#Jim: what is happening
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blow-me-a-kis · 2 years ago
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Kraken Ed is super depressed, so Izzy and the crew launch into their well practiced Gaston-esque number to cheer him up. Frenchie and Jim are just awkwardly standing around watching everyone else sing and dance. Frenchie whispers to Jim "A-are we supposed to know this routine???"
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soosoosoup · 4 months ago
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treasure planet au: cabin boy duties
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tprings-hair · 11 days ago
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I'm going to say something about the new unification short film that I haven't seen anyone here say yet.
I love the handholding scene. massively impactful. I love the echo of "this simple feeling" from the motion picture and the genesis reference and the idea that spock did not die alone or among strangers. it's just so satisfying after all this time to know that even shatner knew it was wrong and needed to be approached with more compassion for nimoy and the fans who loved these characters and knew they should be together at the end, whatever that looked like.
but you know what really got me?
this minute or so. kirk confronting his old selves. because that's obviously original series kirk right there in the gold uniform.
and the other? THAT'S HIM!!
(I'm linking it this way because you apparently can't add more than one video to a post and I need it here for demonstration.)
so we have present kirk walking down a dark hallway. at the end is spock, but at the end is also spock's death. how can he step forward and face that? what happened to the way he used to think about death?
yellow shirt is TOS kirk, who had always found a way around the problem and never (if the movies are to be believed) had to face death straight on. he's looking forward with confidence. there's no way spock is dying. there's a way out of this somehow, if only he can find it.
TOS kirk looks back the way he came, because he believes he can go back. he can always go back. the series always resets to the same characters who can be depended on to take similar actions, because that's what a serial is, and that's who he is. things have taken their toll on him, but he knows he can take the hit and keep moving.
but he stops when he's faces with WOK kirk. the one in the red dress uniform, who has lost spock and knows what it is to live without him. who has faced death in a way he had never had to before, because the constraints of the series never allowed it. he has been changed because of it.
TOS kirk sees that, and does that sort of posturing that he always does in front of someone who's threatening him. but WOK kirk isn't threatening him. he's just living through something TOS kirk hasn't had to face yet. it's him staring his past self in the face and telling him, kindly and firmly, you know nothing about how it will feel. you will never be the same without him.
and TOS kirk looks back again, and there's a present kirk, wearing his generations uniform. this is kirk having turned that grief to a desperate search for the most important person in his life, and emerged with spock by his side. he's not the same, but he's made it through. of course TOS kirk would look to that.
and as our kirk looks at these people he used to be, they vanish in front of him. he remembers the way he used to think about losing spock. the fear, the grief, the hope. there's no hope left. when he reaches the end, spock will be there, and it will be their last time together.
but he puts the pin back on, and reminds himself of his duty not just to a fellow officer, but to a friend, to the most important person in his life, and to himself. spock should not be alone, and he never got to say goodbye properly before. doing it now is the least he can do.
that's his ultimate responsibility in that moment: being there for spock. that's been his ultimate responsibility from the beginning. and this is shatner acknowledging that they deserved an ending that fit that truth.
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dykedvonte · 1 month ago
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I think it says something that Jimmy absolutely destroyed the crew and ship in half the time Curly was captain. Like he couldn’t even get them past 2 full months before breaking down.
Like he really couldn’t be half the man he thought Curly was.
#like I think it’s crazy cause the whole trip from when we start the game is like 6 months#they are only six months into the trip post crash it’s why getting help was so futile#they had to survive another 6-7 with almost no resources sense most actual food resources where blocked off or destroyed#I see people saying they were surviving for six months after the crash or at least five but it’s only two#they were on the ship for 4 months before hand like the time frames we play are extremely small in retrospect#it’s like what 187 days when we get into the game? that’s about 6 months total#like I’m sorry this is also about peop saying Anya was liek 5 months pregnant but I think a big point is the assault just happened and Curly#didn’t react to it correct initially cause like have you seen someone whose 5 months pregnant? Anya is clearly not even with artistic l#liberty like 2 months is perfect because it’s literally like the time when you confirm the pregnancy is stable and can feel the first signs#of life which is why she was getting worse and worse cause it was getting to the point she couldn’t hide it from Swansea and Daisuke and Jim#he already knew but imagine him seeing her with a stomach? he’d lose it completely#it was just showing signs of life hence the ultrasound and horse fetus and the heart beat#like the minimum time is around 8-10 weeks which is two months like the two months is super intentional both in accordance to what he did#and the time before hand#mouthwashing#anya mouthwashing#jimmy mouthwashing#curly mouthwashing#mouthwashing game#captain curly#nurse anya
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wwillywonka · 4 months ago
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THIS IS KILLING ME. THE COMEDIC TIMING. THE WAY HE JUST STAYS IN THE BACKGROUND RUBBING HIS HANDS TOGETHER. EW!!!
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trek-tracks · 2 years ago
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Do you ever think about how Kirk had a "best friend" on the ship before Bones in Gary Mitchell, a man who:
a) deviously manipulates him into heartbreak for Mitchell's benefit,
b) shames him for not being "fun" enough when he's in a position of power,
c) openly insults intelligent and powerful women,
d) treats everyone cruelly as soon as he gets power and tries to seize everything for himself,
e) finds it fascinating that he can stop a person's heart for fun, and
f) tries to murder Kirk instead of admitting that he's a danger to the universe,
and then chooses to replace him with Bones, a man who:
a) tries to save Kirk from heartbreak at every opportunity,
b) gets him to smile and relax by being genuinely interested in how he's doing and telling him that he's great and respected just as he is,
c) openly toasts intelligent and powerful women,
d) treats everyone kindly as soon as he gets power and tries to use it to help as many people as he can,
e) cries about how people suffered when medical treatments were less advanced, and
f) says, "Jim, I can't destroy life, even if it's to save my own. I can't."
because I do
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conspicuous-gallantry · 2 years ago
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original post
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lighthouseas · 1 year ago
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will sneaking mike in through his bedroom window so they can make out. and it's all well and good yk they're giggling and kissing but then hopper decides to check on will because it's like 11 pm and he's making so much noise and, in a bout of desperation whilst hopper is opening his door, will shoves mike off of his bed and onto the hardwood floor so hopper can't see him.
and like. hop knows INSTANTLY what's up (he already knows at this point that will and mike are dating) because will has a dopey lil smile on his face and a hickey forming on his neck and his clothes are all ruffled right. but hopper plays it off, asks will if he's okay, will says he is. alright then. hopper leaves. he knows mike is definitely somewhere in the house. probably with a forming bruise from the bump he heard.
unfortunately, will shoving mike off of the bed so abruptly did, in fact, give him a bump on his forehead, so he goes downstairs to get ice for it.
hop is downstairs, too, sipping coffee and watching as mike pulls a bag of peas from the freezer (mike doesn't notice him at first) and subsequently grumbles a, "hey, mike. fall off the bed again?" from the dining table. mike very nearly shits his pants.
(hop let's him stay, though, on the condition that there will be no "funny business".)
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kenchann · 8 months ago
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kuroshitsuji is back O(∩_∩)O heres a lil alois doodle
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spirk-trek · 9 months ago
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I have these pages I've gathered from various zines that are just so unhinged and wonderful that I want to share them together. Let us rejoice in the brainrot of our forbearers.
Nome Fanzine, Michael Verina (1980) | Beside Myself, Jackie Zoost (1989) | Matter/Antimatter, Southern Cross (1983) | Beyond Dreams, Deeb (1999) | Nome Fanzine, Suzan Lovett (1986)
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spinach-pine · 2 years ago
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what if they... instead of...?
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cantdealwiththisnow · 8 months ago
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Part 1 - Appreciation post for all the TFP universe Autobot mugshot cameos (known and unknown) in RID2015 3x25 (even if the context is that they've been OUSTED against their will)
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dykedvonte · 1 month ago
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Why do you think did Anya ask Jimmy to give Curly the meds when she knew what kind of person Jimmy was?
I subscribe to the idea it was because she couldn’t bring herself to force the pills on Curly the same way Jimmy forced himself on to her. That and a mix of it inducing nausea due to the pregnancy. Since she took care of him outside of that one task, I think it was more the sound of him struggling and resisting than disgust with him.
On a personal level, it’s Curly. She still likes Curly and seeing the one person that was just starting to hear her be reduced to such a suffering, vulnerable state. It hurts and it’s frustrating and it’s unfair and despite the med bay being her area, she doesn’t like hearing the pain inside it. She asks Jimmy in my mind because Daisuke is a bit too young, to eager in her mind to help, he could easily and accidentally make it more painful for Curly. Swansea is just to gruff but Jimmy?
Jimmy was Curly’s friend, best friend, closest friend. He knew him and vice versa. Of all of them he should be the most willing and best option to get rid of his pain. I mean, I don’t think it was with malicious intent. She knew how cruel Jimmy could be but Curly said it himself.
“He won’t try any shit with me.”
She clings on to that a bit, despite knowing it’s meaningless now. I think it makes a nice parallel to how Curly’s attempts to help just fell flat or made things a bit worse. She wants him to stop hurting but this way just brings a whole new type of pain. It’s so much more obvious the way Jimmy treats people with Anya cause he has no false pretenses with her. He makes her feel guilty for asking to do one thing similarly to how he guilt trips and twists words with Curly.
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cupidgnome · 8 months ago
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At Eden and Tyler's wedding, everyone was having fun and dancing! + Emma pulled Brent aside and tried to make a move at him AGAIN and gave him a forced kiss + Brent was confused and angry but now he has to tell Madison.
+bonus pics
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cute dancing + proof of the forced kiss by Emma
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sentientcave · 8 months ago
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Heavy Weighs the Crown
Here we go friends! These chapters just keep getting longer. A larger plot begins to reveal itself to me. I am having a lot of fun here and I hope you are too.
Chapter 3 - Reading Between the Lines
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Read on AO3
Contains: Generic fantasy setting, Princess Reader, No Y/N, Some exposition, Reader's dad (deceased) was a real piece of work, Bad memories, A spot of magic, Voyeurism, Reader description kept pretty neutral but I kind of got slightly more specific about black hair care so you're just going to have to live with it.
~6k words
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The next morning, it rains.
The pitter-patter of rain against your windows wakes you up, because it sounds wrong. There’s only one small window in your room in Kate’s house, and when weather blows in it’s the sound of water trickling down and dripping off the thatch roof that’s loudest, not the rain itself. Here the sound echoes strangely in the big space, and you wake with a start, disoriented, your heart-hammering in your chest.
It feels like your life in town is the dream, trickling away faster than you can cup your hands to hold onto it. You fly out of bed and wrap a blanket around your shoulders, dashing out into the hallway, bare feet cold on the stone floor. The king’s bedroom is directly across the hall from your own, and you stare at the door, frozen and unsure if you’re willing to risk knocking, breath caught in your throat, chest tight, anxiety squeezing your ribs until they ache.
You’re sixteen and twenty-six both, living two lives out in one panicking body. You no longer belong here and you’ve never been anywhere else. Your father is alive, angry, terrifying, and he’s dead and buried where he can’t hurt you anymore. You are a tossed coin landed on it’s edge, waiting to fall.
The door in front of you opens, and you leap back on instinct, but breathe a sigh of relief when it’s John standing there, looking at you with surprise first, and then concern. “Sweetpea?” he asks, stepping forward to meet you, but leaving space between your bodies, like he knows that it would be worse for him to touch you right now. “What’s wrong?”
You press your shaking fingers to your mouth, holding back a sob. You swallow it down, pulling yourself together enough to speak. “I thought it was a dream,” you say at last. “I thought he was still alive.”
There’s no question who you mean. John reaches a hand out, an offering, and you take it, clinging to him like a life-line. He reels you into his arms, and you lean in, the solid, warm bulk of him as reliable and real as the earth below. “He’s not,” he says firmly. “I put him in the ground myself. You’re safe.”
You nod against his chest, feeling small and silly now. “I’m sorry,” you say, although you’re not sure what you’re sorry for. For showing weakness, maybe, for being lost in your own memory, for needing reassurance.
“It’s early yet,” he murmurs against the top of your head. “You should try to sleep a little longer.”
You’re not sure you could even if you tried, and even though you’re still tired, the adrenaline leaving your body cold, fatigue dragging at your bones insistently. You could maybe sleep against John’s chest, holding onto him, his heartbeat steady and strong enough in your ear to drown out the still-frenetic tempo of your own. “I think I’ll just get dressed,” you say, pushing away. He drops his arms instantly, letting you put a little distance between you.
He shakes his head, smiling at you fondly, eyes crinkling up at the corners. “Sweetpea, the sun hasn’t even risen. Go back to bed. I know just the thing to help. Go on.” He turns you toward your door and nudges you along.
There’s no point in arguing with him— You are tired, and although you suspect sleep will be beyond your reach, it’s cold in the hallway, especially now that you’re no longer pressed against John’s warm chest, and your bed is still warm when you climb back in.
Darkness presses down on you, heavy as grave-dirt, and you lay there, staring at the ceiling. You touch the crystal lamp next to your bed to light up the room, but that’s no better, really.
John knocks, but doesn’t wait for your answer before coming in, a dark wolf with blue eyes trotting in on his heels. “Go on, Soap,” he says, and Soap hops up onto your bed and lays down half on top of you, his head on your shoulder, tail wagging. John pats him on the head like he’s just a dog. “He’ll keep an eye on you.”
It should probably feel weird to cuddle up with a werewolf, since he’s really a man, and you’ll have to face that silly, crooked grin in the morning, but you need someone to cling to, and you’re to proud and cautious to cling to John. “Thank you,” is all you have it in you to say.
“He gets nightmares too. Usually sleeps across someone’s bed. I’m sure he’d be happy to stay with you while you’re here.” John says it simply, without a drop of judgment or condescension, and scratches behind Soap’s ear. “He’s a real good listener when he can’t talk back too.” He withdraws, tapping the light and throwing the room into darkness again.
You don’t even hear the door click shut. You bury your face into the thick fur around Soap’s neck and fall asleep almost instantly.
When you wake up again, it's with a very large, very naked man on top of you.
You yelp, scrambling back on your pillows. Johnny’s eyes snap open at your first movement, on high alert before he’s all the way awake. He scrambles too, and falls right off the side of the bed with a solid thud.
"Oh! Johnny I'm so sorry," you look down at him from the edge of the mattress, trying not to laugh. "I forgot you were here."
"It's alright, lass. I didna mean to startle ye. Ah shift back overnight sometimes. Price didnae remember to warn ye." He sits up and leans against the bed, forearms folded over each other. He looks no worse for wear, and like he slept as solidly as you did, those last few hours. There’s a faint imprint of lace from your nightgown on his face, and half of his hair is stuck straight up, the rest pressed flat. "Are ye feelin' better?"
“I am. Thank you for staying with me.”
“S’nothin’ really. Nicer sleepin’ with you than Gaz, he kicks awl night long. An’ Nox doesnae like me none, so I cannae stay with Ghost.” He grins. “Price lets me stay but he makes me sleep at the foot of the bed like a dog. Sometimes a man wants a cuddle, ye ken?”
You giggle. “I ken.”
"Really livin' up to yer name, aye Sweetpea?"
You laugh again. "Johnny, you know that's not my name, right?"
"No? What is it?" He shakes his head when you tell him. "I like Sweetpea better. Suits ye."
"Me too," you tell him. It has no connections to your previous life. It just reminds you of the pretty pink, purple, and white flowers that grow on delicate, curling vines that you like to grow over the side of the chicken coop.
There's a knock on the door, and Johnny leaps up to see who it is. You have to hold your hand up quickly to avoid getting an eyeful of things you're not supposed to see. He's absolutely shameless-- you suspect he wouldn't think twice about strolling down the hallways without a scrap on. You have a curiousity about men's bodies that you're too bashful to indulge, even if you're pretty sure that Johnny would stand still and let you look as long as you liked. Well, maybe not stand still. But you doubt he would mind.
It's Ghost at the door. He doesn't wait for an invitation to come in, but he has clothes for Johnny hung over his arm, so you don't mind. Honestly, you can bear a few overzealous men who feel entitled to your space for a few days, because after that you'll get to go home and get back to your life.
Ghost positions himself between you and Johnny, just as he had yesterday. "Price said you 'ad a bit of an episode earlier. You olright?"
"Just fine," you say brightly. "No need to worry."
"Och, let him worry, hen. He likes ta do it."
"I'm really fine," you insist.
"You want to visit the mausoleum? Might make it feel more real."
You'd be more interested in going there to visit your mother's grave, if you're going at all, but you think that you'll wait for a sunnier day. A gray, dreary morning like the one outside your windows is no balm for dark memories or old wounds. Sunshine might be. "Not today," you say. "Maybe tomorrow." You get out of bed as gracefully as possible, well aware that you have an audience. "Perhaps the two of you could step outside for a moment while I get dressed?"
Ghost glances behind him, checking to see if Soap is covered up enough for him to move, and then walks over to your closet and pulls out a screen that you hadn't noticed sitting in the corner there, and sets it up. "There you go, Sweetpea. You'll need help with all your fastenin's anyway, won't you?"
You imagine that he's smiling under the mask, more than a little smug about it, but you let it slide. "Very thoughtful."
"Try to be."
The blank face of his mask gives you nothing when you glance over, aside from that he’s looking back. It’s not the first time that you’ve wished for more insight into what he’s thinking, but there’s a gravity to his attention that you swear was never there before, and it prickles at the back of your neck even after you duck out of sight.
You choose a sunny yellow dress today, to counter the deluge outside, and remove the silk scarf wrapped around your head so you can twist your braids on each side from your brow back to the nape of your neck, pinning the lengths into a knot. You’ll have to redo them soon, but without Kate and her wife to help you, you know it’ll take hours, if not most of a day.
You walk over to where Ghost is sitting and turn your back to him so he can button it up for you. He hands you his gloves to hold while he does so, and you run your hands over the detail of white leather bones stitched on over the well-worn black leather, decoration and extra protection both. Idly, you slip one on, but your hands are so small in comparison to his that you have to stretch your hand out just to get your fingers arranged inside it properly. He stands behind you, and leans over you to gently pull them from your hands, as though to underline again how much bigger he is than you are.
The top of your head brushes his chest when you tip your head back to look at him. “Thank you,” you say.
“I’m always ‘appy to ‘elp,” he says. “I’m with you for the mornin’ anyway. Might as well make myself useful, eh?”
“Stuck minding me?” you tease, sweeping around to fold back the sheets on your bed, only to find that one of them had already done it. Ghost, most likely, judging by how neat it is. You touch his arm lightly in silent thanks, and the three of you leave your room together.
Other than insisting you eat breakfast (served in a communal dining hall, where they insist on bringing things to you rather than let you suffer the indignity of standing in a line, and watch you eat with unnerving intensity), they’re content to follow you around as you refamiliarize yourself with the castle, mapping out changes so you don’t get turned about looking for anything. You find a number of familiar faces here and there, and have an perplexingly similar conversation with anyone you know, where they welcome you back cheerfully, and grow a bit quiet and nervous when you insist that you won’t be staying long, and when you try to press them on that, you’re ushered out, told they’re too busy to chat, and that you’ll find time to catch up later.
You suspect that Ghost and Johnny are the source of their nerves, but both of them always seem to be a few paces out of (human) earshot, and minding their own business, talking about something else quietly between them.
"Where's Kyle?" you ask as you're hustled out of the the healer's work shop and back out into the hallway. It’s become abundantly clear, no matter how well they feign innocence, that your hulking shadows are making the staff nervous, and you decide not to subject anyone else to their company. If you can slip away from them later, you might be able to have an actual conversation.
“Prob’ly ‘oled up in ‘is workshop,” Ghost says. “Some weeks we ‘ardly see ‘im.”
“Wizardy shite,” Johnny adds, his tone disapproving. “As if there aren’t a thousand ways ta blow shite intae bits withoot wigglin’ yer fingers. Can blow up flour, did ye know, Sweetpea? In barrels isnae much different than black powder.”
“Still useful to have a little magic,” you say, flipping your palm over and conjuring a flame in the centre of it. It’s one of the few spells in your cache, and you’ve mostly just used it to light candles and the stove. Your lessons barely dipped beyond simple control— You’d been told that magic was no proper pastime for a lady. When you think back on it now, you think it’s more that your father never wanted you to have defenses that he could not control, or that could be used against him. A grim thought, from this side of things.
“Forgot you ‘ave a little magic in you.” Ghost holds his hands above yours, feeling the heat coming off the small flame. “Come on, pet. Let’s find Kyle. Might be enough to pull ‘is nose out of ‘is books.”
You close your hand, extinguishing the flame, and let them guide you through a few corridors and up a spiraling stone staircase.
Johnny hesitates at the door, nose wrinkling at the slight, hard to identify smell of complex magical wards that are carved neatly into the doors. You can feel the slight hum of it in your teeth. Ghost pushes the door open without knocking (you think all four of these men might be allergic to knocking), and steps inside.
You follow, and stop right there in the doorway while Ghost ventures in further. Kyle is shirtless, doing pushups over a heavy looking book. He doesn't look up, doesn't even stop when he turns the page, just continues the exercise one handed. He's in perfect shape, every muscle well-defined, putting even some of the finely-carved marble statues you've seen to shame. He has a frame for wiry muscle, but he's worked so hard that he's gotten bulky too, and although he's not as broad as Soap or as big as Ghost, it's clear that he's stronger than most men. Certainly stronger than men of his occupation have any need to be.
"What do you want, Ghost?" Kyle asks, still focused on his reading. "I'm busy, you know."
"Brought our girl by to see you, and you don't even bother lookin' up."
Kyle’s attention does snap up at that, brown eyes sliding past Ghost’s legs to you, still hovering in the doorway, Johnny a step behind, peering over your shoulder. Kyle scrambles to his feet, sending the book flying with a gesture. It settles on the desk behind him as he steps around Ghost, dusting his hands against his trousers before he takes yours, pulling you more fully into the space. His skin gleams with a thin sheen of sweat, but he's not the least bit out of breath. “Come on in, Sweetpea. Did you come all the way up here just to see me?”
“Of course,” you say. It’s a silly question, although now that you look around the space, you’re gripped by curiousity. The circular room is lined with bookshelves, each full of thick, leather and linen-bound tomes that hum with power. The whole room sings like a chorus, the sound not in your ears, but tickling the back of your mind instead. “I was wondering where you’d gone off to. I don’t want to interrupt, of course, if you’re working on something.” Although, now that you're looking, it seems like he’s working on many things, all at once. He has a carousel of research tomes open next to the desk, and neatly written pages laid out over the desk to dry, a stack of opened and unopened correspondence in a basket hanging from the side, ingredients measured out by a shelf full of bottles and jars of strange and familiar ingredients, and there are unlit candles set around the perimeter of an open area on the floor, a circle of iridescent tile set into the stone, pale and glittering.
“Nothing important this moment. Just studying while I wait for ink to dry. The mind grows dull if you don’t take the time to keep it sharp.” He glances at Johnny meaningfully, and receives a rude gesture in response.
“There’s more’n just books if ye want to keep sharp,” Johnny says, his voice flinty. “Isnae the only way to learn, ye know.”
You glance at Ghost. His mask looks back at you, blank as ever. “There’s a place for books, and a place for practical application,” you say diplomatically. “Wisdom can be found in many places.”
“In a pretty girl, for one,” Ghost says approvingly. “Would be good for you to crack a book once in a while, Soap. And for you to spend a little less time ‘oled up in ‘ere.” His head turns toward Kyle.
“I have a lot to do, you know,” Kyle says. “I can’t just shove everything to the side whenever I please.”
You drift closer to the desk, peeking at the tome he was referencing earlier, the pages opened to a chapter on illusion spells. Curious, you glance to his notes, humming with interest at the first page you glance at. It’s something about setting spells of illusion into fabric, weaving magic into the very stitches. “Are you trying to make a cloak of shadows?” you ask, picking up the page carefully by the edges, still mindful of the mostly dried ink.
Kyle looks over at you and smiles, but it’s all teeth. “Something like that. I didn’t know you were interested in magical theory.”
“She’s got a little sorcery in ‘er,” Ghost explains. “Maybe you should give ‘er a lesson or two. While she’s ‘ere.”
Your ears perk up at that, and you drop the paper back to the desk, forgetting it entirely. “Would you?” you ask excitedly. “I really would love to learn more.”
Kyle slips his shirt back on and beckons you over to one of the bookcases, smile turning sly and conspiratorial. “Can you give me a hand Sweetpea? I need something off the top shelf.”
You look up at the top shelf, which is well out of your reach. “Kyle, I think maybe you should ask Ghost.”
“Sorry, pet, I’m busy keepin’ Soap from pilferin’ alchemical ingredients.”
"Wasnae pilferin'! Just takin' a wee looksie. Isnae a crime."
"Soap," Kyle says pleasantly. "If I find anything missing we are going to have a long talk about it." He shakes his head lightly, sweet brown eyes finding yours, amused.
"D'ye think he means a good rough fuck?" Johnny asks Ghost, not quite quiet enough for you not to hear it. "Or an actual chat? Because that's goan ta change what I do here."
"I really don't think I can help," you say to Kyle, ignoring Johnny's query as much as you can. "Unless you'd like me to climb the shelves."
"Here." He crouches down in front of you and hugs your knees to his chest, other hand a higher on the backs of your thighs to hold you steady, and pops up. You let out a little shriek, and press your hands against his strong shoulders for support. "Don't worry, Sweetpea, I've got you. Now, can you grab that slim blue volume to the right? The one with no title on the spine."
Scanning the neat row of books, you locate the one he means and pick it up. "Ive got it," you inform him, laughing. "Now please put me down."
He slides you down his front carefully, adjusting his grip, your skirts bunching up and exposing your stockinged calves, and he holds you just above him for a moment. You loop your arms around his neck reflexively, holding the book behind him. He looks up at you, so dazzlingly handsome, you're almost surprised that he's real.
"Kyle," you remind him gently. "Please put me down."
“You sure?” he asks, bringing you down just a little more, so that your face is just above his own. “You look a bit tired today, princess. Could just carry you around for the rest of the day if you like.”
“That will not be necessary,” you say firmly. “But it’s a very kind offer.”
You hear a snort from the other side of the room, but you’re not sure if it comes from Ghost or Johnny. “Nothin’ kind about it,” Johnny says, crossing his arms. “Bastard just likes the idea of bein’ pressed up against ye all day.”
“You slept in her bed last night,” Kyle reminds him. “There’s no need to be jealous.”
“Ahm no’ jealous! Yer just bein’ a fandan charmer tryna cop a wee feel, an’ ye willnae admit ta it.”
You look over at Ghost, and he shakes his head. You imagine that he’s rolling his eyes, just as exasperated by the two of them as you are. He comes to your rescue though, carefully pulling you out of Kyle’s arms and setting you back down on the floor. “Thank you, Ghost,” you say archly, shaking your crumpled skirts out with one hand.
“Sorry, Sweetpea,” Kyle says, and you can’t help but note that he certainly doesn’t sound sorry. “If you read the first chapter of this tonight, we can do a lesson in the morning. This will probably be a step up from whatever paltry lessons the old wizard gave you— I know he took offence to the idea of training you at all, the closed-minded old bastard. If you have any questions, make notes, and we can go over it.” He taps the top of the book you hold. “You can write in it, if you like. I’ve scribbled in the margins a few times myself.”
You tuck the book into your pocket. “Thank you, Kyle. I appreciate that.”
“Anything for you, Sweetpea.”
You hesitate, a bit nervous to ask a favour when he’s already agreed to take time out of his day to give you a lesson in something you’re not sure you have enough talent in to warrant. He’s cleary a busy person, and you don’t want to waste his time.
Kyle senses your hesitation, and reaches for your hand, squeezing reassuringly. “Anything,” he repeats, brown eyes oh-so earnest.
Your ears feel hot. Flirting comes as easily to him as breathing, and even though you’re sure he means little by it, by his relationship with Johnny and the claim that John has laid on you, it’s hard not to grow flustered when he directs the full force of that sunshine smile at you. “Did you ever, um, help your sisters with their hair? I’d like to have a bath this afternoon, and wash my hair, but it’ll take me ages to rebraid it alone. I would really appreciate an extra set of hands if you have a spare minute tomorrow.”
He grins at that, pleased to be able to help you with something that Ghost and Johnny are ill-equipped to. The scar on his cheek dimples slightly when he smiles this hard, the slight flaw in his complexion more a dashing accessory to his charm than any detractor. “Would be happy to help. Do you have everything else you need? Oil? Curl cream?”
You hadn’t thought to check what was in the cupboard in the bathroom. “I’m not sure,” you admit.
“I have some. I’ll bring them by your room later this afternoon, just in case.”
Ghost offers to walk you back to your room, leaving Johnny behind to discuss something with Kyle, although as soon as the door closes, you hear a crash and a series of colourful swear words. You glance behind you as Ghost ushers you down the stairs. “Should we—”
“No. Trust me, Sweetpea. They’re just fine, and not doin’ anything you want to see.”
“Oh.” The implication warms you from the tips of your ears to somewhere in your belly.
“You’ve got the lads all worked up,” Ghost adds, as though you needed more context. “Competin’ with each other to get a smile out of you. Let ‘em blow off a little steam.”
“I don’t understand why they’re so concerned with me, if they have each other,” you say, trailing one hand over the wall, feeling the bumps of cool stone and seams between the cut blocks as you descend. “And John has made no secret of his intentions.”
He touches your arm to halt you, and moves past, taking a few extra steps so he stands below you, the near-hidden gleam of his eyes on level with yours. The two of you are alone here, where the curve of the stairs create a private universe, a pocket of stone and crystal light casting meagre shadow. "What are your intentions?" He asks. "Are you goin' to just let 'im take what 'e pleases?"
"I intend to go home," you say. "I won't be staying."
"Olright, maybe you do go 'ome. And what'f Kyle or Johnny came sniffin' round to court you themselves?"
"They won't."
"Why wun't they? You're a ray of sunshine sweet girl. You're the only one that don't see it."
"Ghost--"
"No, hush up for a moment, princess. You've got the wrong idea. I personally threatened every man that so much as looked your way. For years. Din't think about 'ow that'd make you feel. You're beautiful. Enough to chase, enough to go to bloody war for." His body is still, save for the slightest twitch of his fingers. “I don’t know why you can’t see it. You make us all crazy.”
The surety that John would really let you go slips as Ghost speaks, something fundamental about your footing in the world shifting uneasily beneath you. You had found comfort in the idea that you were quotidian, unremarkable. That the crown alone was aggrandizing, and you could pass unnoticed without it. Now you wonder if you’ve ever gone unnoticed, or if it was just that you had been too obtuse to see. “It doesn’t matter,” you insist. It’s easier to reject what he says outright, even if Ghost has never lied to you, never given you a reason to doubt his words. The ground settles. “I will be going home in a few days, and once John has my official endorsement none of you will have to keep an eye on me again.”
“You won’t rid yourself of me that easily,” he says firmly. “Keepin’ you safe’s one of the only jobs that I do that’s worth doin’. I promised your mum I would, an’ I don’t intend to break my oath just because you don’t think you’re worth it.”
“My mother asked you to?” You had always thought Ghost’s orders had come from your father, setting the quiet, faceless, black-clad knight on your heels, as close as a shadow, only leaving your side when the king sent him off to fight, somewhere far and away. “Why?”
“Figured she could tell I ‘aven’t got an ounce of ambition in me. Used to, before I came ‘ere. Didn’t do me any good. Can’t trust my own head, sometimes. But if I can trust what’s ‘ere—” He puts his hand to his chest, head tipped slightly to the side. “— Then I know I can trust what’s in there.” He lifts his hand and taps his finger against your forehead lightly.
You blink at him, surprised by how much he’s said all at once. Abruptly, he turns around and continues down the stairs, finished the conversation. You spur yourself back into motion, sweeping your skirts up with one hand so you don’t trip. There’s no doubt that you could trust Ghost to catch you, but the risk of sending you both tumbling down the long spiral staircase has you moving cautiously.
He stays with you for a bit, offering help unbraiding your hair and unbuttoning your dress, and leaves without protest when you ask him to. Predictably, he’s quiet the entire time, as though he used up his daily quota of words all at once in the stairway.
You lay out everything you need close to the tub, and sink into a hot bath, sighing. This is perhaps one of the few things you really did miss about castle life— Hot running water. If you wanted a hot bath in town, you would either have to go to the public bathhouse, or spend a good hour boiling enough water to fill a tub at Kate’s house.
You hum happily to yourself, which turns to singing out loud, the acoustics in the tiled room too good to resist. You sing your way through a number of folk songs as you run a cloth over your skin and scrub your hair clean, hot water and soap washing away what little of the darkness from that morning that company and distraction hadn’t banished, clinging shadows in the corners of your mind scoured clean again.
You pull the plug and let the water start to drain, and stand up, wringing your hair out before you reach over to the towel you’d set aside for yourself, bracing you hand on the side of the tub.
“What are you two muppets doing?” John’s voice coming through the cracked open door startles you. And it startles Johnny and Kyle too, because they tumble through the door onto the tiled floor, landing on top of each other in a heap.
You clutch the towel to your front, unable to keep yourself from letting out a surprised shriek. It takes a moment for surprise to give way to anger, your shocked, wide-eyed gaze traveling from Johnny’s red face to Kyle’s guilty expression to John in the doorway, a complicated mix of stony anger and surprise in his blue eyes. Both emotions fade as his attention lingers on your exposed legs, crawling up slowly.
“I came to drop off— But he was—” Kyle starts to try to explain himself.
“Dinnae try to blame tha’ on me, ye fuckin’ roaster, Ahm no’ a’ fault for what yer doin’,” Johnny cuts him off angrily, shoving Kyle off of him. “Yer no’ better than me just ‘cause ye weren’t here first.”
“I wouldn’t have—”
You level a glare at him that has his mouth shutting so fast that you can hear the click of his teeth. “Get out.”
The two of them scramble up and nearly fall over themselves trying to get out as quickly as possible, mortified to have been caught. They start sniping at each other before they’ve even gotten out of earshot.
John, however, doesn’t budge from the doorway. You direct your fury at him. “John. Get out.”
He doesn’t scramble to obey like the younger men did, as is he has any more right to be there than they did. “Sweetpea,” he says evenly, as though he expects to be able to talk you down from your very justified anger with a few measured words.
“Now,” you snap. “Before I lose my temper.”
He hesitates a moment longer, but the look on your face makes him reconsider trying to have a conversation with you for the moment, and he leans into the room just enough to grasp the door handle and pull it closed behind him as he retreats.
You look at the ceiling for a long moment, swallowing down the urge to scream.
By the time Ghost comes to fetch you for dinner (unsurprising that the other three didn’t have the nerve) you’ve mostly calmed down, untangling your emotions as you do your hair. You hope that John will have news of your cousin’s witness, so you can count down the days. The longing for home has intensified, and all you want is to curl up in your bed in Kate’s house and cry. If it will be weeks, you’ll ask if you can go home in the interim, and come back when the time comes to make your speech.
Ghost helps you button up your dress. You’re so tired of needing help from them. Your ire bleeds over, and you’re snappy with him too, annoyed that you’ve had to spend so much time with men lately. Aggravated that you’re forced to rely on them for something as private as getting dressed, when they shouldn’t even be alone with you in your room to begin with.
You apologize on the way down the stairs, however. Ghost just chuckles in response. “Even when you’re snappin’, you’re a peach,” he says. “Don’t think you missed a single opportunity for a please and thank you. Can’t ‘elp yourself from bein’ sweet.”
“Well, you didn’t do anything,” you say. “I’m not angry with you, I shouldn’t be rude.”
“Think it would be a bit of a lark, you bein’ rude.”
You laugh, and it clears away some of the lingering bitterness, like sediment washing away downstream. You feel remarkably clear-headed when you enter the dining room and face the three sets of guilty eyes.
All three of them start to speak at once, and stop as soon as you raise your hand. “I don’t want to hear it,” you say firmly. “All three of you are grown men, and you should know better than to behave so shamefully.”
John frowns, not happy to be receiving the same share of the blame. “Sweetpea, I wasn’t—”
“I am not finished.” You cut him off with a sharp look. “I know I do not need to chastise any of you. All of you were in the wrong. But I share some of the blame too, allowing you all free access to my space in the first place. So here is what will change. One, I would like a lock on my door. No more popping in without permission. Two, you will all learn how to knock. Three, I would like a lady to accompany me for the rest of my stay here. It is not appropriate for me to accept assistance from any man with dressing, and I do not require shadows following me everywhere I go.”
Ghost shifts beside you. “Now ‘old on,” he says. “You need protection.”
“I need no such thing. I do not believe there are assassins waiting around every corner for me.”
“I should be with you,” he insists. “If somethin’ ‘appens—”
“What do you expect is going to happen?” you ask hotly. You’ve lived on your own for years, and your hiding place was apparently well known to everyone. If an assassin was coming to dispatch you, they would have already come. The opportunities had likely been plentiful.
“Ghost is right. You need to be kept safe.” John holds up both hands when you look at him, half a surrender and half a plea for you to hear him out. You raise your eyebrows slightly, waiting. “A compromise. A fighting woman. Someone that can help you with anything you need, and can defend you if something were to happen.”
You incline your head. It’s a reasonable compromise. “That would be acceptable.”
“Farah?” Kyle asks.
“If she’ll say yes, she’d be the person I trust most with Sweetpea’s safety.” John glances at you, and offers you a little smile, like he’s not sure that you’re entirely done scolding. “You’ll like her. I’ll have her meet you in town tomorrow. Want you fitted for something nice to wear for your speech.”
“There is a closet full of perfectly nice dresses in my room,” you say. “I do not need anything else.”
“Indulge me. Your cousin’s man will be here tomorrow night, and the day after we’ll have you make your statement.” John’s smile widens, turning the slightest, inexplicable bit smug. “Want you to look your best, if it’s to be your last day as a princess, hm? And then on to better things.”
You sigh. It can't hurt to give in on this matter, since you won't have to stay much longer. “Very well, John. Although I think it’s a waste.”
The look in his deep blue eyes is inscrutable, but his smile doesn't slip. “I disagree. Nothing you let me give to you could ever be a waste.”
***
Image credits: 1 - 2 - 3 - 4 - Divider by CafeKitsune
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bet-on-me-13 · 1 year ago
Text
Barbara Gordon is a lost Clone of Jazz Fenton
So, years ago the GIW or Vlad or Somebody decided to try and clone Jazz. (Probably GIW)
It was supposed to be an experiment to see how well Liminals could be cloned, or if they could be turned back into a Human/turned even more Liminal. Unfortunately, the experiment took place around the same time Danny began his campaign to take down the GIW, attacking multiple bases across the US. The single Viable Clone that was created escaped the Lab it was held in during the attack and ran into the nearby City, Gotham.
The Clone managed to survive on the streets for a few weeks before being found by a Cop named Jim Gordon, and adopted.
She was given a new name, Barbara Gordon, and she mostly forgot that portion of her life before getting her new Family.
Then, over a decade later, Barbara Gordon was shot in the Spine and paralyzed. Or, she should have been. See, as it turns out the Scientists managed to impart just a little bit of Liminality into her when they made her, not enough to be noticeable but just enough to let her heal from wounds that should have been permanent. (Basically any wound will heal if given enough time, nothing is permanent)
It did take a while, but since the wound never stopped healing like it should have, she eventually regained the ability to use her legs after about 3 years.
Also, while her spine was healing her Linimal Powers were activate for the first time in her life, meaning her Ecto-Signature was more powerful than usual. That meant that it could be sensed for the first time ever.
So one day, after a shift at the Library, Barbara is on her way home when a lady walking past her stops and starts stating intently at her.
Ellie didn't expect to meet her new sister like this, but life (afterlife?) works in strange ways.
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