#Literary Residence

[cozy4countrycottages]

Jeake's House,the home of American poet Conrad Aiken,and the childhood home of his daughter,English novelist Joan Aiken,author of The Wolves of Willoughby Chase

Jeake's House,mermiad Strete,Rye,East Sussex,TN31 7ET. Currently a Bed & Breakfast Hotel.

[sapphire-weapon]

The catalyst for Leon's growth in RE4make is his commitment to killing someone he loves, despite the fact that his main source of personal conflict so far is that he can't save anyone -- especially not the people that he loves.

The catalyst for Ada's growth in RE4make is her commitment to saving someone who's in her way, despite the fact that her main source of personal conflict so far is that she continues to encounter emotional roadblocks that have impeded her goals and put her own life in danger, and she doesn't want to repeat her mistakes from Raccoon City.

The catalyst for Ashley's growth in RE4make is her commitment to saving herself, despite the fact that the base premise for her character is complete and total helplessness.

The catalyst for Luis's growth in RE4make is his commitment to saving the life of someone else over himself, when he starts the game willing to let Leon die in order to save himself.

This is how change arcs work. The story has to take a fundamental part of the character and challenge and subvert it.

Leon had to be the one to kill Krauser.

Ada had to choose to honor Luis's memory by saving Ashley (and Leon).

Ashley had to be the only one in the lab to save Leon.

Luis had to be the one to shoot Krauser's knife away.

These are all moments that I've seen brought up as points of contention within the fandom -- people say that the additions of/changes to these scenes are just "fanservice," but that's just not true. These scenes were added/rewritten with the intention of allowing characters' arcs to play out all the way through.

What Capcom wrote is good storytelling crafted with all characters in mind and all the story's themes accounted for. What you want to have happened instead because you think x character "deserved it more" -- that is the fanservice.

[lesbianwyllravengard]

Please I’m begging you on my hands and knees please elaborate on Luis and Ada being foils

I am SO happy that someone finally asked me to talk about this I know I asked you to ask me I love you so much thank you because once I had this realisation it made me love both of their characters - and the re4 remake as a whole - so much more than I already did.

Explanation below the cut:

So first lemme define what a foil is when it comes to characters, not because I think you personally don't know Wilfred but in case anyone's reading this and wondering why I'm calling these characters aluminum wrap. I'm not, I promise it's a real narrative device. A literary foil is "a character whose purpose is to accentuate or draw attention to the qualities of another character". Essentially, a foil requires two characters to be identified, and they exist to contrast, reflect, or exist in an opposite way to their co-foil so as to highlight the other character's weaknesses, strengths, and personality. However, they are often also very similar in technical ways, and thus their behaviours and/or quirks that set them apart show the audience how some things just work for one character but not the other. Think of it like an inverted image, how some details look better in negative space but worse in positive space. This is true of narrative foils. In the remake of Resident Evil 4, Luis is written as a literary foil to Ada.

We first meet Ada in re2, and she's introduced as this mysterious woman who claims to be of the FBI but reveals no further details about herself. We as the audience/player behind Leon have to trust her to get to where we need to go, and she proves herself worthy of that trust. Leon doesn't question why she's helping him, because he believes that she really is FBI and that helping people is her job. He doesn't know her goal, but he's willing to help, and receive her help. However, at the end of re2, we find out that she's actually not FBI, that she was using that as a cover and she is actually a mercenary and spy, whose goal was to acquire a sample of the harmful G-virus and bring it to Wesker who was obviously going to use it for nefarious purposes, and she knew that. Leon (the audience) doesn't know this until the very end.

We first meet Luis in re4. Now in the original, he barely had any substance as a character, and his personality was simply an expression of cultural stereotypes and misogyny, masked under "charming flamboyance". In the remake, however, Luis does have substance as a character. We not only get more out of his personality, but we now know his goals, his flaws, and his interests. And just like Ada, he is a mysterious character with a dark past that led to him making bad decisions and aligning himself with bad people. However, the difference between them and the beginning of what sets them up as foils is that Leon (the audience) finds all of this out about Luis almost immediately. Unlike with Ada, where Leon took her word and went the entire game believing what she said, Leon was sceptical of Luis and had Hunnigan look him up - and sure enough, Hunnigan was able to find all sorts of information on Luis, despite Luis actively trying to make that information as well as himself untraceable. So rather than having the audience trust Luis outright like we did with Ada, and then having that trust threatened when we learn who she is later one, we learn who Luis is immediately, setting him up as someone who we should be sceptical of.

With Ada, by giving us a character to trust and see good in for an entire game only to end it with the reveal that she's actually working for the "bad guys", we are led to think that all of her actions up to that point were fake, that she was simply putting on a cover of kindness and care for Leon. And of course that's the wrong idea, as she clearly does care for him, which we see when he stupidly dares her to shoot him. And she refuses. IDK, even if I loved Leon, I would've shot him then just because he was being a cocky shit about it, but Ada is certainly stronger than me. Ada's actions prior to us finding out who she really is now are tainted, and we're led to see her actions as that of a facade. Adversely, with Luis, by giving us a character who's bad past we know outright and repeatedly meet up with throughout the game, we are led to see all of his actions from that point on as acts of redemption.

We first see Ada as a Good character and therefore all of her actions are that of someone just being herself, but with Luis we first see him as a Bad character, and therefore all of his actions are that of someone who must redeem himself. However, they are both very similar characters; but in the way the stories introduced them to us, and in the order they revealed information about these two characters to us, the narrative influences how we see these characters. Imagine if we had gone the entire game not knowing Luis used to work for Umbrella, thinking he was just Some Guy who happened to live in this village. Leon most definitely would have trusted him much quicker. But that 'Umbrella' background being the first real thing we learn about Luis means that his dark past will always be on our minds when we see him next. And it makes sense to us, given the events of re2, that Leon wouldn't trust Luis, even if the audience does. (Same with Ada; the audience could be distrusting of her, but narratively we see why Leon would've trusted her implicitly in re2.)

Both Luis and Ada are mysterious characters whose real moral alignment we are uncertain of for almost the entirety of their games. Both Luis and Ada tell lies to protect themselves or their cover. Both Luis and Ada withhold information they either feel too ashamed to admit or can't admit, again, to protect their cover. Both Luis and Ada - specifically in re4r - have a recurring theme of change. They both speak to Leon about people changing. They both show their own relationships with change. And yet, their endings are vastly different.

Where Ada withholds information and succeeds, Luis withholds information and is found out by Hunnigan. Where Ada can double cross Wesker and escape, Luis attempts to double cross Los Iluminados and gets found out and captured, which is how we meet him. Where Ada gains Leon's trust almost immediately and loses it at the end, Luis doesn't gain Leon's trust until the very end. Even when Leon shows situational trust in him - accepting Luis's help in the safe house, agreeing to partner with him to get the suppressant for the plaga for Ashley - he still doesn't trust Luis's motives, his goal, or even his character. Leon constantly questions Luis throughout their interactions, unwilling to believe this man would help them unless he had some ulterior motive.

That brings back up the theme of change. Luis asks Leon if he thinks people can change, and then Leon asks Ada if she has changed. Luis's death scene could very well be the first time - or at least, the first significant time - Leon has been forced to confront the idea that people change. His confusion regarding Luis's real motives the entire time as a result of learning that Luis used to work for Umbrella seems to be proof enough to Luis that Leon does not see him as someone who has changed, even though Luis desperately wants that to be seen. Adversely, Leon desperately wants to see some proof that Ada has changed, that she's not using him. He's learned from Luis, but he's stumped by his own personal lack of change. Leon doesn't understand how to identify that kind of change in someone; or at the very least, he doesn't know how to voice it. Ada replies "what do you think?", and this could be passed off as her usual way of avoiding the truth, but really she's asking him "Are you even able to know if I've changed? Did you ever pay attention to who I am, or did you lose sight of my character as soon as you learned something bad about me? Have I changed, or has your perception of me changed? Can I change to you if you never really knew me at all? What do you think about how people change?" (And I love this about her.) Luis is Ada's foil because the way Leon perceived Luis's change was so abrupt that now Leon is looking for change in everyone, even himself. And where Luis doubts himself and has to ask Leon - as he's dying - if Leon thinks people can change, Ada is sure of it.

And of course I have to add some serennedy in this. As @thebrokengate kindly mentioned, the dynamics between Leon and Ada, and Leon and Luis, are opposite. Leon trusts Ada and then that trust is broken; Leon doesn't trust Luis, and then that trust is earned, but too late. Luis isn't just a foil for Ada, but his relationship with Leon is also a foil for Ada's. We see where Luis fails in ways that Ada succeeded when it comes to their characters; but when it comes to their relationship with Leon, Luis succeeds where Ada failed. And it makes his death even more devastating as he had the potential to go further with Leon than Ada could, but he was killed, leaving Leon alone regardless. In both instances, Leon lost someone who affected him personally; but where one was lost with trust broken, the other was lost with their life taken.

Again, by giving us Ada's personality first and her background last, we soften up to her as a character before having to question everything we thought we knew about her, as who we find out she is contradicts what her actions have been. However, by giving us Luis's background first and his personality last, we start out sceptical of him, and when his actions contradict what we found out about who he is, we forgive him. I'll also take this opportunity to point out the misogyny in this fandom, as many fans still dislike Ada or believe her to be a bad person, when they love Luis. in many ways, they are the same character. We were just given details about them in a different order that influenced how we perceive their actions.

[ipsen]

tg 108

this line kaneki says is so funny because ironically, as a fan of her works for the works themselves and not because of her, he does, in fact, like her personally

[adreamingskin]

Poetry Competitions, Submissions & Opportunities – MARCH 2024

Spring is here and with it (finally) over 150 poetry competitions, writing submissions and opportunities open or with deadlines in March 2024.​For the first half of this month I was in autistic shutdown due to a very difficult personal situation that is coming to a head this week after 16 years. I am hopeful that this release will remove significant stress from my life and allow me to give time,…

[lynseyvleigh]

Compendium Of The Unmasked: The Hollow Raven Graphic Novel!

Volume 1 is available for purchase on Indiegogo!

Volume one is also available at my official bookshop: http://lynseyvleigh.com/shop

[hesitationss]

i'm going to kill someone i think because i got my profile rejected by the Canada Council for the Arts because i applied for the literary profile for comics and graphic novels... what else am i supposed to add... i sent my CV which included when i was published by a small press, a TCAF panel i did, Comics Studies Society opportunity i had, participation/running various comics, zines, and poetry workshops. i also teach a beginner graphic novels class to kids... but they said i need to include creative writing experience or talk about being in books clubs??? where should cartoonists be applying 😭

[amindamazed]

Deadline to buy this bundle: 8 December 2024

Explore the worlds and stories of Portland, Oregon author Ursula K. Le Guin with another great Humble Book Bundle! This 25+ book collection features A Wizard of Earthsea, Tehanu, Tales from Earthsea, and more from one of speculative fiction’s most renowned authors. Your purchase helps support Literary Arts, a nonprofit located within Guin’s community. Lose yourself in this expansive library today.

The titles in this bundle are available on Kobo.com. To access them, create or log in to your Kobo.com account. Please note that the content redemption deadline is December 15, 2027 at 11:00 AM PDT.

Pay at least $18 to receive all 30 items (a $363 value).

This bundle supports Literary Arts.

[vicholas]

July 26, 2024

(...)With the Paris Games starting on July 26, Israel's killing of athletes and players in Gaza, along with its destruction of the enclave's sports facilities, has triggered mounting demands to disqualify Israel from the tournament as activists and spectators question the legitimacy of its participation.

Palestinian writers and sports commentators contend that Israel's Gaza onslaught, which has killed nearly 40,000 Palestinians, also represents an attempt to eliminate sports and athletic achievement.

"It's a genocide ... ethnic cleansing of the Palestinian people, and the attacks on athletes and sports in particular in the Gaza Strip are all very systematic attacks to obliterate and erase sports in the territory," Abubaker Abed, a Gaza-based sports journalist told Anadolu.

Israel's intentions go further than eliminating Gaza's current athletic capacity, according to writer and lecturer Abdaljawad Omar, who held that it was part of a concerted effort by Tel Aviv to undermine Palestinians' achievements in all areas, with sports being no exception.

"Israel systemically seeks to ensure that Palestinian accomplishments and potential in all realms remain dampened and always dwarfed by its own achievements.

"This applies to political, intellectual, economic, and literary fields, where historically, many talented and highly accomplished Palestinians have been targeted. Sports is no exception in this sense," he explained.  

The situation is "extremely worse" for athletes in Gaza, according to football journalist Abed, adding that many players have been killed in the territory.

According to the Palestinian Olympic Committee and Palestine Football Association, about 400 athletes have been killed since Oct. 7, with the football association noting that the war has claimed 245 players in that sport alone, including 69 children and 176 young men.

Some 33 scouts and 70 members of sports unions have also been killed.

According to the association, Israeli forces have also detained players, including 12 in the occupied West Bank.

Israel's attacks have killed several Olympians as well. Sixty-nine have been killed during Israel's ongoing assault, says the Palestinian Campaign for the Academic and Cultural Boycott of Israel, launched in 2004.  

Besides athletes, sports facilities also have not been spared. Dozens, including gyms, training halls, fields, and stadiums, have been damaged or destroyed since Oct. 7.

A total of 42 facilities have been leveled in Gaza, while seven were destroyed in the West Bank, says the Palestinian Football Association.

Abed pointed out how Israel has destroyed football schools, including the Al-Wahda Academy and the Champions Academy, which "was one of the most promising football projects" in Gaza.

He pointed out how Israel has eradicated talent in football, the most popular sport among Gaza's residents, leaving only one stadium, the Al-Dorra stadium, intact out of the enclave's 10.

Israeli forces have been seizing stadiums in Gaza and turning them into detention centers.

Human rights monitor Euro-Med highlights that the Israeli army turned the Yarmouk Stadium in Gaza City into a detention center "to hold and humiliate hundreds of Palestinians, including children, shown naked and stripped of their clothes in footage published by the Israeli media in December 2023."

A report by the group published in May indicates that facilities bulldozed and destroyed include "300 five-a-side courts, 22 swimming courts, 12 covered sports halls for basketball, volleyball, and handball, and six tennis stadiums.

"Twenty-eight sports and fitness centers have been targeted, damaged, and destroyed."  

Israel's offensive has also caused the death of prominent players in Gaza.

This includes Palestine's first-ever Olympian and flagbearer, Majed Abu Maraheel, who died due to kidney failure in a refugee camp in June.

The 61-year-old Olympic distance runner died as Israel's ongoing blockade of humanitarian assistance left many, including Maraheel, lacking medical treatment and facilities.

Maraheel had competed in the men's 10,000-meter race at the 1996 Atlanta Olympic Games.

In January, the Palestinian Olympic football team's coach Hani Al-Mossader was killed in an Israeli airstrike.

The same month, Nagham Abu Samra, a karate champion who was set to participate in the Paris Olympics, died in a hospital in Egypt after succumbing to her injuries.

She had been severely wounded by an Israeli attack that left her with head injuries and led to the amputation of one of her legs.

(...)With hours left until the Paris 2024 Games' opening ceremony, experts are still questioning the International Olympic Committee's (IOC) decision to keep Israel in the tournament.

"Athletes, whether footballers ... whatever the sport is, they don't belong to political factions ... they are targeted and are illegitimate targets for Israeli forces, and this is absolutely prohibited by all international laws and all FIFA regulations," says Abed.

He argued that Israel's actions show that it lacks the Olympic values of peace, tolerance, forgiveness, love, and sportsmanship.

"So, how could Israel even participate in the Olympics?" he asked.

Russia, meanwhile, has been banned from Olympic and FIFA tournaments after it launched its war on Ukraine in 2022, noted Abed, who maintained that Moscow's actions in that conflict were mild compared to the devastation Israel has caused in Gaza.

This "disgraceful stance," he asserts, revealed the hypocrisy of the IOC, as well as the world governing body for football.

The organizers of this year's Olympics have said their decision to keep Israel in the Games while upholding the ban on Russia and Belarus is due to Moscow's annexation of Ukrainian territory, while Tel Aviv has not formally seized territory in Gaza.

Fadi Quran, senior director at US-based rights group Avaaz, said the Olympics and the IOC's current leadership will be remembered for "turning a blind eye to a country committing what the ICJ ruled is a plausible genocide, and said is apartheid."

He was referring to a preliminary ruling by the International Court of Justice that recognized genocide as a plausible risk in Gaza. Israel stands accused of genocide at the top UN court, which in its latest ruling has ordered Tel Aviv to immediately halt its operation in the southern city of Rafah, where over a million Palestinians had sought refuge from the war before it was invaded on May 6.

Quran expects that athletes will protest Israel's presence at the Olympics and fans will boycott events where the Israeli flag is raised.

"Now that the IOC has refused to ban Israel, activists across the world will take action to ensure that the Paris Olympics are branded as the 'Apartheid Olympics,' or 'War Crime Olympics'," he said.

According to Abed, it will take a decade to revive sports in the Gaza Strip.

"The war on Gaza has changed everything. The war on Gaza has killed the dreams of many."

[queereads-bracket]

Queer Adult SFF Books Bracket: Preliminary Round

Book summaries below:

Shadow Life by Hiromi Goto (illustrated by Ann Xu)

Poet and novelist Hiromi Goto effortlessly blends wry, observational slice-of-life literary fiction with poetic magical realism in the tender and surprising graphic novel Shadow Life , with haunting art from debut artist Ann Xu.

When Kumiko’s well-meaning adult daughters place her in an assisted living home, the seventy-six-year-old widow gives it a try, but it’s not where she wants to be. She goes on the lam and finds a cozy bachelor apartment, keeping the location secret even while communicating online with her eldest daughter. Kumiko revels in the small, daily decorating as she pleases, eating what she wants, and swimming in the community pool. But something has followed her from her former residence―Death’s shadow.

Kumiko’s sweet life is shattered when Death’s shadow swoops in to collect her. With her quick mind and sense of humor, Kumiko, with the help of friends new and old, is prepared for the fight of her life. But how long can an old woman thwart fate?

Graphic novel, fantasy, magical realism, literary fiction, slice-of-life, adult

Hunger Pangs series (True Love Bites) by Joy Demorra

In a world of dwindling hope, love has never mattered more...

Captain Nathan J. Northland had no idea what to expect when he returned home to Lorehaven injured from war, but it certainly wasn't to find himself posted on an island full of vampires. An island whose local vampire dandy lord causes Nathan to feel strange things he'd never felt before. Particularly about fangs.

When Vlad Blutstein agreed to hire Nathan as Captain of the Eyrie Guard, he hadn't been sure what to expect either, but it certainly hadn't been to fall in love with a disabled werewolf. However Vlad has fallen and fallen hard, and that's the problem.

Torn by their allegiances--to family, to duty, and the age-old enmity between vampires and werewolves--the pair find themselves in a difficult situation: to love where the heart wants or to follow where expectation demands.

The situation is complicated further when a mysterious and beguiling figure known only as Lady Ursula crashes into their lives, bringing with her dark omens of death, doom, and destruction in her wake.

And a desperate plea for help neither of them can ignore.

Thrown together in uncertain times and struggling to find their place amidst the rising human empire, the unlikely trio must decide how to face the coming darkness: united as one or divided and alone. One thing is for certain, none of them will ever be the same.

Fantasy, romance, paranormal, series, adult

[cozy4countrycottages]

Greenway House,the home of Dame Agatha Christie,creator of sleuths Hercule Poirot & Miss Marple

Greenway Road, Galmpton,Brixham,Devon,England TQ5 0ES

[sapphire-weapon]

another broke take i keep seeing is that ashley develops feelings for leon but that it’s not mutual, which is dumb bc even if leon isn’t as open about it (the ‘running from creeps’ and ‘good company’ lines notwithstanding), his body language is very telling imo.

holding on to her a little longer than he needs to during the church escape, touching her shoulder to check on her (when they’re saved by luis) or in reassurance (post-stabbing), gently cupping her head and tracing his fingers down her arm, reaching for her face again when she’s on the altar, grabbing her hand to pull her into the lift, and the way he always stops to help her up with both arms when she’s downed by enemies

even the fact that he’s literally being paid to protect her can’t justify the tenderness of all these little touches. i highly doubt “touch the president’s daughter like she’s the only thing that keeps you going” was in his job description. don’t even get me started on his boyish, almost bashful, “i can catch ya” like literally what the fuck

I think, after being forced into the shadows for eighteen fucking years by this fandom -- and by Aeon fans especially -- I've been hesitant to make any definitive statements on Leon and Ashley's relationship outside of its effects on Leon's character arc (and reaffirming over and over and over again that Ashley disappears from the series, as though to soothe people's reactions??).

But I was on discord talking to @godtier earlier, and once I actually said it out loud and then actually got an agreement from someone who could not be paid to give a fucking shit about this ship -- I'm just going to go ahead and say it for the wider fandom.

Resident Evil 4 Remake was written as a romance, and the romance is between Leon and Ashley.

With the new scenes they've added in, it's literally structured like a romance story is. I'll even outline it for you.

1) Call to Adventure / The Meet Cute

Literally their first meeting in the church, culminating with the catch and that moment of longing as they lock eyes while Leon continues to hold her just a few seconds too long.

2) Refusal of the Call / Rejection of the Relationship

At first, Leon treats Ashley solely as his mission objective. ("Hey can we take a break?" "Sorry, we need to keep moving.") And Ashley, for a good bit, doesn't trust him at all but goes with him because she has no other choice. ("Seriously, this cannot be happening.")

3) Acceptance of the Quest / Giving the relationship a chance

The escape from the cabin sequence up to the "seems this isn't your first time running from creeps." line. This is where we see them actually start to warm up to each other, and Ashley, for the first time, believes Leon can and will really get her out of there.

4) Trials and Temptations / Three Dates

The three dates are:

1) Ashley busting the window open after the Mendez boss fight, helping brush the embers off of Leon, and helping to pull him to his feet

2) Salazar's introduction ("The girl's just fine. With me.")

3) The road to the Water Hall (Leon jumping across the chandeliers + this is the first time the "knight and the princess" allegory is stated)

5) Midpoint Crisis / I-need-you-but-can’t-have-you

The stab followed by Ashley running away in tears, terrified of hurting Leon again and horrified that he saw her like that. This is also the second time that the "knight and the princess" allegory is stated.

6) The Road Back / Pulling Back Together

The pep talk. Leon is openly vulnerable for the first time ever in this game, and Ashley is grateful to have him with her. Note that Luis calls Leon "Prince Charming" immediately following this scene.

7) The Fall

Ashley stating "I won't run. Wait for me, Leon." And then Leon following up with the "I can catch ya" line.

8) Dark moment / The Break Up

Leon sitting at Ashley's bedside waiting to turn and ready to shoot himself. He's already half given up, and some part of him has started to believe that they won't actually make it out of here -- not together, at least.

9) The Sacrifice

"This time, it has to be different." Leon is forced to challenge the assertion by Ada and Krauser that he hasn't changed, and he even has to prove it to himself. He destroys Ashley's plaga, holding her hand the whole time, smiles breathlessly, then collapses to the floor.

10) Declaration

"Hey... we're a team, right?" "Keep this up? I'll be out of a job."

11) The HEA

Leon and Ashley literally ride off into the sunrise together towards a happily ever after.

The original RE4 is not structured this way. Even if I tried to, I couldn't slot Leon and Ashley's scenes from OG into this outline.

And the romance angle is reinforced over and over and over again through repeated use of the "knight and the princess" allegory beyond what I've even listed in the outline. You know, the fairy tales about the knight who saves the princess and they fall in love and live happily ever after. In addition to Salazar saying it, there's the "Prince Charming" line from Luis, Ashley references it when she jokes that Leon should literally put on the knight's armor -- and, on a meta level, Leon has a fucking fantasy hero costume.

There's even goddamn dialogue in the game where Ashley says to Leon, "I knew you'd come" -- which is basically just ripped right out of the Princess Bride.

And to continue the meta reinforcement of it, Leon and Ashley literally have a matching set of alternate costumes called "Romantic" -- and they are fucking Romeo & Juliet inspired. Come the fuck on, man. They couldn't have been more on the nose about it if they'd tried.

And this is in addition to all the other shit you already pointed out in your ask.

And there's the fact that they completely removed any hint of Ada possibly even remotely being a love interest for Leon in this game. The focus remains solely on Ashley and the bond that she and Leon build together.

Leon and Ashley's relationship in RE4 Remake is canonically romantic in nature, and I'm so fucking tired of pretending like it's not.

[aphrogeneia]

Altars in Ancient Greece

A disclaimer before we get into it: this is a brief explanation of how altars functioned in ancient Greece. I am not telling you how you should set up your own personal altar(s). Rather, I hope this can serve as foundational knowledge for you to consider while figuring out what works best for you and your practice.

Pentelic marble altar from the ancient agora of Athens. Dedicated by the Athenian Boule to Aphrodite and the Graces. c. 194-193 BCE.

The purpose of the altar is to receive offerings for the deity. It is the sacred place where worshipers pour their libations of wine, deposit their gifts of fruit, honey, or cakes, and burn a portion of the sacrificial animal. Offerings in ancient Greece were a key component of religious life; it is how mortals express their honor and build χάρις (kharis, favor). The altar is a highly important point of contact with the divine, and is an essential physical element for any cult to be established.

In fact, we can determine whether or not a deity was worshiped in ancient Greece based on if there were any altars dedicated to them. A god or daimon with no altars was very likely only part of the mythological or literary tradition and did not receive any sacrifices or worship. Altars were generally dedicated to one god or a group of related deities. In rarer cases, they may be dedicated to the whole pantheon (example: the Altar of the Twelve Gods in the Athenian Agora).

An altar for a heavenly (ouranic) god would be a raised surface or pedestal, and it would be oriented towards the East. The typical Greek altar consisted of bricks which were white-washed with lime, or it was carved from stone such as marble or limestone. They could be plain, or they could be decorated with volutes and narrative scenes. They often had the name of the deity inscribed into them. Altars could also come in a variety of shapes, the only real requirement being that the surface on top was flat so it could hold the offerings.

More prominent cult sanctuaries may feature a large, elevated altar with steps leading up to it. There were also natural rock altars, or in very rustic sanctuaries, a collection of stones was grouped to form an altar. If one was worshiping a khthonic god who dwells on or within the earth, they would provide sacrifices at a low-lying altar such as an eschara, or a simple open pit called a bothros.

Indoor altars were very uncommon. At sanctuaries, the altar would be outside of the gods temple, often in front of the entrance. Though a sanctuary could contain several altars and sacrificial sites. Households would have had one in their courtyard for private worship. Other altars were located outside of public buildings or in community gathering places like an agora.

The reason for being outdoors was so that the gods who reside in the sky could observe the sacrifices being made and enjoy the rising smoke of the incense. Meanwhile, a libation poured directly onto the bare earth would seep down below to the khthonic gods. Every altar was ceremonially sanctified when its first sacrifice was performed; from then on, it was considered part of the property of the deity.

Below are my sources. I'll likely make a part two of this post where I go over some ideas for how we can construct our modern altars. Thank you for reading!

Ancient Greek Religion, Jon D. Mikalson

Greek Religion, Walter Burkert

Ancient Greek Cults, Jennifer Larson

[planned-obsolescence]

god-tier sydcarmy fics

no one asked but i'm suddenly overcome with gratitude that fic writers just drop these gems for FREE. we are so lucky. these are the ones i constantly reread because they make me feel so much.

all of these are rated M or E because if they ain't fuckin, i ain't reading.

five times at a simmer; once boiling over by seh28 my kink? emotional intimacy. that's what these two need more than any bullshit stars. this fic serves it up like it's a floor donut and i'm carmy straight up eating that shit.

friends, partners, and intimates by sashafiercer i'm always here for it when syd gives carmy what he deserves. and i'm DEFINITELY here for it when the dialogue between the two is so on point it gives me whiplash. written by an all time 🐐.

forget about your house of cards by minecrafter42 i love reading about how carmy can't get it together in sydney's presence. this fic presents their dynamic so viscerally that the slow burn is more like a slow simmer. i needed a cigarette after i finished this one.

temper, temper by malariamonsters have you ever read anything so beautiful it made you cry? yeah, this fic. it's at the top of the tag for a reason because it captures carmy's consuming love for syd so perfectly. i want to live inside this fic.

child with a child pretending by emilybrontay sydney has a baby before she starts working at the beef, and carmy knows what bluey is. i'm done. i am very picky when it comes to stories set in sydney's POV (my girl is a complex masterpiece, you better get her right), and this is one of the greatest, most thoughtful.

Mise En Place by badcircuit love fics that present syd and carmy as partners in every sense of the word. beautifully written, hot as fuck. another one that gets syd right. again, i take portrayals of my girl so seriously and this one is gorg.

Take Care by oysterknife oh boy. this one literally came out last week but i already read it upwards of 10 times. i will read anything oysterknife writes but GODDAMN. this one changed my brain chemistry with the emotional intimacy between the two. i love longing and yearning and this one is like a masterclass in it. the literary references made me kick my feet and giggle. as a brooklyn girlie, THIS is the nyc i wanna see: flushing, crown heights, greenpoint minus the condos, shitting on the residents of murray hill, i want it all. also the ending made me sob. not joking.

[daydreamer-in-reverie]

I think that, as a literary device, Finnick’s story is one of the most effective ones I have ever read.

When you think of victims of sex-related crimes, you so rarely think of a man.

In our modern society, we more often imagine women to be victims of such crimes. Beautiful women who are battered and bruised, their eyes holding that faraway gleam of pain and trauma. Sex-related violence against women is such a common occurrence that it is difficult to find a woman who doesn’t have intimate knowledge about it. Perhaps not every woman has been raped but every woman knows at least one who has. As young girls, we’re told so many things to try and prevent rape. Don’t go out by yourself at night. Be careful of what you wear. Don’t drink alcohol. Fight them off. And yet, if you did everything right and still fail at protecting yourself, just give in. Better raped than dead. Come home to your family and friends hurt and bruised but alive.

And it is this message that Finnick, a man, lives by.

Better taken advantage of, bruised and hurt, than dead. Better you than your parents or your siblings or Mags or Annie. Do whatever it takes to stay alive.

And, the thing is, we didn’t have to hear this story from him. We could have heard it from Cashmere.

In his propo to the Capitol, Finnick reveals that attractive Victors are pimped out by President Snow to the residents of the Capitol. One such Victor is Cashmere.

Knowing this layer of her story makes Cashmere the picture perfect victim. A woman who is repeatedly described as beautiful. She is a typical description of what a rape victim is. Suzanne could have used her character instead of Finnick’s to portray an instance so familiar to so many women and yet, she didn’t.

She chose Finnick. And I think the reason why she did that is because hearing it from Cashmere would have made the story fall flat.

Would we have blinked an eye had it been Cashmere who revealed the horrors of being a Victor? Would we have felt anything other than a vague sense of sympathy? I don’t think so. Like so many women before her, Cashmere’s story is so familiar to us that it no longer leaves that bitter taste in our mouths. We, as a society, have been so deeply desensitized to this plight that we no longer feel the same indignation we used to feel. Instead we are resigned to our fate. Cashemere isn’t the first victim of rape and she won’t be the last.

Yet to hear it from Finnick had us shocked. Finnick? A man? Attractive, to be sure, but he is at the prime of his life and yet he is a victim? Finnick, who can wield a trident so effectively he became the youngest Victor in the 75 years the Hunger Games operated, was raped? Finnick, who has literally killed people with his bare hands, was prostituted? Finnick, who cracked jokes about killing people was whored out by President Snow?

It is absurd! It is a bizarre and strange! It has to be untrue!

And yet it’s not.

Finnick being representative of that particular storyline was effective at reminding us of what it means to be victimized like that. And using Finnick, a man, instead of Cashmere, a woman, reminded us of why we have to be rightfully angry and upset about such things instead of resigned to our fates.

Suzanne Collins is an absolute literary genius.

[queers-gambit]

History of Clocks

prompt: Carmy asks you out, Carmy thinks it's platonic. Carmy and Claire go on a date, Carmy forgets to cancel. how strong - or brittle - is your friendship?

pairing: Carmen 'Carmy' Berzatto x female!bestie!reader

fandom masterlist: FX's The Bear

collection masterlist: Nights Like This

word count: 10.8k+

note: strap in, this is a doozy. a masterpiece, but i digress.

warnings: humiliation / being stood up in public, i guess miscommunication trope, Carmy's a dumb fucking boy (and a lil bit of a dick), emotions are hard, angst, this Barbie copes through writing, girls being girls over fashion, love confessions, unrequited love, drawing boundaries, depiction of anxiety, nicknamed!reader has a dog, Cicero's niece reader 'cause why not! alcohol consumption (reader's a wine girlie)! and brief depiction of smoking! use of literary devices*, hurt no comfort!

*literary device warnings: a lot of repetition and too many idioms - some flow, others are kinda forced. please roll with it.

If someone asked Carmen Berzatto who his best friend was, he'd have zero hesitation to list your name. If someone asked who understood him the best, he'd say you did. If someone asked who supports him most outside his family, he'd shout your name first, declare your love as unconditional. If someone asked who or what inspired him, he'd insist it was you. But if you asked Carmy who he took romantic interest in, he'd answer Claire.

If anyone asked you ANY of the aforementioned questions, each response would be the same: Carmen Anthony Berzatto.

The two of you had been friends well over a decade by now, enduring his tenancy in Copenhagen and his residency in New York; plus anywhere in between. Sure, of course, it was frustrating having him gone, you missed him in abundance - but your pride outweighed everything. To see him chase and achieve such dreams brought you unparalleled joy; so much so, it didn't matter your pain of missing him. In turn, Carmy genuinely contributed much of his success to you, claiming your friendship is the central pillar that kept him upright; your blind encouragement what propelled him forward; and how a single phone call, hearing your voice, was like audible Xanax that quelled anxiety and self-doubt.

You had a tailored way of speaking to him; a way that never pressured him, but tried to show a different perspective to soothe his overactive thoughts. He describes you as optimistic, which, in his mind, was refreshing because of his violent pessimism. So, he attributed you as someone who kept him in balance.

A partner in crime. Another pea in his pod. Each other's missing half. A best friend.

For a while, this was enough.

You knew Claire was back around, but didn't put much stock in it because Carmy never did. Foolishly, you thought it was because of you - that maybe he harbored some feelings for you as you did him, and that's why he was uninterested in Claire. Through his transition being back home, Carmy had relied on you heavily, especially in the wake of Mikey; sharing intimate moments of emotional turmoil, doubts, fears, hopes, worries, dreams. Something in you both shifted; thinking perhaps you had aged past petty, fleeting flings and could focus on farming meaningful, real, lasting, supportive relationships. You foolishly thought you and Carmy were seeing one another through rose tinted glasses at the same time; that his were finally on.

You had been in the back office, wrapping up necessary paperwork for The Bear's operation when Carmy suddenly appeared in the doorway. "Hey, Honey, you got a sec?" He asked, wiping his hands on a dish towel; broad shoulder supporting his weight on the doorframe.

"Sure, whatcha need, Bear?" You glanced away from your paperwork to smile at him.

"What're you doing Friday night?"

"Uh, probably laundry? Why?"

Carmy chuckled and asked, "Wanna go out with me to this new marketplace? They have this place that does a fusion menu I've been wanting to try."

"Oh, I don't know, babes, I'm kinda out of clean underwear," you joked, both snorting identically.

"C'mon, pretty girl, go out with me. I'll even pay."

Apparently, in Carmy's mind, the phrasing 'go out with me' was purely platonic whereas to your ears, it was being asked out on an actual date. A miscommunication - or misunderstanding - that would position you both towards pain and difficulties.

"Oh, then I guess I can make it work. Where and what time do you wanna meet, Bear?"

"There's my girl," he smiled so prettily.

Carmy set the time. Carmy set the location. Carmy sought you out. Carmy asked you to go out with him. So, you didn't think to specifically clarify this meant Carmy was seriously committing because it sounded like a secure plan.

You should have.

Apparently, after parting ways with you, Claire contacted Carmy later in the night and made arrangements for their own date - on the same night, at the same time as his date with you. Carmy was so over the moon about going out with Claire, though, that he completely "forgot" to cancel on you, let alone tell you. Which felt very deliberate, considering the pair of you were so close, you were in the room post his appendix surgery - and if you've ever been there when someone's coming out of anesthesia, you know it can get kinda... intimate. So the fact that he never "thought" to tell you about Claire was a malicious blow - even if he did it unknowingly by being hyperfocused on where he'd take his lifelong crush, what he'd wear, even practicing certain topics of interest that would help him keep conversations flowing. The determination to make this date with Claire prove himself worthy of being loved, of being a priority in someone's life, mirrored your own desire - but specifically with Carmy.

You're not even sure how long you've harbored these feelings. Was it since high school? Maybe after? Was it before he left Chicago? Or when he was in Copenhagen, calling you when he got off work to chat on his walk 'home'? Maybe it was after he came back stateside and gifted you a leather-bound parchment journal where each page had a different dried, pressed, preserved floral. He labeled each bloom, dated the pages, and detailed where he was when he found each flower in silky ink from a fountain pen. The script truly looked poetic on the 'aged' pages.

"Oh, my God, Carmy - oh, wow! Look at this!" You gasped when presented the gift, gingerly leafing through the journal. "This is so - who thinks of something like this, wow, oh, look! Carm, I-I-I don't have the words, babes, this is just so beautiful, I'm blown away right now."

He shrugged sheepishly, hands in his pockets, "I picked any flower that reminded me of you." You'd come to read later that each page had an inked explanation of why these flowers made him think of you.

You beamed, clutching the journal to your chest, "Thank you so much, Carmy, I-I love it. No, really, I do!" You insisted when you saw his expression morph, "It's honestly the most thoughtful gift I've ever gotten, thank you so much."

"It's nothing," he eased, but the tips of his ears and apples of his cheeks were glowing bright. "I just didn't want to bring you home some novelty bullshit, like a 'I heart Copenhagen' mug; you deserved something better, more personal. You're a huge part of why I even went... Even bigger reason why I came back."

It was arduous to keep a level, pessimistic attitude; to gaslight yourself into believing your best friend didn't have feelings for you, that he was just being nice. Soon, it felt like wherever you turned, you had reason to suspect his feelings had changed; so upon being asked out, you abandoned logic and allowed yourself to flood with optimistic euphoria.

On Friday, you showed up at the agreed upon location; excited to take your taste buds on a culinary world tour without ever leaving Chicago with a real worldly chef. You thought you looked nice; carefully selected fashionable clothes (that ensured didn't look like you tried 'too hard') with chunky heels; your hair styled, make-up so perfect it could've been the featured look of a YouTube tutorial. Not wanting to wait on the sidewalk for safety reasons, you stepped into the fusion restaurant. After checking in with the hostess and earning a compliment from her on your fit, you were lead to a two-person table draped in navy linen with a contemporary floating candle centerpiece.

"Are you expecting company this evening?" She asked kindly, handing you a menu.

"Yeah, I'm just a little early. We're - yeah, no, I guess it's a date? He, um, he should be here soon," you rushed, flushing when you mentally scolded yourself that she didn't care and you needed to stop oversharing.

"Oh, no wonder you look so stylish!" She gushed. "He's gonna love it, you look beautiful - but not as much as I love your purse. I've always wanted one like it, but maybe in burgundy." You told her the store you got yours at, explaining it was a discount-department store buy, but the designer was sold at other easily accessible stores. It was nice to have a friendly, normal conversation; just two girlies, exchanging fashion tips which helped you feel all the calmer. The hostess who's badge read Laura nodded with a smile, "Is it okay to leave his menu here, then? I can take it back with me, if you wanna share?"

"No, no, you can leave it - I didn't bring my reading glasses," you tried to joke, wincing at the awkwardness.

"No problem," she set it down. "Can I get you anything in the meantime, honey?"

You almost laughed, instead smiling, "Oh, uh, water would be great, thank you."

The dining hall was relatively moderately full; several tables empty, waitstaff in matching navy uniforms dotted around, the lighting low to create a warm (or romantic) ambiance. You nervously checked the gold bracelet-watch inherited from your grandmother, clocking the time as 6:24.

There was no need to stress yet, so you studied the menu and made mental notes of what sounded good, what dish paired with what. A person could only look over menu options so many times, however, so you answered a few emails and texts before mindlessly scrolling through social medias to kill awkward time.

Around 7:05, your chest felt warm with something that made your intuition catch flame.

You texted Carmy: hey are you running late? you haven't texted me you're on the way yet 🤨

While to some, saying 'you haven't texted me yet' might sound a little overbearing, crazy, or pushy - maybe even spoiled - you did so because you knew how scatter brained Carmy was. He had an incredibly unpredictable, stressful, and chaotic job, which meant he sometimes lost track of time and needed reminders of other responsibilities / obligations outside The Beef, soon-to-be The Bear. You two had a friendship built on trust, fully able (and encouraged) to be yourselves and send borderline crazy messages to each other. You said it in person, why not over text?

The sweating glass of water was refilled, invisible timer ticking inconspicuously in the background, bread basket missing several sticks, the dining room now about 75% full.

Glancing around, you felt nauseated when you noted several couples enjoying romantic dinners; others with easy smiles and jovial laughter, happy to partake in the good tidings of loved ones. All around you, there was a smorgasbord of buzzing conversation you couldn't decipher. You had nothing else to do but focus on random moments of clarity, deducing some patrons were meeting for business; others were on dates, one table was celebrating their friend's new promotion, another, a birthday.

Yet here you sat, alone in the middle of a popular, high-trafficked restaurant; silent, isolated, feeling as if you were some zoo exhibit. Your plaque would read: Behold! The Stood-Up Single Woman!

While irrational, you felt other patron's beady eyes glazing over you - as if everyone could just tell what was happening. Their eyes made you sweat, feeling perceptive and heated, heavy and hateful. They watched you in your exhibit as if to affirm their situations could never be so bad because at least they weren't like you: stood-up, outcast, and humiliated. Their pity reeked. Their muttered words of prediction filled the stuffy space.

The invisible timer ticked louder, faster.

Tapping your phone screen set on the table, the time now glared as 7:33. So, you sent another text: uh, hello? Carmen! i thought we agreed to meet at 6:30? what's wrong?

Your message delivered, but there was no response.

Anxiety filled your heart, mind, and soul; being pumped through your veins to absorb in your bones - which created a sort of ripple effect within your chest and abdomen. Hair stood on the back of your neck. Stomach torqued in fear. Lungs deflated. Esophagus twisted. Chest hollowed and sunk. Right leg bounced at Olympic speed. Fingers twitched nervously, picking at cuticle, teeth chewing the skin off raw lips; eyes drawn to the entrance just in case Carmy showed up... In case anyone showed up. Skin burned and sizzled under the long, pitiful stares of patrons and employees alike. Heat flushed your body with embarrassment as if under Broadway stage lights; making you feel clammy and uncomfortable.

At 7:36, you double texted: Carmy?

Why wouldn't he answer you? Why wasn't his location updating? You worried something happened, he always messaged you when running late - so why not this time? Was something wrong? Did something happen? Wouldn't Sugar or Richie or one of the nine fucking Faks have called you?

The invisible timer ticked louder, faster.

At 7:45, Laura returned to your table, asking, "Would you like to see our drinks menu again?"

"Oh, uh, no, thank you, it's not necessary. Could I do another glass of Moscato, please?"

"Of course. Could I interest you in the bottle, you think?"

"At this point, yes ma'am," you chuckled at yourself.

"Any appetizers? Or more bread?" Laura asked sweetly.

You ordered multiple somethings to keep appearances, feeling bad you had sat there without ordering for so long; but also figuring if you were here, might as well enjoy trying something new, right? As the pretty young thing with a slicked back bun walked away, you were left to stare at the other undisturbed menu across from you, the candle wax dribbling into the water it floated on. Snatching your phone in hand, you glared at your message thread with Carmy, sending another: what the FUCK, Carm? answer your phone!

The invisible timer ticked louder, faster.

By 8:24, you had called him a total of 15 times.

The dining room was packed and poppin' by now, making shame cloud your shoulders from taking up precious optimal space on a popular date night. In truth, you didn't notice just how busy the dining room had gotten, but you know what they say? "Time flies when you're having fun," but it fucking trudges by in a mocking, lazy taunt when being actively humiliated.

At 8:32, your bottle of wine was polished off and you finally texted Richie: hey Cousin, is Carmy with you?

He answered within a fucking minute: no he left over a while ago for a date with Claire Bear

A record scratched in your brain, rapidly typing: what??? what does that mean???

Richie replied: damn, Cuzzo, you should know what a date is or has it been that long? 😂

Your throat swelled shut, nodding sadly and locking your phone; rolling your lips between your teeth to prevent yourself from having a very public, very emotional breakdown.

The invisible timer ticked slower, quieter.

With a sharp sniffle, you flagged Laura down, pointed at the menu, asking for your meal to-go and the check. She could hear the warble in your voice, so when she returned with your to-go order and check, Laura had snuck a couple extra things in your bag without charging you. And she only charged you for a glass of wine, not the bottle.

Laura earned herself a generous gratuitous tip as well as all the cash in your wallet, being a little over $150.

Returning home around 9:03, you could identify the dreadful feelings of rejection; how forgotten, taken for granted, disappointed, abandoned, replaced you felt. Unloading the food on the counter, you made yourself a plate and looked at your phone one last time. There was still nothing from Carmy, but Richie had texted you again: you good, Cuzzo? what you need Carmy for?

Changed into a set of cozy clothes, you curled up on the couch with your food and another glass of wine; faithful, loyal, loving dog(go) hopping up beside you. Switching something on the TV, you answered Richie with one hand while fending off the pup: nothing important anymore, Cuzzo. we can talk tomorrow!

It was a strange sensation; that blatant sting of betrayal and rejection from someone who was never supposed to hurt you. If Carmy didn't return your affection, that was okay! That was perfectly fine! That was ideal, even, because you never wanted to jeopardize losing him from your life so even if you couldn't be with him, you'd rather be his friend than nothing at all. But what isn't okay, is standing you up. Forgetting you. Neglecting you. Unjustly shaming you. Publicly humiliate you. Disrespecting you. After over a decade of friendship, didn't you deserve better than that? Of course, you did - so why did Carmy subject you to such degradation? Was Claire so hypnotizing, enchanting, bewitching, she successfully managed to block all your Carmy sensors? Or were you just that forgettable?

There were too many overwhelming emotions pinballing around your heart, mind, and soul to even begin processing. So, you cuddle your most loyal companion who would never betray or abandon you, ate what you could, polished off any wine, set several alarms on your phone, and laid down on your couch to be lulled into restlessness by the sounds of whatever comfort show was left on.

After getting up early to shower off the previous night, you got ready for work and made the trek through the city. While your couch was comfortable, you didn't sleep well; eyes heavy from their sting, second cup of coffee already in your travel mug, movements sluggish. You would've called out, but today was one of those days you had to go over some legal and logistical shit with your Uncle Cicero.

So here you were.

"Yo, Cuzzo! Hey-hey, good mornin', sweetheart!"

With a tired sigh, you spied Richie outside The Beef, smoking, watching you with a smirk. "Mornin', Richie-Rich," you tried to sound as if you hadn't been awake all night.

"Well, don't you look fuckin' peachy?"

"Fuck off, I'm not in the mood."

He held a hand out to prevent you from passing him, asking, "Yo... Hold on, what's good with you? And don't feed me no bullshit, I know something's wrong. You look like shit - but I mean that in concern, Cuzzo."

You decided not to comment, answering instead, "I just didn't sleep last night."

"Uh-huh... And?"

"And what?"

"That's it?"

You shrugged, "Nothing else worth dwelling over."

Richie cocked his head, "The fuck does that mean? Here," he offered his cigarette, which you accepted.

"Nothing's wrong, can we just - "

"Fuck all the way off," he scoffed, "you know the sooner you tell me, the sooner I stop askin'."

"It's... It's really stupid, Cousin."

"Don't make no difference to me; if it's bothering you, tell me."

You dropped the butt of the cigarette to the sidewalk, squashing it under your heel before leaning back into the wall with a long sigh. "I should preface this all by admitting, I might have feelings for Carmy - "

"Yeah, no fucking shit," Richie laughed, seeing your deadpanned expression. "Dude, holy shit, everyone can see it except you two idiots, it was high time someone admitted it. Tina and Mikey used to have a bet going about y'all ending up together."

Your frown deepened. "Right, well, glad everyone's so entertained and well-versed on my doomed love life," your eyes rolled.

"'Doomed'?" Richie chuckled, stopping when your expression turned crestfallen, rushing, "Woah, hey, I'm just teasin' you. C'mon, Honey, tell me how you're doomed?"

You were quiet, staring at your sneakers as you tried to build the courage to verbalize the situation. See, once you said it out loud (and to anyone), it becomes tangible, public, and undeniably real. You didn't want this to be real.

Just as Richie was opening his mouth to question (or nag) you, you admitted, "Carmy and I had plans to go to dinner last night..."

Richie paused, then asked, "But he was with Claire?"

"Exactly."

"I... Don't think I follow, Cuzzo?"

You huffed, "Cousin, Carm asked me to dinner, right?" Richie nodded. "He picked the time and place, then apparently, made plans with Claire but didn't tell the other. So, I got there last night, right? I waited for two hours, Cousin, but Carmy never showed, never answered my messages. He stood me up. He chose Claire."

"Are you fucking serious?"

"Unfortunately."

"Wait, lemme get this straight. So, he asked you out?"

"Yes."

"And made a legit plan? To link up? Time, place, whole thing?"

"Yeah."

Richie readjusted his stance, his anger flaring - reminding you of the diagram Lilo drew for Stitch to show how full of 'bad' he was. "And you're saying, you got there, waited for him for hours - fuckin' plural - and he didn't show up? No text, no call, no nothing?"

"Correct. I called and texted plenty, though. No answer."

"Right, but he didn't cancel your date when Claire came in the picture? Or vice versa, what-the-fuck-ever?"

"Nah."

"Just left you there? Alone?"

"Yep."

"Hold up, hold up. Homie made a date with Claire Bear before or after he made one with you?"

"Now that, I don't know. But does it matter which date came first, he still stood me up for someone else."

Richie blinked a few times, nodding silently with pursed lips. Then he snarled and tried to surge past you for the door, "Oh, I'll fuckin' kill him - "

"Yo, yo, yo, hang on! Wait, hold up! Leave it be, Cousin, it's not worth the hassle - "

"Nah, nah, nah! He doesn't get off scot-free! Nobody puts Baby in a corner and nobody fucks with Honey!" The two of you tussled on the sidewalk, you refusing to let him pass but him being stronger. It was quite the sight.

"No more Dirty Dancing references!"

"Hater! Lemme go, Honey!"

"Listen to me! Please, for fuck's sake! I don't want this to be anything bigger than it already is! Listen to me, I just want to get some work done with Cicero and go home. Okay? Okay? Goddamnit, Richie! It's not the time for this! Leave it alone for today! I just want peace!"

Richie eventually calmed down enough to let you push him back a couple feet. It took two more cigarettes, but you managed to pacify Richie enough for you to enter The-under-construction-Beef together, discovering most employees already present. Yet, in a rare and odd occurrence, Carmy wasn't; which would've normally confused or worried you, but now, only relieved you. As project manager, you worked intimately with Carmy on a daily basis - which poses as an obstacle if you were trying to avoid him - but without him, you could focus on getting work done and not dodging him.

"Behave," you reminded Richie in a lower register. He swatted at you, picking at a donut Marcus created.

"Mornin', Miss Mamas," Tina greeted, glancing over her shoulder to flash you a warm smile - requiring a double take. "Oh, baby, you look exhausted."

"I feel exhausted," you cleared your throat, greeting her with a quick peck to her cheek.

"Oh! So she can say it and it's fine? But when I do it, it's an issue? This is hypocrisy! Double standard bullshit!" Richie barked with laughter, shuffling past with a swift peck to your temple. Tina pushed at his belly as he passed, making him grunt and flinch dramatically.

You asked Tina, "Is Cicero here yet?"

"In the back with Sugar, baby."

"Thank you, Chef."

Richie watched you walk away from Tina only for Marcus to stop you, then Ibrahim needed something and it looked like everyone was gearing up to bring some kind of problem to your plate. Like a good cousin, Richie swooped in to place a donut in your hand, "All right, all right, back off, you jagoffs, let the lady breathe." He shooed you onward, feeling protective enough to intercept anyone to give you the space you needed after last night. You told him you wanted to work and go home, so he was going to do what he could to give that to you. The moment you disappeared into the office, Richie hissed to any surrounding employees, "Get the fuck over here!"

"The fuck, Richie?" Tina snipped, "We got work t'do, baby."

"I know," he rushed, glancing over his shoulder, then back at the others, "but I want everyone to go. Fuckin'. Easy. On Y/N today. Okay? Got it? She's got some shit to do with Cicero and then she's gonna go home - so, let's make sure that happens, no exceptions."

"What happened? What's wrong? Is she okay?" Marcus asked in concern, his frown deep enough to lower his brows.

"Yeah, Richie, you can't say that and then not explain," Syd tacked on. "I'll talk to her. -"

With grit teeth, Richie scooted in front of Syd and warned, "Hey. She's my fuckin' family, right? I'll protect her from anything - including you jagoffs, so leave her alone today. Okay? That's all I'm asking - Leave. Her. Alone." He glanced around and lowered his voice as the others all dipped inward to hear him, "Fuckin' Carmy asked her onna date last night then stood her up and went out with Claire instead."

This caused an angry ripple to emit from the huddle. You were none the wiser; in the office, sat at the desk to go over what Sugar had prepared for your review. Cicero leaned on the desk beside your chair, arms crossed, just watching you as if a bug under a magnifying glass. He pushed his glasses up by one finger to the noseband, glancing at Sugar and asking, "You all right, doll?" There was a pause, then a hand nudged your shoulder, "Honey? You hear me?"

"Hmm?" You looked up, "Oh, wait, sorry, were you talkin' to me, Unc?"

"Yeah, darling. I mean, you look pretty tired, just asking if you're all right?"

"Wow, I come into work as my most beautiful, natural self and all anyone can say is I look tired?" You laughed, trying to lighten the mood, "Maybe I do need make-up."

"You're also in joggers."

"I didn't feel like putting jeans on this morning, sue me."

"And you're quiet as hell."

"So? Usually you're telling me to shut up."

"You have a college degree in yapping," Cicero chuckled, "so when you go silent, I know something's wrong."

"I'd have multiple PhD's if yapping was a real major," you joked. "But I promise, Unc, I'm all right. I didn't sleep last night, so, after we get this shit done, I'm gonna head out."

"Are you sure?"

"Positive, Unc. Tell you what, you can even drive me home when we're done."

Cicero nodded, "Good deal. Then, let's get crackin'."

It was the worst timing in the History of Clocks.

Pete called Sugar several times, so she finally answered when Cicero needed to run to the restroom; leaving you alone and defenseless in the office as Richie was out back for a smoke break. Carmen apparently arrived just in time, all but bolting into the office when he didn't immediately clock you in the kitchen.

The invisible timer began to tick.

"There you are!" Carmy gasped, startling you enough for your knees to bang up into the desk. "Ohhh, shit," he blinked when you grunted and rubbed your legs, "I'm so sorry, Honey, that was my fault, I should've called or something as I came in."

"It's fine, Carmen. Look, uh," you gestured to the paperwork before you, "we're almost done here, do you need something or can it wait? Kinda your restaurant on the clock..."

"I mean, it can wait, but are you busy, like, right now-right now? 'Cause, lookit, I gotta tell you, I had the best fucking night. I'm so serious, Honey. I went out with Claire - you remember Claire, right? - and it was, wow, just wow - I mean, this girl is the whole package, you know?" You bristled when he took a seat on the edge of your workspace and realized he was carefully avoiding usual pet names. He continued to ramble on about his incredible date with the incredible Claire, missing your lips pursed in patient annoyance as you listened to him without reaction; staring emotionlessly at the laptop screen. "Hey," Carmy waved a hand in front of you, causing you to flinch and automatically look towards him - albeit in annoyance. "Where are you right now? You're not here, in the present with me. You all right?"

You couldn't help but bite, "Mhm. Where's your phone?"

The invisible timer ticked louder, faster.

"What?"

"Your phone, Carmy, the thing you pay a monthly bill for so people can get in touch with you, or you with them. Ring any bells? Where's your phone, it'll play bells for you."

"Woah, hey," his hands went up in defense, "what's with the hostility? I left my phone somewhere here last night, Honey."

"Oh, sure. How convenient - "

"No, look, I'm serious - look, look around the fuckin' desk!"

You glared at him before shuffling the few papers and files, ready to snarl at him when you found his phone. "Why's it here?" You asked stiffly, handing over the shut-off device.

"I forgot it, I was in a bit of a rush."

"There a reason for your rushing?"

"Yeah, to get to my date with Claire - see, you weren't even listening to me, were you?" He let a twinge of frustration taint his tone, "You wanna bite my fuckin' head off about my fuckin' phone that I forgot at work, fine; but you're so mad about it that you didn't even listen to me? Jesus, fuck, who are you, my mother?"

You swear you heard 'oooohs' coming from outside the office.

"Oh, fuck you, Carmen! How about you check your messages before trying to come at me, you fuckin' bitch," you snapped, slapping your laptop closed and starting to pack up the desk.

"What the fuck are you so pissed off for? 'Cause I didn't text you 'goodnight' or 'good morning'? Grow the fuck up - "

"Hey!" Cicero charged into the office, interrupting the argument. "I don't know what the fuck is happening, but we're busy in here, Carmy - "

"No, actually... Actually, we're done for the day, Unc, I can do everything else at home."

"No, Honey, hang on - "

You stood abruptly to gather the last files from the desk, "No, it's fine, I'm exhausted anyway. I got stood up last night waiting for this jackass, so as you can imagine, I just want to go home, away from any and all others right now."

"Woah, hang on," Carmy pleaded, checking his repeatedly dinging phone he managed to turn on, "wait, what the fuck is this? Why did you call me - holy shit, seventeen times?!"

"Could you drop me at home, Uncle?" You pleaded softly.

"Of course, princess, but what the fuck is going on?"

You could only manage a fake, sad smile, "Carmy's the jackass who stood me up last night."

"No fuckin' shit!" Cicero gasped, looking between you. "Uh, yeah, yeah, Honey, sure, I can take you home, c'mon, let's go."

"I left these for Sugar, they're all filled out if she can just file them - the rest I can do from home," you tapped the files left behind, leading the way out of the office; Carmy stood to the side in shock as he caught up on his messages. "Think we could grab something to eat on the way?" You asked, desperate for distraction.

"Whatever you want, doll, of course," Cicero agreed easily, following you at a close range. The others scattered like roaches, pretending they weren't listening, but... C'mon... You know?

The invisible timer ticked louder, faster.

"Wait! Wait, Honey! Please, hang on," Carmy called after you, repeatedly shouting your name. "Wait, please, wait, wait, wait, hang on!" He pleaded in a race against time to clear the kitchen and reach you before you could walk away from him for good. His hand wrapped around your upper arm in a desperate attempt to stop you, but it only made you flinch.

"Carmen," Cicero spat in warning.

"It's okay, Unc. It's okay, we should probably hash this out, you know? I can - I'll meet you out front," you promised softly, patting his arm raised to protect you from Carmy's grab.

The invisible timer ticked louder, faster.

Cicero gave a 'harrumph' and pushed his glasses back up the bridge of his nose, glaring at Carm before taking his leave. You huffed and crossed your arms, turning to face your best friend, sneering, "What could you possibly have to say to me? You said enough last night."

"The fuck does that mean, we didn't even talk!"

You snapped, "Your silence was really fucking informative, Carmen!"

"That's what you're not fucking explaining to me! I don't even know what you're mad about!"

There was satirical amusement donning your expression as you gave a gruff chortle of disbelief. So, you broke it down, "By you not canceling the second you and Claire made plans or remembered you made plans with her first, by not answering me all night and humiliating me, leaving me there, alone, so you could go out with Claire said all I needed to hear. It was all you had to say. You were so fucking loud, it's a miracle I haven't burst an eardrum!"

"Honey," he sighed like you were a child throwing a tantrum, "it was an honest mistake. I don't get why you're blowing this up? We've literally forgotten about plans before, just help me understand why this one is so different? I want to fix this, tell me what the fuck is going on!"

Speaking of bursting an eardrum, the invisible timer ticked louder, faster.

Tears broke your waterline, "You've always been my best friend, Carm."

"You're mine, too - "

"But at some point, things changed for me. I get it's a personal problem, so I kept quiet because I loved being your friend, being in your life - I tried not to be greedy, but now I see we were just racing this inevitable clock. When you and I went through everything with Mikey, I thought it made us closer, stronger - "

"It did!"

" - but I also thought that maybe you weren't seeing me as before, as some kid, but as I am now - a woman."

"Honey..."

"Let me finish," you bit off, tears dripping down both your cheeks. "I still never said anything, I never wanted to pressure you, and truthfully, I always knew you had a thing for Claire, I knew one day someone would come around and replace me, but I still loved you. Despite everything with my family, with yours, I loved you. Despite any of my own reservations, my own fear about ruining what we have because it's better than losing you completely, I loved you. Despite the physical distance and all of your emotional distance, I loved you. And then, you come up to me, out of nowhere, and you asked me to go out with you. Twice, you phrased it that way, Carm."

"Honey, baby, please - "

"You asked me to go out with you, you set the time and place, I agreed. I showed up... I sat there as people came and went through the night, Carmen. It was humiliating an-and degrading and mortifying. Only to find out within seconds from Richie that you had left for a date with Claire - when there I was, alone, waiting for you, too. Like I said, I always knew you had a thing for her, and I knew one day someone would replace me, but holy fucking shit, Carm, I thought you had a little more decency, more respect than that after years of friendship - "

"How could you say that to me?" Carmy snapped with tears racing down both your cheeks, mindful of the distance as to not crowd you. "Knowing you're my best friend, the only person - "

"How could you leave me there, Carmen!?" You cried, making him freeze. "That was downright cruel and so fucking hurtful. So much so, in fact... I-It makes me feel we shouldn't talk for a while."

"What?"

"I'm so sorry, Carm, but I just - I don't think it's fair to anyone involved, nor those around us, to remain friends right now. So, we just... Need a break, or something. Being your friend is too fucking hard and so exhausting, it's been at my expense... We just need a break."

"No, hey, h-h-hang on a second, baby, wait, please," he halted you from turning away. "Listen to me, please, I'm so sorry. I really am, sweetheart, I'm so fucking sorry. Okay? I-I'm so sorry I forgot my phone and didn't see your calls or texts - "

You let your hand wave as if to physically pause the conversation, breathing, "That's what you think I'm upset about?"

"Well, yeah, and I'm sorry I couldn't call you, but you saw, you found it - I forgot my phone!"

"No... No, you didn't forget your phone, Carmen. Jesus Christ, you forgot me," you whispered, taking two steps back so he couldn't touch you even if he tried. "I really don't think we should talk anymore, okay? What you did was really fucked up, what you made me feel was even worse. I'll still help with the restaurant, I promised I would, and unlike you, I can be taken for my word because it means something. But I don't think you and I should work together, you make me so fucking uncomfortable - "

"No, hey, wait, baby, please, listen, listen, listen - I made one mistake," he pleaded, trying to step towards you but you reared back another three. "W-Why're you punishing me - punishing us - for one mistake? Please, Honey, I know I fucked up, but let me fix this!"

"Well, a stitch in time saves nine."

"The fuck?" Carmy chided, eyes narrowed.

"It means by doing proper the first time, you avoid problem later - but you don't have a lick of accountability, do you? No forethought, no comprehension to how your actions will affect others! It's not just 'one mistake', it's not just you standing me up, Carmy! Jesus, fuck, it's everything! I just poured my fucking heart out and you can't even say you love me back, can you?" You gave no time to answer, "No, of course not, because it's Claire - it's always gonna be Claire! It's always gonna be someone! So, I-I can't play second fiddle anymore, I won't - I can't be in love with you while you're in love with someone else, Carm. You've kept me on your back burner for too long, you forgot me, so you're not allowed to be surprised the kettle still whistles. I just can't do this, Carm, it's complicated and it hurts, it's not fair to either of us. So, I'll remove myself, no problem and work from home, but if I have to be here, please, limit our interactions best you can. For my sake, I'm begging you, give me fucking space."

"You're just gonna throw us away? I fuck up once, and that's it? Just like that?" Carmy begged, sounding earnestly confused. He looked like a kicked puppy. It broke your heart in a way last night couldn't. "I made one mistake, Honey, okay, yes, I take full responsibility! Please, let me try to fix this, okay? Please? I'm so sorry, I know that doesn't cover it, but lemme try to make all of this up to you. C'mon, baby, please, don't let me be the reason we both lose - just - okay, just let me fix this, please!"

"No, you know what? I'm not throwing anything away, I never did, Carm, you did when you chose Claire over me," you shrugged, tears strangling you once more. "Now, I need space... Can you give that to me or is that too much to ask for?"

"Why're you talkin' t'me like that? I-I'll give you whatever you ask for, Honey, you know that," Carmen sniffled, eyes reddening by the minute; hands going from hips to hair to forehead and back, unsure what to do.

You managed to get out, "I don't even know you anymore, it seems," before fleeing the kitchen, lungs choking on nothing. You couldn't get air in. You couldn't push any out, it was all so choppy and violent. With a hollow chest, you escaped out the front door; hating that you had to ignore Sugar and Richie calling after you, stumbling on the sidewalk and into Cicero's idling car.

"All right, let it out, you're all right, Honey. You're safe with Uncle Cicero," he soothed, rubbing your back as he pulled into traffic. "I know, I know... We all know, I'm so sorry this happened. What a fuckin' jagoff - you want me to pull my money from this restaurant? I'll do it - I'll do whatever - "

"No, no, no," you whimpered, sniffling and wiping your cheeks. "While I appreciate your ready and willingness to defend me, I don't want it at Carm's expense. I'll just work from home, it's not a big deal, and then... Maybe if I have to come in, I know Richie will be there to be a buffer, but maybe you could - "

"I'll be there whenever you ask, princess, you know that."

"Thank you," you squeaked as he drove past your usual street. "Oh, uh, I'm down South - "

"I thought we could make a run to the store, make sure you have all your comfort snacks so you don't have to go back out. Or do you wanna go straight home? You tell me, princess."

You gave a watery smile, a new wave of emotion choking your words, "Snacks would be really nice, thank you."

"You have dinner?"

"I don't know - "

"We'll get you some," he comforted, patting your knee as you just needed a safe space to cry. And for now, that was the front seat of your Uncle Cicero's 6-figure car.

You knew it was a formal invitation the moment you caught sight of it at your doorstep, indicating it was hand-delivered and not sent through the mail. It sent a flurry of unknown emotion through your veins; angry by its arrival, yet excited by what it meant. With a glance up and down the hall of your apartment landing, you found yourself alone; bending to pluck up the envelope and enter your home. Keys to the bowl, shoes left at the door in the foyer, coat hung up, purse deposited to the available end table; phone being pocketed as you turned for the kitchen to drop all mail on the counter.

You didn't open anything.

Instead, you got on with your evening after working your usual 9-5. After a steaming-hot shower, you smeared on a facemask to hydrate your tired skin; then shimmied into soft loungewear and fixed your hair for the night. In the living room, you turned on Netflix for background noise before scouring your kitchen for an appropriate dinner that would hopefully nourish you after such a busy day. You debated a glass of wine, thinking you didn't need it, but then pouring one as the glittering envelope taunted you from where you left it. You drank, glaring at the little piece of stationary as you cooked a simple stir fry concoction. Carmy taught you to clean while you cook, so, once your meal was dished up and whatever could've been stored in the dishwasher was, you poured yet another glass of wine, snatched the invitation, then nestled in the living room with your meal.

You still didn't open it.

The coffee table was larger than others; big enough to double as a work desk; the perfect height for you to still access while lounged back on the sofa. You had all kinds of documents spread, most pertaining to The Bear - which was finally set to open in about a week. It would've been an exhilarating time of celebration... Should you have been able to feel anything other than outright heartache.

For weeks now, you hadn't spoken to Carmy, the longest you've gone in your lives. You simply weren't ready to face the other side of rejection; spending this time building yourself up as an independent woman who didn't need no man, even if that man was your best friend. The idea that there was no place for you in Carmy's life or room for him in yours felt farfetched and illegal in some manner, as if it were taboo. You had a lot of navigating to do, and much farther to go, but for now, you were still in the adjustment phase. Never had you been without each other, it was weird to think this was it, there wasn't any going back; at least, not from you, yet, after such a putrid display of disrespect.

While you were stood up in just one restaurant, you avoided the entire marketplace as a whole out of sheer embarrassment. Granted, it wasn't a place you frequented, but it was still a hotspot some other friends had discovered and wanted to meet at for your weekly hang-outs. You couldn't tell them how triggered you felt because you didn't want to limit places to go, so, you figured bailing on them was the better option. It's not like you lied when you said you couldn't see them because of work - which was typically really crazy - but you could still make time if you wanted to; you had before. That's how much Carmy's hurt debilitated you, though.

Your plate was left to the side, dog sniffing around in the hopes of licking up whatever scraps you might've dropped; one hand holding the glass of wine, the other pinching the envelope by the corner. Deciding it was now or never, you ripped open the seal and retrieved the contents with delicate fingers, as if it would burn you.

The invisible timer started to tick.

You ignored the use of parchment paper. You ignored the perfume slightly wafting from it. You ignored the familiar script in silky ink. You ignored the certain choices you remember picking out, now used officially on the friends and family opening night invite.

You smiled sadly, letting the parchment card fall to the envelope left on the coffee table's corner. You took a long breath in, jaw wriggling; tears slowly forming, but not falling. For weeks, you had avoided any direct reminder of what happened; knowing you still worked as project manager, but able to sort of schedule your emotions around deadlines and necessary interactions. This particular piece of mail was impending, but unexpected today; where being invited to see the completed restaurant you helped design and erect was all but expected - just not today, per se. While every fiber of your being wanted to attend, nothing felt right about accepting when you knew you'd more than likely run into Claire and would have to interact with the others.

It felt too soon.

You had no right to go around any of them anymore.

What would you say?

Sniffling your emotion with a deep sigh, you leaned back to your back couch cushion with the last of your wine tipping to your mouth. While petting your pooch fondly, you wrestled mentally pros and cons, different logistics, like: who did you message your rejection or acceptance to? Did you bring a date? Did you go with Cicero? Were you supposed to wait after the crowd cleared to mingle with your friends? Were they still your friends? What did you wear? Should you make legit plans with other people so you had plenty of distraction that evening? So you had a solid alibi? Would anyone even question your absence?

Your dog whined when your phone vibrated violently in a phone call from another cushion. With a sigh, you leaned forward to set your wine glass down and snatch the offending object, answering, "Hey, Unc."

"Hey, princess. You busy? This a bad time?"

"No, no, I just finished dinner and am trying to will myself to finish the dishes. What're you up to?"

"Gettin' ready for bed - just wanted to check in on you..."

"Ohhh, I get it - so, you got a pretty little invite in the mail, too, huh?"

"I got something, yeah. I think it looks pretty nice, don't you think? Definitely Sugar's design."

You held back your sarcastic quip about how you had all but designed the invites, so, you answered instead, "Yeah, real nice, Unc, yeah, she's got real talent. You goin'?"

"Uh-huh, no beating 'round the bush with you, is there?" He sighed, making you smirk broadly, "I am, I'm goin', gotta visit my money, you know? Well, I was wonderin' if you wanted to go with me?"

"Oh, Unc - "

"I know, I know, but it could be nice. Just us! Or we could double date? My treat - I'm paying - "

"I don't know if I can go yet, I haven't checked my schedule. I got home, made dinner, ate, answered your call."

"Oh, shit," he laughed. "Well, you think about it and let me know, Honey, okay? Okay, seriously, it'll be nice, we can go together, or separate - you know, don't let me cramp your style."

You laughed, "Nah, you kinda up my game."

"As I should. All right, pumpkin, well, I should run - but you think about it, let me know what you think, okay?"

"Okay, Unc, sounds good. We'll talk soon, I love you. Goodnight."

"Love you, too, doll, goodnight."

The invisible timer ticked louder.

The invitation was the only thing clipped to the front of your fridge. It taunted you at every passing moment. For days, it demanded your attention - succeeding only because you knew you had to RSVP to someone. Friday loomed closer and closer, Cicero had sent you two reminder texts, and try as you might, the fracture to your heart wasn't easily plastered.

There was nothing but heavy pain each time you thought about attending, so, on Wednesday night, you texted Sugar: hey babe! love that F&F is happening! sadly i have some work shit to do so i can't be there ☹️💔 but the invites are gorgeous! congrats on everything, i can't wait to see it! thanks for thinking of me for the guest list! good luck on Friday! 😘

Then you texted Cicero you couldn't make it, and while he understood, Sugar replied: Thank you, my love. Fak was so proud to show us how to work Canva for those invites 😂 Sure there isn't anything I can do to change your mind? We'd all love to see you there!

You answered: no way, this looks like real handwriting! technology's going too far. and yeah babes, i'm sure, i got work shit so unless you yell at my boss, i'm kinda stuck 😂

Curiously, Sugar requested a photo of your invite; but without curiosity, she also requested your boss' phone number. After you sent the image, she replied: Oh wow! I guess Carmy went rogue and gave you a fancy handwritten invite. What a jerk. Is he still a jerk? I can't remember, we haven't talked about what happened! 🥲

You promised: nothing to talk about now, Sugar Mama. all good! i gotta run but i love you congrats again, gooooooooodnight! ❤️

You hated avoidance; the dejection, festering unworthiness, self-imposed punishment and isolation. Yet it was all you had now, rationalizing you were protecting yourself and this was a necessary defense for your newly instated peace. Sometimes, you had to do things like miss events because you're healing - and that should always take precedence because you were nobody's priority but your own.

You put a red line on your calendar through the words 'THE BEAR', nodding as if in assurance of your decision, then yanked the invitation from your fridge. Yet you hovered over the trash can, fingering the lettering and remembering Sugar's text: Carmy went rogue and gave you a fancy handwritten invite.

The trash can lid slammed shut.

The invisible timer ticked slower, quieter.

In your bedroom, you pulled a handheld trunk from your closet and knelt to the floor. Inside the trunk, you had placed all triggering Carmy centric mementos and memorabilia; dropping the invite to the towering piles. You carefully pushed some letters out of the way to pick up the journal he gifted from Denmark; flipping it open to any random page for study. Then you compared it to your invite and let a small, fond smile tug on yours lips; confirming it was Carmy's script, that he had, indeed, gone rogue.

When the trunk shut, so did the lid of your feelings.

Opening night had been something of a disaster, but the staff was ready to handle whatever obstacle. Granted, the head chef getting locked in the walk-in freezer wasn't on anyone's bingo card, Sydney was still a fucking superstar and commanded the kitchen in a gorgeously fluid and respectful manner. Richie stepped up and proved he was a newly-appointed expert in hospitality. Fak could take... some... direction. All in all, while not ideal or what was expected, it was an incredibly successful opening night! The staff was all rightfully proud of themselves, riding euphoric adrenaline highs.

The invisible timer began ticking.

Despite knowing Carmy had been freed from the freezer, nobody could locate him. Some theorized he went home to blow off steam, others teased maybe he went home with Claire - missing the way she left in tears earlier. However, when Tina, Fak, Syd, and Richie left the kitchen, they paused and let their proud smiles drop upon discovery of Carmy sitting, alone, in a back booth of his restaurant.

A dim, yet unmistakable comparison to what he did to you months ago.

There was temptation to leave him there; the entirety of the staff pissed off to the point they were giving Carm the cold shoulder for what he did to you. They credited you with damn near everything "The Bear" was, because while not your idea, not your dream, you gave it life and brought this place into fruition. Not to mention, you had taken on work as project manager for free - paid in the value of knowing you were helping such a good cause. A good family. It was a repeating fact; your everlasting endearment and compulsive support for anything and everything 'Berzatto'.

Yet despite their own simpering feelings, it was all dwarfed on examination of Carmy's decidedly pathetic statue. Syd felt a level of guilt the entire night, feeling it increase on sight of her technical boss; but to Fak, Richie, and Tina, who took Carm's slight against you personally, this was a heart-melting sight. There was a strange, mutual desire where the group went from wanting to kick Carmy's ass to just wanting to give him a hug and help the poor emotionally-inept dumbass.

"Go," Tina snarled quietly, pinching Richie's under arm.

"Me!?" He spat in shock, "Man, hell nah, fuck that guy!"

"Fuck you, too, Richie, c'mon," Sydney chided, pushing past them to lead the way up to Carmy. "Uh... Heeey, Chef?" She greeted in an unsure, sing-song voice.

"Chefs," he nodded meekly, immediately looking back to his anxiously twiddling fingers.

"Hey, Carm," Fak smiled warmly. "Whatcha doin' here, bud? Why're you all alone? In the dark? That's kinda creepy, dude."

"Nah, nothin'. Just, uh... Just waitin'."

"For what?" Fak asked, Richie smacking his arm. The tattooed man with a mustache flinched and cried, "What!? Now I can't ask my friends questions!? He's the one sitting in the dark like the Undertaker! Jesus!"

"Dude, just pause, be quiet," Richie scolded, shaking his head to silence the confused Fak. At Carmy, Richie directed, "Yo, Cousin, c'mon, let's just - let's all go home. C'mon, man, let's go. It's closing time."

"Yeah, yeah, uh," Carmy sniffled, "you guys go 'head, I'm gonna wait up for a bit."

"Carmy, it's late," Syd tried, "we aren't just gonna leave you here. So, come with us."

"Yeah, baby, c'mon," Tina tacked on in sympathy, "it's been a helluva night, we should all get some rest."

Fak and Syd and Tina all tried to encourage him with them, but Richie remained silent; just surveying the Chef. When a natural lull came after Carmy insisted again they go on without him, Richie scoffed, "Dude, c'mon... You know she's not comin'."

The invisible timer ticked louder, faster.

"Richie," Tina hissed.

"What?" He barked with his hand raised, glaring at Carm. "C'mon, man, it's late, she knew what time this was - and she told Sugar she couldn't make it 'cause of work. That's pretty definite. So... So, c'mon, let's go, dude, she's not comin'."

Before anyone could intervene again, Carmy snapped, "You don't know her like I do, Cousin."

"Know what? Fine," Richie laughed sardonically, "fucking fine, rot here for all I care, man - "

"No, c'mon, Richie! Hey! Don't be like that!" Tina called after him, sighing in defeat. "Sorry, Chef, I gotta run - " She leaned into the booth to peck Carmy's cheek before rushing her farewells to the others, then running out the door, calling, "Richie! Wait, baby, hold on!"

Sydney and Fak awkwardly stood around, not knowing what to do or say, so Carmy insisted they go home, too; he was gonna wait just a little longer for you then head out. They believed him, or at least, enough to listen to their bodies and go home for some form of rest. Carmy twisted the locks on all doors after them, leaving only the front undone with his seat facing directly forward.

The invisible timer ticked louder, faster.

He waited with his elbows on bouncing knees. He waited and devised his nonnegotiable list. He waited with his feet in the booth. He waited while rearranging his ideal table setting. He waited and redid the tape in the walk-in. He waited on the sidewalk, chain smoking. He waited while scrubbing the kitchen, top-to-bottom. He waited and took liquor inventory.

He waited, replaying the events of your fight in his mind. He hated what he said, how he behaved, the expression on your face; praying you'd accept his olive branch - thinking a handwritten invitation was enough. Carmy just assumed you'd remember he was better at talking rather than writing or texting - hoping his script was enough for you to know he wanted to see you in person, not just send messages of apology. He wanted you to have space, he thought a couple of months was enough; so, hopefully you were still fluent in the words he never spoke or wrote.

This inspired Carmy to call Richie's phone to leave a voicemail of apology and love after reminiscing their own fight. It also made him want to call you, too - but this urge was resisted when the image of your heartbroken expression shot to mind.

The invisible timer ticked louder, faster.

Eventually, Carmy settled in the corner booth; arms crossed, feet up, still watching the door. He noted the sun was rising and the city waking up; cars buzzing by, commuters starting to crowd the sidewalk. His eyes burned with the yearn for sleep, yet his mind would not quell; unable to forget your tears, the devastation you showed, how he was the sole cause of it all.

Carmy repeated he was a failure, he let you down and betrayed any and all trust the pair of you had in one another. He should've told you the truth; that he could see himself loving you romantically, he just never thought it was an option, so it purely wasn't on his radar. In Carmy's mind, even trying to cross such an important friendzone could make you feel unsafe if you didn't feel the same way; so it was something he wrote off long ago. It was part of why Claire was so tempting to him, but he needed you - like a fish needed water.

He was able to comprehend (now) that his actions weighed on more than himself, but you, too; that given proximity, you were forever doomed - or destined - to be his collateral damage. Carmy also understood this wasn't a lease you could continue to cosign for any longer when he desecrated the house and home your friendship lived in. So, it was his job to prove he could be the man you fell in love with, that he could deserve you; all he needed was a chance, and it was better late than never.

Understandably, Carmy felt pitiful, purely ridiculous that this is what it took for him to realize nobody mattered to him more than you; nobody could ever compare, there would never be a competition. That he didn't care for Claire's thoughts, opinions, nor ideas like yours; how he found himself wanting to impress you, not her; hating when his phone rang with her ID and not yours. You had given Carmen exactly what he wanted, and yet, it was everything he hated and nothing he needed. Carmy prayed to an unspecified deity that your decade+ friendship was strong enough to withstand - or recover from - his insolence.

Yet when the front door opened, it revealed only Richie; a delight unto itself, but not the ray of sunshine the mournful Chef desired.

The invisible timer ticked louder, faster.

Carmy deflated with definitive defeat into the booth, tears falling in rapid finality. His lips parted just a fraction to let his breath escape in easier huffs, a buzzing whine filling his ears as icy realization washed over him: your friendship was truly well and over.

"Cooked," as the kids say. Your friendship was cooked.

Richie paused in the walkway, sighing deeply before slowly moseying over. He silently placed a twin cup of coffee to the table and dropped to the booth across from Carmy, both silent and stewing. Richie peaked up first, finding Carmen's attention locked on the door like a golden retriever; but the flooding tears halted any derisive comment he instinctively wanted to hurl. Richie asked before taking a sip of coffee, "She didn't show, did she?"

The invisible timer ticked louder, faster.

"Nah, she didn't," Carmy whispered, the tears flowing faster, "'cause I really fucked up this time, Cousin. She's really fuckin' done with me. Not that I blame her, but... But holy shit..." Carmy dissolved into lung-stuttering tears, bowing his head in shame as he obviously attempted to get a handle on his emotions; only ever used to having them freely around you.

Richie sighed and leaned over the table to clap his hand to Carm's shoulder, muttering, "Hey, hey... For what it's worth, I'm really fuckin' sorry, Carmen... I am, I know you love her." His lips rolled between his teeth, letting Carm have his (several, long) moments before trying to sound lighter, "Look, of course, Honey didn't show up to open, but she doesn't have a malicious bone in her body. You haven't shown her you're sorry! She's still pissed off and worse, she's hurt, Cousin! Know what I mean?

"I know," Carmy whispered in despair.

The invisible timer ticked louder, faster.

"So, cut the fuckin' shit, man, time is of the essence! Maybe if you, like, stopped fuckin' cryin' and actually try fuckin' apologizin', Honey'll soften up - you know, like, feel safe enough to come around sometimes. Maybe be a li'l more receptive to you not being so much of a dickhead?"

This made Carmen perk up slowly, pinching the bridge of his nose, questioning, "The fuck are you talkin' 'bout?"

"The fuck did I just say? Get off your ass and apologize to that girl who's so sweet, she's literally called Honey. She's human, she just wants your remorse, dude, you owe it to her; so apologize and leave her be, and when she's ready, she'll let us know, maybe even come back 'round."

The invisible timer ticked slower, quieter.

After a pause, Carmy asked, "Think she'll come back?"

"Only time will tell. Apologize first, you inconsiderate jagoff."

"Way to kick a man."

"We're in this 'cause of you, you fuckin' pussy!"

"Oh, real nice, fuckin' jackass," Carm scoffed, wiping his cheeks and finally accepting the coffee.

"Now you sound like her," Richie smirked, sharing a secret snicker. The pair fell into contented silence, just mulling over each other's nights; either displaying signs of anxiety; where Richie bounced his leg, Carm picked at his fingers wrapped around the cup of coffee.

The invisible timer ticked slower, quieter.

After several too-long minutes, Richie started snickering.

"What're you laughing at?" Carm mumbled.

Richie had to control his giggles, wiping a finger in the corner of his eye, "Something that can only be explained later."

"What's that?"

"...Mikey would've owed Tina about $6k right now."

"The fuck - ?"

"I said later!"

requesting rules and masterlist

The Bear masterlist

-> no part two planned!