#James Lind

[burningvelvet]

Let me tell you about John “Foul-Weather Jack” Byron, Captain James Cook, a doctor named James Lind, and also a different doctor named James Lind, and how they all knew each other, helped to cure scurvy, and inadvertently helped to inspire Mary Shelley's novel Frankenstein (1818) and Bram Stoker's Dracula (1897) -- a long-winded history ramble

John Byron next to a first edition copy of Frankenstein.

John joined the Royal Navy at 14 and by the ripe old age of 17 had proved himself by surviving a deadly shipwreck off the coast of Chile. The voyage was part of George Anson's famous circumnavigation of the globe done to seize Spanish ships. Only 188 men of the original 1,854 crew members survived; several, including Byron, were taken as prisoners by the Spanish. Recollections of the voyage were sensationalized and it was depicted in stories like William Cowper’s poem The Castaway. John Byron published his own successful memoir, The Narrative of the Honourable John Byron (1768).

The novel's full title deserves attention for it's 18th century pre-Byronic melodrama: "The Narrative of the Honourable John Byron (Commodore in a Late Expedition Around the World) Containing an Account of the Great Distresses suffered by Himself and his Companions on the Coast of Patagonia from the Year 1740, till their Arrival in England, 1746. With a Description of St. Jago de Chili, and the Manners and Customs of the Inhabitants. Also a Relation of the Loss of the Wager Man of War, one of Admiral Anson's Squadron." I can only imagine that had his grandson Lord Byron's memoirs been published instead of burned, their title would have borrowed from his grandfather's by including something similar to "Containing an Account of the Great Distresses suffered by Himself . . ." but I digress.

I do not digress. The beginning of his preface opens with this gem (I've swapped the 18th-century "long s" for a regular one):

"But here I must say, I have been dubious of the partiality of my friends; and, as I think, justly fearful lest the world in general, who may perhaps find compassion and indulgence for a protracted tale of distress, may not give the same allowance to a luxurious imagination triumphing in a change of fortune, and sudden transition from the most dismal to the gayest scenes in the universe, and thereby indulging an egotism equally offensive to the envious and censorious."

Which brings to mind Francis Cohen's criticism of Lord Byron's Don Juan: “Lord B. should have been grave & gay by turns; grave in one page & gay in the next; grave in one line, & gay in the next. And not grave & gay in the same page, or in the same stanza, or in the same line… we are never drenched & scorched at the same instant whilst standing in one spot" (letter to John Murray, 16 July, 1819). And (not the most entertaining part, but to keep things brief) part of Byron's retort: "I will answer [Cohen] who objects to the quick succession of fun and gravity — as if in that case the gravity did not (in intention at least) heighten the fun. His metaphor is that ‘we are never scorched and drenched at the same time!' Blessings on his experience!" (letter to John Murray, 12 August, 1819).

John went on to be considered one of the greatest naval commanders of his era, commanding several ships as captain during the Seven Years’ War and beating the French as leader in the Battle of Restigouche. He later set the record for fastest global circumnavigation at the time while commodore, became a notable explorer, became a commander at multiple Royal Navy stations, and was appointed Governor of Newfoundland in Canada for three years. According to Wikipedia, “his actions nearly caused a war between Great Britain and Spain.”

It seems like he basically just did whatever the hell he wanted. We can see that the apple really doesn't fall too far from the tree. Everyone in the Byron family was kind of crazy. See: psychologist Kay Jamison's Touched By Fire, a novel on the mental illness of famous writers, half of which is focused on Lord Byron (as it should be) and includes an extensive psychological analysis of his whole family tree, which in a short summary brings me back to my previous point: everyone in the Byron family was kind of crazy.

John's health declined after sustaining storm-induced injuries and an unsuccessful attack against the French at the Battle of Grenada. He died at 62 with six living children. His grandson, the poet Lord Byron, borrowed inspiration from John's life and the shipwreck descriptions in his memoir while he was writing the shipwreck sequence in his magnum opus Don Juan.

In an epistle to his half-sister (Epistle to Augusta) Byron mentions their grandfather thus:

"A strange doom is thy father's son's, and past / Recalling, as it lies beyond redress; / Revers'd for him our grandsire's fate of yore— / He had no rest at sea, nor I on shore. / If my inheritance of storms hath been / In other elements, and on the rocks / Of perils, overlook'd or unforeseen, / I have sustain'd my share of worldly shocks, / The fault was mine; nor do I seek to screen / My errors with defensive paradox; / I have been cunning in mine overthrow, / The careful pilot of my proper woe."

On to the Scottish doctor James Lind! He's important because he developed the theory that citrus fruits treated scurvy, and in attempting to prove so he conducted the world's first ever official clinical trial. In his tests, he used the survivors from this famous shipwreck. This likely included Byron himself, being one of the few survivors and having reported the healing effects of citrus in restoring men who were on the verge of death. Needless to say, the discoveries and implications of Lind's clinical trial had an unprecedented impact on the fields of nutrition and medicine, and all of history, particularly in the Caribbean. In 1753 he published his Treatise on Scurvy.

Lind's theories on scurvy influenced the famous Captain James Cook, who implemented these ideas and proved their efficiency by how few men he lost to scurvy compared with every other Captain at the time. When Cook circumnavigated the world on his first voyage, no one died of scurvy. This didn't help with malaria and dysentery, which nearly wiped out his whole crew at one point on a journey to Indonesia. Aside from Anson's shipwreck, Cook's voyages were the other major instance of what I would call "social experiments at sea, or, fuck around and find out: scurvy edition" which led to the development of scurvy research.

As an aside, there is a famous town in Australia named Byron Bay. That town was named by Captain Cook in 1770 as a tribute to John Byron. Cook was sailing around on the HMS Endeavour doing even crazier colonial shit, and he likewise died as the result of his sea travels. He was killed in a scuffle on Hawaiʻi Island which transpired after he had casually tried to kidnap King Kalaniʻōpuʻu-a-Kaiamamao in broad daylight, planning to ransom him out of revenge for the theft of one of his boats, although Cook himself had stolen their sacred wood first after they had been so nice to him. This is what I've gathered from reading a bit about the confusing affair, but the main point is that Cook got what was coming to him. The Journals of Captain Cook were published to major success, contributing to the history of English travel narratives. But Cook is a pretty well-known historical figure so I can't go into his chaotic life any more than this, lest I be writing forever.

Lord Byron in an Albanian oufit he bought while traveling for 2 years, & Captain Cook thinking about navigation. The backgrounds make them look part of the same painting, no?

Back to the Linds: interestingly enough, the scurvy-studying physician James Lind had a younger cousin who was also a physician named James Lind, as well as a scientist/philosopher/teacher. While teaching at Eton, this Lind became a tutor and mentor of a young Percy Bysshe Shelley, and had such an impact on him that Shelley refers to Lind in several of his works. Shelley especially enjoyed Lind’s experiments regarding galvanism - the study of bringing things to life with electricity. It is widely believed by scholars that Shelley’s conversations and rememberances about Lind at Lord Byron's Villa Diodati were some of the primary inspiration for Mary Shelley’s novel Frankenstein (1818).

For further reading on Shelley's Lind: The real Doctor Frankenstein? by Christopher Goulding via Journal of the Royal Society of Medicine. Lind's Wikipedia page has a section devoted to Frankenstein.

Percy Shelley described his Lind:

". . . exactly what an old man ought to be. Free, calm-spirited, full of benevolence, and even of youthful ardor: his eye seemed to burn with supernatural spirit beneath his brow, shaded by his venerable white locks, he was tall, vigorous, and healthy in his body; tempered, as it had ever been, by his amiable mind. I owe to that man far, ah! far more than I owe to my father: he loved me, and I shall never forget our long talks, where he breathed the spirit of the kindest tolerance and the purest wisdom . . ."

A tie-in to vampire literature: Lind is also thought to be an influence on Bram Stoker’s Dracula (1897), which was influenced by (Lord Byron’s doctor) John Polidori’s novel The Vampyre, the first ever vampire novel, which was inspired by Lord Byron’s short vampire story Augustus Darvell, which was written at the same time as Frankenstein during their infamous ghost story competition at Villa Diodati. Augustus Darvell was inspired by Byron's travels through Eastern Europe, and was likely in part inspired by (another famous Romantic poet) Samuel Taylor Coleridge’s gothic poem Christabel, which Byron terrified Percy Shelley with after reading it aloud at the Villa Diodati, and which Byron loved so much that he helped Coleridge publish it through his own publisher. Christabel began in 1797 but wasn't published until 1816 for this reason.

To continue on vampires: Byron's enemy, the famous poet Robert Southey (who Byron roasted in Don Juan, among other works, and basically cancelled him as a result) also wrote a poem called Thalaba the Destroyer (1801) which is sometimes considered to be the first true depiction of a vampire in English literature. He also wrote it while traveling. Shelley (and Keats) both loved this poem, and so it also *could have* inspired some of the conversation at the Villa Diodati if Shelley had related the vampire theme to Christabel or Darvell. Southey is also the first English writer to write on Haitian zombi folklore, which would later become the zombie of modern horror. Southey was also reportedly in love with Mary Wollstonecraft Godwin, the mother of Mary Shelley and philosopher who wrote A Vindication of the Rights of Woman (1792), one of the most influential proto-feminist texts.

I relate these connections to demonstrate how small the literary world was at the time; so small that all the writers pretty much knew each other. In 1801, the English population was about 11 million, and in 1899 had grown to around 37 million due to industrialization (source: Black, Joseph, et al. "British Literature: A Historical Overview." The Broadview Anthology of British Literature, Broadview Press, vol. B, 2010, p. 70).

That's nearly the current population of London alone, but around 75% of that 11 million English population in 1801 was rural, whereas at the end of the century the national population was about 75% urban (source: same as prior), again due to industrialization. London in the early 19c was much less populated than today, and the amount of people who were educated or even merely literate was also much smaller than today. So really, it makes sense that all of the artists/writers/scientists/aristocrats knew each other. But it's still insane to see examples of how small the world really is and always has been.

The front-facing portrait is of Scurvy Lind, the shadow portrait is of Galvanism Lind.

The Shelleys: the King and Queen of Romanticism.

Southey, Coleridge, Polidori, Stoker: some early Kings of Vampirism (as represented in popular British literature).

[younes-ben-amara]

قرابة 40% من الشركات في اليابان توظِّف -وتبحث باستمرار عن- أفراد أعمارهم فوق الـ 70 سنة

ما هذه المجموعة من المختارات تسألني؟ إنّها عددٌ من أعداد نشرة “صيد الشابكة” اِعرف أكثر عن النشرة هنا: ما هي نشرة “صيد الشابكة” ما مصادرها، وما غرضها؛ وما معنى الشابكة أصلًا؟! 🎣🌐 🎣🌐 صيد الشابكة العدد #66 مساء التقدّم في السنّ؛ بطريقة مختلفة! 🎣🌐 صيد الشابكة العدد #66🔗 نريد المزيد من الشركات المهتمة بالربط ما بين الخريجين والطلبة والمؤسسات العمومية والخاصة🤔 *ما هو التربّص؟📚🌡 ما هي مراجعات…

[scarfacemarston]

It's here! My Ko-fi!

Credit to the wonderful @tacticalhimbo for creating this for me. He has done a lot of wonderful writing and creative work for me, so check him out! Please note or reblog to help out, if you're willing! I could really have help spreading the word so I can have some commissions and be able to pay my bills! Characters from all fandoms listed are welcome, but specialties are: Abigail Roberts Marston, John Marston, Bucky Barnes, Yelena Belova, Natasha Romanoff, Peggy Carter, Steve Rogers, Dragon Age's Fenris, Cullen Rutherford, Merill, Isabela, Harvey Dent, Poison Ivy, Daniel Molloy, Armand and SO many more.

[demifiendrsa]

GHOSTBUSTER: FROZEN EMPIRE - Official Trailer

Official International Trailer

Poster

Synopsis

In Ghostbusters: Frozen Empire, the Spengler family returns to where it all started – the iconic New York City firehouse – to team up with the original Ghostbusters, who’ve developed a top-secret research lab to take busting ghosts to the next level. But when the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

[sagegreen17]

rest in peace arthur morgan you would’ve loved top gear

[colombian-necktie]

[calamitoustide]

there are many names in history (but none of them are ours) ch7 out now!

“Why do you always leave so soon?” Jamie found herself asking. Reg looked back at the door, through the little crack to see the light, or to hear whispering from the other side. Jamie wanted to follow her eyes, and her soul too. She wanted to know exactly what she knew. She would in time, though it would take much of it. ��I shouldn’t be out here,” Reg turned back to her, “My mother doesn’t like it.” Jamie nodded, “Why do you do it then?” Reg swallowed thickly, “She doesn’t like anything that I do,” she answered, “And I…” hesitating she took a second before she said, “And I wanted to come.” Jamie smiled, it spread across her face, “You wanted to meet me.” Reg looked away, biting her tongue, “Why else would I come here?”

[longlistshort]

Sarah Meyohas, “Interference #19”, 2023, Holograms, mirrored black glass, aluminum

Georgia O’Keeffe, “Poppy”, 1927, Oil on canvas

Francis Picabia “The Church of Montigny, Effect of Sunlight” 1908, Oil on canvas (left); Christian Sampson “Projection Painting”, 2023, Acrylic and films with LED light; and Claude Monet “The Houses of Parliament, Effect of Fog, London” 1904, Oil on canvas (right)

The Nature of Art exhibition at the Museum of Fine Arts St. Petersburg merges art from the museum’s collection with loaned works to explore- “art’s crucial role in our evolving quest to understand our relationship with nature and our place in the cosmos”.

One of the benefits of an encyclopedic museum is that visitors have the opportunity to experience art throughout history, and to revisit works that resonate with them. For the section titled Artist as Curator, Sarah Meyohas and Christian Sampson chose pieces from the museum’s collection to pair with their own work.

From the museum-

At first glance, perhaps, these may seem like unusual combinations, but upon deeper contemplation, their selections reveal complementary artistic intents. For instance, Meyohas and Georgia O’Keeffe share an interest in close looking, particularly in finding new ways to examine underappreciated aspects of the natural world. Sampson, influenced by the California Light and Space Movement, is interested in current scholarship that suggests the hazy fog found in Claude Monet’s work is an early depiction of air pollution, offering an entirely new perspective on the artist’s representations of light.

Sampson also created the four-part installation, Tempus volat, hora fugit, on view until 2025 at the museum.

Below are some of the works from additional sections of the exhibition.

Postcommodity, “kinaypikowiyâs”, 2021, Four 30.5-metre industrial debris booms

Postcommodity is an interdisciplinary art collective comprised of Cristóbal Martínez (Genizaro, Manito, Xicano), and Kade L. Twist (Cherokee).

About Postcommodity’s work, kinaypikowiyâs, (seen above) from the museum-

This work is composed of debris booms, used to catch and hold environmental contaminants such as garbage, oil, and chemicals. The colors of the booms correspond to different types of threats— red (flammable), yellow (radioactive), blue (dangerous), and white (poisonous)-in the labeling system for hazardous materials. To indigenous peoples, these are shared medicine colors that carry knowledge, purpose and meaning throughout the Western Hemisphere. Suspended like hung meat, the booms represent a snake that has been chopped into four parts. Each part represents an area of the colonial map of the Western Hemisphere: South America, Central America, North America, and all of the surrounding islands. The title, kinaypikowiyâs, is a Plains Cree word, meaning snake meat. Divided by borders, Postcommodity asserts that all people living in the Americas are riding on the back of this snake.

James Casebere, “Landscape with Houses (Dutchess County, NY), 2009, Archival pigment print mounted to Dibond

James Casebere creates architecturally based models for the large scale photographs seen above.

Duke Riley's Reclaimed ocean plastic sculptures and “Tidal Fool” wallpaper

Duke Riley’s work, which was previously shown at Brooklyn Museum, addresses issues of environmental pollution by using discarded plastics found in the ocean and other waterways to create new work inspired by the past. You can hear him discuss his work in this video.

From the museum-

Inspired by the maritime museum displays he saw while a child growing up in New England, Riley’s scrimshaw series is a cutting observation of capitalist economies-historic and today-that endanger sea life. The sculptures were created for the fictional Poly S. Tyrene Memorial Maritime Museum, and are contemporary versions of sailors’ scrimshaw, or delicately ink-etched whale teeth and bone. Riley first thought about using plastic as an ode to scrimshaw when he saw what he thought was a whale bone washed up on the beach in Rhode Island; it turned out to be the white handle of a deck brush. Riley regularly removes trash from beaches and waterways, and often uses this refuse in his work.

Riley collaborated with Brooklyn-based Flavor Paper to create these two custom wallpapers for his solo exhibition DEATH TO THE LIVING, Long Live Trash at the Brooklyn Museum. Tidal Fool exhibits Riley’s trademark humor in the face of devastating water pollution; notice the Colt 45-guzzling mermaid. Wall Bait vibrantly references Riley’s meticulous fishing lures, which he crafts from refuse found in the waters around New York City.

Daniel Lind-Ramos,"Centinelas de la luna nueva (Sentinels of the New Moon)", 2022-2023, Mixed media

From the museum about this work-

In Centinelas de la luna nueva, he evokes the elders of the mangroves, spiritual beings who watch over and ensure the health of this essential coastal tree. Mangroves are the basis for a complex ecosystem that shelters sea life and serves as the first line of defense in the tropical storms that batter the sub-tropics -including Florida.

Lind-Ramos's practice reflects the vibrant culture of his native Loíza, Puerto Rico, by honoring local agriculture, fishing, cooking, and masquerade. His sculptures also evoke Hurricane Maria (2017), the COVID-19 pandemic, and ongoing environmental degradation. Lind-Ramos is committed to the survival and sustenance of Afro-Taíno traditions and people of the Puerto Rican archipelago. However, his art engages the global community through shared emotions, parallel histories, and the commonality of human experience.

The next post will discuss two other artists in the exhibition, Brookhart Jonquil and Janaina Tschäpe.

[randomrichards]

GHOSTBUSTERS: FROZEN EMPIRE

Orb contains demon

Makes New York frozen wasteland

Young ghost with a match

[inevitablestars]

Fic authors self rec!

thank you sm for the tag @pretentiouswreckingball

When you get tagged, post your favorite five fics that you’ve written, then pass on to at least five other writers. Spread the self-love

(summaries below, me rambling in the tags)

bite the hand | wolfstar, nonbinary sirius, exes to lovers | 120k

It’s them and Remus, it’s always going to be them and Remus. Nothing can break that. Except for themselves. Which evidently they are very good at doing… So hope is what they cling to. More than love, more than history, more than anything. - or - Sirius and Remus have gotten into a cycle of breaking up and making up, except this time is going to be different.

i regret you all the time | jegulus, death eater james | 80k

What happens when James falls for Regulus and his friends lose their trust in him?

take care of you and yours | jegulus, wolfstar, dorlily, sirius centric | currently 100k soon to be 200k

Sirius plans a fun summer at the lake with all of their friends, but it doesn't go quite to plan. Friends become more, hatred becomes love, and people unravel until there is nothing left.

the stars that bind us | jegulus, wolfstar, black family centric | currently 99k dont ask how long it will be

Regulus is an author of four, soon to be five, books all written under a pen name. They tell the stories of each of his cousins, brother, and himself, and how they left home and each other. He has done his best to keep them from finding out about his books, but what happens when they do? How do the five of them fit back together after so many years?

you had to go (i know, i know, i know) | black brothers | 3.6k

He saw it coming. At least there’s that, right? At least Sirius told him before he left. At least Regulus got to say goodbye to his brother.

no pressure tagging: @calamitoustide @itsjaywalkers @magswrite @starsworth @aurorboros @galaxostars @sugarsnappeases @quillkiller <333333

[gameofthunder66]

'Ghostbusters: Frozen Empire' (2024) film

-watched 10/16/2024- 2 [1/2] stars- on Netflix

[reppyy]

[scarfacemarston]

Fun Fact: Pumpkin Spice food as we know it has been around since the 1500s. First White American recipe was 1796.

We all know that Native Americans were the first to cultivate pumpkins, but the spices came from all over the world. For my RDR Friends, this mean Arthur, John and the rest of the gang would know about it. Who knows if Mr. Pearson attempted to cook with it. For my Captain American friends: McCormick Spice came out with the first pumpkin spice in 1934. Steve and Bucky would be familiar with it as well. Source here

[demifiendrsa]

GHOSTBUSTERS: FROZEN EMPIRE - Official Teaser Trailer

Synopsis

In Ghostbusters: Frozen Empire, the Spengler family returns to where it all started – the iconic New York City firehouse – to team up with the original Ghostbusters, who’ve developed a top-secret research lab to take busting ghosts to the next level. But when the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

[rickchung]

Ghostbusters: Frozen Empire (dir. Gil Kenan).

I kind of miss when Ghostbusters movies were actual comedies. However, it's also kind of a relief Kenan and co-writer/producer Jason Reitman sidestepped that tricky task (starting in Afterlife) to instead further cement the paranormal franchise into more family-friendly horror adventure territory. While there's a ton of fan service and more than a few unclear details about the present day New York City's relationship with our favourite crew of supernatural protectors, the emergence of Phoebe Spengler (Mckenna Grace) as the central character and heart of these films is a much-needed bright spot. Her misfit coming-of-age (queer-coded) arc alongside a new ghost friend spotlights a welcome contemporary direction.

[ruleof3bobby]

GHOSTBUSTERS: FROZEN EMPIRE Grade: D

So unbelievably forgettable. No charm, no wit, no huggable characters. Have yet to see a good ghostbusters movie after the two OGs 1s.