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that-sarcastic-writer · 2 years ago

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Bandage To A Broken Heart (Simon 'Ghost' Riley)

Pairing: Simon 'Ghost' Riley X Fem Medic!!Reader

Summary: You're a medic assigned to the 141 task force, Ghost is particularly fond of you and after an injury, he comes straight to your door. This is in Ghosts point of view (still second person, just from his perspective)

Warnings: explicit content, minors dni, vaginal fingering, unprotected sex, p in v, creampie, praise kink, size kink (mans 6'4 whaddya expect), choking, dirty talk, language, mentions of injuries, mentions of reader being much shorter than ghost and has tattoos, no other physically descriptions

WC: 7k I'm so sorry

A/N: FINALLY, ive been writing this fic for like 3 weeks now and I finally got to finish this and omggg, Im down so fucking bad for this man, so naturally I wrote filth for him. I hope my ghost girlies enjoy this

You can also read this over at Ao3

Comments and reblogs are highly appreciated!

Ghost was no stranger to pain. Not in the slightest. Pain was second nature to him. He had spent his entire life experiencing and learning to manage his pain to the point where he no longer felt it. But he'd be lying if he said that your touch didn't take away his pain better than he ever could himself.

Always so careful and gentle, and always willing to help anyone that walked into your infirmary and in the field. He couldn't understand how someone so sweet and caring could've ever ended up in the military, but then again after the things he had seen you do in the field, he'd be a fool to ever doubt your capabilities.

He was no stranger to you either, afterall, the 141 had become your main patients after you were assigned to their task force as their physician a year ago. And for one reason or another, Ghost always ended up at your infirmary, whether it was for an actual injury or to ask about your day under the excuse of needing some painkillers he probably didn't really need through grumbles and that particularly dry humor of his that always made your day. And truly, he'd be lying if he said it didn't make his day too.

Simon Riley was down bad for you, and he didn't know what to do about it.

He had lost track of time. He wasn't sure if it was from the crash or just the overall shit show that his latest mission had been, but everything was an absolute blur to him. All he knew is that there was only one thing he wanted to do and one thing only. He wanted to see you. No, he needed to see you.

Price had insisted Ghost joined the others at the infirmary, but he knew it wouldn't be you stitching up his wounds. After a very disastrous previous mission, you were left with pretty severe injuries yourself, ones that left you at your own infirmary for a few days. And while you assured them you were ready to go back to your duties, which included accompanying the 141 to their latest assignment, Price and Ghost himself insisted you sat this one out, and took a couple more days to fully recover. After a good fifteen minutes of protesting, you were outvoted. There were medics on base after all. But they weren't you, so naturally Ghost refused to go to the infirmary. He didn't trust anyone else but you. He'd rather bleed out, he said.

Price wasn't one to question anything Ghost did, he could take care of himself. And he knew you were the only one he trusted to take care of him.

Before he even realized it, Ghost was dragging himself to your quarters, unsure if you'd tell him to fuck off and to go to the infirmary instead, or if you'd honor the idea that he only trusted your hands to fix his wounds and take away his pain, for a little while at least. He was hoping it was the ladder.

He knocked, once, twice and a third time, and with a pained groan he leaned his body against the door, trying to take some weight off his sore legs. He waited, his mind racing and thinking that maybe you weren't at the infirmary for a reason, that maybe he should leave you alone and let you take some well deserved rest.

But he needed to see you, right now.

He lifted his head only a few inches to find you, for the first time not in your usual uniform, but instead a plain dark green tee that left the pattern of black and colored ink on your right arm on full display, and sleeping pants. But you didn't look like you had been asleep, you looked wide awake. Though that quickly turned into what Ghost thought was a mixture of worry and relief on your features. He knew because he had that same look when you woke up after he had carried your unconscious body to the medivac.

"Will you ever learn to take care of yourself out there?" Were the first words out of your mouth as you scanned his slouched body, taking particular notice to the hand glued to his right shoulder.

He let out a dry chuckle and the way in which his entire body relaxed, his shoulders dropped and was no longer on high alert the second he saw you was more than obvious. Whether or not you did notice that or not was beyond his people reading skills.

He didn't have to ask or say anything, you simply moved out of the way and walked back. He followed you in, his heavy but surprisingly quick steps following close behind you until you eventually came to a stop. He stopped, standing to his full height and his dark eyes were fixed on you as he waited for you to grab your medical supplies, which he knew you always kept around just in case.

"I can't check for injuries with all that gear Simon." You motioned your free hand to his tactical vest strapped with just about every weapon he could carry and most likely a bullet covered plate underneath his jacket.

He stood silent for a long second, just taking in the way you said his name. You only ever called him Simon in private, where you both knew you were safe from everyone else, where your protective armors could come down for once. He liked it when you called him Simon, it reminded him that he was still, in fact, a human being, that he was still Simon Riley, not just the ghost of a dead man that hid behind the mask of a killing machine.

He gave you a nod and his hand went towards the clips that kept his harness and vest together. Slowly, minding the throbbing pain in his shoulder, he dropped his vest on the floor, his black jacket quickly following the same fate. This, though, earned a groan of discomfort when his shoulder moved, he closed his eyes momentarily as he pulled the sleeve from his injured shoulder before dropping his jacket to the ground as well. All that was left was his clinging black shirt leaving the black ink of his arm on full display, and of course, his balaclava and the skull plate stitched to the thick fabric.

You were already gloved up by then, your tools already laid out on a desk behind Simon. So once he was free on his gear, you looked up at him, now seeing the trail of dry blood that ran down his right arm, starting at his shoulder. You stared at him for a few seconds as he stood there before you spoke.

"I can't stitch your shoulder if you're all the way up there Simon, sit down." You rolled your eyes, forcing out an exasperated sigh and exaggerated motion for him to sit down by your desk.

"It's not my fault you're all the way on the ground down there. Would it kill ya to grow a few?" He said with his usual lack of emotion, but under his mask, his lips tugged up just a tiny bit at the glare you gave him as he sat down in front of you, because even with him sitting down, he was still half a head taller than you.

"I'll remember that next time you come to my infirmary asking for pain killers after you get shot or stabbed again." You shot him a nasty glare, but you both knew you didn't mean that. "Speaking of getting shot, how did this happen?"

He hissed barely loud enough to be heard through his mask when he felt you lift the sleeve of his shirt and scrunched it up to his shoulder to reveal a gash from a bullet just above his bicep. You glanced at him, eyes meeting his own for a second in a silent apology before you turned your attention back to his wound.

"Bastard shot me at close range, bullet must've grazed through my jacket. Good thing he was a shit shot though." He answered, his eyes watching you as you cleaned the dried blood around the wound, more focused on you than any pain he could be feeling in that moment.

"Y'know, had you let me go on that mission I probably would have cleaned this up hours ago." You muttered, swiping the wet cotton around his skin, giving him a minute or two to breathe before actually cleaning the wound.

"Had you gone with us you would've probably ended in the infirmary for another week." He quickly shot back, his naturally gruffly and raspy voice turning just a bit more so at the idea of it and you could feel his shoulders tense under your fingers. "Better me than you, eh?"

"That's not funny." Your eyes flickered in his direction and you narrowed them at him, only to find his brown eyes staring deep into you, not once looking away. Until you swiped a soaked cotton over his wound and he exhaled deeply and unevenly, his eyes closing momentarily as he felt his skin throb and burn.

"I'm not laughing," He eventually responded in a quiet tone, eyes finally opening to meet yours once again.

"Do you ever?" You asked with a tiny smile, earning the typical dead eyed glare Ghost gave everyone that annoyed him.

"No."

You looked away from him, lips curved up into a smile as you covered his clean wound with a gauze, not really needing stitches. You weren't looking at him then, so you missed the way he looked at you, his head slightly tilted and his eyes hooded as he memorized every detail of your face. He always did this, just in case it was the last.

"Anything else hurts?" You asked after a minute, taking your gloves off and throwing them on the desk and leaned on your left foot, head tilted as you looked at him again.

"Mmm," He half pointed to the left side of his face, "I hit my face when the heli crashed. 'm afraid I did some irreparable damage to that side of my face."

You stared at him, you blinked a few times and your eyebrows furrowed with confusion at his request. He knew you were trying to understand his request, he was giving you permission to see his face. For the first time and you weren't sure if he was being serious or not.

"I can't, y'know, the mask," You pointed to the thick fabric covering his face, noticing the tear on the left side but you made no effort to actually look, let alone touch.

You stood still, hands glued to your side, itching to remove his mask yourself, but you were afraid, afraid to cross an irreversible boundary. He could see it, he could see the way your hands shook and your teeth nervously dug into your bottom lip. And he wasn't much better, he could feel his heart pound in his chest and his breath pick up. But he wasn't scared.

He trusted you.

Simon watched you intensely, brown eyes watching every detail on your face, every expression as he reached up to the front of his balaclava and with a deep exhale he pulled it off his head. Your lips parted and your eyes slightly widened. He could hear how your own breath picked up in an instant. But you weren't scared or disgusted, not at all. All he saw was awe.

You slowly licked your lips as you stepped closer, until you were standing over his knee with your parted legs. With a shuddered breath you leaned down, eyes lingering on his own before they flicked down to the cut on his left cheek. Your hand ghosted over his face, but didn't quite touch him, for some reason, this felt like another boundary you didn't want to push unless he said so.

He noticed your hesitation, and he didn't blame you. But he didn't need to say anything, he simply nodded.

He shuddered when he felt your soft fingers graze his skin and he momentarily closed his eyes, before opening them again to watch you bring a wet cotton to clean the dried blood on his face.

“What happened to your face?” You asked quietly after a long silence, brushing the cotton over the cut that appeared to be a couple inches long right across his cheekbone.

“Enemy missile, the heli crashed. I dunno how I got out of there. I blacked out and next thing I knew I was being dragged out of that heli by Soap.” He explained, the memories of it all still being too blurry to remember clearly. But he did remember one thing; the thoughts going through his head in that moment. “We lost a lot of good soldiers.”

“You’re lucky all you got out of that was a cut on your face and probably a concussion. You could’ve died.” Your throat nearly closed up then, your fingers stopping to rest on his face. You were both used to this idea of death, of going on an assignment and never coming back, but that didn’t make your heart ache any less.

He turned his head to look at you, his eyes searched for yours, but you weren’t looking at him, “Well I’m alive aren’t I?”

“Yeah, and you’re one lucky motherfucker for that,” Your voice was close to breaking, and your hands were shaking. Was that anger he heard in your voice? Or was it panic at the idea of him dying? “I could’ve helped, I just wish I had been there.”

His gaze turned hard and his jaw tightened, “I don’t.” His tone shifted, there was nothing lighthearted about it, he was being dead serious. And you actually looked at him this time, and you found his eyes. But you didn’t respond, you couldn’t, so you stayed silent as you gave yourself the time to actually take him in.

"So what's the diagnosis Doc, am I gonna make it?" The low timber of his voice startled you after a long minute or two, but not because it was loud, he barely raised his voice above a whisper, it startled you because you were so focused on taking in each and every one of his features, the unique shape of his nose, his sharp jaw, the three day stubble that scratched the pads of your fingers, his light eyelashes that contrasted the dark paint smeared over his eyes. You memorized all of them in case you never saw them again.

A small smile eventually tugged at your lips and you chuckled softly, nodding, "Looks like it, you'll have a scar though."

He chuckled, and this time, you could see the tiny curl of his lips when he did so, "I can live with that."

His lips fell back into a flat line and instead, his eyes locked onto yours for a long second and he could swear he could hear your heartbeat. Or maybe it was his own. He wasn’t sure, all he knew was that he was this close and he couldn’t stop the thoughts in his head.

Something was different. Something in the air felt different. The careful touches of your hands, they were different. And he felt different too.

He leaned in, stopping only when he heard you take a small breath. One of his hands rested on your hip then, and when you didn't tense or shoved him away, he pulled you closer with a tight grip

“Tell me to stop, right now.” His voice was low and quiet, but you heard him loud and clear. And you didn't want him to. He didn't want to either.

"Simon…"

He didn’t have to hear anything else, he heard all he needed to hear. The way his name fell from your tongue, the shakiness in your voice and the way you also leaned in, like your body was gravitating towards him. He knew.

His large hand found the back of your neck and he pulled you in, lips capturing yours into a kiss that left you without air. His other arm sneaked around your waist to pull you closer and forced you down on his thigh. You gasped softly at the sudden movement, but you welcomed it nonetheless and you threw your arms over his neck as his mouth covered yours. He took it slow, much to your surprise. For a man known for his brutality he was surprisingly gentle. He kissed you slowly, his tongue eventually slipped into your mouth, but it never felt messy or rushed. You honestly didn't know how long he held you like this, but eventually he let you go to breathe when he started to feel you panting.

"This okay?" He asked barely above a whisper, the raspy ring of his voice filling your ears in a way that made your thighs unconscious clench against his leg. Which he definitely felt, but he kept that to himself.

"Yeah, more than okay." You answered with a breathless laugh.

"Good."

Both of his hands were on your waist and he was on his feet in an instant. He completely forgot about the pain shooting through his arm when he hoisted you around his hips. It caught you off guard and you were wrapping your legs around his torso instinctively.

"Simon your arm—"

"I don't give a shit about my arm." He had his uninjured arm holding your thighs and he was looking at you with this look in his eyes you had never seen from him, but you liked it.

You leaned down, lips crashing against his own with an urgency that made him want to find the bed even quicker. He eventually figured it out and your back was hitting the mattress before you even realized it. He held himself above you, your legs still wrapped around his waist. His lips left yours and attached themselves to your neck. He wouldn't leave a mark knowing everyone would see it, but he still took his time finding that spot that made you squirm under him while his own hands were making work of exploring. He ran a cautious hand into your shirt, calloused fingers grazing your skin until he found your breast, and he squeezed. You shivered under his touch and an unconscious moan escaped your lips. He could himself twitch against the constraint of his denim jeans at the mere sound. Fuck, if that's what you sounded when he barely touched you, he could only imagine what you would sound like wrapped around him. And he wondered when was the last time someone touched you like this. Probably as long as him.

"When was the last time someone touched you like this?" His words caught your ear in a haze, it took you a minute to register them, but when you felt him pitch your covered nipple you answered.

"I don't—” You swallowed, blinking a few times as you tried to clear your foggy mind, “A long time, years I think." You eventually answered, eyes glued to the ceiling as you tried to keep your head straight.

He gave you a quiet hum, his hand moving down to your stomach, stopping at the waistband of your pants, and he lifted his head to look at you, "Did you ever think about me touching you like this?"

The way his words left his mouth, the raspiness in his accented voice and coated with arousal, it made your throat close up, and the way his intense and dark eyes were fixated on you didn't help either. You felt so small under this mountain of a man and his gaze, all you could do was nod.

"Words love, use 'em."

“Yes.”

A subtle smirk tugged his lips, the confirmation that you had wanted him as much as he had wanted you igniting a hunger and need that could only be satiated with one thing. You.

He lifted his head to capture your lips in a feverish kiss that was so rough it made you gasp into his mouth. You snaked a hand the back of his head, one that quickly took a hold of his messy short brown strands, a motion that didn’t go unnoticed by him. The growl that came from his throat was otherwise muffled by your lips, but what he did next, however, didn't go unnoticed either. His large hands found the collar of your shirt, and without hesitating, he tugged and ripped the fabric right in half. The moan that ripped from your throat at his manhandling was anything but subtle, and he swallowed it happily. He pulled back, tugging your bottom lip as he did so and his dark hungry eyes fixated on the newly exposed skin once he laid eyes on you. He took a hard swallow as his hands traveled to your chest and much like he had just done with your shirt, he ripped your bra open by the thin fabric that connected both cups.

“Fuck, look at you,” He breathed out, hands brushing over hardened nipples as he took in the sight of you in front of him, chest completely exposed, your hair loose and pooling around your head and arms now sprawled above your head, expectant and ready to do as he asked, “You’re absolutely perfect.”

“I could say the same about you,” You replied, breathless and reaching to tug at the hem of his own shirt with urgency. “Please Si.”

Fuck, how could he ever deny you anything? And more so when you ask him like that?

With a short nod, he moved his hands from your chest and grabbed the back of his shirt, quickly pulling it over his head. And fuck, the amount of gear this man wore definitely didn’t sell him short. His muscled chest was covered in various scars, ones you had seen, and others you hadn’t. And from his neck hung his dog tags, ones you had never ever seen him wear. Lord this man was going to be the death of you just as you were going to be his.

“Listen to me,” He said through a heavy breath, pulling you from your frenzied state for just a second, “If you want me to stop you tell me, no fancy words, tell me stop and I will. Is that understood?”

It took you a couple seconds to respond, your mind already foggy with the need to feel his touch, but you nodded at his words regardless, “Yes sir.”

Your hands found the back of his neck and you crashed your lips against his with a newly found urgency that made him groan into your mouth. His calloused hands found the waistband of your pants, and he tugged them down without hesitation. With a hard swallow you lifted your hips off the bed, allowing him to pull them down, your panties quickly following. He tossed them behind him somewhere to join his previously discarded vest and jacket.

He brushed a long finger through your folds, swallowing the choked out moan that came out of your mouth. You shuddered under him, your thighs unconsciously closing around his hand as he drew circles around the bundle of nerves. You didn’t even remember the last time you were touched by hands that weren’t you own, and fuck, his felt so much better already.

“No, no,” He tisked, pulling back to glance down at his hand practically disappearing between your thighs before he gave you a stern look, “Keep those legs open for me.”

You did as you were told, you shakily spread your legs apart, and you were rewarded with a thick finger dipping into your entrance with ease. He took a deep breath as he felt your walls clench around his finger and he could feel himself twitch in his pants, wondering just how you would feel around his cock instead.

With a hiss of pleasure, you threw your head back and your hips slightly lifted off the mattress as he filled you with two of his long fingers. He drew them in and out until he could feel you start to drip on the palm of his hand.

“Shit, shit, fuck.” Your lips fell open, silent cries leaving your mouth as he began to scissor you open with each snap of his wrist. It wasn't long before you could start to feel that delicious burn in the pit of your stomach.

His thumb eventually found your nub, he pressed it and rubbed circles around it as he buried his thick fingers to the knuckle each time. He could already feel it, the way your walls clenched around his fingers, your shuddering thighs, your hands fisting the sheets. His lips found the shell of your ear, and as he curled his fingers against your most sensitive spot he spoke.

“You’re doing so good,” He coaxed, his thumb pressing your clit with enough force to make you twitch and roll your eyes into the back of your head, “This what you need love?”

“Yes!”

“Yes what?” He slammed his fingers knuckles deep, his palm rutting against your clit. He could have you screaming anything he wanted and he knew it.

“Yes Lieutenant!”

“Good. Good girl.”

He knew you were close, he could feel it. He was slamming his fingers in and out of you, burying them knuckle deep and crooking them against your most sensitive spot over and over. Until you were nothing more than a shaking and whimpering mess, begging for release. And he was gladly going to give it to you.

“O-oh fuck. Fuck Simon please!”

He nearly lost it when he heard you scream his name, your voice shaky with pleasure, and your own body overwhelmed with pleasure. But if there was anything he had a lot of, it was self control. He had a mission to accomplish. And he wasn’t going to stop until he had you falling apart under his touch. Which happened soon enough. One of your hands flew to grip his wrist, the lewd sound of his palm slapping against your dripping core filling your ears in the most delicious way possible. And in a quick flash of a blinding heat, you tossed your head and buried your face in his shoulder, your toes lifting from the mattress and curled as your juices coated his hand.

“Goddamn,” He cursed under his breath, the sound of his name leaving your mouth in a quiet whimper filling his ears as his fingers slowed, but never quite left you, “My name sounds so good when you say it like that.”

You barely caught his words as he spoke under his breath, but you did, and all you could say in response was a high pitched hum as you tried to catch your breath. Your eyes were still screwed shut and your legs were still shaking when his fingers left you. With a quiet hiss, your head fell to the side as you brought a hand to your burning face, trying to compose yourself.

“You still with me Doctor?” Simon spoke, amusement coating his tone. You chuckled softly and gave him a nod. “I need verbal confirmation love.”

You wanted to roll your eyes at him because you knew he was teasing you, but you indulged him regardless. You turned your head in his direction and opened your eyes to find his own glued to your face of course.

“Solid copy Lieutenant.” You finally said with a small eye roll. He looked amused, and he nodded. But what caught your attention was the growing smirk on his face as his eyes eventually landed on his hand as he held it out of your eyesight. “What’s so funny?”

“This,” He brought his hand closer to your face, and even through your slightly blurry vision, you could see it glisten. You opened your eyes more and your jaw dropped, your face burning with embarrassment. With a low chuckle, he rubbed his fingers together and then spread his index and middle finger apart to show the extent of the wetness you had left on his hand.

“Oh my god.” You threw your hands over your face, effectively mortified, you weren’t sure why, but it made you feel pathetic. Simon, on the other hand, was quite pleased.

“Gettin’ shy are we?” His lips brushed against your ear, and you couldn’t help but shove him slightly.

Both of your hands eventually fell to his chest as your eyes found his brown ones, and the look he found behind those eyes of yours made him want to take you over and over until you were nothing but a shaking and whimpering mess.

“Lay down Simon.” You eventually said, both hands flat on his scar littered chest. He took a deep breath and he nodded slowly.

“Yes ma’am.”

He was on his back in an instant, eyes never leaving you as you threw a leg over his hips and sat just above his crotch. Your thighs burned with ache as they were stretched out over his massive body. His hands held your hips as he watched you through hooded eyes, very tempted to shove you down on his cock, but he let you take your time, this time.

“Let me ride you, please.” Your words were quiet, pleading and desperate, and they shot straight to his cock. He honestly didn’t know where this side of you came from, pleading and so eager to please him, but fuck he wanted to explore every inch of it. His fingers dug into your hips, but he remained still, only nodding.

“Permission granted.” He replied with a quiet hiss, his patience growing thin the longer he had you on top of him, your wetness coating his lower abdomen. “Go on.”

He didn’t have to tell you twice. Your shaky hands fumbled with his belt, the buckle ratling a few times as you tried to undo it, the button of his denim jeans quickly following. He momentarily closed his eyes when your hands brushed against his clothed erection. He blew out an exhale through his nose as he lifted you up just enough to be able to pull himself from the confines of his boxers. He let out a long breathy groan as he freed himself, his cock slapping against his stomach. With a hard swallow, you held yourself above his cock, hands resting against his lower abdomen to brace yourself as he lined himself up at your entrance, coating himself in your slick.

He was expecting you to take your time, to take him slowly, so when you sank down on him, his length slipping inside a few inches before being met with resistance, he had to take a deep breath.

“Easy..” He coaxed, easing a hand up and down your stretched out thighs, watching closely the way your eyes closed and your face twisted with a mixture of slight pain and pleasure.

“Fuck you’re so big..” You blurted out between breaths. Simon opened his eyes in surprise at your remark, he knew he was significantly big, but he wasn’t expecting to hear you say it. But he’d be lying if he said it didn’t make his cock twitch the slightest bit.

“You’re doing good. Slow.” He spoke lowly, guiding your hips little by little, hissing softly each time you took another inch of him, until you sat fully on him, and even then you couldn’t fit all of him. He allowed himself to close his eyes as you sat still, your hips only rolling ever so slightly as you adjusted to the massive size of him. “There ya go, atta girl.”

When he felt you were ready, he guided your hips up, lifting you off his cock inch by agonizing inch, his eyes stuck to where his cock left your soaked cunt, and when he was almost all the way out, he pushed your hips down without a warning. You let out a quiet cry, you dug your nails into his abs and your thighs tensed. His eyes shot up to your face with concern and he sat still, but you were quickly shaking your head.

“I’m okay Simon, please.” Your eyes found his and you nodded reassuringly, teeth digging into your bottom lip eagerly. He squeezed your hips and nodded.

You were rocking and rolling your hips, your walls clutching his length with a bit of resistance. And you could tell he was fighting the urge to thrust up each time you rolled your hips. But he stayed still, only his fingers dug into your hips, surely to leave bruises in the morning. His eyes were closed and he was muttering under his breath as you moved at your own pace. For now.

“Fuck, come on love,” He encouraged, voice restrained as you eventually moved with more ease. His words gave you a new found confidence, and with such, you lifted yourself up and sank back down on him, and again, and again, until your whimpers turned into moans. “That’s it. Fuck that’s it, take what you need.”

You’d be damned if you didn’t do as he said.

You leaned forward, bracing your hands on his chest as you bounced on his cock. His eyes moved from your face to where your bodies connected, he watched with glazed eyes as his cock disappeared inside your walls, only to appear again covered in your juices. He focused on it, the sound of his belt buckle clicking each time you bounced filling his ears.

“You’re taking my cock like a good girl, aren’t ya?” His words came out through breathy groans as he guided your hips again and his own hips involuntarily lifted every once in a while.

“Please Simon, more, I want more— Fuck—”

He had to take in the way you whined his name, the way you begged, it was so fucking intoxicating and he never wanted to stop hearing it.

“Yeah? You want more?”

You were nodding frantically, your movements only doing so much to give you what you both needed and he knew it.

He sat up, his chest now pressed against yours as he sneaked his tattooed arm behind your back, holding you upright as he thrusted upwards. He found a pace quick, and even faster and deeper than the one you had made yourself. He had you twitching and shaking in his grip as cries ripped from your throat in a matter of a minute or two. And you definitely weren’t complaining, his cock was pounding deeper, hitting that perfect spot better than you could ever get it there yourself.

“Yes! Fuck, Simon please, please don’t stop.” You were begging frantically, your hands landing on his back and your nails dragged across his scar littered back and shoulders. He took in the way you pleaded, the way you moaned, and took particular note of the squeal you gave when his thick cock hit your g-spot with ease. And he did so, over, and over, until all you could say was his name between cries.

“Yeah, like that?” Again, and again his cock brushed against the perfect spot. You couldn’t even hold yourself up anymore, your face was buried in his shoulder and tears slipped from your eyes.

“Yes!” You sobbed into his shoulder, your walls clenching around his cock in the same way you had around his fingers a little while before.

“Shit, come on, come on. Be a good girl and come for me.” He muttered, not once faltering his pace, only bringing you closer to the edge with each delicious drag of his cock. He slipped a hand into your hair, fingers fisting around the strand a as he pulled your head back, making sure you were looking at him, “Look at me, that’s it, keep those pretty eyes on me when you come.”

His name slipped from your tongue over and over as you came, somehow managing to keep your eyes open as your whole body shuddered violently. Tears slipped from your eyes as you sobbed his name and you brought your forehead to rest against his, one of your shaky hands resting on the back of his neck. The hand on your hair moved your face, and his fingers brushed against your cheek, catching your tears.

“Fuuuck, that’s fucking it. That’s my girl.” He groaned out as he fucked you through your orgasm.

He felt your wetness coat his cock even more, allowing him to slip just ever so deeply until he was nearly rutting against you, the patches of hair at the base of his cock brushing against your oversensitive clit. With a guttural groan, the hand on your face slipped to the base of your neck and he held it between his long fingers as he fucked into you with a new urgency, like he was chasing his own release. He fucked you like it too, his thrusts were sharper and shallow, and they faltered.

“Fuckin’ hell,” He muttered, droplets of sweats rolling from his forehead and mixing with the already messy grease paint covering his eyes. His forehead fell to your chest as held your neck in place, “I’m right there… Fuck I—”

He was about to pull himself out of you, but you slipped out from your drunkenly euphoric state for just a second to slam down on his cock until your hips met, hands on his shoulders as you sank down on him with enough force to slip a breathy moan from him.

“I have an IUD. I-I want you to, please.” You said shakily into his ear, your words barely coherent, but you knew what you meant, and he did too.

A low growl ripped from his throat as he gave you a few more thrusts before his hips faltered, his other hand found your ass and he held you down on his cock. His fingers squeezed your throat and a guttural moan left his lips as he spilled himself inside you.

“Bloody fuckin' Christ,” he panted into your chest, most likely smearing his war paint on your chest, but you honestly didn’t give a fuck. “You’re fuckin’ perfect.”

You gave him a weak hum, eyes closing as you tried to breathe once he let go of your neck. “I’m guessing your arm doesn’t hurt anymore?” You laughed weakly, brushing a hand under the gauze you had placed there earlier.

He lifted his head, brown eyes as intense as ever as he slightly tilted his head, “What arm?”

You shot him a playful glare and shook your head as you unwrapped yourself from him and with a long breath of exhaustion, landed on your back next to him, your mixed releases dripping down your thigh. He chuckled quietly to himself at the sight of his jeans, mixed releases pooling at the front of the denim. With a sigh, he tucked himself into his boxers, catching a glance of you, chest still glistening with sweat, hair messy and pooling above your head as you lied with closed eyes. He shook his head, about to stand up to find something to clean his mess with when you spoke.

“Simon?” His eyes found yours on him and he nodded, allowing you to continue. You bit your lip and sat up with a sharp exhale, your sore muscles already screaming at you for your reckless activities, “How long have we known each other?”

The question hit him unexpectedly, his eyebrows slightly furrowed but he answered quickly, not even having to think about it, “About three years.”

“Why did you take your mask off now?” You dared to ask, the curiosity of what suddenly changed eating you up.

His lips fell in a flat line, his eyes opening as he remembered that he had, in fact, taken his mask off, he had felt so comfortable that he had forgotten he wasn’t wearing it. He didn't answer right away, he sat on the edge of the bed, his eyes never leaving you as you watched him expectant. You brought the sheets up to your chest, bringing them with you as you moved closer to him, until your shoulder was touching his. You looked up at him, but you never rushed him, you simply waited patiently.

“When the heli crashed,” He began, “I knew I was going to die. And I was ready to die. And then I thought..” His lips fell in a flat line again as he turned his head to look at you. Your eyes were glossy, but you didn’t cry, you simply nodded for him to continue, “All I could think about in that moment is that I was going to leave this world when the only woman I had ever cared about didn’t even know what I looked like.”

Your lips fell open and your eyes widened with awe. He didn’t have to say the words, you knew what he meant.

“Simon…”

“Either of us could die at any moment, I realized that when I carried your unconscious body through that field, and I realized it when the heli crashed, didn’t make sense to pretend I don’t give a shit about you.”

Your hand found his face and you pulled him down into a deep kiss, one that said everything you both needed to say, everything you couldn’t say with words.

You were the remedy to all his injuries and the bandage to his damaged heart. You were all he needed and he’d be damned if he let that go.

#simon ghost riley x reader #simon riley x reader #simon riley #ghost x reader #simon ghost riley smut #simon riley x f!reader #simon riley x female reader #simon ghost riley x you #simon ghost riley

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mrghostrat · 3 months ago

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since we’re on the topic of bookbinding, i’ve been wanting to get into it but i haven’t actually done any research (yet) other than vibes, so do u have any tips for complete beginners?? :)

@geminibookbinding is who inspired me to finally look up the whole process and figure out where to start! this is the super helpful tutorial i got from them

i had dabbled with binding before though, using Sea Lemon's tutorials to make blank sketchbooks yearsss ago. i still use her text block and diy hardcover videos as a refresher/reminder while i bind!

the biggest thing that stopped me from learning to bind printed fiction was not understanding how to print the text from home, specifically how to get the pages in the right order for signatures. it's actually so easy with some very simple to use programs: QuantumElephant for PC users (free), and I use BookletCreator on Mac ($20)

i want to go into more detail about my process and supplies from a beginner perspective, i hope this helps:

format the text in a word processor

export your document as a single page PDF

enter that PDF file into Quantum Elephant or BookletCreator, to rearrange the pages for your signatures. your program will give you a new PDF file that you can then print.

4. double sided printing: i was so so scared of this at first, but it's incredibly simple. no matter what printer you have, somewhere in your print settings will be an option to print even or odd pages.

print all the even pages first, then when the stack is finished printing, flip them over, insert them back into the paper feed, and print the odd pages.

5. fold the signatures together so you have a stack of little booklets, then mark on the spine where your sewing holes need to be. manually punch the holes using an awl, or diy an awl by stuffing a cork on the end of a straight needle.

6. sewing: take regular sewing thread and run it over a block of beeswax. this makes the thread easier to manage and holds it in place better while you sew. a curved needle is also much easier to use than a straight one, especially for a kettle stitch (using Sea Lemon's tutorial)

7. gluing: glue decorative pages (or plain, but thicker paper) to the front and back to create your end pages, then press the book flat to apply PVA glue to the spine. press it overnight so the glue dries flat. (optional: glue a ribbon to the top of the spine, then sew on headbands) finally glue an additional piece of paper (or mull) around the spine to strengthen it.

8. optional: trim the edges of your book down to create a smooth edge. this one's given me the most trouble because it's very hard to get right with a knife, and the proper supplies are expensive. check your local stationery shop (i.e. Officeworks, Staples) for an industrial guillotine service

9. cover: once you have the final measurements of your text block you can start making the cover. this is essentially gluing cardboard, binders board, or plywood etc to a sheet of fabric. the fabric either needs to be bookcloth, or have some kind of non-porous back so the glue doesn't seep through. you can diy bookcloth from any fabric with tissue paper. then glue the decorate end pages to your cover to attach the textblock!

#ask a rat #libratian #book binding

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communistkenobi · 29 days ago

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I love finding new communists blogs because you immediately have to scroll through all the posts to see if you wanna follow them or block them lmao. Anyway from what I understand you work in western academia to some degree and as a student taking some classes in the social sciences it’s such a pain in the ass trying to even bring up a Marxist perspective. How do you deal with how much pushback socialism has in academia?

I’m doing a PhD in sociology ! And please feel free to block me, we are all annoying etc

I would say that resistance to socialist ideas is a major source of frustration for me in academia - a learning curve for me has been gearing my writing & research to work around that type of institutional hostility. It depends on the discipline as well. Given that Marx is such a titanic figure in sociology I find it easier to engage with his work openly (although you will be mocked for it lol - it’s viewed as a dead-end project in the West since the USSR collapsed), whereas more history- or politics-based courses I’ve taken have been extremely hostile to even tepid Marxist analysis. I have friends to vent to and have found other people in my discipline who are like-minded, which has helped. You will need to do a lot of tactical retreats - I’ve found that tying your analysis to state policy helps a lot, it helps you get grants, and academics trade in policy-talk across disciplines so it will prepare you for that if you want to stay in academia.

I have also been making peace with the fact that academia is not really the place to “do” socialism - it is a deeply political job, and my ideological commitments motivate me to do work and research that I hope are beneficial to the world, but I think the authority and privileges afforded to academics, not academia itself, is the better avenue to conduct political activity - participating in student & left-wing actions, giving money and resources to activist groups, using your prestigious position to publicly speak on issues, sign important documents for vulnerable people (profs are counted as authorities to sign off on name change documents for trans people in Canada for example, as well as visa and citizenship proof I believe?), things like that. There was that Canadian doctor, Dr. Yipeng Ge, who was suspended from his university position for speaking out against Israel and went to Palestine on a medical mission, Engels used his family’s money to fund Marx & socialist actions, Lenin went to law school, etc (i am NOT remotely comparing myself to any of them to be clear lol, just demonstrating that there is historical precedent for this way of thinking). I’ve done a decent amount of union + community work and the reoccurring lesson I keep learning is that there are many little, vacant positions of power sprinkled throughout the world that will help you organize and agitate above and beyond your individual capabilities. And the right wing knows this! They take over local school board committees and town halls and run for office in their local neighbourhoods all the time, often unopposed, and use that to exert terrible political influence.

I try very much to resist the “one of the good ones” mindset re: my own career in academia and is one I struggle with pretty often. being pragmatic about what academic research actually does in the world is still something I’m grappling with. Academia has provided me with an incredibly prestigious education and a lot of social capital that I hope to use for some amount of good. I’m also betting on what is essentially a lottery ticket, given how rare tenure-track university positions are, so maybe all of this will be irrelevant anyway lol. I’m not sure if that’s helpful but it’s not a settled issue for me either, so if this reads as vague or wishy-washy that’s why!

#asks

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livums · 1 year ago

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Liv’s {Totally Optional Non-Mandatory Completely Voluntary} Pointers for Fleshing Out Character Relationships

Hi I’m liv e. and by middling demand I am going to blab a liiittle* bit about relationships.

So I will start by saying that I’m trained & licensed as a marriage and family therapist. So this is kind of what I do all fucking week. And I like this whole writeblr thing so why not make it fun and about fiction instead. LOL.

The purpose of this liiiiittle** post is to offer some ways in which you, a writer (great job btw!), might deepen your own understanding of the relationships between two or more characters in your writing. More specifically, by thinking a little deeper about how relationships function in real life.

These are ways in which I might conceptualize a relationship between people who seek my services as a clinician.

A small disclaimer: the VAST majority of my work is with couples (because I. prefer to see couples over families, lol), so this advice is coming from that perspective. Please keep in mind also that there are certainly infinite other ways to think about relationships. This is just the way I was trained. Or at least, the parts of my training that resonated with me the most, especially as I began writing more seriously.

My hope is that reading and practicing/toying around with these tips will help add another dimension to how relationships play out in your writing. So um. Cheers! Let’s chat.

*it’s not a little. it’s a lot.

**it’s a long post.

i. What I Say vs. What I Mean

When was the last time your partner or good friend pissed you off?

Maybe they were flippant about your feelings. Maybe they blew you off to hang out with someone else. Maybe they keep loading the dishwasher like a neanderthal.

And did you say to them, “Baby/honey/sweetums/bestie, it really upsets me when you load the dishwasher like that. I’ve asked you to do it X way several times, and it feels like you’re not listening to me, or that you don’t care about how I feel” ?

Probably not? Because, hello? (If you did, first try, then, wow! you’re a better person than i’ll ever be.)

You might’ve said “Dude, stop cramming shit in the dishwasher like it’s a fucking suitcase,” or “Haha, wow, again with the dishwasher. Awesome. No, it’s like, whatever.“ Or you might not’ve said anything at all, on purpose.

There is a tension that exists, there, in the CONTRAST between what we are thinking/feeling/meaning (e.g., I love you/I miss you/You hurt me) and what we are communicating via our words and actions (e.g., You never make time for me/You’re so lazy/You’re such a(n) [expletive of choice]).

That tension is ... really fucking interesting to read, huh!

Personally, I have a lot of fun watching the needs/wants/feelings of a character (that we might be privy to, as readers) get filtered through their unique... voice.

So say you write a character who is quite rough around the edges, and not very skilled in affection. They have a deep yearning to be close to [love interest], but they just aren’t accustomed to languaging their true feelings. Maybe we see how scared they are of putting their feelings out there. It’s vulnerable. It’s terrifying.

So instead of “I really care about you, [love interest]”, maybe it comes out something more like “Don’t you have anything better to do with your time than follow me around all fucking day?”

And we, the readers, are like, wow! That’s not what you were thinking at all man! You’re so bad at this, that’s awesome.

So the point of all this is that it’s very helpful to clarify for yourself, in any meaningful interaction between characters in or soon-to-be-in a relationship:

What are the characters individually thinking during this interaction? What are the emotions that are present? How does it show in their body or their movements? Are they careful not to let these things show, or do they not notice at all?

How are they expecting this interaction to go? (Are they afraid something might go wrong? Are they looking for a certain reaction from each other?)

What DON’T they know about what the other person is thinking? What are their assumptions about how the other person perceives them--in general, and in this moment?

What is the GAP or the CONTRAST between all of the above and what actually ends up coming out of their mouth? Or what actions they end up physically taking (or not taking)?

Are the characters aware of their own contrast, here? How do they feel about it? Or, do they think they are being perfectly congruent?

In this way, you have the ability, as a writer, to create some devastatingly (or delightfully) poignant moments between characters. These are the moments that can really sell the reader on the relationship--its importance (why are you showing us this?) and its appeal (thank you for showing us this, this blew our tits off, etc).

ii. Tender Spots and How to Attack Them for Fun and Profit

So we’ve got issues.

What are the things that really fuckin get at you? Those topics that, when brought up, make you really upset and really defensive at like, mach speed. Maybe you’re insecure about your skills. Maybe it really bothers you when people see you as weak/unintelligent/a burden/unattractive. Maybe you have a rough and complicated relationship with a family member.

So these can be thought of as, like, tender spots (lol). You can also think of them as “raw” spots, sensitive spots, or triggers.

Figure out what your characters’ are!

This is another key way in which you can create deep and believable interpersonal drama--Character A (accidentally or intentionally) stomps all over Character B’s sensitive spots. So to speak.

A very cursory and relatively uncomplicated example of this in action:

Tasha and Mimi are two adults in a committed partnership.

Mimi’s got a real fucking chip on her shoulder about being seen as a burden--her father always went to great lengths to make sure she knew just how much he did for her, just how many opportunities he passed up in order to raise her, just how great his life would have been if she’d never been born.

Tasha is the oldest of five siblings. She was frequently tasked with their care, growing up. She did her best not to complain, as her parents were always very busy working to keep a roof over their head. So, Tasha did her part. She would’ve loved to rest and play and goof off like other kids and teens, sure, but it never felt possible with all of her responsibilities.

Mimi is suddenly injured and is unable to do certain things on her own that she had been doing before. Tasha goes about taking care of these things as well as taking on certain other tasks on her own that the pair of them may have tackled as a team before. Tasha feels stretched very thin by the workload, but is deeply concerned about how Mimi feels. There’s nothing to be done about the situation, she reasons, so there’s no point in complaining about how stressed out she is.

Mimi offers to help to the best of her ability, but Tasha is very concerned about her, and insists that Mimi rest and not exert herself. Mimi insists back. Tasha insists back back.

Mimi points out how stressed Tasha must be. Tasha agrees that she is stressed, but does not elaborate on her feelings. Mimi assumes that Tasha must think that she is a burden.

Mimi then becomes very emotionally activated--she is reminded, consciously or unconsciously, of how shitty it felt to have her father tell her over and over again what a burden she is, and how better off he would be without her. So this must be how Tasha really feels about her, Mimi accuses.

Tasha, who is very stressed but who cares very deeply for Mimi and her well-being, and who does not see Mimi as just a burden, becomes very activated in turn--she feels maligned and misunderstood. And now she certainly can’t talk about how stressed out she is, because it will only convince Mimi that she is right.

So Tasha is now convinced that she must continue to hold her feelings in in order to keep the peace--she’s reminded of her childhood spent taking care of others, and how she never felt allowed to express herself.

This example is obviously from a very zoomed-out view, chronologically, and is not exactly the way we would see it written in fiction (fiction is much more moment-by-moment and, well, exciting, usually). BUT we can see where Tasha and Mimi’s sensitivities lie, and how they specifically hurt each other with their behavior (unintentionally, in this case) by stomping RIGHT ON those sensitivities.

Readers love drama. And drama makes the plot go ‘round! So don’t be afraid to lay it on them!

In your (very good and compelling) writing, ESPECIALLY if you want to write engaging relational conflict, you would do well to clarify what your characters’ deepest sensitivities are. Consider the following:

What needs went unmet for them, growing up? A very cliche therapist-y question, but for good reason--our upbringing is where many of our deepest insecurities originate.

Additionally/alternatively, what do your characters understand to be their role in relation to other people? E.g., are they always the caretaker, the burden, the comic relief, the heartbreaker, the lonely hero, the boss? How did they first get this idea of who they’re ‘supposed’ to be towards others, and how was this reinforced throughout their life? Are they satisfied or dissatisfied with their ‘lot in life’? What do they hate about their ‘role’, if anything?

What sorts of situations might remind them of what they hate most about this role? E.g. ‘I enjoy taking care of others, and I’m good at it, but my partner gets upset if I discuss how stressed I get sometimes--I’m never allowed to express myself.’ How can you incorporate these situations into your story to create conflict?

How does your character respond when these sensitivities are triggered? Do they lash out? Do they retreat and get quiet? Do they ghost people altogether?

What do they think will happen if they are unwilling or unable to fulfill this role in their relationships with others? E.g., ‘My partner will leave me if I am not a good caretaker’, ‘Nothing will get done right if I’m not the one taking charge’, ‘If I don’t keep others at arms’ length, even if they say they love me, I’ll end up hurt.’

This is another way in which you can help your relationships really come to life! Anyways. Read on for more cheer and relational joy!

iii. We’re Attracted to What Hurts Us Sometimes, AKA Oops! I Ran into the Knife, Ten Times,

(less of a part 3 and more a part 2.5, but it was simply too long. so,)

So maybe you have a good idea of what your ideal partner/bestie looks like. It’s probably any number of positive traits: kind, considerate, good sense of humor, shapely posterior, ambitious, active, fun-loving, studious, etc.

What probably don’t make the list are things like: emotionally distant like my mother with whom I long to have a reparative experience.

Maybe you’ve witnessed (or been in) a relationship wherein all parties can be described as ‘just so bad for each other’. And maybe this relationship should not have lasted as long as it did (or shouldn’t be lasting as long as it is). And maybe you’re like--’Why are these assholes still together?’ Or, importantly: ‘Why did these assholes get together at all?’ The answer may surprise you! But more likely, it won’t.

Sometimes, we pick people on purpose specifically because they stab us right in the sensitive spot (again. so to speak).

(i should clarify before moving on: I am specifically NOT talking about relational abuse, here. That’s kind of an entirely different subject that is like. the cousin of this subject. In this discussion, I specifically mean relationships in which there is no major power differential--you’re just bad for each other. These relationships can be what we might call ‘toxic’, sure, and painful, but not abusive. The distinction is important, moving forward. ok ty)

[Author’s Note: I need everyone to know that I wrote and subsequently deleted 700 words here because I realized they didn’t make any fucking sense ok. let’s try this one more time.]

Essentially, it’s a known phenomenon among humans that, when we have experience with relational distress in the past (e.g. a partner who neglected you emotionally, or parents who disregarded boundaries you tried to set), we like to seek out similar people with whom to form relationships. Weird! But not really.

The human brain seeks closure and resolution--where we couldn’t get things to work out with our parents, or our exes, we try to get the same situations to work out next time, with someone new.

Let’s look at another example, together. Take my hand,

Suppose you write a character (Character A) whose mother was in and out of their life from a young age, and never seemed to prioritize them. Now suppose you are looking to craft a fraught or tragic or dramatic romance (or other relationship) with this character. Using what you’ve written of your first character’s backstory, you can do just that!

It’s perfectly believable, you know now, for your Character A to pursue a love interest (Character B) who has a tendency to... not want to stick around. Maybe this love interest seems to fear commitment and intimacy.

Now, maybe Character B in actuality has a very dangerous profession that requires that they maintain the utmost discretion, and be ready to flee anywhere at a moment’s notice. Maybe the fate of the city/kingdom/nation/world relies on B’s profession.

It probably doesn’t make them leaving all the time hurt A any less, though.

Character A, unconsciously or not, is determined to make things work this time around. As the relationship deepens, B is faced again and again with the choice--stay, for your love, or go, as duty commands. Maybe they’ve taken a vow for their profession that is no light thing. They leave, time and time again.

Character A, unconsciously or not, remembers this feeling--it’s an old one. Mother, time and time again, chose something else over them. It would be understandable for A to feel a deep anger towards Mom and B both. Maybe A takes drastic action to get back at B (action that is also, symbolically, retaliatory towards Mom)--maybe they cheat on B, or do something that endangers their own safety.

When all they really want is just to get B to stay.

It’s probably very clear now why it’s not so simple a thing for A to choose to date someone more consistent--this is something that goes beyond B alone.

In this way, you can very easily weave themes into the relationship(s) of your main characters. Maybe the story of A explores the pain of abandonment, or loneliness. If B is the protagonist, maybe the story explores the way we excuse our shitty behavior in relationships (maybe the job is a pretext--maybe they really are scared of commitment), or maybe it’s about the dilemma of duty over love.

Relationships don’t always make sense. Or rather, they do make sense, just in a different way than we might expect. You can use this understanding now to intentionally explore a number of complex relationship dynamics, and to create nuanced (but sympathetic) characters. As you do, consider:

In your existing characters’ relationships--what keeps these assholes together? Why do they have to be with each other, as opposed to anyone else? This is important, again, for selling the reader on the relationship, especially if it’s your work’s main relationship.

What initially attracted your characters to each other? Consider again from the previous section (what is this, a fucking textbook?) the historically unmet needs of your character(s).

How do your characters go about expressing their needs? Think again about CONTRAST here--what is the discrepancy between what the actual need is, and how the character seeks to fulfill it? E.g. ‘I need to keep B from leaving me, because it really hurts me when they go, so I’ll go risk my life just to keep their attention (rather than express this pain to them).’

What similarities, if any, exist between your MC’s relationships with the people in their present lives, and your MC’s childhood relationship(s) with their caregiver(s)? Could you expand on/deepen any similarities in your writing? What themes might emerge if you did?

iv. Change / The Arc

So you’ve got your work’s central relationship. It’s believable, it’s just the right amount of dramatic, it’s suitably tragic, and just all-around devastating. People will cry. Great job!

Now what?

Well, that depends--what ending do you envision for your relationship?

If they remain together, do they get the happily ever after? The happy-for-now? Is the reader left to wonder about whether or not their relationship will survive?

Do they not make it at all? Are they separated by tragedy? Do they crash and burn? Or maybe they try their best, but despite how badly they love each other, it’s just not enough?

Whatever the Point B of the relationship is, if it’s central to the work, you’re gonna want to have a clear arc in there. Or not, idk, I’m not your mom.

You might already know, if you inhale every piece of writing advice you come across (like me), what makes a compelling character arc. The good news is that it’s much the same with relationships! Kind of.

Systems (relationships) tend towards homeostasis. Without deliberate intervention, relationships want to remain the way they’ve always been. Just like people!

And just like characters, relationships need a reason to change. Like a catalyst, or a motivation. Whatever the hell you wanna call it.

It’s not always, like, complicated to figure out the driving force behind change in your central relationships. Sometimes the pieces fall together!

Pay attention to the characters within the relationship--as your characters progress through their arcs, their relationship will naturally shift. It will probably not look exactly the same as it did when it began--there might be similarities, of course (they’re not entirely different people.. usually. And there’s a beauty to bookending a story with the familiar, certainly). But in this case, the relationship can be thought of as an extra character, almost. It’s unsatisfying to read a whole story wherein a central character stays exactly the same. It’s further strange and incongruent for a relationship to stay exactly the same while the characters have like, achieved actualization or whatever.

Outside events can force change on a relationship, just as they do individual characters. A couple that’s close to Characters A and B get married--and A & B start to wonder what their future together even looks like. B’s company hires a fiiiine honey, who’s exactly B’s type, and A starts steaming about it. A pandemic ravages the nation, and to prevent the spread of the virus, A and B have to stay inside togeth

YOU GET IT ok anyways I’m fucking tired of writing. If you’re wanting to develop the arc of your MCs’ relationship(s), think on some of this:

Do your characters see any problem(s) present in their relationship? Are they all equally aware of the problem(s)? Do they agree on what the problem(s) are?

How secure are your characters in their relationship? If anything could possibly cause doubt and conflict to arise, what is it?

Where do your characters see their relationship going in the near future? In the far future? Do their visions align? If not, how do they differ? Do they even want the same thing?

Is the arc of the central relationship congruent with the arcs of the characters who comprise it? I.e. does the relationship remain exactly the same as it was when it started, despite the characters undergoing wild metamorphoses? Is the reverse true?

When you think about their relationship, INDEPENDENT of any ending you may already have decided, where do you see it going? Like, where do these people feel like they’re headed, realistically? Does this align with the ending you’ve decided on for them? If not, this doesn’t mean you’ve written a bad relationship or anything, it’s just a possible sign that some really intense shit might have to happen in order to shift their course, y’know? Or not--the world is your oyster and you are the God of your own creation!

What are you trying to say with your story, and do the arcs of the central relationships reflect that message?

final thots

If you read all that shit, thank you. I wrote it all in one sitting and posted it without proofreading 💜

In all seriousness, I want to emphasize that, although some of these aspects of relationships are most visible in rels with a lot of anguish and maybe even some toxicity, you by no means have to write this kind of relationship in order to make use of these tips. You could write a very Normal couple!

The idea is to offer you some avenues through which to consider aspects of your characters’ psychology and personalities, and how they mesh or clash with their partners’ or besties’.

Anyways I hope this was helpful. I love talking about relationships I could literally go on and on all day. Which I kind of just did so. lol.

I’ve been liv and I’ve got two main WIPs I’m working on right now: The Romance of the Demigods and The Marking Blood and they’re full of really really super normal relationships and examples of me definitely taking my own fucking advice.

Cheers and happy writing! 💖💖💖

#writing advice #writing tips #writeblr #writers on tumblr #writers of tumblr #writeblr community #writing community #writing tutorial #how to write romance #i guess #lol

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lxmelle · 2 months ago

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Gojo’s letters & the implied parting message (Part 2)

I came across a view on Twitter (now X) that was interesting that I probably would have never thought of myself. While I may not agree with it 100% on its own, I can totally see the value in it and I wanted to share it here, seeing as how others may appreciate the perspective too. I’ve added my own thoughts which you’re welcome to read… Then you can make up your own mind about your personal interpretation 😊

So the sentiment is as follows:

At the end of HI, past-Gojo casually went up to Megumi to tell him that he killed his father, showing us that he is a little tactless. But, upon being told what Megumi wanted, he respected that Megumi didn’t want to know and accepted this for 10 years.

Despite that; however, we can infer from things we have been shown that he has always wanted Megumi to know. He was probably waiting for a good time. (As we know, Gojo doesn’t really impose his view onto others.)

Knowing there had to be a time where this message was delivered, he prepped the letter that would only be delivered if he (Gojo) died.

And what better timing & purpose, if it could help Megumi absolve any guilt he might have over (his body) killing Gojo? (Because him being dead meant Megumi likely killed him, thanks to Sukuna.)

According to the person whose Twt I read, they felt that Megumi’s laughing reaction was due to Gojo’s uncharacteristic consideration for him.

In other words, he was relaying it after he died to Megumi as a way to say: You got this cuz I’m dead. “And if you think your father is out there somewhere, he isn’t. It was me who killed him. Soz!” So don’t feel guilty.

Hm. Well, this was kind of echoed in at least another tweet and there were a few who made it out as if this was a fitting interpretation.

I also gathered from my last post on this subject, that Megumi was chuckling out of fondness, like “Geez, that’s so typical of you, sensei.”

But I do personally think it’s important to underline the fact that Gojo has always put in the effort to understand people even if he struggled to show it, or showed it clumsily. (Just like, “have you had too much somen?” - as said to Geto, back in the day.) So maybe it seemed uncharacteristic to Megumi, but I hope as a reader, we understand that Gojo had his own ways of being kind.

After all who can blame him if he didn’t quite fully understand what it meant to have blood family, being separated from his own? Born as an anomaly - a mutant amongst mutants. Who felt like others (flowers) couldn’t never comprehend a creature — and who could, unless they were bestowed with some monstrous skill themselves? (Like Geto, and Gojo had hoped, Sukuna... but the latter clung onto his stubborn self-protective belief of not needing “love” (compassion) until the very end, choosing to die instead of taking Yuji’s hand - another post on this another time).

And Gojo, after having been told last words from Toji and Geto about the importance of family, he may have gathered that it was better for Nobara and Megumi to know, than to have it concealed from them. Hence, the letters.

Know your family. Then decide who your family really is.

My own thoughts about the theory are as such: Gojo may have really wanted to tell Megumi that it was he who killed his father, because this was the only person he killed without a reason. (…that we know of: Gojo was canonically shown to have only killed two humans - Toji & Geto).

After Geto left, the parting message was: “don’t kill anyone other than me” - in other words, don’t do what I did, because that will make you lonely. If you need to kill, kill if there is a clear purpose or meaning in it.

This was his last lesson delivered to Gojo. We know his parting phrase was imbued with meaning due to everything we saw in HI and the draft words that Gege released from chapter (78) - important enough to make it to the exhibition and Gojo’s JUMP GIGA Character Book.

Geto played a significant role in him smartening up, how to connect with others, how to empathise with people, to think about what his responsibilities were as someone with strength.

So Gojo telling Megumi this was almost as if to say: you can stop wondering about him now; you weren’t left behind. I killed your father. You don’t have to feel responsible for it because there was meaning in it too.

In words Gojo might use: I killed him, you killed me. We’re even!

I guess it’s not only because Megumi couldn’t help it being Sukuna’s vessel. But also that he avenged his father’s death. All of Megumi’s thoughts relating to his father and Tsumiki as above: Retribution, karma, discipline… fairness and Megumi deserved happiness too.

And he chose to live again, starting by living for Yuji. A new purpose… he didn’t want Yuji to be lonely.

A loneliness I think he knew all too well.

He can add on more family after that. Nobara. Etc.

That’s it I guess. Thoughts?

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adoresmiles · 3 months ago

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His Concealed Obsession

Chapter one.

"I just don't get how you two still have a job when you're both always at my place."

"We just came by to check in on you since the news about your neighbor broke out in the news this morning."

"Oh yeah , I saw it on the news. I feel so bad for her kids. She was always spoke to me whenever we come would come across each other . Invited me over to dinner , go out for lunch and hell she even invited me to spa dates with her and her daughter."

"You talking about Nicole?"

"Yea Jax , the same Nicole you slept with before you married your wife."

"Jaxon Tyree!"

"It was an accident Nani and I don't even know why KP brought it up."

"I hope and pray that my nephew doesn't turn out like you as he gets older."

"With all the amazing women in his life , he's going to come out a thousand times better than me."

"Anyways you need to be careful Kanani, your neighbor who was a well known attorney was murder inside of her."

"Maybe you should come and stay with one of until KP and them get everything done. Cause I be damn if my baby sister gets murdered next."

"I understand you are worried about my safety but if mom and dad haven't said anything about it yet to me then you guys shouldn't either. I'm safe here and I have an alarm system and cameras inside of my apartment."

"Now you know damn well them cameras and alarm systems ain't going to save your short ass."

"You need a guard dog and damn gun. I keep telling you to go ahead and get a gun and take classes on how to use it properly."

"Nope , I refuse to get a gun. You know how I feel about them ever since that damn party."

"Kanani you're killing us right now right now."

"I know and I'm sorry. Look how many who have guns out here and they don't even use it properly?! You have kids going to school shooting their teachers , grown ass adults who went to school coming back for revenge, young black men taking each other out."

"Hate to say this, but it's this shit happens everyday and everywhere Nani."

"Yes but also if we stop giving the wrong people guns and do a fucking throughly background check then it wouldn't be problem. Lock your guns away from your children. It's more gun violence out there than love and I just refuse to be apart of it."

Kanani stated to her two older brothers as she walked around her kitchen counter to get herself a glass of juice.

"Think about it from our perspective. What if you were in that situation? Would you have fought back ? Call the police ?"

"Calling the police and locking them inside the closet. The closet doors lock from the outside and plus in order to even get inside you need my finger print and the code to get inside the door."

"Not saying I'm on her side here but trying to break down these doors are heavy as hell."

"It sounds like to me you're on little KP side right now. I don't suppose to say this but this per- hold on ... hello? Wassup uncle Mike?"

"While detective KP over there chatting away. Let's talk about where you are going to be staying."

"I'm not leaving my house because of some killer is on the loose. If I feel like I am in great danger then I'll show up on either yours or KP door step."

"You're going to give me gray hairs before Jordan even turns eighteen."

"That sounds like a personal problem Jaxon. Why are you trying to control something that you're not able to control yourself?"

"Because you're my baby sister Nani. If anything were to hap- if someone were to hurt you , I'll gladly sit behind bars for killing them. That goes for KP too! I'm yall older brother and it's my job to make sure that you both are good at all times. Yeah KP a detective and all but that don't matter to me."

"Jaxon I appreciate you and I know you're concerned about my safety but you have to trust me. If I feel as if my life is in jeopardy then you'll be the first one to know. Plea-"

"Aye Jax we got to go , uncle Mike and uncle Marcus need some help with this case. I can drop you off back the fire station or you good?"

"I'm good , Nani can drop me off back at the station."

"Nope , sorry can't do it. I have to go get ready before my friend comes over for our lunch date."

"Damn it's like that?"

"Sure is , now can you guys go so I can go get ready? I need at least two hours to mentally prepare myself."

"We didn't even finish our conversation."

"I'm staying home and that's final. Please don't forget that one of you has to pick up mom and dad from the airport tomorrow afternoon."

"Well I can't do it since this is my weekend it work."

"Why can't you do it?"

"Because I'm the one who dropped them off and plus I have back to back meetings for my store grand opening."

"Oh yeah I forgot , yeah I'll pick them up tomorrow then. I'll have Jordan tag along with me to keep me entertained on the way there."

"Aight now, we out! Be safe and don't be out here grown. We locking the door behind us since yo ass wants to walk away without giving hugs and shit."

"And share your location too, love you big head!"

"Love you too, now bye!"

Kanani expressed to them both as she walked down her hallway that lead into her bedroom. She loved her brother's but after dealing with them for long , she needed a mental reset. Their conversation regarding the circumstances of her neighbor was not necessarily needed. Yes , the situation is sad but it doesn't involve her. She could see if she was there and witnessed it but she wasn't.

Her thoughts were suddenly interrupted by a knock on her door. A look of confusion displayed on her face as she looked down the hallway of her home. Kanani wasn't expecting anyone until the next couple of hours. So she was confused on who or what could it possibly be . Dropping her unfolded blanket onto the ground , she decided to go and see who it could be.

"This better not be one of these neighbors kids knocking on my dam- oh hey David, what brings you by?

"These are for you señorita Kanani."

"My favorite flowers, they're so beautiful. Do you know who sent them in?"

"Frangipani plumeria. I unfortunately don't but they did leave a note for you. I have to get going , the other set of flowers are placed on your table."

"Thank you David!"

"Anything for you señorita Kanani. It seems like you have a keeper in your hands."

"That it does , hopefully this note tells me who it is."

"Have a good day."

"....hmmm who the hell sent me two sets of frangipani flowers. Dile si al cielo dime si a mi. Well that is cute of them to put my favorite song on there. Seems like this person really paid attention to me."

Kanani smiled once again as she smelled the freshly picked flowers. Frangipani flowers were simply her favorite since they reminded her of Hawai'i , where she was originally born. Now cheesing ear to ear Kanani quickly arranged the flowers to her liking before rushing off to prepare for her day.

"Today is going to be a really good ass day for me."

Translation

"dile si al cielo dime si a mi" : say yes to heaven say yes to me

#armando aretas #armando aretas imagine #jacob scipio #bad boys for life #armando aretas smut #armando aretas fanfic #bad boys #armando x reader #mike lowrey #bad boys ride or die #armando aretas x black reader #poc #adoresmiles #adoresmilesfanfic

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toutvatoujoursbien · 5 months ago

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midnight thoughts (i hope i don't regret this)

Let me preface this by saying that these are just (very, very long) ramblings I’ve had in my head over the past few days and are MY opinions. I never post to Tumblr, but my level of emotional unhinged-ness right now needs an outlet so that I can process everything and feel, well, less unhinged.

I have never been this enamored with any celebrity or promo for a show like I have for this season of Bridgerton. Admittedly, I am a fan of the books and Penelope & Colin are my favorite couple. I’m going to age myself by saying that I read the series almost 20-ish years ago; past me could have never imagined I would actually get to see a Regency romance on my screen. Romances are for the girlies, and what the girlies like tends to be mocked, ridiculed, and not taken seriously - I’ve seen this time and time again across many different fandoms. I also really enjoy the tv series for being its own creative adaptation. I’ve liked many (though not all) of the changes they’ve made to the show; and I’ve liked all the little nods to the books that have been sprinkled in. Are the books or show perfect? Of course not, but that doesn’t mean I can’t love them for bringing me some entertainment and joy and escapism. I think that’s the beauty of it, I get to have the best of both worlds, so to speak. And for me personally, it’s been so fun to watch the press coverage over the past six or so months. As a fandom, I think we’ve been EXTREMELY well fed.

Having Nicola and Luke as the leads has been a true blessing; I think/hope folks can tell how much they clearly love and understand their characters/roles. I know everyone has been talking nonstop about their chemistry and their close friendship, which I think is beautiful, truly unique and special. How can you not enjoy watching two people, who seem to genuinely like one other, talk endlessly about a project that they love and have poured so much into? And the way they have supported one another, not only during promo, but during their years of friendship? Astonishing, really. So while I am old enough to know better than to ship real people, I would’t blame anyone (myself included) if they got caught up in the whirlwind excitement and couldn’t help but wonder a sincere “What if?” (At least that was the case for me.) Isn’t that the beauty of hope and possibility and potential? Like, I knew rationally and intellectually that the likelihood of them being together was low, but damn if I didn’t feel giddy seeing their interviews, reading articles, and watching video after video.

“Oh, but it’s all PR!” they cry. Maybe, but like most of life, I don’t think it’s so simple or clear. I think there’s been a lot of nuance and perhaps some blurring of the lines during this promo tour. As long as we are respectful about it and realize that at the end of the day, the only opinions that matter in regards to their relationship are N & L’s, I don’t think some lighthearted dreaming is unheard of. We have to remember, though, that what we’re shown is only a fraction of their true selves, carefully and deliberately curated to accommodate their status as actors/celebrities/those in the public eye.

(And yes, I know this is the internet and therefore everyone has an opinion - again, myself included. But I struggle to understand why some people think that their opinions should be deemed THE most important to the discussion or would have an impact on any type of outcome, especially in this particular scenario… I hope it’s obvious I’m referring to the very vocal people that chose to expend their energy in hateful, negative ways. Aren’t you exhausted?

However, as a longtime lurker, I have to admit it’s been absolutely fascinating reading all the different perspectives and takes on this too. I think reading other POVs and seeing people articulate points that challenge me and make me think is a good thing - again, as long as it’s all in a respectful manner.

Also I have spent literal years curating and cultivating a social media bubble that doesn’t make me want to cry or give up on life. I don’t seek out negativity and hate - constructive criticism for a thing is a different matter. It may be “putting blinders up,” but honestly, real life can be a shitty enough place that I would like to spend my limited time online looking at cute things and learning or reading about stuff that makes me feel less alone in the world.)

Last week, I stayed off social media to avoid Bridgerton spoilers until I could watch Part 2. I did open Twitter on Thursday to check on something that was entirely unrelated, saw the absolute meltdown of a shitstorm brewing and quickly NOPED out of it. (I was also reminded of why Twitter scares me at times. And I'm not calling it X because that is stupid.) When I finally caught up over the weekend (both with Bridgerton and… all the other stuff 😅), I felt like I was experiencing mental and emotional whiplash.

Look, ultimately, I don’t know them personally and know even less about their private lives. As an outside observer (even though, yes, I have a vested interest in them), Nicola is fucking amazing and Luke seems to be a nice, sweet guy. I think they are each others support, and it has been mentioned many times that she has helped him deal with the intensity/anxiety of being in the spotlight this season. So here are some potentially hot takes: I just think, when they’re together, it’s like he’s a different, better person. When he soaks up even a little bit of her light (sorry, I had to), I can see all the qualities in him that she is constantly gushing about. But, and again this is my take on it, I also think he has a lot of growing up to do. I don’t know much about his supposed “hot/fuck boy summer,” but it seems to me that he’s perhaps going through his own Colin phase, which he can totally do. I genuinely want to see him and Nic succeed. However, I do think he’s got to get a better handling on his media image now (this whole thing reeks of a PR nightmare, but I need to take off my comms professional hat). The way this has all played out has been, imo, a clusterfuck. There are other issues that I’m also not going to get into at the moment.

The thing that frustrated me the most is the timing of those “leaked” photos. You’re telling me that N&L went through SIX months of a - literal - worldwide promo tour, building up hype, doing countless interviews and appearances, etc., only to have these pap pictures “captured” on the night of the Pt. 2 London premiere??? And yes, while I’m aware there were rumblings of a gf being at various events/locations, I didn’t pay much attention to it (read: my curated social media bubble, lol). And I think the lack of confirmation up to that point from Luke and his team just mades things even more tricky/messy. So when the inevitable backlash played out online, piled on top of the hate Polin seems to get from many corners of the internet (Is it ship wars? Regular trolls just trolling? Polin and/or Lukola antis? People who, for whatever reason, don’t like the actors themselves or, worse, don’t like the creative choices/decisions made by the higher-ups and therefore deem it okay to spread hate online? All of the above, most likely.), I know I felt like I had been hit by a train.

Here’s my point: I think what should have been a moment of triumph and a joyous occasion for Nic, Luke, and Bridgerton season 3, was sadly overshadowed by the aforementioned shitstorm. And that’s a damn shame. Too many cast and crew put in a lot of time, effort, and blood sweat and tears, to pull this all together. I was happy with Season 3, which perhaps I will deep dive about in another post because this one has already spiraled out of control. Were there things I wished they had included or, rather, things that could have been left out? Yes, of course. But at the end of the day, I think we got a beautiful story led by two actors who love Polin as much as we do. And I cannot wait to see them back for Season 4. Plus, seriously, those viewing numbers alone should have been mostly what people are talking about. I hope all this doesn’t take away from the overall impact of the show and season.

I think it’s okay to be disappointed by all the stuff that has come out over the last few days. I think it’s perfectly human to want/need to process your thoughts and emotions. What is NOT OKAY is sending hate to anyone, period. And I hope you don’t let all that has happened sour your enjoyment of Season 3 and/or Polin.

Lastly, if you take anything away from this long ass post, it’s that Nicola is a GODDAMN QUEEN. Anyone who says otherwise is speaking slander and we do not stand for that in this house. She has carried herself during this time with grace, charm, and poise, consistently and constantly. And she is always ready for a mega fashion moment. She must be exhausted - already on to her next film/job but also perpetually online, and even stepping up to defend her costar. I may have to do a whole separate post just gushing about her and add to all the people already singing her praises. (And as a big fuck you to all the haters.)

Geez Louise, I clearly have a lot of feelings (more than I allowed myself to believe I did…). But I would love to hear what others think! Please, I need friends with whom I can have rational (okay, maybe slightly unhinged), spirited, deep analyses and discussion of this whole thing, or anything else we might have in common!

#lukola #luke newton #nicola coughlan #bridgerton season 3 #polin #bridgerton #thank you for coming to my ted talk

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stevelieber · 1 year ago

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Thoughts on giving critiques to comics artists.

Seeing lots of discussion from students about sour experiences with an unhelpful art teacher, so here's a long, long post about giving critiques.

NB: I have no formal training as a teacher, but I was a student, and I've spent decades giving artists feedback on their work.

When someone brings me a portfolio, I like to establish my limitations & clarify my perspective. My work is firmly rooted in traditional US comics storytelling (i.e., not manga or art-comics.) I can give feedback on other approaches but they should know where I’m coming from.

“We've only got a little time for this, so I'm going to spend that time focusing on things to correct. That doesn't mean you're doing everything wrong, or that there’s nothing good here, but it’ll be more helpful if I identify some problems and show you how to fix them.”

Why? Because for many young artists their entire sense of self worth is wrapped up in being good at what they do. (It was for me!) In school they were probably the best artist in their peer group. But now if they're hoping to turn pro, they’re at the bottom.

Sometimes you know what’s up when you see page 1, but try to keep an open mind. Some build their portfolios by sticking new pages at the back & don’t weed out the old stuff up front, so the work gets better as you go. When it’s like that I ask: “Show me your best 8 pages.”

I ask questions: "What's the goal? Do you want to be hired to work on someone else's project, or to get the story you're showing me here published?"

If 1, I steer towards a portfolio that'll showcase hirable skills. If 2, I look for what tweaks will make that particular story more effective.

"Do you have teachers giving you regular feedback? What are they telling you?" Sometimes a student is getting bad advice. In cases like that, I'll do my best to be extra clear WHY I'm giving them advice that's 180 degrees from what they've been hearing.

“What artists are you looking at? Is there someone you admire or try to emulate?” This often helps me understand choices they're making, and I can sometimes incorporate things those artists do into my suggestions.

I ask myself questions about what I’m seeing. First: Is there a narrative? If not, I make it 100% clear I'm not speaking as any sort of expert. I'm good at critiquing storytelling, but don't have anywhere near as much to offer illustrators or designers.

Can I follow the story? Or am I confused about what's going on? Are the characters and settings drawn consistently? If not, is the artist at least making use of tags (distinctive clothing, hair etc.) to keep the characters recognizable?

Does the artist demonstrate a good command of basic academic drawing? If not, Do I think they need it? Do I focus on "how to draw" or on "what to do when you can't draw?" Is the artist putting the viewer’s eye where it needs to be to tell the story effectively?

(At this point I’m usually doing little doodles to go with my instructions. I scribble out ugly little 5 second diagrams that I hope will clarify what I’m talking about. Or they might make me seem demented. Hard to say!)

Is the artist making choices that are creating more work than necessary? Is there a particular weakness? I once spoke to an artist with a portfolio full of great work when he was drawing animals and monsters, but his humans were amateurish in comparison. I spent that critique talking about drawing people.

A crit can be a grab bag. In addition to big-picture advice, I'll point out tangencies, violations of the 180-degree rule, wonky anatomy, weird perspective, places where the artist neglected to do important research, odd choices in how they spotted black, whatever catches my eye.

I also try to make a point of defining the terms, so that jargon like “tangency,” “180-degree rule,” and “spotting black” don't go over their heads. Find simple, concrete ways to talk about these things, & clarify why it's a problem when they aren't done correctly. Draw diagrams!

Recognize that even a perfectly phrased explanation might not sink in. Some lessons can only be learned when a student is ready, and it might take a year or two of work before they can understand what you were saying. It's good to plant seeds.

Are there other artists who are particularly good at solving the problems the student is trying to solve? I steer them towards that artist's work. And I always recommend life drawing & the use of reference to give work specificity, variety, and authority.

Despite what I said earlier about focusing on what's wrong, I try at the end to find something encouraging to say. And if I’ve really piled on the criticism, I emphasize that I only spent the time and energy to do so because I take their efforts seriously.

If I've done my job right, they'll leave my table with tools to make their work better. And maybe in a few years they'll be looking at some younger artist's work, surprised to discover just how much you can learn when you're asked to teach.

#comics #protips #my work #comic book art #essays #teaching #protip

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from-the-clouds · 2 years ago

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texas sun - joel miller x f!reader - vol. iv

series masterlist | series playlist | writing masterlist | previous chapter | photo cred

chapter summary: This time, it's different. He’s not here to help you fix something, or to drag Sarah home, or pick up something she’s left behind. At this point he’s stopped lying to himself – Joel’s here to see you. pairing: pre-outbreak!joel miller x f!reader words: 5.6k chapter warnings: some angst, marijuana use, suggestive thoughts and actions (but no smut -- as always, dm if you want specifics), divorce mention. a/n: The next few weeks of my life will be insane (and NOT just because succession is coming back). I want to keep updating this, but something's gotta give, because the way I've been writing is not sustainable unfortunately. So updates may end up being shorter and the fic having more parts, or updates might be less frequent with longer parts. Also, a question for my loyal readers: Do you make your shirley temples with ginger ale or with Sprite/7up? Because I came from a sprite/7UP family but once i discovered ginger ale instead i was HOOKED. So i am a Ginger Ale Shirley Temple Truther.

-May 5, 2003-

Please pick up, please pick up, you cross your arms in front of you, looking over your shoulder. The pointed toe of your heels clacks against the asphalt as you tap it repeatedly, a steady beat. You have no reason to be so nervous, right now. It must have something to do with who you are calling, not just why.

“Hello?” the droning ring is interrupted by a voice that sounds skeptical, they don’t recognize your number.

“Joel?” you ask.

“Hey, you,” his tone evens out when he hears you say his name. He had given you his cell phone number a few weeks back, the night he’d caught you smoking on your back porch. In case I’m not home and something’s goin’ on with Sarah, he’d said. It made sense, though all it did was tempt you to call him many times before this, and not about Sarah. You were worried because…maybe this was out of line.

There’s noises in the background that threaten to drown Joel out – saws and various power tools whirring, a jackhammer, men calling out to each other. It’s loud. At your job, you close the door to your office if someone is typing too loud on their keyboard. “I uh- I hope I’m not interrupting anything.”

You hear a door shut in response, and the noise fades to a low purr. “Not at all. Everything okay? Sarah alright?”

“Yeah, this isn’t about her, though. I hope that’s okay.”

“It depends,” In your mind, right now he’s leaning against a messy metal desk, one of his hands planted on its surface to keep himself stable, the muscles in his forearm flexing under tension. He’s got a toolbelt slung low over the waistband of his Carhartt’s. He’s a little sweaty – it’s hot out, today – his cheeks flushed, pieces of dark hair clinging to his forehead. The image is doing something for you, and you have to take a deep, measured breath to reset before you can answer him.

“Do you…know anything about cars?” you ask.

“A little….why?”

“I took my car to get serviced, and…I’m pretty sure I’m about to be swindled.” You hesitate, then qualify. “I didn’t have anyone else to call, and…you seem like you might be good with this sort of thing.”

There are a lot of things you know a lot about, and cars are just not one of them. From your perspective, a car is simply a means to get from Point A to Point B, and the less you know about the how, the better. Although your complete lack of understanding definitely doesn’t help you in your current situation. You’d considered calling your brother, and even your father – but you knew they’d be no help, having lived in Manhattan their whole lives.

Bradley had a nice car, but you suspected it was more for his image, and less because he knew anything about them. Plus, you didn’t really ask for much of each other outside of sex – and if you started too, it might initiate another talk about where you ‘see him in your future’, and the thought alone is grating, because you don’t.

Since you moved away from home, you’ve spent a lot of time asserting to yourself that you’re completely independent. But moments like this remind you that it’s not entirely true…it’s not possible to be on your own in the way you want, and you always end up needing someone.

“I might be able to help.” Joel sounds unconcerned. “What’s goin’ on?”

“They just told me my car needs a new battery, and I need new tires.”

“How old are they?”

“I don’t know like-” your phone vibrates furiously in your hand, an incoming call from your coworker. “Oh my god, leave me alone,” you groan out loud. “-Not you, Joel, sorry. I stepped away for lunch and…you know how it goes. Anyways, I don’t think I’ve gotten either of them changed since I got my car.”

“How old is your car?”

“Seven years.”

“Good lord,” Joel mutters, and he sounds somewhat disappointed. “Yeah, you should get both those things.”

“They weren’t lying? It’s gonna cost a couple hundred bucks.”

“No, I doubt they were,” he gives a warm chuckle, and it melts away some of your stress, even if your wallet is about to take a considerable hit. “Where’d you take your car?”

“I don’t know, just…some place around the corner from where I work.”

“In the future, you should go to Robert’s place in town. He’s done some work on my truck. Probably will cost a lot less.”

“Noted,” you nod. “Thanks so much, sorry for catching you at work.”

“Not at all, I don’t mind…” Joe answers. “Shipments keep getting delayed, so…it’s been kind of a slow day.”

“I’m jealous,” you say. “Because I swear, lately, whenever I leave the office for more than two minutes everything explodes….or at least it feels that way.”

“Sounds like you’re important,” Joel says, you can hear his smile over the phone, see it, practically.

Scoffing, you answer. “Hardly. But uh, thanks again. I definitely owe you one.”

You expect him to say goodbye, so you’re surprised by what he asks next. “What are you doing Friday?”

“I don’t know. What are you doing Friday?”

“I’m assumin’ Sarah’s probably left something at your place….if you’re gonna be around, I might stop by to get it….”

“You want me to smoke you up?”

“That’s not what I said.”

“But it’s what you meant,” You’re direct.

“Look, I’m just sayin’ if it happens, I wouldn’t be mad.”

“I already told you, you’re welcome anytime,” you say. “But won’t Sarah-oh wait, no, she has that school dance, doesn’t she?”

Sarah had taken to writing important events in her life on the calendar that hung on your fridge. It was usually blank, you were good enough at remembering your own plans without utilizing it. But she had told you the empty calendar made her sad, so now it was filled with her doodles and notes, scribbled with blue glitter gel pen. And Friday night’s event she’d underlined three times.

“She does,” Joel answers, seemingly amused.

Another call comes through on your phone. “Okay, yeah, I gotta go. But I’ll be around Friday.”

“Then maybe I’ll stop by,” Joel says, and you ignore the flash of heat through your abdomen – excitement – at the idea of him coming over. “Have a good rest of your day.”

“You too.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

-May 9, 2003-

Joel arrives at your place before the sun sets, once again. But this time, it is different. He’s not here to help you fix something, or to drag Sarah home, or pick up something she’s left behind. Of course, he’s got his excuse, but really, at this point he’s stopped lying to himself – he’s here to see you.

“Well, well, well…” you open the screen door, lean against the doorframe, and cross your arms over your chest. “If it isn’t the neighborhood space cowboy.”

“You’re one to talk.”

You squint at him, but the way the corner of your mouth quirks gives you away. “Touche.”

God, he’s already regretting this. Maybe he shouldn’t be here. But it’s become increasingly difficult to resist you, and that’s assuming that you’re even interested. He’s all-but kissed you and he’s still not quite sure where he stands. You’re not easy to read, but he has always enjoyed a challenge. At the end of the day it’s never a bad idea for him to brush up on his flirting, Tommy’s words from a few weeks ago have been getting to him. For much as he believes it’s bound to happen, Joel doesn’t want to end up alone.

“Come on in,” you push yourself off the doorframe and lead him through your house.

The last time he’d been here you’d been wearing some long-sleeved, satin pajama set. He remembered because he spent all night trying not to touch the fabric, though maybe he was just looking for an excuse to touch you. Tonight, with your back turned towards him, his eyes wander down to the curve of your ass in your low-rise, bootcut jeans. He feels the slightest bit of shame about doing it, before deciding that what you can’t see won’t hurt you.

“How was the mechanic?” he asks once you’ve entered the back porch.

“Oh fine,” you say, sitting down on the couch, gesturing to the spot across from you. “I’m just pissed I had to spend a bunch of money on a car battery and not something more…fun.”

“It’s a good thing you did,” Joel sits. “Honestly, I’m surprised you called me from the mechanic and not from a ditch on the side of the road.”

“This is my first car, Joel. I grew up in a walkable community,” you pick up an already-rolled joint, the faintest acknowledgement that you’d planned for this ahead of time – and lift it to your lips.

“It’s okay, I’m teasing.” Joel assures, and lets his gaze linger while you smoke, just admiring, as he often does. When you pass the joint over to him, he speaks again. “I have to be good tonight, cause Sarah’s gonna be home in a couple hours.”

“Yeah, first school dance, big deal,” you raise your eyebrows. “Help me out, because I went to an all-girls school. It’s middle school. Do kids go with dates?”

Joel shakes his head. “Not that I know of. Sarah just went with a group of friends.”

“That makes sense,” you nod. “Speaking of, I have to be good, too. I’m going to her soccer game tomorrow.”

Joel feels his brows knit together in confusion, and it causes you to continue on. “She keeps asking me to come to one, and I haven’t been able to, so I feel bad. I guess her season’s almost over.”

“Tomorrow’s her last game…” Joel mutters, looking up towards the ceiling, where the smoke is collecting, and exhales. “But you know you don’t have to do that.”

“Obviously, but…” you shrug. “...I want to.”

He chuckles to himself, runs a hand through his hair, which is still damp from the shower he took before this. “You’re really prepared to put yourself through a middle school soccer game…”

“Look, Joel,” Your eyes are half-lidded, focused on him, and your arm is slung over the back of the couch, fist supporting your temple. “In case you couldn’t tell…I’m doing this thing where I try to engage in the community I live in. But so far, your family members are the only ones who’ve included me in anything, so until I find someone else….” you trail off. “You’re stuck with me.”

Joel doesn’t want you to find someone else. Being stuck with you is hardly a problem. He wants to tell you, but instead, all he manages is: “We’ll be good tonight.” Still, he’s not entirely convinced that he can trust himself to make a promise like that.

It’s a tad too early for the sun to be setting, but it’s early in May, so the weather is perfect, and he’s sort of itching to be outside. Maybe there’s something to be done before the light wanes. “Do you want to go for a walk?” he asks you.

You seem taken aback by his request, wrinkling your nose.”….I don’t know.”

“It’s a nice night, you might enjoy yourself. And we’re in good company.”

The grimace on your face disappears, and is replaced by something more amiable. “We are,” you tilt your, make a decision. “Yeah, okay…let’s do it.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Once you’ve locked your front door, closed your windows, Joel walks side-by-side with you down your driveway. You only make it about halfway down when you’re both interrupted by the sound of someone calling out your name, then his.

Your next-door neighbor, Denise Watson, leans over the railing of her front porch, while her husband John sits in a chair behind her, giving a lazy wave and returning back to his puzzlebook. Joel nods at him, and notices the color has drained out of your face. The Watsons have lived on this street since before even Joel and Sarah moved in. They’re in their late 60s, retired, all their children grown – which gives them plenty of time to get into everyone’s business.

“Hey,” you offer the most unenthusiastic greeting he thinks he’s ever heard. You’re paranoid, and he’d laugh if it were just the two of you, alone. But it’s not, and he knows these just so happen to be neighbors you’ve been lying to.

“How are you doing, hun?”

“I’m good,” you say softly, and Joel watches Denise’s eyes flick over his direction.

“Same here,” he manages.

“What are you ya’ll up to?”

“We’re just goin’ for a walk,” Joel answers, looking your way. You nod at him, wordlessly, then at Denise.

“How lovely.” She smiles, and it’s sincere, so he knows she doesn’t suspect anything. “It’s nice to see you two getting along so well.” Even from where he’s standing, Joel sees her eyebrows lift suggestively.

You and Joel both answer the insinuation at the same time.

“Yeah, well-”

“She looks after Sarah for me, so-”

You bob your head enthusiastically. “Mhm, yeah. Sarah. Great kid.”

Denise opens her mouth again, and you speak so quickly, Joel’s pretty sure it’s because you’re afraid of what she’s going to say next. “We gotta go,” you shuffle backwards a few steps, quickly, and collide with Joel’s chest. “Before it gets dark out,” when you turn, you’re looking up at him with wide, terrified eyes.

“Oh, alright,” Denise says, sounding a little disappointed. “Ya’ll stay safe, alright?”

“Of course,” Joel calls over his shoulder, managing a halfhearted wave before he’s trailing you around the bend in the cul-de-sac that takes you out of view from The Watsons porch.

The second you’ve made it you whirl to face him, your jaw drops, and you both erupt into laughter. You grip his bicep and lean into him, pressing your face into the cotton of his t-shirt to stifle the noise. He’s tempted to pull you under his arm all the way, but he resists the urge. Would that be okay? He’s not sure. And he’s not necessarily in the best headspace to make the decision.

“Oh my god,” you murmur, swiping under your eyes as you pull back, and start walking a few steps ahead of him.

“It’s like I’m back in high school,” Joel says. Neither of you decide to mention what your neighbor had insinuated, but it is objectively funny.

“Oh, I’m sure you were trouble.”

“Not as much as you’d think,” Joel says. “Although I did sneak out quite a bit. But it was only to see girls – well, one girl.”

“Sarah’s mom?” you ask.

“Yeah.” Joel isn’t sure why he’s mentioned it. It’s not really something he’s interested in speaking on now – or ever – for that matter, even if every person he’s mentioned it to has questions. What happened? What did you do? You poor thing. Above all else, he hated being pitied.

But you don’t press him, and change the subject. “So…a few weeks ago you had said you and Tommy had a work project you were gonna book. Did that pan out?”

Joel cocks his head, surprised you remembered. “Actually, it did. Funny you ask. Things moved slow but…we signed the contract today. I’m sort of celebrating.”

“Congratulations,” you look over your shoulder slightly to give him a genuine grin. “But uh…you should’ve told me. Had I known we were celebrating, I would’ve tried to make things more exciting.”

“Can’t think of anything better.”

You pause, because you’ve reached the end of your cul-de-sac. “Suit yourself.” you say. “Are you gonna lead though? I don’t know where we’re going.”

“Yeah, that’s kind of the point.” Joel expects some kind of quip in response, but you just shake your head and narrow your eyes. Tucking your hair behind your ears, he senses a bit of uneasiness. “You alright?”

“I’m fine I just…” you shake your head. “I don’t love being stoned in public.”

“You’re alright.” Joel puts his hand between your shoulder blades, guiding you to fall into step beside him. “Come on, darlin’, just walk with me.” It’s terrible how easily the term of endearment slips out – and he waits for your reaction. But all he feels is the way your body loosens under his touch.

That brings him some satisfaction, but as usual, it’s not enough. Because if you’re not going to stop him, he longs to push the hair off your neck, kiss along your pulse point, feel you melt even further as his thumbs work at the muscles in your shoulders. Joel fantasizes about what his name might sound like, coming from you, in a breathless sigh. The image works him up a little too much, and he lets his hand fall back to his side.

For a while, you both walk in silence, your fingers brushing against his every so often, but neither of you acknowledge it, apologize, or decide to step further away from each other to keep it from happening again and again.

It’s a beautiful night, the warmth of the day dwindling under the blanket of thinning clouds tinted pink in the sunset. Joel is amazed at how content he feels, can’t remember the last time he’s felt this way – not worried about someone, or something, or letting anyone down.

It’s May, so almost all the native flowers are in full bloom. Tulips planted in gardens, pansies overflowing from pots on porches, dandelions dotting pristine green lawns. Stepping away from Joel, you pause in front of an empty, overgrown lot that’s basically turned into a wildflower patch.

“This is nice,” you say, decidedly. “It’s pretty.”

“I told you.”

Once more, he expects some clever retort, but your eyebrows are pinched together, and you crouch to look closely at some bluebonnets that are the same color as the tight-fitting henley you’ve got on. “I know you mentioned it back there but… Sarah’s told me…about her mom.”

Joel feels himself stiffen. “Yeah….well, she never really got to know her.”

When he’s feeling particularly remorseful, his brain replays a memory of Sarah, only four years old, toddling around the tiny apartment they lived in and calling out for her mother. His ex had left when she was so young, so he had known there was no way Sarah actually remembered her. But all her classmates had two parents, all the movies she watched at home depicted loving, complete families. That night, after tucking her in, he’d retreated to his room, and cried for the first time since his divorce. Ever since then, it was impossible to shake the feeling he wouldn’t be enough.

Sometimes, he felt better about it then others. Sarah grew out of that phase, and Joel thought that’d be the last of it. When he finally bought the house, he felt like he’d proven he could do it alone. They would be fine. That was until Joel found an old photo of him and his ex underneath Sarah’s pillow while he was changing her sheets. The discovery left him with the same feeling all over again.

Now, in the wake of the excitement that he’s signed onto his first real contracting gig, a promotion, a raise – this information from you deflates him all over again.

“You don’t like to talk about it?” you guess correctly.

“Not particularly.” Normally, Joel would shut something like this down. But he can’t bring himself to be cruel to you. “We were young. What happened was for the best. I wish Sarah understood that.”

“You don’t give her enough credit. She’s a bright kid,” you answer, standing up and putting your hands on your hips. “Anyways, I get it. When you cut yourself off from a bad situation, it's hard. The alternative is worse, though. People forget that part.”

Joel feels a little reassured by what you’re saying. Why he immediately went on the defense when you brought it up, he’ll explore later. “I wish more people understood,” he murmurs.

“Me too,” you nod, and you nudge him gently to keep walking. “And people process things differently. It makes sense she's curious. It’s a very human thing.”

“I know.” What was it that you had said a few weeks back? They’re always with you, no matter what. That’s not a sentiment Joel can completely wrap his head around yet. “It does make me think sometimes…maybe she needs some else….someone who isn't…me.””

“Oh, come on, Joel,” you halt in your tracks, almost like he’s offended you in some way. You look up at him from under your eyelashes. “You’re a good man.”

Validation. He doesn’t get it often – ever, really. And he doesn’t need it, but….coming from you, he feels like he just wants more. And more. He can think of a few ways he might get it, too. Some less innocent than others.

“Should we turn around?” he asks. You nod.

There’s a bit of light still remaining in the sky by the time you round the corner to Joel’s street, but the sun has set long ago. He’s probably supposed to say goodbye, standing at the end of your respective driveways, but he finds that end to the evening rather disappointing.

“You know what I can’t stop thinking about right now?” you ask, Joel. He’s a little hesitant to answer, based on the ornery glint in your eyes. All he has to do is raise his eyebrows, and you continue. “A shirley temple.”

Joel can’t help but laugh, and he sees how you light up at the sound. “You serious?” he asks.

“I know they’re….for kids, but…I don’t know. They’re really fucking good.”

“They are,” he answers, and you’re at the end of your driveway. He hesitates for a second, thinks you might say goodbye, but you just check over your shoulder to make sure he’s following you. He does.

“This is probably the weed talking, but I’m going to make some.” You unlock your front door, and he holds it open to let you step inside, before following.

“You have the stuff to make them?” he questions.

Yes, you bob your head, then walk to the corner of your front room and flick on a light. Warm light floods the room, and you walk through the archway into your kitchen. When he follows you there, your back is towards him, opening a glass-doored cabinet containing various liquor bottles, wines, cordials, and accoutrements.

“You want one? I have to say, I’ve been making them a lot lately, and I think I’ve perfected the recipe.”

“Well in that case, I’ve gotta try,” Joel wanders to your small kitchen table, about a quarter of it covered in neat piles of paperwork. There’s a messenger bag slung over the back of a chair, and in front of it is there’s a thick contract. The page it’s opened to is riddled with blue ink, crossing through sentences, scribbled in the paper’s margins. He can’t make out any of the jargon in the fine print. Next to it sits a pair of thin black reading glasses, and a sleek fountain pen engraved with your name.

His eyes fall next to a stack of old photographs sitting atop an opened envelope. With two fingers, he pushes the top photo off the stack, once, twice, three times, until he gets to the bottom of the pile, and they’re spread out in front of him. Maybe he shouldn’t be snooping like this, but his curiosity is getting the best of him.

Joel doesn’t recognize the people in most of the photos. One of them is a school photo of a young boy, with Spring ‘03 printed in the lower right hand corner. But the remaining two…he realizes are of you, but you’re young, your cheeks rounder, features not quite as defined. Younger than Sarah, if he had to guess. In both, you’re wearing the same thing – a black turtleneck, a plaid skirt that hangs past your knees, and black Mary Janes.

In one, you’re cheek to cheek with a teenage boy who you’re giving bunny ears. Your brother. Has to be. You look too similar. His arm is across your shoulders, and you’re smiling so wide your eyes are closed.

In the other photo, though, your face is blank. A wide, empty stare, straight into the camera. Behind you, his hands on your shoulders, is an older man whose gaze has the same determined set Joel has seen on you before. Something about the photo, the haunted look on your face, makes him feel like he’s seen something he’s not supposed to, and he slides the print underneath a stack of papers.

“If you’re gonna look at those papers, I’m gonna need you to sign an NDA,” you say over his shoulder, and Joel is startled by the sound of your voice, and the feeling of a glass, cold and damp with condensation, being placed in his hand. “Here.”

You peer around his shoulder, face brushing against the side of his arm as you see the photos. “Oh,” your voice drops slightly when you realize what he’s looking at. “My brother sent those. That’s my nephew, Ethan.” You point to the school photo of the little kid, but don’t offer an explanation for any of the others.

Joel clinks his glass with yours and notices that you’ve balanced a toothpick with two maraschino cherries on its rim. It’s refreshing, delicious, and the fizz tickles his nose as he takes the first sip.

“Restaurant quality,” he tells you. You lean back against your counter, studying him. When you stare at him like this, as he’s caught you doing a handful of times before, it always makes him feel feral. Like some kind of animal, the way he has to hold himself back from pouncing. You look at him like there’s no one else around, and yeah, there’s no one else around right now, but even when you’re in public, you’ve done it, too. And he doesn’t know how to tell you to stop – he doesn’t really want to. “How’d you perfect the recipe?” he asks.

“Practice,” you glance at the bubbles dancing through the ice in your glass before focusing back on him, sheepish. “Sarah likes them.”

So you’ve made them for her. Joel sits his drink down. “She does.”

“Are you hungry?” you ask. “I think I need a snack or something.”

“You don’t have any ice cream, do you?”

“Uhhh…check the freezer?” you say over your shoulder, rummaging through your cabinets for a bowl, and Joel rises to do so. “I think I only have coffee-flavored, though.”

“Good choice,” he answers. His favorite.When he opens the freezer, he’s met with a blast of cool air, a cloud of steam.

“You have a sweet tooth, don’t you?” you tease, coming to stand next to him, but Joel is too focused on the box of orange popsicles he sees in front of him, and pulls them out to look at the box. “You like these?”

“Not really. I’m partial to cherry.”

“Sarah loves these,” he remarks.

“Yeah.”

“I don’t buy them for her anymore, because one time she ate twelve in one day.”

You sniff, grin. “She told me that.”

He studies the drink that you’ve set on your countertop, the box in his hand. “So you bought these for her?”

“Yeah, why?” you cross your arms, almost defensively.

“Are any of the other snacks here just for her?”

“...No,” he can tell you’re lying, and your eyes flick over his shoulder for a second. “Don’t look in that cabinet, though.”

Joel can’t help the incredulous smile that breaks out over his face. “God, no wonder she’s always over here so much. You’re givin’ her all the junk I don’t let her eat, aren’t you?”

You hold your hands up. “I think she deserves to be comfortable here. Do you want her to starve?”

Joel’s sure he’s staring at you slack-jawed. Not because he’s upset with you, no. It’s quite the opposite. He shakes his head, grins, and starts laughing.

“Don’t laugh at me,” but you’re giggling, too. “It’s not funny.” You reach to swat at him playfully, and something inside him snaps.

Joel is sick of coming up with excuses to see you. He’s sick of holding you at arms length. He’s sick of not taking what he wants to. He’s sick of pretending he hasn’t thought about you every single day since he first saw you, standing in this very kitchen, leaning over the island and chatting with Sarah. He wants to walk in your front door and know that he can have you however he likes, that he’s allowed to. He realizes if he doesn’t act, he’ll never find out. It’ll eat him alive.

So before you can make contact, he wraps his hand around your wrist, draws you in closer. It catches you off guard, sure, but your eyes are locked, and he sees that you’re not shaken in the slightest.

“You know,” he says. “You’re nicer than you think.”

The energy in the room has shifted. But it doesn’t seem to phase you, and when he’s this close, he can study every freckle on your face, the color of your eyes – can remind himself, again, though he hardly has to – just how beautiful you are. You lower your arm, and at first – he panics, thinks that you might be pulling away. He’s read it wrong, all wrong. But all your doing is giving yourself a better angle to grip his wrist in kind, hand clasping over his broken watch.

“Keep it to yourself, Joel.” you whisper. And it's supposed to be a joke, but you can't seem to tear your gaze off his lips. “I have a reputation to uphold.”

“I will.”

Joel kisses you. Hard. It’s like a dam breaking, every time he’s held himself back from you comes barreling forward, and it’s all right there. Everywhere. Overwhelming. But he can't stop. He moves with purpose, cupping your chin. He winds his other arm around your waist, crushing you against him. You taste sweeter than he’d imagined, cherry-flavored syrup lingering on your lips. You groan against him, your head tilting back as he moves in closer, jaw relaxing, lips parting.

It’s just enough for him to slip his tongue inside your mouth, to continue to explore, to claim. The things he’s going to do to you…It could be the weed, but every nerve in his body is on high alert – his skin scorches in the wake of your hands raking up his biceps, tangling in his unruly waves. It could be the weed, or it could just be that good.

More, he wants more, and he’s crowding you back towards the counter next to the fridge. Somewhere, distantly, he hears the freezer door fall closed – and probably not all the way – the ice cream long since forgotten. The moment your back hits the granite, you pull away with a ragged inhale, only enough to look him in the eyes.

“Took you long enough,” One of your hands rises to his face.

Joel presses his cheek into the warmth of your palm. “I thought it might be better to keep you waiting.”

You only shake your head, pulling him back into the kiss. He shifts his weight to hook his hands behind your knees and lift you onto the counter. It’s a bit overzealous, and your head bumps the cabinet behind you, but you don’t seem to notice. Both your legs hook around his hips, drawing him in further. He doesn’t think he’s ever been so turned on just from kissing someone – not even for that long – but it’s just so fucking hot. You’re so fucking hot.

But, he’s capable of one rational thought. This can’t be how it happens. You’re worth more than an animalistic fuck on a kitchen countertop. There’s so much more he wants to do that can’t be done here, like this. And…it’s you. You deserve better, although the frustrated noise you let out when he draws back indicates you think the opposite. Another time.

“I’m sor-I-we can’t,” Joel manages.

Your face drops, you look….almost angry at him. The second he sees it, he realizes what he said was all wrong. “No, I mean we can, we can, just not….not now.”

The anger dissipates, you shift back, but reach out, pushing a piece of stray hair off his forehead and running your thumb along his sharp jawline. “Why not?”

“I just…I didn’t-” he shakes his head and looks down. “I’ve wanted this for awhile now, but….this isn’t…I wasn’t expecting-” Fucking spit it out, you dipshit. “Can I take you out or something first?”

You don’t answer, just shift forward, your forehead bumping into his chest. Joel he brings his arms around your shoulders despite himself. And then your lips are on his neck, teeth scraping, teasing, working up to his ear, where you whisper. “You don’t have to.”

He fucking has you. He could. So easily. “I want to.”

You pull back, and there’s a split second where he swears you look a little ashamed, and then it vanishes. “You are a romantic.”

“Not entirely…” Joel says. “I just…would rather do things right. For someone I like.”

“Someone you like?”

“Yes.” Obviously.

“Okay, yeah,” you murmur softly. “I would like that.”

“Next weekend?”

“That long?”

He chuckles. “It’ll be worth the wait.” But you don’t seem convinced. “I promise.”

For a split second his eyes flick over your shoulder to the microwave, and he sees what time it is. “Shit. Shit. I’m sorry. It’s late. Sarah’s gonna be home any minute and if I’m not home-” he pauses, gestures between you. “We shouldn’t uh…we shouldn’t mention this to her. Not for now, at least.”

“Yeah, I wasn’t planning on it,” you shake your head in agreement.

Joel leans in to kiss you again. This time, he keeps it slow, tender, lingering. Even though he knows he’ll get to see you again, he still finds it hard to tear himself away.

----

part v

taglist: @yaskna@venomous-ko@lomljigg@yeehawbitchs@ay0nha @eldahae @lol-im-done@melancholicmelanin@reggies-floatie @omniscientqueer@superflymaterial@mikkorantanev@zbeez-outlet @nadja-antipaxos @strawberri-blonde @jabbajambler @ponyboys-sunsets @kyuupidwrites @r4efromvenus @loveatfirstsight-atlastsight @korianderbandit @nicoleoeoeoe @hotgirlsshareaccounts @madisonred88 @crustyrustydusty @sflame15-blog @issybee0611 @darkemeralddiamond @grandmana @totallynotastanacc @ay0nha @virgogaia @lunarxeclipse @marysucks-blog @jabbajambler @surazim @naiomiwinchester

#but WILL he get to see her again?????#*vine boom sound effect*#joel miller #joel miller x reader #joel miller series #joel miller imagine #joel miller fanfic #joel miller x you #the last of us #the last of us writing #tlou #tlou writing #pedro pascal #troy baker #texas sun

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etherfabric · 5 months ago

Text

How to Foster Peace + Lyrics

Choose a pile by which picture you resonate with the most.

If your mind is too busy to clearly decide, take a few deep breaths, and use the finger of your non-dominant hand to hover over the images. One will give off the most subtle yet prominent signals, like tingles, a magnetic pull, or temperature. This is your pile. Multiples are also possible.

You are the ultimate authority over your life. I merely provide my perspective. Sometimes the Universe lines you up with something that doesn't resonate with your truth, so you have contrast to find out what does. Never give away your power.

Pile 1

3 of Wands, 10 of Wands

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■

You have to broaden your perspective on what help can look like. You are clinging to superficial indicators that not everyone can authentically hold, and remain overwhelmed by your burdens because of it. You might have a favorite outcome and are so hyperfocused on it that you don't even consider a lot of second best opportunities. Those could relieve you bit by bit instead of one big miracle. Stop seeing certain things as "beneath you", swallow your pride and admit to your very normal human need of support in general. Let the helpers have a little more say in what that might look like and don't argue against every minute detail. They probably offer what they can give best, and you don't know the effect this can have on you until you fully let it in and be the receiver for once.

Lyrics: "Rockland County" by Regina Spektor

Condescending down the stairs I'm condescending down the stairs I look out for a moment Condescending down the stairs I'm condescending down the stairs I look down at the bottles

I just know I got something coming If I got anything coming at all I just know I got something coming If I got anything coming at all

Pile 2

9 of Wands, 5 of Pentacles

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You need to find an outlet for your frustrations to foster more peace in your life. To you, that seems like a contradiction; give in to the aggressive voice inside my head for peace? Well, it depends on how you go about it. To not hurt anyone in this cathartic process, choose a time of privacy and maybe an object to express yourself with. Punch a pile of laundry, rip old newspaper to shreds, cry into a pillow, write the word "fuck" 500 times in your journal, let yourself have violent daydreams, scream at God herself - the possibilities are endless. But you have to face this side of you. The steam is buildung up pressure in the container that is you, and believe me, you want to let it out on your own terms. Otherwise you risk something outside of your influence pushing you over the edge in an inappropriate setting. This could harm you and others way more than it has to. Surpression is a short term coping mechanism, and you have reached the limit.

Lyrics: "A Cannon" by Regina Spektor

I write you a letter, I hope you feel better I hope you forgive the transgressions I've given you love and I've given you anger as well And I meant them both

Somebody's got to tell all the people to be like the water Somebody's got to tell all the people to be like the water

I would if I could, but I can't, so I don't My heart breaks too easy, my words get all jumbled And when I wear lipstick Then no one understands me at all...

Pile 3

5 of Pentacles, Ace of Pentacles

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You have some serious intergration to do. I feel you going "Another thing?? I am already doing so much! I can't do any more!" No, but that's the thing. You are doing so much to get away from the "bad" feelings that need integration. The pain, the sadness, the grief, the despair, the hopelessness. The goal isn't to build a life without any of these things. The goal is to grasp opportunities for authentic self expression whenever they arise, observe what blockages still hold you back, and explore how they came about. The goal is to become whole again; to incorporate those aspects of yourself you weren't safe to express before.

Every human has the capacity for darkness and a need to be authentic in that regard. The question is whether we accept and embrace it in our conscious approaches, or wear ourselves down fighting ourselves. As soon as you let yourself fall apart and let nature take its course, you will see you didn't need to hold it together that tightly anyway. It will feel like being stuck forever in this pit, but just for a couple of moments. Sooner or later, everything fades. What goes down, must come up again.

The next time you feel the darkness creeping up, walk intentionally towards it instead of running in the other direction. You will survive, I promise. This darkness holds a truth about your past that wants to be heard and felt like it deserves.

Lyrics: "Just Like The Movies" by Regina Spektor

You are mistaken cause I do not bite Over the Williamsburg bridge on a bike And if he loves me then why does he leave? And if he loves me then why does he lea— Lea-ee-ee-ooh-dee-no Aah-de-da-de-da-aaaah Don't say goodbye like you're burying him Cause the world is round and he might return Don't say goodbye like you're burying him Cause the world is round and he might re—

Pile 4

The Moon, 9 of Swords

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I see a crisis of faith in one or all aspects of your life. Doubts are creeping up, and they feel awfully truthful. The places where you used to turn to for confirmation are suddenly empty and lifeless, and you feel abandoned by a higher power.

If God doesn't send you signs, selfmade is fine. Become your own God for a moment. How can you give yourself a little faith back again? Maybe it's affirmations written on your mirror, or a ritual you designed yourself whenever you need that extra reassurance. Maybe it's that one friend who sometimes can be annoying with their constant positivity; now might be a time where you can benefit from their perspective.

Whatever it is, practice believing something intentionally. It will feel a little icky at first, like a conscious self-gaslight. Just remind yourself that this isn't a lie, you are reintroducing the truth to a part of yourself that has no emotional access to all the small and big miracles you already experienced. Let them see it with their own eyes. Start from the beginning. Make an event out of it. Like a second spring in your spirituality. This part probably saw you thriving in your faith, and now feels comfortable revealing itself to hopefully join the party.

Lyrics: "December" by Regina Spektor

We are not evacuating this house, We don't believe in you and your wrecking crew. We are not evacuating this house, We don't believe in you and your wrecking crew. We don't believe in you and your wrecking crew We don't believe in you We don't believe in you, We don't believe in you We don't believe in you, We don't believe in you... We don't believe in you

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Hopefully this was of some use to you. I love getting feedback on my readings, so don't hesitate to leave a comment if you feel called to do that.

#tarot reading #pick a card

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bara-izu · 9 months ago

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Do you have any advice on how to get over lack of skill? I want to do the Astarion Lestate trend but I don't think my skills are ready for it. I have references pictures of Astarion pulled up when I'm working, and even have the game launched so I can turn him if I need to (mostly for the attempts I did at his hair) but everytime I tweaked something or started over nothing looked right. I keep getting frustrated 😭

Hi anon- Sorry this took me a while to get to, i hope you and others can still find this useful! While the basic advise to get over 'lack of skill' is PRACTICE, PRACTICE, PRACTICE! i hope this will help you knowig where to get started with that!

I'm going to put my teacher pants back on, this might be a bit long so buckle up- I'll go over a few areas:

Primitive Shapes

How to Use References

Delete your work (hear me out)

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Primitive Shapes:

This is your foundation. Everything starts with this, and while you may find it boring to think of your art in terms of cubes and spheres- i kid you not it will help elevate your work.

If/when you are stuggling to draw a complicated pose, or a specific perspective, refering back to the form in these basic shapes can really help to simplify your process and help you problem solve.

A chill/silly watch for a more in depth discussion on what i mean / how this can help - Give Pikat's 'Draw boxes (correctly) to improve your art' a watch. They also mention this in the video but @/Uncomfortable on youtube also has some great fundermental videos.

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How to use references.

Okay so references are great 10/10 very useful. But, unless you know WHAT to study from a reference, they can sometimes fall flat of their usefullness.

Anatomy studies are something a lot of us will be recommended as artists, but actually knowing what to pay attention to can boost your confidence in your work. Start with a goal, what do you want to get out of this sketch session? Do you want to get better at understanding the 3D form of a specific part of anatomy? Better at poses? Try to narrow down your learning each session to make it less overwhelming.

In this i'll focus on understanding the form so, lets start with a reference. Linking back to Primitives again, start off by braking down your anatomy into forms. Sketching over the top of your references is totally fine. But make sure you are doing so critically, otherwise it may look like a flat/unnatural trace and you're not really learning from it. Via the first sketch you can see where the primitive shapes fall on the body - think of it like a ball-jointed-doll, hips, knees, shoulders ect are ball socketed whereas arms, legs ect can be made up of tubes. (See the first image, when sketching your tubes, sketch your contour lines too- this can help determind how clothing / hair will fall over the body, and can help you understand the 3D Form.)

A BIG IMPORTANT SIDE NOTE - When using photo references, do be very aware that they may be distorted due to the height of the camera, or camera focal length - (you can see in my sketch i had to edit the torso and head because the reference was a little top heavy)

A few artists/books for some extra reading / reference : - Andrew Loomis (OG for body proportions, books are a little outdated but fundermentals are still useful), - Tenten云画画 (his stylised anatomy breakdowns are very interesting to me) - Anatomy Essentials (I've had this book for years, it covers lots of areas, is a bit complex though, i myself should reread it again 😅

Also, if you can't find a reference for a specific pose, don't be afraid to use 3D programs! Anatomy 360, DesignDoll, Clip Studio, Magic Poser - all nifty options~

SO taking when we've learnt from the primitive forms, you can now try applying that to the Lestrat Picture. (which, granted is a complicated pose, as it also has forshortening and an odd top down perspetive of the bottom character- so don't panic if you don't get it the first time!)

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Final points- Delete your art (hear me out)

What i mean by this is, sometimes reworking the same face over and over again can bog your down. It can make it very difficult to actually see whats wrong. So, get rid of it and start again. (hide the layer/use a different piece of paper, please don't actually bin it (yet))

Next, redraw it. Use what you've learned the first time, and redraw it from scratch. (in this case, that might be just specifically the head, or the hair, or the eyes ect - you don't have to bin the whole thing, but sometimes it can really help give you a new perspective)

Once you've done this, unhide your original, compare, this may help you understand what you were doing wrong the first time. Or if there are areas of one that you like- its an opportunity to combine them as you see fit! :)

On a side note for Astarion's Hair, the lovely @mistercrowbar actually posted a breakdown yesterday! (i use p much the same method so-)

I HOPE this was of some use- do feel free to ask any questions if you've got them! i'll try to answer in a more timely manner next time 😅

#art tutorial #or more like #art tips #long post

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lillie98 · 4 months ago

Text

An excerpt from a Fic I wrote a while ago centering on Autistic!Mike. I wrote it from my perspective as a late-diagnosed female who found euphoria and purpose from this one little word. I hope you take the time to read it and understand the life-changing power of diagnosis. Autism is not a tragedy. Rather, it is a difference in the Human Condition that deserves celebration.

"Hey…Will, I almost forgot. I need to tell you something important". Will immediately flinches awake and startles, scanning the room for threats.

"What? Is something wrong? Are you okay?"

"No, nothing's wrong," Mike assures him, running his hand down Will's cheek. Embarrassment and shame course through him. He wishes Will’s nervous system didn’t overreact this way. He speaks quietly and clearly, emphasizing his words. "I'm okay. We’re safe.” Will leans into Mike’s touch and anchors himself in the present. He is safe, Mike is safe, and they are together. His eyes slip closed as he takes a few steadying breaths. He then shifts to his side to see Mike better, turning on the small lamp on the nightstand and propping himself up on his elbow. Mike looks anxious. Tears prick the corners of his eyes as he stares at the ceiling. Will places his hand on his boyfriend’s shoulder.

"Hey, whatever it is, you can tell me, okay?” he reassures Mike. “I won't be mad. We'll work through it together. You know how much I love you.” Will's words ease Mike's anxiety. Here goes nothing.

"I talk to Robin a lot–just like you–but we don't just talk about boyfriends. We…we talk about…other things, too.”

"What kinds of other things?" Will probes. Mike swallows hard.

"We…we talk about…fuck, this is tough….about my…my brain.” He can't believe he said it. Will is even more confused. His brain? What about his brain? The last time he checked, Mike's brain was perfect. Why does this involve Robin? Mike cannot make eye contact. Will eyes stare directly into his soul. If he looks back, he will lose his sanity. His hands white knuckle the sheets–anything to ground himself.

"My brain is…different from most people's.” Mike’s not sure how to explain this without sounding completely insane. “I have difficulty connecting with people and holding on to relationships. I'm blunt and straightforward, and people think I'm rude. That's why making friends is hard for me. People don't understand how to interact with me.” The words are slow and halted, forced out like a reluctant child. Will hangs on every one. He has yet to see the whole picture but will keep listening until he does. Mike continues as bile creeps into his throat.

"I also struggle with change. I need routine and structure; it keeps me safe. When that structure changes, it takes me longer to adjust. Like when you and El moved away, or Max joined our Party.” Words come faster now. He’s held this pain inside for too long. “I don't understand why things change and how everyone moves on while I'm stuck in this perpetual loop. I get scared that everything will change because one thing is changing, and it’s too much to handle. I don't want to be hostile, but my brain tells me to protect myself. Routines also help me not feel overwhelmed by the world. Everything is loud…and bright…and fast. It's terrifying.” Tears spill out, emotions too much to contain. “If I stick to my routine, some of that stuff fades into the background. But as soon as it changes, that all comes rushing back in. My body shuts down, and I can’t stop it. I lose control, and it's scary, Will. It's…It's so scary!"

Mike breaks down and rolls into his boyfriend’s waiting arms. Will is dumbfounded. He had no idea. How has Mike survived this long? He rubs deep circles into Mike’s back, attempting to ground him. He wishes Mike had told him sooner. He would have helped him through it, been there for him when it was all too much. How did he miss it? Something so central to Mike's being unknown to the people he loves most. Will's mind drifts back to their childhoods when Mike would fall apart on the floor. Will would hold and rock him until he calmed down–not dissimilarly to what he did last week at the hospital. Then it clicks. Mike is describing those moments. Nights spent on the kitchen floor crying over a scratchy shirt tag or "wrong foods" touching. He got angry because Will canceled plans they made a week ago, even though his PTSD flared up and he was too weak to go out. His head swirles with examples, and each one makes more sense than the last. He holds Mike's face, wiping tears with his thumbs.

"Mike, I understand. I see how scary those moments are for you. I may not feel what you feel, but I see your pain, and that’s enough. You are not broken, and there is nothing wrong with you. Do you understand me?" Mike tearfully nods. "I love you so much, and I am honored that you feel safe enough to share this part of yourself with me. I will always be here to help you, just like you help me. We need each other, and I am so thankful to have you in my life. I do have a question, though. Is there a name for this, and why do you discuss it with Robin? Isn't that something a doctor tells you?"

Mike laughs at Will's innocent questions. "You should talk about it with a doctor, but most don't know much about it. It's called autism, and I talk about it with Robin because she has it, too. She's the one who saw it in me. The first time she explained it…I cried, Will. I had never heard a word describe me so perfectly.” As he remembers the moment, new tears form, and a smile radiates through his body. “It was like…I had a missing piece, and Robin found it. She unlocked me. I finally have permission to be myself. All of these struggles, all of this pain, it's real. It has a name. I've never felt this way, and I want you to know so you can feel it, too. I love you so much, Will.” Autism. Will rolls the word around in his mind. He's never heard it before, but it makes sense. It explains Mike. His bluntness, his temper, his everything. He pulls Mike close and hugs him tightly, tears mingling in their embrace as they celebrate the moment. It is not sad. Instead, it is euphoric.

#stranger things 5 #stranger things #will byers #mike wheeler #byler #byler endgame #stranger things headcanons #byler is requited #autistic joy #actuallyautistic #autistic mike wheeler #stranger things analysis #mental health #late diagnosed autistic

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coco-bee · 5 months ago

Text

COCO'S REVIEW: BLUE'S STORY

Welcome to Coco’s Review! Where I review and breakdown episodes, movies and etc and overthink every tiny detail and/or give my thoughts and opinions :D !! THE STORY I’M ABOUT TO DISCUSS HAS TOPICS ABOUT S/A AND OTHER DISTURBING TOPICS PLEASE PROCEED WITH CAUTION !! Ok so this may not be something you’d expect me to cover but I wanted to discuss this series on my blog for a while now! Today I’m discussing Blue’s Story by Victaton!

Blue’s Story is a series by Victaton over on youtube that mixes gacha life 2 character designs along with animation. I like to think of the gl2 designs as character models and Victation expands on it through animation. The series doesn’t have proper episodes, its installments mainly continue music videos that go in a specific order. The story is about Blue, a man in his early 20s entering the company his older sister works in with a positive attitude only for it to fade away as a lot of women in his new job want to get in his pants and cause irreversible trauma on the poor guy. This series is meant to show how abuse in the workplace can happen and how s/a can be done anywhere and by anyone. It seems to be a response to the misconceptions of how men who are preyed on by women are not valid victims of s/a and how they should’ve enjoyed it or that only women can be victims (which is never true). Though keep in mind I’m not qualified to determine if the way the story conveys s/a and just abuse in general is shown accurately because I have not had these experiences myself but my heart goes out to the victims in the world who could resonate with Blue’s Story and I wish for nothing but happiness and peace for you guys. You all are very strong and deserved much better<3

I can tell Victation really touched people’s hearts and according to some people in the comments who are victims the story is pretty accurate to some experiences and some research has been put in this series which I heavily appreciate. So I’m happy people can feel seen with this!

So with this series I want to start off light and mention the animation- AND MY GOODNESS DOES THIS SERIES HAVE AMAZING ANIMATION!

I really love this art style that Vic has going on here

Like I said the gl2 designs seem to make the base and Vic uses their art skills to expand on it It really gives a dynamic feeling and you can hardly tell it’s gacha

Vic has a lot of dynamic poses and a great understanding of body language with these!

AND THE EXPRESSIONS<33 I LOVE THE WAY VIC DRAWS FACIAL EXPRESSIONS! IM SUCH A SUCKER FOR VERY EXAGGERATED AND STYLIZED FACES

And I’m not even showing the best parts! But I want to keep it as a surprise for those who are interested in watching the series. I just couldn’t stop praising the visuals enough! Vic is the most experimental gachatuber I’ve seen when it comes to the visuals!! I hope to talk with them sometime to get some tips or to post how their creative process works because THE ART IS SO GOOODDDDD! AND THE CHARACTER DESIGNS RADIATE SM PERSONALITY AND ADD TO THE SYMBOLISM AND UNDERTONES OF THE STORY! It’s so fun to see :D and the color associations are a very interesting character design choice! It helps add a very colorful look to what is otherwise a very heavy story and makes it very easy to distinguish the characters and give them certain color motifs. Anyway I want to talk about the characters in Blue’s Story! Mostly by order of their debut! And I’ll only talking abt the characters that have a big impact on Blue (So I won’t be talking abt Magenta or her brother) and the ones that don’t have a definite character (So the red eye people won’t be mentioned) Anyway now that that’s established the character I want to talk about first is well- Blue himself! After All this is his perspective we’re following

Also quick appreciation for the silly little Blues that Vic draws<3 Anyway Blue is the most interesting character I’ve seen in a gacha series. I like how Vic doesn’t use Blue as a representation or a role model for victims to take after but a person who goes through his own stories and has room to be human. You can see his descent in his own trauma and self loathing in his story. Which leads him to make mistakes and have a difficult time navigating his relationships and how to make meaningful connections. Seeing him go from confident and upbeat to quiet and reserved is so heartbreaking. What I find so great about Blue is that not everyone can relate to his situation but his thought process is near universal. I can relate to having to be in survival mode when it comes to relationships after being done dirty by different people. Not to mention people would do the same things Blue did, they just went through different experiences. It’s a really great touch to the writing. What’s also interesting I find about Blue are these different personas of different ways he handles the trauma caused by all these women.

This is sorta a mix of my interpretation of what these versions of Blue are plus what Vic actually calls them From left to right 1.Hypersexual Blue (confirmed) 2.Heart Eyes Blue (confirmed) 3. Reality Blue (not confirmed) 4. Cyan Blue (confirmed) 5. Numb Blue (not confirmed) I’ll expand more on these personas when I do a character study on Blue (which is something I REALLY wanna do sometime)

Next up is Pink Who is the first character we meet when Vic started this series

Pink is a married woman around Blue’s age who he engages in an affair with. And one of the women Blue has a significant relationship with throughout the series since Pink was the first one in the workplace to have her way with Blue. A truly manipulative bitch 💀 I don’t have much to say about her because Vic themself made a video discussing the women in Blue’s life and their thought process on writing them(?). So I’ll just give my thoughts! Pink is a very interesting case of the “Abused to Abuser” situation and not to mention how she’s not one dimensional. She’s an abuser to Blue but also a victim to a different man. (her husband) There are scenes where she is being a nice person (highlighted with her scenes with Lilac) but what’s preventing her from being good is her philosophy of how men cannot be victims. How could they be? To her the most heartless person she knows is a man, while it’s close minded, it’s understandable but not excusable why she perceives men this way. Which I find very interesting! There’s also a cool animation choice with her lipstick color! Her lips are white when she’s doing nice things or is not perceived as a bad person, then grey when it’s more neutral (I think) and finally black when she harms Blue. Hence why her kiss marks start from white to black.

What’s also interesting is that Blue pursues her first! Since he started out so confident and upbeat he wanted to try and shoot his shot with an attractive woman. But backs off when he learns that she’s married, but things didn’t go as planned. But I find it very interesting how that’s how things started. Next we have Purple who is the CEO or just the boss of the company Blue works in

Purple imo is definitely the most uncomfortable character to watch (what am I saying ALL the abusers make things uncomfortable to watch) but Purple just gives me a chill up my spine. Especially with her design, it has been confirmed by Vic that Purple is in her 40s and would prey on much younger people. First she attempted to prey on Red (who is confirmed to be 19), but was unsuccessful then went after Blue, and was successful.

Not to mention she’s very inconsiderate of her workers, example in the second part of “Baby Hotline”.

Up next we have Red! Who is my personal favorite in terms of how she is written and her design! (I do not condone her actions)

I love how Vic went for a more cutesy innocent look for Red!

But not without giving her sharp black nails to show how harmful she is

It really nails the message home on how anyone can be an abuser no matter how they look like. I also want to appreciate her little heart eye effect that Vic does with her that’s constantly looping like HOW DOES VIC DO IT- IT LOOKS SO DIFFICULT TO PULL OFF- I’m guessing it’s green screen With Red she is an obsessive stalker who has feelings for Blue and is constantly pursuing him even if he doesn’t return the feelings. It starts off as an innocent crush but turns into something more harmful. I don’t have much to say that’s not been said by Vic on their video. I just really want to appreciate how well designed she is and I rly like the heart motif she has. You can tell she’s a naive girl who can’t understand how harmful she is. I’ve met someone who was my equivalent to Red and while thankfully I had people who managed to protect me, doesn’t mean the harm did not get to me. While they were not as intense and Red, I was still being harassed verbally and I just didn’t feel safe. ALSO HOW DOES VIC DO HER HEART EYE EFFECT I NEED ANSWERS Now we have Lavender who is Blue’s SISTER

YEAH THATS RIGHT- SHE IS BLUE’S SISTER And I swear everytime I see her I just want to punch her in the goddamn face and wipe that stupid smile off her face- Lavender is an example of non-physical s/a and incest with how she had sexual thoughts about Blue and would show it through more subtle actions. Not to mention she’s also a bystander to Blue being abused by other women and doesn’t do ANYTHING about it. As an older sister myself with my own little brother- Lavender ENRAGES ME! I could never imagine doing what she did to my own brother. He drives me crazy but I’d protect him no matter what. What is fascinating about her design is definitely how her eyes are constantly closed, as if she’s turning a blind eye to the harm Blue is a victim of and/or how she’s hiding so many things. Especially with how she only opens her eyes when she’s preying on Blue.

SHE'S JUST AS TERRIFYING AS PURPLE Lastly we have Lilac! Who debuts in the same video as Lavender

WHO IS THE ONE PERSON THAT DOESN’T TREAT BLUE LIKE SHIT She’s a very fun character! She’s a single mom who works in the same company as Blue. She has a lot more significance in later installments so I won’t spoil but I just love her<3 She’s so sweet I just can’t- it’s such a breath of fresh air compared to the toxic waste Blue’s been getting from the other women. Her relationship with Blue is so interesting to watch and I am just rooting for them to at least stay friends.

(Also she looks so pretty here) AND THAT’S ALL THE CHARACTERS!!

Overall I really enjoy this series but I do have some gripes with it. The pace is definitely a bit much- so much can be happening in a span of a few mins. And there are stories that could rly benefit a longer time limit. This problem comes up most with “Baby Hotline” where I hardly understood what was happening. Like I got the gist but I didn’t get the specifics. It can be difficult to keep up with. So yeah the series could work with a longer timeframe- “Sweet Little Bumblebee'' is a great example! Not everything is too fast and everything makes more sense while “Baby Hotline” tried cramming a lot in one minute. Well the first part of ot, the second part of “Baby Hotline” was at a much better pace in my opinion but still a bit hard to keep up with at first.

Anyway in conclusion! Blue’s Story is a really interesting story that deserves the recognition it gets and is worth your time if you are into really deep stories with heavy subjects!

(Credit to Vitaton for all the art presented) This is Coco typing.. Thank you for reading!

#gacha life 2 #gacha community #victaton #blue's story

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