#Gojo character book

[lxmelle]

Gojo’s letters & the implied parting message (Part 2)

I came across a view on Twitter (now X) that was interesting that I probably would have never thought of myself. While I may not agree with it 100% on its own, I can totally see the value in it and I wanted to share it here, seeing as how others may appreciate the perspective too. I’ve added my own thoughts which you’re welcome to read… Then you can make up your own mind about your personal interpretation 😊

So the sentiment is as follows:

At the end of HI, past-Gojo casually went up to Megumi to tell him that he killed his father, showing us that he is a little tactless. But, upon being told what Megumi wanted, he respected that Megumi didn’t want to know and accepted this for 10 years.

Despite that; however, we can infer from things we have been shown that he has always wanted Megumi to know. He was probably waiting for a good time. (As we know, Gojo doesn’t really impose his view onto others.)

Knowing there had to be a time where this message was delivered, he prepped the letter that would only be delivered if he (Gojo) died.

And what better timing & purpose, if it could help Megumi absolve any guilt he might have over (his body) killing Gojo? (Because him being dead meant Megumi likely killed him, thanks to Sukuna.)

According to the person whose Twt I read, they felt that Megumi’s laughing reaction was due to Gojo’s uncharacteristic consideration for him.

In other words, he was relaying it after he died to Megumi as a way to say: You got this cuz I’m dead. “And if you think your father is out there somewhere, he isn’t. It was me who killed him. Soz!” So don’t feel guilty.

Hm. Well, this was kind of echoed in at least another tweet and there were a few who made it out as if this was a fitting interpretation.

I also gathered from my last post on this subject, that Megumi was chuckling out of fondness, like “Geez, that’s so typical of you, sensei.”

But I do personally think it’s important to underline the fact that Gojo has always put in the effort to understand people even if he struggled to show it, or showed it clumsily. (Just like, “have you had too much somen?” - as said to Geto, back in the day.) So maybe it seemed uncharacteristic to Megumi, but I hope as a reader, we understand that Gojo had his own ways of being kind.

After all who can blame him if he didn’t quite fully understand what it meant to have blood family, being separated from his own? Born as an anomaly - a mutant amongst mutants. Who felt like others (flowers) couldn’t never comprehend a creature — and who could, unless they were bestowed with some monstrous skill themselves? (Like Geto, and Gojo had hoped, Sukuna... but the latter clung onto his stubborn self-protective belief of not needing “love” (compassion) until the very end, choosing to die instead of taking Yuji’s hand - another post on this another time).

And Gojo, after having been told last words from Toji and Geto about the importance of family, he may have gathered that it was better for Nobara and Megumi to know, than to have it concealed from them. Hence, the letters.

Know your family. Then decide who your family really is.

My own thoughts about the theory are as such: Gojo may have really wanted to tell Megumi that it was he who killed his father, because this was the only person he killed without a reason. (…that we know of: Gojo was canonically shown to have only killed two humans - Toji & Geto).

After Geto left, the parting message was: “don’t kill anyone other than me” - in other words, don’t do what I did, because that will make you lonely. If you need to kill, kill if there is a clear purpose or meaning in it.

This was his last lesson delivered to Gojo. We know his parting phrase was imbued with meaning due to everything we saw in HI and the draft words that Gege released from chapter (78) - important enough to make it to the exhibition and Gojo’s JUMP GIGA Character Book.

Geto played a significant role in him smartening up, how to connect with others, how to empathise with people, to think about what his responsibilities were as someone with strength.

So Gojo telling Megumi this was almost as if to say: you can stop wondering about him now; you weren’t left behind. I killed your father. You don’t have to feel responsible for it because there was meaning in it too.

In words Gojo might use: I killed him, you killed me. We’re even!

I guess it’s not only because Megumi couldn’t help it being Sukuna’s vessel. But also that he avenged his father’s death. All of Megumi’s thoughts relating to his father and Tsumiki as above: Retribution, karma, discipline… fairness and Megumi deserved happiness too.

And he chose to live again, starting by living for Yuji. A new purpose… he didn’t want Yuji to be lonely.

A loneliness I think he knew all too well.

He can add on more family after that. Nobara. Etc.

That’s it I guess. Thoughts?

[soyochii]

My beautiful princess with a disorder 😔💔

[chaoticmiserablelover]

They call each other by their surnames trope + They use each other's first names in vulnerable moments trope.

Me: crying in the corner

[biteress]

Which fictional characters 👀👀👀

SO MANY

[ohtheresmore]

“Satosugu stans are delusional” “Gojohime stans are delusional” THESE ARE CARTOONS! YOU ARE WATCHING CARTOONS!

[themainreactor]

Vintage Inspiration || The Beginning Of The Beginning

In which a naturally fast and old school girl with no cursed energy whatsoever, gets intertwined into the affairs of a sorcerer and her good friend Itadori.

Now here she is, broke and not amused by the sudden turn of events that have gotten her stuck in the strange school of teenagers, a stranger boss, and a vile thousand year old man that wants to eat her.

Wattpad book - VINTAGE INSPIRATION || JJK

Y/N L/N, The Troubled One

"What did I even do?! I just wanted to be around for emotional support! Now I'm here with crazy kids, a man-child boss and curses who want to eat me whilst I'm stuck in debt!"

Yuji Itadori, The Vessel

"Aw c'mon! This'll be just like all those medieval adventurous novelty books you read! Wouldn't that be really fun? An adventure!"

Megumi Fushiguro, The Potential

"I know that you're tired and I don't even know why you're still here... But if you keep trying, I think you can make it. So keep fighting.”

Nobara Kugisaki, The Girl Of Steel

"Jeez! When are we gonna get away from all of these damn boys!? Let's just have some girl time and go shopping!"

Gojo Satoru, The Strongest

"Well then, if that's how you feel little lady, we'll make it work. As long as you get strong like me this’ll be worth it."

Ryomen Sukuna, The King Of Curses

"The fear you have against me... Is almost unmatched... That's something that I can recognize. But your strength is lacking so try again and see just how far you can go scared mortal!"

Maki Zenin, The Cursed Tool User

"Well... I guess I'll train you, since you asked so nicely. Y’know what? I'll train you harder than anyone else.”

Toge Inumaki, The Cursed Speech User

"Salmon Roll."

Panda

"You're the strongest physically out of everyone else here due to your dependence on your body. Everyone else has had cursed energy forever and you're now just jumping into it so don't beat yourself up about it."

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[tariah23]

Jumping into the lake rn-

[seoafin]

im sorry i know hs era geto was horrible to be around with gojo but he's genuinely so kind and charming around you. the perfect gentleman. it's not as if he isn't all these things and more, and it's not as if you don't see him at his worst (with gojo egging him on in all the condescending, cocky glory afforded to two boys who called themselves the strongest) you're just so used to how he frees his schedule just to help you carry bagged heavy soil across campus because you've started to tend to the flowerbed outside the dorms, all the times he's offered you his jacket in the cold, and how he's so patient with you when the two of you go out. he's just...so selective about who gets him like that it always takes you more than a second to register the switch. seeing his familiar smile curl with a hint of condescension, not enough that he appears genuinely invested, but just enough that any person on the receiving end of it is going to get flustered. or the way he brushes them off with nothing more than a glance and a comment that could be taken the wrong way (it's meant to be) and it all gives you so much whiplash especially when he turns a real genuine smile on you and gently takes your hand and leads you away.

[gojonanami]

i just spent half an hour unfollowing jjk accounts that slander yuuta or megumi because they just don't get it

anyway, i saw the leaks, and my therapist is on vaca. should we get drunk and find gege 😋

btw, i haven't interacted with your account for AGES ‐ how are you doing?? 💞 (besides, yk, jjk)

bruh that’s crazy I hate that for you — I haven’t seen much of that on tumblr luckily but I saw it a lot on Twitter on my fyp and I was so done

I can’t drink (Muslim) but I’m happy to do it sober personally hahaha!!

I’m good!! Im on vacation at my sister’s — she had to see me go through it with leaks last night — I’m currently lying in bed trying to nap — I’m so tired and just like drained from last night

is it sad to say this is making me want to write my own books because damn I can’t treat my characters like this 😭

[kingkatsuki]

I feel like the only person that isn’t bothered if people post multiple character fanfic “books” on ao3, but it pisses me off when they tag it as character/pairing when that isn’t available in the book yet😭💀

[satorusemepls]

hello i need a dose of reality i fell in love with a fictional character again

[fizzyskata]

me to my fictional boyfriends

[sugary-space-girl]

Maybe I end up loving the characters that are cold and standoffish because I love the idea that they may be cold to the world, but they could love me.

[lesbiankordian]

BSD!Geto is so interesting tbh

what would his views on non ability users be? would he be an antifyodor in a way, since fyodor wants to get rid of abilities and geto of non sorcerers? their ideals are definitely similar (abilities / how ppl treat sorcerers are bad) but they have different ideas how to resolve the issues (which they're both. really passionate about). would he become more like fukuchi? or maybe would he not change at all? maybe the bsd world wouldn't bring him this type of misery?

[longagoitwastuesday]

*reading a thesis about the evolution of the concept of infinity in China with a large amount of tabs open with diverse articles or word combinations to further look for information, all the while seething, blood boiling* I wish Satoru Gojo would fucking cease to exist