#Jim Rome
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spaceshipsandpurpledrank · 4 months ago
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httr4life · 2 years ago
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Ron Rivera Talks Taylor Heinicke, 2022 Season on Jim Rome Show
Ron Rivera Talks Taylor Heinicke, 2022 Season on Jim Rome Show
Washington Commanders Head Coach Ron Rivera was a guest Wednesday on The Jim Rome Show. Rivera and Rome talked about several topics, including what it felt like when the team was 1-4 versus how he feels now at 7-5, Taylor Heinicke, and receiver Terry McLaurin. Washington has now won six of their last seven games and is in prime position to make a playoff push down the stretch. Rivera talks about…
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mikyapixie · 8 days ago
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28 years ago today Space Jam released in theaters!!!
When I was a kid & first saw this movie it blew my mind!! I was a huge Micheal Jordan fan & of course loved Looney Tunes!! It was actually the first time I saw so many athletes acting in one movie! Every time I watch this movie it fells like I’m watching for the first time all over again!!! I had the VHS tape too!!! 📼📼📼I’m glad I gave to charity!!! Their faces!!!😆🥰😆
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per1w1nkl3 · 8 months ago
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omg????? (I found these on pinterest but omg?????)
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incohorace · 3 months ago
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i feel like i should have an ancient rome tag. i feel like its got to the point where i really ought to have an ancient rome tag
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jim-one · 2 years ago
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OMS & OMS
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kornwulf · 4 months ago
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Okay, so, I have an answer to this. I'd time travel to Miami Beach.
That will make no sense unless you understand one of my formative memories of childhood. When I was young and hanging out with my dad, we listened to a lot of The Jim Rome Show, an AM sportstalk show. At one point they interviewed someone, I believe a football player, and they asked him the inevitable question: "If you had a time machine, where would you go". For some reason, this guy answered "Miami Beach, Florida". For a solid *Six Months* Jim Rome would drag this guy by making references to time travelling to "Miami Beach, Florida, Present Day", IIRC complete with B-movie style sound effects.
Ever since then, every time someone asks me "If you had a time machine where would you go" I instantly answer Miami Beach.
Time travel poll but all the options are things I personally want to do
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totallyhussein-blog · 8 days ago
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UK Lebanon appeal gathers momentum
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We'd like to give a huge thanks to everyone who has helped raise £237.00 so far, to support Aid to the Church in Need and their work across the Middle East.
In Lebanon, the Sisters of Our Lady of Good Service have opened their convent to provide refuge to hundreds fleeing intense bombing.
But as winter approaches, the challenges grow—keeping everyone warm, safe, and cared for, in this place where both Christians and Muslims can find peace.
Please help us, to help them!
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esonetwork · 1 year ago
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Curse Of The Faceless Man | Episode 379
New Post has been published on http://esonetwork.com/curse-of-the-faceless-man/
Curse Of The Faceless Man | Episode 379
Jim discusses a cult classic from 1958- Edward L. Cahn’s “Curse Of The facelss Man,” starring Richard Anderson, Elaine edwards, Adele Mara, Luis Van Rooten, Felix Locher,Gar Moore, Jan Arvan and written by Jerome Bixby. An ancient gladiator who was killed in Pompey during the eruption of Mt. Vesuvius in 79 A.D. comes to life and seeks his long-lost love. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
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nextwavefutures · 2 years ago
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Giant Leap, or Too Little Too Late
‘Giant Leap, or ‘Too Little Too Late’. How futures is failing us—a ‘provocation’. New post on The Next Wave’.
I was invited to speak at the end of January at an event to mark the last decade of the journal Futures, and the retirement as editor-in-chief of Professor Ted Fuller. I was asked for a five minute ‘provocation’ looking backwards and forwards at futures work, and this represents the ‘director’s cut’ of that, since it includes some of the material that I cut for the event to stay to time. Finding…
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noneorother · 9 months ago
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What do Shax and a 30-year-old Sandman comic have in common? Puns. The answer is always puns.
While I've recently revealed Shax does actually know how to spell, (she's just really old), the "angle" message Shax throws through the window to demand the "angel" one was a little trickier, because it's not Middle English, or even Old French, it's probably the oldest pun in Good Omens... it's latin.
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Good Omens Season 2, Episode 5, 2023
Fortunately, a time travelling Neil Gaiman left answers for us in his 1995 Sandman special "Sandman midnight theatre." See for yourself.
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Sandman Midnight Theatre, Neil Gaiman, Matt Wagner, Teddy Kristiansen, 1995
"Still, they have some illuminated manuscripts in their library which throw fascinating light on early church history. "Not angels, but angles" eh? I've been angling for permission to browse through their manuscript collection for yonks."
Appropriate for an English reverend to be curious about "Angels and not Angles". It's THE earliest christian pun, attributed to Pope Gregory the Great in the 6th century CE.
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Oxford reference essential quotations
It comes from a historical account of the pope walking through a market in Rome, and seeing some exotic slave children (i.e. fair hair and blue eyes, and light skin) from what is now the England, and asking where they were from. The master replied that they were "Angles" (Angli in latin) and the pope declared them to be "Angels" (Angeli) instead, which, in latin at that time would have been a pun. This history from Bede actually influenced a lot of the christian world, so we could conceivably make the point that fair blonde and blue eyed angels comes from the idea that they looked liked the English (who were not christian, but pagan at the time of being newly conquered). Aziraphale's looks in the originsl Good Omens are probably a direct result of the lineage in art of this 1,500 year old pun.
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Depictions of angels, 1100 years apart Which raises the question: if Shax is asking for the Angel Gabriel with her note, the pun doesn't make any fucking sense.
Jon Hamm plays Gabriel as an "American", specifically not English like the rest of the cast. He does have blue eyes, but as far as Shax is concerned, Gabriel's eyes are violet, not really a human colour. Shax could just actually be stupid (I guess?) and not realize that in modern English that constitutes a mistake (boring), or that Americans succeeded in 1776 (hilarious). But here's a quirkier theory: Shax knows what she's talking about, and she's gunning for Maggie. If you look really closely, demons show up and start hanging around the street earlier in the ball than you would guess. Once a fair number have amassed, they stay waiting for Shax to lead them. However, even though she hasn't shown up yet, they eagerly chase Maggie down the street from her shop. They're only stopped by Crowley, and Maggie gets safely into the ball.
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Once inside, she has quite a stunning change of costume, highlighting her blonde hair and blue eyes:
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There's so much more evidence to suggest that Maggie isn't really a normal human, but this post is long enough. What I will say is that it's subtle, but once the demon attack really gets going (no thanks to Maggie), Shax and the other demons never look for Jim once, even when he leaves the mezzanine. They concentrate all their efforts on Aziraphale, Maggie and Nina, and never mention Gabriel again.
While Maggie is a Scottish name, and she clearly has some links to Scotland if a random pub in Edinburgh is buying records from her in Soho, she does have a distinctly English accent, and lest we forget...
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thanks as always to @embracing-the-ineffable and @thebluestgreen for the tasty links and sounding board.
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miracl3-align3r · 5 months ago
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RITE HERE RITE NOW SPOILERS AND THEORIES AHEAD
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The theory that Jim DeFroque is Copia’s fraternal twin (and now Papa V) was brought to my attention today and I am FROTHING AT THE MOUTH.
Hear me out
Ok, so, remember how people took the name DeFroque as foreshadowing of Copia being defrocked? Well, what if this whole time, Jim was Copia’s twin, except he got defrocked and sent away, hence why he’s a Christian preacher.
Now, in RHRN, the twins Romulus and Remus from Roman mythology are referenced. In the story of those brothers, they were abandoned by their mother as infants, raised by a wolf, and later founded Rome together. However, Romulus later kills Remus so he could be the only ruler. Before Sister Imperator dies, baby Copia and his twin are shown, and are also briefly shown as children, which is where the Romulus and Remus reference comes in. They are also depicted in stained glasses in the background with a definite Romulus and Remus quality to it.
Further, now we have Copia in charge of the ministry as Frater Imperator, with Papa V arriving. We can only assume Papa V is his twin, and that, as they’ll basically be sharing control of the ministry, that the Romulus and Remus story is going to play out.
The theory I’m leaning towards is that Jim is the twin, and, having been defrocked and sent away, is coming back and going to try and take the ministry for himself, in the way Romulus killed Remus to take full control of Rome. I can only guess that this will be at least part of the premise of the next album and future lore.
Also, I’m just realizing that Copia means “together,” “with,” “plural,” etc… It was foreshadowed that he’d be a twin this whole time.
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criminalisticonsultant · 8 months ago
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🗡️🗡️🗡️🗡️🗡️
Joyous Ides of March to all the backstabbers out there.
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not really enjoying tumblrs trend of comparing Thomas Andrews to Stockton Rush 😒Could you share how the two differ despite the fact they died by their own creations?
ive been trying to figure out how to tackle this ask for a few days now because theres so much to disentangle, but disentangle i will.
see, this comparison relies on common misinformation and misconceptions about titanic. its a ship thats been romanticised and mythologised for decades, and every portrayal of it from william randolph hearts yellow newspaper coverage to robin gardiners conspiracy theory to jim camerons film.
what im gonna list to disentangle this whole thing is by no means an exhaustive list of titanic misconceptions, only those relevant to this topic
-titanic was a cruise ship - titanic was an ocean liner not a cruise ship (ive detailed the differences in a different ask here)
-titanic was a brand new unique ship never seen before - not true, ocean liners had existed for decades. theres debate about which was the first, but many agree that its the ss great western which launched in 1843. titanic wasnt even the first launched in her class; that honour goes to the rms olympic.
-it was built with substandard materials and cut corners - this is one of those where theres potentially some truth, but its been misrepresented. theres some evidence that the rivets werent the best made, but the board of trade cleared the ship and she was built with the same materials and basically the same design as her sister ship, rms olympic which sailed for 24 years under the nickname "old reliable" and literally rammed a u-boat during ww1 when she was requisitioned as a troop ship. ultimately, the builders were not blamed in the wreck inquiry and the materials used were not substandard.
-it was built as said above due to the choices of j bruce ismay - yeah so this one obviously ties into the above. theres a lot of unreliable sources who seem to believe ismay oversaw the entire design and every cut corner was due to money. this simply isnt true and isnt how this sort of thing worked. white star had a contract with harland and wolff wherein they would build the ship agreed upon and when it was finished, it would be presented to white star and undergo sea trials, and during that time, white star could reject the ship if they considered it substandard. this is what happened to the ss city of rome. unles. the design itself was to be changed a la britannic after titanic sank (improving safety measures), white star could not interfere. ismay could not force them to use different materials.
-it was all ismays fault - okay, i could go on about this for a long time, but this ask isnt about ismay. the gist of it is that history has blamed ismay due to the influence of william randolph hearst (yeah, the guy from newsies and supported hitler) who hated ismay and blamed him entirely. actual evidence shows ismay helped a lot of people during the sinking itself.
-titanic was badly designed - ive kinda gone over this a little already, but again, titanic was not badly built. she was practically identical to olympic which was a fantastic ship. in the design, no risks were taken. most of the designs were enlarged versions of parts of previous successful ships. she was considered the safest ship on the sea. four of her water-tight compartments could be breached without her sinking which was a big fucking deal.
-thomas andrews was the sole designer - there was actually a team of designers that included andrews. he didnt even draw up the original plans; that was alexander carlisle.
-titanic sinking was a unique situation - yeah nah, boats sank a lot around that time. literally two years after, there was a similar disaster with the rms empress of ireland which goes entirely forgotten nowadays. in the same decade, you also had the sinking of lusitania in 1915, principe de asturias in 1916, volturno in 1913 and even thrown in princess sophia in 1918.
-the sinking was actually caused by a coal bunker fire - this is simply horseshit and im sure im gonna end up having to explain and debunk that one too
-the crew were taking unnecessary risks to win the blue riband - this myth is widespread because of the movie, but titanic was not trying to beat the record of the fastest ship from southampton to new york (thats what the blue riband) is; she physically couldnt. it was held by mauretania at that point with a record of 26.06 knots/48.26 km/hr. titanics top speed was 23 knots. white star as a line never focussed on speed and ismay never told the captain to speed up.
-she was "unsinkable" - this is a little harder to disentangle. the claim itself was "practically unsinkable", but the context of that was to do with how safe titanic was as mentioned above. also, the idea of an unsinkable ship was not quite to white star or harland and wolff; most of the shipping industry believed it.
-almost everything youve heard about the life boats - okay so here you need to throw out your preconceptions of what a life boat is because our modern conception does not match that from the early 1900s. to not get into all the details of life boat philosophy at the time (if you do wanna know, just send me an ask lmao), the main purpose of life boats at this time was ferrying passengers to a rescue ship. that was it. this attitude was informed by both the wrecks of the ss valencia and ss clallam, as well as the miraculous rescue of the rms republic. titanic did not have enough life boats for everyone because it was never expected for the passengers to be alone in the life boats for hours; it was not a design flaw, it was a feature.
-that fucking stupid ship swap myth and the idea that the crew were trying to sink the ship - i dont even want to get into why this is bullshit, plus ive also debunked it in another ask
i highlight all of the above to emphasise the fact that titanic was not a badly built ship. she was designed well, built well and sailed well. many experts agree that the way that she hit the iceberg was the only way she could have sank.
this is not the case with titan and stockton rush. in a previous post, ive gone over the design of the titan, the flaws in it and what experts in the field believe, so im not gonna go over it again, but rest assured, the titan imploded because of rush's actions and decisions.
titanic did not sink because of thomas andrews. its due to his design that anyone survived the titanic because she stayed afloat for over two hours which allowed the crew to launch all the life boats. thomas andrews himself helped many survivors during the sinking and evacuation.
he also was not a rich man using a gravesite as tourism; nepotism was certainly involved in his career but he spent ten years working his way up in the company, helping with the design of countless ships. he was mostly regarded as a good man who worked hard and recognised the hard work of others.
its honestly ludicrous to compare them because the disasters themselves are simply not comparable. the titanic did not sink because of the folly of rich men cutting corners; titan did.
thomas andrews, for any faults he had, knew what he was doing and built a good ship that was unlucky. almost every other ship he helped design didnt sink or if they did, most of them were due to ww1.
its just such a ridiculous comparison, and thats all it is. without the misconceptions and misinformation about titanic, the comparison simply falls apart. its built on a foundation that fundamentally misunderstands the titanic disaster.
if you want to talk about shipwrecks caused by stupid decisions made by rich men, go look up the last incarnation of hms captain or the gunilda or the fucking vasa if you want, you can literally go see that one. but dont besmirch the memory of a guy who, by all acounts, died a hero helping other survive.
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charlesoberonn · 10 months ago
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Not the original person who asked for book recs, but I really appreciate that list/the detail you put into it, and also how it was a sort of expansive list that seemed to have a little something for everyone. Thank you, Charles. I’d also be very interested in hearing your non-fiction recs!
Will do!
Tom Holland's History of Rome series (Rubicon, Dynasty, and Pax) covers the end of the Roman Republic and the beginning of the Roman Empire (From Julius Caesar up to the Emperor Hadrian) in an engaging and easy-to-follow narrative.
Ponzinomics by Robert Fitzpatrick is about the history of Multi-Level Marketing scams. How they came to be from earlier scams, how they grew so powerful, and how they evaded accountability by entrenching themselves in the highest levels of politics and the economy.
Mikal Hem's How to Be a Dictator is a funny but informative book about how autocrats come to power, stay in power, and all the things they do with that power, written in the form of a guide for the morally scrupilous to become dictators themselves.
The Road to Jonestowns by Jeff Guinn is a very good biography of cult leader and mass-murderer Jim Jones. It illustrates very well the contradictions of the man and his organization, being both an activist who helped the needy and a power-hungry cult leader who abused thousands of his own followers and eventually killed hundreds of them.
The hardest reads but maybe the most important are The Holocaust by Laurence Rees and American Holocaust by David Stannard. The Nazis' genocide of Jewish people and millions of others, and the centuries-long extermination and extinction of most of the indigenous peoples of the Americas are some of the biggest atrocities and tragedies in human history and yet most people know only the most basic details about them if at all.
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speculativepages · 5 months ago
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I recently started world-building for a new story idea (I know—bad when I'm supposed to be in the middle of revising my current project) and in trying to figure out the level of technology and feeling of my new world I got lost in google searches about the different punk genres.
So I decided to make a master list.
According to Wikipedia (a highly reputable source by all accounts) a punk genre can be described as “a world built on one particular technology that is extrapolated to a highly sophisticated level (this may even be a fantastical or anachronistic technology, akin to retro-futurism) a gritty transreal urban style, or a particular approach to social themes.”
There are so many (so so many) and some people roll their eyes at every new addition but I think the names and distinctions are interesting and fun (I mean, Magicpunk may just be regular fantasy, but it sounds so much cooler). I love the idea of scientific fantasy, and of blurry the lines between the sci-fi and fantasy genres. Who’s to stop you from mixing the culture of the Japanese samurai with an epic space opera in the stars?
This is an incomplete list. I've organized it by time period (loosely, because some overlap or can go anywhere). I've also provided an example of a published work (for those that have them).
Established Fantasy Punk Genres: An Incomplete List
Magicpunk/Dungeonpunk: Fantasy punk genre where the “one particular technology” that the world is build on is magic. You have trains running on lines of sorcerer-fueled energy and ships powered by wind magic and computers running on sub-dimensional energy from the demon realm. Popular examples include The Sleeping Dragon by Jonny Nexus and The War of the Flowers by Tad Williams.
Aetherpunk: Subgenre mix of Magicpunk/Dungeonpunk where the magic source of the technology is specifically the element of Aether. Often, if not always, also has Steampunk elements. The Aeronaut’s Windlass by Jim Butcher is the only example that comes to mind.
Mythpunk: A punk genre that is inspired by or incorporates myths and legends. These aren’t usually a retelling of a popular myth, but rather one that includes elements of the myth, or twists and changes the story around to it’s own ends. Popular examples would be American Gods by Neil Gaiman or Deathless by Catherynne Valente.
Stonepunk: Set in the stone age, this genre is characterized by the use of non-technology as technology, creating pseudo-tech and modern inventions with natural, basic resources like stone, wood, water, fire, clay, and rope. The Flintstones would be the best example.
Sandalpunk: Sandalpunk is on thin ice as a punk genre. Rather than being inspired or defined by a technology, it instead focuses on the period of time of the ancient world before the Middle Ages, often set in Greece or Rome. There aren’t many examples of it. But the name is cool.
Steampunk: Arguably the most popular punk genre (after Cyberpunk) featuring science fantasy stories set in Victorian era, with advanced technology powered by steam engines and clockwork mechanics. Doctor Who perhaps described it best, “The Victorian Age accelerated. Starships and missiles fueled by coal and driven by steam.” There are many examples, both in literature and film, including His Dark Materials by Phillip Pullman, Mortal Engines by Philip Reeves and The Parosol Protectorate by Gail Carriger.
Clockpunk: Close-cousin subgenre of Steampunk, characterized by a lot of clocks and inspired by the pre-steam energy period of the Renaissance and Baroque eras. Pasquale’s Angel by Paul J. McAuley is more Clockpunk than Steampunk.
Silkpunk: Silkpunk is another subgenre of Steampunk, one generation removed. While steampunk is defined by it’s Victorian era brass and steam aesthetic, Silkpunk is inspired by East Asian culture during the period of the Silk Road. Examples include The Dandelion Dynasty by Ken Liu and The Tea Master and The Detective by Aliette de Bodard.
Cattlepunk: Yet another subgenre of Steampunk, Cattlepunk is the across-the-ocean-bastard-cousin set in the wild west of early America. Cowboys, bank robberies, and train heists meet robots, warmechs, magic, and super-weapons. The Wild Wild West and Firefly verse are classic movie examples. Book examples would be the Mistborn Era II series by Brandon Sanderson and The Dark Tower series by Stephen King. (And I didn’t realize until I just did all this research but based on examples this is like my favorite punk.)
Dieselpunk: This genre is set in the aesthetic of the 1920s-1950s era and is characterized by the use of diesel-powered technology. Commonly incorporates alternate history elements, as well as themes surrounding the Great Depression and World War II. It’s been called the darker and dirtier version of Steampunk with an emphasis on air travel and combat, dirigibles, and air pirates. Examples include The Iroon Dream by Norman Spinrad, Dreadnough by Cherie Priest, and Pirate Utopia by Bruce Sterling.
Atompunk: A retro-futuristic punk genre set in during the Cold War and characterized by atomic nuclear technology, ray guns, robots, hover cars, and interdimensional travel. Atompunk often deals with the themes of nuclear power gone wrong and alternate versions of the Cold War. The most popular example of this would be the Fallout games by Bethesda.
Capepunk: Capepunk is just superhero fiction set in the modern-era world where people have powers. Example would be any superhero story ever. I just think the name’s cool.
Gothicpunk: Gothicpunk is also usually set in the modern-era, but incorporates The Goth. Generally characterized by an underworld of supernatural creatures lying in wait and secretly controlling the workings of our world where humans are but cattle. This is basically dark Urban Fantasy, but it’s popular enough to get a distinction. Anne Rice’s Interview With a Vampire is an okay example. The movies Priest and Daybreakers are much better ones.
Cyberpunk: Cyberpunk, the grandfather of all of the punk genres. Characterized by dystopian and cynical future world in which technology has brought about cultural nihilism and a crap society. Often combined with Film Noir or detective fiction. (Fantastic Noir is a fantasy version of Cyberpunk). Heroes are most prone to be some form of hacker, rebel, or antihero fight against a totalitarian police state or corporate empire oppressing the people. Examples Neuromancer by William Gibson and the movie Blade Runner.
Post-Cyberpunk: This is Cyberpunks chipper, more optimistic sibling. It has all of the vision of a scientifically advanced cyber-culture without the gritty, dark, and edgy world elements. It still share’s the Cyberpunk elements of analyzing how technology interacts and impacts with society, just without such a grimdark view of humanity. Examples would be Agent G by C.T. Phipps and The Peace War by Vernor Vinge.
Biopunk: Biopunk is Cyberpunks genetically engineered half-sibling. This punk centers around organic technology with a healthy smattering of bio-augmentation and biotechnology. Examples include In the Courts of the Crimson Kings by S.M. Stirling, West of Eden by Harry Harrison, and Wolfish Nature by Vladimir Vasilyev.
Nanopunk: Also a subgenre of Cyberpunk with characterized by the use of nanites and nanotechnology as the predominate form of technology. Examples are Tech Heaven by Linda Nagata and Micro by Michael Crichton.
Solarpunk: Solarpunk is a genre characterized by it’s environmentally friendly technology meshed with African and Asian cultures and an emphasis in community, art, and a bright solar future where humanity has found a balance between technology and nature. Can also include many elements of Biopunk, but with a much more optomistic, for-the-future-of-species-and-environment outlook. Example works include Zahrah the Windseeker by Nnedi Okorafor, Maurai by Poul Anderson, and Songs from the Stars by Norman Spinrad.
Apunkalypse: This genre is defined by the collapse of civilization where society is replaced by lawless bands of roving scavenger gangs or cities collapsing into decay or the rise of punks overthrows the rules of the past. Examples include Mad Max and Mortal Engines by Philip Reeves (which is also Steampunk, so it’s a good example of book incorporating more than one punk genre).
Desertpunk: Punk genre characterized by sand. Who doesn't love a good desert planet? Often features roaming tribes, wandering heroes, desert bandits, and sand storms. Can be combined with Cattlepunk, for a Western desert, or Apunkalypse, for an-after-the-end-of-the-world setting. Examples include Dune by Frank Herbert and Railsea by China Mieville.
Oceanpunk: This punk is set on the high seas. Often features floating cities of wood and iron lashed together and mighty nations fighting for dominion of the watery world and may also feature civilizations and cultures below the waves in underwater cities. Sometimes called Pirate Punk, because nothing breed pirate stories like ocean cities and sailing ships. Examples include The Scar by China Mieville, Tranquilium by Andrey Lazarchuk, and Dark Life by Kat Falls.
Did I Miss a Punk? Can you guys think of any other punks to add? Either ones you've thought up, or any you've heard of that I don't have listed. I'd love to keep this list updated. I find it's useful to look through when creating a new world to get the overall feeling of what I'm going for with the story and world-building.
What punk are you writing in for your current WIP?
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