#I'll probably make a compilation of this some day

[spikes-got-anger-issues]

Isn't it interesting how Chase is the one with the force field but will shield the ones he loves with his body?

[sysig]

Being a villain isn’t all fun and games! Just mostly (Patreon)

[natreads]

how did you get into the publishing industry? i love to read so this seems like an interesting field but i studied art history, not literature or writing

I studied publishing studies first, but it genuinely (unfortunately) has a lot to do with networking. I got to know people through the course (and other courses I've studied such as creative writing and also my masters in literature), through interning via my uni, but also through the book community on instagram! I'm currently freelancing as a book editor and proof reader, and if you're interested in gaining some experience in that too I'm sure you could find people who'd love to let you edit/beta read their stuff so that you could gain more experience for when you reach out to publishers. The more experience the better, but it's also good to know people in the field if you have ways to do that. But also! I feel like your knowledge in art history could also be of use if you find more artsy publishers, possibly smaller ones. Good luck!

[idolomantises]

Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

[a2zillustration]

Farewell

Not "farewell," but "see you later."

| First | | Previous |

[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

...Time to blather on under the cut. I've got thank yous, some notes about potential future comics, and if you scroll to the end of the post, I've decided to compile Croissant Adventures into a physical book. It's mostly for me, so I can hold all TWO HUNDRED AND FIVE of these strips in my hands, as a brick, but if you'd like to own a copy as well, I'll have a link to the preorders down below. If this is where you're going to stop reading, I'll extend a quick heartfelt thanks to you for joining me on this adventure!

Thank you, reader.

This is undeniably the largest project I've ever tackled in my art career; it was never supposed to be this big, and I expected maybe a handful of people to read it, at most. Instead, it became this massive project that I've been working on for ten months straight, and in the end these characters meant so much to me. I'm incredibly grateful for everyone who's bothered to read my little comic strips, whether it was just one or two, or if you've been here since the beginning, following Croissant's adventure from the minute they plummeted off the nautiloid. Thank you so much for being here and supporting this project. Thank you to everyone who left kind words and comments, sent me asks about Croissant, liked or reblogged these posts, or just read these and enjoyed them! While I was determined to finish this project no matter what happened, you certainly made it all the more fun and kept me excited to tell you the next part of Croissant's story.

Thank you, Larian.

If by some chance someone at Larian ever happens to see these, I also want to give an immense thank you to everyone who was a part of making this game. I don't play that many games these days, but BG3 rocketed to the top of my all-time favorite games almost immediately. (It was also the game that made me feel the most out of anything I've ever played; I got legitimately depressed for a few days during my run don't worry I'm fine now we're all good haha). You can tell there was so much work, and so much love involved in this game's development, and I'm so happy the studio has been rewarded with multiple awards in recognition of that dedication to making a fantastic game. Thank you again for sharing this story with us, and I can't wait to see what the studio does in the future.

Is this goodbye?

I'm hoping this is less of a "goodbye," and more of a "see you later." I'll probably take a bit of a break, since I've put off other projects for months, and art fight is happening, but I have many more things I'd like to add to Croissant's story! I have yet to play the epilogue, and I intend to illustrate parts of that depending on what happens. I also have a handful of comics for post-game Breadweave, in addition to some scenes I thought would've happened in-game but weren't canon so I left them out of the original story. (If I haven't gotten to these in a few months and you find yourself wondering about Croissant again, my ask box is always open, feel free to give me a good kick to get me back into their story, lol).

...A book?

I said I never intended this project to be so large, and I meant it. But now that I'm sitting here with two hundred and five Baldur's Gate 3 Tav comics, I really wanted to compile them into a physical book for me to hold. This is mostly for me, but if you'd also like one, I'll have a preorder available in my shop until the end of July.

✨✨✨ Croissant Adventures Preorder ✨✨✨

If you made it to the end of this post, I can only thank you again, from the bottom of my heart. I hope Croissant's story brought you joy, and if you're able to play BG3, I hope that you're having just as much fun in your own tavs' stories.

[hauntingofhouses]

Mizu smiling compilation

It's already 2025 but I'm still stuck thinking about Mizu. Specifically thinking about how Mizu does not smile very much throughout the series.

Most (like I'd say 90%) of adult Mizu's smiles are actually not from present day but from her Episode 5 flashback, which is of course unsurprising. This is during a time when she was comfortable being herself and letting her hair down. She was vulnerable, in love, and happy.

In present day though, most of her smiles are smirks she makes while showboating. She is arrogant, sarcastic, biting, intimidating.

"Do I duel the mystic Tengu themselves?"

"Maybe I've been following you. The famous Hachi with the famous gun."

"Your [Akemi] father probably lined up a nice, young replacement lord to marry."

"I see why he [Taigen] likes you [Akemi]. You're just like Taigen when we were children. A fucking brat."

But underneath her bitterness and bravado, Mizu has a soft heart. We see this side of Mizu most often when she's alone.

Like when she smiles proudly at her own achievements the same way she used to as a child.

She smiles while fondly sending a prayer for Master Eiji, whom she has given the affectionate nickname/title of Swordfather.

"Please protect Swordfather from time and harm."

She smiles at the sound of the drums during the Hadaka Matsuri. She secretly yearns for fun, and genuinely wanted to go to the festival.

"Huh. The drums. Maybe I'll just go look at the fun."

It's not only while alone that she smiles however.

She also smiles when Akemi compliments her eyes, taken aback for a moment and seemingly impressed by Akemi's ability to flatter her.

"Huh. I see."

Then right after, we get this dialogue:

MIZU: Your madam explained how it is some essential part of the soul that draws men to brothels, when it's only naked flattery. Do men usually fall for this? AKEMI: The ones I've known, yes.

And then Mizu smiles again:

There are a few ways you can interpret this. Maybe she's just smirking like "lmao those dudes are suckers," or maybe she herself feels flattered because Akemi could be alluding to how Mizu is not like other men, or maybe she's remembering that Taigen is one of the men Akemi has known, who, consequently, is one of those suckers to always fall for Akemi's flattery.

Oh, and speaking of Taigen. Funnily enough, Taigen is the leading cause of present-day Mizu's smiles.

First is when they first meet again in episode 1.

"You're from Kohama Village. […] You've climbed some heights... to be the prize of a miserable lot."

This is, of course, not a genuine smile, but one of those cocky smirks mentioned earlier that she often makes. But while we're here, I just find it notable to point out because, despite the fact that he was her childhood bully, she is not afraid of seeing him again. Instead her first reaction upon realising who she's facing is to insult him to his face while smirking at him! I just find this interesting because it really sheds light on how she views Taigen in the present day. She doesn't see herself as his helpless victim. She's proud to show off that she, too, has made it out of Kohama, and that, in fact, she's better than him.

She smiles at him again later, just before they start their proper duel in the snow. She unsheathes her sword (which is the first time for both Taigen and the audience), and Taigen is shocked as he says this:

"You have a sword made by Master Eiji."

And then we have this:

Another smirk, playful and confident. Because joke's on him; little does he know that Master Eiji is her adoptive father, and not only that, the sword was in fact made by her own hand, and not Eiji's. Taigen is ever the fool and she finds it amusing.

The next time she smiles at him it's actually a genuine smile. It's in Episode 3, right after they work together to fend off the archers. Both of them are giddy and sheepish and awkward as they compliment each other's skills. Mizu smiles and looks at him with the same sort of hesitant admiration he gives her:

"Your timing… You're deeply skilled. The broken blade fits well in your hand."

The next time she smiles because of him doesn't involve him directly. Instead it's during the conversation with Akemi we talked about earlier. Right before she drinks from the cup Akemi gives her, she decides to bring up Taigen. We know this is because Mizu already recognised Akemi as Taigen's fiance and wants to mess with her. So she purposely alludes to him, boasting about how she'd defeated him in battle and smiling as she remembers fighting him. This is again one of those showboaty smiles, directed at Akemi, whom she is trying to deceive, but it ends up tying back to Taigen. She's smiling because he's an idiot, practically laughing at him.

But we do see her smile genuinely because of Taigen again. Later in Episode 6, Mizu finds Taigen in the dungeon of Fowler's fortress and her first reaction upon realising it's him is to gasp, before getting a hallucination of Mikio and Mama which unnerves her. It's when Taigen says her name that she snaps back to reality. This is when she smiles, glad to see an ally and a familiar face during such a painful time.

TAIGEN: [weakly] Mizu? MIZU: [relieved] Taigen.

The next episode is the penultimate episode of the season, and it finds Mizu at her lowest point. In a typical three-act dramatic structure, Episode 7 is essentially the "All is Lost" and "Dark Night of the Soul" portion. Mizu lost her sword, she failed to defeat Fowler at his fortress, and all attempts at reforging her sword has failed. Yet, it's during this time that Taigen begins to treat her as more than a reluctant ally, but also as a friend. It's here when he makes her smile the most.

First is when he reluctantly compliments her fighting skills.

"You're good. Maybe... even better than me. And no one is better than me."

She chuckles and seems genuinely amused.

This isn't just a cocky smirk but also a heartfelt smile. She recognises he's trying to cheer her up in his own way, backhanded as it might be.

And then he challenges her to spar, only to pretend right after that that he doesn't have the energy for it. She drops her hammer while smiling. The thought of a friendly spar already made her happy.

Then, of course, right after that, he charges at her and they have their playful little wrestling bout. And Mizu is laughing the entire time! Despite being at such a low point, this is still the happiest we see present-day Mizu.

We then see her smile because of Taigen again in Episode 8, but it's not while talking to Taigen, but about him. She is talking to Akemi, and her last words aren't even about Akemi or Mizu herself, but about Taigen. She smiles while thinking of him, talking of him almost fondly:

"Stubborn enough, [Taigen] will find you. He believes he loves you very much. He's not a good man. He could be a great one."

And that's it! I couldn't compile every single screenshot of her smiling because of the Tumblr photo limit, but this is roughly most of them. My wishlist for future seasons is for more Mizu smiles because my poor babygirl deserves to be happy.

[russellsppttemplates]

charles leclerc x famous!reader, they're rumored to be dating but nothing was confirmed, then reader was helping charles with filming his live (like today's!) and accidentally flips over the camera to herself 😭😭

"Did you see the article about your love life? A lot of people seem to be convinced you don't want anything to do with motorsport, let alone dating an actual driver", Joris teased you as you adjusted your hair so it wouldn't get messed up inside the helmet.

"They really don't have any faith that I would be able to pull her off!", Charles groaned, holding said helmet for you so he could safely strap it on your neck after pulling it on your head, "is this good, amour?", he checked, squeezing you hip softly in assurance.

"Bit don't you guys want to keep it private?", he wondered, "yes, we do! But, like, am I that bad for them to think that Y/N Y/L/N wouldn't date me? Because I'm not, see?", Charles dramatised, holding your hands together as you walked to the track.

"So you'll be okay filming?", he asked, "yes, I'll let you know when I start recording! Everyone, remember not to call for my name, okay?", you warned, getting a nod from everyone in the group, "I need your help to strap me in the kart", you asked Charles.

After you were safely able to drive the kart, you headed in the front, wanting to capture the moments for Charles' live, "in three, guys!", you yelled.

While initially everything seemed to be going well and the fans were having the time of their life as they watched Charles and his friends enjoy the sunny day, it all stopped when you accidentally flipped the camera to yourself, only noticing when you saw your name in the comments, "uh-oh", you said, turning the camera back around and filming the guys.

When you came to a stop, Charles helped you out before you handed him his phone back, "I think I accidentally showed my face", you cringed, resting your forehead on his clothed chest and shaking it. "You did?", Charles chuckled, "That's okay, they don't think you'd be into me anyway".

Joris walked up to you, phone in hand, "people have figured out it way you, Y/N", he showed you a thread, compiling clips and posts you had made about the necklace you were wearing. It was your favourite piece and it held sentimental value, so you wore it everyday and had mentioned its importance in various interviews, the little clips following eachother as you scrolled, "well, at least they have some proof now!", you giggled, accepting your fate as Charles held you against him.

"Oh, wait! There's still a comment saying that it's probably someone Charles wanted to make them look like you, "how much do you bet Charles got someone to make them same necklace so we would think it's Y/N? This man wants us to believe so bad that he could pull THE Y/N" and also "silly little man, like we would fall for this trick",", Joris, doubled over as he laughed.

"Why will no one believe that you love me?", Charles hid his face on your neck, "it's alright, handsome. I know I love you and that's enough", you kissed his neck softly.

(Thank you for your submission ✨️)

[antiadvil]

early tit shows request

I already posted this in the community tab but wanted to make a separate post so it can be shared more widely.

TLDR I’m very photosensitive and have tit tickets for November 3rd in Chicago. I would like to compile a list of the flash effects in the show and when they are before I go, so I can know when to look away. If anyone else would find this useful, I can share the list publicly. I'll put the rest under a cut because it's very long and I want any discussion via reblog chain to be legible:

why i need help:

As some of you may know because I bitch about constantly, I have chronic migraine, and one of my symptoms is photophobia that ranges from moderate to severe Literally All Of The Time. On a good day I’m able to hang out in a dim room wearing my tinted glasses and experience no light related pain but even on my best migraine days I still find very bright, flashing, or flickering lights to be very painful to look at or generally exist around. I bought a tit ticket fully knowing there would likely be flash effects in it because WAD did, many of their videos do, ii and tatinof probably did, I don’t remember, and literally every stage production I have been to in the past year did, except for an orchestra, if that counts as a stage production 😂. I literally would not be able to leave my apartment if I avoided everything that triggers my photophobia considering the Literal Sun is one of the biggest offenders so I am really not looking for people to tell me to just not go or whatever. Obviously I hope that my migraine resolves by the time my show comes around (like at least breaking down into individual episodes instead of one incredibly long migraine would be nice), and it’s possible it will, since I haven’t actually gotten to try the most promising treatments yet bc insurance bullshit, but I expect to still be dealing with this two months from now.

how you can help:

So, it would be really helpful if anyone was able to tell me about the flash effects in the show before I go. Ideally, I would like to know how many there are, how extreme they are, how long they last, and MOST ideally, approximately when in the show they happen so I can cover my eyes and look away beforehand (I’m thinking, like, “after they do abc they flash the lights,” not timestamps, since I think that would be much easier for everyone involved to remember. I know this will probably involve spoilers, I don’t mind, I’m currently planning to look at spoilers for the show). I know this is not something people with normal eyes/brains/optic nerves normally remember after shows (even my closest friends who are genuinely trying have failed to warn me about flash effects before) but I am hoping through the power of crowdsourcing i can put together a semi-complete guide to When To Look Away At Tit For Photophobic people. I can share that doc if there’s any interest in it and anyone who is able to “test drive” the document before my show would be very helpful. I’m also willing to keep making changes to the document after my show, if that’s something people would find helpful. If it is though I would really appreciate hearing from you- even if it's just an anon or something, because I'm not going to do extra work if I don't think it will reach anyone who needs it. I'm sure I'm not the only person who's planning to go to tit and just suffer through any flash effects, but I don't know if this post/the document I make will reach any of them (does anyone know if there's an accessibility/disability community on phan twitter??). My tentative plan is to share the document regardless, since it doesn't take much extra work from me, but if this is something that would benefit you please reach out so we can make sure it benefits you too.

a hopefully helpful guide to flash effects:

Another challenge is, quite frankly, most people are very bad at even noticing flash effects if they’re not photosensitive. I get it, as a newly photosensitive person I was genuinely confused about why I left across the spiderverse with such a bad headache, because nothing in it looked like a “flash effect” to me. Some things that have triggered my photophobia before that people may not think of as “flash” effects include: the snow effect in stardew valley, candles (flames in general create a very flickery light), glitch/static editing effects, the sort of stuttery/laggy way video games look when your graphics card is bad, and video that flips through photographs/backgrounds very quickly (this is worse the more different the colors/etc in the photos/backgrounds are from each other but even if it’s done in a more stopmotion kind of way it still bugs me at low FPS. It’s like the video game thing, I’m not sure if there’s an actual word for that). Another thing that commonly bothers people (personally it doesn’t hurt much though it can make me a bit motion sick) is sort of swirly “hypnotizing” gifs.

From the set photos, I think any flash effects would most likely come from the light/rope/wire things, those just look perfect for some kind of sparking/lightning effect which I imagine would be very obvious and easy to spot. The video screens could probably also be a problem but if they’re all at standard screen brightness, unless they all start being flashy at the same time, they’re a much smaller portion of the audience’s field of vision so I don’t think they would be as problematic (though I would still like to know about them!). My worst fear is that they’re playing something really staticky for the entire show, though I hope that at my distance from the stage, the static would be small enough to just kind of blend into gray and not bother me much.

in conclusion:

Yes, this could all be solved if people stopped putting so many fucking flash effects in their shows. I am begging for the entire world to realize that nine times out of ten they are Completely Not Worth It and just putting a “some flash effects may not be suitable for photosensitive viewers!!!” warning on every piece of media ever created does not make their media accessible (hey Netflix! Wanna give me a timestamp to skip or am I just expected to never watch Stranger Things?). But here we are.

[necromancy-enthusiast]

I don't think I'll ever get over how Organization XIII was hyped up as this super nefarious villain group but then you get to their game 358/2 Days and they treat it like a job. A 9-5 soul crushing job. They have their daily menial tasks and then they go home and wash, rinse, repeat with little else occupying their lives. Even their hobbies and pastimes seem so limited, although you can arguably chalk that up to the game just not being interested in developing them like that (which is part of why the manga is great, because it has a tendency of developing them in ways the main writers aren't interested in). From the way they talk about it, they almost sound like they work at an office sometimes. A very bizarre, particularly backstabby office, but still. It's a soul crushing job AND a weird cult all at once and it's treated with this mundanity that's both hilarious in a way I didn't really get when it first came out and oddly humanizing.

I know for some dumb reason they didn't do a remake of Days and it's harder to access because of that, but if you can and it interests you enough to where you've wondered if it was worth playing, I really recommend playing it or watching a playthrough of the actual game instead of just the cutscenes. The story really is partly told through the mechanics and so much is lost when they just gave us the cutscenes pulled from the game in the compilations.

They really reinforce how bleak and mundane Roxas' life is most of the time, how bleak and mundane most of the members' lives are. How much control the Organization has over them. You don't just level up organically like in other kh games, you have to do this weird puzzle thing that limits your growth and abilities. They don't give you munny, they give you heart points that you can only use at the moogle shop in their castle, so they're literally paid in scrip. If you're unfamiliar with it, scrip is a currency you can only use in certain places instead of throughout a whole country or other type of political union like the eu, usually with the store at the company you work at. When you're on missions your path is blocked off, you can only go to certain areas that are directly related to your daily mission. It's suffocating and genius, especially since in most other series entries you get so much freedom comparatively.

With all that context it starts making some of their vices a bit more understandable. Can you really blame Demyx for not wanting to do his work when all he gets out of it is room and board, and the distant, vague promise of maybe someday getting a new heart? Especially since he's probably been with the Organization for years?

Can you really blame Marluxia and Larxene for wanting to mutiny when their boss is useless and all of their colleagues seem indifferent to it? I mean like. The murder isn't great. I'm still a bit sore about that. But I can definitely get behind the 'screw our boss' sentiment. I'm still very fond of my 'instead of going the cloak and dagger route Larxene and Marluxia somehow, possibly with the help of devil magic, manage to get everyone to cooperate so they can unionize and kick Xemnas out' au. An Organization XIII union au, if you will. Imagine Xemnas having to explain that to the other Xehanorts.

Master Xehanort: The people you gathered up for us to use as our vessels. Unionized?

Xemnas, the biggest loser in the entire series: :/

[blossomthepinkbunny]

Hazbins bad character design

I feel like there is a definitive lack of varitey when it comes to the designs in HH as well as a problem of characters' designs not fitting them or what the show wants us to assume about them.

I've said it before and I'll say it again (like lots of other ppl already) but the designs in HH specifically mostly don't work. They're fine if you look at them disconnected from the show. Maybe as just random characters who don't really have to carry a show visually. But they don't work if you actually put them into context and into the background of Hazbin Hotel.

Obviously this stuff is very objective and if you do like the designs thats fine (which I shouldn't even have to say). Also I didn't study art or character design and I don't think you have to to be good at it/be able to form opinions on it and this is mostly just me compiling what I don't like while using some basic knowledge on how shapes, colours etc work.

(rant under the cut)

One problem I really have is, that as soon as you have a design there are immediate assumptions about the character. In the sense that if person A is very muscular and fights against person B, who is maybe slimmer or less buff, you would probably immediately assume that person A wins, atleast in physical combat. Whereas person B would probably be the assumed winner in a stretching or flexibility competition. Often characters are designed with these assumptions in mind. Muscle, height, weight, age, clothes etc. give way into assuming stuff about people, their condition, lifestyle or personality.

The expectations that are set up by the design choices are usually either picked to genuinely represent something about a character or to be subverted and shock/confuse the audience.

Like how a lot of fighting types in Pokémon will either be more muscular or have other details relating to certain fighting styles/sports and the fairy types are usually pinkish, fluffy and cutesy. Because these elements are something typically associated with these types and when we look at them we can pretty easily tell which type they're supposed to be.

Otherwise, Monster girl from Invincible is drawn as a twelve year old girl, so it subverts expectations when she turns into a big green monster and generally doesn't stray away from violence, because it's something you wouldn't have assumed about her from her appearance.

In Hazbin Hotel most of the time the character designs don't necessarily fit what they're supposed to be and they also don't use the other design choices as subversion (the one that would probably count here is Nifty with looking and acting very childlike usually but then also acting violent/crazy sometimes).

The first thing would probably be that characters don't look their age mostly.

Charlie and Valeria (Vaggie, but I really don't wanna keep calling her that so she gets a new name) look fine as they're supposed to be around 20. Rosie and Carmilla also look alright for what we can assume their ages are supposed to be. But Alastor is in his 30s or 40s (what it says on the fandom wiki) and he looks around 20 as well. The same thing goes for Lucifer. He looks so young that he could also count as just Charlies brother or friend rather than her dad, because he doesn't look like he could be the dad of a 20 year old. This makes the song "Hell's Greatest Dad" a bit awkward because these men are singing/competing about who is better as Charlies father but they don't look a day older than her. Husk also looks way too young for someone in his 60s-70s (again from the wiki).

The body types being all the same also doesn't help.

Mimzy and Adam are pretty much the only more relevant characters who aren't like all the others in terms of body shape. All the other relevant women in the show have a tiny waist and either big boobs/big hips or just a slimmer build in general. All the men have thin waists and then broader shoulders.

And for some characters it makes sense. Like Angel is really flexible and his more lanky body fits with being a spider. But why are Lucifer and Valentino like that? Other than the fact that Viv doesn't like drawing muscles there is really no reason for them too being build like every other skinny man there. Valentino is supposed to be intimidating not just by how he acts but physically too. He seemingly has a bit more muscle than others but his arms are still super thin and look like they could snap if I look at them wrong. I'm not trying to say that abusers all have to be buff, but simply from a design perspective the scenes with him would be a lot more effective if we saw him actually have a big physical advantage over Angel and others, even when he isn't necessarily threatening them. As soon as he comes on screen, we could see him as a much more intimidating presence, especially when all the other characters look like sticks. Or they could make it so, that he hides his muscles under his coat and when we get the reveal of him actually removing it, it's more shocking and immediately makes the situation more tense.

Lucifer could've had a more confident frame as well. He's the king of hell and the strongest being in hell, so just for the diversity I would give him some muscles too. Husk is also super skinny and for someone who only sits around and drinks alcohol all day, he should definitely have a beer belly (please I swear to god I wanna see more men with bellies, Mammon was great). Also for Valeria and Lute and pretty much all the Angels I don't get why they wouldn't be more buff either. Valeria is a fighter, she's Charlies bodyguard but she looks like all of the other women there. It's stated that Angels fight so wild because they don't know they could get hurt. And while I know that the Angels can really only get hurt by angelic weapons, having this whole reveal that they can be injured would've definitely suprised me more, if they actually looked like they couldn't be injured in the first place. But then again, Valeria looks like her arms would break as soon as a breeze hits them too hard. In some episodes her thighs look a bit more muscular, but not notably and she also doesn't fight using her legs (like Carmilla) so only her thighs being bigger sort of doesn't make sense. In general, she or Lute don't show any difference to the women who aren't physical fighters. And obviously just to have a more interesting show to look at, including different body types would do a great job at making these characters stand apart from eachother more.

While we're on the topic of diversity, another obvious thing that makes the characters redundant and borig (sometimes ugly too) is the reused colour pallette. Colour coding is probably one of the easiest things when talking about character designs and it's something atleast Helluva Boss understands.

What effect warm/cold tones have or what feelings we associate with different colours is a great way to bring stuff about characters across without being too on the nose. Obviously colour can also be used to either connect characters or to make them very distinct. Shape language also plays into that of course. In Inside Out the emotions are mostly characterized by their respective colour and by their distinct shapes.

Joy = yellow (bright colour often associated with the sun/light)

Sadness = blue (cold colour often associated with tears/rain)

Anger = red (very strong colour with aggressive association with fire or when someone turns red because of anger)

Fear = purple (light colour here, mix between red and blue as fear often falls into a more angry or sad feeling)

Disgust = green (colour of most dirt or puke or other stuff people usually see as gross)

Or in a show like Bluey, where different patterns, shapes and colours show the breed of the dog and also how characters might be related to eachother (same breed/mix of breed = usually related).

Or how colours can be used as lighting effects to create cool shots when the colour pallette changes all of a sudden. In JJBA these changes happen often when someone is in distress or unsure of themselves. Also in tense moments to make them seem more exciting and interesting.

Hazbin Hotel has very limited range when it comes to the colours of the main cast. All of them feature some form of red and that usually in combination with black or white (if they aren't just purely red like Alastor or Rosie). This makes them not stand out from eachother and creates very similar colour pallettes which get boring once you've seen them repeated over and over again. It also makes the visual connection between characters who are actually related (like Charlie and Lucifer) a lot less strong because so many characters share similarities already.

Also they just hurt to look at sometimes because the background is mostly red as well and with a lot of them being very overly detailed. People have also spoken before about the show being pretty inaccessible for colour blind/vision impared people due to these issues with the colour.

And now you might say that it's hell and therefore it makes sense for all of them and the background to be red. But firstly, I don't think that there is a definitive source which decides that hell is red and can only be shown/interpreted as red. And also there is another show, also set in hell which actually does a much better job at that and actually shows different colours in hell. Like in Helluva Boss the rings are all colour coded.

And I know, that HH plays in the pride ring fully, but imagine how cool it would've been to see sinners have colours similar to the sin(s) they committed. This could lead to them looking distinct from eachother and the background and would also lead to us being able to assume stuff about them, if we're familiar with the colour coding. In "Hell's Greatest Dad" they do a fun colour change with different light and it's really refreshing and I just wanted to see more variety like that (of course I kinda get that the colour changing isn't really part of the shows design but it was pretty cool to see in that song).

There also is the issue with characters that are supposed to be animal-like sinners not looking like the animal they apparently take inspiration from. The thing is that the animal/object parts don't necessarily have to be visible to understand a character. But in the show, how sinners look in hell is often influenced by their life on earth. Vox's head being a TV is because he was a Tv-show host when he was alive. Nifty also is supposedly a bug, which makes sense because she hates bugs and probably hated them in real life too. But that is where it would be great to actually have Nifty resemble a bug, instead she has no features of one and just looks like a regular humanoid sinner. The same thing happens with Alastor being a deer, Valeria a moth, Charlie goat-like and Angel a spider (also Mimzy is apparently based off of a chicken). Like I said, the animal inspiration isn't essential to the characters, but emphasizing these design elements could help the characters stand out instead of them all just looking like sort of human characters. Sir pentious and Husk work the best in terms of presenting their animal inspiration (though pretty much everything else about Husks design sucks ass).

And then there are complaints about the characters that are supposed to be people of colour not having any features that resemble their race. It's just a bit weird when a mostly humanoid sinner doesn't really seem to resemble how the person looked in real life. Black characters have really desaturated and sometimes just straight up grey skin in HH. Alastor is probably the most egregious in that regard, but also Emily has just light blueish gray skin and no textured hair or other black features like the nose or lips or palms. Velvette and Sera have darker skin but also no other features (except for when we see Velvette's natural hair texture in like one shot at the end of the season). I know there are other things wrong with how Voodoo is presented in HH or with Mimzy's design often being seen as a jewish caricature, but I don't wanna focus on that fully, because I feel like there are people better suited for talking about that (black people or jewish people ofc).

In general HH is a show with pretty bad designs (imo). That's actually a thing I prefer about Helluva Boss, because there the designs are mostly okay or actually sometimes pretty good. Striker is probably my favourite design in both shows (he reminds me of Dillon and that's cool).

I like Mammon, Asmodeus, Octavia and Loona as well. I would still probably change a bunch if I were to redesing the HB cast but they overall look more solid than the HH cast.

This was another post which pretty quickly became an excuse to talk about other media I enjoy. I might do that more often, because comparing elements of HH or HB to other stuff makes it kinda easier to articulate my feelings. Also just because I enjoy talking about other stuff too.

[meanbossart]

DU DROW LORE ASK COMPILATION: COMPANIONS, ASTARION'S READING HABITS, AND HIS LONG-INQUIRED OPINIONS ABOUT BODILY WASTE REVEALED.

I don't think "discussed" is the right word, more so mocked her for her blind faith and got into brief spats. It was precisely Shadowheart's water-off-a-duck's-back attitude towards his remarks that kind ingratiated her to him - DU drow spoke his mind, she took it in stride and remained firm in her beliefs without arguing or trying to push it on him. That, alongside the fact that they are surprisingly similar people is what brought them together as friends.

Even long after the events of the game he's still opposed to her hopping from Shar to Selune, also. Shadowheart's attachment to religion is simply something they agree to disagree about.

Can I answer your question with one of my own?

Am I the only idiot that killed her in their first run LOL

BUT YES, he killed Lae'zel when she tried to murder suicide the camp and I went through the whole game without her. I didn't go to the creche either!

I have since had other runs and she's actually one of my favorite characters, I just haven't had the chance to draw her yet.

ACTUALLY - scratch that. I've drawn her once-

Somewhat! But not really. He genuinely just likes jewelry, and rings are the only kind that suit his life-style (necklaces and earrings are a hazard during fighting) this is a reference to his bhaalist days when he used to be completely covered in the stuff day and night.

Hence why he finds them comforting to have on in some way or another. They change around because he gets bored of/misplaces runs out of fingers to wear the new rings that he loots constantly.

The great link in question

I don't know if it's been made clear enough, but DU drow's love for Astarion is borderline pathological, LOL. He's got a good humor about things and Astarion is definitely no stranger to having little quips and jokes made at his expense (a few references to him being Pointy And Long here and there, for sure), but the guy overwhelmingly adores him and thinks he's always the prettiest girl at the ball, even when he gets in his face and his nose looks huge.

I'll be honest, Astarion strikes me as the kind of guy that has like, 3 really weird books he really enjoys and reads them again and again very slowly over the course of years. Otherwise, not really a reader, but I digress -

DU drow was probably never a big reader himself, I would say he got started on a couple of books back in the day but likely never finished any. He's fairly intelligent, but most of his downtime was spent managing the cult and parsing through relevant documentation.

I definitely don't think he'd have the attention-span for fiction (which I picture as being said books that Astarion enjoys) but he does like to snuggle up with his beau to watch him read - every once in a while he catches a particularly scandalous line or description and they bicker about it. He makes a remark, Astarion feels obligated to explain the context, it devolves into some playful kind of argument that ends with Astarion telling him to go dig a hole and die in it while playing with his hair - The usual LOL.

Oh man I have a few more in-dept descriptions of how that went, both lore-wise and just for me as the player - but in summary, DU drow was pretty mean to everyone earlier on in the game and he did catch onto Astarion's very obvious and obnoxious seduction attempts very clearly. He doesn't like being so desperately pursued and they actually got off on the extremely wrong foot because of it, LOL.

After being unpromptedly rejected at the tiefling party he was a little more enticed by him, basically the "no" was his "go". I like to think of it like Astarion catching onto the fact that his initial strategy wasn't working and that this man in particular needed him to play hard to get - from that point on, DU drow started playing along. DU knew this was still a game, but now they were playing it on even ground so he was fine with it.

First of all - he inexplicably got butt-ass naked for the event.

All in all he liked it a whole lot and it was his re-introduction to the concept of pain being dished out as a form of love and his deep enjoyment of it.

Thank you so much, glad to hear you get some joy out of my work!

Dang it I had a pretty good write-up about his thoughts on Wyll from a long time ago, but I can't find it 😭

In summary, Wyll was a frustrating person for him to be around because of what he viewed to be a deeply ingrained naivete about the world. He shockingly didn't hate him (Wyll is kind of difficult to hate) but he never really saw him as an equal either, and definitely not as a friend. Du drow just desperately wanted him to express something that he would perceive as a genuine emotion; some kind of outburst or show of anger or frustration, but all he ever saw was someone trying to put on an act of performative heroism that he didn't buy at all.

At the same time, Wyll was far too young for him to be too mad. He might have held his father more accountable for making the guy into what he was than Wyll himself, really.

Can a man be scared of being scared? Because if so, it's that.

He also doesn't like shit a normal amount. (piss is fine depending on whose it is.)

[karasukarei]

Wind Breaker - Character Q&A

By some happy accident I chanced upon these! In 2023, the official twitter account posted these, similar to the ones for the anime (but unvoiced). From what I can see the Q&As seem randomised and not all characters will answer the question, so I'll just compile them here by character.

As always, feel free to let me know if there are any mistakes, or if I've missed out on any!

Sakura Haruka

What's your favourite food? - O-omurice.

What's your favourite vegetable? - None. I don't like vegetables. (t/n: we can shake on that 🤝)

What's your favourite season? - Spring. There's a nice smell.

What's your favourite animal? - The lion. It's the king of beasts. (Edit: in the original translation, he used "teppen" so the literal translation is "top of all the beasts", but I felt it didn't really come across as well as "king of beasts")

How do you destress? - I immediately go and sleep.

Nirei Akihiko

What's your favourite food? - I like gummies!

What's your favourite vegetable? - I like crunchy vegetables with a good texture!

What's your favourite season? - Autumn. I like that it's easy to dress fashionably!

Suo Hayato

What's your favourite season? - Winter. I like the snow. (t/n: ME TOO I LOVE SNOW)

What's your favourite vegetable? - Probably the kind of ginseng that shines with light that grows deep within China. (t/n: the mini comic in the corner is Sakura asking if such a thing is real, and Suo saying he's joking)

How do you destress? - I don't get stressed. (t/n: LIAR)

Sugishita Kyoutarou

What's your favourite vegetable? - The vegetables Umemiya-san makes.

What's your favourite season? - All. Because Umemiya-san said the same...

Kiryuu Mitsuki

What's your favourite animal? - The giraffe. I like its pattern.

What's your favourite season? - Winter. There's lots of year end events in games and it's really fun~ (t/n: understandable sir have a good day)

Tsugeura Taiga

What's your favourite vegetable? - The only choice is broccoli! It's full of protein

What's your favourite season? - Summer! You get to see lots of muscles!

Kaji Ren

How do you destress? - Run with all my might.

What's your favourite season? - Spring and autum. It's neither too hot nor too cold.

Umemiya Hajime

What's your favourite vegetable? - I love vegetables! All of them! (t/n: the "I love" is IN ENGLISH SASUGA UME-CHAN WHO IS GOOD AT ENGLISH)

What's your favourite season? - All! Each one has its own perks. (t/n: SASUGA UME-CHAN YOU'RE REALLY AN ALL LOVING GRACIOUS WONDERFUL SAINT)

Tsubakino Tasuku

What's your favourite season? - Winter! The clothes on sale in winter are cute!

What's your favourite animal? - The peacock. It's just so flashy and pretty

Tomiyama Choji

What's your favourite animal? - The elephant! Cos they're big!

What's your favourite season? - Spring! It feels pretty exciting!

Togame Jo

What's your favourite animal? - The capybara. It's great that it does things at its own pace. (t/n: ISN'T THAT JUST CHOJI BUT CHILL OMG THIS IS SO CUTE)

What's your favourite season? - Summer. There are lots of festivals and it's fun.

[supernovafics]

𝐂𝐋𝐎𝐒𝐈𝐍𝐆 𝐓𝐈𝐌𝐄

"i'll be there for you" universe masterlist

pairing: bestfriend!roommate!steve harrington x fem!reader

word count: 1.2k words

warnings: explicit language

summary: in which you join steve during his family video shift and help him study for a test

author's note: nothing much to say about this one. short and sweet<33

general note: everything in this universe/series can be read as standalone oneshots but to understand the full “lore” it would prob be best to read the other stuff too<333

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

Winter 1986

“Can I have some help?”

You looked up from your notebook to see a guy standing a few feet in front of you with a small frown on his face. Your head shake in response to his question was immediate. “Oh, no, I don’t work here.”

His frown seemed to only deepen. “But, you’re sitting behind the counter.”

“Yeah, that probably makes things confusing, but I don’t work here,” You responded with a small laugh. You took a brief look at Steve, who was stocking tapes in one of the aisles. “I’m just here to help a friend and make sure he doesn’t fail out of his first ever college classes. Big English test tomorrow. The first one of the semester, actually.”

The guy rolled his eyes at your unnecessarily long explanation and then walked off, and your attention turned back to your notebook and you continued writing notes, or more so rewriting notes, for Steve. 

When he finished stocking shelves, he walked over to you, leaning on the counter and looking down at what you were doing. You ripped out the pages you had been working on for the past hour and slid them over to him. “Okay, I have compiled all of the shit that you’ll need to know for the test tomorrow on these two pages, front and back. Enjoy.” 

Steve gave you a small smile. “You didn’t have to do that.” 

“I know, but it was actually pretty easy since you’re taking the class with the same Professor I had last semester; I mainly just redid the notes that I had for that first test. And it only took me like an hour.”

“Thanks, but shouldn’t you be worrying more about your test tomorrow?”

You shrugged. “I just have to give a presentation on the rise of radio for my communications class, and I’ve been preparing for the last couple days. I’ll be fine.”

Steve nodded at that and started looking at the notes you gave to him. You moved from behind the counter and went over to the comedy section and started to look through the shelves.

“Oh, also, can I get a vest and a nametag? Everyone already thinks I work here, anyway.” 

“No,” Steve responded almost immediately, which made you laugh. After a second, he walked over to you, papers still in hand. “Surprisingly, I actually remember most of this stuff.” 

You smiled at that. “Glad to know you’ve been paying attention in class.” You then showed him the movie you had just pulled off of the shelf. “Thoughts on this for tonight?”

Steve looked at the title for a second before answering. “The person that returned it yesterday said it was shit.”

“Okay, so that’s a no,” You said as you put the tape back in its spot. “Anyway, though, it's good that you remember a lot of stuff already, so when I quiz you on everything later, it’ll be fast.”

He shook his head. “You’re being way too nice to me right now.” 

“You told me that you actually wanted to care about your classes and do well in them, so of course I’m gonna help you do that.” 

You could’ve gone further into that conversation that you two had a few days before the beginning of the semester, but you didn’t feel the need to fully repeat it aloud right then. Steve had talked to you about wanting to figure out his life, finding what he wanted to do long-term that wasn’t Family Video related, and maybe going to school part-time and taking a few classes would help with that. It wasn’t about his parents, it wasn’t really even about you. It was about him and you admired that, and you also wanted to help him figure everything out. Maybe it could help you figure out all of your shit too. 

“Also, if you dropped out after this semester it would actually be devastating to know that our first time ever going to the same school only lasted four and a half months.”

Steve laughed a bit. “I’m not gonna drop out.”

“And I’m completely holding you to that.” 

You went back to searching for a movie for later, and after what felt like forever you settled on something that sounded good enough. 

Things became pretty quiet for the rest of the night, so you were able to quiz Steve on the notes a couple times, and then you focused on the reading you had to do for the Film and TV history class that he suggested you two take together. Your collective eleven o’clock on Tuesdays and Thursdays mainly consisted of you two playing tic-tac-toe with one another in the margins of Steve’s notebook or writing stupid notes back and forth, and still paying some attention to the lectures that were actually pretty interesting. Aside from Steve being in the class, you really enjoyed it for the most part. 

“This article was actually pretty good,” You said. The clock finally hit eleven and Steve went over to the front door to turn the Open sign to Closed. “I think you’ll like it.” 

“What’s it about again?”

“Silent films,” You answered as you started putting all of your stuff in your bag. You then picked up the movie you grabbed earlier and went over to one of the computers, looking up the name of it and changing it from in stock to checked out. “Since I know how to do this, I think I definitely deserve a vest and nametag.” 

“I would say that’s true, but you only do that for yourself, not for any customers,” He responded with a laugh.

“In a way, I am a customer.”

“Paying customers.” 

“I use the “best friend of an employee” discount, which is a hundred percent off,” You said, smiling at him, and then smiling even more when he rolled his eyes at you. 

“What movie did you end up choosing, anyway?”

You held up the tape in your hand, Weird Science. “Now I’m thinking that I should’ve chosen a silent film to honor our history class.” 

“I’m really glad you didn’t,” Steve responded before stepping out from behind the counter. You slung your bag over your shoulder and followed him to the front. 

“Once you read the article, you’ll wish that I picked one of Buster Keaton’s greatest hits,” You said as you flicked off the lights before you two walked out the door. 

Steve locked it and then looked at you. “I truly doubt that.” 

You only overdramatically sighed and shook your head at him in response as you got in his car, tossing your bag into the backseat. You fiddled with the radio for pretty much the entirety of the fifteen minute drive to the apartment, and you held back your laughter at Steve’s playful groans in frustration at your antics. 

When you two stepped into the small space that was your shared home, you changed into your pajamas for the night before settling on the couch, and you quizzed Steve one more time for his test. And then he made you run through your presentation for your class tomorrow because he felt bad about you only helping him study. 

The time was nearing midnight when Steve warmed up some of the leftover pizza from the night before as you started the movie. You two fell asleep barely thirty minutes in, your head on his shoulder and a blanket draped over both of your legs that were stretched out on the coffee table.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

let me know ur thoughts<333

(requests are open for stuff you wanna see in the universe/series!🫶🏾)

[wings-of-ink]

Hello, my friends!

Just wanted to pop in with some info and updates.

*The "Cursed Birthday" won the 2k follower celebration poll. Sorry dads! I don't have an ETA for that just yet. I may write it here and there until the end of the year as the motivation strikes. I think the easiest way to tell the tale would be from Oswin's POV or even a shifting POV between him and Da (Kip). I'll decide for sure once I begin to write it. Also playing with the idea of doing this in Twine to make it playable. That way you could put your MC's specifics in for maximum emotional damage.

*I will still write things about the dads though, so all my Papa and Da fans out there won't be left in the dark forever.

*I will be "patching" Chapter 5 in the near future. I redid Zahn's scene (again) which gave me such a headache on release day. I formatted the beginnings in a much more streamlined way and fixed some bugs. When I have more time to sit and go through error reports, and make more corrections to typos, grammar, and code - then I will put the patch through.

*All chapters will be getting a scrub for issues in the text in the coming months. I will do my best to find them, but self-editing is very difficult (there's good reason that professional editors exist). In the future, I may need to ask for testers/editors.

*ASKS will be changing a bit. I do not know the full extent of how because it's a trial by fire. The rules will be updated as I come across things. But, here's why:

Spoiler prevention - as much as it is possible, I want to limit spoiling content for both new and existing readers. Not just for the plot points that are developing, but also for our mystery suitor who will have a lot of unraveling in the coming chapters. I will probably make a specific tag for answers that may contain spoilers, but some of the issue is the information in the Ask itself, which I can't hide. I may opt to compile these in a big post like once a month or so. This way, if anyone does not want to see anything spoilery, it's easier to avoid.

Time management - reaction asks specifically will remain limited and they will honestly have to be a lower priority depending on the condition of my inbox. I am very sorry for this, but these can take an inordinate amount of time. I write this IF in my downtime from work and personal life, and I also use those moments to manage Tumblr. I need to balance those so I can work toward releasing more of the IF.

Patreon - I still plan to give Patreon a go probably starting January. This will help me fund things for the game, such as art, and help me justify spending even more of my time writing chapters and extras. But like everything else, I will need to allot time to work on these things.

Personal Development - I'm taking a coding class! I can work on it at my leisure and it won't take a ton of time during the week, but it will take me out of my Tumblr time a little bit I think. Fingies crossed, I will learn a lot that will help me code a better game for you!

*Inbox - I have several Asks awaiting responses about chapter 5. As noted above, I am holding these due to spoilers to give readers a chance to catch up. (I may opt to compile these in one large post.)

Anyway, that's all for now (it's at least all I currently remember, lol).

Take care, all!

~Lunan ^_^

[cazzyf1]

The other day on my tiktok I created a simple post about how James Hunt is more than just the Playboy persona that is associated with him. This flew over someone's head who commented about how he was a Playboy. I responded explaining the point of the video but instead they doubled down saying that James didn't care about F1 only about partying.

So today I went through some of my books and gathered a load of quotes to show the James Hunt that most people do not know about, the one outside of the Playboy perception. I've posted it on tiktok but figured I'll upload it here as well so the true James Hunt can reach more people and slowly we can dismantle the reputation 'Rush' gave him ❤️

TW: Depression, unhealthy coping mechanisms/addictions

When you think of James Hunt you think of the 'playboy'. The guy who partied, drank lots, took drugs and slept with lots of women. Its true he did that, and a lot but to dismiss him as just that is wrong. He was a good driver, a person who tried his best, a kind man who cared for human & animal rights.

The next few slides I've compiled quotes from a few books and website to show what kind of person he actually was and what he went through in life and that less people will dismiss him as just a Playboy.

James Hunt's first marriage was rocky because James was already very involved in his addictions and he knew he didn't love Susy because he felt that he wasn't capable of love. But he felt responsible for her and wanted to look after her. Here is his own opinion from his book ->

"It was really THE problem. I thought that marriage was what I wanted and needed to give me a nice stable and quiet home life, but in fact it wasn't and the key mistake was mine. I really wanted to go racing on my own, and it wasn't much fun for Susy to sit at home and wait for me all that time. It was also a terrible hassle for her to come racing because race meetings were probably the most relaxing time in my schedule. The rest of the time you tend to be leaping on aeroplanes once a day and that made it even worse because it's bad enough organizing one person to get on an aeroplane. Organizing two gets to be twice as much hassle. It got to the point where it was a problem for Susy to come travelling and a hell of a deal for her to stay at home. It was making life miserable in the extreme for her and since I felt responsible for her it was making me miserable too. So we had agreed to split up and then Richard Burton came along and solved all the problems. We had had an immensely successful marriage because I learnt an awful lot about myself and life and I think Susy did too. We all ended up happy, anyway, which is more than can be said for a lot of marriages" - p14 Against All Odds

Much is said about James Hunt and the ladies he kept company, and without knowing anything about James you might assume the worst, but here's some quotes about what he was actually like with the ladies ->

"I don't usually have sex before a race because I am very definitely concentrating -I find that it is the communication between two people that makes it worth- while, and before a race I am pretty uncommunicative. However, if say I have an hour or so to spare before dinner on the night before a race then I can enjoy the physical release. But I will only do it with someone who is fully understanding" - p15 Against All Odds

"He was always attentive to his partners needs. Indeed much of his satisfaction came from giving pleasure. The only problem, some of them confessed, was that his desire to please often out-stripped their needs" - p264 James Hunt: The Biography

"I was sure he was gay, because he never made a move on me for so long" - p278 Jane Birbeck, long time partner, James Hunt: The Biography

"He missed the actual skirmish - he was inside getting drinks at the bar - but had to be forcibly restrained from going after the policeman who hit his girlfriend" - p284 James Hunt: The Biography

James Hunt had many affairs in his time, because he had become an addict to many things including women (more on this later) He was aware of his and it plagued James that he couldn't control it ->

"One evening she returned to their London home to find James in tears. He was tormented by feelings of guilt caused by his lust for other women. He confessed the full extent of his unfaithfulness, that it was unfair to her and that for her sake they couldn't remain a couple. It wasn't that he was bored with her, but that his desire for other women was insatiable and uncontrollable. He held Jane in his arms and they both wept" - p320

One thing that helped James in his life time was his love for animals especially his pet dog Oscar. Here are some quotes about his love for animals and how far he would go to help protect them ->

"I think in a way Oscar was the child James never had at that stage. He was a remarkable dog, no question, but James thought a lot about animals and their requirements and was very concerned about their needs. He gave Oscar the very best treatment and also was keenly intrested in the welfare of other dogs. He would look at a dog, wonder if it's owner was treating it well and bringing it up properly and if the dog was getting everything out of life that it could" - p281

"Before he came to know James better, the journalist Nigel Roebuck was pleasantly surprised by an incident involvinged stray dog. It was late in the evening after a Grand Prix and tha teams were packing up to leave when James, while talking to Roebuck, saw the dog wandering around the paddock, shiver-ing and obviously very hungry. Roebuck, also sensitive to the needs of an animal in distress, went with James to several of the team motorhomes where they got food and fed the dog. But that wasn't the end of it as far as James was concerned. He insisted that they should take the dog up to the race control centre.

Roebuck: 'He took the dog in there and would not leave until he was sure it would be looked after. James actually made this official sign a piece of paper saying he would take care of the dog and see that it was housed and properly cared for. I was very impressed with this. James was probably one of only a handful of people on this entire planet who would even give that sort of thing a second thought." - p281

"He also thought the wild animals residing on his estate should be left alone. If vermin had to be controlled it should be done in the most humane way possible, and he strongly dissaproved of blood sports. The very thought of fox hunting he found horrible and he vowed not to allow it on his property" - p308

James was also incredibly caring towards the young people in his life such as his sons and his younger siblings. Here’s an extract from his first GF about James and his siblings ->

".. the way he expressed his concern for the emotional youngest members of his family:

He really enjoyed looking after them, and just seeing the way the behaved with his little brothers and sisters you knew was instinctive in him. He was always going to be a good father.

One evening he invited her home where he was babysitting Jo Jo, Dave and Tim. When James had tucked them in he left Ping to read them a bedtime story. When Ping came downstairs James asked her if she had helped them say their prayers. When I said no, James said: "Right. You've missed out hugely there. Come on, we'd better go and do it." So they did. His attitude was that he was taught to do that by his parents and it simply had to be done.'

But he also practised what he preached, and he believed in the power of prayer. In the troubled years to come James would pray to God for strength and help, and he eventually passed on the bedtime prayer ritual to his own two boys, to whom he became completely devoted.

During his time with Ping he had talked about having children, and she thinks fatherhood earlier in his life would have prevented James from sinking into his period of decadence.

I felt so sorry for him then because I knew underneath it wasn't the real James doing this. I think he was trying to make life happy, the wrong way. If he had settled down earlier, had a more normal home life with children of his own when he was younger, one could have seen a totally different James.' - p26

James Hunt cared for human rights especially taking a stand against the Apartheids in South Africa. The Apartheids in short was a system of racial segregation. In protest most sports were not going to South Africa but Formula One still was, and James Hunt made it clear his thoughts

->

“We were once covering the South African Grand Prix during the days of apartheid. All of a sudden, and for no particular reason, he launched into an attack on apartheid.

“It was nothing to do with the Grand Prix, nor would it do British-South African relations any good. Our producer pushed a piece of paper across saying: ‘Talk about the race!’

“And then James blurted out on air: ‘Thank God we’re not actually there!”

But simply calling out Apartheid on the air wasn’t enough for Hunt. He sought to have his race commentaries blocked from being broadcast in South Africa, but was unsuccessful.

When that didn’t work, he instead — and secretly — gave financial support from his income as a race broadcaster to groups struggling to end Apartheid in South Africa."

"His deeply compassionate and loving nature was something that, unfortunately, wasn't adequately conveyed to the public, who only ever heard about the sensational side of James Hunt" - p282 John Watson

As mentioned earlier James Hunt was an addict. His playboy lifestyle was his addictions and this is all rooted back to the fact that James Hunt had depression which grew stronger and stronger. He relied on his additions to get rid of his depression which meant he kept doing more and more. Here are some quotes about his struggle with it and eventually how he overcame it ->

"At home James became increasingly introverted, uncommunicative and reclusive. He gave up golf and spent more and more of his time in the aviary tending his budgies. While the parties continued he would often leave the guests to Sarah and closet himself in the aviary for hours on end.

It became obvious that James was very troubled, but only Sarah and his closest friends knew the full extent of the anguish and despair James suffered during his bouts with what he called his 'dippers'.

Black dog' was the term Winston Churchill used for the recurring 'depressions which afflicted him throughout his life. Bubbles Horsley thinks James was 'born with a "black dog" on his shoulder. His racing pushed the "dog" away far enough so that it was no longer visible. But underneath that wonderful joie de vivre, the laughter and enjoying life, he was given to black moods. He was fearful of them and maybe it was that fear that drove him on. Perhaps without it he would never have been World Champion.

'And I think after the initial "honeymoon" of retirement from racing the black dog came and sat on his shoulder and wouldnt go away. So he became more fearful and sought distraction in various ways, through sex and drink and drugs and rock and roll, as it were." - p323

"At home Sarah watched her husband's condition worsen and desperately sought to help him. She thought his depressiond might partly be due to a chemical imbalance that James was born with, a theory that James explored himself. Then, too, to keep his dippers at bay he consumed too much alcohol and marijuana, both of which can temporarily bring relief but over the long term on have depressive effects.

Like others, Sarah felt that another reason for his 'dippers' might have been because he cut off his emotions early in his life and never learned how to open up to people, or to need them. He was essentially a lonely man and his inability to form close relationships made him despair. His depressions further deadened his feelings, and when he was unable to respond emotionally to marriage and children he grew progressively more despondent.

Sarah: 'He was at war with himself. His depressions became Intolerable and towards the end he stopped trying to fight them coming on because he knew they would take over for two days or week. His face would go black and he would take to his bed and stay there, even on Christmas Day. He'd gone to bed two days beforehand and we had Christmas stockings for the boys. I said, Come on, Beast, the boys are waiting." And he said, "Beast, i can't do it." And he was crying" - p333

"When James felt a "dipper" coming on he would go on two- or three-day benders, mostly drinking vodka. He would just keep going and going, which was always a bit terrifying, and after these deep, dark blank days he would suffer real self-loathing. He could forget his trouble with drink, but it always came back.

For many years trying to get rid of his depression was his major concern, which is why he got the budgerigars. He thought it would be such a huge amount of effort that it would distract him and they became an obsession rather than a hobby. He would sit in the aviary for hours, but he would come back still in the grip of gloom. And for a long time he was so down it was very hard to even converse with him." - p326

"He tried different treatments acupuncture, Chinese herbal medicine and looked into every possible theory. He went to different healers, therapists, psychologists, psychiatrists, psychoanalysts, the lot, to try and find the root of his depression. And in the end he cracked it" - p337

"He began to become more diet-conscious and to eat healthy foods. He also consumed information, in books and magazines, on overcoming addictions, and sought more professional help.

He knew he should stop smoking cigarettes and reduce his marijuana consumption, and he told some friends he thought he might be an alcoholic. He worried that his need for women was another form of addiction and feared he might contract AIDS and infect someone else.

John Hogan: 'So he stopped it all. Straightened himself out by absolute willpower. The strength of character of the man enabled him to get out of it. He cut out the cigarettes, the dope and drugs. the booze and the womanising and his sense of priorities became more well-balanced.' - p338

As he started healing himself of his addictions he became serious about F1 again. He always cared for the sport, doing everything he could to race when he was younger and now though he was retired he still commentated and took part in other ways to stay close to the sport ->

"James became serious about strengthening his position in the media side of Formula 1 racing. He took on an internationally syndicated newspaper column and spent many hours gathering information for it. Working with a journalist he applied himself conscientiously to making sure that every word was written to his satisfaction" - p338

James started to heal his relationships as well, becoming an amazing parent to his two boys and finally meeting a woman who helped him feel loved and be able to love after so long of not being able to ->

"The boys were real handfuls to look after but he was awfully good with them and he really fathered and mothered them extremely well. He was always up early in the morning cooking their breakfast and then the four of us would go off salmon fishing. James would fish properly and I would fool around fishing with the youngsters. And then in the evening we used to settle down and he would tell them stories." - p343

A letter James sent to his girlfriend Helen:

"I went to the parents' 50th in a totally negative frame of mind, feeling very much an outsider and wanting the floor to swallow me up. As the day went on, although I remained 'out- side', I could see and feel lots of generous, undemanding love around me. Something changed for me there with my family. Everyone was exuding love and I saw the wonder of it and want to be part of it, but firstly with you.

I realise now that the feeling of not being loved as a child made me close up to any incoming love projected onto me. I do see that I cannot live on without love. You brought it home to me when you pointed out how well I'm doing with the boys. Well I have had to work at that and I've got better at it and I have to do it with you. You are the girl of my dreams. Without you I have no future. I want to make you happy and continue to do so until I die.

All my love for the love of my life,

James"

- p350

Finally James was happy. He was healed from his addictions, in a healthy relationship, had two lovely sons and a job he loved. And best of all he was able to be open with Helen ->

"James confessed to Helen that he was unable to be faithful to anyone in the past because sex was for him just another addiction and he needed women to get his highs. He disliked social gatherings and only had parties or went to them to pick up women. Helen was willing to forgive and forget what went on before, but told him she wouldn't tolerate it in their relationship and he agreed to be faithful to her." - p350

Helen went away on a girls holiday before her and James were going to start trying for children. James proposed to her over the phone on the holiday to which she said yes. But she would never see her finance because he passed away from a heart attack. Unfortunately the previous life he lead caught up to him.

Thank you for reading all of this and I hope you now know more about James Hunt than you already did! It's sad that James is best known now for his unhealthy coping mechanisms for his depression, especially with the film 'Rush' romanticising it. But even if just one person reads all of this it means one more person knows the truth of James Hunt and that makes it worth it ❤️

[captainofthedauntless]

Home Is Where The Heart Is

Rise Leonardo x Reader imagine

Info + Warnings: Reader's having a bad time. It's fluff anyway. No gendered language, pronouns, or Y.N used for Reader. Friends-to-lovers type beat, yearning era. Set a few years post movie. Suggestive comments, maybe.

Commentary: This is not proof read.

He loves this.

Not- not whatever your head's doing, with the grim skies and that far away look you get every now and again and the fact that your sleep's shit and- well, not that.

The way you're laying on his floor.

He'd left the room long enough to grab some snack mix- because it's easy, it's quick, you like it, and there's something almost like nutrition there, protein probably- and when he walks back in, you're on your back on the floor, arms draped by your head, one ankle tossed over the other knee as you stare at the ceiling.

He has literal benches against the wall of the old subway car. A bean bag chair. Your favorite chair is in the corner, the one he's all but verbally declared your seat, that he always throws a hoodie in (out of convenience, mind you. That's all. No ulterior motives here, no sir). His entire bed is free- and made, thank you- and yet you're sprawled on his floor as though social norms are nonexistent here.

He really, really likes that idea.

"Comfy?" He asks playfully, moving around you with ease.

You hum a yes, and he glances back at you.

You're tired. He knows that already. But somehow, the bags beneath your eyes look darker from this angle. The weight that's been holding your sunny smile back from its full force is almost visible here.

He gets hit with a wave of want- want to fix it, want to hold you, want to make it better- so hard that he feels it physically, just beneath his plastron, fierce and yearning in his chest.

An irrational part of him thinks you must feel it somehow, because you glance over at him as it happens. "What?"

"Trying to remember the last time I swept," He quips instinctively.

You roll your eyes- the way that means you're amused, the way that he chases like a dog after a ball- and they settle back on the ceiling. "Somehow, I think I'll manage a little dirt."

It's not quite right. It's off center. Off the mark. Your voice- it's just to the right of where it should be. It's missing its shine, the playful way you meet him where he lives and make his quips-and-wordplay house your home too.

Luckily, he's pretty damn mobile.

So he moves. He nudges you with his foot, and you move your arm to lay across your torso and clear a spot for him, and he easily drops down next to you and passes you one of the bottles of water he'd grabbed and sets the snack mix between you.

He lays down next to you in whatever this other house is, and he can feel the cobwebs trying to cling to you.

"Hi," He says softly, staring at the ceiling.

"Hi," You repeat, and it's monosyllabic and neutral and means nothing but he feels like you're making a space for him at your table.

It feels like an invitation, an acceptance, like a "why don't you stay for dinner?".

He thinks he'd stay forever, if it'd help. He's good with a duster. He can help tidy things up, if you let him.

Leo wants to ask why you moved in. What brought you here, to this dreary, haunted-looking old place.

"Wanna watch some Vine greatest hits?" He asks instead.

Not even half an hour later, your breathing has all but convinced him that you're asleep.

He's fighting the urge to check, not wanting to risk waking you up somehow.

Instead, he reaches up and into his little viewing-portal, turning his phone down slightly where it's resting on his bed. (No tired arms, no piecing together a makeshift phone stand, no risk of dropping it on your face. As easy as portals are to maintain these days, it's a no-brainer.)

The screen goes dark as another compilation ends, and instead of hitting "Play" on the suggested video, he finds your face in the reflection.

You look asleep. You look tired, and it aches a little to see.

He can let his eyes linger, now, with yours closed, so he reaches up to turn his screen off.

You're still gorgeous, he thinks with a fond half-hearted frustration. Even exhausted.

When he gets into these dark places, he looks like a wreck.

When you do it, he wants to pull you in by the waist and kiss it better.

Fucking ridiculous.

He finds himself trying to match his breath to yours. Inhale, small pause, exhale, longer pause, inhale, and in that second small pause he realizes this is how he always feels. Like you're synced, like you give him a rhythm to rely on, like you give him something to orbit around when he's knocked out of place.

It's not a new thought, but the analogizing makes something shift in his chest to make room for the sheer size of the feeling.

He loves you. That's not news. You're one of his closest friends- his closest, maybe- and he loves you.

But he's been having the dangerous thought that he might love you, lately.

Might be in love with you.

And when you do things like instinctively look at him right as he glances your way and play off of his jokes like a tennis match and text him pictures of the sunset just because you think it's pretty, he thinks it's more than a might.

But now, something's dragging rainclouds into your sky. And you've found your way to his floor, his space, his company. Again.

He'd barely even had to offer it on the phone earlier, hearing the gray in your voice and tossing the idea of company your way.

You'd barely even had to consider it. You'd just said you'd have to stop by your place, first, and set your stuff down.

You were tired enough to fall asleep, and still came.

You're comfortable enough on his floor, in his space, in his company to fall asleep.

And, if the way he knows in his bones he'd sit here for forever if it means not disturbing you is any indication, he's fallen into something else entirely.

Something that feels like listening to the ocean hit the piers, something that feels like the humming of all of Donnie's security gadgets, something that feels like brushing against his Ninpō. It's familiar, consistent, comforting.

You make a little moaning sound eventually, rolling your shoulders some and inhaling deeply as you rejoin the land of the conscious.

It sends blood straight to his cheeks, and he tries not to think about anywhere else.

"Sorry," you mumble, voice thick and syrupy from sleep.

For half a second, he thinks you're apologizing for the sound, and he's trying to figure out how to tell you to never apologize for that ever, and actually, do way more of it.

Then his brain takes over, shuts his body up, and points out that you probably meant for falling asleep.

"Nah," He says lazily, the picture of chill. You could commit a murder on his floor and he doesn't think he'd care much.

"Didn't mean to fall asleep," You continue, groggy as you dig the heel of your palm into your eye. "How long was I out?"

He has no idea. "An hour, maybe?"

He catches your eye in the reflection on his phone screen, and you tense, and then you soften again.

"You weren't just laying here, were you?" You ask, in that gentle hidden-guilt way of yours, and he kinda wants to shake you by the shoulders until your brain reconnects and realizes that he'd just lay there forever if you'd let him, attention span be damned.

He opts to tease you, instead. "Oh, so when you think the floor is comfy-"

"You have a shell," You point out dryly.

"You think a turtle can't enjoy the floor? Rude."

You grumble something about it being too early for this, and he doesn't even bother to bite back his grin.

"Thanks," You say after a minute, catching his eye again. Your features are soft and vulnerable and open, and he has to fight not to turn to you, to let you stay in the safety of a reflection. "For being here."

"Always," He says immediately, not even considering it. It's instinctive, reactive, true.

It makes you smile, and he thinks- knows- he's a goner.

He gets three proper laughs from you before you leave.

Two actual smiles, too. They're muted, but they're there, and he hopes he can keep his mental snapshots of them for forever. Longer than that.

You're still gray, still muted, still hazy, but you're here. You're bathed in the multi-colored light of his room and comfortable and safe, and he's wondering how he ever thought he might be in love.

And when you finally do leave- late, and only because you have life again tomorrow- he portals you straight to your room.

He catches your hand impulsively on your way out, giving it a quick squeeze, and smiling in what he hopes is a reassuring manner when you look at him.

You give him a small smile back, and it's resilient and strong and it feels like hope.

You're resilient and strong and feel like hope.

He's in love.

"Wanna do this again tomorrow?" He asks, sounding much more casual than he feels.

"I don't want to-" And you cut yourself off just as he feels an eyeroll building in his skull, bracing himself to hear bother you or be a pest or something similarly insane. "...Yeah. I do."

He squeezes your hand again and grins, and he has to swallow back something gooey and too-much. "Just say the word, and your chariot shall await," He says instead, tilting his head towards the portal.

You study him for a second, something calculating and scrutinizing in your eyes. "Thank you," You say softly, like you mean it.

"Always," He repeats softly, like he means it.

You step through the portal, your hand slipping from his, and he gives you a little salute before letting it close.

He glances at his bed.

He lays down on the floor, instead, and makes a mental note to actually sweep.