#Im not really a writer

[h0ney-bee69]

Citlali Paloma Saraí🌊🪸🪼

From the tropical coastline of Central America, now a Support course student at UA. She specializes in practical and fashion design.

She strictly breathes water and constantly needs her gills to be wet when above water. In places that are less humid of where she can’t constantly take a dip in a lake, she uses a device that covers her gills, keeping water on them. (includes a mouthpiece)

Her hair holds a story. Mainly showing her mental state and status of independence. When she leaves home to study abroad, she has no one to do her hair which results in simplistic and messy hairstyles. She only lets close family and friends do her hair. Thus showing she is somewhat alone and doesn’t have close and trustworthy friends yet. Not ones that she considers family.

When she’s an adult, she learns how to do her own hair and even includes more decorative aspects like beads, cloth, seaweed, pearls, etc. expressing herself and showing how independent Citlali has become.

I took inspiration from Mexico and Guatemala in her design. And other mermaid-like sources like the water Na’vi, sea people from Luca, and the people of Talokan.

Her story and design will change over time as I continue to develop her character. Things aren’t set in stone :)

[glitchyycatt]

currently rotating my oc in my mind i will not be available for 2-3 business days because of this

[rashomon-vu]

[ihopeinevergetsoberr]

— i’m in love with a dying man

rating: mature. or explicit? i’m not sure. angsty study on grief in unconventional forms. (mild) smut purely for poetic reasons

word count: 4,1k

pairing: viktor x gn!reader

cw: terminal illness. several mentions of death. everyone is horny in a heartbroken way, so grab a napkin—but not for the reasons you think. and yes, you may dox me for making you even sadder after whatever happened in ep 6.

—

He licks a tear off your cheek, and it seeps in between the bumps on his tongue, all prickly salt running down your face in two glossy trails of sorrow. Stinging, when his calloused thumb swipes over a puffy eyelid, only to inevitably fall to your lip and tug, nudging your mouth agape. His desperate grip softens when you oblige and arch, letting him grunt over the slope of your throat; wheezier than you remember, raw, rhotic and ravenous. The hard shift of his lungs is palpable under your hand, ruckling heavily in his sternum. It almost breaks down to a cough when he cants his hips into you, slanting one last slow, weak slam. Spilling all his pent-up frustration deep inside you through that bitter orgasm, leaving a clumsy mess of stickiness to dry on your inner thigh. Stilling for you to hold him through that collapse, grateful for the shaky hand that you firmly fist into his hair. Not receding until at least a few kisses are strewn upon your shoulder. 

It’s always like this now. Viktor clings to you, and you cling to him, nails digging into handfuls of him hard enough to draw blood, each embrace so tight your ribs might just break if he doesn’t retreat in time. And god does he wish to let it linger, to drag it out until eternity tumbles in—even if his eternity is reduced to a question of mere months at best, even if he must crawl out of a casket to have your touch back. 

The night you almost lost him still has you in shambles. You remember it all too well—hell, it’s almost like that acute smell of hospitals and doom still coats his skin, more slimline than it ever was, its once ivory shade fading to chalk-like disaster. The utter horror of crushing verdicts, endless heaps of bloodied handkerchiefs and palms so cold that even the heat of your breath fails to make the feeling of him any less chilling. 

The dark humor of sneaky death: she’s right around the corner, the cruelest of all mistresses. Ready to snatch him away whenever your fingers ghost over his spine, stroking a languid count over each prominent vertebrae. And no matter how tight you curl up beside him, she will supplant you, and her proximity can’t be measured in miles, feet, or inches. Because death is a termite—she gnaws at his very heart. And blooms metastases everywhere you still have him. She’s inside him. She’s merged with him into one.

At first, you denied it. Knuckles drummed against the wall in a frustrated fistfight, painting that scabrous canvas bright with your frustration. White and crimson—the speckled pattern of your hysteria. You recall how bad it stung, and how shame creeped up your spine—frightening and so, so sticky. Throttling, when he tended to that self-inflicted disaster, bandaging your smashed hand in motions sick to the core with gentleness. 

And it felt so ugly. Like you’ve grown to loathe everything around you: the doctors, for their disgusting prognosis; life itself, for being hardly fair. And even Viktor. Especially him—for slowly slipping out of your pale-knuckled grip. Well, red-knuckled, more like. That angry stunt did cost you a decent injury. White and crimson, remember? 

Naturally, grief doesn’t always progress by the book. However, denial always comes first. It’s an axiom, an invariable component, and you’re sitting on Viktor’s hospital cot, hand in trembling hand, eyes snapped wide and ferocious. Wrapped up in fear while the silence rings in your ears. 

His doctor addresses the quandary. It doesn’t feel vicious—at least, not yet. Flimsy, more like. Deceptive, too. Like if you just blink it away hard enough everything will snap right in place, and you’ll find yourself at home again—where that aseptic smell of medication can’t reach either of you. 

Well, of course, there’s always a possibility of postponing the inevitable. Winning over a year or, even, two—if Viktor’s lucky enough, that is. But you both know that he’s lacking in that department.

And yet, you grab your little hope by the throat: to look into later, when your comprehension is intact again. Surely, it’s just not plausible: so what if Viktor’s cough pulls you out of sleep every night, so what if every shirt he owns has tiny blood stains on it? Yes, he spends more time in bed than he does at the lab. He’s simply tired. He needs the rest. Not in peace. 

The retraction doesn’t linger, though. It survives a few more blood tests and a lengthy, dreadful discussion of his calamity—most strikingly frightening when the doctor talks him through each option. And not a single one manages to appease you. To stop your fury from retching out and causing an ugly scene. 

So you fling the door to his room ajar and leap inside with a bitter scowl, teeth gritting hard enough to crumble into powder. Arms a tight crisscross over your chest, step wide and listless—punctuated with a muffled clack of heels. Viktor’s eyes follow your tremulous circles—a lazy, sheenless flick of pupils, each widened into a bleak void from the rancid dose of painkillers. He lays supine, with his hair ineptly slicked back, umber waves awry, loose and sweat-damp. He’s almost mellow, tongue barely a glide over his chapped bottom lip—a martyr-like stiffness, the carrion of a man. 

But you don’t look at him. You pace, and pace, and pace—in that same tiring route, all around his creaky cot. Viktor rasps something indistinct—a muffled plea that tickles the back of his throat, rupturing yet another coughing fit. You silently hand him the speckled handkerchief. 

He looks up, eyes the saddest shade of buckwheat honey—dark with remorse; seeking comfort. But you don’t have any to give. You stare past him, gnawing at your tongue hard enough to draw fleshy copper. Dodging the kiss he tries to press to your wrist—pulling yourself back and out of his loving grip, igniting a staring competition full of glassy eye-daggering. Blink slow and borderline drowsy. 

“Milackú,” he pleads. Pulls at the corner of his mouth to wipe the bloody evidence of his withering. 

Your tear catches in your bottom lashes. 

“Milackú,” he rasps again, kicking the blanket aside. Stepping one bare foot on the cool tiles and reaching for you: arms, legs, and heart—all yours for the taking. If only you consider crawling under his minty sheets again. 

You don’t. 

“Why?” It’s so meek you barely recognize it as your own. Taut throat tightens even more, and, suddenly, you’re choking on a gasp. “Why did you turn down the treatment?” 

“Please, if you could just—“ He husks, but you can’t hear him through the ringing in your ears; the room already smudged into wattery, astigmatic lumps, Viktor’s face but a bunch of fuzzy dots you’re struggling to make out. All missing jigsaws, blurry little fractions. 

“What did I ever do to you?” You yell, shielding your eyes. Turning away from the arm he extends, his weak fist clenching to grab thin air, then tumbling as he stares at his palm in sheer dubiety, upper lip trembling. 

He winces. Ceases you by the hand and tugs as hard as it gets—frail enough for you to easily nudge him away—but you don’t bother this time. Your knees ungainly bend into shaky arcs, drifting apart when he clasps around you and pulls until you finally land on the sheets next to him, your tears mingling with his cold sweat—a salty fusion of mutual suffering.

Then comes a sequence of guttural, squealing whines and you stay twined with him for a while. Lithe fingers run through your hair, spreading to untangle an occasional knotted strand—up, and down, and over your shoulder in a caress. His lips purse on your temple, sucking an indistinct kiss. His heartbeat trails off under your fingertips the second you rake them over his thin hospital gown, growing frenetic again when you tug at the fabric, demanding closure.

“Please. Please don’t do this to me.” You exhale your choked up entreaty into his neck and it pours over his skin in a rigid breath, aftertasting of stinging desperation. His hand seeks your face, taking a forcefully gentle hold of one puffy cheek, drinking in your unsightly, woebegone rebuke. Looking at you like a repentant devotee, his timid eyes meeting your fierce ones.

“This is not about you,” he wheezes, too stern for your liking. Presses his forehead against yours and holds you through yet another shudder—and there’s no avoiding his pleading stare. “I’m not trying to get away from you. I merely want to escape my conundrum.” 

“These aren’t mutually exclusive, Viktor,” you hiss, voice simmering with betrayal. 

“Unfortunately.” 

“Unfortunately?! Is that all you have for me right now?” 

“I’m afraid so.” 

He sighs like he means it. His words keep slipping away from him, drowned in coughs and ambiguous humms. You get it, though. Your semantics became sparse the minute Viktor almost died in your arms. 

You melt into one-another in a teary, sniffling twine—simply breathing, trading tense silences. His stately stance collapses into a lifeless hunch, straightening a bit only when your fingers billow over his shoulder-blades—chiseled like ones of a famished dog. There are plenty of dog-like things about him now—the pleas lodged in his glances, the newfound hunger for your touch. Especially for the way you’re holding him; every embrace like a loving headlock—and the pressure soothes him. 

“I’m tired of taking risks,” he finally whispers against your temple. “All these… labored efforts for mere fractions of peace. Decaying steadily. Constantly hurting. I’m spent.” 

“Exactly. Which is why you need the treatment.” 

His lashes shudder against your cheek in a prickly tickle. They keep fluttering when he recedes, shaking his head with a bitter frown.

“But its success is… highly improbable.” 

“Yes, but there’s still hope—“

“It’s running thin as we speak. I shouldn’t squander it on… the imminent.” 

Viktor’s irksome choice of words had you springing backwards in glossy-eyed delirium. Staring in disbelief as if he’d requested something inexorable: which he did, inherently so. 

He curses when tears slice your face again—tends to them with the softness of a man most contrite of his omission, shaky hands already catching holds of your waist, using your temporary pliancy to swiftly nudge you into his cot. Curling up close enough to have your weeps reverberate in his sternum. 

“I’m sorry,” he repents with a deep rasp. “Please, don’t cry.” 

He held you in reticence again: this time horizontally. Offered you every solace his body could provide: your fingers in his hair, fumbling mindlessly (he put them there himself). Tangled legs. Apologetic neck-kisses. His head heavy on your shoulder, its weight a welcome tranquility. And only when your last tear soaks his pillow does he commence with his explanation. 

“I don’t want to spend what little time I have left miserable,” he tells you, drawing a breath. “Yes, the treatment might win me a year—a year I would spend bedridden, nauseous, and weary. A travesty of life. An illusive salvation. I’ve had enough of those.” 

Your hand stills in his hair, nestled within unkempt strands. You’ve run out of tears, so this bitter truth is met with nothing but a piteous sigh—the only thing you can still master after crying your heart out into his skin. Now you can only stare at the ceiling, chewing on your cheek in cruel denial. 

He’s right. He always is. 

Viktor sees the shift in your face—knits his eyebrows together in tender pity, tucking himself firmly against your face. Wincing, when he feels the aching tension in your temple. 

“I know I’m asking a lot of you. Too much, even.” He’s sincere when he says that, and you can sense the gratitude in his voice—for even allowing him to utter this excruciating of a thing, for attempting to understand. 

You simply nod. Yes. It is a lot. But you want to hear everything he has to say. 

So Viktor continues.

“I would hate for your last memories of me to be tainted with despair and hospitals only for all the struggle to go to waste when I inevitably pass away. I have no desire to postpone this torture at the expense of growing indifferent towards everything that makes me feel alive.” 

“But what if we manage to cure you?!”

“That’s too much of a ‘what if’ to risk dying a grim death for. I want to die…content. I want to enjoy myself before I do. Please. Don’t take that choice away from me.”

His eyes brim at you with every ounce of guilt he possesses, big tears wallowing in his eyes like an earnest plea—tacit, weary, earnest. Yes, it’s not like you have a word in his terrific decision, but Viktor wants your blessing. It’s only right that he includes you. Even if he’s intending to refuse the treatment regardless. As absurd  a bid as that is. 

You clasp his face like it’s about to vanish. Like you won’t be able to make it out when he’s gone if you fail to remember it right this instant, your gaze frantically jumping from one feature to another, seeking to embroider the image into your very eyeballs. Roaming over the artifically-white hospital light hallowing every streak of his hair. Indulging in a bittersweet smile when you note how prettily it spills over the pillow. Lingering on the patterns in his ochre irises—almost fully swallowed by his void-like pupils. Observing how they match the insomniac, mauve shades under his bottom lashes. Tracing every convex little thing—two lovely moles, thick eyebrows, the pointy mouth. Everything you’ve grown to love so dearly. Everything his illness keeps taking away from you. 

You wince, cradling his cheeks, your thumbs dipping into the hollows of them gently. Urging him to scoot closer—eye to eye, lips on lips. Breath over shuddering breath. 

“Are you sure?” You mouth the question on his skin, barely even uttering it. Hot pressure meanders into your head like a prickly impulse. It’s timid like motion sickness—borderline nauseating, too—all murky splashes of trippy lights under your closed eyelids. And the unease is diluted only when he finally kisses you—an approbatory, guilt-ridden thing. 

He’s certain. And for that, he’s so, so sorry. 

You try not to think of it, focusing on the feeling. No tongue, no teeth: just sheer tremor and so much rawness. A soft, soothing exhalation straight into your mouth like the gentlest of placebos—and yet, it works for you, slaps your pulse out of its frantic antics, and the stiffness slowly leaves your limbs under his touch. 

When it’s over, he winces at you in that sleepy, adoring way of his. Attempts a wry, sad smile. The cold light besieges his head into an even clearer halo—a foreshadowing of what is to come, an inconspicuous little thing. But everything about him is conspicuous to you. Loving Viktor has made you wary, and you wanted to hold onto that attention to the detail before it eventually slips away alongside him. 

 “Are you sure?” You repeat, tightening the inadvertent chokehold around his neck. The grip weakens only when he pulls away to clumsily clear his throat. 

“Yes.” And you know he means it when his face turns just as solemn as when he confesses his love to you. 

“I’ve had a nice life with you,” he adds, hoarsely. “I want it to feel nice when my time comes, too—whenever that might be. Sooner than later, I presume.” 

The figurative knife in your stomach twists anticlockwise. 

“Will you stay with me?” He dares to inquire. Meek, shaky hope tingling in his throat. “For however many months I have left?” 

And when you look up at him with a hurt frown, he’s reminded not to ask you rhetorical questions. 

— 

A few days later, Viktor is discharged from the hospital and insists that you both go back to normal. Well, to the new, tainted definition of it—where one spoiled napkin less is considered an ephemeral improvement and grief is a fixed variable by your side. 

Your slow-paced, quiet life that keeps turning even more timid in a frail attempt to savor what’s left of it. Faux preservation, but he allows it—savors it just as earnestly as you do, and your weeks weave into a darling, familiar routine. With some minor, necessary changes, no less: rest comes before the lab now, all deadlines fashionably late to accommodate this newfound tempo. Mandatory hourly breaks. Weekly check-ups. Four days off for every three he spends bent over the parchment. But this time, he doesn’t protest. His body demands it, inconveniently so.

You don’t tell anyone about your horrific arrangement—not yet, at the very least. It’s all you can think about, and the words threaten to slide out every time you speak—but you’re forced to swallow them with a smile so lopsided that everyone around you can only suspect the worst. A mantra of countless ‘What’s wrong’s irritating your ears with pure sincerity. 

What is wrong with you, indeed? You’re a spectator to death—not just any death, but the one you dreaded most. And not only are you witnessing it in the making, but this decision was never forced—you handed Viktor the choice and accepted whatever he went with so obediently that it felt absurd, and it had your skin crawling every time someone vaguely mentioned anything even remotely related to his condition.

But they—whoever that refers to—could never get it. They wouldn’t know what it’s like: to be stripped of your selfishness for the sake of Viktor’s peace. Defying your needs. Forcing yourself to find relief in demise. You might’ve failed to intimidate her into allowing you to keep him, but you could still accompany him into her arms and make it glorious. Here it is. Your new, appalling reason. It’s all that you want now.

Or is it? 

There’s plenty of nobility in being his chaperone—welcoming him into bed every night, painfully aware that it can become his death one. Treating every new invention of his like a soon-to-be postmortem legacy. Mourning the living. Anticipating the inexplicable. Marking every shared kiss the last, just in case. 

But then it came—unabashed and sudden. That blurry line where mourning merges into something dubious, a confusing paradox that leaves you full of filthy carry-over somewhere within your gut. The scorch his lips engrave into the column of your neck. The way it ignites a swell you can almost convince yourself is actually tangible, running your fingers over it recursively like a tactile little prayer. The gaze he throws at you across the lab ever so sneakily—a figurative punch that feels surprisingly close to a kiss. And you never resist turning it into one. Escalating. Claiming. Indulging those ambiguous, yet-to-be-defined things and having them wash over the remnants of your decorum. 

You try to fight it when it first happens, but it doesn’t last. There’s no place for restraint in grief—not when it turns into a beautiful desire to be all over him, to take everything life has to offer before he runs out of it. And Viktor doesn’t judge you. He encourages it. He craves it, just as bad—if not more—than you do. How many more undoings can he claim before the final one absorbs him? You’ve already lost that count. So much for having your love bleed on every inch of his skin.

Tonight you let it bleed mouth to mouth—a sweaty, heartfelt thing that commemorates your hunger for him in a kiss so dizzying that he has to lean back with a silent, breathless plea for brief interlude—foggy eyes staring up at you so devotedly. Shuddering, when your arms wander over his chest to feel the rasp, pointed lips bruised full of spit-slick swell. He’s a beauty—exquisite, albeit worn-down, his lines and angles blurring together into one eager, contourless essence, and you cage him in a firm straddle—your bare thighs over his clothed ones—grinding in a whiny attempt to reach him through his pants. 

“I’m sorry,” you mumble, leaning back to let him breathe. He’s sprawled out beneath you, tortuous hands already busy with tugging his tie off—impatient, clumsily nervous. “I don’t know what’s gotten into me,” you say at last, averting your gaze almost shyly. His fingers lurch to your hip, locking it in a gentle cradle, stilling above your backside in hesitation—asking for a laze caress, pushing your flimsy limits. As if forgetting that you never set those for him. Or, perhaps, he simply likes hearing your excited ‘yes’ every time. You can’t quite figure out which it is. 

He grabs a handful of you with reverence, and yet there’s something resilient about that grip—like he dreads that you might slip through his fingers if he doesn’t hold on possessively enough, staring up at you with his head thrown back in a curious, admiring droop. Aiming to dispose of your shirt in a nimble pull. Plotting a sequence of kisses from neck to collarbone. 

You expect it when he rises on his elbows, then grips the bedframe to shift beneath you in a silly leap. Inelegant, but he couldn’t care less, releasing his hips from the hedge of your legs to make you slide up his crotch instead—a most welcome, brusque change that you adapt to in a squealing instant. Your moaning mouth agape under his grin. His hips thrusting through restraining fabric. Shaky. Erotic. With your arms tumbling astride his shoulders. 

“Don’t apologize,” Viktor insists in a lulling whisper, switching to a cautionary nip on your ear. “I’ve missed you, too,” he confesses somewhere into your hair, brushing through it with a tip of his nose—breathing you in through a tender whiff.  

Your words get lost in a deep fluster, rolling back into your throat and lingering there in a suffocating lump. They have you stiffening, heavy eyelids squeezing shut—a voluntarily blindfold to help you explore him through touch only. An invitation to feel you where he pleases. And, well—it just so happens that your whims align with his—a cohesive, welcome collateral. 

Viktor starts at the slope of your shoulder. Pulls the shirt down and traces that lovely curve—fingers first. Throws a brief, askance glance at your face to make sure that your eyes are closed, and, when met with the flutter of your lashes, gets back to his lovely tease. Tender, warm lips taste your skin with delicious, savoring sounds. Getting wetter when his tongue makes a fickle appearance—leaves a slick, capricious lick in the dip of your collarbone, fluffy hair tickling your face when he bends to tend to your chest, too—and you shiver as he sucks a plum love-stain that you’ll proudly wear under your shirts. 

“See,” he cooes. “Whatever gets into you must be contagious.” 

You give in to a half-lidded peek and find him begging for your assistance—a sweet request that you understand in half-nod. Arms up in the air and over your clouded head when he unleashes your skin from the thin garment—throws it on the floor for you to find later in the morning. 

“But it feels wrong.” You sigh. “Ever since we found out…”

“I’d rather you quit talking about that in bed, please,” Viktor reproaches, eyes heady with want. His fingers slide into your underwear, contemplating its fate—should he make it join your shirt or pull it to the side in hasty fashion? Either approach had him shivering at the thought. 

But the sudden sorrow stops the rush, rendering your urge for consolation. It wraps you around him all over again, legs locking in a tangle around his waist, drooping hands combing through his hair in a brusque, fervent tug. Seeking succor. Heart to heart and thumping an anxious march. 

“I’m afraid,” you admit, but it’s not a revelation. All shuddering shoulders under his idolatrous caress, and you pang with guilt at that, too—it’s you who should be fondling him this delicately, warm reassurance seeping into his ears—not yours. But Viktor wants to be your comfort. If anything, it’s the only thing on his mind.

“What are you afraid of, beloved?” A little shiver at the unforeign endearment—a rare occasion. His thick brows still drawn together in a concerned arc. They relax only when you rake your fingers down his body—counting ribs, toying anxiously. The hurry is gone, there’s only caution now: his enamored eyes, waiting for you to find your slippery words. 

“Of losing you before I get to show you how much I love you.” You whisper, suddenly tasting teary salt in your mouth. His thumb comes to the rescue, swiftly flicking the wet trails. So you chuckle at the affection in a silly stagger to bump sweaty foreheads together.

“Nonsense,” he insists. “You’re showing me right now.”

“Indeed.” You shrug. “But… Is this the right way?” 

And when he puts your palm over his eager heartbeat, you’re reminded not to ask him rhetorical questions. 

—

tags: @zaunitearchives @blissfulip @nausicaaandhermouth @thehistoriangirl @vyshnevska

[kociamieta]

i made a little interactive story about a spaceship and its passenger, you can read it here: passenger9027 ^_^

[journen]

So, I have a couple artworks I did for a fic I wrote / am writing. Au where Simon leaves the army to raise his nephew Joseph. In this installment ahaha Soap, who is still in the army, is visiting for the holidays, and so here is Simon and Jo picking up Soap from the airport, and Joseph giving Soap a hug! Both are of little scenes in the first chapter. 😊🧡

I'm so weak for uncles Simon and Johnny!!!!

[nibbelraz]

if you have more yqy + baby thoughts i would love to hear them ouo

I DO I REALLY DO THANK YOU ANON

I was talking with @/artsarasp about it a couple days ago but I just keep thinking about how Yue Qingyuan finding out that he's pregnant after either having a one time heat of the moment fling with Shen Jiu (he can never think fo Shen Jiu as a fling, it was everything to him) OR he's pregnant from some plant that involved both of there DNA. I like the idea they had a heated moment because already with that Yue Qingyuan would be riddled with guilt about how much he misses Shen Jiu, How he's always wanted to be close to him like that and how he can't ever get that again and how he failed him so he should've never been able to have something like that even for a moment how dare he, How dare he even think of wanting an OUNCE of anything from Shen Jiu after leaving him

And then he's pregnant. He's witn Mu Qingfang. He promises not to say anything to anyone especially because it can put the Sect Master at risk. Especially when he can see how Yue Qingyuan goes white as a sheet after telling him the news.

Yue Qingyuan would be silent. Thinking. He can't tell him. He's already taken so much from him, he's already abandoned him, he's already hurt him so much what would he think of this? He'd never speak to him again, he can handle yelling, the comments, the glare but if he was to never see Shen Jiu again he'd be nothing. He doesn't want to get rid of it the fact he has something of his and his Xiao Jiu he selfishly wants this baby as proof that they were something once, for a time. For a moment. It's not the right reasons to have a child by far and he knows it but he refuses to do anything to stop it.

Mu Qingfang would tell him what he needs and what to do and how they'd try to keep it a secret from everyone but Yue Qingyuan is half listening he has to think of how to hide this from everyone for life.

I keep also thinking about after he has the baby. Successfully without Shen Jiu knowing, except his baby has those eyes, those beautifully sharp eyes that he's used to looking at him with contempt. But on his baby they're wide with curiosity and grabbing at him with such a tenderness its making him want to scream.

Ah but I'm a softie and I physically cannot let a bad ending happen so I feel like of course Shen Jiu would find out. I'm not sure how but he does and it's more gut wrenching than Yue Qingyuan can imagine because he think he hid his own son away from him because he doesn't trust him or that he hates him so much he can't even allow a vulnerability like this. I'm sorry i don't know how but AFTER HARDSHIP AND PAIN AND TIME THEY ARE A HAPPY FAMILY YAY!!!!!

[casscainmainly]

A Deep Dive Into Why Cass Threw Dick Out A Window

If you've been here long enough you've probably seen or heard of this moment, which is super hilarious and iconic. It's mostly discussed in reference to Dick and Cass' relationship. However, in my opinion Cass throwing Dick out a window had very little to do with her opinion of him, or even of Barbara; it has more to do with her understanding of romance and love. I briefly touched on this in my gender/sexuality post, but I'm going to explain more in depth my interpretation of how Dick functions in Batgirl (2000) as a whole. (This moment is very open to interpretation though, this is just my opinion!). So let's try to answer Dick's question: what was that all about?

Love, Language, and DickBabs

While Puckett's run is notable for not having Cass date anyone, romantic love does play a role in Cass' early understanding of the world. It's the impetus that spurs her to write: in issue 2, she sees a wife read a letter from her deceased husband, and her reaction affects Cass so strongly she immediately starts trying to write. (She also kisses the husband on the cheek earlier, which may or may not be a crush). Romance, and the ability to communicate your love, is a fundamental part of Cass' desire to learn language.

So we have Cass, who has experienced neither love nor language, living with Babs, who's in a relationship with Dick. This telephone conversation in #4 (the issue where a metahuman changes Cass' brain into understanding language) again links romance to communication. Dick and Babs are talking on the phone, unable to see each other but understanding each other perfectly; Cass and Babs, on the other hand, live together and can't understand each other at all.

"She can't talk, so it's not all that different [to living alone]." Babs is telling an eavesdropping Cass that her inability to speak prevents her from love and connection - a love and connection symbolised by one of the first romantic relationships Cass is consistently around, Dick and Barbara.

Dick as an Ideal

There's a debate whether Cass likes Dick or not because half the time they're friendly, and half the time she's punching him or throwing him out windows. This disparity makes sense if you consider that Cass strongly associates DickBabs with communication, understanding, love - very idealised notions - but she does not associate Dick as a person with them. Her interactions with Dick (sans Babs) are cute and normal - Batgirl #29 and Nightwing #81 feature some very adorable Dick-Cass moments, with no real tension whatsoever.

It's only when Cass sees Dick in a romantic light (as in associated with Babs) that she makes him into a symbol.

Cass often tries to copy Babs, thinking it's the 'correct' thing to do - in DC First: Batgirl/Joker, she goes after Joker because that's what Barbara did; later in Horrocks' run she'll wear Barbara's outfit. In a way, Cass' affairs with Tai'Darshan and Kon - as much as I do think Tai'Darshan was genuine attraction - is another way to 'copy' Barbara. In #42, Cass stares at a picture of Dick and Babs while asking if Babs likes boys. Obviously Cass knows the answer is yes, but see what she asks next, and how Barbara responds:

She shifts from 'like' to 'love', and Babs responds that she 'care[s]' about him. For Cass, whose arc in Horrocks' run is about parsing out the nuances of attraction, understanding the difference between like, love, and care is incredibly difficult. She struggles to separate familial from romantic (Bruce in #50) or romantic from platonic (Kon, and in somewhat the reverse way Steph). In this conversation, Cass comes to associate Dick with like, love, and care - DickBabs becomes not just a symbol of romantic love, but of any connection whatsoever.

The Old Costume

I've discussed elsewhere that Cass wearing Babs' old costume in #45 is a representation of her desire to be 'girly', and how she associates girlhood with someone other than herself, discarding her own costume for Babs'. But putting on a costume is not the only prerequisite for being a 'girl'. In Babs' speech to Cass, she emphasises being sexually attractive to men, with her final comment being about this "particular look Dick used to give [her]". For Cass, visual language is incredibly important; putting on Babs' costume is not about being or feeling like a girl, but about being perceived as one. Dick is symbolic of the perceiver: the one who can essentially 'grant' women their femininity.

But Cass is disgusted when Tim calls her hot, which adds to her confusion - why should Dick being attracted to Babs make Babs happy, but Tim (who's not a sibling at this time) perceiving her like that grosses her out? Cass' inability to feel good - to feel 'feminine' - through the male gaze is another sign, to her, of her failure to be a woman.

Which finally brings us to issue 46...

That Ableist Kon Comment

Cass finds out Dick breaks Babs' heart and then starts hallucinating on a drug. One of the things she hallucinates is Kon saying "who wants to date a cripple? Ain't that right, Nightwing?" and Nightwing responding "not me--at least, not anymore."

For the first time, we get to the heart of why DickBabs mattered to Cass: it was an example of a disabled person in a loving, romantic relationship. It goes back to that phone call in #4, where Babs implies that Cass is hard to care about because she can't speak. The Kon comment suggests Cass has carried that with her all this time, trying to find proof that she can be loved, no matter her disability. DickBabs showed her it could be done - the break-up shows her now that it can't be done.

Dick's hallucination mocks her disability: "look at her--she can't even read!" Attributing this mockery to Dick (whose real-life counterpart, unlike the other hallucinations, has never said anything remotely like this) shows that this 'Dick-as-ideal' is intrinsically tied to Cass' self-worth.

Honestly this whole post stemmed from me thinking about this one panel. There is no real reason, from Cass' view of Dick as a person, for her to think he's brave and noble and kind (more so than anyone else). But it's in the DickBabs context - that Dick seemed to love, wholeheartedly, a disabled woman - that makes Cass think this way. And now that DickBabs is broken up, it shows that she, too, is rotten to the core; that someone like her cannot be loved.

And so when Dick shows up, she throws him out the window.

Conclusion

In this moment, Cass isn't just reacting to Dick breaking up with Barbara, she's reacting to what it means to her. If Dick can't stay with Barbara, then that means Cass, as another disabled woman, is also unable to be loved. This all leads up to #50, which features another Cass punch to Dick's face, but more importantly is when Bruce and Cass reconcile through Cass' first language. It's a confirmation that though her verbal skills may not be fully developed, she still can communicate, and she can love and be loved.

I don't think a lot of the ideas I touched on here are fully developed, or conclude cleanly. For example, how does Cass' 'failure' to be a woman relate to her inability to be loved? Is she able to have a stable romantic relationship? There are lots more questions, but the role Dick specifically plays in Cass' understanding of romance is probably not going to develop further. I just think it's interesting how Horrocks uses the Dick-Babs relationship to explore Cass' identity.

[sotc]

as fun as it is to talk about the sillay crow family dynamics, i'm soo interested in what this means for the crow familia going forward in a darker lens.

im mostly speaking from the perspective of a rook de riva who romanced lucanis btw <3

illario brought the axe down on his own head after failing to take first talon. he's imprisoned except to play house whenever caterina wants to see him around for family dinners before tensions inevitably shove him back into the cage he's been left to like some house pet lmfao. it's actually kinda fucked up and as a certified sicko i love it. especially considering the casualness in which lucanis describes all of this. crows gotta be a little unhinged<3

But!!! while lucanis was right that illario's reputation is ruined forever as a traitor crow beaten to his knees before every house that doesn't exactly free house dellamorte either. Talon houses will want their pound of flesh of illario for nearly trying to put antiva under venatori control. and yet lucanis refused. house dellamorte showed mercy. they are breaking the rules, making exceptions. this is not how the crows operate and there should--WILL be retaliations for it. illario left this house bleeding in his attempt to claim first talon and their blood is in the water now with house dellamorte having a sole heir who blatantly exposed a weakness and seemingly has no lineage to take after him.

and nevermind that we know murmurs amongst the crows will linger about a first talon being an abomination. i know lucanis kind of handwaves it off as at the coffee date like 'there could be worst first talons' but baby boy, you have avoidance and denial issues this WILL become worse of a problem the longer it goes on. <3

more under the cut bc i didn't realize this was getting so long lol

but in comes fifth talon viago de riva. a bastard to the king of antiva who wants to strengthen the crown. a man who has been ruthlessly exacting and meticulous to get where he is now. and the scariest part is that he has ambition, always has, and knows he has more power than the king himself to make plays if he needs to. this makes for a dangerous (and sexy) combination. in comes his protege rook. casting silly family dynamics aside, viago knows this union between house dellamorte and de riva is extremely beneficial for both houses but also very dangerous. even he knows his ties to teia show a weakness in him that other crows may seek to exploit. and while i do think he may be sincere about wanting rook to find their happiness with lucanis as he has with teia - i truly think he will not shy from showing the importance of a 'political alliance/union' especially with first talon house dellamorte struggling from the blow after all is said and done.

and of course, by extension to de riva, house cantori and the beautiful lovely miss teia, will be extending her support to strengthen their houses but also herself from any opposition. as much as i love that she's kind of the heart that brings this fucked up lil familia together, i know she is just as cunning and clever to recognize what this alliance does for her too.

and caterina.. well, without going into a whole thought piece on her, she has built her (and her grandson's reputation) entirely to instill fear in others, even command enough respect to know she's the one running things while lucanis is just a stand-in as first talon. but what happens when caterina is gone? another dellamorte dead just like all the others. all lucanis has left is himself and his traitor brother. how does he handle illario? how does he fair being a leader to the crows when he didn't want any of this in the first place and no longer has caterina to guide him? how does he wish to pursue carrying the dellamorte legacy (if at all)? does he seek a protege of his own to take on after him? i can't remember who says it (viago or lucanis) but there's a line about how saving thedas will make their houses immortal (hot and very sexy) but also how far can that reputation protect house dellamorte, really?

i don't really have a point to all of this, this is all just stuff im simply chewing on and letting out into the ether because the ripple effect of repercussions with what illario did and what lucanis now has to deal with fascinates me SO MUCH.

[elkian]

Writing you didn't see to the end you wanted isn't wasted. It's practice. Art you didn't polish as far as you wanted isn't wasted, it's practice. Sometimes you have to put a thing down 80 times and figure out why it doesn't work 80 times and then the 81st (or 200th, or 5,000th, or whatever) time you nail it because you know what to avoid and how to express what you want.

And sometimes you never finish that thing in your head, but I am saying again, that time was never wasted. Things don't have to be complete to be worthwhile. Your work has worth even if no one else ever sees it, even if you don't get a gold medal for it, because it is making you a stronger artist. It is giving you experience. It is helping you hone your skills.

It's not wasted.

[gejnialnie]

hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D

+bonus:

look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-

(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)

[inkprilled]

How do you feel about kindness being filmed like they’re performances. Someone hands a homeless person a sandwich, and boom, the cameras rolling. I’m a good person, they say without saying it, but the thing is a sandwich can only last so long, yet you'll be dining on those social media likes all week. Sure,it’s lovely, helping people. But here’s the thing: It’s sad that the world’s become a stage for doing good when you have a camera in your face, or worse in the face of someone struggling to live each day, they are not the supporting actors in your new tiktok. We don’t just help anymore. We sell the moment. Isn't it lovely though getting credit for being decent when your not just doing good. Your doing good for the algorithm.

[wield-the-mighty-pen]

LADRIEN PANIC ATTACK PART 2?!?!!?!?!?!?! LADRIEN PANIC ATTACK PART 2!!!!?!?!?!?!

LADRIEN.

PANIC.

ATTACK.

PART 2?!?!!?!?!?!?!

[mythalism]

genuinely curious how the writers and larger dragon age audience would treat thom rainier if instead of being appropriately* repentant and putting himself in prison he blew up a major orlesian government building to instigate a chevalier rebellion or tried to have someone do some necromantic blood magic ritual involving uncertain danger and possible sacrifices to bring the innocent children he ordered killed back to life

[stolenviolet]

I saw in your baby death au story explanation that Harry can't sleep alone unless he has the doors open (correct me if I'm wrong). If I'm correct, does that mean Voldemort and Harry sleep in the same bed sometimes? And if not, how did Voldmort notice the specifics something like that?

Ah, good question!

He can sleep alone, but not very well (the door being open helps a bit but overall he just needs someone there with him). Even when he got his own room at the Dursley's, he had Hedwig to keep him company.

And like I said, there's no 'sleeping' together for quite a while, so how DID Voldemort notice?

The short answer:

They live in the same house (an agreement that was reached by the two of them, more for convenience sake, as they raise Thomas) so it would be odd if Voldemort hadn't noticed it eventually.

The long answer:

During the first two or three years of living under the same roof, Harry never slept anywhere besides the nursey. At first, Voldemort chalked it up as some sort of paternal instinct to protect Thomas. (most likely from Voldemort himself) However, while retiring to his own chambers in the evening, he always found it curious that Harry would leave the door slightly cracked.

'Would it not make more sense to have the door closed?,' he thought, 'The sound of it opening would surely be enough to wake him if someone were to enter the room...'

He shook his head, 'Perhaps the boy was clever enough to cast the appropriate spells to do so instead.'

He tested this theory once by walking into the room late one night and standing directly by the crib. Annoyingly, Harry never did stir from his slumber on the chaise lounge he had claimed in lieu of an actual bed. Both him and the baby remained fast asleep, completely unaware of the powerful wizard looming in the darkness so close by.

Voldemort honestly didn't know whether to be insulted (as he was clearly not viewed as a threat) or disappointed in the fact that there were, indeed, no protection or alarm spells in the room.

A problem he quickly remedied himself for the sake of the spawn's well-being, as it appears his 'Ma' would not be roused if an intruder were to somehow break past the home's already impressive wards.

And so Harry continued to sleep in the same room as his son, with the door slightly ajar, until Thomas was old enough to have his own bed.

This is when Voldemort began to notice that Harry did not take well to sleeping alone at night.

He would often find the 'boy-who-lived' looking quite dead on his feet, with heavy bags under his eyes, constantly drifting in and out of conversations.

After a good two or so weeks of this, Voldemort had finally had enough and decided to confronted him. Unsurprisingly, he was quickly brushed off, and the subject was changed almost immediately. No matter how many times he tried, he was always met with the same sort of response.

'Why do you even care?'

'Yes, I'm getting enough sleep. Stop asking, it's weird.'

'So what if I get nightmares, your probably the cause of most of them anyway!'

'I'm fine! Don't you have an animal or person or-or something to go torture other than me? Just-...just leave me alone...'

Needless to say, this was getting him no where and apart from drugging the boy with a sleeping draught every night, Voldemort was almost at his wits end.

That was unit one morning Harry came down from his room for breakfast looking fairly well-rested with a chipper-than-normal attitude.

Voldemort was puzzled.

What had changed? Did he just have one good night without anything haunting his dreams? Surely that was bound to happen at some point, but it was unlikely to be a regular occurrence.

However, weeks ticked by and Harry's eyes seemed brighter and his mood rapidly began to improve. He even started to engage in somewhat pleasant small talk when the two found themselves alone for more then five minutes at a time.

It was all very welcome and highly suspicious.

So, being the curious man that he was, Voldemort decided it was once again time to lurk about in the middle of the night for the cause of this sudden change in behavior.

And what he found, as he stood in the threshold of Harry's room, took him by surprise.

There, on the plush four poster bed coiled up next to his sleeping prophesized enemy, was Nagini.

Sensing his presence, she raised her large head to regard her master, who remained fixed in the doorway.

'Master's mate was in dire need of comfort. Nagini has decided she will be the one to provide it.'

Voldemort did not correct her, too busy trying to determine what exactly he was feeling in that moment to give her a proper response.

'...He is also very warm and a far better cuddler than master.'

That snapped him out of his thoughts long enough for him to huff out a quick, 'Don't be rude, Nagini.' To which she replied with a series of hisses that sounded suspiciously like laughter.

He sighed, and foolishly hoped she didn't notice the darkening of his cheeks.

'Very well, you may continue to provide...comfort. Thank you, my Nagini.'

She nodded once and went back to resting her head next to Harry's on his pillow.

He stayed in the doorway a while longer, observing the last two pieces of his soul huddled close to one another, before finally turning to walk silently back to his own room.

--

Nagini: you suck at cuddling and you're a terrible mate.

Voldemort:

--

Thanks for the ask, anon! ❤️

[lapdogchase]

fascinated and distressed by chase's disordered relationship with sexuality + his emotions abt his own trauma & abuse

thru the beginning of the show he doesn't even realize he's hot despite being objectively attractive. when he finds out he's hot he then realizes people pretend to be interested in him as a person in order to have sex with him and gets super upset about it

he starts having a bunch of meaningless sex as a coping mechanism when cameron leaves him. and also a lot of other times. whenever something bad happens, basically, he starts going out with a bunch of women, just to feel something, presumably

^to the extent where hes known within the hospital as a slut. and has had sex with an insane amount of nurses. as well as presumably women who are not at his place of work.

he says doing this made him hate himself so he stopped. it's the b-plot for an episode and then he's back having meaningless sex again by the end of the episode

even his coworkers know this about him. and have called it out, masters even says she thinks he doesn't respect women bc, in her words, he's with a different one every few days or maybe he finds comfort in meaningless relationships

goes back to having meaningless sex within weeks of getting stabbed. which is really bad for wound healing reasons too. genuinely it seems like such compulsive behavior for him considering he keeps doing it even when its objectively not only a bad idea but actively dangerous

house even directly says he's "a serial slut" because he's "terrified of intimacy." incredibly accurate assessment

his relationship with his sexuality reads so heavily as someone who thinks they're not good for anything else

see also: dissociation & avoidance

we know he has a lot of trauma especially in childhood- he never really gets into it let alone into how he Feels about it but what we know is already bad & that's just the stuff he's okay with sharing with his coworkers or patients

in general he's very avoidant of his own trauma- when he gets stabbed he says he "can't change what happened, can only make better choices from here" as if it was his own fault, and refuses thru the whole episode to acknowledge that being traumatized by this would be a really normal reaction that he is definitely having. instead he just blames himself

also, he dissociates from traumatic things that happen to him - says "there was a stabbing" rather than "i was stabbed" for instance

when he's talking abt his childhood trauma he does it in a very similar way - he talks about it very bluntly and doesn't ever get into how he actually feels about it.

see also: dr. fawn response

general passive willingness to go along with anything- when cameron says they should have sex in s3 he's surprised and then he just kinda goes along with it. not bc he didn't want to bc he obviously did, but he's just generally very much someone who does whatever other people want him to do. i feel like he and cameron both tend to seek validation thru sex in an unhealthy way that i'm still gnawing on like a dog with a bone i have to go rewatch s3 to really articulate it though

he has a sort of desperation for praise and approval especially from anyone he views as an authority figure. he does whatever authority figures tell him out of this idea that it'll bring him approval and therefore safety

like no matter what house does or says to him he doesn't argue or retaliate or anything. even when house punches him he collapses on the ground in pain and then just keeps talking about the patient like nothing happened.

the scene in 3.10 after house punches him where he's in the ddx room and house walks in and throws the file at him and chase is startled and tries to pretend he's not. and he looks up with this huge fuck ass bruise on his jaw swallows heavily and pretends not to be upset. and house asks if he got that looked at as if he wasn't the one to give it to him and chase just swallows and says he's fine. dr fawn response :(