#IT WAS SO GOOD GO WATCH IT RN

[glassiskies]

watched across the spiderverse and walked out of the theater a changed woman

[claraoswalds]

#mrs flood who are you: time lord edition

[countlessmoviethoughts]

// SPOILERS FOR KAOS ON NETFLIX //

One of my fav things about the series is how they don’t have all these monsters in the real world live you see in other media. Like ofc in the underworld they have Cerberus dogs (love you Fotis <33 ) and Medusa and others, but in the real world?

Polyphemus is a one eyed bar tender working at The Fates bar (I LAUGHED SO HARD WHEN THEY MADE THAT CONNECTION I MEAN HE WORKS IN A PLACE CALLED THE CAVE ITS SO FUNNY)

The Minotaur is Ari’s brother who’s been locked away from everyone resulting in extreme aggression

The Furies are a biker gang

I really hope they keep this theme up in future season, I want to see them reimagining more Greek legends/monsters like this (we are getting a second season, I’ll keep saying it till it happens)

I find it really creative and also (in cases like Ari’s brother) much more sinister and messed up than just placing the actual monster in the show.

[squidflavoredsoup]

guess who’s sick

n not the cool sick i mean actually sick

i am NOT doing good LETS SEE IF I END UP IN THE HOSPITAL AGAIN YEAHHHH💪💪💪💪 they love me

ANYWAYYYYY jokes uhhh here’s bill n my billsona

next part of roomie cipher should be coming out maybe tomorrow btw

also like don’t listen to me i’m like running on 0 hours of sleep i’m LOSINGGG ITTTT

[wormontwostrings]

always be by my side

[grimaom]

celebrating 25 years of farscape

day 5: what makes farscape truly special?

↳one thing i love about farscape is how it embraces its weirdness, making it a very unique show and watching experience.

[knockknockitsnickels]

Themed Slay the Princess Playthrough Ideas

Someone Explodes: Razor -> Fury -> Wild (via Witch) -> Cage -> Happily Ever After

Big Princess: Wraith -> Razor -> Apotheosis -> Eye of the Needle -> Den

Narrator has a Very Bad Time: Princess & Dragon -> Apotheosis -> Moment of Clarity -> Wild -> Thorn

Hard to Draw: Beast -> Moment of Clarity -> Razor -> Cage -> Fury

I would Trust them to Watch my Drink at a Party: Spectre -> Prisoner -> Adversary -> Wraith -> Thorn

Opportunist is There: Razor -> Wraith -> Moment of Clarity -> Witch -> Happily Ever After

I'm out of ideas suggest YOURS in the comments thanks

[why-the-heck-not]

Trying to listen to podcast to calm down to sleep -> loud as fuck ad. Trying to check something quick from a youtube tutorial -> first gotta watch 2x 30 second unskippable ads. Trying to go to a website -> 2 popups and an ad video automatically start to play. Trying to listen to the radio while driving -> 7 minutes of uninterrupted ad time. Every single free app with those shitty game ads with the stupid annoying ass king. I’m tired !!! I never wanna buy anything ever again !!!!!!!

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[shima-draws]

Ideal ending to WCI is Luffy seeing Sanji cry and then awakening his devil fruit and unlocking Gear Fifth out of sheer RAGE and saying the classic line of “Who made you cry, Sanji?! I’ll DESTROY THEM!!!” and then proceeding to go on a rampage and fucking absolutely EVERYBODY up including the Vinsmokes, Pudding, AND the Big Mom Pirates. Toss in the trope of came back wrong and Sanji can immediately tell something is not right about this Luffy, whose smile is too wide, whose eyes are too distant, who continues to beat upon his enemies long after they’re down, who seems to take a sick sort of pleasure in hurting others, who grins and giggles and tells Sanji he’ll obliterate anything that makes him cry. Eventually he starts to scare Sanji so bad that even Luffy notices his reaction, and immediately turns on himself because if HE’S the one making Sanji cry then he’ll just have to destroy himself too. And that’s when Sanji finally leaps into action and does whatever he can to reach Luffy—including kissing him. Luckily that was exactly what Luffy needed to snap out of it, and when he comes to the Whole Cake Chateau is in broken pieces, the Big Mom Pirates are battered beyond fighting and the Vinsmokes are nowhere to be seen. And softly, tiredly, he asks if they won, if he can bring Sanji home, and Sanji cries again and says yes, take me home to the Sunny, I want to go home with you.

Meanwhile the rest of the Strawhats are like

[cratersss]

Sleedging until I sleep :)

[loxare]

So I was rewatching the hbomb plagiarism video to get some chill morning embroidery time in and I got to the bit about Radclyff Hall and her book, The Well of Loneliness, about lesbian WW1 ambulance drivers, and the video says all of her books were ordered burned, but I was curious and fam. At least one person hid their copy. It's on Project Gutenberg Australia. So if you want to read about lesbian ambulance drivers in the first world war...

[felassan]

.

[hey-kae]

Things in charles vlog that just make sense🤌🏻:

The shot from between his legs🤨

Why is the taboulé fucking yellow?

A shoebox in the dining room?!

Riccardo and joris introducing themselves as ricky and jojo as if we’ve been friends forever (cute tho)

Bringing home uncooked pasta from the team hospitality like do you not have any? Can you not buy?

Andrea having a mini-stroke over charles’ cooking

Putting the pasta in the water before the water boils (pissed me off idk why)

Sarcastic self-sabotage remarks (relatable king)

Pasta croccante (self-explanatory)

His taste in art🤨

Fred🥰

Arthur saying he only knows monaco by bus does he not have a car?!

Showing him putting on his pants?!

Tiny ass apartment

Horrendously messy apartment

New ferrari shirt bcs does he use a new one everytime!?!

His underwear on the floor 🙃

A whole drawer of raybans

Showing exactly where he lives and practically the entire apartment layout when he was literally getting STALKED a few months ago?!??

[spotaus]

Hey! The ask!! Lets see if i can manage to type everything i thought about in the time i got my break!!

So. I got thinking. (This was also a half baked drabble idea but didnt feel like making it a full one so you are getting the idea like this!! >:D)

We spoke about how Killer would be guarding Nightmare in the raid where Dream manages to steal him.

The problem is. If Killer can still move this guy WILL throw himself at Dream to save Nightmare. Meaning that Killer has to be mortally wounded. (Also works with why Nightmare rushes to shield his older brother)

So we got Killer just laying in whatever room Nightmare and him ahd been in. Probably slowly bleeding out.

On one hand. You can have the Knights run in right after. But then what is stopping them from splitting up, one part staying with Killer and one part rushing after Dream? And it has been YEARS since Dream last visited the castle. He may not remember everything quite right.

So... in theory. It should take more time for the Knights to get to Killer. But Killer is mortally wounded.

So. In comes!! Ccino (my beloved).

Ccino had been going towards killer and nightmare after helping the servants and maids evacuate or go to the bunker.

He gets there to see Killer pretty much laying there dying on the ground, Nightmare no where to be seen.

What does he do?

Ccino's crisis management skills activate. He wants to find Nightmare but he has no clue of where Nightmare went and he has no way to fight whoever took him. Killer is in front of him actively dying.

He goes to Kilelr's side.

Killer, the romantic idiot, probably realises he is fucking dying. So maybe he is like. Maybe i can confess? (Add some extra angst and make it that the hit was by either his neck or spine or soul. Making him unable to communicate)

Ccino is trying to keep the wound closed but he has no healing magic. He doenst even have first aid kit on him beyond the bare minimum. What does he do?

Well... he knows there is one being still in the castle. He does a little prayer and asks for help.

For Killer? Killer is slowly falling unconscious. He tried to confess but cant speak. He cant even apologise for failing everyone and losing Nightmare. At least Ccino is here in his last moments. He isnt alone. So he falls asleep.

Maybe some warm light guides him. A familiar voice that was once a friend? He tries to follow only to be stopped. Stopped by something sharp and pulling him down. Back into the darkness. It feels like when he fell into a bush. The way those thorns prick his bones.

Killer at first tries to follow the image of his friend (were they his friend? They saved him right? So why shouldnt he follow them?)

Only to hear so soft. So quietly from the darkness. 'Please dont let him die...'

And that sounds like Ccino... so Killer follows that voice. Goes into the darkness and it feels as if he traveled through a overgrown forest with sticks and stuff all pulling on his limbs.

And he wakes up. His skull in Ccino's lap as Ccino keeps the wound closed and did the best first aid he did. Moments later the Knights rush in to assist.

(Yes. The tree pulled Killer's soul back to the living side while the memories of chara were trying to pull killer into oblivion and get him to die)

Okay that is all. I wanted to get that out of my system.

Okay. Hi. As always, losing my everloving mind over this. Gonna make a Cut so it's easier to scroll hehe-

First off, you are SO right about Killer fighting till he physically can't move. I think that the combat between Dream and Killer is actually decently drawn out, because Dream is kinda in a frenzy (Storm growing outside + just obliterated Cross as far as he knows) and as a mostly long-range attacker it was stupid of him to try and fight Killer alone in a confined space. Killer's fast, and has a lot more to lose if he loses this fight (Nightmare is still hidden but low key stuck, and Dream is very adamant about ending his life) so he gets up close and personal for a while and lands quite a few solid attacks. However, Killer has also heard about Dream. He saw the distress on his little face when Cross admitted who had sent him and why. How Nightmare refused to send an assassination party to end things prematurely. This is Night's brother, so Killer won't kill him. As much as he wants to.

This leaves him at a direct disadvantage, and anytime he backs off to recoup Dream shoots arrows at him. (I also think he took a couple on purpose, because where he'd hidden Nightmare was the trajectory and he couldn't block it fast enough). And then, I like to think that when Killer gets in really close one time, Dream summons his blades, the ones he was still a novice with. But! One of Them peirces Killer's outer ring of his soul, and Dream jabs upwards (kinda using his other hand on the hilt to have more force) and wedges it into Killer's spine just past his ribcage. When Dream does this it his the magical equivalent of a vein, and when he shoves Killer away and off his blade, the other can only stay upright for a few stumbles before he teeters and falls onto his back.

Soul out in the open, covered in wounds (I like to think Dream's arrows peirce and burn), and now bleeding and seemingly paralyzed, Dream pulls out his bow again, ready to shoot Killer straight in his target soul. But, he's still selfish, and he wants to monolgue a bit, curse Killer (who he believes has been controlling his brother for so long) and shoots his hand, then a gash in his neck from a well-placed arrow, until he can see that dusty layer rising on Killer's bones signaling it'll be a slow death.

But, when he finishes cursing out Killer, is ready to fire the final shot? Nightmare had been hiding in a wardrobe, when Killer had stopped talking he'd gotten worried and peeked out against his better judgement. Now, with the scene, he rushes into the crossfire and, like we've discussed, the arrow ricochets off the mask and knocks it off, revealing Night in his teen form.

And it's a quick pleading, a desperate little plea from Nightmare not to kill Killer, or hurt his knights or the people. To just stop. And Dream, after his moment of shock + probing Night's emotions to find this really is him, scoops him up. His intention was to finish Killer off, but the storm outside roars louder and he can feel a strong emotion hurrying his way, so he decides to retreat. Killer should bleed out anyways.

And now finally to your point!!! Ccino is absolutely the best option! The Knights have no idea what's happening inside, and all they can. Do to help is keep Blue and Ink occupied. Cross is down for the count and looking rough, and they just have to trust that Killer got Night out or somewhere safe. Ccino? Ccino finished his part of the job, efficient af, and is rushing to go find Nightmare and Killer. He doesn't know Dream got in, he doesn't know quite where they'd be, but he can kinda sus it out based on carnage and wet steps in the halls where *soneone* got it. If they did, Killer would probably be stalling with Night nearby.

And like u said, he gets there and finds Killer actively dying, and crisis management kicks in! Ough everything about this moment is so perfect... Ccino never learned medicine, and has no healing magic, so he can only make Killer a little more comfortable and put pressure on his wounds to try and stop the bleeding. And he *sees* that soul injury. No matter how well he staunches the blood flow with his apron, that would surely kill him without treatment. And Killer seems to still be conscious, but barely. He's fading. And silent, which is deeply eerie and Wrong.

And good gods. Killer wanting so so bad to confess because, he's gonna die anyways so he wants to get it out, but he Literally can't say anything?? Wauhh!!!!!

And Ccino reaching out to the Veing in the castle... praying, begging for Killer to be saved, because Ccino refuses to leave him alone, and also refuses to lose him. Killer was Night's first knight, the most important person in that kid's world (Ccino doesn't count himself). All the Knights rely on Killer for guidance and support. Ccino needs Killer in his life, this idiot, this criminal, is somehow one of his favorite people in this castle. Please, please, please don't let him go. Keep him here until help arrives. *please*.

And the Castle obliges. Not only is Killer the one who protected Nightmare, the prince who is restoring this land, but Killer is one Ccino values. Ccino is here, stopping his wounds, begging for help to save a life. He hasn't done that before.

And!!! The description from Killer's perspective!!!!! For all intents and purposes, it seems the warm friendly voice (Chara!!!) Should be the one he follows. It's gentle, beckoning towards a soft glow, it's peaceful. And then the tree's method of getting Killer back is to snag him. Darkness, unpleasant contact that stabs and pricks and scratches. It's not nice, it's not subtle, it's dragging him back into pain and agony of his injuries (even if it's not immediate). But Killer doesn't fight because he hears Ccino! Even if he doesn't process that it's him, it unlocks something in his core that makes him decide to take the hard route and push back through that dense forest until he's back to the living realm. Still on death's door, but alive!

Oh I love this visual so dearly, frothing at the mouth about it....

And ofc the aftermath. Dream couldn't find the main entrance, so he snuck out a servant's door and signaled from outside that he was ready to go. The militia (I think the guard was busy holding off militia members from entering the castle walls) retreats first, scattering into town and Rogers demands no pursuit, hold the walls strong. Then Blue and Ink narrowly escape by simply using Ink's magic puddles, appearing somewhere else in the city through a big enough rain puddle. (Though, miles out they're still dodging the occasional lightning strike).

Only after they're too far off do the knight rush back. Horror's got Cross (in critical condition due to a blow to the side of his ribs+spine but ultimately stable) and Dust leads the way to search for Night and Killer, also following the trail Dream had left, and... they find Ccino and Killer. Killer is very very much limp in Ccino's lap, they're basically sitting in a pool of Killer's blood, and Ccino upon spotting them rapidly tells Dust to go find a healer and bring them here. Immediately.

Horror sets Cross nearby and focuses his efforts on trying to help Ccino put pressure on Killer's wounds but he can't do much either.

But, y'know, the healers who have magic for it are able to stabilize him (they are flabbergasted that he's not dead) and Cross is alright too. Dust + Horror go searching for Night. Nowhere to be found.

[reddamselette]

at a skating rink and i thought about valgrace so

valgrace except leo is a pro skater. he can spin around and practically just dance while on wheels but jason? he cannot skate for the life of him.

so leo takes jason’s hands, tells him to bend his knees and find a balance, to find a rhythm in the music and just let go; feel it. jason does, of course, after they skate in their third circle because in reality, he’s been distracted by leo and his bright smile. jason catches the way leo sways to the beat, mouths the lyrics if he knows the songs but brown irises are kept on him, forever him.

it’s in that moment, jason falls in love with leo.