#I wonder who this post is about

[jellyfungi]

sometimes being gay means buying matching dildos with your best friend ex partner closest companion in an entirely platonic way

[kingproblem]

“You wouldn’t believe it, she’s so down to earth”

I’m sorry but it’s not possible to be a down to earth billionaire idfc how “chill” you are

[violent138]

Starting to think a cooler headcanon for Clark’s upbringing might just be that the entire town of Smallville collectively decided to just go with it and accept that Martha and John's kid has superpowers, but we don't talk about it.

Someone's tractor gets stuck and nothing can get it out? "Be a dear and run down to the Kents, would you? Ask for Clark?"

"Why Clark, we need a machine--"

"Run along now."

Or if he kicks too hard and the football vanishes into the upper stratosphere, no it didn't, we all collectively saw it land over there *vague hand movements*

[carolperkinsexgirlfriend]

can you see the stars in your dreams (and do they have a lot to say about me) - Part 1

Or: a secret Admirer AU

Less than a month into the school year, and Steve’s already making use of the library. If Mrs. Click could see him now, she’d be proud–until she caught sight of the blank notebook page in front of him and the lack of textbooks on the table. 

He feels stupid; he’s hunched over his notebook, trying to make his thoughts transfer onto the page in any coherent form. But, he’s not like Eddie with his impassioned speeches and clever English papers.

Words flow through Eddie in fully-formed, concrete ideas. For Steve, it’s more of a drip. Each word has to be scaffolded onto the previous one with blood, sweat, and tears. Even then, it’s never quite right. Too abrupt, never what he was actually trying to say.

He’s just never been good with words.

By the time he gives up, there’s more crossed out than left written, so he gets a clean page of paper and transcribes it as best he can. He’s left with:

       Your hair is pretty. Do you use conditioner?

Steve tears it from his notebook and lays it flat atop his table in the library, smoothing out any crinkles in the page. It feels like the start to something, sure, but there’s more blank space on the page than words. By a lot.

He leans back over his work, adds a little wonky heart in his blue pen and signs the whole thing—

       ❤ your secret admirer

—the way all the girls who leave notes in his locker do. Their notes are usually on pretty paper, written in sparkly gel pen that smells like strawberries. The i’s are sometimes dotted with little hearts he’ll never admit to finding cute. And there’s envelopes involved, and usually more than eleven measly words.

His looks like something Eddie’ll toss out before opening, mistaking it for trash.

Steve grimaces. How do girls do this? Do they all take some sort of class on how to write pretty letters on pretty enough paper that boys will fall in love with them? Is that what they teach in Home Ec? He should have never let Tommy mock him into switching to shop class.

Should he ask a girl?

Under no conditions will he ever ask Carol. She’d have far too many uncomfortable questions and tell the whole school all of his embarrassing answers. He’d be run out of town within days, Carol holding the sharpest pitchfork.

Steve leans back in his chair with a groan too loud for the library and fists his hands to rub tired eyes.

“Are you okay?” Steve jerks, sending his pen and paper careening to the ground in his attempt to cover the compromising words upon the page. “Oh, sorry!”

Steve watches, horrified, as Chrissy Cunningham bends down to pick his supplies up off the carpet before he’s had time to scramble out of his chair. She’s in her cheer uniform, white zip-up Hawkins hoodie covering her arms. She looks perfect and preppy and just like all the girls who’ve ever left a note in his locker.

She’d be able to write something that Eddie would want to read.

“Steve?” Chrissy’s hovering over him, lips pursed, eyes big and worried. “Are you okay?”

“Shit, sorry,” he replies. She’s got his note clutched to her chest. He curls his fingers against the urge to reach out for it—that’ll just draw her attention, and that’s the last thing Steve wants right now. “Just got lost in my head.”

“Anything I can help with?”

He knows what she’s going to do before it happens. Chrissy’s sweet—if there’s a way to help, she’ll want to. So, she holds out the paper and begins to read, probably expecting an assignment she can tutor him on, and there they are: Steve’s damning words written in still-wet blue ink.

Her brow furrows as she takes an obscene amount of time mouthing out the words before she looks back up to meet his eyes. “Did someone give this to you?”

Her eyes are still big, but they look sad now, like just the thought of someone receiving the note he’d slaved over is enough to distress her. Unable to help himself, Steve snatches it from her hands and crumples it into a ball, damning words hidden in his fist.

Chrissy gasps at his abrupt movement and takes a halting step away.

“I wrote it,” he mutters, no longer able to meet her eyes.

She’s silent for long enough that he’d think she left, except the library’s quiet, and he hasn’t heard her take a step. He stares at the grains of the wood in the table, empty hand rubbing against the smudged top as he waits for her to do something.

“Are you…” she starts, trailing off for a moment before picking her thought back up, “…picking on someone?”

Steve clenches his fist tighter, note crinkling beyond repair beneath his nails as he mutters, “no.”

Chrissy’s quiet again. Steve doesn’t dare to look up, even as he hears the chair across from him pull out, the sound of her weight settling into the wood. The table’s just so interesting. Nothing has ever been as intriguing as the little chip out of its edge, the ring on the wood where someone had let their drink condensate against all the library’s rules.

“Who’s this for?” Chrissy’s voice is soft now, like he’s some sort of horse, prone to bolting when spooked. “Steve?”

Steve looks up. Her eyes aren’t sad anymore; they’re piercing.

He’s always liked Chrissy. She’s the nicest girl in the school, until someone does something she doesn’t like. Then, it’s all disappointed eyes, and pouty lips. It’s like disappointing his Mom, but worse, because his Mom’s never around to stare balefully at him.

The point is, Chrissy’s nice. She’s not like Carol. If he told her, there would be no lynch mob, or fleeing Hawkins in the dead of the night with nothing but the clothes on his back. Probably. Maybe.

Steve tries to smooth out the page, and scowls down at it when the wrinkles refuse to disappear. It’s even worse now, words made illegible by the deep creases his fingers have pressed into the paper. There’s no way Eddie’d ever want a note like this.

So, he says, “Munson,” looking up to try to watch his meaning land on her face.

It doesn’t. Her foreheads all scrunched up as she looks down at the note. Only then does Steve realize he’s caressing the wonky little heart. He pulls his hand back, curling his fingers in so she can’t see the smudge of blue on his pointer finger.

“And you aren’t making fun of him?”

Steve can feel his shoulders drooping. He wants to disappear into the floor, melt into the carpet and become one with all the other mysterious stains upon it. “No.”

“Oh,” Chrissy replies, drawn out and low as she peers down at the crinkled note with a confused frown. But something must click because she straightens, eyes wide beneath her bangs. “Oh!”

It’s loud enough that they both reflexively flinch. But, when no librarians come skulking around any corners, Chrissy turns back to him, gaze uncomfortably intent. Steve wonders, somewhat horrified by the turn his life has taken, if he’s about to get hate-crimed by a cheerleader half his size.

But Chrissy’s nice—always has been, always will be. So, she bites her lip and looks furtively around like she’s only just realized this is a conversation that shouldn’t have any witnesses. “But you like him?” she whispers.

Steve leans forward, matching her energy and pitch as he replies, “yeah,” quiet enough that it’s barely a breath. Chrissy smiles at him, warm and small, just like her hand as she reaches across the table to put it over his and squeeze comfortingly.

The note sits, damningly soiled beneath their linked hands, wrinkled, and smudged, and barely-legible handwriting. The weight that’d lifted with Chrissy’s smile sinks back into his gut.

“But it doesn’t matter,” Steve says, letting go of her hand so he can pull the note closer to himself. “I’m no good at this stuff.”

Steve crinkles the note back up. It’s unsalvageable—a stupid idea executed badly.

He’s in the middle of stuffing it into the pocket of his jeans to keep his keys company until he can toss it out in the comfort of his home when Chrissy says, “maybe I can help?” voice lilting up, like it’s a question.

Steve meets her eyes, hand still half-shoved in his pocket. She’s all earnest now, the way she usually is when there isn’t a sad boy infecting her with his own ineptitude. Eyes shining with conviction, bangs curling sweetly around her face. She’s no Carol, that’s for sure.

“How?” he asks, and when she smiles, it looks a bit like hope.

***

 “I can help you write a better letter,” Chrissy starts. He perks up like a dog the moment its owner gets home. “If you do something for me.”

She feels like scum when he curls back into himself, gaze forlorn.

When she’d caught sight of the note he’d spent what seemed like a full hour pouring over, this isn’t what she’d been expecting. And when she’d finally made out his chicken scratch scrawl, she’d been sure Steve was picking on someone, no matter how unlike him it would have been. But then his shoulders had curled in, and his ears had turned red, and his voice had gone all soft and squishy when he’d said Eddie Munson’s name.

And she’d just wanted to fix it.

So, even as he asks, “what?” all sad and droopy again, she knows she’s going to help him, no matter what he says.

“Date me,” she asserts. It’s only as Steve blinks stupidly at her that she realizes how that came out of her mouth. “No, wait, not really!”

Her hands are waving around wildly and she can feel the blood rushing to her cheeks. In contrast, Steve seems to come back into himself, shoulders shoring up as he smirks across at her with his signature raised brow. The one he’d used while leaning on Nancy Wheeler’s locker last year, or holding her books as they walked to class, and all the other assortment of stereotypical boyfriend activities.

He’d worn it all the time, like it was part of the uniform. 

“I just meant, we could fake it?” His right eyebrow raises to meet his left, forehead scrunching up with his incredulity. “It’s just, Jason and I broke up? And he won’t leave me alone.”

It takes all her strength to keep meeting his eyes as the seconds tick away. But then Steve nods, swings his letterman jacket off, and tosses it across at her. Unprepared for his sudden movement, it hits her in the face and drops into her lap.

“There you go, sweetheart,” he says with a cheesy wink that somehow manages to feel more genuine than any of his actual flirting techniques. “Gotta sell it somehow.”

“What a romantic,” she replies, deadpan, but she pulls his jacket on anyway, something that feels an awful lot like relief steadying her heart rate as she smooths down the too-long sleeves.

Jason’s going to freak out. But after that, maybe he’ll stop calling her house, and trying to put his arm around her at lunch, and trying to pick her up for school every morning. She’d do almost anything to get it into his thick skull that she’s not interested.

So, here she is, hashing out the details of a secret admirer letter from Steve Harrington to Eddie Munson, of all the unlikely pairings.

“What’s wrong with what I wrote?” Steve whines, running his fingers through his hair until it’s all mussed up and falling into his face.

Chrissy snorts. “It sounds like you’re telling him his hair is frizzy and dry.”

“I said it was pretty!” He throws his hands in the air before crossing them and pouting his lower lip out.

Chrissy can’t help but laugh. She’s always liked Steve. He’s nicer than most of his friends, and he’s easy to talk to. But this is a side she’s never seen of him. She’s not sure anyone has; can’t imagine Carol or Tommy seeing him put his whole heart into something and not tearing it to shreds.

“Do you use conditioner?” she asks, throwing finger quotations around it as she reads it off the crumpled page.

Steve’s blushing again, cheeks all blotchy and red, rather unbecoming for the shoo-in for this year’s prom king. “Well, I thought you said you’d help!” he says, a little too loud for the library.

So, that’s how she ends up spending the next hour painfully turning Steve’s earnest thoughts into words on the pretty baby blue paper she’d carefully removed from the back of her daily planner.

In the end, they’re left with this:

       Eddie –

       I wish I could say this to your face, but I’ve never been good with words, and you’d probably think it was a joke.

       I can’t even get myself to talk to you, you’re so distracting.

       I like how pretty your hair is. How do you get your curls so shiny? I want to run my fingers through them.

       I hope this note brightens up your day. You deserve all the smiles you can get.

       Yours,

       Your Secret Admirer

It’s not what she would write, but still, it’s leagues better than what he’d started with. She slides it across to Steve, and he smiles down at it. He reaches his hand out, fingers almost brushing the page before he pulls his hand back, curling his fingers into a fist.

“What if someone sees me?” he asks, voice so quiet she can barely hear him even in the resounding silence of the library.

They’d managed not to talk about it, the dangers of Steve liking a boy. But it’d been present in the hesitancy by which he shared each of his thoughts, looking up at her like each remark would be the last straw before she recoils in disgust.

If someone finds out that Steve has a crush on a boy, it won’t take long until he’s getting beat up between classes or heckled straight out of school. Heck, even with all the rumors floating around about him, Eddie might be the one to throw the first punch.

“Do you want me to deliver it for you?” she asks.

“You’d do that?” he asks back, because apparently no one ever taught him not to answer a question with a question. “For me?”

“What else are fake girlfriends for?” she asks because they’re all questions now, no answers to be had between the pair of them.

Steve laughs, all tension leaving his shoulders as he throws his head back with amusement, eyes downright twinkling as he beams across at her.

“You’re the best, Chrissy,” Steve says, smiling even brighter as she replies, “I know.”

She leaves school that night after pushing Steve Harrington’s love note through the slats of Eddie’s locker, Steve’s letterman jacket keeping her warm from the cold.

This might be the best relationship she’s ever had, fake or not. Eat your heart out, Jason Carver.

PART 2

Welcome to my new AU! This will be posted in 21 parts. It is complete, so there will be a new update each morning until it's all posted. I've elected not to do a tag list, but it will be added to my pinned post each day as well. If that's not your speed, it will be added to Ao3 once it's all been posted here.

Special shoutout to @queenie-ofthe-void for not only their usual fabulous beta work, but also both the original idea and the writing of some of the secret admirer letters. You not only make me a better writer, but this work literally would not exist without you. <3<3

Title of the fic from the song Eyes in the Sun by Florist

[kipsa-hoy]

Etho and his weird eyes, even the normal one, yeah it's weird to

[biblically-accurate-dca]

painting test with a limited color palette

here's the moon equivalent!

[uncanny-tranny]

Not a day goes by where I do not think about the advent of medicine like PrEP and wonder just what the people - especially queer people - who passed from HIV/AIDs during the AIDs crisis would think

And then, I read this survivor's testimony and it just makes me emotional. I think this is the closest answer we have. HIV has changed, and we must always remember the people who didn't see that change before it happened.

[maddymoreau]

Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.

When asked, “Do you wish to see your father?”

Diavolo responds:

“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.

Along with how Diavolo describe his father.

It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.

Diavolo can tell when others are lying but is unable to understand his father’s intentions.

Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.

His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.

The isolating childhood he experienced riddled with his strict father constantly scolding him.

Despite everything MC is so important to him he wants to see his father again so we can meet.

[persicipen]

standing in the rain ₊ ˙ ⊹ .

[rivensbane]

when you haven't seen a long-term mutual on the dash in months and suddenly they pop back up again

[carolinanadeau]

"this female character is underdeveloped" TO YOU. I can read subtext and I know all about her backstory and her rich inner life. also she told me personally

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[yume127]

I find it interesting how Roxas is often described as the “angry one” or “short-tempered one” when compared to Sora or Ventus, mostly because I always felt Sora and Ven have a shorter fuse than Roxas.

The association between Roxas and anger is understandable, because many of Roxas’ most poignant moments in the series happen when he is very (and understandably) angry, but I also feel like it’s a disservice to his character to only reduce him to his anger, especially when it’s far from who he is in normal circumstances.

For example, during Days, many Organization members treat him poorly and insult him to his face and, for the most part, Roxas doesn’t react at all. In Halloween Town, Lock, Shock, and Barrel throw bombs in his face multiple times before Roxas finally snaps at them. He senses that many people around him are keeping things from him, but it takes him months before he confronts someone about it. That’s far from someone I’d consider short-tempered or easy to anger.

The only situation I can think of when we see him get upset quickly is if anyone does or says something bad to Xion and, even then, the most of his reaction is verbally snapping at Saix to make him stop disrespecting her. In Axel’s case (when Roxas is upset with him for attacking Xion), Roxas doesn’t confront him at all, he just avoids him altogether. Also, I think it’s important to note that every moment in which Roxas is very angry happens when his entire life is falling apart, which is a situation in which, I believe, everyone would be upset.

Roxas seems the kind of person who bottles everything up without much reaction until it becomes too much and he explodes, and that’s when he has a hard time controlling his anger/emotions. Having spent most of his life in the organization probably plays a part in it as, every time he brings up any emotion, his feelings are invalidated and suppressed. That’s not an environment that gave him the tools to process strong emotions in a healthy way.

Let’s compare that to Ventus. Ven is the definition of short-tempered in BBS. He’s ready to throw hands with Vanitas the moment he says something remotely bad about Terra, which was minutes after he met him for the first time. He fought the dwarves without a second thought just because they refused to talk with him. His first reaction when he becomes small and is trapped in a mousetrap is to shout. These are just some examples from the top of my head, but it’s clear Ven has a shorter fuse than Roxas.

Ventus usually expresses how he feels in any given situation and has a short fuse. On the flip side, he doesn’t seem to hold on to these feelings at all. He externalises them the moment he feels them, but then he lets it go and it doesn’t bother him anymore. Out of the three of them, Ventus seems the most open about his emotions and, from what I remember, when he opens up about feeling a certain way with his friends, his feelings are usually not invalidated nor brushed aside. In UX, Ventus seems calmer and doesn’t have much anger in him, but he’s still open to expressing his feelings of low self-worth and sadness with the other union leaders.

Sora, I think he falls in the middle? He seems to have a shorter temper compared to Roxas, which was especially clear in KH2, where he snaps at the Organization multiple times, but he also bottles up his emotions more than Ven, especially around his friends. This happens mostly with his sadness, which he always tries to hide or brush aside, but in KH3 we can also see, for example, how much he’s bothered by everyone constantly bringing up him not passing the Mark of Mastery, even if he tries not to show it.

I think Sora feels like he should always be happy for his friends’ sake, and even during the rare moments when he tries to express his sadness, his feelings are not truly welcomed (“No frowning. No sad faces. This boat runs on happy faces”), so he just tries to brush it off as a joke. He’s loud in expressing any kind of positive emotion, and he openly expresses his anger against his enemies (and to his friends too, sometimes), but he also doesn’t hold on to that anger and is pretty forgiving. However, he usually bottles up his sadness, low self-esteem and other negative feelings, and then explodes when he can’t hold it together any longer (like it happened at the Keyblade Graveyard when he thought all his friends were gone forever).

[nellasbookplanet]

In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:

There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.

Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.

Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?

From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.

Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?

[maingh0st]

i know i'm not the first to say this, but the acolyte's cancellation has confirmed how tired i am of disney's decision-making when it comes to their content. i know nostalgia is the easiest way to a big payout, but we can only take so many spinoffs before the universe starts to feel too small. but then fresh content—content that's building on the canon by looking to old star wars lore while asking new questions—fizzles out.

it's the sequel trilogy all over again. we're promised something new, something that actually expands the canon rather than just recycling it, even bringing in concepts from legends, and then the rug is ripped out from underneath us & we're punished for ever caring about any of it. silly babygirl! palpatine was always the big bad (don't worry about the fact that this is thematically nonsense and not foreshadowed in any way), and rey isn't a nobody ("your parents sold you because they loved you"), and this isn't a story about how the force transcends human categories and dynasties (represented by a grey jedi force dyad between a legacy skywalker and a nobody orphan from a backwater planet, fulfilling not only balance between light and dark but also transcending the old to become something new). silly idiot!!! rey's a palpatine by birth and a skywalker by self-adoption and god forbid she create her own identity outside of these names our fans recognize. watch as she stands alone on a sand planet that has no personal significance to her, ending her arc almost exactly as she began. but look!! two suns! neat

i don't even know if fanservice is the right word. at a certain point, it just starts to feel like they're quaking in their boots at the thought of doing anything new. i had my gripes with some of the choices in the acolyte, but at least it was unique. it explored a new era and asked questions that star wars has only ever flirted with. like: what happens to the children who are uprooted from their homes at such a young age, yet can't find their place in the jedi order? how does one survive in a supposedly honorable system that nevertheless relies on the repression of some of humanity's most fundamental emotions? is it possible that an organization dictating exactly how one ought to interact with the very life force of the universe... could perhaps be faulty and shortsighted? what happens when the ways of that order clash with other cultures and worldviews? (spoilers: space colonialism). and that's not even to mention the ideas they play with re: the force itself (vergences! plagueis! force witches!)

i know not everyone loved the show, but a lot of people really did care about it. a lot of people, like me, were excited to see these new questions being raised. but forget it—the disney gods have decreed that it didn't hit some magical threshold of streaming hours or reach a "broad enough" audience in the two months it's been out. but don't worry guys. turn your brains off and tune in for the next spinoff 2 chewy 2 bacca

[rookeryyy]

REINVENT

YOURSELF

tumblr HATES my 44.1mb image swag so it has SO MUCH COMPRESSION and downsizing here. :') peep the actual intended size & quality (or as good as i could get it exported)

post-return Q!Tubbo :] Tee hee.

un hamburgesa para tubbo (he lookied ungry)