Okay I’m going to talk about cutting off Crosshair’s hand because while I know plenty of people see a lot of symbolism in it and think it was a good decision I have things to say about it.
I have CPTSD which has a lot of different symptoms. One of them is trembling or shaking. There’s a lot of complexities tied up in it but I’m not going to go into more detail because it’s not a fun thing to talk about.
What I liked about Crosshair’s trauma was that it impacted him not only mentally and emotionally but also physically. It’s very representative of what it’s actually like dealing with symptoms from something like PTSD and CPTSD (there are differences between these two that I won’t go into rn). I loved that we got to see a physical symptom of something psychological. It’s so rare that it’s handled well. Because yeah meditation and safety will help, certainly, but oftentimes it’s not the end all be all. I’m safe. I’m protected. I take care of my mental well being. But I still have symptoms that say the opposite. Because it’s not as simple as ‘no longer in the bad situation therefore the symptoms will stop’. I’ve made my peace that it’s lifelong and, honestly, Crosshair’s symptoms would be lifelong as well.
Cutting off his hand…
Here’s the thing.
The show really makes it seem like cutting off his hand is something he needed to move forward. He needed to be rid of the symptom because it was a physical reminder and it was holding him back from moving on. Cutting off the hand means no more shaking which means he’s healed. No more shaking hand=no more trauma. He can finally move on with his life.
And to that I say ouch.
There’s been plenty of times my symptoms are inconvenient to myself or others. Times when I wish I could just make it stop. Times when I’m terrified that it’s holding me back and I’m screwed up and that’s all I’ll ever be: broken. There are plenty of times I know people wish i could just knock it off and get over it and cut it out but that’s not how it works. Like I said. I’ve made peace with this thing that’ll be with me forever.
It was refreshing to see him try to adapt to dealing with it instead of ignoring it or trying to get rid of the part of him that was hurting. I loved that. It was such a freeing thing to see. Someone who will live with the hurt and the symptoms and it doesn’t make him any less. It just makes him have to do life a little different.
I hate that they cut off his hand. I hate that it wasn’t handled with any sort of nuance or delicacy. And I hate that this thing that made me so proud of him, so proud to share something with him, just got cut off for… what? Shock? To ‘fix’ him?
If we had gotten more time with the loss of his hand maybe I’d feel differently. Hell, I’d love to see how Crosshair adapts to losing his hand, see how he learns to accommodate. It would give him and Echo something to bond over and talk about, finding healing with each other. I think this could’ve been done well. I’d still be on the fence about it but I would’ve held my breath and saw how it played out.
I fully expect people to roll their eyes at me here. I expect that people will say that I just don’t get it or that this isn’t what they intended. I’m sure this isn’t what they intended. At least I hope it isn’t. But what they intended doesn’t change how insensitively this was handled after a whole season of him unpacking his hurt and trying to learn to adapt to it. No one reacted to it, not even Crosshair, and we got no unpacking of what happened. I’m not happy with this but it is what it is I guess.
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ronance yearning hours
Mornings like this are becoming Nancy���s favourite thing, with the rising sun painting the room in golden light that always, always lands on Robin, who usually sleeps long past sunrise when she can. Nancy lets her; there’s nowhere for her to go anyway on this slow Saturday morning in Steve’s house, and the boys will only wake in an hour or so.
Nancy has taken to using that time to watch the picture of absolute serenity that is a sleeping Robin, with her cheek smushed into the pillow and her hair falling over her face in a way that never fails to make Nancy smile.
It also never fails to make her fingers twitch, itching to reach out and brush that hair behind her ear and see if her cheek is as smooth to the touch as it looks.
It gets stronger, this urge, with every slow Saturday morning that she wakes in the same bed as her. The journalist inside her wants to find a better word for it, a stronger one, to avoid repetition and ensure clarity. But all the words are big and carry implications for which Nancy is not yet ready.
She refuses to call it longing, this need inside her to touch and linger. She refuses to call it yearning, the way she looks forward to Friday nights at Steve’s with Robin and Eddie, or the way it fills her chest with excitement and giddiness just to think about sharing a bed and waking next to her and watching as all the things that overwhelm Robin on a daily basis are held off for at least another hour yet.
What’s in a word? she’ll scoff when it comes to interviews and articles and hours of agonising over sentence structure and synonyms.
But it’s on mornings like this that she realises that some words require bravery and tenderness rather than simple contemplation and calculation. Some words take time.
Beside her, Robin sighs quietly in her sleep, and Nancy shuffles closer. Because if she can’t be brave with words yet, not even with herself, she can at least be closer.
Using the momentum of a moment unguarded, her right hand comes up before she can stop it, finding a home on Robin’s cheek as she slowly, reverently brushes the hair out of her face and behind her ear. Her touch is light, fingertips ghosting over soft, warm skin — and feeling that softness upon her touch, she wonders if falling in love with Robin would be just as soft, just as gentle; just as warm.
Not a second later, Nancy pulls her hand away as if burned, her heart racing in her chest as if it were signalling her to run, you should be running, i’m racing like you’re running for your life before you’re caught and found out. Nancy balls her hand into a fist and scoots further back on the bed, feeling a heaviness inside her chest that has only been there for a few of these mornings. A fear. A panic.
Because terrible things happen when Nancy Wheeler wonders about love and touch and tenderness. And worse things still, because it’s not supposed to be like this. Not with Robin.
So she stays on her side of the bed, watching the sun dance along Robin’s skin, her hand still warm, the ghost touch of Robin’s soft cheek still present. And she watches, hand cradled to her chest to stop herself from reaching out again. She watches and wonders if maybe she should start using bigger words, because the pit in her chest is growing larger with every passing second and she needs something to fill it.
~*~
It happens again the next week. And the week after that. It seems like the first time broke something in Nancy, or maybe it came alive, but either way she can’t really stop reaching for Robin now. And her repertoire of words is growing with each Saturday morning, too. Longing, aching, yearning — they are classics. But there’s basking, too. Hoping, wishing, and imagining. God, does she imagine.
She imagines Robin’s lips turning up into a smile with Nancy’s hand on her cheek, she imagines her hand coming up to capture Nancy’s and just holding it. Or an image that makes her heart race again: kisses brushed to her knuckles. Or her lips.
She imagines, and she wishes, and she longs. But there’s also belonging. In fact, there’s a whole novel Nancy feels she could write in those early morning hours. A thousand pages dedicated to all the words that exist around Robin Buckley. Words that live inside Nancy; that part is important.
Four weeks have passed and the feelings have only grown stronger, developed more words that will forever remain between her and the morning sun. And Nancy can’t stop herself from trailing the back of her finger along smooth, warm skin, the touch too light to disturb the sleeping beauty.
Sleeping Beauty, who stills and stiffens minutely, but Nancy is too mesmerised to notice until it’s too late.
“You’ve gotta stop this,” Robin whispers, her voice hoarse from sleep, and Nancy’s heart leaps out of her chest in panic and embarrassment.
“Sorry,” she whispers, pulling her hand back toward her chest. She’ll explain. Robin had something on her face that Nancy brushed away, that’s all. It’s fine, it’s fine, it’s—
“Or I’ll fall madly in love with you if you don’t.”
Oh. Oh?
Oh.
Nancy swallows as her thesaurus dissolves and all words escape her. She blinks. Robin’s eyes are still closed but there’s a shadow of a smile on her lips, dimpling the skin that Nancy caressed just seconds ago.
There is the chance to just ignore that this ever happened, with Robin not looking at her, not making this moment real yet, on the brink of sleep and wakefulness. All she’ll have to do is wait. It’s the best chance she’s ever going to get, to forget about all this and get over it. Over her. Over whatever she has been building inside herself under the light of the rising sun over the past weeks.
All she’d have to do is remain still and silent and wait for Robin to fall back asleep.
But there was something about big words and bravery, and even though her thesaurus has left her and the thousand pages of things to feel, to say, to do, to think around Robin have torn themselves up because they were bleak and bland and not enough, Nancy feels brave on this particular morning.
Because the world hasn’t ended yet in all those weeks that she’s been thinking about Robin. In fact, the world has stopped ending since she started seeing Robin for who she is. And in a world where bravery is not about surviving, it is always about love.
And maybe that’s what she feels, maybe that’s what she wants, what she allows herself to want when she lays her hand on Robin’s cheek to caress the softest skin and gently comb back the strands of hair that are threatening to fall back over her face again. Her beautiful face that’s pulling up into a smile now — and Nancy is not imagining it. In fact, she’s smiling, too. She’s smiling so wide that a tiny little laugh bubbles past her lips.
Robin scoots closer, eyes squinting open now, as if to make sure this is real. As if she’s feeling the same. As if she meant it, what she said just now.
Nancy swallows thickly when Robin tucks her head under her chin, her body curling into Nancy’s, finding one of her hands to hold it. She still feels too raw, too vulnerable, and she wants to ask. Wants to be sure. Wants it to be real.
“Five more minutes,” Robin says, already on her way back to a deep sleep. “And then we’ll talk about this. I’ll tell you all about this girl I like. Think she might like me back. And she’s so warm.” She buries a little deeper into her side to chase that warmth that is now filling her whole body.
And Nancy gasps out a laugh this time, a tiny one, gentle and tender and all those words that are slowly coming back to her now that Robin is curled into her side and holding her hand. Her free hand comes up to comb through Robin’s hair in steady motions to lull her back into a slumber.
“Sleep,“ she breathes. “I’m not going anywhere.”
Robin hums, cuddling impossibly closer, and Nancy feels herself drifting off again, too. With a smile on her face. For the first time in years.
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HAPPY BIRTHDAY, PRESIDENT OF TONARI CLUB!
I, uh, m-made something f-for you.
Know that I'm totally embarrassing my ass over here, so... Don't laugh loud enough that I can hear you from over here!
Aaaaaand now, per Lyndis tradition, I'm gonna overexplain shits and turn a simple Ask into a whole ass Ramble!
-----------------------------(why is there no "Read More" partition in an Ask? I'm so embarrassed right now goddamn it)-------------------------
If you're short-sighted, try removing your glasses or contact lenses and look at this picture. I just did and it's suddenly even prettier!
I actually planned to draw your Sonicsona at first. And then I realized I deadass couldn't even draw Base Sonic. Then I thought I should draw a mole. I realized I also couldn't draw a mole. I thought I should just go for the easiest shit and draw ToFu. I realized I could not draw either one of them, too.
Because I cannot draw, I cheat! I mean I turn things into shapes (chiefly triangles, though not all of them) and then color them and hope that something shows up. This is me using this scientific /+ philosophical concept called Emergence.
No, I didn't just say THAT to sound like I have a technique of any kind, trust. It's so totally a technique—my very productive ass told me.
I remember you saying your favorite color is something like pink, blue, and stuff? It was from that tag game from last year. Hence, I decided I should create a context so I could draw an obscene amount of pink and blue.
If I'm being honest, it took me less than a millisecond to come up with the exact context—Breath of the Wild/Tears of the Kingdom is abundantly blue.
And since I always wanted to sneak ToFu in, I thought I would make a purplish-pink dusk. And then I will sneak those stargazing two in.
Come on. Everyone knows those ToFu panels. Even someone like me, who had not seen that part of the manga yet, knows.
Bless Tonari for being so relaxing to color.
HOWEVER! Fushi's limited-ass color presented a big problem for my cheat-drawing. How many combinations of "white" can you even make before you zoom out and see... nothing?! So I basically sabotaged them. That's what you get for being difficult, you mopey, neck-crick-possessing, fragile-enough-to-be-blown-by-the-wind cutie doofus.
I made up the color of their pants. I didn't even refer to their Nameless Boy drip when I decided on the color. I assed that part.
Yes. I admit I put a shit ton of effort into coloring Zelda. This version of Zelda is my kin, you know. Anyway, I like the way her, uh, shirt turned out.
I also like how the Master Sword turned out, but there was so much blue I ended up requiring outlines to distinguish it from Link's shirt and the sky. Told ya I have no technique or skill. I cheat through and through
I was too lazy to draw those sky islands. Besides, the ToTK side is already saturated with details.
What the fuck issa "proportion?" Everyone's head is an orange. The difference, Nova, is whether it's a Mandarin Orange or an Orange.
I don't know if I overdid Dinraal's draconic mane. It looks like she's wearing a wig. At least she is different from how she initially looked—a red tapeworm outfitted with chicken legs.
I admit I put more effort than any Past Me would have into Dinraal because a certain mutual is very, ah, particular about dragons.
Drawing two of your favorite ships for their show of devotion was a completely deliberative choice on my end. Did you also realize that both Link and Fushi had a short, small, low ponytail and that both Zelda and Tonari had similar hair? I believe it's due to me hitting my drawing skill limitation.
There is actually an Easter Egg of some sort in this picture. It's not the ugly doodle thing, no. That thing is me. I'm not an Easter Egg; I'm a ghost.
I'm not telling you what that Easter Egg is. I'm fine with it never being discovered; it'd be like those secret levels in old video games.
But if you DID discover it, come tell me what you think it is!
---------------
I hope you like it enough! Instead of it giving you a migraine, that is. Surely my """art"""... doesn't require a trigger warning... right?
Have a good one, mai bruzha!
---Lyn
A RAMBLE FROM YOU LYN IS THE BEST POSSIBLE BRITHDAY PRESENT I COULD HAVE EVER RECEIVED!!!! COUPLED WITH ART BY YOU????? AND OF MY FAVORITE FELLAS????? What did I deserve to be so blessed ;A; 💕💕💕
I’ll spare us all a little extra scrolling on my part by adding that read more you were fretting about, I have my own ramble upcoming!
I KNOW YOURE ON YOURSELF ABOUT NOT BEING ARTISTIC OR WHATEVER BUT THIS IS ART!!! AND DAMN GOOD ART TOO!!!!!!! This is!!!!!!!!!!! I want this made into stained glass I want to make this the permanent window to me bed roOM LYN THIS IS AMAZING THIS IS ALMOST CERTAINLY GOING DOWN AS ONE OF MY FAVORITE ART STYLES!!!! There’s no such thing as cheating in art, it’s all art!!! “Cheating” is a style, no technique is a style!!! I should know I have none either, hehe -w-‘ your art may be some type of cubism? Hehe idk I’m not an art student :3 Either way this is absolutely gorgeous I’m in LOVE!!!
It’s so creative and well done and I LOVE your eye for detail, the lighting is inspired!!!! Like the way the sun hits the space behind Zelda is so pretty, AND ZELDA IS SO PRETTY!!!!!! EVERYRHING IS SO PRETTY, I CANT FOCUS ON ONE THING BECAUSE I KEEP JUMPING BACK AND FORTH BETWEEN ALL THE THINGS I LOVE ABOUT IT (every thing, every last detail!!! Is that a little you in the middle? Is that the Easter egg???? I could just pick you up and pat your little head!!! 😭 I know you don’t love hugs but that’s how I’ll be standing if you’re ever ready for one!!!)
I should slow down maybe and pick a few things to focus on BUT I JUST CANT I LOVE IT ALL!!!! The two scenes just blend so well into one another that my eyes are just naturally being drawn back and forth between both of the scenery! Dinraal, who turned out AMAZIING BY THE WAY, ABSOLUTELY NOT OVERDONE, if anything I’m so glad you had fun working on her!!! She’s so gorgeous!!!! I bet your friend is so so proud of how well she looks!!! Oh but anyway, Dinraal naturally leads my eyes over to the sun/moon (and the 24, hehe, thank you!!! /)//(\ Your memory is astounding!!), which have their own beautiful rays of light leading down onto the adorable couples 😭 I love love LOVE the moonlight leading down onto Tonari and Fushi, and the fact that she’s pointing at it too like she can almost reach it? Beautiful! Gorgeous!!! And it just leads my eyes down to them too, there’s just such a natural circular flow here, no wonder I keep getting caught in a loop of admiration! 😁
The blues and the pinks, and the stars on the ToFu side!!! I just noticed them and they’re everything to me!!!! Hahaha I’m so glad Tonari was relaxing to color hehe, same for me, something about her is just so lovely and calming when she’s relaxed 🥰 As for Fushi’s colors, I didn’t notice! Even after you pointed it out it looks good to me! ¯\_(ツ)_/¯ this is from someone who never references colors though, I’m so loosey goosey about everything -w- BUT YOUR SOLUTION TO YOUR PROBLEM WAS GREAT, THEIR SHAPE IS VERY VISIBLE AND EASY TO MAKE OUT hehe :3 I love their crossed little legs 🥰
Zelda being your kin is so good to know hehe, I’ve always been drawn to all versions of Link myself! I think we’ve been perfectly set up to “play dolls” with these characters in the future, so to speak! Aaaahh they can’t have been easy to draw, there’s a reason I almost never dabble in drawing those two and their intricate outfits, but you make it look effortless!!! Zelda’s shirt turned out amazing, and I’m stuck looking at her little triangle braids!!!! I don’t know why I’m so fixated on that it’s just adorable!!! 😭💕 What a lovely technique, man, I’m so enchanted! AND THE MASTER SWORD, I know you called it cheating BUT I LOVE THE LINE WORK, it makes the sword stand out, almost like you lined that specific part with some sort of melted gold??? Aaaaaaaaaahhhhhh!!!!!
This is gorgeous and beautiful in every which way and thank you!!!! For everything!!! For this beautiful drawing and for giving me a chance to ramble and giving me something gorgeous to look at for the rest of my day, and for indulging in both of my silly little ships /)//(\ I’m so glad I don’t need glasses because I love every inch of your art, thank you thank you THANK YOU!!!!! Gosh it’s so so so lovely 😭💕 you’re so lovely!!!!
I don’t know how to say goodbye so I guess I’ll just say good night for now! Thank you for thinking of me… I’ll have a wonderful day, so long as you promise me you’ll have a wonderful night along side me 🥰
Goodnight, Mai Bruzha!
- Nova
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Why I Don’t Ship NaruSaku
Since I don’t want to get too predictable and I’ve picked on SasuSaku enough, I want to explain why I’ve never really committed to shipping NaruSaku.
If you’ve been on my blog or seen some of my posts floating around, you’d likely know that I’ve (sort of) praised NaruSaku in the past. Specifically I’ve said that they should’ve been canon. But, while I stand by that, I don’t actually like the ship itself that much. To be clear, I don’t ship based on canon interactions (quantity or quality) nor do I ship based on what I want or expect to be end-game. I ship characters based on how well I think they can help each other grow.
I’d say that most characters either need someone who is similar to them (they may need relatability/understanding or someone who can affirm their worldview) or they need someone very different than themselves (they may need someone to call them out on problems they don’t notice/recognize or need someone to cover their weaknesses). Both Naruto and Sakura, in my opinion, need someone very different than themselves. Of course, Naruto and Sakura are distinguishable from one another, but they’re similar in ways that lead me to believe that they’d suck at checking each other’s blind spots.
Could Sakura help Naruto study better? Yes. Could Naruto help Sakura become stronger? Also yes. Could Sakura teach Naruto when to hold his tongue and better read the room? Absolutely. Could Naruto inspire Sakura to have more faith in others? Without a doubt. But if you’ve noticed the pattern, you’ve noticed the problem. Naruto and Sakura are really good for helping each other hone their skills or become better in areas where growth is unnecessary.
I’m a firm believer in the idea that nothing is a problem until it negatively impacts your quality of life (with very few exceptions). No one has to polish their personality to perfection and I don’t think it’s healthy to try. Naruto and Sakura don’t have to perfect their skills in areas just because they struggle, Naruto doesn’t have to become a proper master of communication, and Sakura doesn’t have to hold back on making judgements. Working to overcome every flaw doesn’t make a person/character a better person, it makes them boring and unrecognizable. Meanwhile, in the areas they do need to work on, they aren’t really equipped to help each other. Primarily because they have the same problems.
Both of them struggle with priorities (putting Sasuke above their other friends and goals, ignoring the need for justice/closure in the pursuit of peace/calm, etc). Both of them ignore their personal needs in favor of helping other people. Both of them assume that they can solve problems better than the people around them, even if those problems aren’t theirs to solve. These are pretty major character flaws that have resulted in people (including themselves) getting hurt, these are what they most need to work on. Neither of them (at least as far as I can tell) would be able to help the other in recognizing these as genuine problems and then help them navigate (or at least motivate each other to navigate) possible solutions.
Have Naruto and Sakura helped each other grow in canon? Yes. Are Naruto and Sakura capable of being good influences on each other and help each other grow in other ways? Yes. Could Naruto and Sakura reasonably assist each other in overcoming their greatest weaknesses? Eeeeeeeehhhhhhh…
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