#Juste: what happened to that guy. the monk

[kawareo]

Thank you @hellothisisangle for the template! click for better resolution

This was very fun, loved thinking about how being a different race would affect Strike. He canonically didn't have any ties to 'his' race, being raised for a few years by a tiefling and a halforc before he got snatched up by the cult, and his background is the same no matter the race. He's always primarily a sorcerer, but multiclasses into something else

Tiefling - Closest to canon, behavior wise. Funky and smug dude. Same multiclass as in canon, battlemaster fighter

Gnome (Assassin Rogue) - Do I know the difference between an adult gnome and a human child? Yes. Does Bhaal? Probably. Does he care? .... No clue, but Strike as a gnome is a grown man who can easily pass as a child if he tries, and he plays heavily into that. He's still almost forty and his personality is the same, he's just creepier about it.

Gith - (Bladesinger) Not nearly as charismatic as in canon, because being basically the only Gith in Baldur's Gate didn't give him many chances to learn to socialize. In canon he 'makes up' for being a drow by being charismatic enough to get away with pretending to be an elf, but as a Gith, he just embraces being a scraggly street rat. Braids his hair when fidgeting.

Human (Monk, Way of Drunken Master) - Found a way to monopolize his drinking habits. By far the messiest version. Without elf genetics, his age and consequences of his lifestyle actually show on his face.

Orc (Cleric of War) - he grew up with his orc mum telling him of what people thought of their race, so he purposefully went against that. Very suave, put together. Can rip you apart with his bare hands but prefers to do it in a fancy way.

Sun Elf (Paladin of the crown) - Take all of his daddy issues and multiply them severely since now Bhaal is also his patron. Version that is by far the most like Orin and has killed both her and Gortash before the Plan ever could happen. Just barely keeping it together. Ginger.

Dwarf (Spore Druid) - very friendly, trustrworthy and polite. His favorite food is still roasted dwarf.

Dragonborn (Storm sorcerer, no multiclass) - Canon personality but without the silly little guy persona. Ruthless and functional. Sometimes puts his whole mouth around Gortash's head and that is considered affection. Tbh his personality is usually the same, what changes is the act he puts on over it. Both tiefling and dragonborn can disappear completely if they close their eyes in the dark. Just lineart under cut

[petercapaldi-press]

INTERVIEW

Interview: How 1980s Glasgow inspired Peter Capaldi's debut album

3rd November 2021

Paul Trainer Best of Scotland magazine

I WANT to ask Peter Capaldi about his debut album but first he wants to know what the weather is like in Glasgow. He’s planning a trip up for a few days and we spend a moment discussing sensible clothing to pack.

An instantly recognisable actor, there’s not much time spent in pubs these days while he is here but he does like to have a wander around. “I like going around the old parts of the city, where Glasgow emerges, then I will often find myself up around the art school,” he explains.

One crisp December evening a few years ago I was charging through shoppers on Buchanan Street when I was suddenly confronted by the elongated figure and tousled locks of Capaldi as he took a photograph of the police box that sits outside of The Ivy restaurant in the city centre. I relate this momentary, unexpected encounter to him, describing the blue box as “his old office”, an oblique reference to the TARDIS, and his role as the twelfth incarnation of Doctor Who.

He breaks into a cackle, then volunteers: “Sometimes I pass those – Glasgow’s one of the few places with police boxes – so if I see one I send a picture on to a friend of mine who is also in the same mode, shall we say,” giving an intriguing hint at a Time Lord WhatsApp group.

For some people, Capaldi will always be Malcolm Tucker in The Thick Of It – a bombastic performance characterised by a hail of Scottish invective, creating a political satire monolith that continues to cast a shadow nine years after the show went off air. Being cast in Bill Forsyth’s Local Hero in 1983 was a breakthrough. Ten years later he would win an Oscar for Best Live Action Short Film as writer and director of a film about Franz Kafka that starred Richard E Grant. Then there was a memorable turn as Uncle Rory, a significant but infrequent presence in the television adaptation of The Crow Road. More recently, he starred as The Thinker in James Gunn’s The Suicide Squad. There’s a lot in the back-catalogue.

Before all that Peter started his performing career in music. While studying at The Glasgow School of Art, he put together a band, The Dreamboys, (future comedian Craig Ferguson was the drummer) and enjoyed a small part of the thriving music scene in the city at the time.

While his life went down a different road, he retains his love of music and has recorded a 10-track release called St Christopher. His relationship with music is more to do with storytelling and creating something new. “I’m not that guy who brings a guitar along to every party,” he says.

The story of the album started with an invitation from a friend, Robert Howard, the Scottish singer of The Blow Monkeys, to come along to a few recording sessions at his studio.

“Robert, who’s great and a wonderful musician, does this thing called the Monks Road Social, which is a conglomerate of musicians who put out an album every year, and they’re just happenings. I’d be encouraged to vaguely join in.” At one of these get-togethers Peter was asked if he had anything to record.

“I quickly put together a song, which they recorded in the space of a day, and it was so much fun. I thought: ‘Oh, I really want to do this again.’

“Over a period eight or nine months, I did that. I wrote stuff and sent it to Robert and we would ditch certain ones, and on then other ones he’d say: ‘Let’s hang onto that.’ ”

Did that first song that he wrote make it onto the album? “That was song called If I could Pray, which was released as a single to no acclaim last year. It got about two plays on the radio. That’s showbiz.”

When Peter was in Atlanta in the US to shoot The Suicide Squad he found he had time on his hands. He travelled to Nashville and started writing new songs. A band was assembled and a studio booked in London. Then lockdown intervened. They persevered.

“We just sent it back and forth over the digital ether and then sent it to the percussionist or some other musician who would add something wonderful to it. Because we had the option to do it, we thought: ‘Let’s just put this out and in a very low-key way, just start doing music.’ ”

There’s a lot of Glasgow in this record: echoes of Scotland set against a canvas of Americana guitar and retro synths. “I kept going back to a Glaswegian art school ‘80s vibe,” Peter says.

“The city itself, how it has such a power about it. Glasgow is a wonderful, noirish, synthy setting for things. Robert is very different and his musical experiences takes it in another direction occasionally, which is interesting.”

The American elements enter via those Nashville trips. “When I went there it felt like the spiritual home of any Glaswegian. You feel so at home, the music is elemental and we’ve been fed it already.

“The melodrama and the sadness and the darkness and the joy that’s very present in country music: the west of Scotland is a cauldron of that stuff and we reach for it all the time.

“There’s always a wish among Glaswegian musicians to mythologise the place in music and I think I’m trying to do that as well.”

Peter is open to the idea of taking some of the songs out onto a stage but there’s no tour planned. “Maybe a theatre piece, I don’t know”. He won’t be signing up for a musical. “This isn’t a new career or anything. This is an exploration of my own interest, an expression of who I am, being a performer and an actor and a director. That inevitably leads me to conjure up things, I think, as opposed to making hit singles.”

There’s already one Capaldi in that game. “He’s fantastic and I’m so knocked out by Lewis and I’m so proud of him and he’s just incredible. This is not an attempt to be a pop star.”

If this record, then, picks up where he left off in music, revisiting a time and place, what does he remember of his art school days?

“That was a golden period. In the sense that the government did pay for kids to go into further education and it was an ideology that was respected and it allowed so many of us who came from humble backgrounds to come into these various professions because we were allowed to go and explore.

“Art school was a great melting pot of ideas. There was just a general ethos that you could do anything in that building off the top of the hill there and that you were part of the city. It was the late 70s moving into the 1980s.

“We’d hang out in Nico’s, the first place you could buy a cappuccino or go to The Griffin pub opposite The King’s Theatre. Maestro’s was a nightclub we all use to end up and there was always some piece of nonsense being planned there. We’d do gigs that were not organised or you’d be asked to join other bands to play.

“When we arrived at the art school, we were all dressed as Neil Young with long hair and great coats. Then in the summer the punk thing happened. So we all came back with plastic trousers and peroxide hair. It was very open to all the ideas in the zeitgeist. I didn’t realise it at the time, but it was the perfect place to be.”

St Christopher by Peter Capaldi is released by Monks Road Records on November 19. 

This interview was featured in Best of Scotland magazine, published monthly in The Herald on Sunday and Sunday National newspapers. You can read the November edition here. 

[rivercule]

Wait it’s actually so funny that Mizrak was inarguably Part of the Crew this season minus some sneaking off for illicit gay activities with Richter’s nemesis. Up and until he got stabbed badly. After which no one ever saw him again.

So like. What did Alucard tell them? That his secret vampire boyfriend stole him away to take and save his life? That he must have died and someone misplaced the body? Did he tell them anything? Did anyone even bother to ask??? Do they care

[sketching-shark]

"Tang Sanzang is completely peaceful all of the time!" Bah. True journeyheads know about that time he got two guys tortured to death and his "smashing yaoguai into meat patties is okay actually" mindset.

[bonefall]

post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do

Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.

Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.

Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.

And then she dies, so he can have his very own fridge wife.

In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.

She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.

So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"

But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;

Tally the genders in your cast. How many are boys, how many are girls, how many are others?

And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.

If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.

It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.

Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.

Or this shit,

If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.

Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.

Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.

(Also remember I'm not a professional or anything, I'm just trying to give advice)

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[mr-stottlemonk]

made a timeline for monk tv for the folks cause it makes no sense sometimes.

[more in the tags]

[update: stottlemeyer's timeline found here]

[sketching-shark]

WELL ACTSHUALLY & not to be an absolute dweeb about this but we simply must not forget that it was thanks to Tang Sanzang's efforts that two guys got tortured to death.

oh that gap in my resume is cuz i was out killing people

[apilgrimpassingby]

I thought today - the TV show I'd really like to see is one about a medieval monastery.

You could have all kinds of characters: the pious guy who joined because he wanted to serve God, the son born out of wedlock sent there to cover up his parents' shame, the geek who wanted to study Latin but couldn't afford to go into university, the former knight sick of violence and afraid for his soul... Plus monasteries were centres of pilgrimage and places where criminals could take refuge, so we can have a lot of characters who crop up for a few episodes and leave.

Some plotlines I thought of:

Our relics aren't bringing in the pilgrims the way they used to - what do we do?

A women fleeing an abusive marriage has taken shelter in the monastery - how will the brothers respond to having a women in their midst?

One of the monks wants to leave - will the abbot accept or not?

A murderer has taken refuge in the abbey, and the abbot decides to try and save his soul - what will happen?

People are coming to the monastery for food during the famine, but the monastery is itself short of food - how will this be dealt with?

War has broken out between two local lords, and the monks attempt to broker a treaty - will it work?

I've already mentioned some reasons why I think this setting would lend itself to television, but I'd also love to make it for two other reasons:

Get people to understand how weird medieval religion could get, but also that, within its own frame of reference, it was a reasonable and consistent belief system.

Show people that the Middle Ages consisted of more than just muddy people stabbing each other and burning scientists at the stake.

[darkdragon768]

Me: *watches a video about the lore of zelda bosses - botw edition*

Guy in the video: "Now that's in botws DLC (...)"

Me: "Just say totk. ... Wait, botw had real DLCs. Fuck I forgot about that."

[protagonistscum]

dnd is SO funny

so our group split into two

this led to the druid, the bard, and the paladin to get into a fight with the cult leader. as they all had decided to go down a well and found that there was a secret room.

the fighter/cleric and rogue were in a locked storeroom, OBLIVIOUS until they heard screaming through the walls. as none of us can pass a perception check to realize there's a secret door. (none of them noticed the stairs into the storeroom. they deadass just jumped into it.)

for several combat rounds, the cleric couldn't get a high enough strength check to kick down the door. the rogue couldn't get a high enough dex check to pick lock the door. the paladin couldnt roll high enough to pass the wis saving throw for hold person. leaving the bard and druid to fight the cult leader.

[pika-blur]

also maybe i should finish a playthrough of rainworld

[mismess]

Napkins father is secretly Adrian Monk

That role is already filled, tho he'll only accidentally admit it when someone else is competing for said role. He's JUST an honorary uncle he swears(lie)

And Napkin's already got an adoptive dad, Mr. Monk will help reunite them! The real mystery is how they got so separated in the first place

[solxamber]

Suddenly, an idea got to me when I read one comic. So, basically, Yuu sits on bench, looking down and all depressed, then Ace and Deuce see them like this and ask what's wrong, Yuu tells them to sit down, so they can tell them, they sit down, then Yuu says to them: "Guys... A bench is freshly painted..." Idk I just felt like it suits them very well. Cue as they proceed to go through 5 states of grief

First Year Trio vs Freshly Painted Bench

sorry for the wait, I hope you like it <3

Ace and Deuce were minding their own business, strolling through the campus courtyard, when they spotted you sitting on a bench. But it wasn’t just the usual “hey, there’s our friend chilling on a bench” type of sitting. No, you were hunched over, elbows on your knees, staring at the ground like life had personally punched you in the gut and stolen your lunch money.

“Hey, are you okay?” Deuce asked, his brow furrowing in concern. He wasn’t the sharpest tool in the shed, but he could recognize a sad face when he saw one.

Ace snorted, nudging Deuce. “Pfft, maybe they just lost at UNO again. Come on, it’s not the end of the world.”

You lifted your gaze ever so slightly, giving them both the most soul-crushing, mournful look. A look that said you’d just seen the darkest depths of human existence. It was the kind of expression usually reserved for people in tragic Shakespearean plays, not normal students in the middle of the afternoon.

“What happened?” Deuce asked, his voice soft, like he was bracing himself for some life-altering news. “Did something really bad happen?”

You motioned for them to come closer. “Sit down,” you said quietly, like someone on the verge of revealing the meaning of life itself.

Deuce’s concern deepened. Without hesitation, he plopped himself down on the bench beside you. Ace, less certain but intrigued by the sheer drama of it all, sat on your other side. The three of you formed a solemn row on the bench, like mourners at the world’s saddest funeral.

There was a long, weighted pause. Both Ace and Deuce waited, eyes wide, as if you were about to drop the most earth-shattering truth bomb of all time.

Finally, Ace broke the silence, his curiosity getting the better of him. “So, uh… what’s wrong?”

You sighed. It was a deep, theatrical sigh, one that seemed to carry the weight of a thousand years of suffering. Slowly, you turned your head toward them and said, in a voice so grave it could’ve been narrating a tragic documentary:

“The bench… is freshly painted.”

There was a beat. A moment of absolute, deafening silence.

Then:

“WHAT?!” Ace yelped, his face immediately scrunching up in horror. He bolted upright like he’d just sat on a beehive, but it was too late. He glanced down, eyes wide, at the back of his pants, and sure enough—a vibrant, shiny streak of wet paint was smeared across his clothes.

Deuce’s reaction was slower, but only because he was in denial. “No, no, no, wait, it can’t be—” He reached a hand back to touch his pants, and the moment his fingers brushed the sticky surface, his face fell into the deepest despair. “Oh no… nooooooo!”

You stayed seated, as calm as a monk who had achieved inner peace. “Yep,” you said softly. “Just freshly painted.”

Ace, now pacing in front of the bench like a man possessed, threw his hands up in disbelief. “WHY DID YOU TELL US TO SIT DOWN?!” His voice cracked somewhere between fury and absolute confusion.

You shrugged, not even looking at him, your voice still deadpan. “I needed you to understand my pain.”

Deuce, still frozen on the bench like a statue, glanced back at his pants, horrified by the neon streak decorating his backside. “But… but why didn’t you just tell us?” His voice was faint, like he’d just witnessed a crime against humanity.

You finally stood up, stretching a little as if your emotional weight had lifted now that you’d successfully shared your burden. “Because misery loves company,” you said, a tiny smirk playing on your lips. “And now… you get it.”

Ace stared at you, hands in his hair, mouth hanging open. “That’s… that’s messed up, man!”

Deuce, however, was too far gone. He wasn’t even mad anymore. His face was a portrait of pure, unfiltered sadness. “I’m gonna have to wash these, aren’t I? Like, scrub them for hours…”

You nodded solemnly, patting him on the back—though you made sure to avoid touching his pants. “Welcome to the club. It’s going to take at least three washes, minimum.”

Deuce whimpered.

Ace, however, wasn’t done venting. “You couldn’t have just given us a heads-up?! ‘Hey guys, don’t sit here, the bench is painted,’ or something?” He waved his arms wildly as if demonstrating the hypothetical conversation.

You just shrugged. “You looked like you needed to sit.”

“And now I’ll never sit again,” Ace groaned, dramatically flopping back down on the other side of the bench in defeat—only to shoot back up in horror, realizing there was even more paint he hadn’t noticed.

You couldn’t help it. You chuckled.

Ace pointed a finger at you accusingly. “You—this was a trap! A setup! You’re a paint terrorist!”

Deuce, still sitting in quiet despair, muttered, “This is worse than losing at UNO…”

The three of you stood there for a moment in shared misery. Well, you stood. Ace and Deuce just fidgeted around awkwardly, trying to figure out how to move without getting more paint on themselves.

Finally, Deuce sighed. “I guess we’re going to the laundry room, huh?”

Ace groaned, giving you one last betrayed look before shuffling off with Deuce. “This isn’t over. You owe us.”

“Yeah,” Deuce added, still staring forlornly at his pants. “You owe us big time…”

You waved after them, feeling surprisingly lighthearted now that your suffering was mutual. “I’ll buy you guys lunch later!” you called, though you weren’t sure if they even heard you over their grumbling.

As they disappeared into the distance, you sat back down on the cursed bench, content with the knowledge that, while your pants were ruined… at least you weren’t alone.

Masterlist

[gffa]

Okay, so. The senator's speech. Here's why I'm okay with it: It fundamentally misunderstands the worldbuilding of Star Wars and the Force, in a way that's reasonable for a senator to misunderstand. To say the senator is right, you would have to say that the entire foundations of the Force are wrong, as well as it's pretty laughable to say that you shouldn't control your emotions. "Check yourself before you wreck yourself." is pretty good advice and that's literally just "control your emotions, before they control you". Because that's how the Force works, it's based on the emotions you pour into it--if you don't control your emotions, then you will run wild and out of control. To say that the Jedi seek to control their emotions, which is an impossible thing to do, fundamentally misunderstands that it's entirely possible. This is a speech coming from a member of the Senate, which has historically not always had the purest motivations, that Padme and Bail and Mon are written specifically as a contrast to the vast majority of senators who don't actually care beyond their own desires. We don't know anything about this senator specifically, but that's the weight that comes with having a character like this introduced--especially one who is trying to drag the Jedi into being more politically bogged down. Because that's the solution he's suggesting here, to weigh the Jedi down with outside oversight that doesn't actually understand who they are or what they do, who fundamentally misunderstand who they are (they're not a religion? come on, my guy, they are very clearly a religion, they have specific beliefs, practices, rites, and attitudes, to say they're not a religion is either dumb as shit or malicious bad faith lmao) and is very clearly not interested in the Jedi beyond them being a political enemy of his. He says, "But it's only a matter of time before one of you snaps." as if the Jedi haven't existed for literally 20,000 years at this point in galactic history and been aligned with the Republic since it's inception, something like 900 years ago at this point. His speech acts like a Jedi has never gone bad before or that the Jedi pretend they're above it--they very much don't. The Jedi are constantly making a point about how no one is above the dark side within them (TCW has a whole scene where the High Council say not even Yoda is beyond the dark side, and Yoda straight up agrees immediately), to say that one of them will snap and "who will be powerful enough to stop them?" is deliberately ignoring the worldbuilding. It ignores what the Jedi actually practice (it's a lifelong challenge not to give in to anger, so they're constantly on the path to turn away from it), it ignores that emotions very much are controllable, it ignores that the Jedi Order has been keeping a handle on their shit for thousands of years at this point, and it ignores that there's dark siders out there that were never trained by the Jedi, so if the Jedi aren't around to stop them, the Sith would have been wrecking the Republic's shit for the last 500 years. To be fair, they don't know that (but we the audience do, so we should know a bullshit argument when we hear one), but "who will be strong enough to stop him"? Idk, maybe the rest of the level 100 psychic space wizard monks? Pretty sure there's enough of them to stop someone who "snaps", if that happens. The senator's speech just flat out doesn't work with the established worldbuilding, in a way that really works for me, because that's kind of a huge established point throughout just about every piece of canon with the Jedi in it--people just do not understand them and hate the idea that anyone might actually be truly good because they can't imagine it for themselves. Because, as is a theme in Star Wars: "As much as people loved the Jedi, they also hated them, on some level. It is hard to look at people who have become their best selves. It reminds you that you have not."

The senator cannot fathom the idea that a group of people could become their best selves, he doesn't believe that it's possible, because he has not achieved it, and so seeing it in others unsettles him. And, yeah, that's a whole thing that happens with the Jedi in Star Wars, so this speech made a whole lot of sense to me, especially combined with, "So the answer is more bogging them down in political oversight that does not bother to or even want to understand them?" Like, yeah, I see where you're coming from, sir. And that's not even touching the idea of calling the Buddhist-inspired religion (which the Jedi explicitly are) a "cult", because anyone who unironically says that should not be trusted.

[unstable-samurai]

Breathing This Calm Night - smut

Yunjin x Male Reader

ONE-SHOT

Tags: fluff, oral sex, one-shot, tightjob, penetration, k-idol, famous girl, secret relationship

A/n: This is my first request. Thanks @dav1233555 for the plot suggestion 🫡

The two of you were anxiously dragging yourself towards the end of the day. Slowly the hours passed, seeming to last longer than they should, while a hurried and hard routine was followed, with no time to even exchange a few messages.

But you were finally free, at least for now, from the mess that is a magazine of international relevance.

I'm arriving

You read the message and smiled at the phone screen. It wasn't crowded at the restaurant you chose to have dinner at. You reflected for a moment, and thought there was a bit of madness in what you two were doing, but it was indisputable that it was genuine and pure.

Truth be told, this whole thing was real. And thinking that this could be a bit crazy (in other people's eyes, to be more precise) only made your panoramic view of society more bitter.

After all, what was so great about being a foreigner and dating a K-idol? Well, you weren't the guy who was going to change the view of an entire society, so worrying about it was useless.

At least there was some security that this relationship would not be leaked to the media. Well, you were in fact part of the fucking media. There was support from the magazine you worked for (not that you were the owner or anything), and at least no one on your team would poke your eye out. Some other editors you trust already knew about your relationship. It was one of the countless advantages of being in a high position in the company and having a strong influence on what happened inside. I mean, someone from the magazine could try to fuck with you, snakes exist everywhere, doing this in an attempt to self-promote or even abandon ship, handing over the leak of your relationship to another magazine or tabloid (in the headline the motherfuckers would find a way to use the word "affair", just because your previous relationship ended a month before you met Yunjin). But you would discover the funny guy so easily that there wouldn't even be any fun in solving the mystery. All it took was a single call to your father, simply the greatest editor-in-chief who worked at the magazine's headquarters. Already retired, but still exercising great decision-making power thanks to his long years of contributions to the magazine. Your old man was seen almost as a royal advisor or a wise monk where directors, managers and editors from various sectors of the magazine went to ask for advice and help. You were relatively shielded from leaks.

You noticed her approaching. Well disguised, with glasses, hair tied back and comfortable clothes. She looked like just another ordinary girl. You couldn't help but notice the NY Knicks sweatshirt you had given her as a gift, it was both of your favorite team.

She greeted you with a discreet hug. You still hadn't gotten used to the fact that you couldn't give a peck in public que in South Korea. In your perception, it was the most normal thing in the world.

"Hi, baby! How are you?" she asked you as she sat down at the table.

"Better now, honey. What about you?"

"The same!"

"Was the day as hard as always?" you asked.

"Yeah, definitely!" she replied. Yunjin seemed eager for this question. She continued: “In the morning I had rap class. By the way, I think I'm getting better. Oh, and in the afternoon I recorded my lines, like, over and over again. The music producer has a very specific vision of what he wants for this track. He apologized and admitted that it might take some time to achieve the desired result.”

"Well, I trust your talent. Remember that you and your group are dealing with a delicate concept. I have seen up close the production of albums that address intimate themes, it is always a challenge, but also a true work and certainly a amazing gift for the fans. You girls are going to do great."

Yunjin laughed, a little shyly.

"It feels like I'm talking to a music critic instead of my boyfriend."

"Well, you're actually talking to a music critic. Oh, by the way, I remembered that I won't be writing the article about Le Sserafim's new album like I said before."

Her expression was one of surprise. Yunjin asked:

"Is it because of me?”

"Yes." you answered honestly. “Well, look, love, I'm prioritizing our relationship and thinking about the future. If this is for real, eventually the press will hear about us together, and a review from me about my girlfriend's music group obviously it would make my opinion seem partial and biased. It's just to avoid future problems."

"Okay" She looked upset. "But I'll still want to know your opinion when you hear the album."

"I'm really looking forward to hearing it." You smiled, making her feel better. "I left the review about the new album for a good friend of mine to write. I really respect her opinion."

"Well, i think we're in good hands. But let's stop talking about work for a bit!"

The waiter seemed to have heard Yunjin's speech as he appeared to save them right after she finished saying that. Yunjin had great taste in food, that's why she always chose the order for the two of you, you weren't the "culinary trailblazer" type; a few months in South Korea and you only knew five typical dishes (always returning to the arms of the big fast-food chains).

"Oh, I almost forgot to give you this!" You handed her a gift. "It had been on my lap for so long that I had forgotten I had brought it with me."

"Oh, baby! You didn't have to do that!"

She started to unwrap it.

"Hope you like."

You waited for her reaction. Yunjin smiled and made a cute little noise when she saw that it was a book (although she already knew from the shape of the gift wrap).

"You know I love reading! Thank you so much."

"It's The Alchemist. I know you love fantasy and this silly self-help thing. This book is a mix of both."

You saw her eyes light up.

"You're perfect. I love how well you know me. And self-help isn't silly, it's very good for evolving as a human being." she scolded you.

You shrugged.

"It's not the kind of thing I'd like to put on my bookshelf. But to each their own.”

She laughed.

"I'm still going to make you read one of these."

"Well, I've already read The Alchemist. If for me it's average, for you it will be a masterpiece."

★

It was around 10pm when the two of you finally arrived at your apartment. Dinner was very good, especially dessert (that bingsu thing was really delicious), and by that night there was no more energy for more fun, it was preferable to have a good night's sleep so that the next day you could do something together. Even so, Yunjin hummed excitedly in the car on the way home. You appreciated all that joy.

You took off your shoes while Yunjin took off her NY Knicks sweatshirt, leaving only a tight tank top on her body. You noticed that she wasn't wearing a bra by the way her breasts showed through the fabric of her tank top. You slowly approached her and grabbed her from behind, kissing her repeatedly. Yunjin wrapped her hands around your neck as she giggled at the series of kisses.

“Will you be my teddy bear tonight?” she asked sweetly. “I need your affection so much, baby.”

“Whatever you need, sweetie.” You said as you kissed her on the neck.

Things were heating up. Your hands slid down Yunjin's soft belly, heavy sighs escaped her mouth unconsciously.

“Look, we still need to shower.” she said.

"No problem." you answered.

“You're putting me in the mood. I'm warning you that if you keep touching me like this, you're going to have to go all the way to finish what you started.”

“And since when has this been a problem for me?” you asked as you led her to the couch.

You took off your shirt and belt from your pants. Yunjin took off her jeans, leaving only her tank top and adorable pink panties. Your hand slid down Yunjin's left thigh while you kissed her right thigh. That was more than enough to give her goosebumps. She had her legs wide open, waiting, almost begging, for you to touch that place. Instead of doing it right away, you decided to play with her a little, kissing and biting her inner thigh while using one of your hands to lightly massage her pussy through her panties. Your lips slid to Yunjin's crotch, where you licked the entire area, she reveled in the act, trying hard not to close her legs with the spasms she was having. It didn't take long for a wet stain to darken the pink of the panties. When you finally removed Yunjin's panties, you saw how wet she was. So horny that she couldn't wait for you, fingering her pussy slowly, opening it with her fingers so you could see how drooling she was; a successful action of provoking you. Then you realized how hard your cock was, pulsing in your pants, painfully tight, which made you hornier.

Without wasting any more time, you dived between Yunjin's legs, eager to taste her (that flavor that was becoming increasingly familiar and addictive… Part of your life. Yeah, we could put it that way), your tongue delighting in the taste and the cozy warmth of the inside of her pussy, while Yunjin moaned softly, digging her nails into the sofa cushions.

“I love it when you suck me like that, baby. You make me feel so good!” she moaned.

At one point she asked to stop because her lust was unbearable and that way he would have an orgasm in a short time.

“I want to feel your cock inside me now.” she said. You had just taken off your underwear when she added, “Wait, what if we fuck in the bathroom. Let’s save time, what do you think?”

Your response was to lift her off the couch and take her to the bathroom. You turned on the light with your elbow and, before you could think of anything, she said:

“Fuck me like this! Your cock goes deep into my pussy when you fuck me in the air.”

You kissed her intensely while you tried to fit your dick into her pussy. The feeling of your cock sliding inside Yunjin was wonderful. Upon realizing that your cock was well placed inside her, you grabbed Yunjin's thighs tightly and began to thrust into her energetically while she held onto you, moaning compulsively.

And Yunjin was right, your dick went deep in that position. You could feel her deep inside, the entire length of your cock was being used, and she loved it. When she announced her orgasm, you wanted to make sure it was intense and pleasurable, the way it made her roll her eyes, so you lifted her a little higher, grabbing her ass, while Yunjin wrapped her legs inside your arms, making her practically hang from you and her pussy is completely inside your dick.

“Oh God, Baby! I’m cumming!”

She trembled holding onto you, while you practically rubbed her pussy on your dick, always rotating it close to your body. It was just a shame that you couldn't enjoy her eyes rolling back at the moment of orgasm, you simply loved seeing her go crazy with pleasure, but there was also a certain contentment in just knowing that it happened.

You sat Yunjin down on the sink and there you started fucking her again, looking deeply into her eyes. At one point she looked at you with so much passion, so much desire that there was a sudden growing desire to fill her pussy with your load of cum.

“Hang me, love.” she asked affectionately.

Her hand wrapped around just over half of her neck, serving as support to fuck her even harder. Sweat running down both bodies, your gaze was lost between the mirror's reflection, her eyes, her tits and her expressions of pleasure. With the sensations highlighted, you realized how much you loved Yunjin and how much this feeling contributed to eminent pleasure during sex.

Holy shit! You were almost there.

You thought about how much you wanted to go deep into this, literally to the end, but you were without a condom and suddenly stopping the act to go get a condom at the end of the championship was a bit... discouraging.

But you have an idea.

“Stand up, sweetie” you said. “Let’s try something new.”

Yunjin got out of the sink, looking at you excitedly.

“Get in the shower stall with me.” you asked, opening the door.

"What do you want to do?"

“It’s nothing out of this world, but it occurred to me that you’ve never given me a tightjob, I think it’s time we tried it.”

She had some assumptions about what this position was, but you helped her anyway. Yunjin was a rather tall girl, so there were no problems for your dick to fit between her thighs, the result was perfect, nothing uncomfortable. You thought about turning on the shower to lube up a little, but her pussy was so wet and the continuous sweat running down between her thighs was already more than great. You grabbed Yunjin's waist tightly and she crossed her legs a little, squeezing your dick.

You began to thrust into her, your cock sliding back and forth as you dragged Yunjin's labia. So you discovered in the best way that this was very pleasurable for both of you. The internal heat started inside you again and gradually you lost yourself in that exciting sensation. As you approached the final explosion, you bestially grabbed Yunjin in every way possible, sliding your sweat-damp hands down her belly, squeezing her breasts and slapping her ass. You lost yourself in the voluptuousness that was Yunjin's body and- Fuck! She loved it. She loved being your instrument of pleasure, knowing that the person she loved so much reached maddening peaks of passion, desire and lust for her. A juice of feelings for an insatiable thirst.

“Oh baby! I’m gonna cum! I’m gonna-”

Without any warning, Yunjin began to move her hips in a rhythm that immediately took you to the precipice of pleasure. The soft, hot, wet, suffocating skin of her thighs dancing over your cock. This was too much for you. When you came, you hugged Yunjin tightly, holding her as if your life depended on it, giving in to inconstant and uncontrollable moans close to her ear. The frantic thrusts lost their rhythm, going deeper and slower through Yunjin's thighs. She held your arms affectionately, waiting for your breathing to become less labored before kissing you.

"I love you." You said to her.

The phrase was so loaded with something that covered your feelings at that moment, and you wished she was the woman of your life and would never leave your side.

"I love you too!" said Yunjin when she found a way out of your tongue. “Baby, you don’t know how much.”

“This took longer than expected. Let’s take our shower.”

“Yep! Let's go."

You turned on the shower. The hot running water was invigorating, even more so being next to Yunjin, you didn't know that sharing certain intimacies was so special until you finally did it with her. you soaped Yunjin's entire body, she helped you wash your back and you shampooed her hair, gently massaging her scalp; it was cute how it relaxed her, she seemed so surrendered to you in that moment, and just a few months ago you were sitting across from her and the other Le Sserafim girls, asking incisive questions about the creative process of their latest album. That's where it all started, after all. And who could say where it would end?

“Hey, baby, let me shampoo your hair now.” Yunjin said with a cutie smile.

Nobody, you thought. Nobody could say.

A/n: sorry for any grammatical errors 😅