#I'm not powerful enough

[spookiebirdie]

The ingredients have followed the pot and are unfathomable.

[dykealloy]

[bluevelvetea]

So start by saving me, Itadori.

(Find my reference here)

[fukutomichi]

The Rings of Power | Season 2 | Aug 29 - Oct 3, 2024 Benjamin Walker as High King Gil-galad

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids���but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[egophiliac]

IT'S BUNNY TIME EVERYBODY

(feat. Dilla)

(bugle accompaniment by Yuu)

[sauronism]

"sometimes, the pain almost became a reward. became a game. a contest, to see whose will was the mightier."

[tarufai]

[v4mpyinred]

I can't take it anymore

[lucyllawless]

Okay so I was re-watching (for the 100th time) and noticed a few details that could point to Rio being connected to Nicholas in some way. I'm gonna put on my clown nose for minute, so follow me for a second

First we have this shot of Rio.

Followed immediately by the shot of this clock. The mama bear and cub represent Agatha and Nicholas. But then we have the baby bear holding a flower.

And we all know who is connected to flowers/plants.

There's even the little flower/plant motif details on their 70's costumes. And the specific placement on Agatha’s oufit 🧐

And then there's this quick shot of a blanket with a flower print next to the Ouiji board which is spelling out Nicholas' name.

Quick last thing. I googled the meaning of Vidal and this is what came up. It can’t be a coincidence that they chose that name.

We're all 99.9% certain that Rio is death. But wonder if she can also affect life somehow? Life and death do go hand-in-hand as we know. And flowers are synonymous with spring/new life.

This might be a reach, but the writer's/show runners are masters of layered storytelling and don't do things on accident. I mean Rio being Nicholas's other parent isn't that crazy considering Wanda literally had her kids using her magic and sheer will.

[she-posts-nerdy-stuff]

A few interesting parallels in the SoC duology that I don’t think I’ve seen anyone talk about yet

(Analysis/discussion of these parallels/quotes may come later if anyone's interested)

“These creatures were made to be weapons” - Jarl Brum on Grisha, Six of Crows chapter 35

“He looked like what he truly was: a weapon” - Jesper Fahey on the Khergud, Crooked Kingdom chapter 36

“Welcome to the Hellshow” - Kaz to Nina, Six of Crows chapter 6

“Welcome to the Ice Court, Nina Zenik” - Matthias to Nina, Six of Crows chapter 34

“Is this a play?” - Alys Van Eck “Yes love, and you’re the star” - Jesper Fahey, Crooked Kingdom chapter 8 when Alys is taken captive

“What was this but a play Kaz had staged, with that poor sucker Kuwei as the star?” - Jesper Fahey on the auction plan, Crooked Kingdom chapter 36

“he looked like a priest come to preach to group of circus performers” - Inej on Kaz’s appearance in comparison to the rest of the Barrel, Six of Crows chapter 2

“started to preach” - Inej on Kaz leading a coup against Per Haskell, Crooked Kingdom chapter 27

“Whoever he had become, Matthias was not going to shoot someone unarmed. He'd not yet sunk so far” - Matthias Helvar, Six of Crows chapter 29

“I am unarmed” - Matthias Helvar, Crooked Kingdom chapter 38

"I didn't even know the rules of Makker's Wheel" - Jesper Fahey on his first night gambling in the Barrel, Six of Crows chapter ()

"He knew his guns better than he knew the rules of Makker's Wheel" - Jesper Fahey on the concept of aim and its relationship to his life and his zowa/Grisha abilities, Crooked Kingdom chapter 36

“a tiny voice inside him said he should offer to take the drug as well […] maybe he could have helped to draw the parem out of Nina’s system and set her free. But that was a hero’s voice and Jesper had long since stopped thinking he had the makings of a hero” - Jesper Fahey, Six of Crows chapter 44

“Matthias gave you the remaining parem, didn’t he?” “So?” “[…] I can’t let my father down again. I need the parem as a security measure” “No” “Why the hell not?” - Jesper and Kaz in discussion about the auction plan, Crooked Kingdom chapter 30

I'll probably be back to add more, feel free to add your own as well

[carrion-art]

Two Birds on a Wire

[notsogoodangel]

I'm just saying that there's no heterosexual explanation for AJ, as the Champion, having a twink actually running Parkour Civilization.

[organisedbirds]

One of the things that I never stop thinking about is the lack of any “happy” endings in Black Sails (putting aside Schrodinger’s Flint and Silver’s role in that. It’s been done). Madi is the most obvious one to me: time and time again she demonstrates how willing she is to sacrifice everything for the cause and the war including her own life - a decision that is taken from her by Silver’s actions instead replaced of the treaty which she explicitly rejects multiple times and is in complete opposition to what she’s tried to achieve. She’s also entirely alone in her opposition to the treaty, putting her in a position where she either becomes Silver’s wife in Treasure Island, leaving her entire life behind to run an inn or (if you make Max Silver’s wife in TI) being the sole person still trying to achieve the same goal that previously had money and ships and fighters backing it. 

Anne and Jack are slightly less obvious. Jack’s obsession with being remembered and having an important legacy is brought crashing back to reality in the Gurthrie’s parlour with the realisation that people are far more interested in lies that paint his friends as monsters than any resemblance of the truth - Flint’s vision of the future coming true before he even speaks it. The flag that everyone associates with piracy - his main legacy - is “fine” and the future of piracy in Nassau essentially has to remain a secret (when I can only imagine he wants to yell from the rooftops that he fucking won). Anne!! The amount of times she expresses the desire to leave piracy behind with Jack and have something away from that life and the amount of times Jack promises her that once he accepts the pardon so he can keep his name and then once they defeat the governor, then that’s it. And instead - they carry on. Because if Jack does of course she will follow! And because Black Sails is a show that follows the vague contours of history, pretty soon Jack is hung, Mary has died and Anne is imprisoned for thirteen years (depending on how you view the historical debate around her fate, that’s just my personal view).

And of course, this leaves Max (with her ending being the best on the surface) with the people closer to her having disappeared. Her existence is still very much built on sand and looking to history England returns to Nassau, and all she’s built will be gone. Ultimately, Vane is right, the empire survives on the idea of trading submission for comfort - but even that isn’t true! That traded comfort doesn't last for a meaningful amount of time and she's back to the same place she started.

[travelling-hydaelyn]

Lahabrea possessed Thancred before this questline even started which means these are back to back Laha interactions. Here is how he greets the WoL in the Waking Sands immediately after his Disney villain introduction.

Meanwhile in Minfilia's solar:

presumably he took a brief break from running Alphinaud's errands to go dramatically laugh at the WoL

[egophiliac]

I'm trying to avoid getting spoiled so I haven't looked up what's happening in the Jp server's main story, but for my own sanity I need to ask; is the story at a point where we know whether Lilia will get better/survive his almost-empty magic reserves..? Was it a true death flag from the start or only a plot device for malleus' overblot....?

not yet! I do think they're going to get back to it eventually, but -- keeping it as low spoilers as possible -- there's been...let's just say a LOT going on in the meantime.

enjoy 7-6!!! :)