#It's kind of silly with how long it is lol but I like it!

[kuschelkissen]

So uh. Episode 6, huh? I mean, I knew I'd be disappointed when I saw that it was only 26 minutes long, and that fear became true. I absolutely think this ep would've been A LOT better if it had had time to BREATHE.

Like. No scene was really long enough to have actual impact? Even those that I liked were just at least 1-2 minutes too short.

The photo shooting? Cute! Love that Lu Guang could just lift Cheng Xiaoshi like that but didn't account for the change in center of gravity. Would've loved it a lot more if it had been longer, though?? Give me more of that wholesomeness, give me some more of the bonding with Xia Fei! (Cxs has a picture of both of them as his chat background??)

The scene with Wang Qing? The beginning was OK, I guess (wtf was that story Vein told her?? It would be funny if it was his own lol), but as soon as the mum took over, I felt like the rug was pulled under me?? It was NOT serious at all, and while it's kinda 'nice' to see that he apparently has his silly side from her, there was NO emotional impact, at least not for me. And again, it could've worked, if the scene had just. Been. Longer!! Give him time to process that this is his mum!? Give him time to be angry at her! Like he gave a whole speech to his dad, and he didn't even know it was him, so his mum should've gotten it worse??

I also high key hate her more than the dad?? Like?? Idk where she is in this moment, but she has to be at some place in the future to be able to dive back, but even if she were just 10 min into the future from here, at this point she was gone from her son's life for a decade and she's behaving like she just left for a week of vacation or so???

I feel so sorry for Cheng Xiaoshi... and the poor loyal soul is STILL waiting!!

The talk of Lu Guang and Vein also was... a bit underwhelming tbh? So you're telling me Vein asks him "Why do you look at me with murderous intent lol", Lu Guang answers "I have my reasons", and Vein then just leaves it at that? 💀

(Do you think Lu Guang said the Detective set the forest on fire? Since it was the same that Vein said and somehow that answer fits him)

The fight with Wang Qing was also... well. The fight was OK, BUT WHY DID SHE GO AND GET THE DAMN BOOK?! wtf?

And of course, the sweetie line was said to her 🙄 biggest letdown, but I expected it.

And then. Uh. What happened?

Does Lu Guang have another power? Is he able to remote-kill people? 😅 why did Wang Qing's eyes glow blue?? Does Vein's real name have anything to do with this??? And why does he (seem to) know that this is Lu Guang's doing????

ACK so many questions. Kinda wondering what that means for Lu Guang and how he will end up...? Like. Killing someone in cold blood isn't really a hero kind of thing, so I wonder if he will get punished for that 🥲

Either way, the whole death scene, or rather the aftermath of it, felt short again. Not even a real grieving moment for poor Xia Fei 😭

The kitty hat is back?? How??

Xia Fei telling them that he'll get the one who killed his boss, oh well, I guess we will see him again, but not as a friend anymore 🥲 i mean, that was to be expected, but... still 😭

I guess my biggest disappointment was finding out that this is the current timeline because wtf. So we just ignore that Cheng Xiaoshi didn't know that he could dive by himself in s1. Okay, cool cool.

Xia Fei disappearing in the end, uh, I guess I'll interpret that as him going underground on his hunt for the killer of his beloved boss. (Why did the other guy disappear? Who knows. Maybe Xia Fei finally snapped... (was that one of the guys that tried to drown him? Didn't have time to check, but he looked similar? Need to check the credits for names maybe))

And then Vein did a Bella Swan impression, I guess.

So who's the one with the fake death ability, since director Li apparently confirmed that Vein didn't have powers in the Yingdu arc? Is it Wang Qing, since the code was on her id? But how is Lu Guang involved then? ARGH.

Tldr:

Too much stuff happened in not enough time. The episode would've profited IMMENSELY from just 10 more minutes, though more would've been better imo.

Cheng Xiaoshi's parents are awful. Even if in the future we will learn that they had a good reason to leave him alone without a word, the way they were portrayed is not on their favour 💀

Looking forward to seeing the hot headed trio again in s3, but I'm also scared of it. (Did Vein have any agency in his fake death? Because I don't think so. And if that's the case, how did he come back? We all know the "came back wrong" trope etc, so what if he came back as Liu Xiao's puppet? Hah. There's potential for drama here, but at this point I'll just not get my hopes up lol)

So. I guess now the waiting begins 💀

[sysig]

New toys ✨ (Patreon)

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

[ganondoodle]

sometimes i wish i was one of those artist that make people go "this is a PAINTING???" or "with WHAT programm/medium???" but its just not what i can do or find fun :/

[somegrumpynerd]

I read your post about if nightmare gives up his boys & my heart was aching so badly ;w;

Dadmare want what's best for his boys 😭

He does!! As much as he hates to admit it, they mean the world to him and he wants them all to be happy. Not only because of what they've done for him in helping him not hate the world anymore, but after all they've been through themselves.

Even if it meant he wouldn't see them anymore, he couldn't stand the idea that he was hurting them by keeping them trapped with him y'know? If you love somebody you have to let them go and be free. But also, maybe he could come and visit sometimes if they moved out? Or they could visit him? Please 🥺

Thankfully it doesn't come to that though, they like staying outside the castle sometimes for a little break but none of them plan on leaving, it's what they all consider home <3

Or, as Dust would put it if Nightmare asked, "we haven't paid rent in like 6 years, what kind of idiot would move out??"

[albino-parakeet]

”In the Presence of Ancients”

A bonus silly thing I drew is under cut ( it’s a video and it’s probably loud so warning‼️)

Audio:

Gray! What the fuck are you doing? HOW DID YOU GET UP THERE?!

[cuttledreams-bugs]

me trying to hype myself up to posting online again despite The Horror

[a-dash-in-the-middle]

not to reblog that one jo post but i am special hihi

[dawnleaf37]

in honor of the tpot short with the failed debuters (assumedly) being announced soon heres my tierlist of all the tpot debuters most favorite to least

tags for longer opinions :3

[monkee-mobile]

see neftoon zamora is a weird book with an ending that kind of undermines a lot of the ideas presented in the book, but i love it a lot and i feel like a lot of people were turned off by it because they find it odd that mike made himself the main character and i just have to say… they’re not… their sp… one of their main special interests is not mike nesmith’s entire fucking past… they just think of him as the random monkee guy who invented mtv… so they don’t get it… they don’t get it like i do…

[sysig]

Growing closer than expected (Patreon)

[theflyingfeeling]

fanfic rambling in the tags, nothing interesting really, just me talking to myself lol, okay to ignore or read as you please ✨

[hassianlovebot]

i've seen some people talk about einar's romance dialogue and how it feels offputting and rude to him but i'm gonna be honest,,, i never really saw it that way?

like i do agree that the player's dialogue options Suck compared to the other romances. something about it just feels really childish and definitely not as,,, "serious" or even committed as the other romance dialogue options. that being said, it never felt patronizing toward him.

to me, it feels like the player is just. being human. while einar is being galdur. the player doesn't get mad at him for not understanding certain jokes or not showing affection in the same way. and einar doesn't get uncomfortable with the player being human, making human jokes, or showing human affection. they're just Being Human and sharing their humanness with einar. which einar, while not always understanding of it, is completely used to and Does understand and enjoy it later on in the 3-4 levels. not that he didn't enjoy it before, but once you get closer to him, he Does understand more of the jokes and even joins in on certain ones (like the catch one!).

idk man it just always felt like the player and einar are just sharing their perspectives, personalities, and culture with each other. and of course there is the chocolate thing where he says he doesn't need it and the player has to learn what he actually wants from the relationship (ie spending time together). and there are still jokes that he ends up taking seriously, which yknow, that's kind of what i meant when i said the player's options often feel very childish compared to other ones. but it just never came off as patronizing to me, especially since einar repeatedly says that he enjoys spending time with the player and engaging in their "togetherness".

like to me it always felt like he enjoys learning about new things, even if he doesn't want to participate. like at the maji market when he says that while he doesn't understand the hotpot game, watching it fills him with "oneness". he enjoys learning about human and majiri culture and seeing them just be themselves! none of his dialogue implies that he's uncomfortable with the way the player shows affection (there Is something to be said about the dialogue options only ever showing one form of it,,, but tbf they can't put in 50+ options to cover the minutia of human brains lol)

idk i want to be clear im not shitting on anyone else's opinion on this!!! there's room for all perspectives here. i just wanted to share! i've seen SO many people say that romancing einar feels patronizing and like. i've just never seen it that way ! and it always confuses me when i see it akjhgd tbf i think some people are also neurodivergent (same lol) and don't appreciate the dialogue options that einar doesn't understand because in real life it Does feel patronizing when someone does it on purpose even knowing you won't get it. but for me, einar being galdur and not a neurodivergent human/majiri is an important distinction. he shows multiple times that he enjoys learning about human cultures and perspectives, that he enjoys talking to the player even when they don't understand each other, and that he's capable of understanding the player's jokes and sarcasm once explained to him. he Likes that they're different !

einar seems to enjoy the player acting "human" with him because he gets to learn about them! and he wouldn't want them stifle their true personality just to please him! einar is alllll about being true to yourself, your beliefs, your oneness, etc. he wants the player to understand him and his affection, but he also wants to understand the player's personality and affection. he wants them to share each other's "quirks". and don't get me wrong, i do wish there was more we could do to share in his way of affection (especially if his way is our way,,, like i'm Not flirty or jokey like that irl at all and i'd love to have more options where it really is just "hi i enjoy parallel playing with you :)))" lol) and that the dialogue options were less jokey or at least more affectionate/serious but idk,,, i think for me, i've just always seen einar as someone who wants to know and appreciate everything about the player, even the things he doesn't Immediately understand. he wants the player to explain things and share their culture with him SO bad

[aromanticasterisms]

i started this side quest off going girl i cannot POSSIBLY be this stupid. then saw my friends and went oh okay all of this was worth it actually :]

[opens-up-4-nobody]

...

[microfascist]

''I'm not like other americans I wear skirts tee-hee'' everyone wears skirts lol you're not special

I'm special, everyone says so. 🩷