#Like House doesn't take it personally because he understands why

[munsonsmixtapes]

older! eddie who is intimidated by your younger male friends

cw: hurt/comfort, age gap (reader is 25, Eddie 40)

You and Eddie enter the party and he immediately feels uncomfortable. He doesn’t know why. Maybe it’s because he’s the oldest person there or maybe it’s because he just wanted to stay in with you. This is your debut as a couple and you’re so excited to show him off.

He doesn’t know why since he’s much older than you and none of your friends don’t seem to understand why you’re together. He’s just feeling a bit insecure but he’s not going to let that ruin his night. He’s going to have fun with you and that’s what matters.

You loop your arm through his and lead him into the house, introducing him to all of your friends. It isn't until he comes across your male friends that a strange feelings arises inside him. He doesn't know what it is or where it came from, but what he does know is that he feels out of place.

"Guys, this is Eddie," you introduce him, beaming from ear to ear. All he can do is shake the hands of your friends as they introduce themselves, not really feeling chatty like he normally is. He honestly just wants to go home, but he's going to stay for you.

He looks at all of them, sitting on the couch and he's sure that it won't hurt them to stand up like it will for him. He's wondering now why you're with him when any of these other men would be better suited for the role. He's fifteen years older than you for crying out loud.

He's never cared, especially since you're an adult, but now he's starting to feel like his age. He can't compete with these guys. They're all in their late twenties and definitely don't have that chronic lower back pain that he always experiences.

He can't stay, not now. The whole thing feels weird to him now, being here with all of your significantly younger friends and he feels like he really shouldn't be there. So he excuses himself for a smoke.

You follow him because something feels off to you. You have a feeling that he's just going to leave without saying goodbye. Everyone else might not have been able to see how uncomfortable he was, but you can. You saw it the second you walked through the door. And you completely understand why he would feel that way. What you don't understand is why he wasn't honest with you.

You feel awful that you dragged him here and that he agreed because he wants to make you happy, but you wish he would have told you the truth. That's more important to you than some stupid party.

He's leaning against his van smoking a cigarette and you make a beeline for him, silently plucking the thing from his fingers and taking a drag of your own. You stand in front of him, staring at him even though he won't meet your eyes.

"You could have told me," you say, your tone coming out a bit more bitter than you intended.

"I'm sorry. I was excited, I really was. But then we got here and seeing all of your guy friends...I don't know, it made me feel old."

"You're not old, baby," you hand the cigarette back to him. "You're not old at all. I don't want you comparing yourself to them, okay? You're my man and I don't want any of them. I just want you." You press your lips to his then take him by the hands. "Now come show me how not old you are, hm?" You open the back of the van and he follows, fully intending on doing exactly that.

taglist: @the-witty-pen-name @k-yurieee

[kitalphahart]

Stardew Bachelor/ette headcanons

Some may actually be canon? Or quasi-canon. Keep in mind that my character is like me in the aspect of not choosing any of them to marry. I might do Krobus as a roommate, but that's about it

Leah: was the newest arrival until the farmer showed up. Wasn't looking for a relationship after the whole fiasco with Kel, and generally keeps to herself. Is somewhat closr to Robin due to both working with wood, albeit in different ways, and Elliot for being the only other person in the town who doesn't have a connection to someone who is or was part of it. As a result, she's a stranger to lost the townsfolk

Maru: would be an anxious wreck if she weren't medicated. Tried to get close to her half-brother all the time as a kid, but slowly stopped as he kept pushing her away. She does wish they could connect, though she doesn't know how or where to start. She enjoys working with Harvey, but outside work she can't really stand him. Would call him a weenie if she used that sort of language

Haley: is materialistic because that's how her parents spoiled her to hide their not-that-great parenting. Secretly she wishes she wasn't like that, but feels she can't truly change it. Besides, she occasionally gets pretty clothes from her parents and she can't not wear them, even if only once. Even if they are the wrong size, which they usually are. Got into photography due to her sister gifting her a cheap Polaroid camera

Emily: is into mysticism out of spite against her parents. Makes her own clothes out of spite as well. She hates her parents, but would never say so. Sandy is an ex, the two realized they are better as friends than dating, which is why they're still on good terms. Some people don't believe they broke up, and if the Farmer marries her, Sandy makes them a throuple. She doesn't like Clint but gets the feeling that if she rejects him he'll go psycho stalker

Abigail: is actually really good at using a sword. Marlon has given her lessons in secret, and sees her as an excellent apprentice. If only her father wasn't such a--. Forced by her mother to take flute lessons at first, but ended up enjoying them. If she crosses paths with the Farmer heading to the mines, she wants to join. Even if the monsters do scare her. Once she dyed her hair purple, not only did it not fade, nothing else sticks. Even stripping the color has it come back the next morning

Penny: wants a large family with someone loyal to her so she can raise her kids right, not the way she was raised. An excellent teacher for young kids, the main thing holding her back from being properly educated and certified to teach is her mother's drinking habits. She wishes she lived somewhere she could feel pride, but instead has the short stick and has to make do. She took up reading to get away from her negligent father and later abusive mother. Educating others was the next step in her mind, and she's doing what she can with what she has. The war doesn't make getting new textbooks easy, however

Sam: does not know how to act now that his dad is back. He's been Man of the House for so long, and now he's not. Focused on making a band and his guitar to compensate. Is actually good at composing music, but his aimless wandering for band type and music keeps him from getting anywhere. He ends up making music for kid's shows because he gets some variety, at least. Is aware that Vincent looks up to him and tries to be a good role model. Barring the skateboarding. He's toned it down a lot since his brother was born, but he's not above stunts

Sebastian: pushed his half-sister away first out of anger that him mom remarried, then because she's a girl and cooties, and now doesn't know how to fix the rift. Has depression, but it shows as isolation. He's seen how Shane gets and does not want to be like that. Better to stay in his room all day. A natural night owl, he chafes at daytime hours. His mom doesn't understand, and his step-father certainly won't. Speaking of, the two only interact as necessary. Sebby does not like him, and made it clear as a kid, pushing him away like he did Maru. This rift he feels is far too late to fix, and doesn't care (he claims) to fix it

Elliott: he has fallen for Leah, but won't admit it. Not after hearing about her ex and how they affected her. While he loves the idea of being the knight in shining armor rescuing her, he's too shy to do so. Even so, he is striking up a friendship with her because her sculptures are beautiful to him, and give him ideas for his novel. He does wish he could buy one, though. Or be gifted one. Is close to Willy as well. Proximity helps, but he's also fascinated by the stories the fisher has to tell. Even if some have been repeated and exaggerated over retellings

Harvey: actually had a hard time keeping up with a lot of stuff in his clinic until he hired Maru. He knows she's the reason the place stays afloat, and does all he can to keep her. In a professional manner, he loves her. In a personal manner, he has respect for her, but does not see her as a potential romantic interest. Has a late girlfriend who died from an incurable disease back in high school, motivating him to become a doctor after his fear of heights and bad eyes kept him from aviation. He won't ever admit it, but he's happy where he's at. Even if his diet is shit. Takes pride in his 'stashe

Shane: despite being Jas' godfather, he forgets about her a lot, especially when drunk. Losing his friends aka her parents, an injury keeping him from remaining in sports, and losing his dreams turned him to drinking to cope, and now he's in a rut he can't get out of. Not without help, anyway. Marnie is worried about him, and also concerned as to how he got her white and brown chickens to start popping out blue ones. What's next, pink chickens??? Constantly has stubble because the doesn't remember to shave. Or he does but since he uses an electric razor, forgets to plug it in, turn it on, or otherwise have it operate

Alex: knows he washed up, won't admit to it. His primary reason for not actually going pro and only bragging about it is because he doesn't want to leave his grandparents behind to find for themselves. He misses his mother every day, though he believes he cannot admit to it. He is a man, after all. Men don't miss people. Or cry. Under his manly man persona is a sensitive man, in touch with his emotions, but he doesn't want to admit that

Krobus: learned to talk from Gil after being found as an orphaned shadow beast. While he's reconnected to his people, he still feels different from them, having been raised by a human. He got his name after his kin discovered his upbringing, hoping that he can bring peace to their kind, as not all shadow beasts are monsters. Sadly, too many are interested in fighting to make things work

[chronicallyonline101]

Hello, chronicallyonline101, lets play a game. You have to asign each la squadra members (+mc bcs she is canon to meee :333) their multiplayer category

a) bullies kids online (intentionally)

b) pro gamer

c) tryhard toxic player that will find your ip if they lose

d) could win even if they tried

e) just a chill guy

You have [time] minutes

I HAVE MINUTES???? OKAY OKAY RISOTTOJIGSAW

Bullies Kids Online - Intentionally:

- Sorbet

- Illuso

They both play together and troll little children, they were the type of people to dress up as John Doe on Roblox and run around scaring kids - Sorbet has a TRILLION backup accounts on every game ever because he keeps getting banned for saying slurs and Illuso is the type of guy to report anyone who offends him, even if they've done nothing wrong.

Pro-Gamer:

- Formaggio

He owns every single gaming utility that has ever been released; XBox, Playstation, Nintendo - EVERY year they release a new device, he's saving up to buy it even if the last one runs perfectly fine. He's the whole reason the team plays games.

Tryhard Toxic Player That Will Find Your IP if They Lose:

- Ghiaccio

King of crashing out FORREAL. He loves gaming but it STRESSES HIM OUT because HE NEEDS TO WIN. He's the type of person to get into an argument after losing, respond with "kys" and then their leaked IP adress. #1 Doxxer out there.

Couldn't Win Even if They Tried:

- Prosciutto

- Risotto

Prosciutto doesn't understand 'games', he thinks theres far better things to be doing with his life than playing silly little pixels, so he's naturally dogshite at playing them - he also can't handle the way everyone makes fun of him when he loses so he refuses to ever go near them.

RISOTTO ON THE OTHER HAND, sees no issues with games, he's played a few times with the others just to unwind! He's not good at competitive games; he doesn't like the adrenaline rush, he feels that on a day to day basis with his job, why would he want to relive that feeling? He prefers cosy games !

Just a Chill Guy:

- Melone

- Pesci

- Gelato

The most casual gamers of the lot; they don't stress over winning or losing, they just enjoy the process of playing. Melone and Pesci prefer simpler, cosier games like Risotto while Gelato likes to play more hardcore games - he mostly plays with Sorbet and Illuso but he's not as extreme with the bullying as they are.

NOW, for our beautiful and beloved MC, i could see her fitting into the "Just a Chill Guy" category, BUT, i also think she Bullies Kids Online - ACCIDENTALLY

She'll be playing DTI or something similar with Illuso and she'll get third place on the podium and within SECONDS she's spamming hate into the chat about how shit everyone else is at the game and how the system is rigged

Anyways. i like to think La Squadra has a shared Minecraft world they all play on together and its utter chaos because Sorbet keeps blowing up everyones houses. thank you for reading; take a Melone

[wilsonsmcgillsweatshirt]

Okay I've been meaning to respond to a post but Tumblr won't let me reblog it for whatever reason, but I feel like my response has enough context on its own that I can make it it's own post.

So this is in response to multiple posts I've seen people make about Wilson telling House that he wishes he had been an asshole like him, House responds that he would still have cancer, and Wilson says, "Yeah but at least I'd feel like I deserved it!"

There are so many people saying that Wilson had absolutely no reason for saying that, that they can't understand why he would say it, that it didn't need to be in there, and how dare he say that to House after House helped him so much after his cancer diagnosis.

There was a reason behind it, just because it's not a happy reason, doesn't mean it's not an understandable one. I think the way Wilson sees it at first is that House has spent his entire life pushing people away and hurting them so that he doesn't get hurt in return. House has abused and ruined every relationship he's had. House constantly hurts people, and yet, he gets to live. Wilson, on the other hand, has practically dedicated his life to helping and taking care of others. He's maintained this nice guy mask his entire life, and yet Wilson, who has lived what others would call a good life, who has been what others would consider a good man, is the one that gets cancer and is going to die.

Wilson feels like he wasted his life being a "good man" instead of just doing and saying whatever the fuck he wanted like House. Wilson is jealous of House. Wilson is laying there on the couch in insufferable pain with death looming over him, and here's Gregory House, asshole extraordinaire, who's alive and well (as well as he usually is). That has to really fucking hurt.

This idea that "omg how could Wilson do that?? He said that for no reason!!" Is just not true. Wilson said it because he's was in excruciating pain and terrified and just found out he was going to die in a couple of months. Wilson was scared, and he was lashing out, which is a very human reaction. House does it all the time, Wilson is not special in the way he reacts to pain. The entire series is full of House berating people and hurting them and saying awful things, and pushing them away. He does that to Wilson multiple times. And Wilson forgave him every single time. And so when Wilson is in pain and lashing out, House knows not to take his personally, and that's why he basically immediately forgave him.

House and Wilson know each other well enough that they can see behind the harsh words, and understand each others intent. Ideally, Wilson would not have said that, and he should have apologized, but that was not a crazy horrific reaction. It's true, House has done a lot for Wilson during their relationship, especially after his cancer diagnosis, but Wilson has also sacrificed for House. After the infarction, House lashed out and pushed away and abused everybody until they all cracked under it and left. Everybody except Wilson. Wilson put up with the constant humiliation, degradation, pain, and abuse from House.

Wilson put House before everything in his life, including his marriage. Later, Wilson refuses to vote to get rid of House, and therefore loses his spot on the board, and the job that he loved and put so much of his life into. All to protect House. Wilson lies multiple times to the police to protect House, risking his freedom if they found out. Wilson and House constantly sacrifice for each other, it's just what they do. Neither one of them is "better" or "worse", they just are.

If they switched roles, and House was the one with cancer, House would definitely lash out as Wilson, no doubt about it. And Wilson would forgive him. Wilson has such a realistic reaction. It doesn't matter how many times you see people diagnosed with cancer and think that it's not personal, that cancer doesn't have an agenda, nothing can prepare you for when it happens to you or somebody you love, and a lot of the time, it feels incredibly personal.

How we react to dying and sickness is not always rational, and anger is a stage of grief. This is Wilson trying to grapple with his death, and that doesn't always look pretty. Sure, it was a fucked up thing to say and House didn't deserve it, but Wilson wasn't just insulting him for the fun of it. He had a very realistic, understandable reason behind it.

Not going to lie, I see people all the time talking about this scene in particular, with such a surface level approach to it. They act mad or confused, and talk about how they have no idea how someone could possibly hurt their favourite characters. So yeah, Wilson saying it was a shitty thing to do, but there is no way it was the worst thing anybody said, and he had very obvious, complex reasons for it.

I honestly love this scene, and I think it gives so much insight into Wilson's character. Wilson finally lashes out and exposes his grief in such a raw, mean way is lowkey a pivotal moment for him because he's finally letting himself be the "bad guy." And yeah, they weren't forced to put this in the show. It's literally fiction. They don't have to put anything in. But it fits so well. So yeah, just because he has complex reasoning for why he said what he said, that doesn't mean the reasoning doesn't exist.

[brionysea]

if stranger things 5 comes out and they're like 'omg! the upside down has been a product of someone's dark and twisted mind this whole time! it's... WILL!' I'll immediately lose interest

[hapigairu]

Some Cyril appreciation featuring his mom:

[lilithofpenandbook]

au where when a Death Eater is killed, they can actually not die, on one condition:

Their heart must be pure.

This doesn't mean they never ever did anything wrong. That's impossible if you're human. No, this means that whatever they've done, it's for a selfless reason. That whatever bad they've done for selfish reasons, they've fully regretted, repented, and set out for redemption. That in their heart of hearts, they are no true Death Eater, because true Death Eater have no compassion, or selfless love. Selfless Love is a pure thing, and if that exists in the heart, then they may survive being killed.

And there's another thing: they return to the physical state they were in before taking the Dark Mark. It's all effectively "wiped clean", as it were. Of course, the actions remain, as do the mental scars, but the physical body is now back to when it was still pure of this evil as a little nod to the purity of their heart.

During the second war, then, there are a few Death Eaters who do not die. But only the fewest:

The most famous example? Severus Snape, who is all but a mere child, barely touching adulthood. Who's small and underweight, whose body is still riddled with scars from the Good Guys. Who's so young it's frightening to think he became a death eater at this age because there's something so broken and fragile about him. How did he manage to survive through that?

And then... And then there's Bellatrix. Bellatrix Black.

Who... Who's a literal child.

[anastacialy]

y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'

[fragglerockopinions]

The worst thing about suffering is that it still hurts when the danger is over but no one cares about it anymore because it shouldn't hurt. No one will ever say "I'm sorry that happened to you" especially when they barely say "I'm sorry that's happening."

[grymmdark]

eaaughhhhh siblings are so hard to have sometimes.....

[curiosityforstars]

Insanely funny to me how everyone who works at Princeton Plainsboro acts like House has held them at gun point at made them do the awful things they do. Like sure, he's pushed them towards being worse, he definitely brings out the worst in people, but they do have the option of saying no. Half the time, all he can really do is be more of an asshole. None of them want to admit that he just gives them an excuse to be awful, because then they'd just be admitting that all of them suck.

[fionnaskyborn]

current mood:

[inkskinned]

it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.

bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.

the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.

what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.

i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.

i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.

and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.

i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?

[himbosandhardwear]

"Look who's talking, Mr Ponytail and a Crop Top," Steve says with a smartass grin.

Eddie looks down. "Huh?"

"You," he waves toward Eddie's general vicinity, "looking like some kinda Metal Cheerleader." He noticably swipes his tongue over his bottom lip.

Okay. This is it, this is the perfect moment to tell Steve he's sending signals that he definitely doesn't understand he's sending.

"Steve," he has to clear his throat before continuing, "I need to tell you something."

He leans in, wide eyed and focused. "Yeah?"

That's not helpful. "Um. So, to guys like me... Gay," he chokes out, still hard to say aloud even though he knows Steve knows, "sometimes you say things or do things that come off as...flirty. And I know you didn't know," he rushes to explain, "but I wanted to make you aware. To not do that. You know, in case the wrong person overhears it. It's a safety concern," he finishes lamely. Safety concern! Ugh. More like 'You're breaking my heart, I can't take much more of it.'

He waits for Steve to say something but he's just blinking owlishly.

"Steve?" He prompts, concerned.

"......yeah?" He finally seems to come back to himself. His eyes drift away, over Eddie's shoulder. "So...you want me to stop flirting?"

"Yeah, just in case, you never know who-" Wait. What? "What?"

Steve still isn't looking him in the eye. "What?" He mumbles.

"Did you say..." He can't even repeat it, it sounds like putting words in his mouth, but he did say that, right?

"Yeah. Sorry. I'll stop. I didn't realize it was bad, I guess. I thought... It's stupid. Nevermind. I'm gonna, um, take off actually. I'll see ya around, maybe."

He hops off the back of the van and actually starts walking away, like they're not 6 miles from his house. That snaps Eddie out of the paralysis spell he was under, adrenaline taking over like a bump of cocaine.

"No!" He shouts, like an insane person, and then takes it one step further by jumping up and tackling Steve into the grass.

"Uggff," Steve grunts when Eddie accidentally shoulders him in the gut, but he ignores the embarrassment in favor of crawling up his body so they're eye to eye.

He gets Steve's face between two hands and smooshes it. "Were you flirting with me on purpose?" He shouts.

"Are you serious?" He mumbles, half coherent, through pursed lips. "I'm gonna jump into the quarry."

"Answer the question!" He rattles Steve's head a little bit, for good measure.

"I work for Scoops Ahoy." Steve deadpans, unamused.

Eddie is going to throw one hell of a tantrum in a second. "Steve."

He smacks Eddie's hands away from his face. Doesn't bother to move out from under Eddie, he notes absently. "Yes, dude, obviously I was flirting with you on purpose! I thought that was, like, an understood thing that was happening. Why are you surprised?"

He feels like he's losing his mind. Why are you surprised the grass is made out of taffy? Would've made more sense as a question.

"Because you're straight." The duh is implied.

Sensibly, he asks, "Why would I flirt with you if I was straight?"

Eddie becomes very aware of every inch they are pressed together. Aware of the sound of the leaves rubbing together in the wind, aware of Judas Priest still playing through his speakers. Love Bites is a hell of a track to be having this revelation to.

"You're not straight?"

"No."

"And you were flirting?"

"Yes."

"With me?"

He rolls his eyes, not an ounce of bitchiness lost to his embarrassment. "No, Eddie, with the crusty blanket on your van floor. Yes, of course with you- Mmmphh!"

They probably shouldn't be making out on the ground at Settlers Quarry in broad daylight but, honestly, the shambling corpse of Jason Carver could show up right now and Eddie would not give two shits. Steve slides a hand down the back of Eddie's pants, grabbing what little bit of ass cheek he has, and Eddie thinks, Hope you're watching from hell, you bastard. Enjoy the show.

[julymusings]

you're good to me, baby

with the roar of the fire my heart rose to its feet, like the ashes of ash i saw rise in the heat. settle soft and as pure as snow, i fell in love with the fire long ago.

or; because the red hood bleeding onto your living room carpet is exactly what you need right now [3.6k]

Jason Todd x fem!reader; based on this lovely ask; ngl this turned into a personal vent jason doesn't show up until 1k words in LMAO; warning there’s blood (duh) and reader is suggested to have heavy anxiety; pre-established relationship where reader doesn’t know his identity + muzzle red hood bc HOT

Compartmentalize. Create baskets in your mind. Analyze the situation, and drop the corresponding emotion in the appropriate basket.

One: You had a fight with your best friend. She called you selfish because you weren’t enthusiastic about her new relationship. She just can’t seem to understand that no matter how happy you want to be for her, it’s painful to see everyone find safety in another person when you can’t. Every attempt at romance is squashed by something or the other that you keep doing wrong. I thought you were hot, your latest dating attempt had said when you ran into him and asked why he never texted back. But you’re kind of a lot. Not something I have the space for right now, you know?

Two: There’s an important presentation today, one that could determine the fate of your position in the company. Your coworker, the one who’s convinced you stole his promotion (he just flirted with the higher-ups while you actually completed the requirements), refuses to let you forget how much is at stake. All it takes is one misstep, one stutter, one hesitation, and he will take it as an excuse to demand your demotion— or worse, termination. You’ve been preparing for this presentation for three weeks. If after all that effort it’s still not good enough, maybe you should be fired.

The emotions here? Frustration. Anger. Exhaustion. Jealousy. Just to name a few. But there’s no time to dwell on anxieties right now, so you shove those thoughts aside. Drop them in their compartments and move on because, after all, if you can strip them down to their bones and find where they stem, you can yank those anxieties from the ground before they have the chance to root. And then there’s no need for unnecessary heartache, right?

(Who cares if the baskets are overflowing, crumpled fragments spilling over the sides like garbage in a landfill? Who cares if the room of your mind is so packed that you’re pressed against the wall and breathing becomes painful.)

The digital clock beside your bed reads 6:12. The numbers blink in and out of the window, their red dots and dashes taunting your heavy eyelids. You still have forty-eight minutes of peace before it will scare you awake. Its beeping will ring so loud and angry that the adrenaline from the startle will power you through your morning routine, and your beating heart won’t dare still to entertain wishes of just five more minutes. 6:13 now. You have forty-seven more minutes of peace, minutes which should be spent sleeping, giving your poor brain a break from itself. But you can’t. Every time you close your eyes and begin to sink below the level of consciousness, your heart pumps a house-special cocktail of cortisol that laces through your bloodstream and convinces you that if you fall asleep you will miss your presentation and you will get fired. The off-grid escape plan formulating in your head switches from hypothetical to tentative when your neighbors, apparently awoken to lust as well as tired by it, start going at it again. You want nothing more than to bang on their door and scream obscenities until they hate each other enough to never touch again, but you resign yourself to consciousness, giving up on the dream of what would now be forty-four more minutes of sleep. 

It’s Friday morning; only one more day to get through before the sweet release of the weekend finds you. (The whole weekend will be spent contemplating the start of a project, feeling like two days is not nearly long enough to complete anything, and dreading Monday until it finds you with nothing done and the same, endless cycle awaiting.)

After completing your morning routine 44 minutes early, you use the spare time to go through your presentation once more, just for good luck, wrapping up the third run-through just in time to hear your alarm to leave for work.

The presentation goes decent, at least well enough to quell any doubts about your ability to do your job. Your coworker ate his words for sure, and you might have enjoyed the look on his face had you not mentally checked out as soon as you finished your closing remarks. Rush hour traffic has the ice cream tub you bought at the convenience store dripping condensation all over the passenger’s seat and your hips hurt from being in the same sitting position for most of the day, but you remind yourself that peace is only a few miles out. Stopped at yet another red light, your grip tightens on the steering wheel. Breathe in. Breathe out. The line of cars starts to move forward.

When you get home, your frustration is close to boiling over. You kick off your shoes right at the door, your keys and bag following close behind.

Far be it from you to break down on the floor in the middle of the room, the plan begins to formulate. There’s a box of tissues on your desk– that can go on the nightstand, along with two of the chilled water bottles you keep in the fridge for after you work out. And you’ll need something for the tissues, right? The small wastebasket from the bathroom should be fine. You drag it over to the side of your bed, sitting in your usual spot to make sure you placed it at a reachable distance. You won’t want to get out of bed to wash your face after this, so a washcloth should go next to the tissues. And an extra one, just to be safe.

You keep a set of comfortable clothes ready, the nicest, softest pajamas you own that you only wear after an everything shower. This shower, however, is a quick one, not much more than a few minutes under scalding water to comfort you, if nothing else. The light pink pajamas are a high-quality cotton and you feel like you’re in the clouds when you slip into them. Remaining is the ice cream, which you set out on the counter right before your shower so it would thaw just enough to be soft but not melted, With everything in your room ready, you go to retrieve the ice cream but stop with a startle when you round the corner.

“Jesus,” you mumble.

He’s just sitting there, doing nothing except bleeding out on your cream-colored carpet. He’s spread out on the couch like he owns the place, head leaned back against the wall as he lets his injured arm hang over the armrest and drip blood and dirt onto your cream-colored rug. The liquid seeps into the expensive wool, staining it with reddish-brown hues and the scent of iron, and he doesn’t even notice.

“Hey.” The Red Hood lifts his head when he sees you.

On any other day, you’d be quick to action, hauling him up off the couch and sprinting for the first aid kit under the bathroom sink. Today, your arms are too heavy and your gaze remains rooted on the widening splotch of red against white. Your throat feels dry. “You’re getting blood on the carpet.”

He peers over the armrest. “Oh, shit,” he curses, lifting his arm to hover it over his lap. He sounds robotic through his muzzle mask. His hood, pulled down to reveal his thick black hair curling at the ends from humidity and sweat, rests on his back.

I don’t have time for this, is what you want to say. You want to scream it in his face and kick him out for having the audacity to think he can come and go as he pleases, that you’re nothing more than a drive-through emergency room who will drop everything if he gets so much as a paper cut. But you can’t say any of this, and you do want him to come to you whenever he needs help. God knows he won’t go anywhere else.

Holding back your heavy sigh, you wordlessly walk to the bathroom. He takes that as an invitation to follow. 

It’s clinical. Rehearsed. Neither of you speak. It’s a partnered dance long since committed to muscle memory, steps you can take in your sleep. He knows to seat himself on the step stool you got just for him, for nights like these. He knows where to find the first aid kit and which supplies to hand you first. You know the exact steps to follow. Check the palms for abrasions. Antiseptic to the lacerations. Concussion exam. 

Maybe he can sense the air of tension surrounding you, because he doesn’t say as much as he usually does (though, granted, it’s still not much). It’s a reflection of your dynamic several months earlier when this arrangement began, back before you’d managed to chip away at the surface of his rough exterior. You notice the way his fingers curl against his thighs when you, somewhat carelessly, wipe the dirt from his skin with more pressure than necessary and the way his eyebrows tilt inward when you work slower than usual. You notice, but you ignore it.

We both know you have at least a dozen people who could do this for you. The words echo in your mind. Don’t act like I owe you this. If anything, you owe me a new carpet. These are things you wish you could say, but never will. Being realistic, you’ll probably never be able to say things like this. You’ll be subjected to all the shitty coworkers and unsympathetic friends and exploitative vigilantes of the world for the rest of your life.

This isn’t his fault, you remind yourself, but still, your lips turn down and your jaw feels tight with the effort to keep your face still, to not burst into tears right on the spot. In the second it takes for you to calm yourself, your hands pause. He notices. He says nothing. 

It’s not until you’re finished with cleaning the blood from his arm wound and giving him a wad of gauze to hold against it that he tests the waters and asks, “Is it too bad?” 

He sounds automated, but over the last few months, you’ve learned a thing or two about reading even these robotic actions. There's a certain quietness to the beginning of his sentence like he’s debating if he should say it or not. 

“It’s fine,” you say, shortly. 

“Sorry about your rug,” he says. He tugs at the strap of his muzzle with one finger, rubbing at the skin underneath the leather. “I can get the stain out.”

You retrieve the needle and thread from the kit and don’t respond. You don’t even look at him.

After a moment’s hesitation, he continues. “It’s easy. You just need salt and—”

“Okay.”

He goes quiet.

You don’t mean to be so tetchy, but you don’t have the energy for anything more. Every little thing has you feeling on the edge of shattering. It’s too much. It’s all too much.

It’s when you’re kneeled at his side, staring into the gaping wound on his bicep and trying to thread the needle, fingers trembling from the chill of the tiled floor with nothing but a layer of thin cotton to keep you warm, that it happens. He shifts on the stool, a mere twitch in an attempt to get comfortable, but it brushes his bloody arm against yours. Flecks of fresh red on the light pink fabric. First your carpet, now your pajamas. Your favorite, special, extra soft matching cotton pajama set, a rare splurge after your promotion that stood out among old t-shirts and sweat shorts. Ruined. Again, he doesn’t seem to notice.

“Did I say something?” Hood asks. He waits for your response, but when none comes, he adds, “I’m sorry if I did.” He speaks so quietly you may not have been able to separate his words from the whirring filter of his mask, if not for the chilling silence of the bathroom floor. The insulating brick walls of your old apartment building are something you’re usually grateful for, but tonight you find yourself wishing for the city’s commotion to seep through the walls. Something, anything to buffer his proximity to you.

You hear his inhale as he prepares to say something else.

“Can you just let me work?” You snap before he has the chance to speak again. It’s loud, louder than you’d ever dream of speaking to him, and he flinches. Your eyes shut in apology, but only for a moment before you get back to it. He looks away. His feet point towards the door.

He wants to leave, you can tell, and you don’t blame him. You just messed everything up. But you started this, so now you have to finish it.

You sit in silence for the several minutes it takes for you to clean his wound and stop the bleeding.

He’s not looking at you, gaze transfixed ahead of him on a chip in the paint. At least, you assume. It’s difficult to guess what’s going on behind the milky white covering over his eyes. His subtle body language can be read if you pay close enough attention, you’ve learned, but that’s not something you care to do right now.

(Maybe you noticed in the back of your mind that he’s not exhibiting any body language since you snapped at him, but the compartment in your head for guilt is already overflowing, so maybe you didn’t notice it, you tell yourself.)

You stare at your sleeve, at the patches of blood blooming like ink blots. The red and pink hues blend together behind your blurring vision. You sniffle.

“Are you—” Hood starts. Because now he’s looking at you.

“Excuse me,” you say, pushing yourself off the ground and stumbling out of the room without so much as a glance back at him. You stagger into your room, needle and thread still in hand, and push the door closed. The lights are off, and the darkness is calming, quieting your buzzing thoughts. You close your eyes and lean against the door. Breathe in. Breathe out. You continue this exercise, breathing in through your nose and out through your mouth to soothe your sympathetic nervous system, the same way a therapist instructed that one time you went. You wipe away the moisture that has collected in your eyes, roll out your stiff neck, dry your sweaty palms over your thighs. You toss the needle and thread aside, because they are definitely not sterile anymore, and take a few more breaths before opening the door and going back to the bathroom.

You avoid his face, following the lines of grimy grout between the tiles before resuming to your spot at his side. His inspecting eyes burn on the side of your face. You wipe down the forceps with a sterilizing wipe and rip open the plastic packaging for a new needle, holding it up to the wound, but your hand refuses to steady.

Another deep breath. Then another.

Hood sighs. It’s almost chastising. “I think I should go.”

“What?” You’re just surprised enough to be torn away from your thoughts and look him in the eye (mask) for the first time all night.

“You can’t do this,” he says, gruffly. “I don’t know what’s going on, but I’ll let you figure it out.”

You scoff. “Yes, I can. I’m fine.”

Before he can argue, you grab him by the wrist to hold him in place just as he starts moving to get up. He winces, but you keep your grip tight on him. You can feel his scrutiny through the cold, expressionless barrier of his disguise, practically track his pupils as they search your face.

You both pretend he couldn’t break from your hold in an instant if he wanted to.

“You’re shaking,” Hood says. His voice is much softer now.

You follow the turn of his head to your hand where it hovers the needle right over his skin. You are shaking. Trembling, in fact.

“No, I’m not.” It comes out as an empty whisper.

You focus all your strength on steadying yourself, but the harder you try to stabilize, the harder you tremor. Your other hand releases his wrist to clamp over your dominant hand and force it to stay in place. It guides the needle closer to the skin, but now your vision is blurring. You blink rapidly, but it’s not enough. The tears start falling. You look away from him, but a warm hand settles over yours. You don’t dare look at him, unable to bear showing him your shameful face, wet and blushing and screwed up in misery. You turn your face into your sleeve. Clamp your eyes shut tight, thinking maybe if you keep them closed, this darkness will swallow you up and he won’t be here anymore.

But the warmth of his skin on yours is the first feeling of softness, of relief you’ve felt in months, and then it’s gone. Your shoulders are shaking, quaking with the effort to keep your sobs quiet.

One finger ever so gently hooks around your chin, pulling it back up to face him. You keep your eyes closed, not wanting to see him see you like this, but the tears are still streaming. He brushes them away. Whether that makes it better or worse, you can’t be sure, because you cry even harder, snatching your face away from his grasp to muffle your sobs into the back of your hand. You don’t realize he’s pushed himself off his stool to sit cross-legged on the floor until you feel his hand circling your arm and pulling you closer. The tools in your hand clatter on the floor as your palms come up to press against his chest, fighting against him with half-hearted protests murmured through your cries. But even with only one good arm he’s too strong for you, and you’re pulled into him.

He’s so gentle with you, rubbing your back and resting his chin atop your head while you cry and cry and cry into his shirt. Several minutes pass like this, with your face buried in his chest and his good arm holding you tightly against him while the other dangles lamely at his side, throbbing with an intensity he’s trying to ignore.

When your sobs die down, and you’re sure you’re all cried out, you linger against him. He smells like smoke and gasoline, and his shirt is soft and warm from his body heat seeping through. His hand continues to stroke up and down the length of your back, even after you’ve quieted. The edge of his mask digs into your scalp where his chin sits, but it feels worth it. Your hands, still pressed to his chest, slide higher, completely of their own volition, out of a newfound desire to wrap your arms around his neck. You don’t hear it, but you can feel his sharp draw of breath, his chest rising quickly under your touch. Your hands lose their nerve at his clavicle as you hold your breath for fear of the smallest movement drawing attention to your forwardness. You wait for him to rebuff you, to lean away from your touch, or grab your wrists and pry them off. He doesn’t.

“I’m sorry,” you whisper. His chest finally falls.

Eyes opening, your thumb swipes over the edge of the red bat symbol just below his collarbone.

His movements pause, lightly gripping the fabric of your shirt for just a moment, before releasing it. “It’s alright,” he tells you.

You pull back from his chest to look at him, the way his cold and unfeeling expression stares back at you. You wonder from time to time what’s under the mask, but tonight the desire is overwhelming; you ache with the want to know what he looks like. The color of his eyes. What his mouth looks like when he winces over a deep cut or chuckles at one of your anecdotes. You wonder if his lips are soft or chapped. If he’d like it if you dragged your thumb across the bottom one.

The metallic odor spreading through the room brings you back to the present, and you hope the flush from your tears hides your cheeks’ growing heat when you realize where your mind had wandered. 

“Oh, fuck, your arm.” You speak in a watery voice, wiping at your face as the urgency returns to your senses. Though you try to move away, his firm hand on your back pulls you back in.

“Don’t worry about it, okay?” He says, resuming his caresses up and down your back. “I can take care of it.”

“Then why do you even need me?” You sniffle with a small smile.

He stays silent. But when you search his face, waiting for an answer, his hand moves to your side, palm sliding a fraction of an inch closer to your waist and fingers tensing, you can almost see through the mechanical muzzle to the way his lips shape the words. At least, he wishes you could.

You know why.

this was lots of fun to write and thank u for your patience ik i said i was gonna "knock this out in a day" 2 weeks ago😬😬 also we're gonna pretend they aren't just letting his open wound marinate for half an hour when it should be getting stitched up bc it's fiction ok? everyone say thank you mostly-imagines for proofreading this😚

but anyway happy new year!! it's been barely 2 months but starting this account made my year so much better🫶🫶🫶and ty for 500 followers that's crazy🫣🫢

listen to the inspo song!!!

[slttygeto]

I'd love to see me from your pov — GOJO S.

synopsis: Gojo Satoru seems to struggle with the idea of love and doesn't quite know where to stand. Luckily for him, you're there to soothe his worries every time.

word count: 2,1k

content warning: a tiny bit of angst, but you know me and my love for this man.

note: hi hello there :)! it's October which means it's the 4th year anniversary since the release of ariana's album positions! I adore that album with all of my being, and what better way to show my love than to dedicate some of my favorite songs to my favorite anime men? enjoy reading!

Satoru has never known what love is. His parents’ marriage was an arranged one, his mother’s good looks and her status along with his father’s powerful technique is what brought them together. And nine months later, the wielder of the six eyes was born. Raised in an environment where his father was barely around, the only warmth he’s ever felt was his mother’s hand holding his smaller one as she walks him around the Gojo estate, showing off the boy whose birth altered the balance of the world. 

Then she was off to do her duties as Madame Gojo. 

Satoru remembers his childhood as being extremely dull. He was forbidden from social interactions, was told that they are useless unless the person was of any benefit to him or his powers—which at the time, six year old Satoru didn’t understand but he had no choice but to comply with his father’s words. 

Bright pair of blue eyes would then follow his father’s figure as he made his way towards the sliding paper door, but before he could leave, the tall man turned towards his wife whose eyes remained glued to her lap before announcing. 

“I’ll be off.” Whether that meant for hours, days or weeks, Satoru never knew. 

Logically, that led to the creation of his image on love and marriage. He avoided the two concepts like the plague. Love was always meant to find others before it could even glance his way, and Satoru was okay with that. 

He was okay with spending the rest of his time alone, maybe he would buy a house on the top of a hill and own a nice border collie dog. Perhaps, that dog would show him a little bit of loyalty and love because Satoru feeds it and takes it on walks, but when the sun goes down and the dog goes to sleep, it would be just Satoru and his thoughts. Dying alone sounded scary, but it was better than ending up like his parents.

“Are you okay?” The tall man feels a gentle squeeze on his large hand. Suddenly, he’s pulled back into the present. 

The smell of fresh roses and the cold breeze overwhelm his senses. He blinks and realizes that he must’ve taken off his blindfold somewhere—Satoru can’t remember where, or why he got so lost in his thoughts.

“Satoru?” That voice. That sweet, warm and honeyed voice, barely above a whisper as it calls out his name and he gets another whiff of something—perfume.

Your perfume.

You’re standing next to him, smaller frame and smaller hand squeezing his own and he remembers why he was pulled back into his childhood. 

You had squeezed his hand the same way his mother did. Except this time, you don’t pull away like she does. In fact, you haven't pulled away in years. 

When Suguru left, Satoru was trying to piece himself back together within the confines of his own place. Quiet, cold and unwelcoming. He despised the feeling, it made him feel like shit and Satoru was usually the type to ignore his feelings—so when they come crashing against him in strong waves, the strongest can’t duck down and avoid them, he can’t swim away and find refuge. He chooses to believe that he is his own refuge, even if he’s messy and selfish and quite literally just a jerk. The strongest was unable to save his own best friend from a fate that is so horrible, one that could’ve easily been avoided had he looked harder. 

Had he not been raised that way. 

“Satoru?” 

On a cold October night in 2007, you show up at Satoru’s apartment with food and homemade sweets. You’re sweaty, clearly having climbed up the stairs since you had no access to the elevator. He sees you, he cannot process the reason for your sudden visit until he sees your lip quiver and your eyes fill with tears.

“I’m sorry.” You say with so much emotion that the teenager can only try to stop himself from digging his fingernails into the palms of his hands. 

Although he only realizes it years later, the only person who had shown Satoru that he was worth a bit of love was Suguru. He had been your classmate too, your friend. You’re grieving his absence too, but you choose to stay with Satoru that night. He doesn’t say much, you don’t press him about it. 

He doesn’t understand why. 

A couple of months pass, your visits become more regular. He buys you a mattress and even suggests you move in with him in the guest room of his apartment. And after much consideration, you agree and the two of you become roommates.

What had once been a cold, uncomfortable apartment slowly turns into a refuge for Satoru, a place he looks forward to coming back to after a long day of missions. Was it because of the smell of food that fills the hallway as he approaches the door, or the thought of finding you in there when he inserts the key? Satoru isn’t sure yet.

He’s still a bit confused as to why you want to be around him.

Months turn into years, your presence remains a constant in his and Megumi’s lives when he takes him in. You have your own room that you choose to share with Tsumiki and you treat the two children like your own. The strongest believes that your heart is as big as the oceans combined.

For someone whose youth was stolen away by the Jujutsu society, Satoru tries to make sure that his students don’t meet the same fate. So he takes on countless missions, protects students like they’re his own children and promises them a bright future. Even if it’s at the expense of his own. 

You hate that, and you make it clear to him the day he takes in Yuuta.

“That’s such bullshit.”

“Hey, watch it.”

“No, you listen to me!” This is the most emotion you’ve shown since that one night you came to visit him. Satoru looks up from his phone where he’s sitting, and is a bit taken aback when he sees your eyes fill up with tears. “Do you realize how dangerous it is to be going around and doing shit like that?” 

“What–saving them?”

“Ruining your future!” You raise your hands in the air. 

“I don’t have a future.” 

The room falls silent. Suddenly, you’re glad that Megumi and Tsumiki weren’t home. Your eyes meet his, and the white haired male watches as your eyebrows furrowed in confusion. There’s a thousand expressions on your face—betrayal? Hurt? Worry? He can’t decipher them.

He is overwhelmed. His six eyes are screaming at him that your cursed energy was elevating, your body temperature was rising and he can see that your chest is heaving. 

He still doesn’t realize what he had just said. 

To him, it was the truth. There was nothing morbid about his words. If he couldn’t see himself marrying or falling in love, then Satoru simply did not have a future. Those children do, and that’s what he should prioritize.

“What do you mean?”

“I don’t–”

“Satoru–” you lose your breath as you utter his name, broken and weak. You gulp harshly, heart pounding loudly in your ears. “You can’t say that.”

It’s selfish, you’re aware of that, but it can’t be helped. You watch as the light of the man you had been clinging onto like a lifeline for years starts to dim, and you scramble to find the source of the problem. 

And while Satoru’s six eyes are screaming at him to walk away, his heart pins him to the ground of his living room. Overwhelmed and emotional, it reminds him of that one lonely night. He can’t tell you how he feels, he can’t pinpoint to you that it’s because of his parents that his heart refuses to let him accept the idea of love. He sees the waves coming, large and tall and ready to destroy him years later—as he scrambles to find refuge, his heart finally feels at ease.

Your arms wrap tightly around his middle, chin resting on his shoulder and your hands digging into his shoulders in an attempt to soothe him. You want to stop your chest from stuttering, but your quivering lip gives away your strong emotions. 

“I’ll stay.” 

Why would you stay? 

His arms feel heavy as he lifts them up and finally rests them on your warm body, pulling you so close to him you feel yourself suffocate. It doesn’t matter. Satoru hugs you so tightly that you hear your heart break. 

You don’t comment on the wet feeling on your shoulder, or the way his hands tremble as they grip the back of your shirt. You let him cling onto you as though you were the air he needed to breathe, the warmth he sought in the middle of the coldest nights. 

—

“Thank you.” 

“Hm?” You look to your side, a bit confused. The white haired man thinks you look very adorable when you’re clueless, trying to understand his words. 

“Thank you? What for?” Satoru isn’t one to get nervous, but your stare has him feeling a little hot. He hopes he isn’t blushing, it doesn’t suit his brand. 

“For saying yes.” This time, he is the one who squeezes your hand and you hold back a chuckle at how he avoids eye contact. You squeeze his hand back and lean your head against his shoulder.

“I would be crazy not to marry you.” 

“But you know… given my line of work, and Suguru—”

“Satoru,” you stop the man before he can carry on with his small ramble. You appreciate how vocal he is, it is one of the major changes to his personality ever since the two of you made it official. “I am a sorcerer as well. I understand.”

“You hate the missions I take.”

“I hate the way the higher ups view you, not the missions you take.”

Silence engulfs the two of you. 

You fidget with your hands, feeling as though you might’ve crossed a line your husband wasn’t ready to let you cross yet—

“And you?”

“Huh?”

“How do you view me?” He asks, voice low and small. He still doesn’t look at you, nor does he look anywhere really. Despite being 28 years old, Satoru feels the same way he felt at 6 years old. Vulnerable, worthless and in need of a reminder of what he brought to this world other than his powers–

“You’re handsome.” You break his chain of thoughts with a lot of ease, and he looks up at you with wide eyes. “A handsome, caring young man with a big,” a finger traces his heart over his shirt, “big heart. You have a child-like spirit, and a boy-ish smile that could make anyone fall for you very easily. I don’t want to focus too much on your looks, but they’re unfortunately a huge part of who you are,”

“You’re selfless.” You lean against the balcony railings, staring down at the city. “People take you for granted and either you don’t seem to notice, or you try not to.”

“And last, you’re too good for this world.” 

Your eyes sparkle as you describe every small detail about the man. You pour all of your emotions into your tiny monologue, so you fail to notice that Satoru had removed his hands off the railings. Until you feel something warm on your sides and something heavy on your shoulder. 

“Satoru?”

“I’m fine,” his broken voice would beg to differ, but you don’t push him. You rest your hands on top of his and let him pull you back against his chest in a warm, tight hug. 

He had always wanted to see himself through your eyes, filled with so much adoration and trust that it made his heart burst in his chest. He was riddled with confusion and something he couldn’t quite decipher anytime you had told him ‘of course it was you’ when he would do something nice, or ‘you’re not like that’ when you heard Nanami mumble something about Satoru’s playful behavior. 

You wish you could give him your eyes, take away some of that overwhelming feeling of being the wielder of the six eyes and allow him to rest—see himself as the selfless, kind-hearted man that he was to you. 

Since that was physically impossible, you’ll stick to loving him as though he held the universe between his palms.

You make loving him seem as easy as breathing, and the inner child living deep within him is forever grateful for that. 

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