#except i will always hate the webs on spideys costume. hell world
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#spiderman#deadpool#spideypool#comic#I did this for a class#an ENGLISH class#but we're learning about comics as literature and for the most recent paper we had an option to make a comic#and the main theme we're studying this semester is power so i made this#anyway I forgot how goddamn hard these two are to draw#I hate how complicated their costumes are like its so unnecessary#but I also think this is the most accurately I've drawn them#and they looked consistent through this whole thing#so I'm really proud of myself#and yes this is gay but i'm imagining that in this scene they don't realize they have feelings for each other yet hee hee#some of these were fuckin hard angles too what was i doing to myself!!! this was hard af!!! wtf!!!#and to be honest i drew all of this yesterday and today!!! that was so much drawing!!! og my god!!!#but it was fun he he#except i will always hate the webs on spideys costume. hell world#they have to look such a specific way and it is not easy#enough rambling. enjoy#also sorry im reuploading this because i had accidentally colored in one of spideys speech bubbles as yellow
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the one where chaos comes out to play | s.h.
summary: steve hates thursdays, and thursdays hate steve. today is no exception, except that the green goblin has decided to try and hurt him in a brand new way, and steve isn't sure he can keep going if the worst comes to pass (modern!au; spidey!steve universe) pairing: steve harrington x fem!reader word count: 7.4k warning(s): language; some violence (fight scenes); mentions of injuries/blood notes: HI HELLO ITS SPIDEY!STEVE TIME !!!! thank u all for being so patient; i know this is much longer than normal but i was SO excited for it and i loved the idea!! thank u to the two anons who requested this; i kind of combined the two requests into one, i hope that's okay! also it's the first real introduction for a villain, and there's plenty more to come... i hope you enjoy!!
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Steve thought he’d been careful. Always did his best to be as careful and as conspicuous as he can where the people he loves are concerned so that nothing about his activities as Spider-Man could be traced back to them. He doesn’t swing Robin to work in costume when she’s running late; he only rescues Ozzy from the roof of Eddie’s building when absolutely necessary (which probably happens more often than it should, but the fuzzball loves it when Steve makes a web-sling to carry him around in); and he does everything possible to keep the dangers of his life as Spider-Man away from you. In public, at least.
But in private? He’s at your place all the time. Probably too often, considering how much he pays in rent for his place across the hall from you, but as long as he gets to spend time with you he won’t complain (to you, but Robin isn’t quite so lucky considering she lives with him). Ever since he’d first seen you the day he moved into his crappy little apartment in this too old building, when you peeked out at him carrying too many boxes at once, he’d decided he needed to get to know you (which he did, with all the ups and downs that came with it). Now you’re one of his best friends, one of the few people who know he’s Spider-Man, someone he cherishes totally and completely (though he’ll deny it because having you in his life as a friend is enough, at least for now), and also someone he’d never, ever risk getting hurt.
But Steve must have slipped up at some point, and the universe really decided to make him pay for it. Steve and you.
It’s a Thursday. Nothing good ever happens on a Thursday, not for Steve; he’s pretty sure he was brought into this world on a Thursday, and it always seems like the universe is trying to take him out on the same day. It’s usually the day that he’s stuck running around after crazed supervillains who want to destroy half the city because it’s Thursday and that’s just what they wanna do on Thursdays for shits and giggles. Like today, with the Green Goblin playing explosion tag with him and yelling out nonsense.
Okay, well, it was actually something like, “Heroism is a fool’s errand!” and, “Chaos will destroy everything you love!” But honestly, this is the third time this month that the Green Goblin has pulled something like this and Steve is very quickly running out of patience. This time, though, it’s harder than normal for Steve to try and keep the villain contained in a single area of the city. It almost feels as if Goblin is toying with him, more so than usual, and is trying to lead Steve into something.
Steve’s wary of the psychotically jolly green man on a good day; despite not being as superpowered as some of the other bad guys Steve sees on the regular, Goblin learns and observes and always manages to have some kind of ace up his sleeve. And today, the taunts he gets as he tries to bring the villain down are just that much more smug than usual; Goblin also has some new gadgets, which includes a pumpkin bomb that turns into a small flying bladed monstrosity that hurts like a bitch when they make contact with him. This suit is already torn up and Steve is going to have a hell of a time repairing it, if it even can be repaired at this point. And this one is new, too… Thursdays really suck.
So here Steve is, using his webs to grab a large chunk of the side of a building and fling it away from a group of terrified bystanders on the sidewalk and up onto the roof of a nearby building—well, onto the rooftop garden that’s probably going to need to be re-landscaped, but it had entirely too many topiaries for Steve’s taste so he figures he’s doing them a favour. They’ll save a ton on having to get them removed, and maybe now they can put in a rooftop pool with the new hole they’ll have.
One of these days he’s gonna get sued for property damage, but today is (hopefully) not that day, so he swings back towards the Green Goblin, who’s currently hovering near a rooftop down the block. Steve makes sure that the bystanders are out of harm’s way for now (though he’s sure he’s going to read all about how he’s the one who put them in danger in tomorrow’s edition of the Daily Bugle) before he sends out some webs with a thwip! to swing himself towards the roof that Goblin is currently hovering over. Only this time, unlike every other time Steve has gotten close enough to land a clean hit, the green menace doesn’t try to leave his position. It’s more than a little odd, but Steve hopes that maybe it means his Thursday is taking a turn for the better.
It’s not.
As Steve swings closer, Goblin lets out a loud, ear-splitting cackle behind the creepy mask that he somehow thinks is a good fashion choice as he swoops down towards the roof. Steve throws out another line of webbing, swinging himself up to get a clearer view of what’s going on. The Green Goblin is grabbing something—or someone, Steve realizes, who’d been on that rooftop.
He feels it at the base of his skull, tingling and quivering both down through his spine and up through his head. Something is way off, worse than he’s felt in a long time, and his Spidey-Sense is warning him that something really bad is about to happen really quickly. The quip he’d been holding onto, something really great about how if Green Goblin was having problems with his glider, they make pills for that now, dies in his throat. Steve lands on the side of an adjacent building, watching Goblin fly up holding the person from the roof.
It’s you.
Steve feels as if the wind has been knocked out of him, seeing the Green Goblin holding you up by the throat to dangle you over the edge of his glider. All sound around him immediately stops, save for the frantic sound of his own heart hammering and thumping against his ribcage, aiming to shatter it. That would probably hurt less, he thinks, than seeing how terrified you look right now. Your wrists are bound together in front of you in a way Steve can’t imagine is very comfortable, and he has to take some very deep breaths through his nose to stop himself from screaming your name.
Why are you here? Why does Goblin have you? How long has he had you? A million and one questions are running through Steve’s head, faster than usual, almost too fast to keep up with. You’re in your work clothes, though they’re beyond rumpled and a little torn now; did Goblin grab you at work? On your home from work? From the apartment building? God, Steve really hopes Goblin doesn’t know where you live; if he’s taken away the safety of your home from you, Steve doesn’t know what he can do to fix that.
How did anyone link you back to Steve? He’s been careful, he thought he’d been so careful to keep you out of his life. Does the Goblin know who Steve really is? Oh god, what does that mean for you? For Robin or Eddie, or Dustin or Max or Nancy, or anyone else who’s connected to Steve Harrington? Shit, he’s gotta get this figured out fast.
He’s never been more thankful than he is now that his mask covers his entire face, because he’s really not sure he could hide the emotions he’s sure are twisting and contorting his features. What started out as cold fear trickling down his back and into his stomach has partially turned to molten hot anger is thrumming through his chest; it makes for an odd combination of sensations while his mind is trying to put together any kind of plan to get you away from here and somewhere, anywhere, that’s safe.
“Let her go, Goblin!” Steve is trying to keep his tone as even as he can, hoping that the desperation he’s feeling isn’t obvious enough in his voice that the Green Goblin will pick up on it. He moves one hand up, getting ready to swing closer when the Goblin rises a bit higher in the air on his glider and holds out the hand not currently wrapped around your neck.
“Ah, ah, ah, Spider-Man! Come any closer and my hand may just slip,�� the Goblin taunts, his hand loosening slightly on your neck as he pretends to almost drop you. Or maybe he’s not pretending; that guy’s mind is a bag full of barn cats on a good day, and today is not a very good day at all. You can’t help the noise you make, a strangled sort of shriek, as your fingers scramble to find purchase and hold onto the wrist of the hand that’s holding you up. It’s not very easy with your wrists bound, Steve imagines, but you do your best. He sees the kick you send in Goblin’s direction, which is more than likely intended to harm rather than help your balance, and there’s a tiny prick of fondness to Steve’s heart. That’s his girl. Well, okay, not his, per se, but close enough.
“Take it easy, Gobbie, I’m gonna stay right here.” For now. That stays unspoken, but Steve is trying to look for any opportunity to get you out of there. “You know, there are much better ways to make friends than this if you’re feeling lonely, y’know, that don’t reek of desperation and eau de jolly green giant.”
“I’ve been watching you, Spider-Man,” the Green Goblin says, hovering a little higher and putting his free hand behind his back as he ignores Steve’s jab at him. Which is a pity, really, because Steve was hoping it might start something and Steve could make him mad enough to put you back down on the roof and out of harm’s way. “And I’ve noticed that you’ve come to her aid more than a few times.”
Shit. Okay. That’s not what Steve was expecting. The Green Goblin has been spying on him, which is a weird enough concept, but he’s been paying close enough attention to pick you out of crowds of people that Steve has saved. He thought he’d been more careful than that; but when he thinks back on it, he realizes that there’ve been at least two incidents this month where you’d been caught up in something he’s taken care of as Spider-Man, and definitely once or twice that you’ve covered for him as Steve so he could go save the day. And Goblin had been watching, had been able to see you and connect you to Spider-Man. That has Steve’s stomach twisting, and he can’t help fidgeting as he tries to think up an excuse fast enough.
“It’s my job to save people, Gobbie. You know, you put them in danger and I rescue them, usually looking dashing in the process,” Steve fires back, gesticulating with one hand. He’s trying to be as nonchalant as he can, and he really hopes it’s working. He really needs to break that mask Green Goblin is wearing, and any other spares he’s got, because being unable to read his facial expressions would be very helpful in situations like this. Plus, it’s absolutely the stuff of nightmares and Steve could save a lot of people a lot of money on therapy bills if he smashed it to pieces. Maybe then he’d get a good piece of news printed about him. “Maybe she just hangs out in bad parts of the city. Or maybe bad guys think she’s good looking. You and I both know Kingpin’s henchmen always go for pretty people; they aren’t on the deep end of the gene pool.”
“I told you that I don’t know Spider-Man!” you yell out as best you can, though your voice sounds more than a little strained to Steve. He’s gotta make a move and he’s gotta do it sooner rather than later because he needs to get you as far away from here as possible.
“Hmm… so you don’t care what happens to her, then?” Goblin asks, and he loosens his grip once more. Steve reaches forward, unable to help himself as he reacts on instinct. You shriek again, kicking out and catching the Green Goblin on his side. He growls at you, flying up a little higher before turning back to Steve. “Then it’s time to choose, Spider-Boy!” Goblin says, cackling loudly. “Will you save her?” His hand tightens around your throat, and the pained noise you make has Steve’s jaw clenching. “Or will you save them?”
Goblin’s free hand, which Steve had not been looking at as closely as he should have been while you’re in danger, comes out from behind his back holding three pumpkin bombs. He waves that hand towards what Steve sees is a group of civilians, standing down below and watching this interaction like it’s some kind of sport to them.
His stomach twists and his chest tightens as his Spidey-Sense goes absolutely haywire. Shit. Shit. How is he supposed to choose between the people down there and you? Can he save everyone? He has to save everyone, he’s Spider-Man.
He’s not given time to make an actual choice, however, because Green Goblin is throwing the pumpkin bombs and then the hand he has around your throat disappears. You start to fall down towards the street below and Steve realizes that he’s going to have to move faster than he’s ever had to before because he absolutely can’t lose you. Not like this, not ever.
He lunges forward in your direction, pushing himself off the wall to give himself as much momentum as he can. While he’s soaring through the air, trying to position himself to be able to catch you, he launches some webs with his right hand up towards the three flying pumpkin bombs. He’s trying to web them together, hopefully turning them into one bigger webby blob ball to better keep track of them—and to make sure they get back to the place they came from.
He manages to catch the first two and lump them together as the blinking green lights on the front of the bombs start speeding up. When they stop blinking completely, that’s when they blow up; Steve knows that from unfortunate personal experience. His eyebrows haven’t been the same since that last time. He shoots another web to grab the third, bringing them all together as he manages to catch up to where you’re currently falling.
Steve tries to be as gentle as he can as he uses his free hand to grab you around your waist, but he’s pretty sure there’ll be bruises there tomorrow. He’ll feel bad about that once the two of you get out of this, because right now your safety is his priority and he needs to make sure you get out of this. He slips your arms around his neck, turning your bodies as best he can so that he’s below you and looking up at the twistedly jolly masked face of the Goblin.
Now’s his chance. Steve swings the ball in the direction of where the Goblin is flying confidently above the two of you, as hard and as fast as he can before releasing the web strand. As soon as he’s done that, as quickly as he can, Steve shoots another web up to tether the two of you to a balcony on the side of the building. He feels your arms tighten around his neck as the web helps slow your fall, and he feels a small wave of relief settle over his shoulders as the two of you hit the ground.
He’s about to open his mouth and say something when there’s a very loud BOOM! from up above, followed by a shriek. Yeah, that had to hurt. Which Steve really hoped it did. But if it didn’t… Well, Steve was going to make sure Goblin knew what it felt like to hurt. And he was going to do it now, before the jolly green bastard had a chance to run away.
He removes your arms from their spot around his neck and makes sure that you’re steady on your feet before he rips the rope binding your wrists. He makes sure to keep his touch gentle as he takes hold of your shoulders, looking at you through his mask.
“Get somewhere safe!” he urges you. You open your mouth, looking as if you want to say something, but he shakes his head. “Now!” His tone leaves zero room for argument, and while he regrets seeing the way it causes your forehead to furrow and your posture to shrink, he will not let you get hurt again.
You nod, and then you’re turning to find somewhere to take cover until this is over. Steve watches you go before he turns to look up towards the roof of the building. He can see Goblin, looking much worse for wear, trying to ride a rapidly smoking and sparking glider. Definitely not having fun, and Steve is not going to let this guy get away.
Steve shoots two webs, one from each hand, at two balconies on the top floor of the building. He walks backwards as quickly as he can to pull the webs taut. Then he lets go of each simultaneously as he jumps up, letting them slingshot him up as fast as possible so that he can launch himself directly at the flying green menace. He manages to land a kick to Goblin’s stomach, knocking him off his glider. The two of them crash down onto the roof of the building and Steve takes advantage of the element of surprise he gains to make sure he lands on top of the villain to pin him down and start throwing punches wherever they’ll land.
Steve chooses to let the rage he felt earlier bubble back up to the surface as his fists start cracking against Goblin’s helmet, his shoulders, his chest… anything that he can reach, he hits. Steve thinks about the terrified look on your face, about the noises you made with the Green Goblin’s hand around your throat, about what would have happened if he hadn’t caught you in time… He keeps punching until his arm aches and he’s sure his knuckles have split and he can see the blood splattered across the rooftop underneath them. Goblin’s helmet has cracked and split, small chunks of it littering the rooftop beneath his head. There’s a chunk missing now, and Steve can’t find it in himself to be anything other than overwhelmingly furious. Both at Goblin and at himself.
Steve pauses, just for a second, when he sees something glinting where the chunk of the mask is missing. He looks closer, and when he does, he catches sight of one pale blue eye staring back up at him before smoke starts to cloud his vision.
Shit. Green Goblin let off a smoke bomb. Steve is taken by surprise, and starts to cough as he feels smoke enter his lungs. He tries to clear the smoke away with his hands, but it’s coming fast and thick from below him and it’s not letting up. He shifts, closing his eyes, and that’s when he feels an elbow catch him in the cheek before he’s knocked off of the Green Goblin. He makes contact with the concrete of the roof and damn, that hurts. He groans, still coughing, but as he opens his eyes he notices the smoke start to dissipate. He gets up, trying to wave it away, and as he does so he sees that Goblin has gotten back on his glider and is currently flying away.
Damn it. Steve falls back onto his butt on the rooftop, breathing a little easier now that the smoke is dissipating, though he’s still frustrated that Goblin got away. Thursdays really are the worst.
He doesn’t stay down long, though, because he can hear the sound of sirens getting closer and he really does not want to stick around to have to deal with any cops today. He doesn’t have the most patience for them on a good day, and since today is not a good day, he’s going to avoid that mess as best he can.
As the sirens get louder, Steve scrambles over to the side of the roof to peer down. He catches sight of the police cars coming in fast, and sees the crowd down on the streets has started to get bigger now that the Green Goblin has taken off to lick his wounds. And among the crowd, he manages to pick you out. Relief washes over him like he’s taken a drink of something warm on a very cold day (which he absolutely wants to do later, hot chocolate is calling his name). It eases the knots in his chest, especially as he sees you walking out of the area and in the direction of your shared apartment building.
You’re safe. You stayed behind instead of leaving, but you’re okay and you’re heading in the direction of home. And he’s gonna meet you there to make sure you’re okay—or get you the help you need if you’re not. Which he knows he’ll have Robin’s backup on too (though she probably won’t be too happy if she sees he’s bruised and bloody, too).
He moves back from the edge of the roof, moving to the other side to jump a few buildings over as discreetly as he can in red and blue spandex. He knows he’s got an old backpack with some spare clothes in it around here somewhere that he’s going to change into; after what just happened, with Green Goblin linking you to Spider-Man, he doesn’t want to take any risks that might lead someone back to where you both live. Not after today, after being slapped in the face with the reality of how dangerous his life is.
Aha, there it is! Steve finds one of his backpacks webbed behind some shrubbery, and he’s quick to grab it and start going through the contents. God, is he ever thankful for his own forgetfulness right now. He’s got to have an embarrassingly high number of backpacks, duffle bags, gym bags, and the like hiding all over the city at this point, and he’s glad he remembered this one. It’s got a full outfit in it, thankfully, as well as an old set of keys he thought he’d lost; it’s the one with the ‘Let’s go, Lesbians!’ keychain Robin had given him, which he hadn’t told her was missing so this works in his favour.
He jumps down off the roof, bag in hand, and ducks into a secluded alleyway to change out of his suit as quickly and inconspicuously as he can (though he does end up hopping around quite a bit trying to get his torn up suit off and his jeans on). He packs his suit into the backpack before he’s shrugging it onto his shoulders and dipping out of the alley to make his way home.
He gets there pretty quickly, though you’re nowhere in sight as he bounds up the steps to the building and uses his keys to let himself in. Steve moves through the lobby, groaning as he sees that unfortunately, the elevators are still out of service. He hasn’t had time to completely take stock of all his injuries yet, but he knows from his walk to the building that his right leg is not gonna like having to climb five flights of stairs. But you’re upstairs, and Robin probably is too, and he needs to see you and make sure you’re alright. So he takes a deep breath and starts to climb the stairs.
By the time he makes it up to the floor your apartments are on, he’s just a little out of breath and his right thigh absolutely hates him. But he makes it, and that’s what matters, so Steve makes his way to where your door and his door sit across the hall from each other. He’s not exactly sure if you would have gone to your own apartment first, so he makes his way to your door and presses his ear against it. He really hopes none of the neighbours decide to leave their apartments or look out into the hall because this will look really weird. Not the weirdest thing Steve’s done since he moved in here, but still.
He doesn’t hear anything on the other side of the door. He waits for a few more minutes, just to be sure, before he moves away from your door and heads to his. Now he can hear voices, low and muted behind the surprisingly sturdy wood of the door, as he fishes his keys back out of his pocket and uses them to unlock the door. He pushes it open, stumbling slightly over the lip in the doorway as he comes inside.
As Steve closes the door behind him and toes his own shoes off, he catches sight of Robin’s boots and your shoes sitting haphazardly on the mat by the door. The relief that washes over him is immediate, knowing you made it home and you’re here with Robin, who will absolutely make sure that you’re okay. The fact that your shoes are still here means that you’re not hurt enough to need to go to the hospital, which eases the knots in his stomach just a bit. He absolutely doesn’t know what he’d do if he was the reason you ended up in a hospital.
He drops his bag by the door and hangs up his keys on their hook before he makes his way down the small front hall and into the living room. As he rounds the corner and the living room comes into sight, he sees Robin perched on the coffee table, directly in front of where he sees you sitting on their armchair. Both of you are looking in his direction, and he tries to offer up a smile as he walks fully into the room and raises one hand in a wave.
“Steven Augustus Harrington!” Robin yells, getting up off the coffee table (barely managing to avoid knocking over the Lego flowers that Will had given them as a housewarming gift) to stomp over to him. The effect is slightly undermined by the giant fuzzy bumblebee slippers she’s wearing, and Steve sighs as fond exasperation for his best friend and roommate wins over any annoyance he feels. You stay seated, albeit perched on the edge of the chair, but Steve can see the way your shoulders go from being up near your ears to slumping down to where they normally rest that you’re relieved to see him, too.
“That’s not my name,” he tells her, but she disregards it with a wave of her hand. Her nose is scrunched and her eyebrows are furrowed as she starts looking him over.
“What the fuck, Steve? Are you okay?” she asks, before she starts going off on him about personal safety and not to rush into danger like that—he’s not exactly paying as close attention as he probably should be. He’s assuming she either found out what happened from you or online—he knows she’s got alerts set up for any news stories or social media posts about Spider-Man (which he knows because every time that stupid #SpideyFails account posts she’s gotta share it with all of their friends). But Steve doesn’t really want to talk about himself or how badly that fight with the Green Goblin went right now; he’d much rather make sure you’re okay, find out what happened and just… he wants to talk to you. He needs to talk to you. To make sure you’re okay; you’re quiet, too quiet, and the more time goes by the more worried he’s getting.
“Robin, I’m fine,” he assures her, though the little line between her eyebrows only gets deeper as she stares at him. Steve rolls his eyes and nods his head in the direction of her bedroom door. She tilts her head to the side, and Steve gestures a little more forcefully, hoping she’ll take the hint that he wants some privacy with you. Robin raises an eyebrow, and Steve nods again, this time in your direction
He sees realization spread across Robin’s face, and she turns to look at you. You’d been staring at them, Steve realizes, and you look away when they both meet your gaze. Robin shakes her head slightly, walking in your direction. She gently places a hand on your shoulder and rubs it before she grabs the first aid kit Steve hadn’t realized was on the coffee table, throwing it at Steve. He barely manages to catch it, fumbling it a bit before he’s sure he won’t drop it.
“Use your tingle next time, dingus!” she says, shuffling off in her fuzzy bumblebee slippers. She disappears into her room, closing the door behind her with a very audible click of her lock. Which leaves Steve alone in the living room with you.
He makes his way over to where Robin was sitting earlier, plunking himself down on the edge of the coffee table. His right leg absolutely does not like that, but it’ll heal soon enough. He’s close enough that his knees brush against yours, and despite the worry weighing his shoulders down, he feels his cheeks get warm at how close he is to you. Your eyes meet his, and he tries to smile at you.
“Hey,” he says, fingers tapping against the first aid box he’s keeping in his lap. You don’t smile back, but you do take a deep breath.
“Hey,” you greet back, and to Steve’s ears your voice sounds more than a little strained, and a bit too raspy for his liking. That’s when he starts to look you over more closely, taking stock of your injuries.
His heart falls because you’re hurt worse than he thought. Sure, he was expecting some cuts and bruises, but he didn’t know you were this hurt. There’s harsh bruising that’s starting to appear on your neck–that’s where Goblin was holding you. Where his hands were wrapped around your neck, holding you in the air before he dropped you. When Steve closes his eyes, he can still hear your screams, can still see how you look plummeting through the air while he tries to reach you. He swallows the saliva starting to gather in his mouth because that image is going to be one that sticks with him whether he wants it to or not.
There are some other cuts and bruises he can see as well, on your face and on your hands, and he’s pretty sure your work clothes probably won’t be workplace acceptable anymore. He makes a mental note to take you to buy new ones as soon as he gets his next pay, even though you’ll try to refuse them and tell him it’s not his fault your clothes are ruined.
Except it is. In this case, it is Steve’s fault. His being Spider-Man has put you in danger and he’ll do everything he can to make up for it. And he’s going to start now, by helping clean you up. He opens the first aid kit in his hands, pulling out some disinfectant and some gauze and bandages. “Can I…?” he asks. He looks between them and you, and you nod your head so he starts to get to work.
He cleans the cuts on your face first, wiping the blood off your cheeks and your chin before he starts disinfecting the small cuts there. Your nose scrunches up in pain, and he apologizes quietly for any pain he’s causing you. His heart is beating erratically against his ribcage and his hands tremble slightly as he works, but he does his best to help you.
The two of you sit in silence for a moment before he has to ask, “Why did you stay? I told you to get somewhere safe.” Because the thought of you being in any more danger than you’d originally been in isn’t a good one; if anything had happened to you afterwards, if Steve had been paying attention and not gotten hit in the face with a smoke bomb and the fight had spilled out off the rooftop again and put you in harm’s way again… he doesn’t want to think about it. His brain, though, still hates him and makes him imagine it anyway. He presses a bandaid on your cheek before he starts cleaning the bruise on your neck.
“I needed to make sure you were okay.” You scoot closer to Steve, close enough that he can count the eyelashes on your lower lash line. He can smell the dirt and the blood on you, mixing with the faint scent of your shampoo and body wash. But your words make his gut twist.
“No you didn’t!” His words come out a little louder and a little more forceful than he means, but he’s starting to feel frustration thrum through his body, warming him in a way that has his chest start to burn. Hearing those words come out of you any other time would probably have had the opposite effect on him; you needed to make sure he’s okay? Caring about him like that? It’s probably friendly, but it’d have Steve smiling the rest of the day. Right now, though, he’s not happy to hear you say that “You needed to get out of there. Goblin is dangerous, you can’t be around him!”
Steve drops the medical supplies back into the first aid kit on his lap, reaching his hands up to tangle in his hair instead. It’s knotty; that happens sometimes, when he shoves it under the mask without brushing it or after he gets it wet, and he winces as his fingers encounter a particularly bad tangle. You huff, crossing your arms over your chest as you lean back in the armchair.
“You have no right to lecture me when I’ve thought I was gonna lose you more times than I can count!” Your voice is rising in pitch, but Steve stays firm where he is. “How many times have I had to see, on the news or on Twitter, that you were getting thrown around by Doc Ock? Or blown up by Green Goblin? And I’m not even going to talk about the giant lizard you chased through the sewers last week!” Yeah, the lizard guy was a relatively new bad guy that no one had believed Steve about until he managed to get the creature to come up onto the street. This one was probably gonna be smelly. “And then you show up at my window, bleeding and half-dead, and I’m supposed to clean you up and be okay with that?”
One of your hands comes to push against his chest, a line appearing between your eyebrows as you frown at him. He feels the warmth spread further as he gets more frustrated because you’re not getting that this is what Steve does, this is what it means to be Spider-Man. He needs to protect people from being blown up or turned into lizards. Would you want to be a lizard? He doesn’t think so. You’d probably be a pretty lizard, potentially, but he’s not sure he wants to see that.
“Yes, because I can take it! I am the one who got bit by that stupid spider, not you!” Which is the truth; Steve knows he can take a beating and keep on going; it’s one of the few good things that came out of that visit to the CreelCorp plant. Yeah, maybe he lets himself go a bit too far sometimes, but it’s to protect the people of the city, and the people he loves. It’s to protect you, and if he loses a little (or a lot of) blood and has a broken bone or four, then it’s worth it. It’ll always be worth it to him. But apparently not to you, because you throw your hands up in the air.
“So? Why does that matter right now?”
“Because I almost lost you!” The flood gates open, and words come pouring out of Steve’s mouth before he can think to stop himself. “I could have lost you, and when I saw Goblin with you I thought I was going to lose you and I could never live with myself if that happened. If I lose you then there’s no point! The mask, the suit, everything! I won't keep going without you. The world can live without Spider-Man but I could never live without you!”
This is not how Steve wanted to do this. Hell, he wasn’t sure if he was ever going to tell you how he really felt about you because the thought of you not feeling the same and pulling away from him if he confessed? Not a good one. He never wanted to lose you in any capacity, but after having this happen he can’t keep it inside anymore. Really, you deserved better; you deserve someone who can keep you safe, whose entire existence doesn’t put you in danger. You deserve someone who can give you all the time and attention you could ever want, and probably wouldn’t run the risk of getting blown up or stabbed or missing your birthday because of a lizard who wants to give the city a cold-blooded makeover (which is, unfortunately, a very real possibility these days).
But god, does Steve love you. His chest aches with how much he loves you, how much he wants to hold you close and keep you safe. How much he hates himself for letting this happen to you, for letting you get hurt and letting himself be stupid enough to not realize what the Green Goblin had been doing. You were always there for him, letting him crawl through your bedroom window and ruin your rugs as you patch him up; letting him stay over at yours so he doesn’t worry Robin more than he already does. You take care of him, and you see him as both Steve and Spider-Man without treating him any differently. You’re witty and funny and kind, and you don’t treat him any differently knowing who he is and what he can do. And he’d never, ever want to live without you. He couldn’t do it, because he’s absolutely sure his heart only exists to beat for you, to tattoo your name across his ribcage. And he’d never want things to be any different.
He’s pulled out of his thoughts, though, by something tugging him forward before his lips are meeting something soft and warm. It takes his brain a second to catch up with his body, though.
Oh.
You’re kissing him. Steve is pretty sure his Spidey-Sense combusts completely along with his brain because your lips are on his and one of your hands is fisted in the front of his shirt. He’s not completely sure he isn’t dreaming until his right thigh bumps against the coffee table as he moves forward, leaning into the kiss, and it stings. Pain has never made him feel so giddy.
He’s awake. You’re kissing him, and this is real, and all the frustration Steve had been holding onto melts into fondness, into giddy excitement as his lips move against yours. They fit together better than he could have imagined.
One of his hands comes up to brush against your neck on its way to cup your cheek, and he feels you flinch. Oh, god, your neck. He’d completely forgotten about the bruising while he was caught up in the whirlwind of finally being able to kiss you.
“Shit, I’m sorry,” he apologizes, but you shush him. Your one hand is still gripping his shirt tightly, but your other comes up to push his hair out of his face. Your touch is gentle, the pads of your fingers feather light against his forehead, and he leans into your touch.
“S’okay, it’s not your fault,” you tell him. He presses his forehead to yours, panting slightly as your warm breath fans across his face. “Did you mean that? What you said about losing me?” Steve nods, and for the first time since this messy Thursday started Steve starts to feel like maybe the day isn’t so terrible because he sees a smile start stretching across your face. You’re here, you’re alive, and you kissed him. And he absolutely word vomited his feelings all over you, but you’re still here. And you kissed him. Did he mention that already? Yeah, he’s gonna think about that for a while.
“I’ll always do everything I can to protect you. I’d do anything for you,” he assures you, before continuing, “I promise I meant it. All of it.”
The way your eyes sparkle and he can see you perk up and look so much more like yourself as he says that has Steve feeling like the stick of butter he accidentally left on the stove the other day when he turned it on to make dinner; warm and melty. He loves it. “Me too,” you tell him. “I feel the same for you.”
The kiss had kind of confirmed that, but hearing it out loud seals the deal. Steve loves you, you at the very least like him like him, and he got to kiss you once. He wants to do that more than once, and right now seems like a fantastic time. But right as he goes in to take some initiative of his own and kiss you this time, Robin’s door flies open and she comes tumbling out into the living room. Steve jumps, his knees smashing into yours as he almost falls backwards onto the coffee table. You lean back in the chair too, looking over at Robin, who gets up and dusts herself off. Steve sees she has her phone in her hand, and her cheeks are bright pink as she stares at the two of you with her mouth agape.
“Oh my god, were you two finally about to kiss?” she asks, and Steve groans loudly because the moment is officially ruined. He was so close, too! God, yeah, Thursdays really do suck.
“Damn it, Robin!” he yells, dropping his face into his hands.
“No, no, pretend I’m not here! Go ahead!”
“We’re not gonna kiss with you watching! That’s weird!”
“No it’s not!” Robin insists. You shake your head, watching the two of them going back and forth. “Ugh, this is so unfair! Do you know how long I’ve been waiting for this to happen?”
“Not as long as me, I promise you that!” He moves one hand off of his face to throw a roll of soft bandages in Robin’s direction. It doesn’t sound like it connects, but he’ll get her back for this later.
He hears your phone start buzzing so much it falls off the arm of the chair. Steve doesn’t even want to know what kind of messages he’s getting right now and is absolutely glad his phone is somewhere on a rooftop right now. He swears he’s gonna end up blocking Dustin and Eddie again, and this time they’ll stay blocked for at least a whole day. Maybe two.
But he’ll definitely sneak in through your window later tonight, if you’ll let him, and steal a kiss of his own. The first of many, he hopes, and he can’t help the giddy smile on his face at the thought.
Yeah, Thursdays suck hard. But this one is definitely better than most.
...
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Spider-Man: No Way Home Trailer Breakdown and Analysis
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It’s finally here. We truly never thought it would arrive for awhile. But sure enough, the first Spider-Man: No Way Home trailer has arrived. And just as you might have expected from the veil of secrecy that surrounded it, it would appear that at least SOME of the crazy multiversal rumors about this movie are true.
From its MCU multiverse shattering central concept to the presence of both Benedict Cumberbatch’s Doctor Strange and Alfred Molina’s Doctor Octopus (with hints of even more characters yet to be revealed), Spider-Man: No Way Home looks like the biggest Marvel movie since Avengers: Endgame, and seems likely to set up future MCU Phase 4 projects, most notably Doctor Strange in the Multiverse of Madness.
In other words, there’s a lot to unpack here. Here’s everything we’ve found so far. Oh, and just in case you haven’t watched it yet, here’s that trailer for you:
OK, now let’s get to work…
The Fallout From Far From Home
As we all remember, the previous Spider-Man movie, Spider-Man: Far From Home had a rather shocking ending, and one that didn’t exactly leave Peter in the best place. Thanks to the machinations of Mysterio, Peter found his secret identity outed by J. Jonah Jameson, and the world now knows he’s really Spider-Man.
We see glimpses of this in the opening moments, with Peter seeming to have a combination celebrity/pariah status, and it’s negatively affecting MJ and Ned Leeds as well. One classmate this seems to be going well for? Betty Brant, who we briefly glimpse on a TV screen in the high school, presumably reporting on this whole mess.
One fun detail about this? MJ is reading the real world New York Post, which on its own isn’t funny (the Post is a rag…except for the sports coverage), but in the Sam Raimi Spider-Man movies the Daily Bugle’s logo and layout were clearly modeled on the Post‘s. Another subtle reminder that this isn’t the world of the Raimi movies, and that The Daily Bugle of the MCU probably spent the last five years telling people to take Ivermectin to bring their “snapped” loved ones back.
That headline says “Spider-Minions” and I’d bet the puppets on the webs are MJ and Ned. Zendaya’s “Yesss, my Spider-Lord,” is legit hilarious, though. Not sure why the sports page would say “pray for New York”…UNLESS it’s about Spidey’s favorite baseball team, the New York Mets, for whom prayers are not enough.
Later on in the trailer, we see Spidey and Michelle being hounded by new helicopters, so this isn’t going well. But they take refuge on top of a bridge which…
Peter! You better Spidey your ass right the hell down off that bridge right this instant! You know what happens when you bring your girlfriends to bridges. Knock it off!
Steve Ditko
Let’s take a moment to appreciate the fact that Steve Ditko co-created both Spider-Man and Doctor Strange and here they are sharing the screen in an impossibly mega-budgeted film. Ditko absolutely would have hated this for any number of reasons, but especially because he barely ever saw a dime from all the Spidey and Strange merchandise through the years.
Why am I bringing this up (aside from the obvious)? Because Ditko’s name is literally in the first shot of the trailer, as some graffiti on the wall behind Peter and MJ. I’m sure Mr. Ditko wouldn’t have approved of street artists like this, either.
Damage Control
We see Peter being interrogated by someone in law enforcement, and it’s clear that Mysterio’s frame job is sticking pretty well. But wait…look more closely at the insignia on this guy’s jacket.
He’s not an ordinary fed, that DODC stands for Department of Damage Control. Remember them from Spider-Man: Homecoming? These are the folks who get called in to take care of the messes after big superhero/supervillain battles.
Here Comes Daredevil?
While there’s no official sign of Charlie Cox as Matt Murdock in this trailer, it sure seems like Peter could use a good lawyer right about now, and it’s hard to imagine a better time to bring in Daredevil, the most beloved character from Marvel’s Netflix era. Unless, of course, the faceless individual who slams a stack of files down in front of Peter is, in fact, Murdock.
Anyway, it should come as no surprise that Peter wants his secret identity back, and he’s already fought side by side with exactly the kind of guy who could help him do exactly that. Of course, the thing that reminds him of this are these Halloween decorations that look like if someone tried to describe Doctor Strange to Jon Favreau’s Happy Hogan and then Happy went and whipped up some cosplay based on the description.
It’s kind of cool that this movie seems to at least partially take place around Halloween. The MCU Spider-Man movies have always had a particular sense of time that most MCU flicks lack (although yes, Virginia, Iron Man 3 is a Christmas movie). Spider-Man: Homecoming took place at the start of the school year in September, while Spider-Man: Far From Home was a summer vacation movie. Assuming the end of that film was late summer, Peter has been dealing with his new and hellish existence for anywhere from 60-90 days by this point in the trailer.
Paging Doctor Strange…Doctor Stephen Strange
Benedict Cumberbatch returns as Doctor Strange for the first time since Avengers: Endgame, and he appears to be doing well for himself. He does, however, seem a little too eager to help Peter by casting a spell that is meant to either just erase the memory of the world that Peter is Spider-Man, or perhaps as Peter puts it, make it so Mysterio never went public with his identity.
Hell, Wong even shows up to till him what a mistake that would be. And Stephen being Stephen he, well, he ignores the hell out of him.
Also worth noting that Peter trying to wish his troubles away via magic is ALSO the basic idea of one of the most hated Spider-Man stories in all of history, the loathed “One More Day” which undid Peter’s marriage to Mary Jane in exchange for the life of Aunt May.
The Broken Spell
Of course, leave it to Peter’s anxious ass to have second thoughts at the last minute. You see, he wants Aunt May, MJ, and Ned to remember the fact that he’s Spider-Man. On the one hand, that’s nice, and reminds us that Peter is a good kid who still feels guilty about deceiving his friends. On the other hand, look at the big picture, dude! You can just…reveal your secret to them after the fact!
Also…is something wrong with Doctor Strange? For one thing, he never should have agreed to this. But for another, it’s clear that something isn’t quite right in the Sanctum Sanctorum since it’s snowing indoors. Is Strange having trouble with his magic for some reason? Will this be one of the things we have to deal with in Doctor Strange in the Multiverse of Madness?
The Multiverse
Anyway, Peter’s interruption screws everything up. How? That’s not entirely clear just yet. But it seems to be the nexus event that either sends Peter into other corners of the MCU multiverse or allows variants from other Spidey realities to start filtering in to the Sacred Timeline.
The Black and Gold Spider-Man Costume
The long-rumored black and gold Spider-Man costume seems to make its first appearance here. Is this a new suit Peter has whipped up, or is he Quantum Leaping into some variant form of himself elsewhere in the multiverse?
This scene also appears to take place in the charity where Aunt May works.
Get Ready for the Sinister Six
We get the introductions (well, re-introductions) of at least three villains in this trailer, and three is halfway to six, which can only mean that Sony has finally found a way to do that supervillain team-up Sinister Six movie they’ve been threatening us with for so long.
Electro
Is this lightning bolt blowing up police cars our first confirmation that Jamie Foxx’s Electro from the film we’d all rather forget, The Amazing Spider-Man 2, is indeed making his return here? There’s another shot that also makes me think this is more than just some multiversal storm.
Green Goblin
Willem Dafoe’s Green Goblin is definitely about to make an appearance! That’s a pumpkin bomb, alright, and you can just barely hear his sinister cackle.
Doctor Octopus Returns
And, of course, the biggest applause moment in the trailer comes with the return of Alfred Molina as Doctor Octopus, one of the great big screen supervillains of all time. Is his “hello, Peter” directed at Tom Holland’s Peter Parker? Or is possible that he’s addressing another Peter entirely…perhaps one played by Tobey Maguire?
In any case, this scene looks like it might happen right after that pumpkin bomb explosion, which would mean that Doctor Octopus and Green Goblin have already teamed up by this point. Who else might be joining them in battle? We’ll find out soon enough…
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Spider-Man: No Way Home opens on Dec. 17. The full schedule of upcoming MCU Phase 4 and 5 movies can be found here.
Want to point out a Spider-Man or MCU Easter egg we missed? Just want to freak out about how cool this looks? Let us know in the comments!
The post Spider-Man: No Way Home Trailer Breakdown and Analysis appeared first on Den of Geek.
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