Astartes’ singular military role communicates the idea that men are only good for violence, the Sororitas fill a bunch of different roles, the order hospitaller provides medical aid to Imperial citizens, the order dialogous are diplomats, and the order famulous are scholars. This communicates that the role of women in Imperial society is more diverse, and less dispensable, an idea that’s probably reinforced by the various orders’ integration into Imperial society. Sisters would be a much more familiar sight to Imperial citizens than marines, who are largely aloof on their fortress-monasteries. It’s likely that most Imperial citizens would be much more shocked by the idea of the nurse-nun they go to see every few months being killed than some armoured super-human with no personality other than anger who they’ve never met.

And that’s where the idea of martyrdom comes in. Toxic masculinity says that women must be protected, by men, because they’re not dispensable in the way men are. The Emperor, in all his masculine wisdom, will not countenance women to be killed in his grimdark future of only war, so Sisters of Battle aren’t killed, they’re martyred, and often when they are He brings them back in the form of living saints (See Saint Celestine, above). There are no resurrected space marines because the Imperium treats men’s bodies as expendable, and women’s bodies as sacred.

And then there’s the whole purity and innocence thing. Sosoritas are obedient to the one man in their life (Him on the Golden Throne). They take vows of chastity, they spend most of their time in prayer, they’re probably the faction in the game with the most number of abilities based around faith, piety and purity (I didn’t count or anything, but I think it’s a safe assumption). They play a propaganda role to demonstrate to Imperial citizens what a woman should be like, and also how men should enlist to protect them.

So when I see people modding their space marine armies to include women space marines I end up in two minds. On the one hand it makes me happy because it’s clear that it’s going to upset guys who are invested in the idea that women are inherently weak, but at the same time I worry that they’ve missed the bit where this is a sexist Fascist Empire and maybe they’re thinking the space marines are the good guys.

On the other hand, often when this topic comes up, people mention that the records of two of the 20 primarchs are expunged from all records. I kind of like the idea that while the Imperium still keeps records of the traitor primarchs, it’s the idea that there were two women primarchs that’s so horrific to the Imperium’s scribes that they had to destroy all records of them.

[angeltreasure]

Hi, I'm Protestant, but could you explain how you "offer up" suffering for souls in purgatory? In fact, could I be a pain in the rear and ask for any and all info you have about purgatory? I've found myself fascinated ever since I learned that offering up your suffering was a thing. Thank you!

Good Evening my brother or sister in Christ!, thank you so much for visiting me. I have a treasure trove of info on Purgatory I will link you here and of course if you have any other questions on Purgatory I’d love to hear back! My asks are always open. That link includes all the texts from what the Catholic Church teaches about Purgatory right from one of our books called the Catechism. I’ve also included my favorite talks on Purgatory by priests and even a course you can take if you want a real theology deep dive. Although the Bible doesn’t directly mention Purgatory, the Catholic Church believes it must exist because no one can enter Heaven without first being cleansed of all their sin. Think of Purgatory as a place of purification.

Now as for offering up our suffering, we must first recognize that pain in itself is a gift. That might sound strange, but, when we unite our pain with Jesus who suffered on the cross to die for us, we can lift up our heart to God and say that we want to offer our pain or deed to lessen the pain of someone suffering in Purgatory. When we do this, it will help push that person/people faster into Heaven (the amount of people and time is not known to us right now).

You can offer up pretty much any pain or action (no matter how little it may seem) to lessen the suffering of souls in Purgatory. Pain for example: the moment you realize you get a paper cut, accidentally stubbing your toe on the coffee table, a migraine, arthritis, going through chemotherapy and radiation for cancer, fibromyalgia, etc, etc.

Good deeds, for example: cleaning your room, helping mom and dad to clean up after a party without being asked to help, picking up a piece of trash outside and throwing it away properly, picking up a fallen pencil from your desk, organizing a cluttered bookshelf, holding the door open for someone, help someone across the street, etc, etc.

Since God is outside of time, He can use your prayers for so many in Purgatory that you’ll never would even expect. You can help your family get to Heaven faster. You can read a prayer already printed or make one up from your heart to offer up that particular good deed or pain. No matter how old you are, no matter your personal disposition if you are disabled or abled bodied, you can make a difference. May God bless you!