Can you guys tell that I like FOPANW?
I’m kind of warming up to Jasmine, not because of her character, BUT BECAUSE SHE’S FUN TO DRAW!!
Her outfit’s cute and has personality, which I respect, and her hair is cut to show she’s wild!!
Basically whenever I don’t have a cardboard cut out idea on how to feel about a character, I measure it on how fun they are to draw, and she’s a solid 8! (Which is a lot since I love to put 7 for everything!!)
I went through this process back in let’s say 2022 when I was watching TOH due to a friend’s persistence, and drew Hunter. Beforehand, yeah he was a fun character, but after? HE JUST BECAME BETTER!!
I don’t know, maybe it’s an artist thing, but the moral of the story is—
There is no moral.
I drew it this because Dev looked SO CUTE in this scene and I couldn’t pass up the opportunity to draw him.
It had nothing to do with Jasmine…😖
JUSTICE FOR DEV!! MAKE HIS GOVERNMENT NAME PROVE TO BE TRUE!! GIVE HIM BACK HIS DEVELOPMENT AND SCREEN TIME🥺🥺
Peace!😘
-🤍
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I have a feeling that Sanji and Zoro’s death pact will be properly resolved in Elbaf, as it certainly doesn’t feel like we’re done with it. And while Elbaf is gearing up to be very Usopp-centric (and I can not overstate how hyped I am to see him take the spotlight again, finally), let’s not forget that this all ties back to Little Garden, the arc that properly introduced Zoro and Sanji’s rivalry by paralleling them with two rival giants who fought each other every day for over a century, but who also lost themselves in their grief when one thought the other death. The parallel isn’t even subtle, Little Garden’s biggest landmarks are the remnants of Dorry and Brogy’s dinosaur hunting competition. You know. The very same competition Zoro and Sanji posed to each other at the start of the arc?
But here’s the thing. I’m a little worried about how it’s going to be resolved. Because. Despite how readily Zoro agreed to kill Sanji if need be, he must have known that the crew would never forgive him. Zoro is Luffy’s specialest guy but Luffy would not accept any excuse as to why Sanji had to die. Nor anyone else in the crew. But. Does Sanji realize that?
Does he know that killing him would literally be the hardest thing Zoro would ever do, because it would mean literally betraying his Captain and crew? Luffy said he can’t become Pirate King without Sanji, and Zoro and Luffy swore they’d commit fucking ritualistic suicide if they got in the way of each other’s dreams, so does Sanji know where that would leave the swordsman in this case? With no Captain, no crew, and yet another dead rival and best friend (who, mind you, began to live in fear of his own biology betraying him right before dying. but the parallels between Kuina and Sanji and how they relate to Zoro could be a long ass post for another day).
I think he doesn’t know. But he can’t find out how Zoro would mourn him unless the pact actually follows through. But still, I don’t think Oda would kill Sanji, cause that’s no way to resolve this issue. So here’s my speculation about how I think it could potentially play out, following that initial line of thinking of the death pact’s resolution being set in Elbaf, specifically because of Sanji and Zoro’s parallels to Dorry and Brogy.
Like Brogy, Zoro would have to believe that he killed Sanji. That he won their final duel. He’d have to believe that Sanji has fallen and, also like Brogy, have to face that grief and hurt all alone. But in the end, like Dorry, Sanji would survive, having never actually been hurt. Because their edges have dulled after fighting for so long, no longer as capable of landing killing blows as they thought. “Not even the blades of Elbaf could endure two giants fighting for 100 years”? Something of the sort. And maybe this line of speculation is simplistic or optimistic, but the chances of it playing out like this aren’t zero, so just in case, I would want to be able to say that I called it.
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I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.
I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.
I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.
There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:
A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.
B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.
And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.
This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.
But yk. That didn’t happen. At all. Nowhere close even.
The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).
To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)
And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.
Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.
I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.
Izuku is not controlling too much, he’s expressing just enough.
I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.
In fact, I’ll even say that this moment right here?
ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)
Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.
Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this
And this
Aand this
That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.
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