Tumgik
#I would tag people but most the folks I know have already done this!!
riftdancing · 2 months
Text
𝑴𝒊𝒉𝒍𝒊 𝑴𝒊𝒉𝒈𝒐 : 𝑺𝒎𝒂𝒔𝒉 𝒐𝒓 𝑷𝒂𝒔𝒔?
Tumblr media
Quick Facts:
Height: 4'9"
Age: 26
Gender: Female
Sexuality: Bisexual
Pronouns: She/Her
Tumblr media
Pros:
You will never be bored again. Mihli has an adventurous spirit full of wanderlust and wonder. It's incredibly hard for her to stay in one place and she's always looking to dabble in new experiences. This is of course unless she's settled into her favorite cozy window nook with a good book.
Much like adventure Mihli craves knowledge. When she's not galivanting around as a courier for Firelight Trading Company, her nose is often stuck in a book. But being both street and book smart has a lot of advantages. Mihli is a wealth of information, and often has the answers to many questions. Think of her like a walking, talking Encyclopedia Eorzea. She is also well versed in several languages.
Despite her love of being out in the world Mihli is a very hard worker who strives to pay back or pay forward whatever good has been passed on to her. A great example of this is when Mihli and Lysander met, she wound up earning her board (living under his roof) by volunteering to take care of his home (which was in shambles).
She's not a chef, but she's a great home cook and some of her homemade dishes will definitely win over a hungry soul.
Mihli will always do her best to be there when you need her, but never over step into your affairs. She does her best to not cast judgement and offer a safe and comfortable space for those in need of help.
Tumblr media
Cons:
She requires a lot of attention. And I mean a LOT of attention. Mihli's partner, Lysander is often victim to her shenanigans which includes her sprawling out over his paperwork and research if he does not pay enough attention to her.
While she won't pry into your affairs, Mihli does struggle with boundaries and personal space. She'll want to be in the middle of everything, much like a feral cat. Doing chores? She's getting in the middle of it. Trying to work? She's either trying to help or getting in the middle of it. Going somewhere? ...there's a crimson haired cat girl blindly following after you. Mihli always wants to be involved and sometimes or depending on the person, this is to a detriment.
The memories of her old life are still a bit fuzzy. She's reclaimed most of it, but sometimes she'll find herself frustrated by a foggy lack of detail. She'll have nightmares about her old life, but find herself even more unnerved and frustrated when she wakes up and struggles to remember what so vivid in her dream world just moments before she opened her eyes.
Reading Fixations. If she finds a topic which is particularly fascinating to her, its almost impossible to get her out of the house and her nose out of that subject until she's consumed enough material to be satisfied. This means she can spend up to a week in her book nook completely invested in the pages and forgetting to care for herself, and sometimes those in her home.
Will not and does not keep up with her doctors appointments. This is in part because she's terrified of her Doctor, Shiro, but also just because she hates check ups and medication in general. Lysander also struggles to help Mihli stay medicated. ...Imagine trying to medicate a feral stray cat. That's what it's like trying to get her to take her meds.
Tumblr media
Extra Details:
Sexuality: Ultimately, Mihli is a brat. At heart, she's realized she's a submissive who enjoys giving up control after living a life where she's had to be in control and accountable for so long, but only to the right person. She's also a touch starved tsundere who no matter how much touch affection she receives, will never be fully satisfied, but will be angry that you're giving it to her.
Romantically: Mihli just wants to be loved. She doesn't need to hear it, she just needs to know it in her heart. Despite being tsundere about receiving affection, she craves giving it and her love language comes in many colorful and plentiful forms.
So, tell me...
Tumblr media
34 notes · View notes
curator-on-ao3 · 12 days
Text
fic author q&a
I was tagged by @deadheaddaisy for a fun and great fic author game. Thank you for tagging me, @deadheaddaisy! ❤️ As happy as I am to be tagged, the thing is, y’all, I’ve done that particular game a few times already and, even though it’s a great game, I was in the mood for something different. So, I’ve made new questions — and answered them — and I’ve tagged some folks in case they want to answer them, too.
1. Why do you write fanfic?
Life can be stressful, and writing fanfic can be like a little vacation. It’s not my life, anymore, it’s the characters’ lives.
2. Which of your posted stories do you think about the most, even though the story is “finished”?
I think about Malleable and Unmalleable Orders (Mirror Pikeone, E) probably because it’s so different from what I usually write. I also think about The Light Before Dawn (Pikeuna, M) because, even though it would have bogged down the story, I do think they eventually get married and the details of all that sometimes cycle through my brain.
3. If you could give yourself fic advice from when you first started writing fic, what would that advice be?
Enjoy this time of not really knowing fic conventions or expectations.
4. What’s your relationship to fic stats?
I try to avoid them. I love every kudos and comment and bookmark and subscription. But I don’t go looking for the numbers unless I have to.
5. Is there a pairing or scenario or friendship you miss writing? If so, why? If not, why not?
I miss writing Kathryn Janeway/Tom Paris. I had a lot of fun with that pairing for a while.
6. What motivates you to write?
If I don’t write the stories down, they get stuck in my brain. So I guess setting them free (in good ways) is my motivation.
7. Why do you write for the fandom(s) that you write for?
I really do believe in the ideals of Star Trek — IDIC and peaceful coexistence and all that stuff. Even though I often write for the spin-off series, not the original Star Trek, creating stories in that universe lets me be part of it, even in a small way. Also, as a bonus, I do think Trek readers are great about comments, kudos, etc., and that helps a lot.
8. If you’re stuck writing a WIP, what do you do?
I might work on something else or take a break. The problem will rotisserie in my head and probably work itself out if I don’t push it too hard.
9. What do you wish people knew about comments?
That any nice comment is welcome and appreciated and, if the person doesn’t want a reply to their comment, they can just say so and it’s easy enough for the author to honor their wishes.
10. Maybe there’s a question you wish had been on here. What’s that question (and answer)?
How about, “Do you read public AO3 bookmark notes on your stories?” Yes. Because of bookmarks like these on The Autobiography of Kirsten Clancy (Gen, T):
Tumblr media Tumblr media Tumblr media Tumblr media
Tagging with no pressure: @deadheaddaisy, @iamstartraveller776, @fiadorable, @sun-lit-roses, @coffee-in-that-nebula, @grissomesque, @enterprise-come-in, @starrybouquet, @lorcaswhisky, @marymoss1971, @emilie786, @cnrothtrek, @elephant-in-the-pride-parade, @pc-corner, @divinemissem13, @meddow, @missparker, @jazzfic, @the-lady-general, and you. If my tag anxiety got the best of me and I didn’t put your name here, please consider yourself tagged. ❤️
36 notes · View notes
libraryofneith · 15 days
Text
Old Dog, New Tricks - Chapter 3 (Sandor Clegane x Female Reader)
Tumblr media
@ladysandorclegane1968 @broadsdrinkwhisky
Series Masterlist
Summary: As Sandor settles in, he wonders what is next for him, what to do with his life.
Tags/Warnings: none really, whole fic is 18+ but this is a very chill chapter. Enjoy it while it lasts, cos it won't, OC has mutism.
Thanks to everyone who's liked, reblogged or left a note. The response to this has been amazing.
When we found her, she was wandering the countryside, filthy and covered in blood. And her eyes – there was a look in her eyes of someone who’d seen something truly terrible.
Weeks past and with them, Sandor found himself healing. With the help of some other friends of Septon Ray’s, he found himself beginning to walk a bit more with each passing day. First across his room, then he ventured outside. That was when he learned where he was. He was with a small settlement of people who appeared to have set up camp in the middle of nowhere and had started building a sept.
They were people from all over: the North, Riverlands, Westerlands, and people from all walks of life and backgrounds. All these people brought together by religion to start their own way of life, a bit like the Brotherhood Without Banners only not so stuck up their arses and with a lot less fire and a lot more sanity.
Once he was able to walk, stretch and lift weights without fainting like a maiden at the sight of blood, Ray set him to work helping with the building. He said they could use a man with the Hound’s infamous strength on their mission. Sandor had given up his identity when Ray told him he already knew who he was.
“Your reputation proceeds you; huge man, and even through all that mess I could see those infamous scars.” Sandor growled, irritated.
He then asked if he’d seen a scruffy looking girl of about 13, might’ve looked like a peasant boy. The septon shook his head and said they’d found him alone. That didn’t surprise him. If he remembered right, the girl had left him on a mountainside to die then left, looking to be heading towards Saltpans.
“Why the fuck did you bother asking my name then?” The man smiled and shrugged.
“Formality, I guess.”
When Sandor wasn’t chopping wood or carrying heavy planks, he spent most of his time alone. The people here weren’t unkind, some of them could even look him in the eye, but they were all happy and decent folk who seemed to be completely un-phased by the horrors in the world around them. He had no place among such folk. Well, except for Septon Ray, he always took time in the day to visit him.
Truth be told, he was growing quite fond of the holy man. He wasn’t like the other septons he’d met, he wasn’t all solemnity and false piety, acting all holier-than-thou. He was happy and he was human, always greeting people with a smile and a joke. He even knew jokes bawdy enough to make Sandor snigger. The man was also completely unpretentious, a trait Sandor rarely found in anyone.
Sandor had snorted and said “You’re in the wrong line of work.” At least he was honest, which was more than could be said for most holy men.
Other septons liked to pretend that they knew the answer to all of the world’s mysteries and that if you just kept quiet and prayed then everything would turn out right. When Sandor challenged him with another man’s beliefs about the Lord of Light, he simply said
“Well maybe he was right, I don’t know much about the gods.”
But then there was the girl, Kyra. He didn’t know what to make of her. A young girl who he’d seen every day while he was bed-ridden, and most days once he was up. When she wasn’t nursing him, he noticed her about the camp cooking, planting vegetables or doing whatever chores needed to be done. She was small for her age and moved so quietly he mostly wouldn’t realise she was there until she was upon him.
He’d approached her one day, to thank her for her skills in nursing him. He'd been unsure of what to say, it'd been a long time since he'd thanked anyone for anything and he wasn't sure what she would say, but she said nothing. She just smiled, nodded, then walked away. He thought that odd but when he thought about it, he realised he’d ever heard Kyra speak. She wasn’t deaf or foreign; he saw her reacting to what people said, but she never spoke back.
“Good girl that.” Septon Ray said, approaching him where he stood. “Should’ve seen her when you were still out of it, most of the men wanted to slit your throat as an act of mercy but the look she gave them would’ve made the bloody Mountain shit his pants” Sandor smiled at that thought.
“Aye she’s a good lass. Why doesn’t she speak?” The septon’s face seemed to sadden at that.
“Fear, I think. When we found her, she was wandering the countryside, filthy and covered in blood. And her eyes – there was a look in her eyes of someone who’d seen something truly terrible. She screamed bloody murder when we tried to bring her back to the village but even when we eventually managed to calm her, she never spoke a word, and hasn’t in all the time I’ve known her.”
“Then how do you know her name, or get her to do anything?”
“She writes things down, or motions them, or sometimes just a look is enough.” Sandor could understand that – the girl had the most expressive eyes he’d ever seen. They’d been the first things he’d noticed about her when he woke up.
The bell rang out, meaning a break for a meal.
“Come, sit with me for dinner” Septon Ray said.
“Nah that’s alright; I don’t want to scare your men.” The man just chuckled.
“If they’re scared of you that’s their problem, I’d have my friend join me for a meal.” That took Sandor aback. Ray was kind to him, but he was kind to everyone. He didn’t think that the man thought of him as a particular friend. He didn’t know if he really wanted a friend.
That got him going.
“If you come now there might be some ale waiting.”
20 notes · View notes
twig-tea · 2 months
Text
Song Shuffle Game
Thank you to @my-rose-tinted-glasses, @lurkingshan and @hyeoni-comb for the tag! I've been remiss on tag games recently but this one was quick.
Rules: put your music library on shuffle, then list the first 5 songs that come up in a poll to let people vote for the one they like the most! 🎶
I'm glad this turned out to be a representative sampling of what my favourites is like, 8 different languages in 5 songs lolol. I would have trouble choosing from this list tbh!
Tagging some folks with no pressure: @incandescentflower, @italianpersonwithashippersheart, @hallowpen, @telomeke, @thisonelikesaliens
@sollucets @he-is-lightning-in-a-bottle [line break for tumblr nonsense]
and if you've already done one LMK! Also anyone who wants to play, consider yourself tagged.
@troubled-mind even though I know for sure you've done one already it feels wrong not to tag you in a music post!
24 notes · View notes
Pains that Grow
Author's note: Su'cona's next chapter.
Past =-= Next
Warnings: descriptions of chronic illness and pain. Uh. Let me know if I need to add anything else.
Summary: Su'cona tends to his bonded when they are having a bad pain day.
Tagged: @barn-anon, @bleedingichorhearts, @c-u-c-koo-4-40k, @egrets-not-regrets, @kit-williams,
Tagged continued: @sleepyfan-blog, @whorety-k, @ms--lobotomy @bispecsual @thevoidscreams
You wake up and turn to look at your phone, which you have charging next to you as it rings, waking you up from sleep. You groan and grab your phone, squinting down at it. Reading the numbers on the clock which brightly tell you the time. You set your phone down and rub your face with a tired groan. 
It’s been a while since you pushed yourself and helped out at a Soup Kitchen. Part of you had known that doing so would have Consequences, but you liked helping out people who had less fortunate situations than yourself when you could. Besides, volunteer work was not quite-mandatory for your Work. 
If you did do Volunteer work, logged the hours, and sent in the hours, dates, times, as well as Proof of doing it, then you’d get extra paid time off. Which could be a godsend sometimes. Your job, which you are very grateful to have is remote work, with once or twice a month you come into the office to have In Person meetings that the Higher ups insisted had to be done in person. 
You didn’t mind it. Much. The in-person training days were fine, and you learned the things that you needed to, or the refresher courses. It also helped when new team members came on to have everyone meet face-to-face, rather than over a Video conference phone call. You shiver a little as you feel a burning feeling that has been spreading over your shoulders and down your back, and has been slowly intensifying since you’d finished doing the Soup Kitchen. 
There is a dull throbbing sensation that pulses angrily to the beat of your heart. During one of the times you had worked at a soup kitchen, you met Su’cona, a Salamander Space Marine. He’d seemed… lost and alone. Which, as far as what you knew about Marines (which wasn’t much, just what ‘everyone said’ about them) it was unusual for him to be alone. 
He’s also hungry, and happy to hand out soup and sandwiches to the very grateful folk who’d shown up for the food and drinks. You hadn’t ever thought about having a Space Marine in your life, sure, as a kid you’d been as excited as most kids about maybe getting a Space Marine, but as you’d gotten older and your life had gotten much fuller and emptier in some ways, you didn’t have room in your life for a pet, or a romance partner, much less a space marine, but one had shown up in your life. 
Large, Green, warm, and very affectionate and friendly. You had to move, since Su’cona had decided you belonged to him now (some people would say that the Space Marine’s belonged to them) for some reason, you think that it’s likely more complicated than that. 
But, having subsidized Space Marine housing that included housing for you because of Space Marine Stuff isn’t something that you were going to complain about. Grateful that your job was mostly remote, and that it was still within reasonable driving distance to get to and from the office in a car. Su’cona was already quietly puttering about, making both of you breakfast. You slowly get up, and carefully stretch as you try not to whimper in pain. You have a high pain tolerance, usually, because of your condition, but it was feeling particularly bad this morning.
Su’cona comes over to where you are, out of armor and tilting his head down, a concerned expression on his face as he trills down at you in Space Marine Language ???. You try to smile up at the big guy.
“Thanks for worrying buddy,” You say rubbing your eyes, “It’s just a bad morning.”
He tilts his head a different way, his brows furrowing, as he lifts a tray of food that had a warm, tasty looking and smelling meal. It’s one of your favorites, but your stomach rumbles uneasily and the thought of food makes you want to gag. 
“Thanks for making breakfast,” You say as you get up, and carefully take the tray from him. “I’m going to do it in a bit, I need to get ready for the day.”
He gives you those devastating fire-bright puppy eyes that melt your heart. Every. Single. Time. Your shoulders slump a little, “Buddy, I need to get ready for work. I get a half day off since I did the Soup Kitchen, but there is an important deadline that the Boss is on my ass about.”
Su’cona rumbles down at his bonded human. They are having a Bad Day, he’d learned quickly that his human had a… condition? Of some kind where they would get pain that would flare up. Their skin would become discolored and warm to the touch. 
It had alarmed him when he’d seen the mottled purplish and irregular looking skin. It had Worried him, afraid that they were ill. As they had been so lethargic and unlike their normal self. He’d gotten one of his Apothecary Brothers to make a house call to see what the issue was.
He’ll make sure to get them some of their medication to help ease the pain, swelling, inflammation. If it’s a particularly bad day, their skin could be so sensitive that the slightest touches of wind or cloth could feel like torture to his poor human.
He wondered if this was a curse that beset his poor human from Chaos. But his Librarian brothers had assured him that it was no curse, and his Apothecary brother’s had explained that it was just how their body was made. Which had distressed him greatly, as he’d hoped he, or his brothers or cousins might be able to help ease their distress and pain.
They also could forget things easily, or become frustrated, with themself, or their world around them. So he’d learned how to help them, make sure to give reminders and help them when their brain and body worked against them. They have such a strong soul and spirit. He admires and cherishes his Bonded human dearly. 
He’s glad that they were able to have a full night’s sleep, as that could be an issue, with the pain their body had, sleeping was in short supply a lot of time. Su’cona had learned about the symptoms and signs of his human’s conditions, and the ways that he could help them… without being overbearing. 
Which had… taken time to learn what they would allow him to help them with and what they wouldn’t allow him to help them with. He knew that some of the Death Guard Apothecaries were willing to make medications that were not available for humanity in this age, for a price, and he’d heard of Apothecary Hura- a Death Guard Veteran and Apothecary who could be… reasonable, for a certain measure of the word with Renegade and Loyalists. Of course, all services come with a price attached to it. He shook his head, banishing thoughts that could go down a bad, dark, ugly road if he wasn’t careful. He’s not met this Hura, only heard of him from his brothers and cousins.
37 notes · View notes
fireflysummers · 1 year
Text
Final Thoughts on GO S2
I'm probably gonna pull back on discussing S2, at least publicly, after this. I did actually like a lot of the season, but it's triggering some of my religious trauma and also the fandom is already stressing me out. So here, let's have some final thoughts.
First and foremost: I am not a Gaiman simp. I've read a decent amount of his work: comics, short stories, essays, and novels. Aside from Good Omens, I've liked Coraline and The Graveyard Book the best by far, whereas American Gods just. Did Not Connect with me, even though it's should have, given the stuff I tend to enjoy.
However. Regardless of whether I like a given work (or even like how he adapted it, a la parts of The Sandman TV series), he is a veteran writer who has proven that he does, actually, know how to write a story with consistent characters.
Beyond that, I do actually believe that he's trying to do right by Pratchett, and loves and respects the story and characters they created together. He's generally shown up as an ally to a variety of social causes, and directly and respectfully responds to fans on Tumblr. While no saint, I feel that there is cause to give the benefit of the doubt that things will resolve satisfyingly in S3, and that there is Intention about some of the things in S2.
This, of course, does not absolve it of being "bad," but even here I think we need to articulate better the different types of "bad" that people are reacting to. There seems to roughly be three camps here: 1) People who thought it was "bad" because of how it ended, with the breakup and a lot of unresolved plot threads; 2) People who thought it was "bad" because it struggled on a technical level with its set, lighting, directorial choices, editing, etc; 3) People who thought it was "bad" because they felt the characterization was significantly off and that the internal logic of the series had been violated.
With regards to Point One, the only solution is to Wait and See. Judgement should be reserved until the story is properly finished--easier said than done, especially considering the current media landscape, and the number of series or franchises that fail to live up to their promises.
Point Two isn't something I understand well enough to contribute meaningfully, except that I suspect the pandemic affected this aspect the most and am willing to give it a bit more mercy. That aside, I for the most part I don't find it bad so much as not as good as S1. Except for the parts with epilepsy warnings, surely there could've been a better way to do that.
Point Three... that's the stumbling block for me, and I find it interesting that most of the folks who struggle with this point in particular are long time fans of the book.
I trust that instinct.
There are two different directions to go from here. The first is the assumption that these problems are a result of ego, carelessness, or lack of skill from the showrunners/writers/director. It's cynical but not unjustified. The second is the belief that the breaks in lore or characterization were intentional, building towards a much grander conspiracy. Of course, even in this case I don't think it forgives the lack of signposting that would indicate that this is a choice rather than an accident. It just makes it feel clumsy and poorly constructed, a major risk on a show that hasn't had its third season confirmed.*
However, regardless, it still feels salvageable. I've enjoyed reading a lot of meta on all this, and I've pulled some things from others (particularly That Theory by @ariaste), but I don't really want to put forth a single, defined theory myself. Instead, here's some questions I've got, why those questions are important (to me, at least). Actual theorizing comes after, and anybody who snidely mentions Sherlock in the comments or tags is going to get auto-blocked. Like seriously, I'm aware that some stuff is a stretch, but it's fun??? To theorize????? And I'm here for me and my peace of mind rather than trying to argue a point.
*I have some suspicions here, particularly with Gaiman stating that the decision from Amazon would come much faster than The Sandman's second season (which was four months). I don't know enough though to say if that's actually significant.
Questions
Who the fuck is telling this story?
This is the most important piece, in my opinion. There's this assumption when reading books (or research papers, newspapers, etc...) that the narrator who is writing the words is a non-presence, Neutral and objective. That's not the case, and an important part of literature critique is figuring out who the narrator is, and what their goals are. Oftentimes, the narrator and the author are the same person, but with Pratchett's work, particularly on Good Omens and Discworld, the Narrator was its own unique character.
This is why people struggle adapting Discworld to live action--that medium requires a Reason for having a Narrator, and especially in the age of method acting that's often considered immersion-breaking. Good Omens worked so well because they not only kept the Narrator, but they made Her God.
This added some really interesting new dimensions, such as the scene where Crowley speaks to God about his fall and the destruction of humanity. He doesn't receive an answer, but we're watching from God's perspective, so we as the audience know that She's listening.
Another advantage of making God the Narrator is that it justifies all the goofy little asides we get into the lives of minor characters (i.e. Leslie the Mailman), without losing focus. It helps the world feel like it’s full of people, rather than characters and plot contrivances, and the theme that individual people and their choices are important. The Narrator is such a central character of Good Omens that without it, the story struggles to stay focused.
It also highlights a key difference in the writing styles of the two authors. Pratchett’s work tends to introduce four or five totally unique plot threads that feel completely disjointed until the last act (if not even later), when it turns into a Chekhov’s Firing Squad. Plot twists around secret identities and backstabbing and schemes are relatively rare, as the omniscient Narrator doesn’t lie about the intentions of people or their actions.
Gaiman’s writing is typically not like that, to my knowledge. He buries characters in misdirection and hints, and you never know the true identity or motives until all the chips are down. It’s a perfectly valid way to approach storytelling, but it makes it jarring to see it in S2. The lack of a Narrator is a huge reason why S2 doesn’t feel like Good Omens to some folks.
My gut feeling is that the decision to shift from the original Narrator was highly intentional. It helps to obscure the thoughts and intentions of people, and it also muddles the insights that we’re supposed to take away. (I would have loved hearing God monologue about what’s going on in Jim’s head. I think it’d do a lot to make him seem less.... obnoxiously stupid.)
More than that, it brings up a reasonable potential plot point of: Where did God go? Why isn’t She present in the story? Even in her early appearance in the Job flashback, she doesn’t sound like the narrator for last season. After the first part of her speech (which Gabriel later quotes), her tone turns casual and condescending, which might line up with her being a bit of an asshole, it doesn’t line up with the whole “dealer of a mysterious card game who is always smiling”).
Also, I don’t think it’s safe to assume that nobody is telling the story either. Just because they’re not making their presence known doesn’t mean they aren’t there, and in a story like Good Omens, that’s concerning.
Wait, where's Satan?
Another person I saw while scrolling the tags pointed out that Satan is nowhere to be seen this season. He's really only mentioned in reference to a bet God made in Job, but then Crowley is the one on the ground causing mischief. There's no Hail Satan among demons (like Hastur and Ligur did at the start of S1).
That's might be because the writers didn't want us to think it was important (a la Hastur), but that feels off. Given that Satan speaks directly through the radio to Crowley in S1, complimenting him on his work, it's safe to say that he was at least aware of and involved in the goings-on in Hell. The fact that he wasn't even an worry for Beelzebub in abandoning their post? Feels weird.
(Also if you know where that post is, I'll happy credit + link)
What is Maggie?
Look, I love cute lesbians in love as much as the next queer, but I don't like Maggie. I don’t think she’s a person. Contextually, she’s a plot device, but I agree with That Essay that she might be an actual Plot Device.
Her characterization is simple and relatively shallow—a bit of an airhead, ray of sunshine that’s supposed to remind you of Aziraphale. When she describes her past to Nina, it’s almost robotic (also, her story implies it was Mr. Fell who first rented to her ancestor, not Mr. Fell’s great-grandfather like Nina implied). Her emotions are over-dramatic and seem to be turned on and off at random (scenes with her crying to Aziraphale about her woes had my “manipulator” senses going off for some reason).
When asked about a song, she not only IDs the song, its singer, and its year, but how and on what it was distributed. (Honestly thought this would’ve been something interesting, because she’s been pretty ditzy so far, it’d be interesting if she had like... an insane memory for music history.) And then she’s the one that sets Aziraphale on his little investigation by giving him the transformed records, while also planting the seed about her love troubles with Nina. Later, her advice to Crowley is... not awful, but feels insincere and a bit too forward, given her own self-proclaimed lack of relationship experience.
I don’t know what she is (a demon, hastur with amnesia in disguise, a literal plot device inserted by the current storyteller, etc...), but there’s something not right with her.
(Also the joke of “who listens to records anymore, it’s so old fashioned” just doesn’t land, lots of people buy records, and I’m saying this as somebody who has worked at a record store before.)
What's going on with Aziraphale?
There’s something Off about Aziraphale, and it’s not his choices at the end of the season. That makes total sense if you read him as somebody with severe religious trauma getting dragged back into the abusive system because other people need him and he’s been promised the ability to change things.
But I do think something is happening to his memory. Nearly all the flashbacks are from Aziraphale’s point of view and retelling, which means that they’re less reliable than God’s version of events in the previous season. Many of them don’t make logistical sense (post-church scene in 1941), depict Crowley as meaner or more sinister than we know he is, or frame events... weirdly. The scene with him trying food for the first time feels Really Bad, especially when the series has previously established that he’s a) prim and proper and b) his interest in food is one of the beautiful things that connect him to humanity, not some kind of gluttonous sin. Also he turns down alcohol.
Their meet-cute at the  start of the universe also doesn’t line up with their reactions to each other in Eden, or the fact that knowing each other Before has never come up or been hinted at anywhere ever. I don’t know what’s causing this to happen, only that Aziraphale repeatedly looks pensive when coming out of flashbacks, and Crowley is never there afterwards to corroborate said memories.
His actions also seem pretty inconsistent with what we know of him—i.e. I refuse to believe he would ever mistreat his books, even if they’re just old encyclopedias. Also, he feels a bit too...forceful in trying to get Nina and Maggie to fall in love? I mean, he didn’t exert that much direct influence on even Warlock, when he was actively hoping that the boy would turn out angelic rather than neutral.
I don’t think this removes his agency in that last decision, so much as explains how he was in such a vulnerable place at all. He still needs to apologize and fix things, because he messed up, and even if he hadn’t he still seriously hurt Crowley.
What's going on with Crowley?
There’s something Off about Crowley. The most obvious thing, of course, is his memories. At multiple points in the present day, characters state that they remember him or have met him before, only to be met with confusion. This is especially concerning given that he has a nigh photographic memory for faces (something mentioned in the book when he immediately IDs Mary Loquacious, 11 years after a 30 second conversation).
Overall, he seems to be better known by other supernatural entities this season, in ways that often tie him back to his angelic identity (i.e. saying they fought together in the war, Aziraphale stating he knew the angel he used to be, etc...). This doesn’t feel right, because S1 we see that Hell is largely apathetic towards his schemes, and definitely does not defer to him at any point in any capacity.
Then there’s the issue of his power level. It’s always been speculated that Crowley was a powerful angel prior to falling, when he mentions in S1 his involvement with star making, his seemingly unique ability to freeze time, and creating a pocket universe for Adam before the confrontation with Satan. He also has a tendency of breathing life into inanimate objects, like his plants or car. He also has the regular demonic skillset: miracles that can adjust physical appearance; the ability to change inanimate objects (like paintball guns into real guns); the ability to manifest clothing and similar items; and summon hellfire to his fingertips. This, plus the way he monologues to God with a degree of familiarity rather than reverence seems to indicate that he was Somebody Powerful and Important Before.
But in S2, his skills are significantly expanded upon. The miracle he and Aziraphale summon sets off alarms in heaven and hell, and it’s powerful enough to mask Gabriel from the Archangels. He summons a miniature sun to rain fire on Job, which is way bigger and flashier than anything we’ve seen him summon in S1. (If he needs fire, he alters the course of a dropping bomb, without creating one himself.)
Yet he’s able to cloak his presence so well he goes wholly unnoticed in heaven, or in front of heavenly agents on earth (i.e. the Job flashback). Muriel can’t clock him as a demon, or even as another supernatural being, despite their auras usually being pretty significant, such Aziraphale immediately sensing the archangels when they arrive.  He’s able to interfere with files that Muriel claimed required clearance (although I feel like that might just be a snark about Obeying Without Thinking? I would really need a Narrator to know.)
I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.
I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.
I don’t have any real issues with his characterization in the present day parts of S2, but there’s something weird happening with Crowley.
Where's all the people?
I really like a lot of the new characters, but how were there only like, 2.5 new humans named in the present day? Flashbacks don’t count bc the humans are all dead and can’t affect the story.
As much as I like Nina, she and Maggie don’t drive the story beyond being an occasional and awkwardly inserted plot contrivance? Both are actively robbed of their agency at several points, forced into situations that they could not have avoided or escaped. I’m not really sure what growth they’re expected to experience other than deciding not to date each other after everything. I literally can’t tell you anything about Nina other than that she remembers her regular’s orders, runs a coffee shop, and has a textbook abusive partner we never see. The only meaningful interactions they have are between those two, or in conversation with Aziraphale and Crowley.
Compare that to S1, where Anathema gets hit by Aziraphale and Crowley, but her primary relationships are with Newt, Adam, and Agnes Nutter (I think that counts as a relationship). We know that she’s got a wealthy family back in Puerto Rico, and that she was literally raised to save the world, and that she isn’t happy under all that pressure. Newt on the other hand is connected to not just Anathema, but Shadwell and Madame Tracy. He never even directly interacts with Aziraphale and Crowley. We know about his hobbies, his struggle to hold down a job, and his almost supernatural ability to destroy any electronics he touches. I don’t necessarily like how their relationship came together, but they were both very, very well fleshed out characters with unique backstories and goals. They weren’t just... waiting around to give Aziraphale and Crowley a new questline.
And while there’s no requirement to include a large cast of human characters that are exerting influence over the story, the lack of it is another aspect that makes this season feel not like Good Omens.
Also, it's just. Really weird to me that the events of S1 aren't really referenced at all? Like, Adam isn't mentioned, nor is Warlock. I don't expect them to keep track of the humans they met on the airfield for 20 minutes, but none of it is ever specifically referenced as far as I can tell, beyond Crowley threatening Gabriel. Like, I get that it's been a few years, but the pair caused a big enough disturbance that you'd expect some kind of ripples in their supernatural communities.
Promised by the Narrative (Obvious Chekhov's guns that I will be legitimately upset over if they do not go off)
A sincere apology from Aziraphale to Crowley that doesn't come with the expectation that Crowley will come back to him, but because he deserves an apology, even if the choices Aziraphale made were done with good intentions. Aziraphale does not expect forgiveness, and is shocked when Crowley grants it without hesitation.
A clear declaration of love from Aziraphale, which can't be rationalized away by either of them.
An "I'm Sorry" dance between Aziraphale and Crowley, but with greater sincerity and gravity. The most important piece is that they end up dancing together, which signifies a mutual apology and dedication to come together.
Since kissing is on the table, I expect an actual joyful, mutual kiss between these two assholes.
A shared cottage in South Downs.
Predictions/Theories (just some fun thoughts I've had)
When Adam declared that Satan was not his father, he didn't make himself not the antichrist, but accidentally crowned his human dad the King of Hell. Nobody knows this, because Adam doesn't have a good measure for "normal" supernatural situations, and Mr. Young because he's so "normal" that he explains away all the magical bullshit that's started going down.
When Adam declared that Satan was not his father, he erased Satan altogether. However, this left a vacuum in both power and reality. The defection of both Gabriel and Beelzebub only widens that crack. In an attempt to Fix things, reality is warping the story. Crowley has become leagues more powerful between S1 and S2, as the narrative is trying to force him into the role of his previous boss. Aziraphale is unknowingly being pulled into a similar version on the Other Side, perhaps to replace Gabriel or perhaps to replace God herself, who has been fairly absent in all this. The alterations to their memories or past have come about to keep the narrative running smoothly.
When the Metatron asks Nina whether anybody has ever asked for death, he was actually referring to Death, the sole remaining rider of the apocalypse.
If Maggie is indeed a Plot Device, it would be a fascinating exploration of Free Will to see her become aware of this (cue existential crisis), and then fall in love with Nina on her own terms, rather than because she was written that way.
Hastur will be back. Somehow.
The reason why S2 focuses so much on the supernatural characters is because S3 will be about how the events in S1 have changed the political landscape of heaven and hell. Angels are questioning their roles, demons are yearning for something more. It's scaring upper administration, and then the two most reliable folks in employment run away to alpha centauri. Recruiting Aziraphale and getting him back in line prevents him from becoming a martyr, control the range of his influence. The series reasserts its theme of choice and agency by highlighting that Aziraphale and Crowley aren't that special, they've just had the chance to live and grow, and that the others have free will too, if they want it.
The reason why they wanted to separate Aziraphale and Crowley, is not to get Aziraphale on his own, but to get Crowley on his own. He literally stopped time and made a pocket universe in front of Satan last season. He's powerful and dangerous and somebody wants to see that reigned in.
Wishlist (stuff I desperately want to see)
Crowley getting an audience with God and an opportunity to ask his questions, only to refuse to do so because he's found his own Answers and he no longer needs hers
Aziraphale and Crowley growing more into their book incarnations. Aziraphale becomes confident in his sense of morality, which he developed the hard way through millennia on earth besides humanity. He slowly learns what it means to be loved, unconditionally, but also is better at asserting and maintaining his boundaries. Crowley, still anxious and unwinding, works through his fear of abandonment, providing him opportunities to be kind and gentle and nurturing--all traits that he's aggressively hid since being a demon.
Hand holding. I know that Gaiman was referring to Ineffable Bureaucracy, but I still feel like we'd benefit from meaningful hand holding, especially since that got cut from the adaptation of the book.
Shifted focus away from the supernatural shenanigans, and back onto the humans that actually drive the story.
Cameos from S1 characters (if not a more substantial appearance).
The Four Other Riders of the Apocalypse.
Cursed Thoughts (why I shouldn't be allowed a social platform)
Ineffable Bureaucracy turns up in season 3 because Beelzebub got Gabriel pregnant somehow.
109 notes · View notes
starflungwaddledee · 7 months
Text
Tumblr media
alright. look, we're going to go into this because i genuinely want to think you didn't mean harm by this, but it's unacceptable to use this sort of manipulative phrasing. especially with strangers, some of whom are kids.
this is not a call-out. i've hidden all names except my own. i just need to address this post i was tagged in, and don't want to add it onto the end of the original post. i could also have done this privately, but i want this to be here for the other folks who were @'d. i won't @ anyone else who was mentioned in this post, but many of us are mutuals, so if you see this post and you're feeling at all stressed out or bad, i recommend just clicking through because i'm going to go into this.
firstly, and i'm going to make this transparent, person who @'d me: i don't think you're being malicious or did anything purposefully bad. i don't think you intended harm or that you are "a bad person". i don't have a single negative thought about you as a person. i don't make this post to be mean. i truly think you made an earnest mistake that could easily have hurt others, and i am stepping in with the hope this can be avoided in the future! per my usual boundaries on reassurance seeking, i will not reassure about this further.
secondly, the post that you tacked this onto IS important and a helpful resource, and it is great to bring attention to it. we should be doing everything we can to not only defend against, but actively fight back against generative AI. many people cannot access the most commonly recommended tools (myself included), so a resource like this is fantastic and i'm glad to learn about it and share it! i don't speak for anyone else, but i've said before that i personally don't mind being tagged in resources that could help me or others and i'm usually happy to share them, especially if i think the latter
but, assuming that you are genuinely well meaning and don't know better, you need to know that this is not the way to go about it. i don't mean mass-tagging, which is fine in times like this imo, i mean your written add-ons that actively guilt trip every single person you tagged.
"if you weren't convinced by the idea of being a good person" and "I do hope anyone I @'d isn't a bad person" in particular.
you may not have realised, but these are profoundly manipulative and cruel things to say. regardless of how you intended them, they are inciting guilt in the reader, and especially in the people who you actively called to come and look at it. here's what it sounds like:
"hey! you! yeah you! come look at this!! come closer! now, do what i ask you to do, or you're a bad person."
there are a million and one reasons someone might not reblog something. being tired, offline, anxious, even needing to run a specifically professional blog with exclusively your art on it for your own financial survival which makes it hard to reblog important posts like this; none of those are bad.
in this case, only one thing makes them a "bad person", and it's "they're pro-generative AI and did not reblog because they want to hide this information to ensure they can continue stealing from creatives".
i'm fairly confident you don't actually think anyone you tagged here has that point of view, or that you really have any doubts about their stances on generative AI. in fact, of the folks i recognise here, they're all independent creatives, sharing artwork with fandom for free on the internet. they are the victims of generative AI, and like most of us, are facing a terrifying future and are already desperate to find a way to defend/fight back.
you do not need to use manipulative language like this to get us to care about this sort of content! this affects us all, content creators and content consumers alike!
in future if you want to direct folks to something like this, which is super helpful and it was good of you to do!, you can just @ them so they see it. you can even say something like "this is important and some reblogs would sure help to boost it!". this is still a call to action, but without the manipulative phrasing, just in case they cannot act for any reason.
in the end, guilt tripping people like this, intentional or otherwise, is dangerous.
at best it will make them feel like shit and they'll feel forced to reblog + share from you out of guilt rather than just believing in the cause. and sometimes it feels like it's most effective, especially when things are urgent; but in my opinion the risk of harm is just too high. because at worst, you could accidentally send someone into a negative thinking spiral. you can never know what people are going through offline, or outside of your spaces, and how something like this will hit them.
28 notes · View notes
ghostoffuturespast · 9 months
Text
Works In Progress 2023: A Cyberpunk 2077 Year In Review
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I thought for a hot minute about doing one of those snazzy templates that’s been going around, but editing photos just ain’t my MO and rather than going by month I picked 12 favs that I’ve posted in 2023. Some of them were popular, some of them weren't. Overall, I think I did pretty good for just doing vanilla photomode on console.
You might be wondering why there's a picture of a sticky note. I don't remember when I started doing this, and I'm horribly inconsistent as you can see by the dates, but I'll jot down my word count for my wip chapter and then jot it down again when I remember to later.
I write slow. A lot of times I sit down to write and it feels like the wheels are spinning in place. My minutes and hours don't stretch very far, typically don't add up to much. But days, weeks, months. That's when I can at least measure the progress.
Fic: So It Goes 40/44 - 438,946 words
My V x River Ward and tinfoil hat conspiracy theory long fic. I've spent way more hours on this then I have on any of my VP.
I got tagged by @just-a-cybercroissant @therealnightcity and @wanderingaldecaldo to do some WIP Whenevers. I post my VP pretty regularly, so it’s always seemed silly to do work in progress posts for them, and I don’t know when I’ll have any new writing to share since in between work and the holidays, I haven’t had much time to sit down with anything since my last chapter update. And I've been feeling very... stingy, lately. Especially when it comes to mine and other people's writing. So take this WIP/Year In Review as my offering. Both these series, as am I, are all very much still works in progress. 
I confined my reflections for this year below the cut. If you don’t want to read my long-ass essays, you can admire the pictures, maybe check out my fic, or just move along and have yourself a lovely day.
We’ll start with the easy one.
VP
After at least a year of multiple playthroughs (I’ve played all the lifepaths, done all the endings), it only occurred to me at the beginning of this year to start taking VP. Part of the reason I never did before was because I didn’t realize it was a thing and then by the time I did, I figured I didn’t have much to offer. I play on PS5 and only have access to vanilla photomode, so seeing everyone else’s high-fidelity, ultra ray-tracing, modded, posed, full on virtual photo shoot photos, I was like there’s no way. (Not that I’m hating on PC modders, it’s just not everyone has access to mods or a PC capable of running the game, and I’m all for making art and creative endeavors accessible.) On top of that, all I’d ever heard from most other folks was how much vanilla photomode sucked. In the glamorous world of VP, I didn’t think there was any room for me.
But I started snapping pics anyway. And sure, there are a lot of limitations with vanilla photomode. But what that really translates to is opportunities to get creative. I am also a hoe for subverting people’s expectations, and very much believe when there’s a will, there’s a way.
Environmental and landscape shots were my first subjects before I started branching out into portraits and then capturing story moments. Through VP I found an entirely new way to enjoy a game that I’d already played a ridiculous number of times along with also finally being brave enough to share my V with other people too. I’d always worried about that before, if people would like her. Granted, I know Grandpa’s not everyone’s cup of tea, but whether you like her or not, I certainly think she’s made a name for herself over the past few months. Even if most people haven’t really gotten to know her the way I’d hoped. 
I’ve taken hundreds of photos this past year. Most of which I’ll never share. There’s a lot of flops, a lot of weird experiments, ones that didn’t quite turn out the way I’d hoped, but I’ve learned something from every single one of them. I know how to spot good lighting, frame shots to create optical illusions, get a very limited toolkit to work in my favor, parkoured on all of the things, and heck, I even figured out how to make Grandpa smooch other NPCs. I’ve done atmospheric, mundane, down right goofy, as well as things that most people probably thought weren’t fucking possible.
I can’t say how long I’ll keep doing this, I’m sure I’ll move on at some point, but for now I’m still enjoying myself. There's a lot to explore in this game and I just can’t stop digging Night City.
Now, for the more complicated thing.
Writing
So It Goes… My peace, my war, my greedy and most ravenous of ghosts.
I’m operating under the assumption that most people following me here probably haven't read my fic or aren’t all that interested in reading it to begin with. It’s fine. But you need to understand this fic, my writing, is the main thing that brought me here. This is also Grandpa V’s story. Most of you have met her, but unless you've been reading, most of you do not know her.
I wrote around 185,000 words and posted 10 chapters this year. 2022 was about 253,000 words and 30 chapters, along with several unrelated one shots. However, I don’t think I’ve done a single chapter this year that was less then 10k, and my longest managed to hit 27k. As of the last update I posted, the fic is currently sitting at around 439k words, 40 chapters, and still isn’t done.
I have four more chapters to write. I have written a metric shit ton of words. This is, by far, the longest and most intense creative project I’ve ever endeavored to complete.
When I started writing, I was expecting this fic to be around 100-150k. That seemed to be the average for most long fics. I did not plan on being an outlier. I'm not sure you can ever really plan for that, but I guess I enjoy subverting my own expectations too.
For those of you who are reading my fic, it is my sincerest hope that it shatters every expectation of where you think it’s going. It’s not a joke that I tagged my fic “#an ode to my tinfoil hat”. An ode it has turned out to be. I’ve been sitting on this theory for two years. I have told no one about it. I hope it sticks the landing and hits the way I want it to. I don't know if it will. But fuck, I just want to be done with it so I can move on with my life, take a break, and give myself the opportunity to make and focus on other things before I have to get back on the damn horse.
I wrote less this past year then I did in 2022. I had a lot of life changes, most of which were good, but with times of change come times of adjustment. Along with some realizations that maybe you don’t understand as much as you thought you did. Looking back, I’ve been in a state of unsettled, kuzushi, for a really long time. Which is not a good place to be. It’s how your ass ends up on the ground with a knee knocking out all your teeth. I thought I knew better. Thought I had enough practice to get away from it. But bad habits have good memories.
I think given the circumstances, I accomplished a lot with my writing this year. I don’t know if my writing is exactly where I want it to be. I doubt it every will be, but it’s evolved, grown, and I wrote a pretty hefty stack of words considering I started working full-time again, bought a house with my partner, moved, and have been dealing with the millions of other beans that life tends to throw one’s way. That being said, and for full disclosure, I’ve also been dealing with some of the worst cases of jealousy and envy I’ve had since I was a teenager. 
Frankly, it sucks. They walk with me every fucking where I go, hold my hands to whisper back all my doubts. Try to persuade me to my baser instincts, to be cruel and lash out. But that's not aikido. Luckily, I’m not 16 anymore so it’s at least been easier for me to identify the problem. Though I’m still coming up short in terms of actually being able to do anything about it, and will be for at least a few months more. 
Yeah, I keep talking about it because I don’t know how many people know that I've been feeling this way. And I’m tired of not talking about it in a room full of creatives, because yeah, I know I’m not the only one that feels this way. And not talking about it just makes all that pent up resentment worse for everyone.
Don’t get me wrong, I love writing. But with the way I work and think, it’s a slow, tedious, and incredibly time-consuming art. With how much my fic has snowballed over the course of writing, it’s left very little room for the other hobbies in my life. And as my fellow writers probably already know, writing is an incredibly insular craft. And unlike a picture or an image, which only requires a glance, reading a bunch of words requires time and commitment.
So, when you put yourself out there and share what you wrote, it’s a lonely feeling not knowing whether or not anyone connected with what you put on the page. Especially, when the people who do read aren’t compelled to voice anything and when the people you’d hope would read don’t. And then you're stuck in the dark, not knowing, because neither of us says a goddamn thing.
I started writing this fic prior to actually joining the CP2077 fandom. And I joined the fandom because I felt alone. I’ve been here a while now, albeit in a few different places, and that feeling still hasn’t gone away. I’m still trying to find camaraderie with my fellow writers and carve out something that kinda sort of resembles a home or a sense of community. I watch my peers around me as they seem to build that with each other, except me.
I’m envious of the things that people make and jealous of the relationships those have created and fostered between said people, because for the life of me, it’s been a struggle to cultivate that since I got here. I know it’s selfish, but I also don’t know what about me makes people so hesitant. There have been a handful of strangers that have shown up for me regularly, but as far as people I call friends in this fandom that have shown up and actually stuck around, I can only name one right now. (I know we're all busy. And I acknowledge my writing's not for everyone. I know maybe some of you are quiet, or shy, or probably a thousand other things. I get it. But that doesn't mean it doesn't hurt any less. People will never know unless you say. Never know unless you take the time to interact or engage. Be brave. And that's true for a lot of things.)
The propensity is for the negative to outweigh the positive. I've got a lot of numbers on my fic, so you would think things would be fine, but at this point they just feel empty. They don't bring me any comfort or real satisfaction. And I hate feeling like the people I know don’t care and that most of you are just talking around me. That I’m some kind of annoyance not fit to interact with. Which may or may not be the case. I don’t know. Again, most of you have never said anything. And maybe I need to accept the fact that most of you never will.
But this is me trying to start conversation.
It’s really shitty, knowing that the thing I want the most is also the thing holding me back. I know how to work on it too, not that it’s any guarantee. The problem is I’m still writing and in a needy state of greed. And because I’m slow, I don’t have the time or the energy to be generous. I can only take right now. I can’t give. 
Relationships require both.
I can’t bring myself to read other people’s writing. I can’t comment, or like, or share if I haven’t read anything. I'm desperate for conversation, but I also don't have the time or assurance to facilitate it with other people right now. And for some reason people never seem to want to talk to me, especially when it comes to writing. I want to be part of conversations, talk deeply with other people. But I can’t speak right now, I'm not in a place to offer generosity without someone first giving it to me.
And generosity and grace is what we all need.
Four more chapters and I hope my ghosts will finally let me read in peace.
34 notes · View notes
dipperscavern · 18 days
Note
Dipper, I need the wonderful opinions of you and your fellow anons because I feel like I’m going crazy, but I know I can’t be the only one who feels like this. I just finished season 2 of HOTD yesterday because I stopped watching it because I got bored. At that point, I was only watching it to see Jace (and hoping to see Cregan again), but I gave up because it just didn’t seem worth my time to watch anymore.
(⬇️Contains a few spoilers for Season 2 ⬇️)
Fast-forward to today, I got jumped on the interwebs because I said I didn’t like season 2 of HOTD and that I feel like there’s definitely a possibility (maybe not a huge one but still a possibility) that HOTD is going to have a downfall similar to GOT. (This conversation started because of the news that GRRM is planning to release his thoughts on HOTD and we all know he probably has a LOT of critiques to share. I got tagged by a mutual of mine in a post talking about this and they asked me for my opinion in the comments on the second season of HOTD because they hadn’t finished. I stated my opinion, people saw it, and then I got dogpiled.)
I get wanting to be defensive of the show because we love the characters and the actors are phenomenal, but my problem is that the writing was just not it for season 2. It was slow, they had the same conversations 100 different times, most of what happened in this season could have been compiled into like 3 or 4 episodes. Season 1 was action-packed and kept people thoroughly entertained. The writers completely lost their rhythm with the pacing in this season, which is a big no-no in any fictional series (novel, show, film, etc.), especially speculative fiction. You have to keep a similar pace or you’ll lose your audience’s attention or disappoint them entirely (especially if you slow down) because they’re expecting the same pacing.
Also, it felt like fan fiction, tbh. There were so many things that felt out of place and, therefore, felt forced because, just like the GOT writers, the HOTD writers are not developing certain aspects they’re trying to showcase on screen enough for these things to make sense within the context of what they’ve already shown us. For example, Daemon and his mommy’s back-shots of doom vision (did not make sense whatsoever because there was no prior information that would suggest this even needing to happen), Rhaenrya and Mysaria’s kiss (should have been better developed but ended up feeling forced/rushed to most people), Daenerys going mad (could have been done well but was rushed and poorly executed), etc.
I also think the writers are trying to pander to the viewers too much instead of trying to write an actually good show, you know? They’re also trying to hint at things present in the books without fully fleshing them out in any way within the show’s storyline, while simultaneously steering entirely away from the canon events in the books. This did nothing but make it hard to follow for not only the folks that only watch the show but also the folks that read the books because now people are speaking about things that are canon in the books and wondering if they apply to GOT and HOTD. It’s all a mess. (For example: the antlered figure in one of Daemon’s visions. Most people who only watched the show think it’s foreshadowing of the Baratheons taking the throne, but people who read the books believe that it could be one of the Green Men, which is a member of a mysterious order that maintains the Isle of Faces at the center of God's Eye by Harrenhal. This is, of course, something only people who have extensive knowledge of the ASOIAF world and history/read the books, would know.)
Idk, maybe I have a different outlook on this because I am a writer and I don’t just do it for fun. I’ve published quite a few pieces of my own, almost all of which have been speculative fiction (sci-fi and fantasy) and I’m currently writing a fantasy series, so I know what it takes to make a storyline work properly. I tried to explain this to the people who were dogpiling me, but they just discredited my experience because I’m only 18. So, in their words, ‘I don’t really know what I’m talking about’ even though I’ve been writing stories, mainly speculative fiction, since I was in fucking grade school (can you tell I’m a lil pissed about this part?). Anywho, this show just feels like it’s gonna spiral into something that is reminiscent of the catastrophe that was seasons 7 and 8 of GOT if the writers don’t get it together. (I really hope it doesn’t.)
I’m so sorry that this is so long but I really had to get this rant out of my head and I felt like this was a safe place to do that.
please. lets fucking talk about it.
@rise-my-angel made a post about this that really hit the nail on the head about hotd’s main problem -> post here
hotd uses its visuals as a crutch for bad writing. that is its (main) problem. early seasons got was so great in the way it didn’t have half the budget hotd had, but it felt so much more high quality. some of got’s best moments were it’s dialogue, where it was just two people in a room talking (for example petyr & varys in the throne room)
hotd doesn’t have half of the storyline it thinks it does, which, there’s multiple different reasons for this. not letting morally grey characters be morally grey, always having to have a justification for their actions when most of their actions were simply unjustified, delving from being a book adaptation of the downfall of house targaryen to changing everything to become its own stand-alone tv show etc etc. but, as i & mimi said, it’s main problem is it’s visuals.
the dragons, the actors, and got season 7/8 are the only thing keeping the show alive.
in got drogon viserion & rhaegal were three dragons with the exact same design and just different (not even book accurate) colors. the shows main focus was drogon while putting rhaegal and viserion on the back burners, and not really highlighting much about the dragons in general. while in hotd, we get so many different dragon designs, sounds/roars/noises, and personalities. everyone was so interested in the dragons in got, but they just didn’t handle it right, and in hotd, it’s dragons dragons dragons!! all you could ever want, step right up folks & look away from the mess that is this show.. OH LOOK DRAGON FIGHT 😍 hotd visuals are amazing, and we get everything we didn’t get about dragons in got, but that’s literally the problem.
& the actors are wonderful. emma d’arcy, phia sabian, fabian frankel, matt smith, harry collett, etc. they’re all outstanding in their performances, and the butchery is frankly an insult to them and these characters that they’ve grown to love & understand. oh look, olivia cookes amazing performance🙂‍↕️ btw daemon has a piss kink LIKE WHAT
and, the end of got was an obvious disaster. people are still (rightfully) angry and hurt about it, and they want something like hotd. something to sit down and watch on sundays, and enjoy the asioaf universe again. like yeah, season two’s bad, but not as a bad as 7/8 got… so there’s that. got left so much unfinished that people are hoping to consume in hotd, and it’s just not working. but, it keeps people tuned in, because got is finished with an ending thats un-re-watchable. in conclusion, people miss their show, and watch hotd as an attempted bandaid to put on the gunshot wound.
hotd is poopy, and i think (as anon said) over time people will recognize it more & more. but for now, it’s our bandaid, and it’s unfortunately the only one we’ve got.
12 notes · View notes
mikibwrites · 7 days
Text
Fuck It Friday
Hi all, you have definitely not heard from me in a while lol but here is something I have been scribbling on and off for like...an inadvisable amount of time. It might very well be the first FirstPrince work I publish (if I don't finish F&F au first)
Also, this bit will likely not end up in the final fic as I want it to be all Alex POV, but I may end up posting a side/companion fic of Henry things once I'm done. :)
"Only room for one more, sir," the officer says, eyeing Shaan dubiously. It boils Henry's blood to see it, but they don't have time for a righteous overture about how Shaan is a much better man than any of these people could ever hope to be.
He takes a moment to blink, and in the ensuing seconds, Shaan has turned to him with a hand offered, to help him over the gap, his face open and loyal to a fault. Henry's heart clenches. He's never deserved this man in his corner, he thinks.
He turns to his valet, his confidant, who has been with him since his father died because, as Henry found out years ago under duress, Shaan would quit service before he ever worked for Phillip.
"Shaan, go. Go to New York, marry your girl. That's an order."
Shaan's eyes go almost comically wide with shock, and a little indignation. He's already shaking his head, albeit minutely because he remains, as ever, loyal. "Your Grace, I--"
"It'll be the last order I give you. Please, Shaan. My friend, go and make her happy."
Henry watches as the shock bleeds into acceptance, grateful for it because they definitely do not have time for anything else.
"My Lord, I--" Shaan chokes, but maintains his stiff upper lip. "I don't have words for--for the honor it has been to serve you." He clamps his mouth shut, his lip trembling.
"The honor has been all mine," Henry assures him, hand to his heart. He reaches down to clasp both his valet's hands in his own, squeezing them tightly before releasing him. "Now, go."
Shaan goes, to the obvious dismay of the officer in the vessel, and Henry turns back to maybe make the most ridiculous decision of his life. He thinks of the possibility of never seeing Alex again, and then of never seeing his mother and sister again, and then of what options he has left at the moment. He makes his way back inside.
**tagging those who have been relentlessly tagging me (please keep doing it! it does motivate me even tho i'm unable to share most of the time 😓)
@alrightbuckaroo @thesleepyskipper @onthewaytosomewhere
adding more folks that i'd love to see what you're working on: @catdadacd @rmd-writes @kiwiana-writes @bonheur-cafe
and open tag to anyone who wants to share something, i know not many folks are doing it today but i had something and if i didn't post it now i wasn't gonna lol🙃🙃🙃
10 notes · View notes
rissynicole · 2 years
Text
The End of an Era
Hello Invader Zim folks! 
For those unacquainted with me, I am a fanfic writer and sometimes-artist who mainly creates for the IZ fandom. I wrote a fanfiction novel titled A Parade of Indignities, which was actively being written and published between the years of 2017 and 2021. 
After I completed the writing for it in 2021, I spent the next year doing some revising and editing for it. It was kind of on-and-off whenever I’d find the time and energy to do it. It occurred to me recently, though, that I was revising the fic indefinitely. I was just never happy with it no matter what. I needed to give my project a deadline and then lay it to rest. The enemy of “done” is “perfect.”
So, over the last few weeks, I have wrapped up my little nitpicks, and have discreetly replaced the old chapters with the new over on AO3 and FFN. What is currently posted on both those sites is the FINAL draft of the fic. All edits, revisions, and rewrites have been finished. I leave the fic as is now: a symbol of where my writing ability was at between the ages 19 and 23. I’m still immensely proud of it, and I hope others enjoy it, too!
For those who have read the fic already: none of the fic’s actual storyline or major themes changed. Even rewrites were fairly minor. Probably the most notable thing I changed was Chapter 28, in which I rewrote, added, and removed some scenes while keeping the same ending.
That said, I guess I’m making this post because I realize the fic is old at this point. (Or I guess it’s old in fandom years? It’s so weird going on Tumblr and seeing people tag IZ art and fic as “fandom classics” when they were made in, like, 2019 or something.) Anyhow, I digress. 
If you’re an old reader, a new reader, or someone who just stumbled on this post with no other context, I invite you to check out my fic if you feel so inclined! It’s ZADF, it’s hurt/comfort, it includes some minor characters with major roles (if you like Skoodge, Larb, or 777, this one’s for you), and it’s completed. 
As I say a fond farewell to this longtime project, I want to welcome 2023 with all the potential it offers me to start on new writing projects. I can’t wait to start a new adventure. 💛
Archive of Our Own Link
Fanfiction.net Link
Masterpost, in case you would like to know more about the fic.
154 notes · View notes
amethystfairy1 · 9 months
Note
hello internet stranger,
i am in love. you've infected both me and my sister with your brainrot and captivating fics, we've talked about it non-stop the past few days, so naturally we have some questions.
But first, i want to ask what your boundaries are w/ fanart and writing. i've already drawn a couple pieces, are you alright with me posting them, and what should i tag them with? Also, i'm feeling very inspired to write more zed and tango for the travelling thieves au, is that alright if i take your ideas and just yoink them? Im not planning to post whatever i write at this point :P
anyways, moving on, i have a few world-building questions for you, starting w/ traveling thieves:
how does the mercenary guild and hits system work? Can anyone put a hit out on anyone, or do they have to be a wanted criminal? also, how does gem choose her targets? i like to believe she has some sort of moral compass in picking, but knowing the world they live in, i can't be certain
this is less of a question, but i don't see how the world can be resolved. For ttsbc, the obvious solution to the undercity folk living freely is that they overthrow the overcity government or just remove the laws keeping them banned. Sure, it'd be difficult, but from what we've seen, most people don't actually have strong prejudices against the undercity, they just vaguely believe they're evil, which can be very easily disproved. For traveling thieves, it's completely different, because not only is the discrimination in the government, it's in the people themselves; merely changing the laws would not change how people see hybrids, so how can that be fixed? My best solution to them all getting a happy ending is that they run away and found their own civilization where all hybrids can be free, but it doesnt seem like a likely scenario
again, not really a question, but I'm so so so happy in the latest fh piece that they looted the bodies of their attackers. the first time i read it through, i was practically screaming at the screen, telling them to grab the loot and weapons before they continued
next, ttsbc:
4. how do the mobs work? do they act like any normal animal, in that they just kinda exist and happen to be very hostile, or do they follow minecraft mob mechanics and spawn into existence from nothing when the conditions are right? could they theoretically all be exterminated? do all of them dislike light, like the zombies in the cleo bdubs fic? if they do, why are they making their way to the overcity?
5. how did the undercity become a thing? Was it just always there, or was it manmade? did hybrids and mutants always live underground? are the pits really bottomless? and if so, is the world a globe, or is it flat? i understand you might not have thought very deeply about these things before jumping in, but my sister and i were theorizing about different answers. i figured the undercity isnt manmade just like the grand canyon isnt manmade, it just came about through natural processes, and mutants and hybrids just evolved(?) seperately from humans, underground, which is a whole other can of worms with the science behind that. an idea about the "bottomless" pits has to do with physics. at the center of the earth (if it were hollow), you wouldn't feel gravity because it would pull on you equally in all directions. so maybe the bottomless pit really just leads to the center of the earth, and you're not really falling forever, you're just suspended in the center forever lol. not falling, but not hitting the bottom, either
anyways, this was a really long ask (i hope thats ok), and i still have more to say, but i'll leave it there for now. again, i love the angst, and have a wonderful day. im gonna try to get some work done, but it probs wont happen with all the brainrot XD
Hello hello! ✨
I'm so honored that you and your sister are enjoying my AUs and fics so much! That you've been talking about them and theorizing over them is so awesome to hear! Knowing that they've become something fueling discussion is super cool!
I LOVE IT ALL! Fanart/fanworks/fanfic I wanna see all of it! I would absolutely love it if you would post your fanart! Please use either the (#traveling thieves au) or (#through the sky blue cracks) depending on which AU it is for and mention me in the post (@amethystfairy1) so I can see it! And of course you are welcome to write fics based in my AU or using my characterizations, in fact I'd love it if you did! It's the best thing to hear that my writing has inspired someone else to get creative! I know you said you had no intentions of posting it, but if you ever do, please use the same hashtags here if on tumblr, or if you use A03 list the appropriate fic/series as inspiration and please credit me in the notes if you don't mind! I'm looking forward to seeing anything either fanart/fanfic related that you've created!
ONTO THE QUESTIONS 🏃‍♀️
The mercenary guild is basically like the underground/illegal version of the adventurer guild, and they'll take any jobs that the adventurer guild won't. Blackmail, assassination, smuggling, you name it. Gem has something of a moral compass, but it isn't exactly the strictest thing in the world. We learn when she meets Mumbo in Grian's wing preening fic that she is on her way to assassinate a noblemans son, and while that is a bit of a wink wink nudge nudge if you can figure out who that son is, exactly, it's still Gem agreeing to kill a teenager who is guilty of little more than pissing off the wrong person. Cruel world and all.
Perhaps that's exactly point? 😌 With Traveling Thieves, I did not set out to make a world that could be resolved or escaped from...the whole point is that it is cruel and inescapable, and the best you can do is continue to protect yourself and those you care about...and even then, you might fail to do that. You might be set up to fail in a sick system that would never give you a chance in the first place. And the best you can do is try to put the pieces back together in the aftermath. I don't want Traveling Thieves to resolve in any traditional sense of the word...for where that'll lead all our various characters, well, you'll have to wait and see. 🤔
Loot that body LOOT THAT BODY NOW 💃
They're like your typical minecraft mobs, they spawn in places with low light levels! We've also got some homebrew monsters that I've come up with, such as the bird-men, that we will be meeting as time goes on. Certain monsters such as zombies do avoid light, but there are plenty of monsters will go above bedrock just like certain monsters in minecraft can survive in the sun, like creepers and endermen. No, they can never be exterminated because of how they spawn!
The pits aren't bottomless, we've seen the bottom after all, where Pearl, Jimmy, and Grian were in the Depths! It is a natural chasm beneath the bedrock, and the various caves and tunnels stretch are incredibly huge and diverse, so while everything connects back to the main cavern of the under-city that's so huge, there are also other caves and tunnels where other groups live that we will be learning about eventually, such as the blaze-born pyres or where Cub is from in the Deep Dark!
It is completely totally 100% ok! I love getting long asks like this that give me the chance to develop and worldbuild the AUs and mention some details that might never really show up within the fics themselves! So by all means send more questions and thoughts! And I'd also love to see the fanarts you mentioned if you still are up to posting them, I can't draw so anything anyone draws that has anything to do with my AUs makes me incredibly happy! 😆
Thanks so much for coming by! 💖
46 notes · View notes
kepnerandavery · 3 months
Note
Yea I honestly don't care at this point, it's just annoying to me that these folk who claim Michael is horrible, and how much they hate his guts, keep on using his tags, it's like they wanna force feed us this new Michaela version of him claiming that she's soooo much better than he ever was, and if we don't like it then we're all most definitely staring, homophobic white women, who are bitter that we can't use Francesca/Michael as our self-interests. (Newsflash I'm a woc who's been bullied for being a woc, I have black friends and trans friends all of whom I love dearly, and would bitch slap anyone who's disrespectful towards them. Also the Irony that this horrible male character is the one who provided the blueprints for their beloved Michaela.
I actually hate Bridgerton from season 2 because of how dirty they did Kate, with making it look like she stole her sisters man or smth. I'm a fan of Polin too but I hate season 3 because with the amount of pointless subplots, they don't get enough focus as as main leads, and honestly Polin spent more time arguing and being mad than in love which again I hate. The Michael getting gender bent part is just the breaking point for me, because now this show is officially not an adaptation, they have zero respect for source material and are basically making the show into a cheep wattpad fanfic version of everything it was.
Exactly! How are we supposed to be fine with it when most of us have waited years to see him on screen? I can understand the new fandom's pov, because Bridgerton does lack representation and some people are happy to see it in somewhere, and might feel fear that the backlash that this choice has gotten would make the creators undo it, but that's not our fandom's fault is it? And who even knows if Fran will get a season? This is most likely a way for the writers to pacify people who have been upset about the lack of inclusivity in the show. If they really cared about it, there would already have been lgbtq main characters from the starting point in season one. Why does one fandom have to suffer for the sake of another? Why couldn't we all get what we wanted? Why didn't they announce this before season three was released so we could have known this was coming and not have gotten our hopes up about seeing Michael once John showed up? (cause which fandom wants to be surprised and mocked like this?) Why does Fran now suddenly seem like she would emotionally cheat on John? Why is her character so wishy-washy? Honestly, the questions don't end.
And yes, I agree about the whole self insert accusations too. I respect the lgbtq community, and see the value of representation of it in media, and commend it when it is done right, but that doesn't mean I'm not sad that Michael was used by the writers of this show.
I too hate season two for how horribly kanthony was written. What was supposed to be an enemies-to-friends-to-lovers story was reduced to a silly love triangle that took focus away from the main characters' journey and past trauma (mainly Kate's). Polin are the writers' favourite and therefore the best treated ship, but yes, I didn't like how the writing of them lacked depth in part two of season three. And don't even get me started on the whitewashing of Portia.
Yeah, I'm done with this show too. It's just taking me some time to come to terms with it especially when I see people attack the franchael fandom and one of my favourite fictional characters with vile accusations and sadistic language. Shondaland is known to ruin good things so it's really our fault for continuing to watch this show for this long tbh.
9 notes · View notes
essektheylyss · 2 years
Text
World Wizard Entertainment: After Hours
I did want to write a little thing now that I am done making a vicious mockery of Vince McSam, because this was really a WILD week and I do love a debrief.
Honestly, when I sat down to make a bracket last week, I was not committed to posting it, I was not going to make any graphics, and I definitely was not planning to run a tournament.
....Obviously that changed, but you already know that.
Really I just wanted to figure out how hard it would be to properly seed a tournament in fandom. I've already talked about that elsewhere so I won't get into it, but when you're building a tournament, you want it seeded for intrigue in later rounds, even if round one match-ups are very lopsided.
But once I had it, I was thinking about how different polls have gone in the past. Specifically, I had written a post during some earlier polls with Laerryn and Essek competing that was commenting, you know, if we're talking duel, Essek loses, 100%. He'd have a prayer in hell of winning, and there are no gods here or whatever. And the poll in which Laerryn and Essek were matched up, which Aabria made a very funny joke about, wasn't even a wizard poll! It was just sexiest character or something. But the thing is, a lot of polls have been really vague about what criteria to vote on, and there's a reason for that! A lot of polls like that are going to have an obvious winner. And because of how these spread, you are going to have a lot of people voting purely on popularity or name recognition, including plenty of people who are not super engaged in fandom since there are lots of lurkers (and we love them! hi, lurkers!), and also random people outside the fandom who just vote on any poll, so you have to account for that.
But we have polls now, and fandom is fun and chaotic, so I wondered... could you game it for an unexpected result?
I cannot turn down a challenge once I've come up with it for myself, so at that point, I actually built a tournament.
For a lot of the week, in all but the most meaningless and random of situations, I thought the answer was no! We got Ludinus kicked in the first round, which I mostly did to stir up a little drama, because round one was pretty calm and quiet.
By the quarterfinals, it got tougher. At that point there were more folks engaging, but a lot of the tags were, "Didn't we already decide this?" and I was like, well, no one is watching March Madness year after year going, "Well, Gonzaga* is the best and that's decided I guess," (except maybe Gonzaga fans, but knowing some of them, they are really serious about their basketball). They're there because there's chance involved. A great team can lose to an underdog in an early upset. Also, there's always the bracket contest, which is another layer of gamification that adds some interest. (Sidebar, can you tell yet that I wrote a paper on gamification when applying to grad school? Lulz.) But like I've mentioned, fandom polls are highly stacked to be popularity contests. How do you introduce some chance and intrigue?
As it turns out, you call the Veth stans, which I sure wouldn't have guessed, so I'm glad they turned up anyway.
But in all seriousness, with a poll like this, it's really not about deciding who is The Wizard. (For the record, with my url fully visible, the answer is absolutely Laerryn Coramar-Seelie. She is seeded first for a reason!) It's about seeing if you can be weird and wacky enough, or maybe just heartfelt and sincere enough, to turn the tide of what's expected. But it's only fun if it's collaborative.
And here's where I say it all comes back to collaborative narrative and storytelling, because when does it not with me, but seriously—I seeded Veth pretty high because she was a PC, but wasn't sure if she was going to hold that far through the polls. By the time she was, I wasn't asking, "Why is Veth beating Yussa, the most no-brain cell wizard in the northern Exandrian hemisphere, with one wizard level?" It was clear that the Veth fans had decided to make this their mission.
So I do hope the takeaway, based on everyone making content and giving speeches and doing a fun kayfabe, is that you can make a really interesting and fun tournament by committing to the bit. You have to get ridiculous and you have to stick with it, but that's... really what fandom is. It's really not about "is my fave gonna win," and it's honestly not even about who wins (you may have noticed that the winner section of my results post is... small, which is intentional), it's about building a little story together.
And I'm really glad we all did that. I feel like I need to go around and do a virtual 'good game' high five to the Veth stans, and the Caleb stans, and Aabria herself, and everyone who wrote in defense of someone and put on a kayfabe and ran with a bit, because it really was a fun roller coaster of a tournament.
And if you didn't join in this week, but kind of wanted to, I hope the next time someone runs a tournament you just go for it! I was also a lot more timid about fandom participation as a teen, but honestly, if you are really excited about, I don't know, Realmseer Eskil (who is super cool by the way), don't take it too seriously and write an overwrought defense of them! Make a funny meme! Be sporting about it, come up with the most ridiculous reason you can name to vote for them, and run with it.
(Also, my other takeaway is that it is really easy to ape the overblown wrestling host voice. Please do it, it's literally so funny.)
93 notes · View notes
itsclydebitches · 1 year
Note
Haha, I explicitly don't tag my rwby critique posts as RWDE because I know people will just block or insult me without even reading what I wrote
Honestly? Valid choice. I've gone on record about my own choice to tag for both "RWBY" and "RWDE," but to be frank I think "RWDE" is a borderline useless tag. RWDE folks have never agreed on what should go in there. Non-RWDE folks have definitely never agreed on what should go in there. It was created as an absurd way to divide the fandom between (incredibly subjective) Good Content and Bad Content, with the result that this actively undermines the purpose of posting on tumblr: for new people to see your stuff. Most of us recently saw that post with someone understandably asking what in the world RWDE was... as well as some of the top answers that provided an incredibly biased, borderline lying definition. Unlike something like "RWBY Critical" that both tells newcomers what it is and does so in a neutral way (these are posts that are critical of RWBY and the tag itself gives no indication as to whether that's a good or bad thing), "RWDE" is nonsensical to anyone not already in the know and is a RWBY-fied version of a very negative word: "rude." Despite most of us embracing that, it's still a tag designed to turn newcomers off.
So how is anyone supposed to find like-minded community members when our main tag doesn't follow any other tagging conventions, is framed as a negative from the get-go, and polite questions are immediately met with the more intense fans painting the worst picture possible? That was always the point. RWDE isn't "We just want you to have your own space where we don't have to engage" it's "We want to make this as difficult as possible so eventually you'll just leave." So... yeah. I use it because I know it will hit an already established core group actively looking for the kind of content I write, but I 100% understand you and others going, "Why would I use that? The fandom has been trained to block on sight. That's not going to help other people see my work on the Let Other People See My Work site."
I think I've said this before, but I want to do a version of those wine social experiments. You know the ones where they take super duper cheap wine, stick a fancy label on it, tell people it's the Most Expensive Vintage Ever, and watch them wax poetic on how absolutely stunning the taste is? Give RWBY fans a post without tags/blog name (or, to follow the pattern, with misleading tags/blog names), watch as many people agree with the points made -- or at least consider them seriously -- and then go, "Aha! This was a RWDE post all along!" Like any fandom under the sun you'll never have people agreeing on criticism and there will always be individuals who can't stand a word said against the show... but I guarantee if you removed the bias associated with RWDE you'd get a lot more fans who are RWDE.
Also, side-note, gotta love that I make a post talking about how fans are too inclined to attack critics than engage with what they're saying or simply ignore their stuff... and what's at the top of my inbox but someone calling me a piece of shit and accusing me of stuff I've never ever done (harassing the creators, misusing Monty's name -- the usual accusations that, as I said, fans pick up and repeat ad nauseam without thinking through whether they're accurate).
Me: Hey, don't send people insults, baseless accusations, and death threats because you disagree over the quality of a show
Anons: [Immediately send insults, baseless accusations, and death threats for the sin of telling them not to do that]
41 notes · View notes
teaveetamer · 7 months
Note
While I wouldn’t outright call it “social media colonialism” either… I think I can see other anon’s point.
The Edelgard community is at home in their subreddit and their Discord server. Clearly, both platforms and the Edelgard subcommjnities in them, have a culture that is different from Tumblr’s, both of because how the websites work and because of the internal works of this communities itself.
Clearly, they have been attempting to establish a presence on Tumblr as well over the past years, to varying degrees of success (they mostly only interact with each other and seem to look down on other users, judging by various comments in the Discord server as well as publicly on Tumblr itself). Which would be absolutely fine, them as individuals wanting to interact with more people who like Edelgard. I mean, she does have fans on here as well. The thing is, it’s not that. It clearly seems to be a community effort (supported by the fact how they mostly interact amongst themselves) and they very clearly do not want to be here — at least, judging by the more or less frequent complaints about Tumblr, its userbase, and the blatant disregard of Tumblr culture, tagging only being one example.
Yes, Tumblr can be very different from other social media sites. I’m not saying newcomers immediately have to adapt it, or to adapt it fully at all. However, it’s been years at this point, and the Edelgang is still doing this shit, still looking down on the platform and its users (and expressing that), at most regarding them as pawns to assimilate into their own space.
While it might not outright be colonialism, the mindset of it (and by extension, religious mission) is absolutely there (which is kinda ironic due to the hate boner these folks have against a fictional religion).
Oh I 100% understand their meaning, I just want to be precise with the language. Personally I describe it more like… they “Christopher Columbus’d” Tumblr/transformative fan spaces. They showed up late to the party to a community/culture that was already well established, then act surprised when the people present don’t automatically drop to their knees and treat them like kings and saviors and immediately bow to their will. Which is… nothing new unfortunately. IMO they’re doing what straight men have historically always done to spaces (primarily) women and queer folk have built. They mock and deride the spaces (if they’re even aware of them at all) as being worthless, deviant, gross, or a waste of time, but the moment they have tangible value they move in and basically say “alright sweetheart thanks for keeping this warm for us, but now that I’m here you can stop pretending like you can make something and let me lead”.
And it’s frustrating because that ALWAYS means that the people who were already there get pushed to the margins or pushed out entirely, because no one sees the value in them. Just in what they built. I think it is VERY telling that people in their community who actively used Tumblr tried to teach them how to integrate into the culture more smoothly and they basically told them to go fuck themselves.
Believe it or not we LIKE tumblr and the way it works. If we wanted to use a space that worked like Reddit then we would just go use Reddit. So no we don’t appreciate them marching in and basically demanding we all treat this like Reddit and engage in Reddit Culture on Tumblr. And trust me I’ve used Reddit for a lot longer than I’ve used Tumblr, and I’ve used Tumblr for a long time now. I know what this looks like.
15 notes · View notes