#I'm actually so distraught

[theyluvkarolina]

[sunnytastic]

in case anyone is wondering how i'm doing, i stressed myself so much by crying and worrying over a guy that I ruptured an ovarian cyst

[lotus-pear]

god i love skk sm i wish gay ppl were real :(

[bora-panda]

The Dark King and his lieutenant 👑⚔️

I read the Dark Rise books and they're taking over my entire brain - so I had to draw Sarcean and Anharion

[violent-optimism]

I...freaking...LOVE this moment.

It's not many words and yet it says SO much about Sniper's character.

Sniper's biological Dad is, let's be honest, a total piece of shit. His Mom ain't much better, but that's beside the point.

He was going to abandon his wife and child to save himself when he thought the world was coming to an end. One of the first things he does when he finally reunites with Sniper is ask him for money. He later steals the mercs submarine and all their weapons, leaving them, and his son, for dead.

In general, he's a selfish jerk who doesn't listen to anyone and only cares about his own welfare.

Sniper still wanted to save him.

Because at this point in the story, his adoptive parents are dead and his bio Mom just launched herself into space and will (most likely) meet the same fate.

I don't believe this is a case of it simply "being the right thing to do". I think just the fact that they are related is so important to Sniper that he's willing to risk his life to save someone who doesn't really deserve saving. Sniper's Dad, however awful he might be, is the ONLY family he has left.

And maybe he's clinging onto the hope that after all this, maybe there's still a chance they can have a somewhat normal father-son relationship; especially considering that his relationship with his adoptive Dad was rocky at times.

But then of course, that all goes out the window immediately after, and what does Sniper get in return for this act of selflessness?

Well...you know.

[yashley]

ashley in c2e87

[a-lonely-dunedain]

Meneldir slips away. He is gone.

so. I finally remade this old thing in all the heart-wrenching detail it deserves. I'm sorry, in my defense- I actually don't have a defense.

[donotlookatmepleaseandthankyou]

"Hey girl, what are you doing tonight? I'm thinking about the hit musical "Falsettos" and crying on my hands and knees."

[arcteris]

thavnair adventures

[comfied-chriterature]

Finished the Penacony story and my heart fr stopped at THIS MOMENT

THAT??? That’s love.

And then she LITERALLY died for us.

[the-writing-mobster]

Because I constantly get hate for WDYW Chapter 49,

(I get it, it's polarizing) allow me to like,,, explain why I went with the plot point? I don't really owe anyone an explanation, and literally fuck any of my haters, they're ants, but I think my readers/people who actually like my writing would like to know the lore behind my choices.

So, context, in chapter 49, Frisk is drugged into obedience by Muffet and Muffet, being the money hungry cunt that she is, sells Frisk's body on the black market. It's a really uncomfortable concept, and when it happened it caused a lot of readers to drop the fic or rant at me in the comments, talk shit about my fic in private forums behind my back, or even imply a bunch of horrible things about me as a person lmao.

So why did I decide to go with this plot?

Well, for one, it all stems from two books: The Hunger Games, Mockingjay by Suzanne Collins and the Empress by S.J Kincaid.

In both of these books, there is a pivotal character who is drugged, manipulated and used for political gain by a dastardly authority figure. In The Empress, this plot point was ESPECIALLY devastating, because it completely changed and corrupted the character into a horrific shell of their old self to where they were actively antagonistic and irredeemable!

This plot device has intrigued and fascinated me ever since. Drugging a protagonist to make them wholly dependent on their abuser/villain, manipulating them, having them at rock bottom is, in my opinion, one of the worst things that can happen to a character... And seeing how the character can overcome it is the greatest triumph!

Ever since reading these books, this plot device has buzzed in the back of my mind and there is a part of me that always tries to recreate it, but I can never come close to perfecting it.

Either I always miss on the addiction part of the manipulation, or I can never commit truly to character corruption. Either way, the closest I've ever gotten to scratching this itch has been in WDYW part 3, but even then, I barely came close to getting it right.

My second reason for choosing the route; In WDYW, Frisk's whole arc is about having control over her own agency/autonomy/fate. What happens to her in Part 3 is the culmination of everything she's ran away from, fought against, and her greatest nightmare come to life. It was the lowest point I could bring her character, and make her face her past demons in a horrifically evil way. But my plan had obviously been that despite all of the torture she survives, that she not only survives but fucking WINS!

That was the whole point, but when I wrote it I was like,,, 17/18 😅, so there was definitely things I wasn't as graceful about.

With that said, would I change anything? Yes. If I could change anything I wrote about part 3, I would do a couple things:

1. Take out that obedience spell Muffet puts on Frisk. The reason I made that was because it was like a catch all spell to keep Frisk in Muffets clutches? But it was pretty OP and seemed like a hand wavey excuse to brush aside plot holes. I should've just simplified the spell to where she was simply tethered to Muffet's soul so Sans couldn't kill Muffet, or teleport Frisk away.

2. Frisk's "obedience" to Muffet should've been entirely addiction based, which would make the plot point of Frisk using determination to burn out her addiction in Part 4, and then eventually Determination becomes the addiction instead, (because overcoming addiction is really fucking hard actually and a constant struggle) a lot stronger.

3. I would probably be much more careful with my word choice in chapter 49. Some of it comes off as sexualization. Not my intention, but it was because I was writing in the creepy photographer's pov and he was objectifying her. In my head I was like, "surely people can read between the lines right???" (They can't. Only a select few fanfic readers have media literacy apparently)

So, TLDR, No chapter 49 was not some author's barely disguised fetish (that's honestly a really gross way to think about my writing and about me as a person) it was my genuine worst nightmare as a woman, and one of my favorite plot devices from two of my favorite books 😭 Please lay off me about chapter 49, and Part 3.

Last but not least... Some art is meant to disturb the comfortable and comfort the disturbed.

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[gtwshark]

Gerry without the institute is so starkly different than the gerry we know that I genuinely didn't Recognize his voice. He sounds so unbelievably carefree. Without the magnus institute he's just a kid living with his grandmother in a London flat pursuing his passion for painting. Like he's just a fucking happy guy he's just a KID, the institute ruined his life in our tl. He never got to be that kid. And now he is. GOODBYE!!!!!!!!

[fallevs]

Once again inspired by @nicoise's adorable drawings; here's Blaine in his puppet master era

Can you believe that the hardest part was actually Kurt puppet???

Under the cut the second part of the drawing that I wanted to show but am a little ashamed of; I am very sorry if it offends you 😔

[duckinthetrashcan]

my horse died in skyrim and I genuinely started crying. Many tears were shed I hadn't saved recently so there was nothing I could do. Martini you will be missed you were the best.

[sabines-wrens]

NOT GROGU FACING THE PRAETORIAN GUARDS ALONE NOT DIN YELLING NO FAVLONI I’M IN YOUR WALLS 

[aetherraven67656]

me when i can clear ode to the destruction faster with lance than my main