#If someone makes this list tell me how it goes

[dr-spencer-reids-queen]

Compromising Positions: Final Part

Pairing: Spencer Reid x Female!Reader

Word Count: ~1.7k

Warnings: canon violence, canon language, canon talk of death, methods of kill

Summary: An unsub is targeting and killing married couples, and you and Spencer go undercover in hopes of drawing out the unsub. Not only does it not work, but it opens a can of worms you don't think Spencer is ready to open.

Season Six Masterlist

Author��s Note: I do not own anything from Criminal Minds. All credit goes to their respective owners. If there are any warnings that exceed the normal death/kills from the show, I will list them.

x

You walk back into the apartment and take a seat across from Maryann. You don't want to confront her right out so you decide to ease her into the conversation and target your inner Spencer.

"So, I read this pretty fascinating theory recently. It said that humans weren't designed to be monogamous and that in our hunter-gatherer phase, women took several mates. The idea was that if the men in the tribe didn't know who the father was, they'd all be more invested in the child. Interesting, right?"

"I guess," she shrugs.

"While I would never judge you or the way you live your life, I do think the only reason you got into it was to make James happy. Just like how you only got pregnant after his surgery to make him happy, only, I don't think that it's working."

"That's not true. James is overjoyed to be a father."

"Look, I'm only going to say this because I know it's true. You can deny it all you want but I know you know the truth. I know James is hurting you. Maybe not physically but he is hurting you. I also know you love him and you want to make him happy because how can the man you love be such a monster, right?"

"No, you're wrong," she says, her voice cracking at the end.

"You got pregnant after his surgery because you thought that would make him happy. For a while, it worked. Then, I'm assuming when you started showing, he got angry because he knew this child was not his. It's someone else's which only reminds him that he can't provide for his family. For an alpha male, that must be soul-crushing. I think that your pregnancy drove your husband to try to recreate those parties so he could feel in control again. Only, instead of swinging, he's killing people."

"Why won't you people listen to me? He's not capable of doing that!"

"How about killing the man who got you pregnant? Do you think he's capable of that?"

"No, because you'd be lying. This is his baby."

You take out the files of the unsolved murders that the detective brought over and lay them out in front of her.

"These files are recent unsolved murders, men who have been killed since you conceived. Now, if I'm right about your husband, I think that the father of your child is somewhere in here." You open the first one and lay it open in front of her so she can see the victim's picture and crime scene. "Bob Atkins? Is it him?"

"I can't believe this," she scoffs.

You open another one and show her. "James Boyd?"

"You don't give up, do you? You just can't accept the fact that my husband and I love each other." You open another folder and present it to her. She keeps talking. "Yes, we have an unconventional marriage, but that's not a crime. We have a strong relationship." you open another one and lay it in front of her. "James respects me. He would never do anything--"

She stops talking when she sees the one you just laid down. She lets out a strangled cry and you know you have your man. She finally believes you which means you can move on to the real questioning. You take the files away from her so she doesn't have to look at them and give her five minutes to compose herself. She picks up the landline phone and calls her husband but it goes straight to voicemail.

"It went straight to voice mail. He must have turned it off."

"Maryann, we need you to tell us what you and your husband used to do before you got married. What were your habits?"

"Do you mean like where we went on dates?"

"No, your sexual habits. Think about it. You don't just jump into swinging. Most people have games building up to it. What were they?"

"He'd sometimes pretend to pick me up. We'd meet at a bar. I'd arrive and he wouldn't be there. He was in the back watching me."

"What were the names of the bars you went to?" you ask and take out your notepad.

"Just one. Dunley's. It's at the town mall."

You nod and write the name down. "How did the game end?"

"He'd make me dress provocatively. He wanted guys to hit on me, and then when I'd show some interest, James would step in and seduce me back to him."

She's been through enough trauma for one night so you leave local police with her while your team heads to Dunley's. You don't want to go storming in because then he might shoot a bunch of people so you have to play this safe. Derek walks in without his FBI vest to see if he's in there and returns moments later.

"He's in the middle of the bar. There's no way to take him down without risking collateral damage. If we go in there, he'll start shooting up the place."

"He'll do that anyway. This guy's looking for a spark," Emily says.

"Hotch, let me go in there. I'll be your distraction. He's gone back to his old patterns. He wants to play the game he played with his wife."

"Debra Wilson played that game and it got her killed, Y/N," Derek says.

"Hotch, do you trust me?"

"Yes." You begin stripping yourself of anything that would suggest you're in the FBI including your weapons. "Keep his focus off the crowd long enough for us to take him down."

"I can do you one better. I can bring him out here. Just wait for us to leave."

"You're confident enough to separate himself from the crowd?"

"Yes but knowing you, you'd stand by and enter the bar anyway. Just wait for my signal. If I touch my nose, then you know to come in."

"Okay."

Once you look presentable, you head inside the club. You fluff your hair up, pull your shirt down to expose more of your breasts, and pinch your cheeks to give yourself a rosy look without using makeup. You pass by a couple who are making out at a booth, and the woman's purse is lying on the seat next to her. You hate doing this but it's for the greater good. You swipe the purse without her knowing and walk over to the bar where James is. He has his hand inside his jacket pocket ready to pull out his gun when you step right next to him.

"James!" You grin and put the purse on the bar. "I thought that was you." He looks surprised someone knows him here. "How's Maryann?" He still doesn't say anything. "Oh, you don't remember me? We met at a party."

"We did?"

"Yeah. I walked in with Brian one night. He'd been part of the scene more than me, and I got a little curious if I'm honest. You were with Maryann and I immediately took a liking to you. You sent Maryann over to Brian just to get the ball rolling when I walked up to you. They got into it, we got into it, and we all did. Brian didn't stop talking about that for weeks," you laugh.

"Look, I'm sorry. I really don't remember you," he stutters.

"It's okay. I'm Y/N. Maybe that will refresh your memory." It doesn't. "So, do you still hit the scene?"

"No, I don't."

"Yeah, me either. I came here tonight hoping to find a real man. Lucky for me, I found you," you smile sexily.

You pull your hair to the side and expose your neck, and his eyes drift down your neck and over your breasts before returning to your eyes.

"You sure we've met?"

"It's hard to forget a face like yours."

"So, where's Brian?"

"He's not around anymore."

"Yeah. Well, that happens... Lose your boyfriend. The scene will definitely do that."

He's testing you. He said the word boyfriend. Alpha males look to other alpha males, and they are always married. He's waiting for you to sip up, but you don't.

"No, not boyfriend. Husband. Come on, boyfriend?" you scoff. "You know this. We look for someone stable and secure. You know, someone who poses a real threat. It's how the fantasy works."

James smirks, having fallen for your act. He removes his hand from his jacket and presents his elbow for you to take.

"Do you want to get out of here?"

"Of course."

You hook your hand in the crook of his elbow and walk to the exit where you know your team is waiting. It doesn't take James more than five seconds to realize what is going on, and he turns to you angrily. He whips out his gun to shoot you but is shot by Derek instead. No one had any time to remove the weapon from him.

"Are you okay?" Hotch asks.

"Yeah, he didn't touch me."

The worst thing Maryann will have to go through is the loss of her husband but at least he's not out hurting people anymore. You're safe and sound back in your bed to which you decided to go to bed early. Spencer and Derek are going to hang out for a few hours so he's waiting for his friend to come over.

"Hey, I called the restaurant and they have an opening they can fit us in. They're pretty busy."

Spencer opens the bedroom door to make sure you're sleeping, which you are. He can hear your soft snores coming from the bed. He closes the door as quietly as he can before walking over to Derek.

"I need your help."

"With what?"

"Picking out a ring because I want to ask Y/N to marry me."

Derek is ecstatic that he's taking this step to further your relationship with you, but Frank isn't. In fact, Frank is pissed. His first thought is to go over there and slit Spencer's throat for having the idea. Then, a lightbulb goes off in Frank's mind, and he leans back in his chair with a wicked grin on his face.

How amazing would it be for you to bask in the happiness that is Spencer Reid only for it to be taken from you at a moment's notice? It's going to take a lot of work on Frank's part but there is only one person you belong with and that's him, and he's going to make sure you never get the chance to marry Spencer.

"We all wear masks and the time comes when we cannot remove them without removing our own skin." - André Berthiaume

x

Want to be tagged? Follow my library blog @aqueenslibrary​​​​​​ where I reblog all my stories, so you can put notifications on there without the extra stuff :)

[zmasters]

A Warhammer list that can fit three armies.

AKA: Oops, all Tzaangors!

The following is a legal army that can be played in three Warhammer armies: The Thousand Sons (10th edition), Disciples of Tzeentch, and Beast of Chaos. It’s not the full 2000 points (only 1425 for 10th edition), so you’d need to get a few more models.

That’s if you aren’t already broke.

(Prices based off of GW’s website for a delivery to America)

3x Tzaangor Shamans

$35 USD for 1

$105 for all 3

6 units of 20 tzaangors

$55 for a box of 10

You’d need 12 boxes, $660 in total

3 units of Chaos Spawns

2x each, 6 in total

$55 per box of 2 gets to $165 for all 3 units

3 units of 7 Tzaangor Enlightened

$60 for 3

It'd be 21 enlighted, or 7 boxes, in total. $420

That would cost you a total of $1350 before tax.

And once all bought, you'd have 150 individual models running around:

3 Shamans

6 Twistbray leading 19 tzaangors each

6 Chaos Spawn

3 Aviarchs

18 Enlightened lead by the Aviarchs

And guess how many Tzaangors needed?

114

Again, this barely fucking hitting 1500 points. This is all I can legally fit in 10th Thousand Sons.

Have fun with this information.

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[sysig]

Size difference.png (Patreon)

[mokeonn]

I'm playing bg3 again and trying out the honor mode (which as it turns out, might be a bad idea if you never beat the game in general, much less beat it in tactician mode) and I have been confronted with the fact that I absolutely have dnd race favoritism and it absolutely is contributing to my need for many many bg3 saves because I constantly think "hmmm I want to try playing as a deep gnome to see if I get special dialog with Barcus Wroot, the Iron hands, and the underdark" before picking Drow for the 4th time.

[j-esbian]

see the problem with all of the puzzles in bg3 is like. sometimes the player (me) is stupid. and at least in a real dnd game you might get the dm to take pity on you

[curryswirl]

@ everyone telling me in the notes and in my inbox that art just "isnt my thing" or maybe i just dont love what im making enough. these tags really express how i feel

"immoral" "self-destructive" opinion or whatever but making art for no one fucking sucks shit

[foldingfittedsheets]

When I was working at the sex shop I was pulling poverty wages. I loved my job but I was on food stamps and still barely getting by. When they hired the stores first male employee and he started at my pay rate after I’d been there for three years I quit.

I was initially really nervous when I saw the post for the mattress job. It listed a pay scale that I couldn’t even conceptualize and I appeared qualified. When I got an interview I was over the moon but also petrified. Reactions to my line of work often varied but most people were very embarrassed or skeptical. I worried about how I’d address it in the actual interview.

I lived far to the north of their headquarters and drove almost two hours to get there. When I finally arrived it was in the nicest thrift store clothes I could find, but I shrank inside to see a room full of older white men in nice suits waiting to be interviewed for the same job.

Why did I bother? I was decades younger than anyone else in the room, shabbily dressed, and I suspected I was the only afab person in the entire building. I stewed in my insecurities until I was called in.

The second I met my interviewer I was instantly put at ease. The man had the energy of a therapy dog, he was abound with positive, good natured energy. He was also incredibly beautiful. I grinned back at his welcoming smile as we said our pleasantries. But still. This very beautiful polished man seemed very innocent. How would the sex shop question go?

“I see here you worked at STORE?”

“Yes,” I said hesitantly.

“And that was sales? Or you just rang people up.”

“No, it was sales. I’d help people find products, we were encouraged to upsell, there was sales spiffs, and most importantly we educated customers on products to help them find what they liked best.”

He grinned approvingly and asked, “Can you give me an example of a time you successfully upsold a customer?”

I paused, wringing my hands before I asked, “How vague would you like me to be…?”

“Not at all!” He assured me. “Go for it!”

“Well. A man came in looking for something to make his fingers vibrate so when he was touching his wife it would enhance that sensation. We had cheap $10 cockrings that I showed him first. But we had a rechargeable waterproof one made of nicer material, and after I showed him a demo he bought that one.”

“How much was that one?”

“$110”

“Wow! You had an upsell of 100% from what he came in looking for! That’s incredible!”

He was so truly genuinely stoked and not at all embarrassed that for the first time I saw a tiny glimmer of a future where I didn’t have ramen and peanut butter tiding me over between paychecks.

He asked me to wait then came back to tell me he liked me so much that he wanted to send me right into another interview, if that was okay. He didn’t want me to have to drive back later, it was terribly considerate and exciting. I beamed and told him it would be lovely.

I then had the second worst interview I’ve ever had. The worst goes to the time I applied to be a store manager for a pet food place years later. The district and store manager interviewing me passed notes and texted while I was speaking. When the district manager called to inform me I didn’t get the job I told him I’d never have accepted anyway because I’d never had such a disrespectful interview.

The new man sitting behind the desk radiated an aura of a brick wall. As someone with anxiety I’m highly keyed into the emotional states of people I’m talking to. To receive no feedback at all was my personal hell. After a perfunctory greeting he asked me with no inflection to sell him a pen.

I gathered the shreds of my courage and attempted the Herculean task he’d set me. Through my whole improvised spiel he resisted all attempts at engaging him, regarding me with a cold apathy as I touted the benefits of my fictitious pen.

Halfway through I broke into a cold sweat. My smile didn’t waver but it grew strained as I projected friendliness and warmth into the black hole of his heart. My thoughts scattered and my sales pitch grew redundant in the face of his nothingness. I finally concluded with a hard close and he simply nodded.

He glanced at my resume and commented, “You didn’t ask me to touch or hold it. Though I suppose I can understand from your previous line of work why you wouldn’t.” I shriveled and died inside knowing that I encouraged people to touch dildos all day long and had been too frazzled to offer him the pen.

He bid me a cool farewell. I made it to my car before I started sobbing. I had never been so rattled. I couldn’t understand what I’d done to make him so unfriendly or if my threadbare clothes were what had made him treat me like dirt. I drove an hour and a half to get home, weeping intermittently.

I was therefore taken by complete surprise to receive a call the next day inviting me on board for their five week training program. The first man who’d interviewed me gushed on the phone about how the second guy had loved me and that I was going to be fantastic.

I was in shock. When I showed up to training the second interviewer was charming my new classmates, beaming and laughing. He was an utterly different person. To my dismay I learned he was the trainer for my district and would be my point of contact if I made it through training.

He joked with me later that his interview facade was just a tactic to see how people held up under pressure and I filed him into a category of my deepest enmity. I never forgave him for how small he made me feel that day, but I never showed him the depths of my fury.

I aced every test and went on to be valedictorian of the eight people who had survived the rigorous training process to earn a sales position. When I got my first paycheck I bought myself new clothes, the first non-thrifted things I’d owned in years.

[wild-jackalope]

NSFW links

Including :: Satoru, Choso, Kento, Toji, Sukuna, Yuji, Megumi, Toge, Yuta.

warning :: everything sex.

note :: can you guess who my favs are? All characters are of age.

Satoru Gojo

how he moans — He’s so damn cocky and breathy. Gasping whenever you brush over his sensitive spots, deep chuckling at every cute face you make. You couldn’t make him shut up even if you wanted to, he’s always going to be in your ear telling your what a good girl you are and letting you hear just how amazing your pussy feels.

he just won’t latch off your tit — when you’re riding him he has perfect access to your beautiful tits, how could you expect him not to suck them? He knows you love it when he can feel your cunt flutter around his cock.

he can barely control himself when you first have sex — he’s been waiting so long to have you like this, sitting naked on top of him. He might usually be smooth but now all he can think about is making sure he gives you a good fuck.

vanilla — sometimes vanilla sex is the best kind. He just loves the sight of you riding him with he idly play with your tits. So what if he wants it all the time?

videos — Satoru knows how flushed your get when he sends you videos of him jerking off and moaning your name. He’s away all the time, so he knows it’s the best reminder that he’s coming back to fuck you soon.

joining the mile high club — you’ve fucked almost everywhere. Almost. A plane now happens to fall upon that list.

Choso Kamo

how he moans — chanting please and curses. He’s a sensitive man, so they come out easily when you fuck him. Even when he’s the one on top, driving his cock deep into your soaking chasm, he still moans sweetly. He just loves you so, so much and you make him feel so fucking good. He can’t deny you the sound of his pleasure even if he wanted to.

treating him well — he goes so red in the face when you kiss him while palming his dick. Each time your lips reach his neck he shivers, so happy to have someone treat him so well it’s almost euphoric. Of course he’s stuttering “W-What about you?” Just make out with him until he sees stars.

foreplay — feeling your naked body against his, having his hands slide through your hair and lips move fluidly against yours makes him yearn for you in ways he didn’t know was possible, sure he was already hard the moment you touched him but now he’s aching and twitching for you, leaking pre cum.

he’s so big, but you take him — Choso is always slow, making sure you adjust to the feeling of him being inside you. He kisses your cheek and neck, mumbling praises. ‘You’re too big, Cho.’ You grunt, holding onto his arm. He shakes his head, disagreeing. ‘You’re the perfect size for me, my love, you take me in so perfectly. So well.’

Kento Nanami

how he moans — so lazy and deep. He just can’t stop praising you, loves to tell you how perfect you are between aimless grunts and breathy exhales. He’s a composed man, always aware of how good he’s making you feel so he’s never too lost in his own pleasure to moan so loudly, he’s quiet (unless you’re sucking him till he cums down your throat, then you’ll hear the best of his grunts).

he knows exactly how to get you crying for him — He might never openly admit it, but Kento is obsessed with your meek little moans and he knows playing with your pussy is the best way to squeeze them out of you.

perfect house wife — domestic life makes his heart truely happy, so when he comes home to you wearing nothing but an apron it makes his dick happy too. He just has to touch you and tell you you’re the perfect wife.

playing with you in front of a mirror — he enjoys seeing you quiver and your face scrunch up when he toys with your pussy, in front of a mirror means he can see it all perfectly.

Toji Fushiguro

how he moans — you have to be doing one hell of a good job to get this man to shut his mouth and moan for you. He’s a dirty talker, not a moany little sub. Still, his grunts are quiet and gruff. He’s most loudest when he slides into your gummy pussy for the first time and when he cums inside you.

favourite position — he just loves to pull you onto his cock. After a while, your legs begin to shake so he has to hold you upright and that’s how he knows you’re about to cum. Missionary comes in close second, just because he loves to feel you claw his back.

hate sex — you’re both pissed at each other, so what better way to rid yourself of your anger than to fuck it out? Straddle him, don’t give him the chance to top you, slap and ride him till he cums. Then maybe he’ll learn to respect you more.

when he tells you to ride his face, he means ride it — his lazy ass still wants you to do all the work, rolling your hips against his stunted tongue. He’s grinning, loving the moans you work out of yourself.

the only time he begged for it — you had been sending him some pretty saucy picture whilst he was away. It had been weeks since the two of you fucked and he wanted to see more of you’re perfect body. ‘I want to hear you beg’ you sent, then received a video from him.

Sukuna

how he moans — deep, deep moaning. The type of moan that hides a growl in the back of his throat as it rumbles against your chest. There are times he can get a little breathy, but he’s confident and never loses his cool. He mostly talks you through sex, so you’ll mainly hear grunts between his filthy dirty talk. Sometimes you swear you can hear a bit of Yuji coming through when he moans.

learn to shut your mouth while he fucks you — he calls you brat for a reason, because you love to talk back. When his hand wraps around your throat, you only have room to gasp for breath which is how he prefers you.

gently touching you after sex — post-sex is often when Sukuna is the sweetest. He admires your body, gently grazing his sharp nails over your skin and watching you retract at the tickling touch.

messy sex — there have been times where Sukuna burns for you, needing you in every possible way. He needs your scent, your skin, your hair, your body, your voice. He craves you, leading to a rough and messy quickie that’ll leave you utterly raw.

he has no patience — sure, he might like the idea of watching your fuck yourself on his cock, but in practice you’re much too slow. He needs to fuck you at his own pace, not let you work yourself off agonisingly slow.

keep quiet, brat — you need to learn to control your voice, but no matter how many times he tells you off you just keep hollering his name. So he decides to smack his hand over your mouth to cover up the noise.

even when you’re on top, you’re still a bottom — you were so excited when Sukuna agreed to let you top him. Although you were suspicious that he grunted a ‘yes’ so quickly, you didn’t read too much into it. Only when he had your hands bound behind your back, fucking up into your cervix did you understand he would never let you dominate him.

Yuji Itadori

how he moans — loud and messy. Once Yuji feels your cunt sucking him in the rest of the world disappears. All he can babble out are swears and compliments on how hot you are, how good you make him feel, how much he loves you. If the sex is softer (which is hardly the case), he can maintain composure a little better. He still grunts and swears, but at least the neighbours won’t hear.

favourite position — the way your ass collides with his hips and the defined arch of your back is like a work of fucking art. The sound of your moans muffling into his pillow is something he thinks about all the time. He just hates that he can’t see your perfect face, so please look back at him while he fucks you.

He waited all day to fuck you — you had been riling him up since the early morning; grazing your hand over his thigh and crotch, texting him lewd things, whispering sweet things in his ear. The moment you two got home he cornered you from behind, pressing lustful kisses to your neck and stripping you of your clothes until you both were naked and he had laid you over him.

cant get enough of your butt — he just loves your curves, flat or fat he admires you either way. Planting sweet kisses and mumbling how you were ‘built to make him hard’, whatever that means. He just runs his mouth when it comes to your body.

loves seeing you have fun riding him — the way you playfully hold his hand while you grind into his hips, or the way you break into a laugh when he grabs for your boobs, he just loves to see you have fun, especially on his dick.

no condom? — he’s always forgetting to buy condoms, you guys fuck like bunnies, how is he supposed to remember how many you two use up? You refuse to have a pregnancy scare, so you’ll just fuck him over layers of clothes.

Megumi Fushiguro

how he moans — Megumi starts off pretty balanced, but when things start to get intense he fluctuates between high and whiny to low and gravely (he’s especially embarrassed about moaning so high, so he tries to hold it back). He also doesn’t particularly enjoy being vocal, but a few physical and verbal prompts from you will get him in your ear.

you asked so nicely — he tells you he’s close and that he’s gonna cum, and how could he resist the urge to fill you up when you ask him so kindly to cum inside you? He’s surprised, but when you beg again he knows he can’t deny your sweet request.

nervous to touch you — he isn’t used to much physical affection, but he wants to touch you so badly. He loves to hear your gasps when his hands start to wander, so despite not being exactly sure what to do he’s eager to learn and memories the feeling of your body.

so kind to your cunt — the way he drags his tongue across your wet lips, making his saliva mix with your slick and creating a sloshy noise each time he repeats the motion. His narrow eyes gaze up at you, watching you throw your head back before closing and letting his sense of taste take over.

fucking you slowly — he’s never ruthless, especially when you want him to be. He moves his hips at his own pace, playing with your clit and enjoying the way you squirm for more.

Toge Inumaki

how he moans — He makes up for the lack of talking by grunting deliciously each time you make him feel good. The louder he is, the better you’re doing and the closer he is to cumming. Even when the focus is on you he’s still making noise, grunting each time you grind against his tongue, or tighten around his fingers.

sucking you sweetly — it’s pretty clear Toge has an oral fixation by the way he sucks your neck, your pussy and especially your tits. He especially loves your boobs, so they get special treatment.

pause your game — ‘I’m busy’ you say, that is until he’s parted your legs, hot breath patting your clothes sex. You try to keep playing, just to tease him further but his mouth feels so good that you can’t help moan and watch him eat you out. You’ll finish the level another day.

payback — you come over to spend time with him, only to be met with the back of his gaming chair. You’ll just have to give him the same treatment he gave you when you were too busy for him.

helping hand — leaning against his naked chest, going weak against him as he rubs your clit, occasionally dipping his fingers inside your pussy.

Yuta Okkotsu

how he moans — loud, weak moans. He’s so sensitive, he can’t help but whine in your ear as you fuck him. It’s not like he’s embarrassed either, Yuta loves to lose himself in your pussy and let you know how good it feels. You tell him he deserves to feel this good and it makes him sob pathetically.

shivering underneath your grip — he’s just too sensitive, you might go slowly for him just so he can relax but your skin is so soft, you’re gripping him so firmly and your breath hits his cheek. It’s all too overwhelming that he can’t help but tremble.

next best thing — you weren’t planning to end up fucking Yuta, but the two of you had gotten so heated whilst kissing. Neither of you had brought any condoms, so you decided to give him the next best thing and grind your pussy onto his cock whilst he moaned your name.

you fit perfectly on top of him — nothing else can compare to your lips moving like honey against his whilst his cock sits safe and warm in your pussy.

[lenaswritingandstuff]

Dating the Slytherin boys (+ Harry) ▪ HEADCANONS

Requested: No

Characters: Mattheo Riddle, Tom Riddle, Theodore Nott, Draco Malfoy, Blaise Zabini, Regulus Black, Harry Potter (+ y/n)

Warnings: NSFW mentions, English is not my first language

A/N: I'm not sure I like this but here we go. However I have to say I like Regulus' one so I might turn his version into a one shot one day (when uni won't be killing me slowly). This will include also the pre-dating/flirting stage as well. SORRY FOR THE TYPOS. Comments and feedback are always appreciated. Enjoy! ^^

Tag list: @helendeath @im-jesus

Tag list for this story: @anawritez-posts @pumpkinchee @alwayslatetothefandoms

Mattheo Riddle:

His feelings for you probably confused him at first 

If he falls first, he either won’t let you know or will do everything to get your attention (‘Hey, y/n, come sit here, the seat is free!”, “y/n, do you mind helping me with the homework for Snape? I can’t bloody do it”, “How about we go to Hogsmeade, just you and me?”, “you look beautiful, y/n”)

Your love for him always calms him when he gets anxious or when he’s upset, especially after his father comes back

Will tell you things he never told anyone

Would rather spend time with you than with his friends

Is terrified something will happen to you because of his father 

VERY jealous, but trusts you

Despite easily getting angry, he can’t get mad at you. Even during arguments 

LOVES sleeping in your arms or when you just hold him

He's crazy about your body

Loves showering with you, and we both know how it often ends

HOT, passionate sex

Will randomly eat you out without expecting anything in return (doesn't mind if you return the favor, though)

100% calls you "baby" or "love" all the time

Doesn’t care about what anyone thinks of him as long as you love him

Your love makes him feel lighter and stronger

You're his whole world

Feels bad when he hears someone criticize you for dating him 

Always makes sure you don’t overwork yourself, and makes sure you get enough sleep, water and food, and comforts you when you're anxious

Holds your hands when he's anxious or stressed

Will listen to anything you have to say 

Crazy about your perfume

Theodore Nott:

Struggles to express his love or feelings in general, at least in the beginning 

Has never done serious relationships before, and it may cause some trouble in your relationship, as you end up believing he doesn’t care about you

It causes many fights, and the last one will be the first time he says ‘I love you’

Always goes to you for comfort 

Loves sleeping with you in his arms, or cuddling, and with time he can’t sleep without you

Loves watching you sleep 

Loves having you on his lap

Always gets you great gifts (even randomly)

“Well, it thought it was pretty, and…it reminded me of you.”

Will fight any guy who is rude to you or acts like a creep 

Very jealous (trusts you, doesn’t trust others)

Doesn’t mind PDA at all, will gladly hold your hand or kiss you in public

Always has a hand on your waist or his arm around your shoulders 

Very supportive in everything you do, even when he doesn’t understand it/isn’t really interested in it

Isn’t very good with comforting people (mostly because he's not used to it), but will hold you and listen to you as long as you need, can even give you advice/reassurance 

Every compliment/'I love you' you say melts his heart and means much more to him than he shows, same goes for anything you do for him

Loves doing fun things, even if it’s just throwing snowballs at each other during winter (which ends in loving kisses, just savouring the joy of being together)  

Love getting in a pool with you and playing "childish" games during summer

Any form of intimacy means A LOT to him 

He's used to hooks up and "fucking" but it takes him a bit of time to have sex with you (despite being crazy about you and your body) because you mean everything to him and with you it's really making love instead of just "fucking"

The first time is loving and slow yet passionnate (eye contact at all times, hands holding, desperate kisses from him), and it gets a bit rougher and passionate the next times (but aftercare, which he isn't used to, is always on point and keeps getting better)

Is secretly very insecure, and is terrified you will leave him (especially for another “better” guy) 

Craves your touch and your love but won’t admit it

His boggart is probably you being dead alongside his mother

Will tell you sweets things in Italian

Very clingy in private - and also in public with time

With you he learns to be happier and discovers a happier side of himself he didn't know he had

Loves you much more than he actually shows at first 

Will often say you're all he has (and means it)

But with time, you have no reason to doubt his love and he’s the perfect boyfriend

Blaise Zabini:

Probably will court you like the gentleman he is

He doesn’t trust people easily and might be a little distant (while always polite and kind) in the early stages of your relationship 

But with time he becomes very warm and smiles a lot

Always kisses the top of your hand or your forehead 

Doesn’t do much PDA except for holding hands and kisses on your forehead

However in private he’ll 100% cuddle you and hold you

Dates in parks or restaurants  

Get you flowers at least once a month

Will always defend you against others 

One of his love languages is acts of service

Lorenzo Berkshire:

You either were friends before dating or he fell in love with you at first sight, there is no in between

Takes you on fun dates (arcade, funfair, theme parks) 

Can be shy at the beginning, which will make it a bit hard for him to talk about how he feels about you

Movie nights where you two eats lots of snacks and sweets while cuddling 

Always smiles when you enter a room

So supportive 

Loves when you're on his lap

He has no problem with PDA

Quickly willing to meet your family if you agree

He’s a great listener and mostly gives good advices 

Loves taking naps with you 

Always makes you sure you get enough sleep, water and food

Won’t let you get yourself into dangerous situations

Loves to go anywhere with you, no matter the activity and even if he just follows you around 

Many pet names

If you're Muggleborn or grew up among Muggles, he will totally ask you questions about the muggle world

Passionnate sex, will get rough if he hasn't seen you in a long time or if it's angry sex after he got jealous

His aftercare is the best, and he's always thankful you trust him enough to have that form of intimacy with him

Draco Malfoy:

Won’t flirt at first with you but keeps wanting your attention

Tries to seduce you with expensive gifts, and is a bit taken aback when you say it doesn’t work

Continues to get you gifts, but will make sure they match your interests/tastes, and keeps expensive gifts for your birthdays and Christmas (even though he’d like to get them all year for you) 

At first he doesn't show any weakness in your presence

With you he’ll learn patience and to focus of more positive things, and also to stand up to his father

Takes you on dates every chance he gets

Will ditch his friends to spend time with you

Probably makes Crabbe and Goyle carry your bags or do things for you

So proud to be dating you, it might even make him more arrogant

Gets grumpy when jealous but after a kiss on the cheek he’s back to his normal self 

Will invite you to his home and write you nearly every day during holidays

Hates it when Harry or any Gryffindor boy tries to talk to you

Surprisingly has no problem with PDA

Loves when you come to see him play during Quidditch matches

Tom Riddle:

Oh boy

It started with him admiring/watching you from afar, for a reason he can’t understand

SUPER confused by what he feels for you and why

Will probably try to get closer to you through homework or through books if he sees you read one

Will know everything about you, and will secretly follow you, saving you if you’re in danger with you never knowing who saved you

Crazy about your perfume, so much so that it makes him steal one of your clothes just to be able to smell it anytime he wants

After a while, he’ll spend most of his time with you without ever admitting he likes it

Will probably let you know his feelings for you after he cast a spell on a guy for being a creep with you 

Won’t let another man touch you

Will ask Mattheo for advice to be better or to make you fall in love with him

Will do your homework without hesitation, even if he pretends that he hates it, and will leave explanations so you understand his answers/his work

No PDA except for holding hands or your hand under his arm, but will make sure to stay close to you at all times 

Is a surprisingly good listener 

VERY jealous, but surprisingly isn’t mad or suspicious at you

“Did you enjoy having his attention? Do you wish for me to show you how my attention is better?” 

He doesn't stress over homework or stuff like that, so he finds it ridiculous when you do (learns with time to be more understanding)

Will let flowers in your room with a note on it

Pretends to not care about the gifts you get him for his birthday or Christmas but it actually means so much to him as no one ever got him any gifts before 

Nothing the others say about him gets to him, but he gets angry when he hears someone say that you deserve better than him

As book!Tom who grew up in an orphanage: he's secretly insecure about his background and the fact that he’s poor, and thinks you deserve better 

As Voldemort: Might be torn between continuing his goals for power or spending a simple life with you; is aware you’ll leave him if he gets on a darker path 

As Voldemort’s son: would do everything to protect you from his father, and if he’s forced to get the Dark Mark, he will makes sure you don’t know 

Possessive kisses 

Would hurt anyone who does you wrong

Borrows money from Draco to take you on dates or to get you gifts, as he feels like you deserve the nicest things, even though you keep telling him his mere presence is enough

May feel a little bit guilty that he can’t properly show you his love like “normal” boyfriends do 

Won’t admit it but considers you the only good thing in his life, and if he ever lost you he’d get on a dark path

Won’t cuddle at first, but if you wake up first you’ll find him sleeping close to you, with at least one of his hands touching you

Always notices when you don’t eat, sleep or drink enough

You’re the first (and only) person he will feel romantic love for

He has a bit of sexual experience before, but with you it's completely different - once you guys have sex for the first time, he becomes obsessed with your body and how it makes him feel

Loves fingering you

"You like it, dove?"

Even if you guys don’t work out, he won’t ever be with somebody else 

Would ask your parents for you hand in marriage, but honestly it's just out of politeness, the only answer that matters to him is yours

Regulus Black:

Like Blaise, he was raised the old fashioned way

Acts coldly towards everyone except you, his tone and eyes gets warmer and kinder when talking/looking at you, and you’re the only person he’ll smile at

You were his best (and only) friend and he has been in love with you for years

He hides his feelings very well, but one day you start dating someone else (thinking Regulus doesn’t share your feelings) but he can’t bear it and confesses his feelings

Always defends you

He’ll take you on restaurants or picnics dates, always bringing flowers

Mostly fine with PDA (holding hands, hands on your waist)

Thinks he’s very lucky to have you

Probably already starts thinking of marrying you during your last year at Hogwarts 

A bit jealous, but can’t stand it when Sirius tries to talk to you

Will gladly do your homework with/for you

Loves it when you sleep in each other’s arms, loves feeling you close

Loves it when you call him “Reggie” (only you is allowed to)

Will literally do everything you ask him to

You’re everything to him

Can’t stay away from you for long

Will get worried if you’re five minutes late

Always calls you “sweetheart” or “love”/”my love” 

Slow, romantic sex most of the time but sometimes he needs to be rougher

Thanks to you he’ll feel lighter and he will become kinder

You’ll even make him change his views on blood purity and stand up to his parents, and with time he gets closer to Sirius thanks to that (and you) 

If that doesn’t change and he still joins Voldemort, he’ll leave you a letter before going to the cavern, saying how much he loves you and how much you mean to him

Harry Potter:

Don’t expect any pet names from him, but he might create a nickname with your name (like he calls Ginny ‘Gin’ in the Cursed Child) 

His love languages are fierce protectiveness, loyalty and a patience he didn’t knew he had

Has no problem with PDA because he doesn’t care about what other people think  

Loves cuddles

Rarely gets mad at you, and feels guilty when he does

Mostly gets mad at you when you hurt yourself (for example during Quidditch) but it's also because he was scared for you

Hot kisses in private

Will be jealous if he sees you with another guy 

He’s passionate in a lot of things he does, and it includes you and everything you do

Will fiercely defend you again anyone, can even throw hands

Gets FURIOUS when Umbridge hurts you during detention, and will cuddle you for hours and do everything he can to make the pain disappear

Knows people are mean to you during fifth year because you're dating him and he hates it

During that year the only peace he feels is when he's holding you or when you sleep in his arms (it's also the only time he doesn't get nightmares)

Very supportive 

Loves getting you gifts 

You make him feel SO happy, he’ll just keep smiling for no reason 

Gets more and more clingy with time

Always write to you during the holidays (you always invite him to come to your house)

I'm not sure about sex while you guys are at Hogwarts but he 100% feels lust for you, there will definitely be hot making sessions when you guys are alone in a dark corner of the castle and it often ends up with you against the wall with your legs around his waist while he kisses your neck and caresses your legs

However sometimes he just can't stop himself and will eat you out (even maybe finger you at the same time), and will be proud when you come

Any act of service you do for him means a lot

You're always worried about him when he's at the Dursleys but he reassures you that he's fine

Comes to you in the middle of the night if he has a nightmare and generally comes to you for comfort or to rant 

Needs you more than ever after Voldemort comes back and after Sirius’ death 

Misses you like crazy during his quest for Horcruxes, and he can’t bear the thought of something happening to you 

Might struggle to show it, but he knows and is thankful of how patient and comprehensive you are with him, and that makes him want to be the best boyfriend he can be

Terrified Voldemort might hurt/kill you

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[evanhereonearth]

The Insidious Cycle of the Abuser Who Says They Love You: Mythal and Solas

Likely goes without saying, but Veilguard spoilers all under the jump.

I have been absolutely wrecked by the end scenes in Veilguard for weeks now, and I want to do a deep dive into Solas's relationship with Mythal and how it absolutely reeks of abuse. Long post incoming!

CW for heavy discussion of cycles of abuse, trauma response, and abuse tactics.

When I finished my first playthrough, this moment hit me like an absolute freight train. His visceral response to her presence and the way he instinctively retreats and flinches back/puts out a hand to protect himself is a full-blown trauma response.

And then she starts talking and moving towards him, and it gets worse.

Solas curls in on himself; his body goes even further into self-protection mode. His face is downcast, not the way he bowed to his vhenan moments before with a straight back and open posture, but shrinking.

And then as she advances, he cowers.

He completely folds inward. He crumples; he shakes, he hyperventilates, and the moment she reaches for him, he fumblingly offers her the lyrium dagger to kill him with.

Is this shame? Yes, of course, but it's far, far more than that.

For the sake of brevity, I'm going to limit this list to the four most widely recognised trauma responses:

Fight

Flight

Freeze

Fawn

As someone whose primary trauma response is fawn (wooo CPTSD), which is intensely common among people who experience complex trauma, especially through emotional and prolonged physical/mental abuse where their needs are discarded, pushed aside, or otherwise steamrolled, I felt this right alongside Solas. My own body responded to seeing it. This is, quite frankly, one of the most visceral and realistic (and extreme) fawn responses I've seen depicted in media.

Mythal in this scene is...phew, something else.

"She was the best of them," Solas tells us in Trespasser.

But she was not good, everything tells us in Veilguard.

Let's look at his regrets in chronological order.

Through Solas's memories of regret, we see this germinate in his foundational regret: leaving the Fade to take a physical form.

He does not want to do this. He tells her he does not want to do this. From the conversation, it's clear it's not the first time she's asked.

And the way she asks? Outright coercion.

"You have so long observed the world. Why not consider joining it?" [I want you to do this thing, so I will frame it as logical for you to make the choice I want you to make.]

"But I have no desire to live as humans. Besides, this talk of taking on a solid form. I think you underestimate the danger." [I don't want to do that. It does not feel safe to me.] "When you took the glowing stone to build your body, did the earth not shake?" [This is dangerous and selfish.]

"The lyrium gives us the strength we had when we were of the Fade; we are the best of both physical and Fade." [It makes us powerful, so I don't care about the risks.] "I need your wisdom, Solas, to withstand the louder voices like Elgar'nan's who would go too far." [If you do not come with me, a tyrant you abhor will make others suffer.] "I need you."

"This is madness. You must know that." [I don't want to do this at all. This will hurt me. I don't want this.] "I will always follow where you go." [Because I love you and trust you.]

Mythal's words in this part are classic abusive framing. When appealing to his natural curiosity does not work and he expresses strong rejection of her logical thought process (just because I have observed this place does not mean I want to go there, echoing his comments to the Inquisitor in DAI: "Many Orlesian peasants dream of travelling to exotic Rivain. But not everyone wants to go to Rivain!") and expresses that there is significant danger to continue to build bodies out of lyrium, she changes tactics.

Her second tactic is that it gives them power--she implies that he is limited and not enough for being only of the Fade. If he follows her, he will be the best of both, like she is. She clearly already sees herself as above him.

Her third tactic is pure emotional blackmail: "I need you. I will give in to the tyrants without your wisdom, and having your counsel in the Fade is not enough. If you don't go against your own nature and desires, people will suffer...and it will be your fault for not being by my side."

She doesn't say those things outright, but they are implied by everything she is saying. He says again he doesn't want it--that it is madness and that she must be aware of that despite her ignoring any suggestion that she actually is. All she is seeing is power and her desires: for Solas to do what she wants him to do.

So he agrees. Because she is his friend, and she says she needs him.

As far as core wounds go, this one is a doozy. It's absolutely brutal, because it's irrevocable. It's a point of no return. It's the first in what will become millennia of regret, of her ignoring the Wisdom she coerced out of the Fade to do what she wants regardless, to continue to push him to twist his nature under the guise of the greater good, to continue to cede to Elgar'nan and enable the very tyrants she promised him to balance.

This regret was deeply painful for me to watch. The nuance here is easily lost if people don't understand abuse tactics and how this sort of manipulation is used. It also serves to bind Solas to Mythal, an enormous sunk cost fallacy in the making--once he has made this choice, there is no going back.

And you see Solas curled in on himself in anguish and regret from the trauma of taking a physical form. It is in deep, painful contrast to his open, free wingspan as a spirit of Wisdom; he will never be the same.

"Have you created what we need?" From the outset Mythal is framing this as his idea as much as hers, when from everything he says, that is not true.

"With this, the proper ritual will sunder every Titan from its spirit. But you must know, those severed dreams will certainly be driven mad, a disembodied blight of pain and anger. It--is--awful what we are doing."

"And the only way to end this war."

Again, Solas offers the wisdom she claimed she took him from the Fade to listen to. He warns her, again, of the danger. He does not want to do this. Just like he warned her of the earth quaking when they made their bodies--they, the Evanuris, started this war by taking what they wanted regardless of who it hurt. He never wanted to participate in it, but now he is in the middle of that war. Mythal was one of the initial perpetrators of this war; she brought Solas into it against his will because he loved her, and now he's stuck. He is past his point of no return. And she is still using his heart against him. She has isolated him from everyone he knew in the Fade; he has no one to support him. He. Only. Has. Her.

This is another classic abuse tactic; if the person being abused has no one else, they will continue to enable that abuse even if it harms others, because they cannot see a way out. If you don't do what I say, it will destroy our children, our family. If you don't do what I say, this war will consume all you have, and you no longer have a home to return to. If you don't do what I say and hurt yourself and the Other, more will suffer, and it will be your fault.

Again, his posture, curled up and broken, appearing to cradle a now-tranquil Titan beneath him--and be embraced in return. This is an interesting artistic choice here, one that aches. It speaks to the depth of his own wound and how much it rent his own spirit to follow through with Mythal's wants here; that it sundered him from his spirit as much as it did the Titans.

"You cannot do this, Elgar'nan! You swore we would give up our commands when this war was over!"

"Our people need our leadership. If you are unwilling, leave."

From Elgar'nan, this is expected. From Mythal?

"Our people must rebuild. And we must help unite them."

Solas, once again, betrayed. He put his trust in Mythal and in the other Evanuris to follow through with their promise. Everything he has done thus far is poisoned in this moment; had the Evanuris indeed stepped back rather than stepped on necks, perhaps Solas could have healed, found a way to live with what he had done, maybe even to make amends. But this starts his war anew--and Mythal is standing with his enemy despite her promises, despite every wheedling word she's used to get what she wants from him over the centuries and longer, despite him turning from everything, everything, he loved to love her. This is the moment where he understands that he has only been a tool to her all along.

"So we did not fight for freedom, but to conquer this land and our own."

Let's pick apart Solas's words.

So we did not fight for freedom: He truly believed that he was fighting for freedom, that no matter how bad it got, that he could bear it for freedom.

But to conquer this land: Literally the land, I think, because of the Titans. To subdue them at all costs. This was not what he came for, but he believed Mythal.

And our own: Our own, our people, more spirits we gave bodies for this war, more who may not have wanted to leave the Fade. Our own, our people. To Solas, he is one of them. In this moment, he realises how much Mythal holds herself above all of them.

Elgar'nan's words are all too telling: "We fought to win. And now the Evanuris are as gods. I do not answer to Mythal's annoying lapdog."

They all--all--see him thus. As her pet.

Because he is. She has, until now, controlled him utterly with her manipulation and "need" for him.

"The people are afraid. They must believe in something." Mythal does not even stand up for Solas here; she does not reject Elgar'nan's perception of him. All she does is further distance herself.

The people are afraid: The Evanuris made them. They are as controlled as Solas and more.

Elgar'nan asserts, "They need strength."

"And wisdom." Mythal has the absolute gall to attribute this to herself, when Solas is the source of the wisdom she "needed" for so long. (Belated addition: And another level here: she may also be saying again that she needs him, but doing so in a way that doesn't require her to stand up for him directly. Honestly, fucking gross.)

"They need gods who can protect them," Elgar'nan continues.

"We are not gods. You will learn that." Solas's voice here is pure defeat. The scales are falling from his eyes.

"Every lapdog holds a wolf inside," says Elgar'nan.

Solas knows that Elgar'nan's "protection" is hollow, based on subjugation. And I think in this moment, he learns that Mythal's is based only in her belief that she is better than those beneath her, who cannot possibly handle themselves.

So her lapdog becomes the Wolf.

"I was not certain you would come."

Solas's opening words in this regret show the distance between them already and how much he has realised he does not know this woman who called herself his friend.

And her response is to instantly blame him.

"You are the one who walked away. I never turn my back when my friend needs me."

In putting this post together, this line absolutely sucker punched me. I've watched these several times already, but the absolute audacity to blame him for standing up for his principles for the first time against all her manipulation? Hoo.

She blames him for doing just that, "turning his back when his friend needed him." She needed her enabler, and when he stopped, she turned bitter. Just like any abuser.

That he goes straight into "The Evanuris seek the magic of the Blight" instead of engaging, honestly shows that he's still Wisdom. That is one battle that is unwinnable, trying to stand up against an abuser's bullshit like that.

"Impossible," she says. "The Blight is safely sealed away forever."

Gaslight, girl boss, gatekeep.

"Though I wish I could believe you." [You have lied to me so many times.] "I have sensed the breaking of the wards."

And her answer is patronising. "I will investigate your claims." [I don't believe you.] "If they forget the danger of the Blight, I will endeavour to remind them."

Solas knows this is futile. "What if, instead, you left the Evanuris and remained with me? Do you not wish for freedom from this struggle?"

He asks her, again, to veer from the dangerous path. He desperately wants to believe he was not completely wrong about her, I think. If she were to leave, he could heal somewhat, for not having so thoroughly misjudged her character.

Am I enough for you? Was I ever enough? is the unspoken question here when he asks if she will remain with him.

And in return, he gets back even more patronising bullshit and hubris. "Be at peace, love. I will stop them."

(Can you tell Mythal pisses me off?)

She calls him love. What an unbearable insult after everything, to go on telling him she cares for him whilst ignoring his wisdom--the very wisdom she coerced him into leaving the Fade so she would have by her side--and consolidating her own power at the expense of his people.

"As you must," he says. "The Blight is our mistake."

Might be unpopular, but I do not think Solas bears a split fifty-fifty custody for whose fault the Blight is. Could he have said no about the dagger? Could he have pushed then? Maybe. But by this point, he'd already had probable millennia of complex trauma and a deeply abusive codependent relationship, probably also a level of magical bond. Like, sorry, Trick and BioWare, if you want to retcon everything you shared with us in Inquisition about being in service to the Evanuris ("You have given yourself into the service of an ancient elven god! You are Mythal's creature now. Everything you do, whether you know it or not, will be for her.") AND Mythal casually overriding her servants' will and Solas burning her vallaslin off his face and leaving a scar and devoting himself to freeing the elven people from the Evanuris's domination, fine, but I don't buy it. Even if there was no magical compulsion on him all this time, that is immaterial.

Complex trauma literally rewires the brain to survive. She spent lifetimes programming him, isolating him, stripping from him every bit of agency he had. This man did not have the capacity to say no.

When our no is trampled even for a few months or years, we stop trying to use it. We comply. We, as mortal humans, cannot begin to comprehend the compounded trauma of millennia of this happening with the stakes of worlds in the balance. Solas, quite simply, has lost the entire ability to consent. No one of us can even imagine.

Yet he managed to walk away from her somehow, when she chose Elgar'nan. This man is stronger than anyone gives him credit for.

The dagger was clearly Mythal's idea. The plan to sever the Titans from their dreams, clearly her idea. To end the war. For there to be "peace". For there to be "freedom". Except that never came.

His loyalty was to her and to their people; hers was only ever to herself.

And again, she walks away and lets Solas suffer.

What a good friend.

[screaming from the general direction of Scotland]

She put her trust in monsters instead of her oldest friend, and the monsters ate her face.

Anyone surprised? I'm surprised. (I'm not surprised.)

And on top of this, Mythal finally, finally giving Solas one tiny breadcrumb that she had any principles remaining? I think that cemented his bindings to her forever. Not just that the Evanuris killed her, but why they killed her: because after millennia, she listened to him.

For someone that deep into trauma and abuse? Well. We know what happened.

It cannot be overstated that with his imprisonment of the Evanuris and the Blight, Solas saved the entire world. The entire world. Every living being in Thedas had a chance at life because of him. Only because of him.

Morrigan says it early on in the game, that for all the consequences of the veil (which, it also must be said, was not supposed to be global!), "his imprisonment of the Evanuris was just. Had he not done so, all of Thedas would have fallen to the Blight."

And the world has hated him for it.

He woke after sleeping for millennia, exhausted by this immense act of magic, to discover that not only had it gone horribly wrong, but that it had cost his people everything. That Tevinter had come in and enslaved them, released a trickle of the Blight after breaking into the Black City, used so much blood magic that the veil itself all over Thedas has been in tatters--not least because in releasing the Blight, the survivors had had to face down and kill the dragon thralls (archdemons) of the Evanuris, rendering five out of seven of them mortal, and with their deaths over the intervening centuries, the veil had grown threadbare with only two Evanuris sustaining it.

The risks were catastrophic, the price unbearable.

Everything he'd ever done to protect the world could still come crashing down...and in a sick twist of fate, he would be alive to see it.

And, shockingly, so would Mythal.

Mythal, whose fragment has just been chilling in a swamp for centuries in human form. Mythal, whose abuse of him lasted through the entirety of the world's history. Mythal, who, due to the Evanuris's betrayal and her abusee's abandonment, has become little more than retribution.

Mythal, who could have set him free at any point in all this time and didn't, because he was hers.

Mythal, who is the only remaining person with the power to do what he feels must be done.

I find it interesting that they chose not to use the post-Inquisition dialogue at all. Interesting also that they used Mythal's voice actor and not Flemeth's. This feels like a retcon, but we'll go with it. Whatevs.

"I knew that you would find me soon enough. You need the power of a god, the strength that I alone still carry."

She's still asserting her own godhood.

He's not having it. "The blighted Evanuris will soon break free from their prison. I must make a stronger one that can contain them."

He's not wrong. Not even a little bit wrong. And he's also right that she won't help him. Why would she? She never has.

"While the prison is important, it is not the only goal you seek."

"Why should I not tear down the veil? And bring back immortality to all the elven people? They deserve it."

And this is where I get even more raging, because Mythal's answer is this: "The elven people of today do not deserve to see the world they love torn apart to salve your conscience."

I'm sorry, what?

The world they love? The world that has offered them nowt but literal genocide for thousands of years? The world where in Tevinter, they're chattel slaves and worse, fuel for blood magic without a thought? The world where in the "civilised", slaveless nations to the south, they're either confined to alienages and subjected to repeated genocide (that's what a "purge" is, if anyone isn't clear on that) or the remnants of the Dales, who are the descendents of another enormous genocide? The world where elven magic has been pillaged but elven mages in human settlements are confined to Circles and abused or made tranquil or also genocided by Templars invoking the Rite of Annulment? The world where they're called "elf savage" and "rabbit" and "knife ear" and cannot participate in Thedosian religious life because the Chantry erases every instance of elves from even the Chant of Light? The world where it took the Inquisitor installing a perpetrator of genocide on the Orlesian throne (both Celene AND Gaspard fit this bill) and either having Celene reconcile with Briala (Briala and Celene's relationship could be a whole other post. Boak.) and blackmailing them to give a single elf lands and a title? That world????

What the fuck, Mythal, die faster.

I got real mad there for a second. I'm fine. I'm fine!

Solas, once more, simply says, "I must fix what I have broken. I am sorry."

More than she deserves, frankly. Man's a mess, but at least he tries. She's been chilling in a swamp and pulling puppet strings for ages and abusing her kids. Nudging history like it's some sort of hobby, because it has always just been pieces on a board to her. They have never been people in her eyes like they are in his.

"As am I, old friend."

Aye, get tae fuck. Friends don't treat friends the way you treated Solas. The closest thing to an apology Solas will ever get from her is that she pretty much just lies down and dies when he comes to kill her. And she still won't set him free before he does. Has to continue to twist her own knife.

This scene has me riled.

And this takes us back to the beginning of this post.

To her essence showing up to release him from her service.

In what is, to me, the least accountable, bare minimum non-apology (she never actually says she's sorry) I've had the displeasure to witness in a videogame, with Solas literally cowering before her and offering her a knife to kill him with since this is the first time he's seen her actual, non-Flemythal face since she died.

This was never a friendship of equals. Ever.

She got one thing right. She did break him. But she knew it all this time, and she never took a single step to put it right until pushed. Her corner of the Crossroads, which he built for her in the desperate hope that she would show a glimmer of the friend he believed she was, notably has a pair of wolf statues. Both beheaded.

She's spent all this time punishing him further.

He never went to visit her? I wouldn't either. I could not blame him.

This has gone to an angry place. So let's conclude with what is, I think, the entire point.

Grace.

"I lied. I betrayed you."

"I forgive you."

Has anyone--anyone--in all his long life, ever said those words to him?

I'll say that again: has anyone--ANYONE--in all his millennia of existence, EVER said those words to him?

I forgive you.

Mythal certainly didn't.

The world certainly didn't.

He has shouldered all the blame of an entire pantheon, a war that broke the world, a blight, everything, always, and while people have come alongside him to help him, I am not sure anyone (certainly not anyone he cares about) has given him the grace of forgiveness.

The beauty of this final scene for me wasn't just Ilaana, wasn't just Ilaana reuniting with the man she has loved for a decade who has spent all that time pushing her away so he couldn't--in his mind--inevitably poison the love of the only person who has seen his spirit and cherished it without twisting him.

It was the slow realisation that Rook trusted his love enough to try.

It was Morrigan, who carries all Mythal's memories and her own of Flemythal's abuse and machinations, who responds to Rook's question about her views of Solas with: "Or do you mean to discover if I would stand directly against the Dread Wolf, were there a need? I shall aid you in any way but that. What has passed between Solas and Mythal...I beg you: do not ask this of me again."

Morrigan knows. She will not raise a hand against him. She will not try to stop him. She will let the veil fall. She will not fight with Rook. Because she knows this being whose memories she holds has harmed him enough.

Solas, in these final moments, even before Mythal shows up to gut punch him, realises all these people have somehow, somehow, banded together to help him.

Not work for him.

Not be his agents.

Not worship him.

Not follow him blindly.

To help him. To help Solas. To help him, after all this time, take the first steps towards himself. Towards his own essence, so long twisted into something he never sought or wanted.

The Inquisitor and Morrigan certainly understand what it's like to be seen only as the symbol others raise in your image. Rook will learn that someday, but is still naive.

But even with that naivete, willing. Present. Able to put aside being a chess piece on his board. Able to see that they would never have succeeded without his help. Able to trust two people who know him better than they ever will.

Able to offer him grace.

And when they produce Mythal's essence, how that must brutalise him; to think that perhaps all this has been to let his abuser kill him back. He clearly thinks that's what's happening. He breaks. He fawns. He offers her the blade that has caused so much pain.

Her release of him is the bare minimum she owes him. I've already railed about that.

What is transcendent here, transformative--it is the mortals.

The mortals offering grace to a god who never wanted to be a god.

It's them together showing him a way out of an endless cycle of trauma and abuse. No one of them alone is enough. Without Rook, they wouldn't have Mythal's essence; Morrigan can't go get it, and she can't do what is needed because she's not actually Mythal, only has her memories. Without Morrigan, who can stand there with those memories but from the compassionate perspective of someone who has watched them in horror from the outside. She's far from objective, but she can do this one thing to help.

Without the Inquisitor (romanced or not, still someone he let know him as he most desperately wanted to be known--the Fade-walker, the Dreamer, the humble mage who desperately needed a friend). The Inquisitor, who kneels before him to comfort him. Who sees his hurt and responds.

If romanced, without Lavellan, who kneels to repeat back words he once shouted at the Nightmare in the Fade after Adamant.

"Dirth ma, harellan. Ma banal enasalin. Mar solas ema mar din." (Speak, traitor. Your victory was fruitless. Your pride gives way only to your death.)

To which Solas replied, "Banal nadas."

On the surface, nothing is inevitable, but can also be taken to mean that nothingness is inevitable, entropy, the final void. (Thanks to Dumped, Drunk, and Dalish for this excellent long post on this scene.)

And here is Lavellan, kneeling beside him with those words. "Banal nadas ar lath, ma vhenan."

Nothing is inevitable but the love we share, my heart.

I see everything you are, all you have done, and I love you. I forgive you for the pain you have caused me. I understand, see, and forgive.

No one has ever shown him grace like this.

Ever.

And Solas, this shattered man, sobs.

He sobs.

Someone has taken the trouble to isolate his voice in the video. This man has nothing left. And, after millennia of this trauma cycle repeating over and over, he is finally free to make the choice he wants to make. It's not the outcome he wants; that has to be said. He doesn't want to leave the veil up. He doesn't want to be bound into prison forever with no hope of seeing the world he fought for ever return.

But he is done.

In the Fade after Adamant, there is a cemetery with the worst fears of every companion scriven on shrines and stones. Solas's is dying alone.

After all of this, he is willing to face just that--and would, if not for her.

She knows his deepest fears. She has faced the demon Mythal made of the man she loves. She has given unwitting comfort to the spirit of Wisdom still within. She has seen his sweetest self. Nurtured him, cherished him, and has been nurtured and cherished in return.

Does she want to leave the world behind and spend eternity in a Fade prison? Probably not her first choice. It's not my Ilaana's; she has been on his side all this time, dreaming of a world where the spirits she loves can be reunited with the world in peace and ready to make that happen.

But it was not supposed to happen this way. It did happen this way anyway.

He has sacrificed everything--everything--including his own spirit self, his soul, his life. How could she not offer him what no one ever has? A friend forever, a lover willing to walk the din'an shiral by his side, a companion to ward off the forever alone.

Together, the two of them can begin to heal, with their counterpart who has always seen through the burdens of the world to the soul within.

This is the only thing I've ever had any faith in. Grace I know you carry us Grace And it was such a mess Grace I don't say it enough Grace You are so loved

[multimilfs]

Agatha Harkness x Fem!Reader x Rio Vidal: The Prize

Summary: Agatha has been fighting to reclaim her prize from Rio for a long time.

AO3

Included: dark themes, lesbian drama & yearning, near-death experiences, smut; biting, orgasm denial, praise kink, degradation, s&m, blood, fingering, cunnilingus, use of pet names, begging

Words: 9.7k

Tag List: @multifandomfix @ghostsunderstoodmysoul @escapetodreamworld @white--lillies @imtrashinflames

1750

Glowing hands press over the seeping wound, magic swirling around them, diving inside. There’s no satisfaction of watching the flesh knit itself back together. Instead, your magic drifts right back out like smoke. 

Oh Goddess. 

“Do take your time.” Agatha snaps, voice strained, “I have absolutely no plans.” 

Five types of poison are immune to tangible magic. You know antidotes for three. Staring hard at the wound, you look for the blackened edges consistent with Nightrot, finding the flesh as red and irritated as to be expected. Is it swelling or screaming that goes with Alewife’s Revenge? A glance up at her face finds it normal. Her lips are pursed. 

Your hands shake, one hovering over the open wound in her middle, the other clutching your head. Remembering has never mattered more so why is your mind empty? Pieces of information slip through your fingers like sand. Dozens of cadavers, hundreds of hours of study; useless. 

Unable to rely on your memory, you scramble across the floor for the dagger that’d flown from the wall. The little light coming from the boarded windows prompts the metal to glint. The edge of the blade is sticky with blood, beneath it a metallic sheen that can only be a witches poison. You hold it up to the slant of light to see the color. 

“Are you out of your mind? Heal me!” 

You drop the dagger the second the poison glints purple. You slap your hand over your mouth, panic beginning to course through your veins; the body’s own special brand of poison. 

How are you going to tell her?

“I’m trying!” You snap, voice breaking. 

It’s a cruel joke that the poison should be so well matched to the witch bearing its effects. You stare at the edge as it rocks from being dropped, your stomach turning when the color doesn’t change. If only you could be wrong this once. 

Were you a lesser witch, you’d curl in a little ball and quail under the weight of your failures. The idea is seductive. Yet, you turn to Agatha where she lies, pale and sweating on the floorboards. The pallor of her skin makes you whimper. 

“Agatha,” You start, your voice holding just enough, “it’s Saura’s Dread.” 

Things click into place behind her eyes despite the glazed-over look to them. She fights to find a way out of this, but you know well that the reality cannot be avoided. 

“Give it to me. You’re wrong.” 

“I know poisons better than most.” You hand the dagger over anyway. 

“That’s not saying much.” 

The comment stings, but you let it slide off you. You cannot give into petty squabbles now. With so little time to find a solution, you have to focus. 

She stares hard at the blade as if willing it to change. 

“Brew the antidote.” 

“I can’t.” You whisper. 

There’s a flicker of something in her gaze that looks suspiciously like rage. Your own internal fire leaps to meet it; of all the emotions to look upon you with—rage? As if this is your fault? You’re not the one that dragged her into this old cabin, intent on sifting through the contents. 

It’s not your fault. You know that as the truth. Yet, shame floods you. 

“You’re a healer.” Agatha spits, “What good are you if you don’t know the antidote?” 

“Someone didn’t let me stay with my coven long enough to learn it!” 

“The next time someone tries to keep you from me, I’ll let them.” 

The fire in your chest ebbs. An old argument at an inconvenient time. There will be no rough makeup sex following this argument, no unspoken apologies in Agatha’s kisses. All the time, all the bodies; they cannot be for nothing. They mean too much. 

Fleetingly, you feel pity for your old coven. In their minds they had attempted to do the right thing. Keeping you from Agatha must have seemed reasonable. But you remember how many bodies they made, how pleased it made Her. 

Saura’s Dread takes its victim within six hours. This, you know confidently. The demise is slow and painful, a poison intended for torture. You can’t stand to see Agatha in this kind of pain. You’re not ready for her to be just another body.

“I’m calling Her.” You say. 

“No.” Agatha counters, “She’ll never let me live it down.” 

“You won’t live down anything if you’re dead, Agatha.” 

“I won’t die.” 

She’s an idiot. 

Magic flowing into your fingertips, you trace familiar symbols on the floor. They glow bright and then dim as they wait. Around your neck sits an old, jagged bone, tied by a thread; you use the end of said bone to split your palm and drip blood over the symbols. 

Agatha’s mouth is moving, but you don’t listen. You mutter the incantation in latin under your breath. The words—old and comforting—curl your tongue in ways that you’ve only known between two pairs of legs. You end the incantation with the key that gets you around the waiting list; Her name, Her true name. 

There’s a blinding flash of light and a puff of fog, but the symbols contain it. You catch the glint of white teeth. 

“You rang?” 

Rio smiles, clad in darkness and bone and that same beauty that always stops you in your tracks. Upon seeing her, you breathe easier.

“We need your help.” 

“You wouldn’t have called so formally if it was quality time you wanted.” Amusement dances in her eyes. 

She eyes the symbols on the floor. They no longer glow, but still they contain her. She scuffs a foot along them. 

You smudge the symbols and the containment drops. Stepping over the magic as it sinks down into the earth, she catches you by the waist and devours you; lips and teeth and tongue dominating your own, leaving you helpless to do anything but give in. And you’re all too willing to do so. 

When she pulls back, you’re breathless. Somewhere in the fray your lip has begun to bleed. Rio soothes her tongue over the wound and you feel it close. 

“Hand.” 

You offer the demanded appendage, palm up. She places a kiss in the center and licks the blood from her lips. 

Rio turns her head to where Agatha has dragged herself to sit against the wall. The rise and fall of her chest is slow, but there. She glares at the two of you. You flush while Rio grins. 

“Hi, sweetheart. You look like shit.” Rio says, delighted. 

“A side effect.” Agatha grits out, “The same can’t be said for you.” 

Rio tilts her head back and laughs. It’s deep and rich and fills you with thoughts that are not appropriate for this situation. The hand on your waist squeezes as if she knows. Then, she releases you. 

She crosses to crouch before Agatha, devious smile shifting to something softer. One of her hands works through a lock of Agatha’s hair, brushing it out of her face. 

“What did you get yourself into?” 

Agatha’s eyes drop to Rio’s lips, but she stays silent. 

“Saura’s Dread.” You choke out, shame winding itself tight inside you, “I don’t—I can’t brew the antidote.” 

You should have done more to push off Agatha’s agenda; just so you would have finished your research. A few extra days wouldn’t have hurt. They would’ve infuriated Agatha—and Rio by extension—but then you would know the solution instead of watching her slowly wither away. 

Rio doesn’t look away from Agatha, but you know the soothing tone is for you, “It’s okay.” 

Something passes between the two that you miss. One moment, Rio holds Agatha’s face in her hand, while Agatha—hesitantly—leans into the contact. The next Rio is standing between the two of you, toying with her knife, all business. 

You feel a chill pass through you at the unfamiliar territory; staring into Rio’s eyes and finding the affection buried away. It stings more than knowing how you’ve failed. 

“You’re asking me for life in a bottle.” Rio says, grinning, “What do I get in return?”

Short of knowing that Rio would fix it should you ask, you find yourself shamefully bereft of anything with value. You search the space for anything to bargain with. Agatha’s eyes should be looking at you with knowing, but her gaze doesn’t leave Rio. 

When Agatha tilts her head and grins, turning on the bedroom eyes, you pause. 

“What you’ve wanted for years.” Agatha says, “Brew me a little potion and you can have her all to yourself.” 

Rio’s brows shoot sky high. You tilt your head, then freeze. It’s you. Agatha’s bargaining you.

There should be a sweetness in knowing you’re the only thing of value she has to offer, yet the taste is sour on your tongue. The words feel like a punishment, a reprimand—and not the kind you’ve begged at her feet for. That awful part of you would rather Agatha die than ever willingly give you up and Rio eyes you as if she knows it. Does it please her to know how they’ve twisted you?

One mistake, you think bitterly, and Agatha throws in the towel. Despite all the near-death experiences you’ve endured at her side. Despite the years you’ve spent together. You never expected a punishment of this proportion. 

You bite your tongue. At your sides, your fists clench and unclench. They glow with the anger you can’t keep hidden. 

Pride rears its unhelpful head and you speak before you can stop to think, “My life for Agatha’s.” 

Rio’s full attention is on you, then. Her eyes are bright. 

You speak directly to her, “I’m bound to you and The Road until such time as Agatha traverses it to collect me.” 

Had you not been so focused on Rio, you would have noticed Agatha flinch at your suggestion. Her wide, glassy eyes stare at you. You do not give her the satisfaction of your attention. If she is going to be cruel, so can you. 

Your terms are a challenge; and Agatha doesn’t turn down a challenge. 

Her devious, wicked mask clicks back into place. Rio’s expression is pensive. Despite the poison working through her system, Agatha almost looks as powerful as her best day. 

“You’d let me steal her away, O Death?” Agatha teases. 

The comment is salt in your open wound. You glare, wishing more than anything that you could wrap your hands around her pretty neck and squeeze. You want her not only to beg—but to apologize. 

But Rio’s eyes haven’t left you for a second. 

“Alright, sweetheart.” Rio says, “Your life, bound to mine, until Agatha comes to get you.” 

In it you understand the desire you both share; to have Agatha, one way or another. You wonder if the desire for possession is your own or something you’ve learned from her. 

From her pocket comes a small glass vial. She tosses it to Agatha, who only barely catches it. She cradles it like something precious. 

“Drink up.” Rio orders. 

Then Rio is there, arm around your waist, holding all your pieces together. You lean into her comfort as color returns to Agatha’s cheeks. 

“Te veo.” 

--

1754

“She waits for you.”

Agatha whips around, purple crackling at her fingertips. At the edge of the clearing, Rio leans her weight against a gnarled tree, eyeing the withered husks of once-witches in the grass with interest. She looks almost predatory. 

“Does she?” 

Rio nods, eyes shifting to Agatha, “Like a puppy. It’s almost pathetic.” 

It is pathetic, is what she should say. Time and affection have curbed her tongue on this small thing at least. On you. Agatha’s smile is knowing. 

Rio has pulled her punches toward you since the beginning. Agatha’s never minded. It’s almost sweet watching the oldest force in the multiverse tiptoe around a witch barely into her second century. Is it that craving for ancient knowledge in your veins that renders Rio down, or is it simply your pretty face? 

Does it matter? 

“I don’t have what I need yet.” Agatha rolls her eyes, “Witches these days don’t have the power they used to.” 

“Or maybe you’re leveling the population before they have time to strengthen.” Rio raises a brow. 

Agatha thinks, deliberately dramatic, then shrugs, “No, that’s not it.” 

With a shake of her head, Rio steps out from the treeline, and closes the distance across the clearing. Agatha watches every step with dark eyes. The stench of death and magic sends a chill down Rio’s spine; there’s nothing more delicious than a life snuffed out. 

The wind slows in the trees as if sensing her. Birds silence their sweet tunes. There is frantic rustling in the trees somewhere as creatures do all they can to get away. 

Yet Agatha stands, waiting, and allows Death to pull her into her embrace. 

One of Rio’s great loves is watching skin split so she can lap up the blood at her own pace. Yet, when her hands settle on Agatha’s hips, they’re gentle. She doesn’t open wounds with her teeth. Rather, she moves her lips over Agatha’s until she can’t breathe. Agatha is wary when she pulls back. 

Rio shrugs, “A message from her.” 

“I see. Forgiven me, has she?” A slow, taunting grin, “Anything from you?” 

“Have you earned it?” 

“These bodies didn’t make themselves.”

A tilt of her head, as if considering, “Maybe you’ve earned something small, then.” 

And they meet in a clash of lips and teeth. Rio’s hands are everywhere, leaving behind deep claw marks that make Agatha moan into her mouth. Agatha’s own nails pierce through cloth and skin at her hips but draw no blood. She tries to push Rio backward toward one of the trees, she just needs a little leverage and Rio’s thigh to—

Rio pulls back. She grins something wicked at the flash of Agatha’s purple.

“Something small.”

Agatha makes a face, batting her lashes. Rio doesn’t give in. 

“You’re awful.”

“You love it.” Rio says, then her face takes on something more serious, “Don’t keep her waiting, Agatha.”

Then she’s gone as if she was never there; the only evidence being the bleeding marks on her skin. Agatha stares at where she stood for a long time before moving on.

--

1801

The Road changes, you’ve seen, as the covens come along. Small cottages, ancient ruins—the most interesting was an old system of catacombs, though it lacked the remains you’d been intent on studying.

Your favorite, though, is the bower, absent of any illusions or spells.

Beneath a canopy of purple leaves upon a seat of grass, you watch the events unfold from afar. An old curved trunk sits at your back keeping you upright. The animals—lost familiars, mostly—wander up to you here, nibbling at fallen leaves and taking up residence in your lap.

From outside it could be mistaken for a simple tree. Yet, beneath it, the world is at your fingertips. The position of your place presents the underside of millions of glowing leaves to your view; lives, Rio said, witch and non-witch alike.

You find the one you love best among the foliage. You trace your finger down the purple veins, hoping she feels you, thinks of you, misses you. The veins seem to glow a little brighter at your touch.

Rio doesn’t enjoy you toying with them; worried a wrong move on your part will take a life too soon, upsetting the greater balance she’s beholden to. But she taught you how to handle Agatha’s. Trace, never prod. Caress, but never pluck.

A black cat settles in your lap and you sit straighter.

Soothing a hand down her back, she purrs. Her little body presses against your stomach and basks in your warmth.

“You really are too predictable.” Rio says.

She stands a few feet away, clad in dirt and muck, yet still beautiful. Always beautiful.

“I like it here. It’s comforting.”

“You like being close to Agatha.” She corrects.

The leaf in question glows brighter as if sensing the mention. You trace a finger along the edge, willing all your love into it.

“This is all I have of her.” You admit.

Something like softness creeps into Rio’s face. As soon as it appears, it recedes. She joins you under the canopy. The cat in your lap startles and leaps from your lap, darting back into the underbrush.

You had never thought to secure some token of Agatha’s, then. Now, with nothing of her’s to hold close, you settle for her life-line, begging it to tell you her whereabouts and if she’s safe; it is always silent. Rio is, too. She doesn’t mention much when you ask, though you know she knows the actions of every life tied to her.

The Road is a wonderful home. Rio is an attentive partner. But you ache, still, for the other set of hands you knew; those who were predictable in their firmness, balancing the sudden changes of Rio’s own.

“You’re crying.” Rio says.

Her face is dark, but fury lingers around the edges. Something like worry flutters in and out of her eyes. You have nothing to say, so you only nod.

Then you’re in her lap. Rio’s bunching up your dress to your waist, canines embedded in your neck. Her nails dig into your hips and the blood warms you. You whimper.

Lips kiss down your neck while a hand hovers between your legs. You bear down, desperate for any friction to dull the ache. And she gives it to you. Her hand is exactly where you want it, fingers rubbing and pressing, and you grind your hips hard, harder until you’re right there.

And then her hand is gone.

You whine. Your hips move of their own volition, searching for that pressure to send you right over the edge. Rio’s lips catch your own in a bruising kiss and you whimper into her mouth.

Needy, desperate, you can almost hear her say.

But when she pulls away and digs her nails in harder, she whispers, “Cry for me, sweetheart.”

She alternates between giving you what you crave and rescinding it for hours. You whimper, moan, and beg. She laughs and repeats herself—cry for me. You lose count of how many almost-orgasms tighten your body just to go unfulfilled. You do cry. You sob and she’s there, tongue licking up your tears and knuckle deep inside you, thumbing over your clit until you have what you want.

You’re not sure how long you lay there, after, crying against her.

--

1833

Rio’s arm is warm where you’re wrapped around it. She leads you through the winding stone streets, around grand buildings with stained-glass windows. Some of the scenes depicted in the glass are beautiful, simple; but the majority are Catholic in nature, dripping with sadness and guilt. You shake your head.

Passersby nod or tilt their hats, but don’t seem to see you. Their eyes go especially glassy when they look at Rio.

Whereas you’re clad in a dress of rich layered fabric, Rio has opted for more masculine attire. The low heels of her dress shoes click upon the stone. The unwrinkled fabric of her suit smells of smoke.

Your heels don’t quite agree with the stone. After the fifth time of a near-twisted ankle, you huff, “Could I not have worn flat shoes?”

“The heels compliment your legs.”

“You can’t even see them.”

“Yet.” She winks.

You roll your eyes, ignoring the heat suffusing your cheeks. Another nod to a passing couple and Rio makes a sharp turn. You’re led into a damp, dim alleyway.

The ground is made from rough slabs of uneven stone. You curse when your heel slips and only Rio’s strength keeps you standing. Water slides down the walls on either side, thick moss growing in the cracks. You reach out to feel it only for your hand to come away red.

If not for Rio pulling you along, you’d have screamed. Blood cascades down the walls. From it grow dark, twisted plants you’ve studied beside The Road. Beneath the plants and out of them come bones; most have yellowed with age, but there is the occasional bright-white specimen.

Surprise aside, you lean toward the bones with interest. Still, Rio presses on.

The alleyway is growing slimmer by the second. Should it continue to do so, you’ll be forced to walk behind Rio, and the thought makes you tense.

Rio squeezes your hand, “Relax, sweetheart.”

“I’d relax more if I knew what we were doing here.”

“Where’s the fun in that?”

Before you’re forced to walk single-file, you come to the end. Rio traces a counter-sigil upon the stone. With a shudder, a door is revealed. Above the silver knocker, embedded in the door, sits an unblinking eyeball. The blue pierces you.

Rio pulls and slams the knocker. The eyeball falls from the door and hits the ground with a sickening pop. You nearly shriek while Rio makes noises of delight.

“Ooh,” She chuckles, “we’re not the first to arrive.”

You try not to think about what the eye must look like now, “Can I go home?”

“Why so squeamish all of a sudden? You handle the cadavers I bring you just fine.”

“That’s different. That’s research.”

“Who says this isn’t, sweetheart?”

The door opens soundlessly. Inside, the scene is much the same; another dark, slim space, though notably absent of plants and body parts. The owner of this place must be allergic to candles, the lighting situation is just pathetic.

Rio waits. When you make no move to walk inside, she sighs, nudging you with a hand on your lower back, “Ladies first.”

You’re not sure if being first or last is the worst. If anything is to jump from the walls now, you’ll take the brunt of it; you’re reminded of that day with Agatha all those years ago. Rio’s warmth at your back offers the strength you need to continue. Though, you do cling to her hand the whole way.

The hallway empties into a full room. Dark shelves match the height of the walls, on them jars full of ingredients. There are tables boasting dozens of drawers, though none sit open. Glasses and tools and cauldrons line the tabletops. In the center of it all are two figures; well, one figure and one corpse.

You can’t catch your breath. She’s as beautiful as the day you lost her.

“Agatha.” You whisper.

Agatha turns and smirks. She doesn’t look nearly as surprised to see you as you do her. Upon seeing you, her expression softens, eyes full of affection and longing. It hardens a bit when she glances behind you.

“You ruined the surprise.” Rio says, arms crossed, though one motions to the corpse, “We needed her.”

“What could you possibly need with a poison witch?”

“Our darling healer wanted to study with her.”

Something like regret turns Agatha’s face when she regards you. With a wave, she produces a thick book full of yellowing pages. You tilt your head when she offers it to you.

“Her life’s work. I’m sure there’s more here somewhere.” Agatha shrugs.

You take it and hold it to your chest reverently. All this time you thought Rio was putting you off about finding a competent poison witch and yet here you are, standing in her apothecary. She lies dead on the floor but you couldn’t care less when the real gift stands before you.

You long for her. You ache to feel the gentle caress of her hands on your face, the threat of her nails on your scalp.

A look at Rio tells you she isn’t entirely pleased with the turn of events. Yet when she sees your excitement some of her ire dissipates. The yearning in your eyes must be plain, since she gives you a single nod.

Book of poisons tossed onto the tabletop, you throw yourself into Agatha’s arms. She’s as steady as you remember. Her hand grips your chin and forces your lips to hers. Her hands are predictably firm wherever they land. She grips you as if afraid you’ll slip away. But her kiss, oh gods her kiss; soft lips and taunting, sharp tongue. The length of her body pressed against your own and so warm.

There are hands in your hair and this is all you’ve wanted—all you’ve craved for years. Why, then, do you feel the urge to cry? To rip the heart from your chest and banish it to where it won’t hurt?

Agatha is warm and steady. You bury your face in her neck and her in yours. Your hands shake with the force of clinging to her.

The feeling is bliss. Yet, it isn’t complete.

You glance over Agatha’s shoulder to Rio. She stands in the doorway, watching the scene with dark-eyed interest; but there’s a weariness in the set of her shoulders.

“Beloved.” You call, holding one of your hands out to her.

Rio raises a brow. Her eyes don’t stray from your outstretched hand.

“This is your gift, sweetheart.”

“And it’s incomplete without you.”

Her eyes stray to Agatha, who has taken to watching her, too. This time, Agatha’s eyes don’t harden. They maintain that soft look you melt for.

Agatha extends her own hand alongside yours.

“Come on.” Agatha urges, soft.

You watch the resolve break moments before she wedges her way into your embrace. Her fingers lace through yours, but her face is pressed into Agatha’s neck. She pushes and nuzzles like she wants to become part of her. It reminds you of the cat that visits the bower—Ebony—but you don’t dare say so.

Agatha’s hands leave you to caress Rio’s face. A thumb rubs along her cheekbone. You press yourself against Rio’s back, unable to glimpse her face but sure of the longing in her expression.

In a perfect world, there would be no separation between the three of you. No clothes, no emotional barriers, not even flesh to keep your hearts from mingling into one. You settle for Rio’s hand in your own and Agatha’s blue eyes locked on you.

You lean over Rio’s shoulder and kiss Agatha, your free hand fumbling with getting into the former’s pants. She chuckles darkly in your ear. It ignites a spark in your chest; a dangerous longing for this to remain, to be always. You try to push it away and focus on how Rio moans in your ear instead.

--

1869

“Will you walk with me?”

Rio nods, smiles grandly, “Of course.”

You laugh. She holds out her arm, ever the picture of a gentleman, but you lace your fingers through hers instead.

As a rare treat, you lead. You pull her along the road. The leaves change beneath your feet, from silver and black to the hues of autumn and then to pure green. The Road opens its arms into a clearing bathed in the color. Only the stone building in the center stands apart.

Upon your approach, flowers grow in the flattened grass where you step; honeysuckle and heliotrope, baby’s breath and red chrysanthemum. Rio glances over her shoulder as the blooms spring forth.

Ivy grows up the walls of the building. You brush a gentle hand over the leaves.

Crumbling, worn headstones en masse wait behind the building. 

Rio tilts her head, “What is this?”

The door is unlocked. You knew it would be. The Road cannot keep you from this place. 

Inside is warm and hazy. Papers with elegant scrawl cover every surface, books half-open litter any free spaces. Shelves line the walls, jars bearing various specimens. Plush couches overflow with deep, red cushions, begging you to sit and stay. A fire cracks in the fireplace.

Rio turns this way and that. She wanders around the room, flipping through books. A fingernail taps against a jar full of eyes. An errant paper is plucked from where it sits haphazardly atop the mantle. She stops.

You know the paper the second she comes into contact with it; can remember the way you wax poetic about how beautiful she is, how safe you feel in her arms. She picks another, then another, so on, and you know every word the second she touches them; the way she unwinds in Agatha’s arms, her face twisted in perfect fury, the lightless turn of her eyes when she teeters on the edge of wickedness.

She looks at you, vulnerable and unsure, “What is this?”

“My heart.”

“That… then why is all of this here?”

Her hand shakes the papers for emphasis. You resist the urge to laugh, lest she think you’re making light of her. Death can be cruel, but you try not to be.

You step close. Gently, the papers are extracted and returned to their places. Rio stares and hardly breathes as you take your face in her hands.

“You pulled away after that night.” You whisper, finger tracing her cupids-bow, “Do you think I touch you only because it is convenient?”

Rio’s lip curls. Fists bunch at her side, crackling with green light. You feel the rumble of her anger working through her chest. She tries to pull from your hold, but you don’t let her.

“Do you think I kiss you and pretend it’s her?”

Rio snarls, “I will kill you if you don’t stop talking.”

You smile. The threat is a real one, but you don’t fear it; the outcome is remaining by her side. With one hand you reach and pull one of her fists between you. You unravel it, trying not to flinch against the bursts of power over her skin. You press the palm of her hand over where your heart resides inside your chest.

The snarl fades just so. Fury still lingers in her eyes. You press your hand over hers and will her to see, to know.

“Look at the walls.” You order.

Upon the walls, plain and dark, shimmering scrawl appears. Agatha Harkness, it reads in shaky lettering; like a name carved into a tree. One signature turns into ten and ten into countless. Purple and shimmering is Agatha’s brand upon you. Rio yanks and reaches for the dagger she keeps handy.

Rio’s true name appears in shimmering green letters, then. Same as Agatha’s, there are countless signatures. They conjoin and overlap until the walls of your heart look like nothing more than a child’s colorful scribbles.

She stares at the walls in disbelief. The knife in her hand clatters to the ground.

“I’ve carved your names upon my heart so I’ll never forget who it belongs to.” You whisper.

“Sweetheart…”

You bend and collect her blade, pressing it into her hand, “Now do it yourself.”

Her hand wraps around the handle reflexively. Rio’s hand doesn’t leave the spot over your heart, feeling the steady, truthful beat.

“It’ll hurt you.” Rio says. She doesn’t bother hiding the desire in her voice.

You urge, “Make me hurt.”

Each artful stroke of her blade is slow. You whimper, but grip her wrist and push the blade deeper into your flesh. She scoffs when tears flood your eyes. The tears run down your cheeks while you smile, filled with bliss and ache in equal measure.

It’s a gift to love so deeply it wounds you. You never want her to stop; who, aside from your shared scar, holds such power? Who else in the world could touch your heart truly enough to carve into it?

There’s delight in her every movement. She consumes the pain of millions and yet, none of it is of her own making. She can only relish in what others have done; torture for a being who remains eternally intimate with the greatest methods of drawing out agony. Death has no free will but that you offer her—and she takes what none else would give, ravenously.

Is it enough?

Not forever, something tells you, you think it might be her, but for now.

--

1925 

“You called?” Rio asks. 

“If I didn’t know any better I’d say you’re avoiding me.” 

Agatha leans against the wall beside a small window. The pane has been slid upward, letting in the sounds of the city below, releasing the smoke of Agatha’s cigarette into the air outside. 

The cigarette is clutched in gloved hands. Her expression is amused as she draws in and releases the smoke, watching it form the shapes she wills. Though it has no effect on such a witch, Rio admires the object’s capability of bringing Agatha infinitesimally closer to her. 

“We’ve been busy.” 

“Busy or not, I’d say twelve bodies earns me a visit. And with the bulk of good booze I just removed from the market, I’d say I’ve earned a little more.” 

An obvious lure with paltry bait, still Rio bites, “What do you have in mind?”

“Let me see her.” 

She should. You’ve come to accept Agatha’s absence in your life, but she sees how much time you spend in the bower, and how you flinch when her name comes up. Rio hadn’t expected the frequency of Agatha’s name on the lips of covens walking the road to be so overwhelming, but it always drives you right into her arms; that she will relish. 

But Death is not giving. She takes. Taking is, in fact, her favorite hobby. Twelve bodies is not enough to make up for the haunted look in your eyes. She wants more—will have it. Agatha has to earn you. 

“I’ll need a little more from you.” Rio drawls. 

“Do you have any idea how hard it is to kill that many witches here with the nightlife?” Agatha throws her hands up. Ash flies from the forgotten cigarette. 

The sounds of Chicago seem to grow louder, as if to aid her point. Rio grins. She crosses the small space and takes the cigarette, snuffing it out on the back of Agatha’s hand. The action prompts a quiet moan. 

“It shouldn’t be a problem. What I want, you have an abundance of.” Rio’s smile widens as she manipulates Agatha’s hand, removing the glove, pushing and prodding until purple flashes along the flesh. 

A cooling breeze sneaks in the window and rustles the fringe along Agatha’s dress. It’s a beautiful thing, short and decadent. Rio knows you’ve enjoyed the few sightings of the period fashion you’ve glimpsed, but like her, you’d enjoy this specific dress in a pile on the floor. 

Agatha’s eyes stare at where Rio’s flesh meets her own. Her eyes are contemplative, calculating. She hesitates. And that is her fatal mistake. 

Rio throws her across the room with a shove. Agatha’s side hits one of the walls and she falls, face-first, onto the mattress she’s been sleeping on. The springs shriek at the sudden weight. Agatha snarls, throwing out a blast of purple that slams into Rio’s chest. Rio moans something filthy. 

There’s a brief struggle where Rio does her best to keep Agatha pinned; to the bed, to the wall, wherever there’s a surface. Yet Agatha is slippery. Her magic whisks her right out of the hold Rio puts her in and wherever Agatha wills it; which currently, is behind the other witch so Agatha can kick the back of her knees. Rio kneels not of her own volition. 

She braces to stand, only to find the blade of her own dagger at her throat. 

Rio’s gaze has lost any warmth. Her affection is buried deep, beneath layers and layers of earth she craves to bury Agatha in right this second, “You’re breaking her heart.” 

“That shouldn’t be a problem, you like seeing her cry.” 

“When I’m the one responsible.” 

Agatha rolls her eyes. She maintains a carefully ambivalent expression. Rio knows better; knows, under all that forced emotion, that Agatha’s heart is waging against her head, warring over her selfish desire to keep every bit of power. 

Then, something shifts. Rio feels it. Agatha has made her choice and it isn’t you. And it ignites a rage in her chest unlike anything she’s felt in centuries. 

She snatches the dagger back from Agatha’s grasp and only just barely resists the urge to bury it in her chest. If she has to drag Agatha back to you kicking and screaming, she will. You would like that, wouldn’t you?

“I’ll kill you.” Rio vows, and means it. Agatha can’t run away from the two of you if her soul is Rio’s to keep. 

Agatha’s eyes flash with fear. Then, she grins around it, “If you can catch me.” 

Latin words roll off Agatha’s tongue faster than Rio can comprehend. She recognizes the words and what they mean, where they’ve come from. Rio reaches out with her magic for the Darkhold too late; it, and Agatha, have completely vanished from her awareness. 

When she returns to The Road and finds you pacing before the bower, she stops short. 

“Did you—is she dead?” You ask, worrying your lip. Though your eyes dart every which way, looking for whatever manifestation of Agatha you believe she’s brought you. 

“Sweetheart…” 

--

1937

“Do you think if I cut you open you would heal too fast for me to do any research?” 

Rio tilts her head, considering. She’s sprawled out on the plush couch inside the physical manifestation of your heart, toying with her knife, having a staring contest with the unblinking jar of eyes while you jot down thoughts into notebook number… well, she’s lost count. 

“Probably.” She answers, “I’m also not sure I have organs.” 

You pause, “How is that even possible?” 

“Magic, sweetheart.”

Leaning back, your mind begins to race; given how old she is, it would only make sense that the organs the body came with are gone, rotted away—but would the flesh not go with it? You massage your temples. Life magic is no easier to understand than Death magic. 

There’s only one way to test your hypothesis. You stand from your place at the table and cross to her, straddling her hips where she lay on the couch. 

“I want to see.” You say, holding out a hand. 

Rio hands over her dagger and sinks further into the couch, as if that is possible. She grins up at you with no shortage of delight. You do your best to tamp down on your own grin. 

The flesh beneath your hands is warm and smells of damp earth where you peel away her shirt. Her eyes darken with every inch of flesh revealed to you. Firm and unafraid, you press the tip of the dagger down against her sternum. The action earns you an exaggerated moan. 

You rip the dagger away, glaring, “Behave.” 

“Or what?” Rio taunts, tongue pressing against the inside of her cheek. 

“Or I stop letting you watch my dissections.” 

She tenses, “You wouldn’t.” 

“Wouldn’t I, beloved?” 

“Get on with it.” 

You lean down and steal a quick kiss. It melts away the darling little pout on her lips. 

When you press the dagger back down, the flesh bends, but doesn’t open. You tilt your head and press harder. Rio watches, unphased. There is absolutely no give to her flesh. It gets to a point where you’re pressing your entire body weight behind the dagger, but Rio only laughs, squirming as if the action tickles. 

You whine and sigh. The dagger is dropped unceremoniously onto her chest while you lean an elbow against the back of the couch, sinking somewhat into the cushion. 

“If you want live specimens, we can collect some.” She soothes. 

The idea isn’t intolerable, but you shake your head. 

“They scream too much.” 

“Anesthetic exists, sweetheart.” 

“I suppose that’s true.” 

You look away, tracing the walls and their offerings with your eyes. Upon them hang paintings of your own making; scenes of life, death, love, fear—mostly fear. 

The human condition fascinates you, always has. Of the emotions to study, fear is the hardest; it is always fleeting in your wake; your face is too kind, too trustworthy, wiping away any sense of the unease you seek to study. You stare at your paintings and feel only distaste, knowing they’re not quite right. 

You can’t claim to have always had such taste. No, a cultivation for the finer flavors of life and death takes time. You can pinpoint where the itch started, however; that day in your childhood village when a dying soul reached out to you—scarcely were you a day older than four—and found no assistance. 

How beautiful it was; grisly, messy, but beautiful. You did not flinch away. Rather, you found yourself drawn in, eager to see more. And being of a coven of healers, your desire was fulfilled. Death was yours before you knew her name. 

Looking down at her, she stares back, unashamed to be caught. The heart in your chest—which has felt so stagnant in recent years—warms toward something almost pure. 

Rio will one day claim your soul. This, you know, and accept; your soul belonged to her the second you watched that woman die. You fear the when. What becomes of you when she claims your soul? What if you have yet to conduct all the research you desire? There is so much still to learn and you know she’ll abandon it for the chance to keep you. 

You love her, but you’ll never forgive her the knowledge you’ll one day lose. The warmth in your chest doesn’t ebb. 

Her top is still splayed open from your attempt at dissection. A healthy amount of flesh is bared to your eyes. You trace one finger from her neck to the center of her chest and tap, just above where a heart should be. 

“When you come for me,” You say, “I want to hold your heart in my hand.” 

“You already do.” She utters. 

“Will you let me study it, then, when I’m but a soul?” 

“You can study whatever you wish as long as it leads to me.”

--

1989

Agatha dwells on mistakes, often. She just doesn’t allow them to distract from her purpose. She is ruthless, to her very core. 

She spends an embarrassing amount of time trying to open the damned door to The Road. One coven after another, all failures. There is an obscene beauty in claiming a reward for what would otherwise be failure on her part. 

Time passes, enemies made, promises broken. She shrugs them all off. Yet she can’t shake the feeling of your hands in her hair, on her face. The lingering whisper of your kisses haunts her. The Darkhold whispers to her, oftentimes in language she shouldn’t comprehend, and it offers her the solution, should she just be patient; 

The Scarlet Witch

--

2026

The power that floats before you is biting and all too familiar. 

It fights against your hold, twisting and writhing like a wild animal, desperate to return to its mistress. But you’re stronger for now. The Scarlet Witch threw this power into the ether in her attempt at playing Death, and now it is yours to hold until Agatha comes for it. 

Anger rubs against the heart in your chest like a cat. You lean into it, feeling your own power respond to subdue that which isn’t yours. 

Rio watches beside you. She runs her fingers through the purple electricity contained in your palms, laughing when it fights her. Lips press against your temple. 

“Not long now.” She assures you. 

You feel longing and fury in equal measure. 

“I want her soul, Rio.” You whisper. 

A small chuckle, low beside your ear. It sends shivers down your spine. Her hand grasps your chin and turns you to face her, her lips meeting your own. The kiss is soft. You melt into it. 

She pulls back, tone careful, “You didn’t walk The Road, sweetheart.” 

You have not earned what The Road promises to grant. 

--

2026

Agatha doesn’t expect the end of The Road to look like Agnes’ Westview home, nor does she expect to see Rio perched on the roof, leaning back, as if waiting. But every step closer to the front yard makes her more furious. 

She is owed her prize. 

Upon her first step in Agnes’ yard, the front door opens, and she is blasted with something so strong that it knocks her back to The Road, on her back. She groans. Yet, she feels more alive than she has in centuries. Her body shudders with its missing piece; her power curling up in her veins, pleased to be home. 

She sits up, wincing at the ache in her bones that continues despite the gift she’s received. Leaves stick to the back of her arms, little pieces having crunched beneath her weight and adhered to her skin. She does her best to brush them away while getting to her feet. 

Rio remains on the roof, grinning. 

There, on the porch of Agnes’ house, is you. All the glory of you. 

Agatha’s heart leaps in her chest despite the scowl on your face. To her, you haven’t aged a day; still the young, fresh-faced witch following at her heels, dizzy on knowledge and the thrumming power inside. Time has not erased the love she has—so great it threatens to bring her to her knees. 

“Dearest…” Agatha murmurs, taking a half-step forward. 

“You have your prize.” You sneer. 

Your heart aches, begging you to go to her; hasn’t it been centuries? But your pride holds you back. She left you here while she gallivanted around the world getting what she wanted. 

There’s a brief flash of hurt on Agatha’s face, before it morphs into a wicked grin. Her posture changes, too, to something more proud, as she slinks across the yard toward the porch. You resist the urge to take a step back. 

“No, I don’t.” She drawls, “Are you going to be a good pet and come home willingly, or do I have to put you on a leash?” 

Something inside you burns for her. You ache for her touch, for her to force you to do what she wants. It creeps through the cracks of your pride and turns it into something else. You stick out your chin. Agatha snickers. 

Magic pulses in your palms, pulling various items from around you to throw—not fast enough. Agatha has you kneeling with your hands bound in a blink. 

“That’s not very nice, dear. And after all I’ve done to get here.” 

You regain some of your fight, snarling, “You left me here.” 

Agatha hums. 

“Into the deal you stumbled your way into. I’m not the one who tied herself to The Road in a fit of pride.” 

“You were leaving me regardless. If I was going to be handed off, I was going to do it on my own terms.” 

“Did I specify a length of time in my proposal? Was there any explicit mention of how long She could have you before I came back?” Agatha asks, mean-spirited joy in her eyes upon watching the realization dawn in your own. All that time you spent agonizing… when you had shackled yourself, “Years lost because you wanted to be a self-righteous brat.” 

There’s a lilt to her voice that clues you in to everything you’d once seen instinctually; Agatha has been in just as much anguish as you have, left to walk the world alone. You see the pain in her eyes. Just like then, you try to get to her now, eager to fix it, to wipe it away. 

The binding around your arms keeps you stationary. You whine and pull against it. 

“Agatha,” You whine, “I’m sorry.” 

“You will be.” She says. Then she turns to your left, finger poised and accusing, “And you—you kept her away from me.” 

Rio shrugs, smiling, “I couldn’t just make it easy on you.” 

Agatha waves a hand and Rio is kneeling on the porch at your side, similarly bound. Yet where you look pained, she is delighted. 

“I’m sorry.” You repeat, “I didn’t mean to be bad.” 

“That doesn’t change that you were.” 

A cloud of purple smoke announces your arrival to the inner bedroom of Agnes’ house. It doesn’t look like what you’ve seen from Rio, though. Where Agnes had been bland and cookie-cutter, this is rich fabrics and deep wood. It is Agatha through and through. 

You and Rio kneel side-by-side at the foot of the bed, where Agatha perches. Her beautiful blue eyes don’t miss the slightest movement you make. She’s clad in a dark robe with snakes and flowers that has Rio leaning forward in interest. 

Agatha’s eyes lock on you, “You’re going to apologize. Properly.” 

“I’m sorry—” 

“With your tongue.” 

Leaning back on her forearms, Agatha spreads her legs, and you feel the desire in your body rush through you. It’s so strong you feel your head begin to pound. She’s pink and dripping and all you want is to do a good job for her. 

Yet, ever the brat, you lean forward and start with kissing her inner thighs. With every press of your lips to the delicate flesh you murmur an apology. She sighs. 

A hand weaves into your hair and yanks you back. Her eyes are dark. Her face is set in a punishing expression but you see the yearning in her that matches your own. She yanks again, lighter, and you moan. 

“What did I say?” She asks, before directing you where she wants you. 

Witches don’t subscribe to the idea of what a human would call heaven, but upon tasting her, you think you could get behind it. She’s warm and sweet. You flatten your tongue and drag it along her slit just to collect a better taste of her. Agatha’s hand presses you in harder as she moans. 

Without the use of your fingers, you have to use your tongue well. You stiffen it as much as you’re able when you delve inside her and hope it is even slightly close enough to satisfy. The pathetic sounds reaching your ears—breathy moans, sweet whimpers—tell you that you’re doing fine. 

“Good girl.” Agatha breathes out. 

You clench around nothing. You’re sure that you’ve ruined your undergarments thoroughly from how wet you are. 

Eager for more praise, you direct your attention to that small, fleshy bundle of nerves begging for your attention. You swirl your tongue around her clit and her hips stutter, before they grind against your face with a renewed sense of purpose. You smile. 

“Yes—there, more—” Agatha stutters. 

You were born to do as she commands. All you want is to make her happy. Following her directions is as easy as breathing. 

The tip of your tongue alternates between circling her clit and flicking it. Every flick earns you a high-pitched oh! and a firm grinding of her hips. Her thighs are tightening around your head, but she’s putting up a good fight. Her legs quiver. 

“There—there—I’m going to—” Is all the warning you’re given before Agatha shrieks and comes while rutting against your mouth. You lap up every drop of her wetness you can get with glee. You did this, you brought her this pleasure; the knowledge sends a happy jolt through you. 

Agatha’s grip on your hair releases and you lean back, taking in big lungfuls of air. She stares down at you with a thoroughly fucked-out expression that makes you preen. 

Then she leans over and pulls your lips to hers. She moans against the taste of herself on your lips, tongue collecting the flavor from your lips. You throw every ounce of love you possess into the kiss—willing her to understand the longing you felt, the thousands of hours you spent watching her lifeline just to make sure she was safe. 

“Good girl.” Agatha murmurs, pressing little kisses all over your face, “My good girl.” 

“All yours.” You agree.

She laughs, low and smooth, “That’s not quite the truth, is it?” 

The two of you turn to regard Rio in unison. She remains in the position Agatha left her in, kneeling and bound. You admire her restraint at not breaking the bindings. Though you guess Agatha wouldn’t take kindly to that. 

Rio’s eyes are black with desire. They dart between the two of you. She takes in the wetness on your face, licking her lips. You can feel her eagerness for a taste. 

She’s writhing a bit in her restraints, pressing her thighs together and wiggling, looking for any source of friction she can find. Agatha tuts and she stops. If it were up to you, your face would be between her thighs, ears enjoying every sound she makes. But it isn’t up to you. 

Agatha scoots back up the bed until she’s sitting against the headboard. That’s when you feel the restraints on you fall away. She beckons the two of you with a finger and you both follow the command, eager. 

“Come here.” Agatha urges you specifically, patting her bare thigh. 

You obey and straddle the appendage, shuddering against the feeling against your throbbing clit. There’s a split second where you think of just grinding down and taking what you want. But you don’t—you have to be good. 

Words pass between Agatha and Rio during your silent struggle. When you look, she’s lying along the length of the bed, legs bunched up and spread wide next to you. 

“What am I going to do with you both?” Agatha muses. 

“Fuck us?” Rio drawls. 

“You, my good girl,” Agatha says, ignoring Rio as she soothes a hand through your hair, “are going to use me until you come. And my bad girl isn’t going to come until I tell her she can.” 

You shudder, whimpering, while Rio whines next to you. Agatha kisses your forehead while dealing a slap to Rio that makes her groan. 

A hand settles onto your hip and begins to guide you through the motions of grinding against her. The friction is difficult to attain with how wet you are, but you do what you can, crying out everytime the pressure is just enough to make your toes curl. It won’t take long for you to finish. 

Your face is buried in Agatha’s neck, where you press loving little kisses to the flesh. As a result you cannot see Rio. But you hear her; every movement of Agatha’s deft fingers through her wetness, every growl and keen of desire, every slap of Agatha’s hand when she gets a bit too eager. She won’t last long either, from what you can tell. 

The image of Rio and Agatha in your mind is enough to push you toward that delightful little taste of death. Your hands tighten over Agatha’s shoulders. 

“Agatha, can I—please?” You plead. 

“So obedient, asking for permission even when you don’t need to.” Agatha praises, “Go on, darling.” 

With her hand guiding you and her voice in your ear, you come so hard you see stars behind your eyes. You’re not sure what sound leaves your lips, only that your throat aches afterward. 

You tune back in to hear a brutal slap of flesh on flesh. Rio snarls. 

“Beg.” Agatha’s voice commands in your ear, though you know it isn’t for you. 

Rio stays stubbornly silent. 

The sounds of Agatha toying with her come to an abrupt halt. You don’t have the strength to lift your face from your refuge, but you can imagine that stubborn, yet pleading look in Rio’s face; wanting so deeply but not willing to give up what is required. 

“If you don’t want to behave, she can have your pleasure instead.” 

“No! I’ll—” You hear Rio grit her teeth, “Please, Agatha. Please let me come.” 

Agatha laughs. 

“That wasn’t so hard, was it?” She coos. 

Seconds—or maybe minutes—before Rio wails. There’s something primordial and animalistic wrapped inside it, almost like a growl. It makes you shudder. Then all that's left in the room is the sound of breathing. 

You spent so long aching for something just like this. It’s beautiful, though you know it can’t stay; all three of you are far too ambitious to live a domestic existence, but it’s nice for now. You missed them. The heart in your chest feels complete again, filling to the brim with affection. 

Tears seep from your eyes and you pull back before Agatha can question it, though you do feel her stiffen. You press kisses to her neck, her sternum, the inside of her wrist; then you grab Rio’s hand and press kisses to every pad of her fingers. 

With every kiss, you murmur I love you. 

--

2027 

“If you don’t sedate him at least a little bit, his heart is going to give out.” 

Rio’s sudden voice next to you isn’t surprising. You’ve grown used to her coming and going—Death waits for no one, after all. Her lips press to your cheek and you accept the affection. 

“She did sedate him. Three times.” Agatha’s voice calls from the next room. 

“Oh, I see.” 

Rio leans over to examine the man on your table with no shortage of interest. He stares back, eyes impossibly wide. His heart rate picks up. 

“What is he?” She asks. 

“Not sure. Rapid regeneration, odd capabilities. Mutant, maybe?” 

“He’s certainly not a witch.” Agatha’s leaning against the doorway now, arms folded over her chest, “Though it is taking a fair amount of magic to keep him subdued.” 

“He’s no match for you, naturally.” You compliment. 

Both Agatha and Rio grin at that. The former comes up behind you, hands settling on your hips. Her lips press against your neck. Then, she leans over and steals a kiss from Rio, who is all too eager to meet her halfway.

You smile. The heart in your chest threatens to burst—not unlike the specimen in front of you. 

“Well, aren’t you sweet today.” Agatha comments. 

“Aiming for a reward?” Rio asks. 

Rio kisses her way up the flash of skin available to her eyes, making you sigh, leaning back into Agatha’s hands. Then Agatha’s lips fasten to the other side of your neck. Your head falls back and you laugh. Then you moan. 

The experiment on your table is forgotten as you’re dragged into the next room and bent into all sorts of shapes you couldn’t even imagine on your own. Oh, well; if he dies before the six hour mark, you can always just find another one. The same cannot be said of the witches bracketing you. And oh, how beautiful that is. 

[seresinhangmanjake]

Forgetting

Jake Seresin x reader

Summary: Jake forgets to pick you up at the airport because of his ex, and for the first time, you think maybe you and Jake aren't mean to be.

Notes/Warnings: Angst, but ends fluffy. Fighting. Cursing. This was a request that I said I'd have done in a couple days and it took me a week and a half. Sorry about that. Also, please be gentle. I haven't written for Jake in what feels like a millennium.

Words: 2700

Jake Seresin Masterlist / Main Masterlist / Tag List

As much as it would kill you to know that he could be hurt, you hope he’s hurt. You hope he’s on his way to the hospital to receive life-saving treatment because if he’s not hurt, if he’s not receiving life-saving treatment, then he simply forgot about you. And that makes your heart want to claw its way out of your chest and scamper across the floor until it’s well out of your range to catch it. 

Your call goes to voicemail for the fourth time. You send your twelfth text: I hope you’re ok. I landed an hour ago. Please call me. Nothing different than the eleven other messages that have gone unanswered. Forty-five more minutes pass of you sitting on a bench by the airport exit before you finally surrender your last shred of hope and call Bradley to come save you. 

Within the hour, you’re sighing in relief, the sight of a friendly face almost bringing you to tears. He approaches you with open arms and you fall right into the embrace, comforted by the hug that should be in your boyfriend’s arms, and the warmth that should be from your boyfriend’s body, and the forehead kiss that should be from your boyfriend’s lips. 

“Please tell me he’s ok,” you say against your friend’s chest. 

A heavy palm rubs up and down your back. “No one could get ahold of him.”

Your head jerks back so you can meet his eyes. “Oh my god!”

“I’m sure he’s fine, kid. Don’t worry.”

“How can you say that? He was supposed to be here and he’s not and–” You pause when Bradley looks away from you, and a hefty stone settles in your gut. You know your friend well. He’s a good man, honest but sensitive, and when that honestly meets that sensitivity, it results in his inability to look someone in the eye if he thinks the truth might hurt them. You’ve seen it a hundred times, but never with you. 

Your posture wavers with your lengthy exhale. “What aren’t you telling me?”

Another great thing about Bradley: he doesn’t make you play any games. You don’t have to jump through hoops. You don’t have to ask the right questions in the right way in order to get what you need out of him, unlike many men, your boyfriend included, who recently has found ways to skitter around telling the full truth. 

“Javy said he saw him a couple of hours ago,” Bradley says.

Your back teeth clench. Your mind shoots to one conclusion. “With her?” you ask. Bradley’s eyes drift from yours again and you nod, a tear at the ready to leak down your cheek. “He forgot about me because he’s with her.”

“We don’t know that for sure, and–”

Your hand scrubbing down your face cuts him off. Your fingers pinch the bridge of your nose before you suck in your whimper and say, “Rooster, why did he even ask me to come here?”

“Because he…I mean, we thought he–”

“You thought he gave a fuck about me.”

“He does,” Bradley says, stressing his words in an attempt to reassure you. “He never shuts up about you.”

“Sure,” you say. “He gives so much of a fuck that he forgot about me to be with his ex. How can you explain that?”

Rooster sighs. His hands slip into his jeans pockets just to have something to do with them. “I can’t.”

“Exactly.” 

No one can explain it. Not you, not Bradley, not Jake. Everyone you know back home would be telling you to run for the hills right now. They were already wary of this ‘Navy guy’ that they’d only met twice around the holidays, who lives a decent distance away from your entire life and who constantly requests that you be the one to hop on a plane rather than the other way around. 

For the duration of your time together, you’ve been understanding of that sacrifice. You know his schedule doesn’t allow impromptu trips out of state, but that hasn’t made it any less exhausting for you. And maybe that’s a sign. Another sign. A nail in the coffin. Maybe you and Jake aren’t meant to be. And why would you be? You met him on a brief vacation to visit a friend who doesn’t even live in the same town anymore, and somehow, during those few days, he convinced you to take a chance on him. So you took the leap. But being that bold doesn’t guarantee you won’t fall flat on your face, and you think that’s exactly what’s happening. You’ve tripped over a guy only to realize he doesn’t care about you to the same degree that you care about him. 

However, you’re not the type to avoid confrontation. If Jake Seresin is going to mistreat you because of his ex, then he is going to do it to your face. He’s going to look you in the eye when he shows himself to be the liar he is. It may hurt more to go to him rather than get on the next plane home without so much as taking in a breath of fresh Californian air, but you’re too upset to let that thought fully develop, and a moment later, Rooster is following your stomps out the door. 

—

You find him at the Hard Deck, standing at a hightop with a beer glass in his hand that clinks against the one in his ex’s before he takes a sip. Bradley’s comforting hand lands on your back in solidarity. You only met him because of Jake, but the two of you bonded despite their differences, and having him by your side now makes him nothing short of a life-saver. 

He helps guide you through the crowd to the table, and when Jake spots you, he chokes around the liquid going down his throat. His blown-out emerald eyes rival saucers and his mouth gapes like a fish, but then his stare flicks to Bradley, and those eyes shrink into narrow slits. His face heats to a boiling red. 

“What the fuck!” Jake snaps, shocking the composure right out of his ex’s poised stance. Bar patrons close by turn their heads but quickly return to their own conversations. Jake steps away from the table, coming to a halt in front of you and his squadmate. “What the hell is this?”

You figured he’d be bothered if you showed up with Bradley in tow. And good, that’s what you feel he deserves. Jake’s been wary of the other Dagger’s closeness to you for a while, and even though you know—as does Bradley—that it’s an asinine concern, you have no problem using it against him now. But still, the intensity of his reaction manages to surprise you. You didn’t think he would be this angered by the sight of you with another man that it would have him overlooking his mistake of forgetting you.

Your arms cross. “This is your girlfriend and the guy who saved her when her damn boyfriend left her stranded at the airport.”

“Excuse me?”

Jake’s ex’s prying gaze tugs at your attention, but when you glance over his shoulder to catch her in the act, she quickly looks away—just more proof that whatever the fuck she’s doing with your boyfriend is something to be ashamed of. 

Bradley’s saying something. You can’t quite hear him over the anger-induced fuzzing in your ears, but you’re pretty sure it’s a scolding based on the twisting of Jake’s features as he shoots back his own words of aggression. And then your hand is in his and you’re being pulled through the bar, out the back door, and onto the deck where the only intrusive sound is the lapping of waves on the shore. 

“Why are you here?” he asks. 

You scoff to mask the heartbreak that comes with that question. “Because you asked me to be here.”

“Tomorrow.”

“What?”

“It’s Wednesday,” he says. 

“It’s Thursday, Jake.”

“No, it’s—” he freezes, and you don’t know if he’s tipsy or stupid, but it takes him a minute to come to the same conclusion: it is indeed Thursday. “Fuck,” he mutters.

Your lower back meets the edge of the railing, and you sigh, thankfully keeping in the tears. “What are you doing with her?”

“What the fuck are you doing with Rooster?” he returns much more forcefully. “Why didn’t you call me?”

“I called, I texted, I left voicemails,” you tell him, “But clearly, she was more important.”

Jake’s hands pat down his pockets, mouth setting in a frown when he can’t find his phone.

“Don’t bother. Phone or no phone, you forgot about me because of her. Last time I was here, you were late for one of our dates because of her. You spent fifty percent of our time together stepping away to take her phone calls,” you say, trying and failing to avoid the bitter taste on your tongue. “Just fuck her, Jake, if you haven’t already. I only came here to tell you that she can have you.”

You’ve never seen him fall apart the way he does. You’ve never seen the blood drain from his cocky face. You’ve never seen his features break and crack and contort into the vision of pure devastation as they do. His parted mouth must’ve gone dry because his next words come out slightly hoarse.

“You don’t mean that,” he says, but it’s more of a plea than anything. “Why…Why would you–” He swallows. A wrinkle forms between his brows and he shakes his head. “You love me. You didn’t mean to say that.”

You do love him—terribly so—but you’re willing to be one of those people who won’t view love as enough if it also means laying you out as a fool. “Jake–”

“Take it back,” he says. His steps are quick, and then you’re trapped where you stand, his hands on either side of your body, gripping the rail. Eyes drill into yours, and for a second, you feel a pang of guilt. “Please, baby, take it back. She doesn’t mean anything to me.”

“And I mean less.”

“No!” he says. “That’s not true. You’re everything, ok? You mean everything to me. She was just helping me, that’s all.”

“Helping you,” you mimic with a roll of your eyes. “Helping you what? Get off?”

With a little whine, Jake’s head drops between his shoulders, his blond hair brushing your collarbone. “Please. Please quit saying things like that.” His hands slide closer to your body and land on your hips. You don’t push him away—you can't—and his touch softens you ever so slightly.

“Then tell me the truth,” you say. “Right now. I’m giving you one shot.”

His head snaps up. His eyes flick back and forth between yours, ironically searching for your honesty, as if you’re the liar on trial here. 

“It was a surprise,” he tells you. “She’s a realtor now, and for the last few months she’s been helping me find a new place, one that’s bigger than what I’ve got because I was going to ask you to move in with me.” Your heartbeat stutters. A layer of goosebumps coats your arms. When you don’t respond, he continues, “I hate missing you. I hate how unfair it is that you’re always the one to come here because I can’t fly out at the drop of a hat. I know it’s a big step, but I figured if I had a place, I could show you how great things could be. That’s why she and I came here. We were celebrating because I’m signing on a house first thing tomorrow,” he says. “Well, that’s why I’m celebrating, anyway. She’s probably celebrating because she just made a decent commission.”

It’s almost unfair how that new information doesn’t make you feel any less of a fool. Had he told you that under any other circumstances, you’d be leaping into his arms, kissing him like you’ve been deprived of him for years, repeating ‘yes’ over and over between those kisses, but you can’t. You can’t because his explanation doesn’t fix everything. 

“That still doesn’t change that it’s Thursday, not Wednesday,” you say.

“I know, baby. That’s my fault. I was so excited, and I was thinking how perfect the timing was that I would be able to pick you up tomorrow and drive you by the house now that it’s officially mine, but I fucked it up.”

Jake’s thumbs press into your hips, and you’re instantly reminded of each moment in your relationship when you’ve felt that same light pressure on your skin. A gentle claiming. The same pressure you felt when you agreed to be his girlfriend. The same pressure you feel whenever you’re in bed together. 

You sense eyes on you other than your boyfriend’s, and when you turn your head, you find his ex staring right at you, an expression on her face that you wish you could say wasn’t one of distress, but it is. And worse, it’s obviously not distress for herself, but for Jake, as if she’s hoping she wasn’t just a contributor to a bomb dropping on his life. 

Jake’s busy staring at you despite your averted gaze, and in a monotone voice, you say, “She feels bad.”

He doesn’t follow your eyes. “Because she knows I’ve been doing this all for you.”

You blink. Your hand runs down your face before sifting through the strands of your hair. “You really want me to live with you?”

“Of course I do,” he tells you. He’s shaking his head, but you know it’s because he thinks any idea that he wouldn’t want you to be blasphemous. His hand cups your chin. “I love you.”

With a sigh, you push aside the rollercoaster of emotions, the misunderstandings that lead to frustration and hurt, and look him directly in the eye. And where moments ago you thought you saw lies, you see honestly. Where you thought you saw betrayal, you see love. 

“Can I see it?”

—

It’s small—a two-bedroom with a little driveway, the shingle siding painted a blue-gray shade that is more blue than gray; bundles of flowers bloom in the boxes under the windows; a bay window protrudes from the side of the structure facing the beach. And it’s perfect.

You can imagine building a life here. You can picture a dog that you’ll have to build a fence for and children years later that will have you reinforcing the fence because they’ll probably be like their father, and Jake didn’t choose to be a pilot because of his lack of adventurous nature. You look at this house and you can see the core of a family. A house that, no matter how far you go for Jake’s job, will always be home base.

Jake is leaning around you so you can both watch the house from the passenger seat window. “I’d offer to show you around, but I don’t get the keys until morning.”

“It’s ok,” you tell him. “I don’t need to see inside.”

When you say that, he falls back into his seat. The back of his head presses against the headrest. His fingers squeeze the steering wheel with his sigh of defeat. “You don’t like it.”

Shifting your body to face him, you say, “Jake, I love it.”

Just like that, his eyes brighten like a pouting child who was just offered a lollipop, and you can’t help but chuckle. You can’t help but forget everything that happened earlier in the night, all of it seeming so insignificant now, even though you know it’s not, and you both know that if he ever makes the same mistake again, he’ll have hell to pay. But something tells you that won’t be a problem. 

“Enough to live with me?” he asks.

You nod. “Enough to live with you.”

---

A/N: Thanks for reading! Comments make my entire world, so if you liked it, let me know? Thanks :)

[naturesapphic]

Pressure

Billie eilish x fem!reader

Warnings: smut, strap-on, daddy!billie, tongue sucking, choking, cussing

A/n: @bilswildflower said she wanted someone to write it so I thought I would make a little something hehe

Billie had you against the wall pounding into you with no mercy in her veins. You were in one of the rooms backstage on the Stephen Colbert show and Billie had already went on, but will soon be performing one of her songs called “lunch” live. She would be going on in ten minutes and here she was fucking your brains out.

“F-fuck daddy!” You moaned out as Billie had your legs wrapped around her waist and your hands clawing at her clothed back. Her face was in your neck leaving love bites behind as she used one of her hands that was holding you up and trails it up your body. She lifted her face out of your neck and gripped your throat in her ring covered hand and kissed you deeply.

You both moaned in each others mouths and Billie starting shoving her tongue down your throat. You whimpered as her tongue explored your mouth and removed her hand from your throat to trail down to your stomach and apply pressure to see where the strap is. She smirked against your lips, breaking the kiss “mmm…right there…let’s see if I can go deeper how’s that mamas?” Billie whispered against your ear and you felt your eyes roll in the back of your head at her tone.

You whimpered out a yes and Billie gave you a smile and leaned down to kiss you again. She used her strength to put one of your legs over her shoulder and started pounding into you more at this new found angle and you moaned loudly. Hearing the moans and noises you make because of her makes Billie go absolutely feral. You kept moaning against her mouth and Billie takes that at another invitation to push her tongue in.

She swirls all in your mouth and finds your tongue and starts sucking on it, leaving trails of spit coming down the side of y’all’s mouths. You felt the strap on go deeper and deeper and Billie put her hands on your stomach against and pressed down back on it and smirked. “That’s more like it. Are you gonna come for daddy sweet girl?” She asked and you nodded, pressing your sweaty forehead against hers. Her thrusts started to become faster and harder making your legs shake, as you let out one final guttural moan before you came all over her.

She smiled and slowly pulled out of you, your cum leaking out of your pussy. Billie licks her plump lips at the state you are in and picks you up in her arms and sits you on the couch. She goes into the bathroom and gets a warm rag and starts cleaning you up as you sat on the couch, panting. “You did so good for me babygirl. So good.” She praised you and you gave her a tired smile as she leans down to kiss you softly. Someone knocks on the door telling Billie she’s about to go on and she looks at you “stay here and get some rest baby because im no where near done with you.” She rasped out and gave you a wink before helping you put your underwear and pants back on.

She then gives you her blazer to cover up with while you take your little nap. Billie walks to the door before spinning around and looking at you with a loving expression “I love you mamas.” She said sweetly and you felt your heart burst at the sincerity in her voice. “I love you more bils.” You say and she gives you a wink before she walks out the door. You smiled to yourself before covering up with her blazer. You nuzzle it up to your nose since it’s smells like her and fall into a deep sleep.

A/n: hehe I hope y’all enjoy and I hope @bilswildflower this is what you wanted! Remember my requests are still open for Melanie Martinez, billie eilish, and my other characters I write for. Remember to stay hydrated and that I love you! And this fic is also for @billiesbabygirl

Tag list: @mxqdii

[mostly-imagines]

answering a question nobody asked: what are jason's love languages ranked?

giving:

5 ) gift giving is bottom tier for him. i just dont see how he could value that more than any of the above because of the way he grew up. like material things and money seem like something he’d reject more than anything to me. but he does still give you presents, of course. he’ll buy you flowers randomly and jewelry and little things he’d noticed you admiring. but i dont think he really does it as a method of expressing his love for you so much as just like a little nice thing to do for you. its not his preferred method of communication, at least.

4 ) a little lower on the list comes words of affirmation because i don’t think it comes as naturally to him. he’s a man of few words and those chosen are caked in sarcasm and dry in a way that attempts to push people away, even if he doesn’t mean to. i just think his words can be rough around the edges even if his meaning isn’t. when he can work through it though, his words are very gentle and genuine. not one for hyperbole but really truly means what he says. he hears that you’re insecure about how a dress looks on you and he’s telling you to ‘shut up, you look good.’ or you’re nervous and he’ll say “you’re fine, don’t worry about it.” to someone else’s ears it might sound dismissive but you know that not how he means it. there’s a lot of unsaid words with him that are more significant than whats coming out of his mouth. like i said though, only like level 10 acquaintances and you will ever know him well enough to decipher those secret meanings.

3 ) he tends to treat himself like a loner, pulling away from people like second nature, but after he met you he found himself wanting to be around you all the time. he’s not the best with words or romantic gestures so quality time is an easier way of reminding you he loves you. he likes just sitting with you and letting you ramble about your day—listening to your voice is a big part of his calming down process every night. but sitting in comfortable silence with you is probably his favorite. he doesn’t get that with a lot of people. silence—sure; comfortable—not so much. he loves the implied intimacy and trust of quietly cooking, napping together, or doing your own things in the same space.

2 ) physical touch is another big one for him. only unlockable after entering a relationship with him. he does it for a lot of reasons, common ones include: as a reminder that he’s there, to ease anxiety (yours or his own), as a sort of fidget, or if he’s feeling a little possessive. its honestly going to shock his family how much he initiates touch with you. he’ll shove them off of him when they try to hug him and is likely to throw hands if they get too touchy. so when they meet you for the first time and he’s squeezing your hand in his the whole night, shoulder to shoulder with you—they’re surprised, to say the least. as time goes on they start to notice that he looks borderline uncomfortable when he’s not touching you—like he doesn’t know what to do with his body. his favorite ways to touch you (non sexually) include: keeping you pressed back to his chest, having your leg hooked atop his when you’re sitting hanging out, hand on the back of your neck, and hands on your hips are a must.

1 ) jason's prime method of communication is through acts of service. he fully believes it’s his responsibility to take care of you and doing things for you comes very naturally to him anyways. he’s known to refuse to let you carry things, let you have the comfortable chair, give you the last of his snack, that kind of thing. he also wants to make your life easier as much as possible—he’ll insist on you telling him about things you need, especially things you aren’t able to do yourself. you never ever have to hire a guy to come look at anything broken in your apartment, jason’s got that shit under wraps. he’d honestly be a little hurt if you did. he’s got a wide array of skills under his belt, he can fix leaky pipes, install locks, build furniture, repair cars, you name it.

receiving:

5 ) he always appreciates getting gifts from you but it’s not necessarily his preferred way of receiving your love. gift giving and acts of service are bottom tier because they’re the only ones that he feels like are taking away from you. costing you money or energy, wasting it on him—he doesn’t want you to do that. he can’t feel loved by the gesture when he’s busy concerning himself with the idea that he’s putting you out for it. when you do give him gifts he likes it most when they’re little things, especially things that you made. make him a friendship bracelet, a simple painting, a fucking paper crane—he’ll love it. with things like that, it makes him really happy to see how excited you are to show him and that’s when he feels the love from you.

4 ) it’s always a little hit or miss with acts of service. he has a hard time accepting help, especially from you. he tends to feel like its his job to take care of you and if you have to help him, he’s doing something wrong. the best way to perform acts of service for him is through littler things. cooking his favorite dinner, checking up on how his stitches are healing, covering him up when its cold and he’s too busy/stubborn to go get a blanket. don’t make a whole thing about it, just do it and he’ll notice and he’ll be thinking about it for a while.

3 ) for the same reasons as mentioned earlier, he loves quality time with you. he prefers being on the receiving end of it though because he is a little insecure and absolutely loves when you go out of your way to spend time with him. tell him you want to be around him, tell him you miss him, tell him you’re happy he’s here. warning: he might cry.

2 ) you’ll notice this one because his breath will literally hitch. physical touch is one of the most prominent methods of affection in your relationship and he never gets used to it. the presence of just your head on his shoulder or your hand in his provides such a noticeable release of tension for him. he’s a huge huge fan of you tracing patterns anywhere on his skin, playing with his hair, and wrapping your arms around his middle so you can hold him close. climb on his lap unexpectedly and his heart will skip a few beats.

1 ) he won't ever admit it, but words of affirmation are his absolute biggest weakness. your boy has a praise kink, but i also think it's difficult for him to accept that so you have to be subtle about it and work up. it gets him really blushy and if you can manage to get him talking, he’s stammering. he can’t hold eye contact for shit when you call him pretty and it’s very amusing to you to see such a quick and drastic shift in his disposition. things that have straight up put him out of commission include: calling him “my pretty boy,” or “sweet boy,” “you always take such good care of me,” “you’re so strong,” “you’re the love of my life.” “i’m proud of you” will literally put him on his knees.

[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.