#If there are not already problems he will create them

[chessboredom]

Hey hey! Yeah ive noticed when it comes to actual toxic shadowvanilla (or even closer to cannon) they dont get in depth of it. It feels like theres something MISSING! Ackkkkkkk i am a beliver of them being mutually toxic to each other (especially tr) If TR did for some reason truly became a cookie of decite, it would not end well for either of them! Think about it, shadow milk wants someone who understands BUT how he wants Pure vanilla to be a cookie of decite. And and shadow milk so caught up in his joy didnt even notice the cannon betryal, then take that and up it with truthless recules. Tr would 100% be lying for his own gain, probably notice shadowmilks emotional weakness and twist it like a KNIFE! The roles would be reversed! Shadowmilk is the puppet now, yet he doesnt KNOW it! So blinded by his loneiess, and the need to have someone to understand him! That he allowed himself be used (quite ironic if you think about it) cuz PV normally is not one to show his emotions in his sprites (other than his staff and well shadowmilk meddling) AND HE ISNT A OWO MAN!!! Sick of the owo man treatment! TR is that but UPPED!! A cookie of decite who doesnt express his emotions, able to twist it however he likes. Like i can see this as a Sm thinks hes the puppet master, while being the puppet. Tr lets him think that!!! Its easier to maulipate someone if they think their in control. Its MESSY! (I cannot put into words how messed up this situation would be) shadow milk you FOOL! Youve created your own MONSTER! One who sees you as a means to a end, a PUPPET. False fluff, fapse happiness, false LOVE! What TR gives you is a LIE and even if theres truth in it YOU DONT KNOW IT, YOU COUNDNT EVEN TELL WHEN HE PULL OFF A LIE! (In cannon) YOU are now in the web of lies of your own creation, Tr is your spider!! Anyway uh thats a little bit of what this dymatic makes me go crazy over (i have more ideas....)

ANON YOU FUCKKING GET IT OH MY GOOOOD!!!!!!!!!!!!!! THIS IS REAL!!!!!!! I LOVE TOXIC YAOIIII!!!!

I'm gonna fucking yap about PV characterization (AGAIN.) (I just love him so fucking much.)

Very Long LONG post. XP

I'm so happy right now because you UNDERSTAND that PV isn't just some fucking UwU bean guy. Like, this is why he's so fucking good at being a leader because of his EMOTIONAL INTELLIGENCE and that he DOESN'T get caught up by his emotions and focuses on the problems even if it's stressful. Like a scene in Odyssey where Dark Cacao gets MAD when Clotted Cream had the idea of wanting the powers of the Soul Jam but Pure Vanilla remained calm as ever(And all of the sprites used this scene have his eyes open. He is SERIOUS.) Out of the WHOLE Ancients, despite his youthful, brighter amd unchanging appearance (and that's why his Korean Va is a girl to convey his youthfulness) he is the nost mature because he tries to Understand the situation and not diving head first. He isn't a warrior, but he is skilled involving emotions BUT he keeps DOUBTING himself at first like "I can't believe I did that! But I'd do anything for my friends to protect them."

AND THEN SHADOW MILK COOKIE COMES IN!!!! Omg Shadow Milk Cookie, DO NOT unlock the full potential of that Skill Pure Vanilla- I man Truthless Recluse has(Emotional Intelligence😇 LEVEL UP! ➡️ Emotional Manipulation😈) that he made you look stupid by making YOU think that YOU are the one IN CONTROL!

LOOK AT HOW HE DOES IT BY MAKING SMILK THINK HE'S IN CONTROL!!

En got "You and I... were meant to be together."❌️ The shadowvanilla shippers are really feeding on this line omg.

Kr got "I guess I have to accept you... Or become a part lf you."✅️ THAT'S WHAT I WANTED TO SEE!!!! EMOTIONAL MANIPULATION AT IT FINEST BAYBEEEEEE!!!!!!!!! MAKE HIM THINK HE'S THE ONE PULLING YOUR STRINGS WHEN YOU'VE ALREADY SLITHERED YOUR WAY THROUGH HIS MASK!!!! UUUGGHH SMILK YOU MADE HIM BETTER THAN YOUUU

That's why I kept mentioning that PV is KIND, and not Nice and he is pretty much capable of incredible violence. Does anyone even REMEMBER PV having enough seeing his friends suffer when he was the last one standing that he tries TO KILL DARK ENCHANTRESS?? He does a lot of things that involves he SACRIFICING HIMSELF in the process. UGHHH!! FUCK!! PURE VANILLA COOKIE IS NOT NICE!! HE WANTED TO KILL SHADOW MILK COOKIE!!! Remember the "Crash Out" scene? That's his true emotions having throwing a suprise party. He had ENOUGH. Then the scenery changes that made him remember that he wasn't supposed to be a violent person. He's an angel! 😇🙏 Silly Vanillyyy, why would you say "I'M GOING TO DESTROY YOU!!" that isn't like you at all!! [sarcasm](He is literally holding back the rage every single fucking day of his life.)

As much as people love to draw PV hugging Smilk closing to the end of the Ep, he literally beats him up and people seem to forget that over thinking PV is nice Uwu It doesn't have to be this way Shadow Milk Cookie. Meanwhile in the Korean version, Awakened PV had a dialogue that went, "I like helping people but I had enough of your shit Shadow Milk Cookie.☺️" Pure Vanilla Cookie said calmly. (Link to the video I made with this line.) And then made shooting stars of Truth descend from the sky to attack him. He did say he wanted Smilk to be his friend, but he wouldn't back down in a fight anymore. That's why his Awakened "Compassionate" form finally showing his real role that he is a MAGIC TYPE all along who has been disguised under the role of a HEALER.

Anyway TR ♤♤♤♤♤♤♤♤ SMILK. TOXIC YAOI REAL!! Two Cookies of Deceit. One emotional and one empty. Smilk may be the best at psychological warfare and torture, but he got himself an emotional manipulator. Tr easily takes advantage of his emotions because he acts like a child!! Just give him what he wants then he'll be satisfied in no time. Take it away from him, he's gonna have his tantrums again.

Noe I couldn't add more tbh. You explained it well and all I could do is smash the TRUE over and over.

Even with my interpretation of canon that Tr won't last long with Smilk because of the Friendship Gang and "the universe couldn't allow this! One of you turn "good" now!", I like to think the toxicity still lives through Awakened PV since he's both Truth AND Deceit. Like a bright star from light years away that's actually dead, he could still act as of he were still TR to make Smilk more paranoid and obsessed with him in a more fucked up secretive way that other people wouldn't even notice because PV is already good! He wouldn't do evil things again, right? Hehe.

Also sharing this twt post of Tr ripping Smilk's eye as well. 🥰🥰🥰

https://x.com/41n4v15/status/1896085874628087843

[eggroolz]

give me something more , hold me in your arms | 1.4K

𖦹 billy x male reader

𖦹 18+ , minors dni , the usual

𖦹 cw: smuuut , porn sprinkled w/ plot , lots n lots of swearing , internalized homophobia , mild dumbification , spit kink , dubcon (billy’s not entirely willing) , semi-public , impact play , sub!billy , undernegotiated kink

overview: billy’s finishing up his shift at the pool , busy washing off , getting dressed , when you come stalking into the locker room looking for a good time . he pushes at first , but he can only fight for so long .

before you read: i’ve never done an x reader before— imagines and blurbs sure— but i’m a virgin with fics . also purposeful lowercase , i’m trying to create a vibe here. enjoy , freaks ˎˊ˗

the hawkins community pool was total shit.

billy’s seen his fair share of pools, found places to loiter around whenever his old man said he wanted him gone for the night, but this— this place kicked rocks.

there was nothing to do, ‘cept for a lousy diving board and popsicles for two quarters on weekends. but it paid, and money is money is money, so. he still shows up, still wears the mandated red trunks that hug his thighs and squeeze at his ass, and blows his whistle whenever a fucker gets too bold in the water.

and, of course, the added perk of being ogled by all of hawkins. girls, younger and older— way older, if the moms in the skimpy one-pieces were anything to go off of— and a few boys who think their glances are fooling someone.

one boy especially, but— billy doesn’t think about the boys. can’t, not when neil’s a fucking mind reader, apparently, not after the shit that went down in california.

he knows better. keeps himself in the right.

hides his queer pornos like a good boy.

it’s whatever, anyways. there’s no one around to stare at him now. the sun’s rapidly setting, and the pool’s done for the night, leaving only billy left to close up.

it’s creepy out here in the woods, shit going bump in the night, but the closing shift pays a couple cents more, and billy’ll take what he can get. anything to get the fuck outta doge faster.

every penny is one step closer to the pacific, away from the hellhole that’s backwater indiana.

as billy climbed down from his ladder and walked down the dim corridor to the lockers there was a noise, unmistakable, that made his head jerk to the side, suddenly alert.

“hello?” he called, his eyes scanning the darkness around him. “if someone’s out there fucking with me, you better show yourself. ‘cause i’ll punch first, ask questions later.”

no one answered, and billy willed his face not to go red. served them right. people should fear him.

the thoughts of someone— or something— being in the pool with him faded as he stepped under the shower spray, hands fiddling with the knobs till it was scorching.

back home max liked to use what little hot water they had left, uncaring of anyone else, freckled bitch, but here billy could stand under the water for what felt like ever, and it would never go cold.

eventually, though, his fingers pruned and his legs started to ache from being in one stance for so long, and he shut it off, moving to his locker for his towel.

it was as he was toweling himself off that he heard a voice. your voice.

“‘punch first’, huh?” you said, voice teasing, walking up to stand behind billy. his breathing pitched, and from where you stood you could see his jaw clenching.

“it was you?” he said, looking over his shoulder. his eyes did a once-over on you, before frowning. “the fuck’re you doing here so late? pool’s closed. can’t you read?”

“can’t you say a ‘hello’? s’common courtesy, hargrove.

“get lost,” he bit back, already turning to face his locker, reaching for his deodorant stick. pointedly ignoring your presence.

hm. not the reaction you wanted.

“billy, turn back around,” you murmured, one of your hands coming to touch his shoulder, skin on skin. he shivered, but didn’t listen. “billy,” again, “don’t act like you can’t hear me.”

“what’s your problem?” billy shouted, reluctantly turning back to give you a harsh glare. “touching me like some- like—“

“go on,” you goaded, “say it.”

billy went a little red, stumbling back till he ran into the lockers, startled like he forgot it was behind him. the towel wrapped around his waist fell at that exact moment, and he didn’t even move to pick it up, just stared straight ahead.

“f-freak,” he stuttered out, though his voice betrayed him.

“‘freak’, he says, while he’s sporting a half-chub,” you joke, and it’s only then does billy realize, looking down and quickly bending down to grab the towel and cover himself back up.

“it’s a little too late for that, but i like your effort.”

the teasing, the casualness you portrayed— it fucked with billy’s mind, made him see red, but also made his mind a little fuzzy. he didn’t wanna ruminate on that, didn’t think he could, if he wanted to.

“listen. it’s late, dark, and we’re the only two here.” your hands moved to reach for the towel, and he didn’t protest it, though his eyes darted to the movement. “no one would know. just us, yeah?”

and for some reason, the half-baked idea didn’t seem so bad. maybe it was all some kinda purgatory dream. the chlorine had finally caught up with him, and he was dreaming all this shit. only—

you were real, and you were there, pulling the towel down. no amount of chlorine could do this.

he watched as you let the towel drop to the floor, and kept watching when your hand wrapped around his cock, still a little damp, and gave it a tug.

a noise punched out of billy, followed by a whine as your hand didn’t stop, but kept moving, slow, so, so slow, over him. he could do this, a handy was nothing— child’s play.

didn’t matter if your thumb rubbed across his slit and made his legs shake, or that he was starting to drip some. “don’t- don’t stop. s’good.” he blinked up at you, eyes wide and a little unfocused. “so good.”

“i know, i know,” you cooed. he was so easy, it was almost comical. a few jabs, a little teasing, and he let you take the reigns. almost like he was looking for a reason to be used. “why don’t you spit on it, for me? get it nice and wet.”

billy’s stomach clenched at the thought. he took a second, tongue moving, before he aimed down at his dick and spit, hips bucking some when you began spreading it around his length.

“look at that, all messy. i can’t believe you waste this pretty dick with the sluts of hawkins. bet they don’t know the first thing about making you feel good.” your brows furrowed as you spoke, jealously curling inside of you. billy wasn’t yours— and you knew that— yet the thought of him with a girl that only sat on his cock for like, two point five seconds upset you.

billy, beneath the bravado, was so precious. something to handle with care, golden and tan wrapped up in a big ‘fragile’ sticker.

“gonna cum,” he whined, hips rabbiting up to thrust in your hand, “m’gonna cum, please, please.” billy’s voice sped up, and just as he was about to shoot off you took your hand away.

he groaned in disbelief, hips still moving, yet his orgasm ripped away. “the fuck was that for?” he growled, and you didn’t like that tone.

it was quick, a slap to his face that had him moaning and his cock spurting out another glob of pre. “watch your mouth,” you whispered. “i don’t have to give you shit if i don’t want to.”

“m’sorry,” billy mumbled, swiping at his eyes with the backside of his hand. he was shaking a little, poor thing. “just please keep going. just need a little more, c’mon.”

something in you wanted to draw it out, make him beg some more— he was such a pretty crier— but you relented, figuring if he was willing enough now then there’d be time later, and you two could go longer.

billy locked up some when you began jerking him off again, lip between his teeth, mumbling incoherently— mostly a steady stream of please and more, more— until he was back to the brink of climax.

“i could’ve been anyone, billy, anyone,” you said, hand speeding up, “and you’re just here, all alone at the pool, naked and barely covering yourself up, so indecent. bet you would’ve pretended to drop your towel for them, too.”

billy didn’t— he hadn’t— dropping the towel was an accident. he wasn’t paying attention, that’s all. you took advantage, and he let you, because, well.

he didn’t want to think why he let you.

instead he focused on the good, on the pleasure coursing through him as he bucked once, twice, before cumming all over your hand. he sagged against the lockers, tonguing at his bottom lip.

fuck. he was so, so fucked.

when he looked up at you, though, blue eyes blown to shit, a little watery from it all, it felt like things were gonna be alright.

[punchitmrsulu]

Since Cobra Kai ended I find myself getting more and more excited for Karate Kid Legends.

I absolutely loved Cobra Kai in the beginning, especially the first 2 seasons.

Season 3 was still good but it’s where the cracks started to show, however, I was able to overlook them because it gave us a pretty phenomenal finale with a lot of promise for the future.

Seasons 4 and 5 did not live up to that promise AT ALL and were quite a chore to get through. It was all just a big mess that almost made me give up on the show. But there was just one more season left so it was just like, “I’ve gotten this far, might as well go all the way.”

Although I had problems with the last season, the pros outweighed the cons for me and I did thoroughly love the ending.

Having said all that, it always bothered me that they turned Daniel into a car dealership owner. That never seemed like something he would do really. It never seemed like something he would thrive in and be happy doing. Daniel always liked helping people and he was good at that. Selling fancy cars to rich assholes, that whole businessman deal just doesn’t fit him at all.

Which is why it was so uncomfortable to see him in those awful suits they always had him in, and why it was so refreshing when he was out of them and in more relaxed, laid back outfits. Ralph’s demeanor even changed. He just seemed more confident and sure of himself.

And it bothered be that he was often portrayed as a rich asshole himself. Over the past few years I’ve found myself having to defend him quite a lot and it seems to have become commonplace to hate him, which just speaks to how poorly he was being written.

They still could have had him be successful and financially prosperous but just doing something else. He could have even still been in the car business just, I don’t know, renovating old cars or something.

Doing anything that would require creating something new really and where he would be in a position to pass on knowledge. It’s hard for me to believe Daniel wouldn’t want to do something where he could help others thrive in some way.

I enjoy Cobra Kai for what it is but they far too often made it seem like Daniel’s trauma was his fault and that he had also injured Johnny and needed to make amends. I can’t tell you how much it bothered me when they brought Ali into the picture just to have her make the point that both Daniel and Johnny had their fair share of blame for what happened in the past.

No. Just no. The only person who was completely blameless in that entire situation was Daniel.

Karate Kid Legends seems like it’s going to show him the respect he deserves given everything he went through and present him as the mentor he would have probably become.

The trailer has him looking fierce, incredibly skilled and wise. We had two shots of Daniel fighting and already he looked like a force to be reckoned with. What little we saw of the fighting in general already has it miles ahead of anything we’ve seen in 6 seasons of Cobra Kai. Everything just looks fake and cheap in the latter by comparison.

It seems like it was beautifully shot and there was just a weight to everything that I’m very excited for and that was never present in Cobra Kai or the original movies if I’m being honest.

It looks like they decided to take everything that worked in the OG movies and elevate it.

It could be that it was just a very well put together trailer and the actual movie won’t live up to it at all but here’s hoping that it does and that it gives us the Daniel we deserve, and that it hopefully prevails over CK in people's consciousness.

Here’s hoping it’s as awesome as it looks and that it’s an absolute hit!

[weatherman667]

Part XVII - Vampire Werewolf Love Triangle

Now, in my last post, I mentioned a Vampire Werewolf Love Triangle, and but it came off as unnecessarily harsh.

Not because Twilight is not deserving, but:

You can enjoy terrible things.

There is nothing inherently bad about a vampire werewolf love triangle.

Twilight

Twilight is legitimately that terrible. It's so terrible that it destroyed romance in the West, (okay, it had help). But, the problem with Twilight is not that it's terrible, it's that the current zeitgeist is that women are always right and men are always wrong.

You see, 300 plays. Men want to go see it. Girlfriends see a bunch of shirtless men in the trailers and wants to come along, ignoring the fact the titular 300 on the posters was literally a blood splatter. So, women regret their decisions, but you see, women are always right. Unable to admit they were being fucking dumbasses, they dragged their men out of the theatre. Because, in the eyes of social conformism, women's feelings outrank facts. The facts are that the woman didn't need to tag along, and that the man already paid for his fucking ticket. But, women's morals are superior, and if the man did not leave the theatre, the woman acts like this is an egregious sin that might end the relationship if the man doesn't do the typical romcom thing of spending 90% of the movie begging his girlfriend to come back to him and proving how wrong he was.

So, Twilight comes out, and what happens? Oh, well, obviously demanding their boyfriends join them in the theatres. Rather than just admitting the shirtless vampire/werewolf made her horny, she INSISTED it was a good movie. And if any man refused to believe this, even after seeing any of the absolutely horrible movies, then it was as if he had committed a romcom sin, that requires the entire movie supplicating himself to make up for it.

Twilight hit the market at just the right time to become a cultural icon, rather than just being a shitty knockoff of harlequin romances. So, instead of just being a stupid book that makes her horny, Twilight being the bedrock of our culture. Which, of course, is why you don't build your house in a quagmire.

Let's take Sin City. Frank Miller has explicitly stated that Sin City was 100% self-indulgent tripe. But it sold. Because it's fun. It had the benefit that no one thought that Sin City was meant to teach them how to live their life.

Hell, Gor/Counterearth literally, LITERALLY LITERALLY, became a BDSM manual for a community, and despite it's incredible artistic merit, (first few books), it never had anywhere near the effect on the culture. 50 Shades, however...

Every Story is a Character Story

Pixar (classic Pixar), was the very icon of taking an absolutely dogshit idea and making quite simply, the best stories mankind has ever created.

What are toys doing when you aren't watching? What if super heroes were defeated by frivolous lawsuits? What if a man tied a bunch of balloons to his house? What if an garbage compactor fell in love with an iPad?

Let's say you want to have a vampire, werewolf, human love triangle. This could be done pretty much every way.

Typical high school romance.

Buffy the Vampire Slayer. I mean, Buffy never actually did this, but got pretty close, to the point it wouldn't feel out of place. Okay, Angel had a Vampire / Vampire / Vampire Slayer / Vampire Slayer / Werewolf love pentangle.

Hallmark movie.

MMF porn.

MFF porn.

Star-crossed lovers, (everyone loves a forbidden romance).

A group of scientists studying weird anomalies in blood.

Blood-soaked horror movie.

Sexy, blood-drinking torture porn.

Detective story. Man is a detective, vampire is the doll who turns out to be a vamp. Werewolf is the suspect, but is a lot better than you originally thought.

Man adopts an orphan girl that grows to love him. Vampire girl was planning to make him her next mark. Adopted girl that turns out to be a werewolf secretly fights her off without revealing her secret.

Murder Mystery (like in Witcher III).

The plot is different from the genre which is different from the theme which is different from the style. Hell, Devil May Cry has a Devil, Half-Devil, Human love triangle. High School DxD has a Nekomata in place of the werewolf, a Devil as the vampire, and then throws an vampire trap in for good measure, (along with a miko, valkyrie, phoenix, nun, et al). Metal Gear Solid had a bisexual vampire dating both a colonel and his daughter.

The most important thing is the story telling and authentic characters. If you have that, you can make a beloved movie about rat who becomes a 5-star chef in Paris.

You Want to Make a Fantasy World: Part I - Magick

The first thing you need to decide when making a fantasy world is how magick works.

That might seem heady, but let's go over what you have to decide:

Who can use magick.

How do they use magick.

And how powerful can magick get.

Do you want 9th level magick, that can rip a giant hole in the world and summon unkillable monsters?

Because, honestly, you don't need it.

Can 9th level magick only be used by decrepid old wizards with one foot in their grave? Only it be used by chosen heroes? Only be by inhuman things, like Dragons and Daemons and Liches?

Low level but common magick can have a huge effect on the setting. Being able to light a fire can allow you to save the time and effort it takes to start a fire. Heating a rock can be used to heat a home, or even a bath, giving the equivalent of modern sanitation. Hand washing, bathing, and toilets have done the most for Human longevity. Can you go to a priest, give him a penny, and have him cure your cancer?

Sure, curing cancer isn't as cool as curing sword wounds, but the medical effects it can have on longevity are staggering.

Maybe magic is something that can only be done by a minority of the population, that dedicate themselves to the study.

None of them are wrong answers, so long as they are CONSISTENT.

If magickal ability depends on your bloodline, then someone, somewhere is going to think it's a good idea to selectively breed mages to keep the magics strong. The mages might become the noble classes, they might form their own class, which they breed endogenously, like Hindus.

If only inhuman things can cast upper level magick, and you see a seemingly ordinary Human cast that kind of magick, then guess what? He's not actually an ordinary Human.

Does magick need a physical catalyst? Does it consume reagents? How rare are these reagents? Do they come in one of a few types, or is every twig of berries a reagent for a different spell? Maybe upper level spells require expensive reagents, and that's the limiting factor? Maybe these spells use too much mana, and therefore can only be done by places of power?

Does teleportation require Line of Sight? Can you open long-range portals only if you have local knowledge? Can you target places of power from a distance?

We start with the simple, coarse questions, and get to the finer ones later on. When? When you come up with a good idea for how it works? Or, honestly, when you need to use it. It's perfectly fine to wait until the characters need/want to teleport to decide how it functions.

Another way to limit spells if by giving the heroes a rare magickal item. Why can they use portals?, because they have the Staff of the Herald. Why do they have the staff of the herald?

Given by someone important.

Monster loot.

They found it in an old, abandoned building.

They earned it by accomplishing some feat, or level of training.

Again, all you have to decide is how rare the item is, and maybe if you need some sort of innate/trained ability to use it.

[kirythestitchwitch]

Klaroline WIP Wed - Waffle House AU - Oh Hi Kol

Part One here Part Two here Part Three here Part Four here

I'm skipping a whole bunch of Caroline naval gazing about eating free range and having thinky thoughts about blood bags and Mikaelsons and stuff. Now it's another night at the Waffle House...

------------------------------------

It wasn’t chickening out if it was less than 24 hours since she’d made up her mind to [drink blood from the source], it wasn’t. Besides, she was waiting for the perfect opportunity.

Tapping her pencil against her Calculus book, she bit her thumbnail and tried not to watch the other two tables of diners too obviously. The table with the family with two kids was probably a wash, it would just be Caroline’s luck that little Susie came looking for Mom and found her being chewed on. 

The young couple was promising, though. Either girl would do, she wasn’t picky. If one of them got up.

Picking up a slice of toast spread liberally with jam from her plate, Caroline nibbled on it. She’d actually unbent and ordered breakfast-for-dinner, just to take the edge off her nerves and appetite. The idea had only gone so-so, as she was still picking at her food. The coffee she was drinking by the potful. Marcy had come by multiple times in the past half hour to fill her mug.

As if summoned, Marcy stopped by her table with the pot of coffee and filled her cup back up to the brim. “You still working on that, sugar?” With her chin she gestured at Caroline’s plate.

A wane smile flitted across Caroline’s face. “Yeah, I just have a lot on my mind tonight. Keep getting distracted.”

Marcy smiled sympathetically. “Well you wanna talk about it, I’ve got a break coming up in about forty-five minutes.”

‘‘Hey Marcy, I’m being distracted by thoughts of eating people in the restroom, I’m actually hunting them as we speak,’ yeah that will go over so well!’ Caroline thought.

“I’ll let you know?” she said instead.

With a pat to her arm, the server went back behind the counter, leaving Caroline to her thoughts.

The front door opened behind her with a faint jingle, and Caroline started to wonder if some new options for a meal had come in, or if more people meant more trouble. She didn’t get a chance to even finish the thought. Kol Mikaelson tossed himself into the opposite side of her booth.

Caroline froze. He sprawled comfortably, one arm along the back of the bench, and he smiled, a cheeky little thing. She squinted. 

“Alright,” he said, lifting a finger to twirl it in the air, “Let’s get it over with.”

“Aren’t you dead?” she asked. On the off chance she was turning into Jeremy and seeing spirits, she wanted to be sure.

“And there it is.” Reaching across the table, he picked up a slice of her toast and crammed it into his mouth. “I got better,” he said, mouth full.

“You got better?” she said skeptically while he chewed.

“You may have noticed the Anchor wasn’t very anchored there for a little while. The walls got a bit flexible.” Kol reached for another slice of toast, and Caroline smacked his hand. He pulled back with an amused look. 

“Order your own,” she glared.

[ameliiorate]

"a happy ending? is that the typical way that a mystery closes out?" he quips, his familiarity with the genre usually associated with murder and other worse crimes. "can't say that my story is nearly all that exciting anyway." his reasonings for his profession are not all that worthwhile of a secret nor is the rest of his life story. it doesn't offer near the twist and turns of the story that hari has already webbed for him.

yet, he still recognizes that there is far more that could be learned about her, and he would like to read the next chapter, if he's allowed.

"i didn't create the monster," he insists, voice several octaves lower than hari's own, his natural tone a vibrating timbre. "i fed it, admittedly, but what i did was allow it to bloat and swell so that what it truly is can be seen." the relationship, for all that is, is on full display, and if the guests couldn't see it for what it is, that's not his problem. he gets to wipe his hands clean of it after tonight is over. but what he doesn't want to come to an end is this chemistry with hari. something has ignited, sparking between them, and he won't let the naysayers extinguish it.

their opinions are an easy thing to drown out, including the voice of an intruder of what feels like a moment that could mean something.

he allows hari to have a voice of her own, one that seems to have been drowned out in the noise of all the drama she has experienced. so he is relieved that she does not give the stranger the time of day, and a smile comes to his face without pause. his head bobbles in an asured nod. "what hari is saying is true. she's not bothered me in the slightest. my work here is done...so if you don't mind..." and even if they do, he would pay them no more mind. "we have a dance to get to, don't we?" his attention is honed in on hari, grabbing one of her hands and attempting to guide her toward the dance floor.

"oh, i do love a good mystery. twists and turns, the third act revelation, and then, of course, the happy ending." though not all stories get the happy ending, and hari knows that well. she isn't so doomed as to sit around and say that hers has already passed her by, and in fact, the little flutter in her stomach as she turns to look at jinho again startles her into the realization that it's perfectly acceptable to believe that it could be right around a corner she never considered turning.

suddenly, instead of regret, she's rather excited that she decided to come to this wedding for the sake of her own pride.

"why, our dear mr. bae." her voice has dropped, no longer speaking to anyone outside of the little bubble they've created for themselves, voice scandalized in a way that only could be an act. "they are your clients, after all. how could you not be drawn to their light? truly, what kind of wedding cordinator are you that you aren't absolutely obsessed with the monster you've created?" she has certainly decided that playing with fire is how the rest of this night will go for her, and a hand comes up to rest against his chest, head tilted in that coy way that could only let everyone in the room know that she's flirting.

she hasn't yet decided if she's flirting in earnest.

"one moment, jinho. wait for the--" she taps against his chest. one. two. three. and then "oh, hari! you've been bothering the planner long enough, come have a drink and let the man work." the shrill voice of one of her former classmates makes her face crack into a smile and she muffles a laugh against jinho's arm for a moment before turning to see the former classmate, with a few more and the happy couple gathering around. "mr. bae has just invited me for a dance, actually. i'm quite sure if he was tired of me, he would have said so by now. is he not known for being rather matter of fact?" eyes cut back to the man, sparkling with mirth. playful. "mr. bae? have i bothered you?"

[stagefoureddiediaz]

You know what. I’ve realised a massive part of why I dislike tommy so much!

He’s a shape shifter.

Think about it for a moment. We know next to nothing about this dude because he just shifts into whatever role he needs to play for whomever he’s with. We know he was military but have zero context beyond that but it’s implied he was the ‘perfect’ soldier.

Under Gerrard he’s a bigoted misogynistic racist homophobe.

Gerrard leaves and he magically becomes someone who can fit in with the 118 under Bobby.

Leaves the 118 and we don’t know what he’s up to.

Reappears on the scene when the firefam show up at the hangar and becomes what they need him to be in that moment.

Is essentially actively pursuing Eddie but is quick to switch to buck when it’s clear he’s an easier target. Drops buck when bucks not ready with zero explanation but is happy to go along with what buck wants when he calls him.

Man doesn’t have a personality of his own because he just shifts into whatever he needs to be for whoever he needs to be it for.

[unproduciblesmackdown]

"winston quant billions: like anyone else, an entire universe" or "the good news is it's just that everyone's been terrible to you, the bad news is it's just that everyone's been terrible to you"

[poniko-w]

been making concepts for magical girl adukin au.. i am forming a semi-consistent plot & having fun.. i might draw some other characters in magical girl outfits even if ive sort of laid out what the "canon" magical girls are for the au, but idk who i would draw.. maybe fusakin and syumitaro because well. ones a balloon with a human body and the other is God

[cobra-creampuff]

musical episode!!!

[cats-in-the-clouds]

my sister got engaged and we’re all really happy for her but my bitter rain cloud of a dad (who naturally she told last) is giving her a bit of passive aggressive grief about it despite her boyfriend being like the best man of our generation (presumably either because he’s not catholic or because my dad sees them as young dumb unemployed people who aren’t ready for marriage or because he’s mad he barely has any real love with his own wife or something). so like pray for us? i wish i knew what to do

[nightingale-prompts]

Lazarus What?!

Phantom pinched the bridge of his nose as he tried to take in what he was just told.

"Explain it one more time. I need to know if I got this right." He said his frustration mounted.

They were standing at the edge of the Lazarus pit. The Ghost hero had been searching for wells formed from ectoplasm on this planet.

"We-" Superman spoke first.

"YOU SAW A BIG FUCKING POOL OF OTHERWORLDY GOO AND DECIDED TO SWIM IN IT?!" Phantom exploded.

"Well, it does heal and revive people," Flash said hidden behind Wonder Woman.

"Well that makes it perfectly safe and healthy for you doesn't it," Danny said sarcastically. "It's not safe at all! You people are just tossing corpses into this thing and think it's a miracle that people come out alive! This stuff is a waste pit made from the leakage from my realm!"

"Waste? Like as in-" Clark's face gritted in disgust.

"Not like human waste but still waste. Our bodies take in new ectoplasm and the old tainted stuff flows out. Like a fish breaths with it's gills. The old material tends to collect in different spots like a dump of toxic waste. And you people are bathing in the used materials." Phantom explained.

"And why is it so dangerous." Batman finally spoke up after considering the information.

Phantom sighed.

"The reason why the goop is bad is because it's tainted. As in it has remnants of the ghosts that expel it. When you dump the corpse of a freshly dead person in the goop it melds with the person giving them the ability to persist beyond death and linking them back to their soul. That sounds good, but the soul is now infected with the random assortment of attributes of the ghosts that are in the goop. It won't do much to you though. Barely affecting you in any negative way. Now if you keep putting bodies in the goop you create a big problem as the ectoplasm is invected with the freshly dead's issues. If someone evil, vengeful, or unbalanced is put in the waters parts of them will stay behind. Constantly using the ectoplasm will cause someone to go insane as it corrupts them. If someone dies painfully enough, it will also persist in the ecto and create a revenant. Like an avenging super soldier hellbent on revenge so their soul can rest. The ectoplasm will also become less potent over time, and eventually, the only thing that can come out is zombies." Phantom tried his best to spell everything out like everyone present were idiots.

"That explains many things." Batman said pinching the bridge of his nose.

"WHAT DO YOU MEAN! ARE YOU TELLING ME YOU ALREADY DID THAT?!" Phantom was turning red now.

[gojonanami]

❝ 𝐈 𝐉𝐔𝐒𝐓 𝐖𝐀𝐍𝐓 𝐓𝐎 𝐅𝐔𝐂𝐊 𝐀𝐋𝐋 𝐍𝐈𝐆𝐇𝐓 ! ❞

❝ I HEARD FROM A FRIEND OF A FRIEND, THAT DICK WAS A TEN OUT OF TEN !! ❞

✧ pairing: jjk au sorcerer! suguru geto x sorcerer! reader

✧ summary: geto's routine after a mission -- ingest the curses that he collects before his shower. but after he does, his body begins to burn and ache with lust to the point of pain -- and he can't get rid of the feeling alone. so what else can he do when you show up at his doorstep offering to help but accept it (aka a sex pollen / aphrodisiac curse fic).

✧ warnings: 18+, nsfw, so much smut, jjk compliant au, geto stayed a sorcerer and didn't defect, reader is one year younger than geto, (set during jjk s1), aphrodisiac curse (sex pollen), multiple orgasms, multiple positions (missionary, doggy, riding, other positions mentioned: standing, against the wall, spooning from behind, against the wall), masturbation (m), soft dom! geto, oral (m +f), handjob (m! receiving), fingering (f! receiving), sex (p in v), creampie, cervix fucking, panty stealing, squirting, mutual pining, a little angst (discussion of star vessel / premature death arc), but a lot of comfort, cuddling, gojo hijinks

✧ wc: 8,180

Suguru was only sure of one thing, as he stared at himself in the mirror — cheeks flushed red, sweat nearly soaking through his black t-shirt, and a painful and glaring problem in his boxers—

This was a curse — literally. 

Curses were made up of different negative human emotions — from loneliness to grief to anger, these negative feelings would pool and create a curse. Sorcerers were made to exorcise these curses, and Suguru did so — but in a different way than the others. He had to consume them as part of his technique. And even with the hundreds of curses he’s swallowed over the years, he would never get used to the taste — a shit soaked rag used to clean up vomit was how he could best describe it, but even then, that didn’t come close to the indescribable act of swallowing the manifestation of the worst negative human emotions — at least for most of them. 

The one he had swallowed today was different — he was sent to exorcise a grade 1 curse in the heart of Tokyo that dwelled in an abandoned building — from the inside, he could tell that it was used as a strip club and possibly a bathhouse-turned-brothel, from the seedy mattresses left behind with dirty sheets and mussed covers, with rusting incense burners placed around the room, and the gaudy, fake jewelry that laid strewn about the place — assumedly any real jewelry picked clean. He swore he could have even smelt the ever lingering scent of cheap perfume in the walls and vents. 

But the greater concern was the curse he had found himself with — a grotesque creature that stared back at him — its body a deep maroon, many eyes dotting its back with a large pair of black lips that Suguru didn’t care to draw any closer to. It was more humanoid than most — its form showing a more sophistication than many curses did, muscles of its many arms contracted as it finally spotted Suguru, its many eyes settled their gaze on him. 

It was far too easy for him to take down the curse in hindsight — far too easy — and it seemed to watch him summon curses — and he swore it almost had seen a glimmer of recognition in its eyes and then it allowed him to deal the final blow. 

He had kept the curse on hand — he could swallow it later, when he was near a toilet and perhaps some mouthwash — though that barely did much to remove the taste from his mouth. He had returned to Jujutsu Tech to do his reports, and hopefully head back early — Satoru was out on another overseas mission and Shoko was busy tending to patients and bodies as always, but you— 

He wasn’t sure what you were doing, but he wasn’t sure he wanted to text you. Not after what Satoru said. 

“When are you guys gonna fuck already?” the strongest sorcerer asked, making Suguru choke on his Sprite  — strong in ability, but not in tact, “you and her have been eye fucking for weeks and you had such a thing for her before she decided to move to Kyoto—” 

“That was years ago—” 

“She has a key to your apartment—“ 

“So do you!” he glares. 

“Then what about last night at the bar?” Satoru leans back in his chair, lifting the front legs off the ground, as he pulled his sunglasses down, “you could have murdered the guy that was hitting on her with your look alone — and I think you did when you stuck yourself to her side with your arm around her waist, until he ran with his tail between his legs,” 

If looks could kill, Suguru would have surely murdered his best friend — infinity be damned, “She looked uncomfortable, what was I going to do—” 

“Well, she certainly didn’t look uncomfortable with you hanging all over her, now did she?” He raises an eyebrow, as he leans forward again, the front legs of his chair landing with a thunk, “what are you gonna do if a guy comes along that she falls for? You’re telling me you’re not gonna regret it, Suguru?” Suguru says nothing, unable to meet Satoru’s gaze, as Satoru crushes his own can into a ball, before tossing at Suguru, “You guys just got to hurry up and fuck,” 

Suguru swats the crushed can away, “You’re disgusting,” 

He grins, as his words seemingly only confirm what he assumes, “Disgusting, but correct, and if I’m right, you’re taking some of my missions off my hands,” he grins. 

And Satoru’s words had been running around in Suguru’s head — just like any annoying song on the radio — but he couldn’t let Satoru’s words stop from hanging out with you. He had just gotten you back in his life again — he couldn’t lose you, not again. 

Geto: Are you free to watch a movie and have takeout? 

You: sounds good - did you get back from your mission alright? No injuries I need to yell at you about? 

He snorts, as he types his reply: no, not this time. 

You: Let’s keep it that way! :) 

He bites back his smile as the two of you decide to have you head over in an hour to his place — you preferred it that way since you were still settling into your place, boxes still unwittingly everywhere there should be actual furniture. Last time he came by to pick a report up, he found you eating your meal on a packed box, instead of a table. 

And he catches himself smiling, before his face sours at the thought of Satoru again. 

Satoru was right — and he hated to admit it, his knuckles pressed to his lips. A year under him, you had spent days with him, along with everyone else — you always waited for  him with his favorite snacks when he would return from a mission. You sat with him sometimes when he would get sick from swallowing curses, helping him swallow some water and saltines after he turned his stomach inside out. You were the one that pushed him when he hid his disillusionment from everyone else — even from Satoru. You wouldn’t leave him alone, you wouldn’t stop dogging his every step with snacks and comfort and company, hounding him to sleep, to eat, to say something, anything. 

Until he did — one late night you spent up together — he didn’t sleep much those days anyway.  And he told you everything — the poison seeping from his body, and leeching onto yours, your frown and hurt was the whole reason he hadn’t wanted to tell anyone to begin with. But the frown wasn’t yourself — it was for him, as your arms only curled around him, and he let you hold him the entire night. 

“You don’t always have to pretend to be strong, Suguru. You’re allowed to be upset, you’re allowed to be angry, you’re allowed to grieve — but don’t bottle it up,” your fingers raked through his wet hair, undoing the tangles gently before running the comb through it, “don’t let it kill you from the inside out,” 

“I feel like I did die — along with Amanai,” and you pause, your arms curled around his shoulders, chin resting on his head before you pinched his cheek and he flinched. 

“There, you’re definitely not dead,” you say, “so don’t act like you are. And don’t act like you’re alone — because you’re not. You have me, you have Satoru and Shoko — even Nanami and—“ you voice cuts off at the thought of Haibara — “Haibara wouldn’t want you to hide from us, he looked up to you — more than anyone else, even Satoru,” 

“I don’t know why,” he mutters with a sigh. 

“I do,” your fingers guide his face to meet your gaze, your face an inch or two from his, “because you’re kind, you’re intelligent, and you’re strong,” 

He scoffs, “Satoru is the strongest,” 

“And you think Satoru thinks any differently of you? That any of us feel differently? You’re the only person who can understand him — and he’s the only one who understands you,” 

He gives a small chuckle, “not the only one,” and he tears his eyes away, hoping you don’t see the way his cheeks burned. 

And when he found those two sorcerer girls locked up — you were the one who called. The rage and anger had built into murderous intent, but he could hear your words ringing in his ears and before he knew it, he had called you to come to him. 

You saved them together — Nanako and Mimiko had fallen asleep in your respective laps after all was said and done on the ride back — without much bloodshed (not that the blood that was shed was worth much, in his opinion) — and with Gojo and you smoothing things over with the higher ups (mostly with veiled threats and petty remarks), you managed to allow the twins to grow up safe, under Geto’s care, and your own. 

At least for a time. After you graduated, Nanami left — and you were the only one of your class left — and the absence of your best friends weighed on you, even if you didn’t show it. 

“I’m leaving for Kyoto,” you told him one afternoon the two of you spent lazing around his dorm, you sat against the bottom of his bed, as he lounged on the mattress, his gaze snapping to you, only able to see the back of your head, “this place holds too many memories — i need perspective, I need space from all of this,” 

He wants to ask if you have to, ask you if he could convince you to stay, if he could do something, anything to make you stay — ask if he wasn’t enough to make you stay. But he doesn’t, because it’s the best decision for you. So he instead slips off the bed, sitting beside you, his hand ruffling your hair, “You’ll come to visit right?” 

He knows you’re blinking back tears, but he pretends not to notice, your lip quivering, and god, he knows he wants nothing more than to tilt your gaze toward him by your chin and brush his lips against yours, until every sad thought has evaporated under his touch. 

But he knows that would only be one more thought that would make things far more difficult — for the both of you. It was better this way. And it was. Years had passed, the two of you had become teachers at the Tokyo and Kyoto schools respectively — but as the years had passed, your relationship grew more distant, as it always seemed to with time and distance. 

But then you decided to come back to Tokyo, transferred over — Yaga explaining it was due to all the happenings in Tokyo with the special grades and emergence of Yuji as Sukuna’s vessel — and he found himself in your presence again. And it was as if no time had passed — your days off spent in his apartment — as yours had become a haven of unpacked boxes. And he couldn’t help but wonder — when he’d glance at you in the dark of his living room, the only illumination was the TV that played some shitty horror movie (your words not his) you had put on — if the special grades were the only reason you’d come back. Your fingers were so close to each other’s on the couch, but an inch felt like a ravine. 

One he couldn’t dare to cross. 

But It was fine, just as he told Satoru — you were just friends, until both of you decided otherwise. Not that it would ever happen — no, he thought that ship had sailed, even if his heart had stubbornly said that it hadn’t. 

Until he decided to consume the curse — and his heart was no longer the problem. 

Or at least, not his main problem. 

He sat in his bathroom, towel in the shower rack, ready to shower after he dealt with this. He had discarded his uniform jacket and pants — only in a black t-shirt and boxers. He stood by the toilet — as he learned his lesson the first few months swallowing curses — he never knows when one will turn his stomach inside out. 

He holds the balled curse in his palm — he could feel it squirm just underneath of his cursed energy — the thing keeping it contained at all, itching to be freed from his grasp — though it never would. He pressed the ball to his lips, bracing himself as he opened his mouth, nearly having to unhinge his jaw for how large this curse was and pressing it past his lips and into his mouth. His palms pressed against his mouth, as he swallowed, eyes squeezed shut. 

It…wasn’t as bad as he thought. He frowned, brow knit as he stared at his empty palm — it was still appalling to consume, but it was….sweet? But it burned as it went down, heat remaining in the pit of his stomach, even as it should have faded. 

That should have been his first clue. 

Either way, he turned on the shower before he shed the rest of his clothes, and stepped in. The water felt warmer than usual, as he washed his body first, letting his hair grow wet under the shower head. His fingers reached for the shower handle, turning it even colder, but his body barely reacted to the water — was it even cold? 

Even under the water, he felt like his body was burning — a slow fire that lingered under the surface of his skin, burning and aching, the frigid water barely doing enough to soothe it. Running his hands over his body seemingly helped, a shiver running down his spine as he washed himself, but he knew it would have felt even better if it was you. 

….what? He tried to shake that thought from his head — it wasn’t the first time he had thought of you like this. There were many times where his mind would drift to you at night, the warmth of your touch from a few hours ago still lingered, as his hard-on pleaded for his touch. Guilty gnawed at his conscious when he indulged, the first time being after a particularly vivid dream of you pinning him down while training — your mouth kissing down his body, eager fingers tugging at his shorts until that smirk met—

This wasn’t helping. 

The burning had traveled southward, as his blood did, and he glanced down at his raging hard-on. 

Fuck. 

No, he couldn’t. 

But his fingers were possessed, already reaching for his aching cock, large beads of pre-cum leaving his slit just as hand closed around it. He hisses when he does, a gasp ripped from his throat, as he braces himself against the shower wall with his other hand. 

He palms his erection, swallowing thickly, as he grunts, as he begins to pump his cock from base to tip, smearing his pre along his length. But his mind wanders to you, how pretty you’d look pressed against the wall of his shower, his hard cock dragging between your ass. Lovely moans parting your lips as his fingers would reach around to rub at your puffy clit. 

“Suguru, please—“ 

“Tell me what you want baby, gotta use your words,” he’d murmur, teasing your slick entrance with the tip of his cock. 

“Need your cock — need you to fuck me,” you would whine, words nearly enough to make him bust there and then. And he would sink into you just as he does his fist, but your sweet cunt would feel so much better than his hand does. 

Fucking wet and tight and just for him, as he works his dick deeper and deeper, until his tip is nudging your cervix. And he’d fuck you hard, just like he’s fucking his fist now, skin slapping each time his hips met your ass. 

You’d cum before he would, he would make sure of it — one hand rubbing harshly at your clit, the other toying with one of your nipples between his thumb and forefinger. And your walls would squeeze and wring him dry, just as he squeezed his own dick now. 

He spilled all over the wall of his shower, white spurts kept coming, as he grunted, imagining he was painting your walls instead. He panted, but as the afterglow ebbed away, the heat only came back tenfold. 

He panted, as his fingers left his cock, only to find it still hard — the tip red and angry, twitching as he stared back at it. 

What the fuck is going on? 

He finally left the shower, pulling on his shirt and boxers delicately — every inch of his body felt feverish and sensitive, even the rubbing of his clothes against his skin was almost too much for him. 

He stood in front of the sink, knuckles white against the porcelain as he tried to will his erection away, but each thought was only chased away with thoughts of you — of the dress you loved to wear riding up, of your legs spreading for him, of the wet patch on your panties— 

He was so fucked. Sweat dripped into the sink, as he glanced at himself in the mirror — skin a ruddy red flush, lips impossibly dry, pupils blown out with need — he was so fucked. 

He called Shoko — the embarrassment of this situation far gone at this point fading into plain need of wanting this situation to be over. One ring, two rings — finally five rings and she picks up. 

“It’s not like you to call—“ 

“I need your help,” he cuts her off, biting back the groan from his cock rubbing against his boxers the wrong way — “I don’t know what’s happening to me,” 

Her voice shifts from curiosity to concern, “Slow down, Suguru, tell me what’s going on,” and he tells her his symptoms — and she’s silent on the other line for a moment, “you have been a teenage boy before right? You’re not really calling me because you’re horny and you don’t know what to do—“ 

“It’s not that—“ he hisses, running a slow hand down his face, “I already tried…solving the problem myself but it didn’t work. And I feel weird — it only made it worse. I can’t stop sweating or thinking about—“ he cuts off — he couldn’t stop lewd thoughts of you from springing before his eyes, the thoughts of your moans, how soft your flesh would be under his fingers, how you’d look when he— “what is this, Shoko?” 

She pauses on the line for a moment, “When did it start?” 

“Right before my shower I think,” his mind foggy with need, he could barely even comprehend a coherent thought. 

“And what did you do before your shower? Anything different?” he’s swallowing the lump in his throat, as he resists the urge to brush his hand over his hard-on. 

He’s barely hearing Shoko at this point — “I took off my clothes, I got my towel, and then I—“ and the realization struck him — the curse, “I consumed the curse I collected today from my mission,” he mutters, “fuck—“ 

And then there’s a knock at the door, “Suguru?” He heard you call through the door. His dick throbs at the sound of your voice. 

Shoko’s voice cuts through the white noise, “Suguru, the curse you ate — was there something different about it?” 

“It was a grade one — it seemed a little too easy to defeat — it formed in—“ he swallows thickly, “in a brothel,” 

“I’ve heard of curses being lustful, but not of them becoming a stimulant,” she murmurs, and he can hear her sigh, “you could try extracting the curse from your body — I doubt that would be effective at this point. I assume the effects will linger until the symptoms pass — just as it does when you become nauseous or sick from swallowing other curses,” 

His phone buzzed with texts from you: 

You: I’m outside, I grabbed takeout for us this time since you always treat me! 

You: are you home? 

His mind swam, it wasn’t the takeout he was craving — it was you. But no, no — he couldn’t. Not like this, but he was fighting a losing battle and he just about lost the war along with it. 

“I don’t know, how do I get it to pass?” he was desperate, the sounds of your knocks and messages ringing in his ear, along with your sweet voice — why do you sound so good with his name on your lips? So sweet — his boxers grow even tighter — bet you even taste even sweeter. 

“If dealing with it yourself didn’t work, then,” she sighs, “you’re going to need a partner,” 

Another knock. 

“Shoko, I have to go,” and he hangs up before she can get another word — a thought to thank her and apologize shoved to the back of his mind, as he stumbles to his door, a thunk as he nearly tumbled into it, wood and hinges groaning under the force and weight. 

“Suguru?” you’re so worried yet his name on your tongue was nearly enough to have him cumming in his boxers then, the wet patch of his boxers nearly making the fabric translucent, “are you okay?” 

He says your name, “You should go home, I’m not feeling well—“ 

“What’s wrong? Do you need help?” And he’s biting his lip, teeth digging into his bottom lip, nearly drawing blood, “let me in,” 

“I can’t—I can’t let you help with this,” he’s shaking his head, “please, sweetheart, you have to go—“ And he hears the clink of your key going into the door — fuck, that goddamn key he gave you, and the door pulls open, just as he braces himself against the doorframe. 

Your brow furrowed in concern, takeout bag in hand, as your eyes examined him, until they found their way to his boxers. 

“Suguru—“ 

“You should leave — I can’t explain, there’s a curse inside me—“ 

Your eyebrows knit together, “Suguru, a curse did this to you? What happened?” And he’s shaking his head, mind far too gone, as he forces himself away, “let me help—“ 

“You can’t help. I have to get out of my system but the only way is—“ he cuts off, as he groans again, body and mind railing against each other, as his body just seemingly burns from even being near you. 

“There must be something—“ and you step closer, and he can barely hold back from grabbing you, fingers twitching to wrap around your waist, the other holding your neck, lips finding yours, as he fucking rips his own clothes off— “I want to help—“ 

He’s tugging at the collar of his shirt incessantly, as you step closer, closing the gap between your bodies, and he can only focus on the way your pretty lips part, the way your chest curves under your shirt, and the far too short shorts you choose to wear — fuck. 

He was so fucked. 

He can’t hold back, as he’s drawing close to you in a moment, his mind clouded with lust, the hitch of your breath only making him want you more — but he forced every muscle in his body to stop.  He couldn’t. Not until you agreed. 

“If you don’t want me to fuck you right now,” he says lowly, his lips nearly brushing your ear, “I want you — regardless of this, I’ve wanted you for so long,” the confession tumbles from his lips because he needs you to know, needs you know so you can either leave him to his fate or help him get through this, “but if you don’t feel the same—“ 

But to his surprise, you lean closer, breath warming his skin until it was left scalding, “who said I didn’t?” 

And he can’t hold back. 

His lips crash to yours, his hands holding your cheeks, as he grasps desperately to you, takeout boxes spilling from the plastic bag and your purse spilling your things when you drop it, your fingers grasping at his damp t-shirt. 

And your touch alone even through the fabric is nearly enough to make him bust a nut there and then — and his mind hadn’t even felt so clear until he felt your touch. He could notice every little detail about you — the way your breath caught when his fingers ghosted down your sides, the way your lips parted for his tongue without hesitation, and the way your knees shook when he squeezed your hips. 

“So pliant for me,” he murmurs, eager to touch more, to taste more, “such a good fucking girl, aren’t you?” 

And you’re nodding wordlessly — lips kiss ruined and red, saliva clinging to your lips when he parted from your lips — and he wonders which one of you swallowed a glorified sex curse. 

“Know how long I wanted to do this?” words said pressed with heated kisses down your neck — he was right, you tasted so sweet, he bet another part of you tasted even sweeter — “how many times I thought about this?” He nibbled at the juncture of your neck and shoulder, rewarded with a pretty gasp, “wanted to mark you up so many times — when that fucker tried to hit on you — I wanted to do more than just wrap my arm around you. Wanted to show him how he could never please you,” and he’s sucking a mark there, teeth grazing and pinching your skin before he soothes it with his tongue. He smiles against your skin, as he admires his handiwork. 

You whine when he drags a thumb down your puffy lips, “Sugu, please, more,” and his lips find yours again, swallowing your complaints and moans eagerly, as his large palms slide down your back to rest on your ass, squeezing as he presses you flush to his body, hard on pressed against your body. 

“Need my touch that much, Princess? Should’ve just fucked you in that club, huh? Let them see that you’re mine,”  And he’s walking you backwards towards his room, as he pulls his shirt over his head and tosses it onto the floor of his living room. Your fingers running over his exposed flesh, thumbs teasing his sensitive nipples, pretty little lips pressing teasing kisses to both sides. 

Fuck, the need to bury his cock in you grew by the second. But he wanted to feel good first — been waiting too long. He had all night to fuck you — but he only had one time to do it right the first time. 

He’s walking you into the edge of his bed, as you both tumble onto the bed, his hands sliding under your shirt, tugging at the hem, and you help him take it off — and he hissed at the sight of nothing underneath. 

“Were you always coming to my place with no bra on?” his lips curl, as your eyes look away, embarrassment painted on your expression, “wanted this as long as I did, Princess? Don’t get so shy now — you’re the one who insisted on helping me, so aren’t you going to fulfill your promise?” His lips brush against your earlobe, lips wrapping around it and sucking lightly. 

You shiver, biting your lip, before you’re tugging him fully onto the bed, before slinking off of it and onto your knees for him, “Then let me help you,”

When your fingers toy with the elastic of his boxers, he’s ready to cum right there — he’s so sensitive still, he’s sure he won’t last long, but fuck, he doesn’t care with how pretty you look between his legs. 

“Don’t be a tease, Princess, or I’ll pay you back later,” but your lips only curl, as you lean forward and press a kiss through the drenched fabric, tip of your tongue teasing his slit through his boxers.

“Oh I expect you to,” and you’re pulling his boxers down painfully slowly, letting the fabric of his boxers rub against his hard-on teasingly, a low hiss leaving the thin line of his lips, his balls aching with his release as his cock slaps against his stomach, “fuck, Sugu,” you murmur in almost reverence — he was thick, the tip flushed red with lovely beads of pre-cum already dripping down his length, your fingers already eager to trace those pretty veins, and feel the slight curve of his cock in your aching cunt, “how am I gonna fit you all in me?” 

And his cock twitches at your words, as you pity him with a chaste kiss to the top, “Please,” he swallows, adam’s apple bobbing, fingers knuckles white as they fisted the now creased sheets, “fuck—“ as you blow air along his length, “I’ll cum all over your face at this rate,” 

“Oh I think you’d like that, wouldn’t you, Sugu?” your point finger lightly follows the trail of his vein, as your lips continue to press butterfly kisses along his length, “paint my face with your cum,” 

And his fingers thread themselves in your hair, pressing his length to your lips, and you smirk, looking up at him with half lidded gaze, as your lips part and his length slides in — that’s all it takes. 

The coil in his stomach snaps, as he cums down your throat, hot seed spilling into your mouth, as his hips jerk against your mouth, his groans of your name sending a hot stripe of heat down to your cunt. 

Despite that, his cock only seems to grow larger, twitching against your tongue, as you part for a moment, a trail of saliva and cum dripping from your lips, “Taste so good, Sugu — gotta have you one more time—“ you envelop him with your lips again — and he’s a mess of moans, head thrown back, thick haze of lust as his eyes finally meet yours. You swallow around him, tongue wrapped around his length, as your sinful fingers touch whatever can’t fit in your mouth. 

“S’good baby, should’ve fucked this mouth a long time ago,” and he’s gone, as his hips begin to slowly roll against you, watching as you don’t resist, the tip of his cock brushing against your throat, “good fucking girl, never gonna go a day without these lips around my cock,” and god, he’s so close — twitching in your mouth, but what sends him over the edge is when he feels you moan, and spots your hand down your shorts. 

Fuck, he’s pulling out, “can I—“ and you pump him in response, a grunt of your name as you let him cum all over your face and chest, the sight enough to make him hard all over again — his thick release slipping down your lips, as your tongue darts out to taste it again. 

And he’s pulling you into a bruising kiss, tasting his own cum on your lips, before grabbing his discarded shirt to clean you off. His hand grabs your wrist and eases it from inside your cunt, tongue darting out to lick the release from your fingers, cleaning each of them. 

In an instant, he’s got you spread on his bed, legs parted for him, “where’s that attitude now, pretty?” And his lithe fingers sneak under the elastic of your panties and snaps it against your skin, making you squirm, “seems like all those words fell out of your head just from sucking my cock,” 

He’s slowly dragging your underwear down, before pulling at his bedside drawer to stuff your panties in, “for later use,” and you can’t managed a reply before his lips are pressing butterfly kisses up your thighs, before his teeth graze the soft flesh of your inner thigh, drawing a gasp from your lips, before sucking and soothing it with his tongue, “mine, all mine,” he’s already hard again — the feel of your soft skin under his lips was enough to have him cumming again like a virgin — the burning in the pit of his stomach only burned brighter for you — god, would he ever work his way out of this state? But as his gaze was met with your lovely dripping cunt with your puffy clit begging him for attention, he couldn’t seem to care. 

You hiss when his fingers slowly spread your folds, “So fucking tight, baby, how am I gonna fit in you?” he clicks his tongue, inhaling, as his nose brushes against your clit, making your hips jump, “patience, gotta take my time with this princess cunt, gotta make sure you’re ready for me,” his dick twitching at his next sentence, “because I sink my cock in here, we’re not stopping at one round,” 

Your cunt squeezes around nothing at his words, his breath warming your sensitive pussy, until he finally drags a stripe up your needy folds. 

“Sugu, fuck,” his arms brace your thighs and hips down, as the tip of his tongue drags teasing circles around your clit, your slick gathering on his tongue, as he tastes it with a groan. 

“Fucking, the best thing I’ve tasted,” and as much as he wants to bury his dick in you, he could live with his face between your thighs, “so perfect f’me,” and his tongue trails in tight circles around your clit, while his finger toys with your entrance, gathering your pre on his finger, teasing your entrance and delighting in the way your breath hitches. 

He looks up at your face between half lidded eyes, you’re too fucking pretty — your hair a mess from, a sheen of sweat on your body, the lovely way your nipples were erect, and your eyes — pupils lost to lust and need. And all for him. 

Fuck, he knows he won’t last long at this rate, he can already feel the urge to palm his raging cock, but he wants you to cum first, and he’s sinking a finger into your sweet cunt. He can almost imagine how your walls would feel fluttering around his cock — but he doubts his engorged tip would be even fit right now. 

No, he needed to make this good for you — he slowly starts to finger fuck you as his tongue circles your clit in tighter circles, even sucking on it, and by the way your fingers grasped at the sheets, crumpling under your touch — you liked it. 

Pretty moans left your lips, as your fingers found their way to his dark locks, still slightly damp from his shower — as he added a second finger inside. His name said between pants, as his fingers drag against your molten insides — the wet squelch rang in his ears as he fucked your cunt open. Knuckle deep in your sweet pussy, he knows he’s addicted — to the feeling of your molasses insides — warm and soft for him, his digits curling against your walls, looking for that one place that would make you fall apart. 

“Sugu, please, please ‘m close—,” and he knows you need a little more, and he’s obliging with a chuckle, a third finger joining the other two, and he’s fucking you in earnest now — lips closing around your clit and sucking mercilessly, as his fingers find that spongy spot that has you seeing stars. Your back arches, as your nails dig into his scalp, as you cum around his fingers — walls fluttering as he eats you out through your high, his name leaving your lips again and again, as you slowly come down from your high, thighs twitching and chest heaving as you do. 

As he finally pulls away, his chin and mouth glossy and drenched in a mixture of your cum and his spit — that he licks clean from where his tongue can reach, fingers collecting the rest, as he looks at your sticky cum gathered on his fingers. 

Fuck, he could live in your cunt. Your sweet taste was the only thing he’d crave now after consuming curses — he wondered if you’d let him eat you out for hours after the curses he ate — he was sure your taste was the only thing that would erase that disgusting like nothing else ever would. 

He’s giving you soft kisses after, dotting them up your body, murmuring praises, but you’re pulling him into a kiss, your fingers resting against the back of his neck, as your other hand finds his aching erection, swallowing his gasp with pleasure. 

“Want you, Sugu, please,” and your words are enough to make him cum right there, as he tugs your hand away, “Sugu—” 

“Won’t last long if you keep touching me and whining like that, Princess,” the heat only seems to lick at his skin like flames, engulfing him with every touch, and his cock was the epicenter of the wildfire, while you were the fuel that only made it consume you both to ash, “but I know it won’t be long until I’m fucking you again anyway,” Your cunt throbs at his words, as he draws close, dragging his weeping tip against your folds, watching his pre-cum smear against your slick with a grunt, “feels like you’re already trying to swallow me up, princess — you want this cock that bad?” fuck, he can’t hold back anymore, as he’s lining up himself up, and he’s sliding right into you with a groan, “know how long been waiting to do that?” his skin meeting yours as he bottoms out deliciously, stretching your walls out with his girth, pleasure ripping up your spine, “wanted to do this since the moment you walked through the door, but needed to do this right — when nothing about this was right,” he had so many things to say, while your mind had left you with not even a syllable, his cock twitched and pulsed inside your walls, dragging against it deliciously, “wish our first time wasn’t like this — but I’m so glad it’s finally happened, sweetheart,” 

And you can’t help but smile up at him, lips parted with a small moan, as tears burned at your eyes from his size, “Me too, Sugu, wanted you for so long, needed you—” and he’s kissing your tears and words away with his lips, 

Then he begins to fuck you — hard, the slapping of your skin and the wet squelch of your sex filling up most of the silence of the room, while both of your moans and grunts took up the rest. Your cunt was heaven to him — warm, wet walls wrapped around his aching cock — the slightest bit of relief was overcome with waves and waves of need — he needed to fuck you, needed to make you cum, needed to cum inside — he just needed you. 

“S’big, Sugu, too big,” you whine, he was almost too much for you, the way his dick fucked places you only could imagine reaching, as his mouth leaned down to take a pert nipple between his lips — sucking and licking, as he couldn’t have enough of you, while his hand toyed with the other, “feels too good,” 

“I know baby, gonna fuck your princess cunt so good — make sure its made just for me,” he’s murmuring, as his teeth graze your tit, as he pistons into you again and again, the tip of his cock brushing your cervix with each thrust, “all mine, baby, fuck — such a good girl for me,” and the praise has you keening against him, the knowing flutter of your cunt that tells him you’re all too close to the edge, as his hand reaches between your bodies to rub at your clit, “cum for me, pretty, need to feel your pretty little cunt squeeze me,” 

And you do, falling apart as he fucks you through your orgasm, again and again — fuck, you felt so good, as he watched his cock slip in and out of you, a white ring of your release forming around his base. He’s fucking close too — can feel his balls tense, eager to blow his load, “where—” 

You’re still moaning, eyes blown out in pleasure, as you watch him fuck you again and again, “Inside, Sugu, fill me up,” and that’s it, he’s gone — spurting his hot release, painting your walls, as he does, fucking it inside you — deeper, deeper, until he stills for a moment. And you’re twitching, eyes fluttering shut, when he pulls out, a groan parting his lips as he watches his seed spill from your cunt. 

But then silence for several moments, the soft pants of your breathing only, before you hear him swearing and grunting, as your eyes open, and your pussy twitches at the sight before you. Suguru’s hand slid up and down his still erect cock, his eyes squeezed shut, as he groaned, “Suguru—” 

“Wasn’t enough, need more,” he’s shaking his head, as his fingers squeeze around the base of his cock, “thought it would be enough to cum with you, but I can still feel it—” and he’s groaning, as you sit up, watching your mixed releases drip from you, “baby—” 

And your lips kiss the tip of his weeping cock, “I told I’d help you,” and you ease his hand away, as you lick up his length, your eyes fixed on his, “just because we fucked, doesn’t mean we’re done,” 

And in a moment, he’s got you flipped onto your hands and knees, as his cock slaps against your ass, his fingers squeezing the flesh, as he leans over to kiss your back, “Then I guess we’re gonna be up all night, sweetheart, because if you’re okay with this — I don’t think I’ll be satisfied with just a blowjob,” his tip drags against your messy cunt, “gonna need something a little tighter than your mouth,” and he’s sinking his thick cock into you again, balls slapping against your ass as he begins to fuck you, “better cancel any plans you have, pretty — because we’re not leaving this bed for a while.” 

“Don’t fall asleep on me, baby,” his fingers grab your chin, and force you to meet his gaze, as he fucks into you, as you sit on his lap, your hands finding purchase on his shoulders, “almost gonna cum, and don’t want you to be asleep for it,” 

How many times had you fucked? You had lost count — but you knew you had done it in far too many positions — on your hands and knees, standing up, against the wall, from behind with his hand gripping your leg up, and far too many others — and now you were spread in his lap, cock deep in your pulsing pussy, his lips kissing your neck, as he fucked into you, his dick reaching a deeper angle from this position, easily able to hit the furthest parts of you. 

He had cum in you more than you thought was humanly possible — and you supposed it wasn’t — it was only the curse that enabled this — it was animalistic even, the way he rutted into you desperately. He grabbed a water bottle only to take a swig, and find your lips again, forcing you to swallow the water. 

“Good girl,” he’s grunting, his hips beginning to stutter, “I’m close baby, are you?” You hadn’t thought it was still possible to feel pleasure at this point, but it was — his cock dragged against your walls, his dark gaze finding yours, “tell me you wanna cum,” and your pussy twitches at his order, “use your words, pretty, or have I fucked them all out?” 

“Please, Suguru, I wanna cum on your cock,” and you’re so fucking close again — the all too familiar knot in your stomach ready to snap any moment. 

“Fuck, greedy pussy hasn’t enough of me? We’ve been fucking until the daylight now,” as his hand grabs your chin to make you see the first rays of light peaking over the horizon, and he’s making you bounce on him with each thrust of his dick — your orgasm building and building with every brush of his tip against your g-spot, “fuck, s’good for me, baby — been so good — just need one more and we can stop,” and tears stream down your cheek that only make him groan, his lips finding yours in a messy, sloppy kiss, his tongue sliding into your mouth right as his cock hits at the deepest part of you— 

And you squirt all over him, drenching his cock and lap as you cum, your lips parting from him, as your head is thrown back, boneless, as he fucks into you, your spasming walls pulling him over the edge as he paints your insides with his release, fucking it into you, until he finally slows, your body draped on his, head resting on his shoulder. Bodies sticky with sweat and cum, his cock finally softens inside you, the heat finally beginning to dull, as he presses soft kisses and gentle caresses to every inch of your skin, as he lays you down carefully, pulling himself from you. 

“Thank you, princess, thank you,” and you’re burying your face in the crook of his neck, soft breaths cooling the sheen of sweat on his skin, “did so good for me,” and he slowly rises, grabbing his shirt and running it under water to clean you off, if only a little. 

You’re already half asleep, eyes only fluttering half open to watch him, and he can’t help but bite his lip,  “Sugu?” 

“Yes, princess?” And you nod, fingers twitching for him, and his lips curl as he obliges, wrapping you up in his body, “know it was rough on you baby, I’ll make it up to you — don’t worry, just rest,” he grabs a water bottle, and lifts your head ever so slightly and helps you drink some water. 

“I know you want to ask me something,” and he pauses, as he pulls the bottle away, “I can see the gears grinding in your head — you can ask me anything, y’know,” you had quite the way of embarrassing him, didn’t you? 

“I know, I just,” he swallowed, “was there any other reason you came back to Tokyo, aside from the threats, did you come back for anything else?” 

And your lips curl, raising an eyebrow knowingly, “Anything or anyone you mean?” and you chuckle when his eyes can’t meet yours, your fingers finding his again, “baby,” and your hand brushes against his cheek, tracing the cut of his jaw, making his breath catch, “I did come back for someone — a very particular someone,” and he smiles, as your lips lean up to press a chaste kiss to your lips, “and my friends, of course,” you add, “I love Utahime, but I missed Shoko and Satoru, and you,” 

“You did?” he murmurs, and you giggle, kissing him again, melting into his touch again, as your foreheads brushed against the other’s, “Sugu?” and it’s your turn to ask something now, chewing on your bottom lip, “can we do this again?” you murmur, before adding, “not like this but—“ 

And he laughs, pulling you impossibly closer, lips finding your leaping pulse, “Yes, we can, if you want to — because I know I do, because,” his thumb brushing the length of your cheek, “but I want all of you — want your body, your thoughts, your time, your heart and soul—“ and his lips quirk at the sight of your eyes widening ever so slightly, “is that okay?” 

And your lips find his own as an answer, sweet kisses turn languid, heat stealing any doubts from either of your minds, “As long I have yours as well,” and the two of you share only a few more kisses, before you both finally drift off. 

“If he’s fine, and I’m checking on him, I’m kicking his ass,” Satoru grumbled, as he held his phone between his cheek and his shoulder, Shoko sighing as he rooted through his pockets for his keys. 

Shoko chewed her lip, she hadn’t heard from him in hours, “He was in bad shape, I can't find the time to go check and you were on your way home anyway,” Shoko says, wiping her brow, twisting a strand of her hair between her fingers. 

“Yeah, on my way home back from a mission,” he finally finds his keys, sticking Suguru’s spare key into the lock and turning it, “If I have jet lag, and all I find is him jerked off and sleeping, you owe me,” 

He twists the knob, and looks — he doesn’t see Suguru in the living room or kitchen — but he does see takeout containers spilled on the floor, along with a very familiar bag, and he blinks, before his lips curl. He asks if she’s heard from you, to which she says no, 

He walks silently to Suguru’s bedroom, opening the door a crack to see you and Suguru curled up against each other, your head on his chest, his arm wrapped around you, the comforter strewn about and covering the rest of your bodies. 

Satoru only grins, before he pulls his phone from his ear and switches to the camera. 

“Never mind, Shoko, I owe you one,” and he snaps a picture of the two of you, wondering how many missions he could pawn off to Suguru now, “I’ll treat you to lunch.” 

✧ a/n: so this turned out way longer than i thought (story of my life). i had so much fun writing this - i've been writing this in conjunction with prof geto part 3 and its been funny darting back and forth between these two -- although the scenes i've been writing

✧ taglist: @peachyminx, @garfunklefield, @unicornqueen05, @hiyori-ii, @equikaz, @unoriginalidea, @forest-fruits-jam, @torusinfinity, @hellkaiserinphoenix, @loonimae, @gojoedd, @sugurufic, @glaceliy, @telvess, @kentocalls, @nayasch, @iluvvreze, @yamaguccitadashi, @faeismism, @hanxyy, @catsgomurp, @sukaibg, @sugurusdiscordmoderator, @gojorgeous, @getos-slvtt, @sirencholia, @teatreeoilll, @dewdropdive, @appysauc, @kobycetacean, @missroki, @fushitoru, @pricetagofficial, @that-goth-bisexual, @shoyosdoll, @regrettinglifechoices, @mostinsanegirl, @roseybean, @fayyyrieee, @gojobbg, @strangehuman101, @saccharine-nectarine, @i-belong-in-a-retirement-home, @spider-fan72

[pipermca]

New AO3 Tag Wrangling Policy and the Transformers Fandom

Edit in the event people come back to the original post: Please do not email AO3 about this issue. See their response about this issue!

(This is a long one, folks, but I think it's important.)

A new tag-wrangling policy on AO3 has the potential to create some massive confusion and chaos in the Transformers fanfic community, with regards to fandom tags. There is a Reddit post about it here with a focus on anime fandoms, but I want to give some concrete examples for the Transformers fandom on why we DO NOT WANT this, and why I think it's a horrible idea.

The Problem

Basically, AO3 is looking to get rid of the "All Media Types" fandom tag across the board, either by dismantling them or just not maintaining them. The Transformers - All Media Types tag has been an all-purpose tag that you could select when your story doesn't fall into any one specific continuity. Additionally, all most (see below) TF continuities on AO3 are considered a subtag of the Transformers - All Media Types tag. For example, if you look at the link above for all works in the All Media Types tag, you will see fics that are also tagged ONLY with Transformers: Animated, because it falls under the All Media Types tag.

One exception: With the upcoming Transformers: One movie coming out imminently, there will likely be a big influx of stories tagged with Transformers: One. In fact, there are several already. However, it hasn't been linked to the larger Transformers - All Media Types tag yet. I wasn't worrying about it though, because I know these things can take time.

With information about this new tagging policy, however, I'm now wondering whether it'll EVER get linked to the All Media Types tag. If that happens, and when more continuities are developed in the coming years (since you know Hasbro loves creating new universes) this has the potential to cause massive confusion when looking for stories to read.

Searching for Stories with the New Tagging System

So let's say the All Media Types fandom tag isn't accurate anymore, because it no longer includes ALL of the continuities (such as TF:One). You will need to include ALL the Transformers continuities when browsing for TF fics.

How many tags is that? Well, here are all of the tags currently listed under the Transformers - All Media Types tag:

Note that this doesn't include Transformers: One since it hasn't been categorized yet.

You will potentially have to have 40 or more different fandom tags in your search, just in case the author tagged their story with something you weren't expecting.

This massively decreases the findability of a story.

Tagging with the New System

The email response from the Tag Wrangling group (see the linked Reddit post above) seems to be a bit flip in the response to the user's concern. "...encourages creators to tag with the media they intend."

While I appreciate what they are attempting to do, this policy change feels like a solution in search of a problem, especially in larger fandoms with multiple continuities, versions, and media types that are all cross-pollinated in both canon and fanon. While I'm focusing on Transformers fandom, imagine a creator in the DC comic universe writing a story that incorporates bits and pieces from a dozen different reboots.

For example, let's say that I am writing a fic about Ratchet. I am using the setting of the original G1 episodes, but I also am using the characterization of him as a bit of an old man grump. That characterization originated in the Animated continuity, but I want to incorporate bits of pieces of his other characterizations as well (old friend of Optimus from TFP, Ratchet ran a faction-free clinic like he did in the War for Cybertron series, he's got a Decepticon boyfriend like in IDW1 - or maybe even Cyberverse, etc.)

With this new tagging structure, I might potentially have to tag the story with ALL of those continuities. So instead of just slapping down the "All Media Types" tag (and maybe one other fandom tag that matches the characters as best I can), I'll have to analyze my story and try to figure out how best to tag for the characters I used.

And what if you're doing a completely AU version of the story? For example, a humanformers story, or merformers? Using the All Media Types tag along with a Alternate Universe - Human or Alternate Universe - Mermaid tag worked perfectly, since you weren't writing the story to fit into one specific continuity. But now, that might not be an option.

What To Do??

The first thing I would suggest is to contact AO3 (using the Feedback and Support page) and let them know (nicely) that you think this is a horrible idea. Give them some examples on how you use the All Media Types tag to find stories to read, or to help you tag a story. People outside of the Transformers fandom don't always appreciate how absolutely tangled the continuities can be with each other, and providing examples might help them see why this would be a really messy change.

Readers: Be aware that when you are looking in the All Media Types tag, it will no longer show newer continuities. And if AO3 starts dismantling that tag like they suggested they are doing, be aware that some stories won't show up in that tag like they used to. You can also create and then bookmark a custom search page that includes all 40+ continuities. REALLY annoying, but it's a workaround.

Writers: Until they start dismantling the All Media Types tag, ALWAYS ALWAYS tag your stories using Transformers - All Media Types... Especially for newer continuities. This will be especially important if you are writing a Transformers: One story. Right now, anyone who is only browsing the All Media Types tag will not see a story tagged only with Transformers: One. Make sure you're aware of how tags work and how they can affect the visibility and findability of your story.

Epilogue

Ugh. That's a lot of words for a long-weekend Saturday. And maybe I'm overreacting a tiny bit. But my work involves information architecture, and this change just absolutely baffles me. It's almost as though they want to make it harder to find stories. Considering that AO3 won a Hugo partially because of its fantastic tagging system, this change seems like AO3 is doing its best to shoot itself in the foot.

When you have a square hole, a round hole, and a rectangular hole… Yeah, you DO want each peg to go in the "right" hole. But if all of the pegs fit in the square hole, who cares? You got the job done.

I love you @ao3org, but please reconsider this change... Especially for IPs that are as old and are as varied as Transformers.

[literaryvein-reblogs]

Writing Notes: Children's Dialogue

Language is extremely complex, yet children already know most of the grammar of their native language(s) before they are 5 years old.

BABBLING

Babbling begins at about 6 months and is considered the earliest stage of language acquisition

By 1 year babbles are composed only of the phonemes used in the language(s) they hear

Deaf babies babble with their hands like hearing babies babble using sounds

FIRST WORDS

After the age of one, children figure out that sounds are related to meanings and start to produce their first words

Usually children go through a holophrastic stage, where their one-word utterances may convey more meaning

Example: "Up" is used to indicate something in the sky or to mean “pick me up”

Most common first words (among the first 10 words uttered in many languages): “mommy,” “daddy,” “woof woof,” “no,” “bye,” “hi,” “yes,” “vroom,” “ball” and “banana”

WORD MEANINGS

When learning words, children often overextend a word’s meaning

Example: Using the word dog to refer to any furry, four-legged animal (overextensions tend to be based on shape, size, or texture, but never color)

They may also underextend a word’s meaning

Example: Using the word dog to refer only to the family pet, as if dog were a proper noun

The Whole Object Principle: When a child learns a new word, (s)he is likely to interpret the word to refer to a whole object rather than one of its parts

SYNTAX

At about two years of age, children start to put words together to form two-word utterances

The intonation contour extends over the two words as a unit, and the two-word utterances can convey a range of meanings:

Example: "mommy sock" = subject + object or possessive

NOTE: Chronological age is NOT a good measure of linguistic development due to individual differences, so instead linguists use the child’s mean length of utterance (MLU) to measure development

The telegraphic stage describes a phase when children tend to omit function morphemes such as articles, subject pronouns, auxiliaries, and verbal inflection

Examples: "He play little tune" or "Andrew want that"

Between 2;6 and 3;6 a language explosion occurs and children undergo rapid development

By the age of 3, most children consistently use function morphemes and can produce complex syntactic structures:

Examples: "He was stuck and I got him out" / "It’s too early for us to eat"

After 3;6 children can produce wh-questions, and relative pronouns

Sometime after 4;0 children have acquired most of the adult syntactic competence

PRAGMATICS

Deixis: Children often have problems with the shifting reference of pronouns

Children may refer to themselves as "you"

Problems with the context-dependent nature of deictic words: Children often assume the hearer knows who s/he is talking about

AUXILIARIES

In the telegraphic stage, children often omit auxiliaries from their speech but can form questions (with rising intonation) and negative sentences

Examples: "I ride train?" / "I not like this book"

As children acquire auxiliaries in questions and negative sentences, they generally use them correctly

SIGNED LANGUAGES

Deaf babies acquire sign language in the same way that hearing babies acquire spoken language: babbling, holophrastic stage, telegraphic stage

When deaf babies are not exposed to sign language, they will create their own signs, complete with systematic rules

IMITATION, REINFORCEMENT, ANALOGY

Children do imitate the speech heard around them to a certain extent, but language acquisition goes beyond imitation

Children produce utterances that they never hear from adults around them, such as "holded" or "tooths"

Children cannot imitate adults fully while acquiring grammar

Example:

Adult: "Where can I put them?" Child: "Where I can put them?"

Children who develop the ability to speak later in their childhood can understand the language spoken around them even if they cannot imitate it

NOTE: Children May Resist Correction

Example: Cazden (1972) (observation attributed to Jean Berko Gleason) – My teacher holded the baby rabbits and we patted them. – Did you say your teacher held the baby rabbits? – Yes. – What did you say she did? – She holded the baby rabbits and we patted them. – Did you say she held them tightly? – No, she holded them loosely.

Another theory asserts that children hear a sentence and then use it as a model to form other sentences by analogy

But while analogy may work in some situations, certainly not in all situations:

– I painted a red barn. – I painted a barn red. – I saw a red barn. – I saw a barn red.

Children never make mistakes of this kind based on analogy which shows that they understand structure dependency at a very young age

BIRTH ORDER

Children’s birth order may affect their speech.

Firstborns often speak earlier than later-born children, most likely because they get more one-on-one attention from parents.

They favor different words than their siblings. 

Whereas firstborns gabble on about animals and favorite colors, the rest of the pack cut to the chase with “brother,” “sister,” “hate” and such treats as “candy,” “popsicles” and “donuts.” 

The social dynamics of siblings, it would appear, prime their vocabularies for a reality different than the firstborns’ idyllic world of sheep, owls, the green of the earth and the blue of the sky.

MOTHER'S LEVEL OF EDUCATION

Children may adopt vocabulary quite differently depending on their mother’s level of education.

In American English, among the words disproportionately favored by the children of mothers who have not completed secondary education are: “so,” “walker,” “gum,” “candy,” “each,” “could,” “wish,” “but,” “penny” and “be” (ordered starting with the highest frequency).

The words favored by the children of mothers in the “college and above” category are: “sheep,” “giraffe,” “cockadoodledoo,” “quack quack,” the babysitter’s name, “gentle,” “owl,” “zebra,” “play dough” and “mittens.” 

BOYS / GIRLS

One area of remarkable consistency across language groups is the degree to which the language of children is gendered.

The words more likely to be used by American girls than by boys are: “dress,” “vagina,” “tights,” “doll,” “necklace,” “pretty,” “underpants,” “purse,” “girl” and “sweater.”

Whereas those favored by boys are “penis,” “vroom,” “tractor,” “truck,” “hammer,” “bat,” “dump,” “firetruck,” “police” and “motorcycle.”

Tips for Writing Children's Dialogue (compiled from various sources cited below):

Milestones - The dialogue you write should be consistent with the child's developmental milestones for their age. Of course, other factors should be considered such as if the child has any speech or intellectual difficulties. Also note that developmental milestones are not set in stone and each child is unique in their own way.

Too "Cutesy" - If your child characters are going to be cute, they must be cute naturally through the force of their personality, not because the entire purpose of their existence is to be adorable.

Too Wise - It’s true kids have the benefit of seeing some situations a little more objectively than adults. But when they start calmly and unwittingly spouting all the answers, the results often seem more clichéd and convenient than impressive or ironic.

Unintelligent - Don’t confuse a child’s lack of experience with lack of intelligence. 

Baby Talk - Don’t make a habit of letting them misuse words. Children are more intelligent than most people think.

Unique Individuals - Adults often tend to lump all children into a single category: cute, small, loud, and occasionally annoying. Look beyond the stereotype.

Personal Goals - The single ingredient that transforms someone from a static character to a dynamic character is a goal. It can be easy to forget kids also have goals. Kids are arguably even more defined by their goals than are adults. Kids want something every waking minute. Their entire existence is wrapped up in wanting something and figuring out how to get it.

Don't Forget your Character IS a Child - Most of the pitfalls in how to write child characters have to do with making them too simplistic and childish. But don’t fall into the opposite trap either: don’t create child characters who are essentially adults in little bodies.

Your Personal Observation - To write dialogue that truly sounds like it could come from a child, start by being an attentive listener. Spend time around children and observe how they interact with their peers and adults. You can also study other pieces of media that show/write about children's behaviour (e.g., documentaries, films, TV shows, even other written works like novels and scripts).

Context - The context in which children speak is crucial to creating realistic dialogue. Consider their environment, who they're speaking to, and what's happening around them. Dialogue can change drastically depending on whether a child is talking to a friend, a parent, or a teacher. Additionally, children's language can be influenced by their cultural background, family dynamics, and personal experiences. Make sure the context informs the dialogue, lending credibility to your characters' voices.

Sources and other related articles: 1 2 3 4 5 6 7 8 9 10

Writing Notes: On Children ⚜ Childhood Bilingualism More: Writing Notes & References ⚜ Writing Resources PDFs

[tahbhie]

Creating Emotionally Devastating Scenes.

Crafting a scene that earns the total sympathy of your readers can be challenging, but it's not impossible. Most emotionally devastating scenes fail at two things, but when these are done right, the results can be powerful.

⚪ The Important Concepts for Writing an Emotionally Devastating Scene

1. The Build-Up,

2. Breaking the Dam.

Before I explain these concepts, let me share a case study.

⚫ Case Study

I wrote a story about a young orphan named Jackie and her younger brother. Their village was burned down, leaving them as the only survivors.

For the next few chapters, readers followed their painful journey and their struggle to survive. The younger brother had a heart problem, and Jackie vowed to become a cardiologist to save him.

She was very ambitious about it, but at the time, it was very ironic. Later in the story, when they encountered a tragic living condition with a family, the brother died while telling his sister how much he missed their parents.

When her brother was fighting for his life, she was sent out of the room, only to be let in again to see his cold, lifeless body.

⚪ Explanation of Concepts

1. The Build-Up

The build-up is extremely important when you aim to convey strong emotions. Here's a secret: if you plan for a scene with strong emotions, start leaving breadcrumbs from the very beginning of the story.

Take the previous case study. I carefully built up their journey so people could easily relate and feel the pain of the older sister during her brother's sudden death.

You need to give the situation enough reason to feel utterly hopeless and devastating. Gradually cultivate the tension until it's ready to let loose.

⚫ Understanding the Use of Breadcrumbs.

Breadcrumbs in stories ensure you utilize the time you have to build up certain emotions around your characters.

At the beginning of my story, Jackie’s fate was already pitiable, but she survived every hurdle. This gave the readers enough to feel for her while still leaning away from the outcome. When I built enough, I introduced her brother's sudden death.

Hence, leave your breadcrumbs while leaning away from the outcome.

⚪ How to Properly Leave Breadcrumbs

When building up your story, consider these elements:

☞⁠ Character Relatability: The characters need to be realistic to draw readers into the story. This helps readers invest themselves in your story.

☞⁠ Realistic Emotional Pain: Just as characters need to be relatable, their emotions need to be realistic and not appear forced.

☞⁠ Create a Strong Emotional Attachment: Give them something they care about or that has the power to ruin their lives in any way. It could be something that makes them happy or something their happiness relies on. When it's time, snatch it away without remorse.

☞⁠ Have a Backstage Struggle: This struggle keeps readers occupied, so they won't see the outcome coming. For example, Jackie’s constant struggle to find food and shelter keeps readers engaged while the impending tragedy looms in the background.

☞⁠ Attach Believable Elements: For a realistic character, emotion, and struggle, attach believable elements. It could be death, ailments, sickness, disorder, disappointment, failure, etc.

Now that we've covered the build-up, let's move on to the next crucial part.

2. Breaking the Dam

This is when you make your readers feel the strong emotions alongside your characters. All the tension you’ve been building up is released, making all emotions come into play.

☞⁠ Break Your Strong Attachment: Cut off your strong attachment from your character when they least expect it or at a point when they couldn't use more struggles (i.e when they are helpless).

This will not only evoke readers’ emotions but also pique their curiosity as they wonder how the character will survive the situation.

☞⁠ Description of Sensory Details to Invoke Emotions: The advice of "show, don't tell" will be really helpful here. It's crucial to ensure that the final execution matches the build-up.

A well-crafted build-up can fall flat if the emotional release isn't handled effectively. To avoid this, blend the climax seamlessly into the narrative, making it feel natural and impactful.

Reblog to save for reference! 💜