#It’s just so morally wrong to say this

[idontmindifuforgetme]

It’s actually the most dangerous thing in the world to depict armed resistance against a settler entity as “barbaric violence,” bc it’s exactly the kind of argument that helps an apartheid regime like Israel get away with doubling down on its horrific massacre of Palestinians. Again and again we have seen warranted, justified armed resistance against Israel—a militarized, powerful state—be depicted as “clashes” “both sides are in the wrong” “pointless violence,” which not only implies that there’s an even playing field (which couldn’t be further from the truth), but which also normalizes even more violence from the oppressor, because this talking point paints Palestinian resistance as brutish and subhuman. It paints it as something that requires repression—that justifies even further violence from Israel. It is genuinely the most fucked up thing you could say.

[bixels]

tarpit site.

[pandadrake]

Spider-Society and The Day of Lots of Involuntary Trips to Earth-19999. (Finally finished this, god damn.)

I hadn’t seen any takes on what Spider-Society was like during Spider-man: No Way Home (2021), so I thought about it too hard.

I.e. I pulled up a clip of No Way Home to see what the Peter-abduction spell would look like from Miguel’s POV, then realized he'd have no idea what he's looking at and would probably mistake it for something else.

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[jomtones-bussy]

People on tiktok infantilizing curly from mouthwashing and saying that him becoming crippled was his punishment. Killing u. With my teeth.

[evie-doesnt-write]

I feel because of Jinx and Viktor’s popularity in fandom (having some of the most annoying fans in Arcane fandom) and the attention they receive in the show itself, people forget/don’t realise how bad they were done by the writers in s2

[ofekma]

"noo but this time it's different! Our antisemitism is morally justified! We really do have a good reason to hate the jews!" - every antisemic person at any point in history.

[storywestistrash]

watched mouthwashing finally. the fact that i saw people be more aggressive towards curly than jimmy is kinda strange. kinda real weird

[danieyells]

Taiga's mental deterioration is awful. It's terrible. To lose parts of oneself, for Romeo to lose parts of someone he loves so dearly, it's painful and terrifying and if he could make a wish with another demon he might just wish for him to be healed. He was never normal in the time that he knew him. But once upon a time Taiga spoke and looked around the world with coherency, Taiga took interest in things beyond hunger and sporadic, violent fascination. Once upon a time Taiga did more than eat and gamble and sleep in a cycle that he sometimes was very aware of.

And yet.

And yet one of the things Taiga never seemed to forget was Romeo himself. Others' faces and names faded away or never told hold to begin with, other parts of his life were gone to the neverending hunger within him, but Lulu, Lulu remained. If Taiga heard Romeo's name, even without his nickname, there was never any question who he was. His face was always as beautiful as he last saw him. His voice was always so loud and he always said too much. He was as naïve as the day they met and as greedy as he'd ever been. Taiga knew Romeo. He always knew Romeo.

It was awful, in his eyes. That whoever Taiga has been before he met him had been washed away. That Taiga could barely remember who he was and where he'd come from and what brought him joy beyond risk and profit and blood in his mouth and the presence of someone who'd stayed with him so long that Romeo used to wonder if no one had ever done so before.

And yet.

Romeo had always been a greedy bastard. No one knew that like Taiga did.

And as much as he hated to see Taiga fade into something almost beastial, the part of him he buried down tight, the part of him which would have rather cling to valuables even if they would get him killed, the vicious, hungering greed watched on with delight.

The greed held its hand out to this slowly forming monster to be sniffed and remembered and relied on and loved and wanted and needed and to be the only thing left in his head.

Part of him saw Taiga forget everything but remember him with such clarity it was as if Romeo's existence was his own and wished he could help him tear everything else away. Faster, forget faster. Forget more. Care about less.

Until all that Taiga knew or saw or desired or remembered or lived for what Romeo Scorpius Lucci.

Isn't it what he deserved? And isn't it what would make Taiga happy, too?

It was inevitable, as he saw it.

It was inevitable, as Taiga had told him he would never, ever forget him.

If Taiga ever forgot Romeo, what would be left would simply not be Taiga, and Romeo should take it out.

Perhaps Taiga had meant it as a warning, for fear that he would harm Romeo if he ever forgot his face. He had trained him to be able to hold a gun to him, to be ready to pull the trigger in case there was no recognition in Taiga's eyes and he bore teeth at him. To shoot for his heart. To think he should protect himself from whatever took over and used Taiga's face to threaten Romeo's wellbeing.

But to Romeo it was something more. Not about what would become of Taiga but who he was now.

Romeo mourned every memory and thought Taiga lost. Even if Taiga didn't care to do so, every lost bit of someone he loved so dearly was worth mourning.

And yet he watched. Closely. What was left. How much was left. How much was him--and how much was not--and how much would still be him in the end.

Someday, perhaps, if they could not reverse what had become of Taiga's mind, all that would be left for him would be Romeo. And perhaps to continue to love him and to hold him would be to take advantage of that.

But Romeo had killed and stolen and manipulated and more. He was not a man of morals, but of profits and a great deal of sickening, clawing love in the form of greed.

Perhaps someday Taiga would become empty of anything but Romeo, and Romeo would hold him and care for him and love him regardless, in spite of it, for it. Why shouldn't he love someone who thought only of him and felt only for him, whose heart beat and mind buzzed and body moved for him and nothing else? Even if Taiga's sense of self eroded, if his sense of Romeo remained what was not to be loved?

Perhaps after that he would begin to forget Romeo as well. And until then Romeo would love him and use him. Until then he was still valuable. Until then he was still Taiga.

Until he was no longer Taiga, who lived for Romeo according to the greed that made his love into a room full of gilded cages, Romeo would keep him for himself.

And the moment he stopped being Taiga would be when Romeo's heart truly broke.

And what choice would he have, before he lost more attachment to the one person who would attached to nothing but him, to use the gift he'd been given?

That attachment would be so strong, that love so intense, that there wouldn't be blood or gore or anything at all.

There wouldn't even be a world left to mourn Taiga or Romeo or to suffer an existence without them. That love, that passion, would be enough to end everything there ever was or would be in this world. Or maybe that was just Romeo's delightful fantasy, that the world would be reduced to rubble shooting off in a million brilliant directions in space because he simply loved one idiot too much.

One idiot who loved him too much.

If not for him. None of this would have ever happened. He followed Taiga to Darkwick and if he had any direction when they left he would follow him in that direction too.

And if Taiga died, who would he be if he didn't go with him?

And Romeo, in all of his greed, would simply have to take everything with them.

Everything.

[joejhang]

bro some of the aftg police gotta calm down and just let the characters (neil josten) be cunts.

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[demigodofhoolemere]

Trying to find nice stuff for Wish but everywhere you go people are being painfully wrong in their interpretations of the movie

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

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Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[starwikia]

suicide cw

look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am. 

ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.

this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.

He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!

you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.

it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions. 

what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT. 

am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!

yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).

The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.