#I'M IN YOUR HEAD

[garpen]

I was typing out "Dick Grayson and Bruce Wayne" while also thinking about your au and ended up typing Brice Wayne

I don't get it? That's like literally his name though? It's actually written "Brice Thomas Wayne" on his birth certificate. You're all good bby that's how it's spelled!

[0x4468c7a6a728]

i like it when a little drop of water gets on a screen and magnifies a single subpixel, hi green and red and blue my good friends

[salparadiselost]

Every couple years or so, the Bats are required to take a group photo to update the JL website (idk why, they are required to take a vigilante group picture), and Jason consistently refuses to show up. So this year, Tim just draws the lines of the Red Hood helmet on a bright red balloon and then floats it between him and Nightwing. They absolutely refuse to acknowledge that it isn't Jason. They put it up on a billboard instead.

Jason finds out about it when he drives back into Gotham and the highway going into the city has a 'Keeping Gotham Safe' billboard and it's a picture of the Bats looking extremely serious with the Red Hood Balloon floating behind them.

[ministarfruit]

WE CAN ROT FOR CLOUT

[sga-owns-my-soul]

reblog to give ur mutuals a soft lil kissy on the head

[angualupin]

One area where I feel like modern storytelling has let us down is this:

Sometimes you have to choose between evils.

I'm not talking about "situations in which it is unclear who is actually the villain" -- IMO there are too many of those stories recently -- but stories where it's clear that the good guys have no good options. Where the only choice you can make is the wrong one, because all of the choices are wrong, because not choosing is also a choice. Where the best you can do is to choose the lesser evil, or maybe, the greater good.

Because the preponderance of stories in which the hero, through virtue of his heroism, manages to make a good choice appear when the narrative has set him up to fail leads people to have little or no framework for making such a choice.

Because -- and let me be painfully clear about this -- in life there is often no good choice. The best you can hope for is the lesser evil.

But too many people have a moral framework wherein only bad people can choose a bad option, so when only bad options present themselves, people...... don't choose? Which is also a choice, and usually a worse one. Or they insist that if people only try hard enough, are "good" enough, then a good choice will present itself.

Most of the time, that doesn't happen. Most of the time, you have to choose harm reduction over harm abolition, and wishing the world were different, were better, means the world just gets worse while you sit around waiting.

[missmisnomer]

They're my little guys. My good time pals. Just a couple of goobers.

They are also menaces to society, but that's besides the point 😁

More Rise silliness [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]

[canisalbus]

I kidnapped ur long-nosed cat for a sec

.

[queerofthedagger]

people on my dash are annoying again and i'm tired of being a bitch about it so let me just say - if you read my fics and don't leave a comment, you're fine. it's fine. I'm not mad, I don't think you ungrateful, or an asshole, or whatever other guilt-trippy bullshit people spout here day in and day out. I post my stuff in the hopes of it bringing others joy, too, and yes of course comments bring me joy in return, but I don't think anyone owes them to me. if it brings you joy and i never know, if you "only" leave kudos, if you only lurk, if you literally never interact with me for literally whatever reason, it's fine. i promise. i love you. i hope the words bring you joy without there being any hang-ups about it <3

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[cardo-de-comer]

soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3

i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.

It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.

The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.

City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.

Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.

look at him

Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.

Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.

the latin text all over them is just a part of their design

The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.

no one likes him at all, expect maybe Imri who just tolerates his presence like he always does

That's the main three. There is a few secondary characters, Imri's father being one of them.

sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.

He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.

few people said that the angel accompanying him looks like d20 and so be it

The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what. Although maybe humans are right...

creators of the Stars - some part of a human soul that i can't talk about :)

Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.

they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.

this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.

Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.

There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.

Now i need to get back to drawing. Thank you all for your support. <3

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[sualne]

suicide kings

[a-compass-without-a-needle]

This is what happened after 3.1 isn't it?

[technically-human]

I just saw your comment about how Rob is considering licking mobian!Stone's fur and like-

I need to see this omg *dies*

It was a bad idea

ko-fi

[keferon]

Two Peas in a Pod: part 7/?

I'm so sorry for the delay. I struggled...

_________________________________________

"Jazz?" Blaster calls just loud enough for his mer to hear him. Now that the initial meeting was over, he wanted to take advantage of the break. 

While understanding that the human was calling him over, Jazz was a bit hesitant that moving might start up the whole confrontation again. He glanced over to the other orca still floating a little ways away, •၊||၊၊၊ had his eyes closed and it looked like he was focused on dealing with the repercussions of his actions. His expression was twisted lightly in a restrained grimace with his right arm holding his side.  

Slowly Jazz pushed himself further away, before turning over and swimming to the pier.  

"Are you okay?" Blaster asked as he knelt at the edge. 

With an uneasy look, he shamefully admitted, "it could have gone better…" 

The chief vet speaks up before Blaster can, but not to Jazz, but into the radio. "Has anyone seen signs of reopening or blood?" 

The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. 

Blaster shoots them an offended side-eye, as Jazz is literally right here. However, he pushed it aside, half listening to the radio chatter – all good from the sounds of it – and turned to what was more important. "Did he hurt ya?" 

They'll take him away. 

"I'm fine," he whispered, looking down as he placed a hand on his chest. It still stung, as the first hit was made with intent – he had gotten mad when it happened, did it show on my face, did they see it – and the rest, warning shots. "Just a bruise… it was more dizzying trying to keep away from him than anything."  

–if the team reports you showing signs of aggression, they'll… remove him. 

He hums in thought, eyes drifting momentarily as •၊||၊၊၊ disappeared from the surface. Blaster was a little nervous about that as he looked back at Jazz. "Do you think that you'll be okay, the two of you, I mean. Do you need us to separate–" 

They'll take him away. 

"No." Jazz insisted quickly, fighting to keep his voice low – behave – and shaking his head. "We should be fine now." 

Blaster knew there was more going on, seeing as Jazz was soft spoken and avoiding eye contact; an old habit of hiding himself when speaking to staff, but it would have to be a talk for later. When Jazz felt safe enough to open up. So instead, Blaster smiled and said, "Alright. But me and a few others will be keeping an eye on you both throughout the day. Just to make sure you're both comfortable as you can be. It might be a bit rocky for the first few days, but that's okay, we were expecting that." 

Jazz didn't respond, his attention had been captured by the other mer at the bottom of the pool, beneath him. He had been somewhat keeping an eye on him with his sonar, watching •၊||၊၊၊ slowly explore the tank.  

Though, Blaster was just barely able to spot the other orca from the surface, and honestly wouldn't have noticed if not for Jazz. Pressing the call button on his radio, Blaster looked to the staff, "we've passed the first hurdle, everyone. We'll move onto doing rotation monitoring. Fred and Josh, you'll remain for the first shift. Everyone else, business as usual till I get a schedule in order." 

"I've adjusted the medications and sedatives." The chief vet told Blaster, though didn't even look at him, as they were currently preoccupied sending messages on their phone. Not even a second later, Blaster's own was going off in his pocket.  

"I'll look over your recommendations after." He sneered at them, though the vet had already turned to leave.  

Then while folks celebrated the success and steadily wondered off to their main duties, Blaster's second brought up the mers breakfast from the kitchen. They set Jazz's down next to him, but held on to the other while they eyed the water with extreme caution.  

"Ah, ya, no." Blaster spoke up before they even began to wind up, holding his hands out for the food. "Give it here, we are not chucking anything at him."  

They snapped to him with wide, frightened eyes. Like Blaster hadn't been here to see the speeds that the wild mer had gone after Jazz. "You cannot be serious– you're going to attempt to pole feed him? Now–here? When they have the space to jump!?" 

"No." He said with rising irritation towards their attitude and their poor handling of the situation. "I'm going to treat him the same as Jazz."  

His second now looked flabbergasted, glancing between Jazz, him, out over the pool, and then back at him. "But–!" 

Blaster pointed at both Jazz and up at the pair watching on the viewing deck. He wasn't stupid, he wasn't being reckless, he had been taking everything into account. And honestly, if he wasn't so mad about how the wild mer had been treated – and was just about to be treated – during meals, he'd probably be shaking in anxiety right about now. With a heavy sigh, he then carefully pulled the bucket from their hands to set it with the other, "look… I'm not trying to force you to do something you don't feel comfortable with. You're welcome to leave, I'll handle the meals and hopefully by the week's end, everyone will be feeling comfortable when it's time for food." 

They took one last nervous glance at Jazz, before whispering – pointless, he could hear it clearly – "I don't think you can – or should rely on him to protect you… especially with how–"  

"You're right," Blaster said deliberately louder than a normal speaking volume, "I am responsible for my own choices and actions. Thank you, for your concern. We'll talk in more detail later." 

Thankfully taking the hint, they left.  

Then the area was silent for a moment, save for the sounds of dawn songbirds being overruled by the sound of the scavenging birds of the morning. Starting to beg or fight for bits of food across the aquarium yard. 

"They're right, you know." Jazz said weakly, still not looking at Blaster.  

There might be other staff up on the deck that oversaw his pool, but one of the perks to being outside was that voices didn't carry as far unless one was intentionally loud. So they might as well have been the only two here.  

It was just enough for words to come tumbling out, like he could talk freely once more. "I messed up, it wasn't his fault, he wants to be peaceful – I'm pretty sure, and I just… I think I ended up challenging him?" 

"Jazz, listen, they misunderstood." He leaned over and placed a hand on his shoulder. "I'm not expecting you to come to my rescue, or put yourself between me and him, or anything like that. I know very well that I may be putting myself in a potentially dangerous situation, and I'm ready to face whatever the outcome might be. But what I meant was, that with you here – just like this, with us together. You are showing him with your actions that you don’t see me as a threat. That by willing to be around me and allowing me to touch you, you’re showing trust. Jazz, buddy, you’re a far greater help than those goons posing up there." The last bit was meant to cause him to laugh, or at least smirk. 

But when Jazz still seemed like he didn't believe him, Blaster made a small gesture for Jazz to look. In turning his head to see •၊||၊၊၊, the mer was at the far end with only his head above the water and had a serious gaze fixed on Jazz.  

"It might not seem like it, even with what had just happened, but he's relying on you." He waved at the wild mer and smiled, before reaching for a bucket and held it up in offering. But •၊||၊၊၊ simply scowled further. 

"I don't think Mr. prowl-around-you-like-you're-breakfast relies on anyone." Jazz grumbles in dismay.  

Blaster chuckled and set the bucket back down, "well maybe Prowl, is waiting for you to invite him over for breakfast. He seems to hold some expectations of you." 

"Ya, he sure– wait, Prowl?" Jazz whipped his head back towards Blaster, finally looking at him again. 

"If it fits, it fits." He shrugged with an amused smile, "though, out of anyone here, it should be you that chooses a nickname for him for us to use. I don't want to keep addressing him namelessly or calling him 'the wild' one, and I don't want folks to think that us calling him 'buddy' is his name." Then he laughed as he glanced back out to the sour mer still watching them closely, "I mean, come on, does he look like a Buddy?" 

Jazz tried to stifle his laughter, "n-no." 

Good, good, Blaster was relieved to hear it. Jazz was starting to relax back into his usual self. Coming back up from the depths to the surface to breathe. "So, what will it be?" 

Jazz's smile had slowly begun to return and so did his hopeful enthusiasm, "I think Prowl is good." 

"I'll send out a notice to everyone." And be sure to tear down all those horrible sticky-note suggestions. "But I am going to still try and learn to say his name properly," Blaster then clapped the orca's shoulder before stretching, "so I hope you're ready to have the worst student ever." 

"You're going to learn Mer," Jazz asked in surprise. 

"Heh, I'm shit at learning languages, but I'd be happy if you want to share more of your world with me." He then brought them back to the next part of their day. "But first, breakfast. Want to ask Prowl to join us?" 

"I'll try." He said, before turning around. Though gave a slight pause and adjusted his stance so his side was facing Prowl. When he saw a slight shift in his expression, one that eased some tension in his brow, Jazz gave himself a mental pat on the back. Already a marked improvement.  

{You hungry, Prowler?} Jazz asked. It was sort of funny having a word he understood that could connect to the mer's name. He wasn't sure of the meaning of •၊||၊၊၊ yet, or if it had one. But prowling was something he did, so it still felt like Jazz had gained another tiny piece of who they were.  

{Yes.} He answered, rising enough that his shoulders could be clearly seen, side facing Jazz for a beat, before he slowly began to swim over. Caution or taking it easy due to discomfort, his moments caused only the smallest and softest of ripples. Like a silent hunter.  

Yet, it made Jazz’s smile shift a bit higher. Prowl is prowling.  

But for Blaster, his instincts were starting to claw up his spine, alerting him of a predator. He was forcing himself to relax and keep up his friendly smile by the time Prowl came within five feet of the pier.  

Prowl eyed him up and down as he came to a stop, then gently turned after a moment.  

"Oh, right!" Jazz abruptly speaking up in slight alarm cause Blaster to flinch – which in turn caused a moment of internal panic, because sudden movements are always a bad idea – but Jazz quickly reached up over the pier and grabbed the human by the legs – which caused Prowl to flinch, and oh-boy, was Blaster having flashbacks of close calls – twisting him so he sat with his shoulder turned towards Prowl. "Pretty sure that facing toward him is like telling him you want to challenge them."  

"R-really," Blaster asked, both trying to distract from his thundering heart and focus on the new information. 

"I think so? He kept telling me to stop doing it, before I realized what he was talking about, so it has to be some sort of an aggressive sign." They both looked back to Prowl, who seemed a little tense, but otherwise calm. {You okay, Prowler?} 

{Yes.} His voice firm and serious, but did not look at Jazz when he answered. 

"… Guess we're ready." We’re good, but he must still be uncomfortable with what happened. 

Blaster handed Jazz his bucket first, hoping it would make the next easier. But then Blaster paused, seeing a distant look in his mer's eyes. "Hey, what's wrong?" 

"Nothing." Jazz fiddled with the bucket in his hands, but Blaster was still holding onto the handle. Not that taking it would be difficult, but it didn't feel like it was worth the effort.  

"Jazz…" he pressed softly. 

And Jazz retreated, "I… I don't feel hungry." 

At least he was being honest about it.  

Blaster had hoped that taking some time to talk would have helped to improve Jazz's current mental state. And it had a little. But his guilt over the misunderstanding with Prowl and the bad history with the chief vet were likely weighing too heavily on him. And as much as Blaster wanted to take the time and work through everything with Jazz, he couldn't right now, or rather Jazz would be unwilling.  

Because Prowl was present. Even with a language barrier, Blaster didn't expect Jazz to feel comfortable having a personal conversation with him so close. But if Jazz didn't eat, then it was likely that Prowl wouldn't either. The trust was thin as it was, and hesitating too long – and not being able to explain why – would only make rebuilding trust harder. So, offering to use the holding pool and close the gate wasn't something they could do at the moment. And he hated it.  

Blaster had to do something now to help restore Jazz's confidence and stop the spiralling of whatever thoughts were holding him back.  

Good thing he was prepared for Jazz possibly becoming stressed.  

"Hang on." Blaster said, his smile impish as he pulled the bucket back to set on the pier. Though, not wanting to risk Prowl backing off from him standing, he flopped back reaching for his bag strap, barely snagging it with the tips of his fingers. But he managed and pulled himself back up with it settling in his lap. "I've brought a little somethin." 

Jazz didn't seem interested but waited none the less. Watching as Blaster pull out a huge plastic food-container – ... okay, he was slightly curious now and a little annoyed, because if he was going to tease him–  

But then Blaster shook it with the biggest grin, and as the contents clunked around softly, Jazz's whole face lit up. Because what Blaster had just offered was the equivalent of a chocolate bar. There weren't many things that Blaster brought for him in a container, but there was only one that made that sound. "Moose jerky!?" 

"Shh! Not so loud." He glanced up at the other staff, like he was doing something that would get him in trouble. But it wasn't a secret that Blaster made these treats for Jazz. And while it still pissed off the chief vet, there was nothing they could do about it.  

It had caused a site wide outrage the first time he had done it. But orcas ate moose – the orca mers more so than the animals – even if it was mostly if there just happened to be one in front of them rather than an active hunting choice. But there was enough history, and with Blaster's dietary knowledge, he had won that battle.  

He just chose to mix it up a little, rather than bring in raw meat. Not so different than some sun-dried fish really. And Blaster personally prepared it to make sure it was safe. Seasoning was just sea salt, simple, but tasty.  

Jazz was now buzzing with eager energy. "Can I share with Prowl?" 

"You’d better," Blaster laughed as he opened it and handed Jazz two strips that were almost the size of dinner plates. He could have tried to use it to mend the trust between him and the wild mer. But Blaster knew it would help Jazz foster his relationship with Prowl and that was far more important. 

The whole time Prowl had been watching them and their exchange with intense focus, trying to figure out what was going on. So, when Jazz turned to him with a huge smile and held out what looked to be a piece of thin wood, he was wary.  

{It's good!} Jazz wanted to say it was amazing, but unfortunately 'good', 'okay', 'safe' was all he currently had to work with.  

After Prowl finally gave in and moved in close enough to take the offering, Jazz laid out on the surface. Careful not to get his food wet as he happily began to bite and tear small strips off. Taking delight in the satisfying sensation of the treat ripping and savouring the flavour as he chewed the tough meat.  

Seeing how much Jazz was enjoying himself, Prowl took a tentative bite and immediately understood why. The look of surprise on his face had the other two laughing.  

{Good, yes?}  

{Yes.} Prowl then followed Jazz's lead and relaxed on the surface, enjoying the first piece of decent food since he arrived. 

Blaster chuckled at the sight of the two of them and set aside the container to dig out his own personal stash to nibble on. "I've got more for you two sea otters, but only after you finish your breakfast."  

Smoothing things over by sharing snacks always opened opportunities for bonding. Good ol' comfort food saving the day. 

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Idk, this one felt very clunky to me, but I must move on -lays on the floor in defeat-

I'm now trying to put together a timeline of the all interactions that you share or like on your blog. Like a countdown clock to the flood/jailbreak, hitting all the angsty and fluffy notes, I want to make sure I can include everything. Q~Q

You and so many others have been showering me in praise and encouragement I want to live up to it. ♡(╥︣﹏᷅╥᷅)♡ I love you all, thank you so much!!

Going forward there is going to more Jazz and Prowl, without Blaster, I promise. Please forgive me and my long setups, my brain struggles with keeping things short, everything I write is a 200K+ slow burn. -cries-

-GLC

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OH HELL YEAH GIVE THOSE GUYS A MOOSE THEY DESERVE IT KDDKSHFV

Blaster over there is having battles on all fronts possible alsjfnfjnf

Also I'm happy they can have proper food at least sometimes~ Although I can't help but think that like. Jazz is happy because this poor moose is kind of a rare treat. Nice occasion gift you know. And then Prowl also loves the moose but in more "I was eating nothing but raw potatoes for a while and now there's a properly seasoned and cooked meal again" way. You know. Cause mers have all kinds of different foods in their cities and stuff~ While humans just go "here's your fish".

Anyway haha. The scene is so cute I love itt~