#I was inspired by many artists from here can you tell

[loveemagicpeace]

Neptune & illusion

Here I am describing the things that are confusing and illusory that Neptune can bring. Neptune, the planet of dreams, illusions, spirituality, and the unseen, governs the realms of imagination, intuition, and the subconscious. Named after the Roman god of the sea, Neptune’s energy is fluid, mystical, and elusive, often associated with the dissolution of boundaries and the desire to merge with the divine or the infinite. In astrology, Neptune is linked to creativity, compassion, idealism, and escapism, but also to confusion, deception, and disillusionment. Neptune rules over the realms of fantasy, creativity, and artistic expression. It inspires visions of what could be, often fueling dreams, art, and music.

One of Neptune’s challenging qualities is its association with illusion, confusion, and deception. Neptune can create a fog that obscures reality, leading to misunderstandings or fantasies that do not align with the truth. It rules over situations where things are not as they seem, and can bring about disillusionment when the idealized version of reality falls apart. This planet can also represent escapism, whether through daydreaming, addiction, or avoiding life’s harsher realities.

This planet is associated with addiction, whether to substances, fantasies, or behaviors that allow people to avoid dealing with reality. Neptune’s influence can create a longing to escape the harshness of life, making it easy to fall into patterns of avoidance or self-destructive habits.

Neptune in 1st house- The first house represents your personality, appearance and energy. Therefore, Neptune in the first house will literally be a part of you. Your personality will be dreamy and you may spend a lot of time in your head or in your world. You like to live somewhere else because it helps you not to face reality so much. For example: you are having coffee with a group of people and everyone is talking about a topic, but you are just sitting drinking coffee and daydreaming and you are in your own world. With Neptune here, you turn off the entire reality and the world around you. People find you special, mysterious, dreamy and can often idealize your personality and you. Many people find you as someone who is like from a cartoon, infinite, special. With this placement, you can also manifest a lot because you give an illusion about yourself and your life to others that may not exist, but others believe it. You can become too idealistic about yourself and your appearance. You can fall into too much illusion about yourself. This "Neptunian" persona can be a double-edged sword—while it can make them seem alluring, it can also cause confusion or misunderstanding in relationships, as others might see them as something they are not.

Neptune in 2nd house- you can dream a lot about money, wealth and material things. Here you can be careful who you lend money to or tell them about, because you can run into people who rob you. your inner feelings can sometimes be very strange and illusory, maybe you think you feel a certain way but you really don't. Neptune can create illusions or confusion around money, self-worth, and material possessions. The illusion lies in valuing things that may seem important in the moment but are unstable or unrealistic long-term, leading to potential financial instability or confusion about true self-worth.

Neptune in 3rd house- your thoughts can be dreamy many times. You often feel unaccepted by your relatives and you may also have an incomprehensible relationship with your siblings. Many times very strange things can happen to you when it comes to relatives or siblings. One of them could be weird or have a mental illness or the things you learn about them are very shocking. It can happen to you that sometimes you think that some things are completely different than you thought they were. You can be firmly convinced of something and then find out that it was never true.

Neptune in 4th house-a lot of strange things can happen here at home. A home can be full of mystery and confusion. Maybe when you grow up you can find out things about your mother that you didn't expect. Your mother can be a mystical, mysterious woman, maybe her personality can be covered. You can live in a house where strange things happen and are somehow inexplicable. There’s often a deep longing for an ideal home life that feels peaceful and spiritually fulfilling. The illusion lies in the tendency to escape into fantasies about family or emotional safety, sometimes avoiding confronting difficult truths about their home environment or past.

Neptune in 5th house- your jealousy of your partner can overwhelm you many times. You can imagine things that your partner has never done. You have the feeling that your partner is having an affair with someone else, but this is not happening at all. This placement can be suspicious when it comes to dating and love life. Your partner can also leave your life without knowing it, maybe while you are on a trip. They may fall for unavailable or elusive people, drawn to the dream of perfect love, which leads to heartbreak when the illusion fades. This placement can also blur boundaries when it comes to pleasure-seeking, sometimes leading to indulgence in escapist behaviors like substance use, risky romantic flings, or over-identifying with fantasy worlds.

Neptune in 6th house-you can imagine an illness or think you have an illness that you don't really have. Here you have to take care of your body's health, and it's difficult because you can have a different idea of ​​your body than it really is. Illnesses can come from your subconscious and you can also heal yourself. The idea of ​​a certain body can sometimes confuse you or you have the feeling that your body looks different than it really is. Anorexia can be common here (but it does not necessarily depend on other aspects).

Neptune in 7th house- it can happen that your partner suddenly disappears or leaves your life and you don't even know why. It's like waking up in the morning and your partner is no longer in your apartment and you start looking for them everywhere and you can't find them. As if they disappearance was very unusual and strange. However, since Neptune is the planet of illusions, it is possible to feel that everything in the relationship has always been okay and that the relationship has always been very good, but in reality you may find out that the partner did not like many things. The relationship itself can be very illusory, so you need to be careful not to get too involved.

Neptune in 8th house- can create a fog around emotional depth and intimacy. You may have a tendency to idealize your emotional or sexual relationships, seeing your partners as more perfect or spiritually connected than they are in reality. You might be more prone to fantasies about life after death, the unknown, or spiritual enlightenment, and this could skew your perception of reality. Neptune can create an unconscious fear of betrayal or abandonment, which may lead you to be paranoid or overly trusting in relationships.

Neptune in 9th house-There can be a sense of disillusionment or confusion regarding organized religions or traditional belief systems, leading to a more personalized or eclectic spiritual path. Neptune's influence can blur the lines between reality and illusion. There is a risk of becoming lost in fantasies or unrealistic expectations about education, travel, or spiritual pursuits. One of the primary illusions with Neptune in the 9th house is the idealization of spiritual beliefs or teachers. There can be a strong desire to escape into distant lands in search of freedom or spiritual awakening, but this can sometimes lead to an unrealistic view of the world. People with this placement might experience a sense of "spiritual wanderlust," constantly seeking but never fully finding the ultimate truth they crave.

Neptune in 10th house- You might struggle with finding clear direction in your professional life. Neptune can cloud your judgment, leading to unrealistic or overly idealistic goals. Neptune can cause you to project an unclear image, leading to misunderstandings or misinterpretations of your abilities. There is a tendency to idealize certain career roles or to feel a spiritual calling, but without proper grounding, they can become disillusioned when reality falls short of their fantasies. However, you must be careful not to lose yourself in escapist fantasies or idealize certain roles that might not be grounded in reality.

Neptune in 11th house-You might place your friends on a pedestal, seeing them through rose-colored glasses and ignoring their flaws. Neptune can blur boundaries, causing you to be too trusting or giving in your friendships. Neptune can cause you to be overly idealistic about your hopes for the future. They can easily lose themselves in the needs or expectations of others, sometimes becoming a "savior" or martyr within their social group. Friends may project their own fantasies or expectations onto them, which can create confusion or misunderstanding in these relationships. Be careful of friends which are false.

Neptune in 12th house- You may find it difficult to confront your own fears, trauma, or emotional pain, preferring to avoid them altogether. This avoidance can manifest as addictions or unhealthy habits, used to numb yourself from the emotional intensity of your inner world. You might not be fully aware of your hidden fears or suppressed emotions, leading to confusion or self-sabotage

-Rebekah🍀🧚🏼‍♀️🫧

[beetle-baguette]

Song writing process

[sysig]

What are some rare characters you love that you think people don’t draw or write about enough

Do Max and Dex count I love them and I feel like I'm approximately 80% of the Helix fandom rn lol

Doug Peterson and Russ Frushtick from Law Abiding Citizen - the fandom has gotten real quiet over time but I still love them so much ♥ There's a lot you can read into or leave silly with their dynamic, I still wholeheartedly recommend the emerge, transformed series as one of my favourite interpretations of Russ especially 💕

The Editor from Jazzpunk - he's just a silly little guy! It's honestly such a shame that he's only really in the last chapter, I would love to see him explored more, he's the worst ♪

Tatsumi Souichi from Koisuru Boukun - genuinely one of my all-time favourite characters, and The Only Good Tsundere as far as I'm concerned lol. I'm gonna write about him! I've got my fanfic and video essay sitting in my drafts, but like agh!! He's so interesting!!! So beautifully flawed - he's internally consistent which is my Favourite - and watching him grow and change while still being himself over literal years has been a truly unparalleled experience as a reader 💖

Luke Wigglebig and Florette from Pajama Sam: You Are What You Eat From Your Head To Your Feet - I joked before about being the only person on the internet who ships them but like, I'm pretty sure that's actually true lol. Even just more fanart of them by themselves would make me happy, they're so cute!! Especially Luke, his design is adorable

And then probably a more well-known one but I haven't been following his fandom popularity lately haha, Fai D. Flowrite from Tsubasa - him, Nova, and Watanuki move in and out of being my CLAMP faves, though Fai is probably the most complex of the three of them. And he's a trash man! A garbage fire of a wizard ♥ I love him

[trans-leek-cookie]

someone talking about the ways media and common tropes/depictions of things that are either explicitly or implicitly linked to marginalized people are demonized and presented badly is not a fucking opportunity for you to flex how you're doing it Differently And Better

[cripplecharacters]

How to Support People with Facial Differences - the Face Equality Week 2024 Special

[large text: How to Support People with Facial Differences - the Face Equality Week 2024 Special]

Today is the 13th of May, which means that the Face Equality Week has just started. This year's theme is “My Face is a Masterpiece” which is probably my favorite sentence ever said about having a facial difference. Huge fan, should be used way more often in my opinion.

Because of this occasion, I would like to share some thoughts about Face Equality that I think are rather entry-level, i.e. you don't need to know much to execute these, but you can still support us.

Stop the stare.

I know it's fun to stare - or so I guess, at least - but maybe you shouldn't. Next time you see someone who has a scar or who's face does not move the same way as yours, just mind your business. We can tell when you're “discreetly” looking.

Don't call us deformed. 

Knowing how the people you're trying to support actually call themselves should be an absolute first step, but most people still fail here. Most of us don't appreciate being called “deformed”. I certainly don't. Say “facial difference”, or “disfigurement” if you must. It's 2024. Leave “deformed” to medical reports from the 70s.

No more “What happened?!”s.

If you aren't a doctor, there's a high-to-100% chance that it's none of your business. It's cool that you're curious - keep it to yourself.

Stop insinuating that we are ugly.

“Support people who are ugly!” isn't very supportive. I would say, not in the slightest. Say “people who don't fit the current beauty standards” if that's what you mean. 

Or, to go with this year's theme, “people whose faces are masterpieces” : )

Use critical thinking online.

Is the reaction photo actually funny, or is it just a person with a craniofacial condition? Is the meme actually a meme, or is it just making fun of a person with a facial disfigurement? Is body-shaming suddenly hilarious to you when the person shamed has strabismus? 

If the entire punchline is “lol they have a disability xd”, it's ableism. Plain and simple.

To go with the point above - your joke is probably not funny.

We get it! You can't help telling us how "you're going to hell for laughing" (which yeah, probably) and how we remind you of the ugliest character you have ever seen. I guarantee you that we heard it, and that you are behaving like an edgy middle schooler who hasn't "found out" yet. It's boring and annoying. Also ableist, but you're aware of that already if you're saying that you're going to hell.

Stop with the goddamn trigger warnings. 

We aren't “body horror”, we aren't “gore”, we aren't something that you need to advise your viewers to use their discretion over. Every “graphic footage: child with neurofibromatosis” and “#tw burn scar” is a sign of ableism and disfiguremisia. People with facial differences deserve to be seen. Ableds can survive seeing a person without a nose.

Do a basic reading on what disfiguremisia is.

New word! And a pretty damn important one. It's a brand of ableism that intersects with more or less everything, and it means discrimination and hatred of people with facial differences/disfigurements. The bullying, harassment, endless name-calling, and microaggressions are all results of disfiguremisia. The ways in which everything is harder for us isn't some unchangeable rule of how the world works, it's just an extremely prevalent type of discrimination.

Understand that we are people.

I know, revolutionary - and yet impossible for so many people to get. We can be a visual representation of evil when it's necessary, we can be a feel-good inspirational story on a morning talk-show, but not much else, it seems. In reality, we are complex, we have our own lives, we can be happy and sad and have the same exact joys and worries that you have.

Hey, artists - facial differences don't make you evil.

Title stolen from a great essay by Lise Deguire (link). When's the last time you saw a positive character with a facial difference that wasn't inspiration porn? I mean a character that's not edgy, full of angst, a murderer, or a villain. Based on what you see in the media, you'd think that having a scar renders you evil on the spot, but in reality it just makes you loathe how artists apparently think you are like. It's boring, it's overdone, it's ableism. Stop doing this, and start noticing when it's being done. Point it out if your friend is writing their new villain to be an evil burn survivor. This kind of portrayal needed to stop ages ago, but tomorrow will be a great time as well.

Before you reply with “I've never seen this” - Darth Vader, Lion King’s Scar (subtle name, great thing to teach kids!), Freddy Krueger, Voldemort, we could be here forever. You're just not paying attention.

Pay attention to where we are not included.

As discussed, there are some places where you see us all the time. But where do you not see us?

Advertisements (unless it's for a scar-removal cream, of course). Fashion shows. Magazine covers. Romance movies where we are the main character.

We deserve to see ourselves in what's around us in the same way able-bodied people do. Trying to make it seem like we don't exist - that's deliberate. 

Interact with our art.

We draw, write, sing, act in movies, we do everything! Support us in the most tangible way - leave us a nice comment, read our books, listen to our songs. Watch movies where actual people with facial differences star, not pseudoinspirational stories about how “being disfigured is ok” where they shove an able-bodied actor into a full face prosthetic just to not have an actor with a disfigurement on set.

Include us.

As this year's Face Equality Week calls for, include us. In art, in movies, in books, in your life. Show us as positive people who are valuable, who are a part of your community - I guarantee that we are in every one that's out there. The world is hostile and unwelcoming to people with facial differences - be the change, wherever you are!

I know that it is different from the usual posts I make, but I hope it was somewhat educational. I just like to use every occasion that I can to force Face Equality into people's heads. To make this at least a bit about writing to keep the blog's theme, I will say that if you want to write about us, you need to care about us in real life as well. Otherwise, it's shallow and pointless.

Below the readmore are some links/resources that you can click to educate yourself further. A lot of them lead to Face Equality International because they have just about everything you should know. If you want to be a better ally to people with facial differences, I heavily recommend them!

#MyFaceIsAMasterpiece

mod Sasza

https://faceequalityinternational.org/2023/04/why-i-will-not-hide/

https://www.psychologytoday.com/gb/blog/disability-is-diversity/202111/hidden-community-the-movement-face-equality

https://faceequalityinternational.org/2022/05/facial-differences-in-the-media/

https://faceequalityinternational.org/2023/04/advertising-excludes-women-with-faces-like-mine/

https://www.phoenix-society.org/resources/burn-community-bookshelf

https://faceequalityinternational.org/about-fei/international-face-equality-week/

https://faceequalityinternational.org/2023/04/hidden-from-view-women-with-facial-differences-in-the-media/

https://www.phoenix-society.org/resources/i-dont-see-your-scars

whoa thanks for actually clicking the readmore!!

[angelsforthenight]

MRS. AND MRS. SMITH — abby anderson x fem!reader

ways you can help gaza 🇵🇸

do not buy tlou2 remastered!

a/n: this is way more inspired by the mr and mrs smith series (2024) not the 2005 one!!! this explains why they’re wives :3

you’re an assassin along with your assigned partner/wife, abby anderson. fed up with her toxic behaviour, you’re pleased when the mission is centred around you seducing a man for murderous motives. why? well, because you know it’ll get under abby’s skin. little did you know, things would blow over way more than you thought it would.

cw: mdni, owen feature🤮🤮, long fic, kinda slow-burn ig?, femme fatale, arranged marriage couple, kinda toxic relationship, violence, mention of blades, car sex, mean!abby, bratty!reader, dom!abby, degrading, bdsm, ass-smacking, finger-fucking, cursing, jealous!abby, hair pulling, dry-humping, finger-sucking, choking, rough sex, teasing, squirting.

“short brown hair, rugged beard. got that?” abby’s murmuring voice comes in from the earpiece you’ve got attached. you groan and roll your eyes, wishing you could mute the goddamn thing.

see, any other day, you would’ve loved to hear your wife’s pretty little voice guiding you — her praises when you’d do something right or her degrades if you’d do something wrong both sending shivers down your spine, compelling you to do whatever she wanted.

but not today. today you’re over it. so what do you respond with?

“yeah, i know, anderson. we both got the fucking brief.” you hiss. you know how pissed abby gets whenever you curse at her; so that’s exactly what you do. you relish at the thought of her gritting her teeth, not being able to snap at you in front of all of these people.

that’s right, you two are at a charity gala event. it’s fancy. too fancy to the point where it’s intimidating: glistening chandeliers, artistic decorations and bustling people wearing glamorous attire. you and abby needed to blend in with the crowd so not only are you two dressed smartly for the occasion but are also split up. not that you’re complaining. you’re sick of her. sick of her petulance whenever you’d get glorified by the agency instead of her, sick of how sometimes she can be so simple-minded, sick of how, at points, she lacks at making you feel loved.

your job is to take out an owen moore, for unforeseen reasons. you never question what the agency tells you to do, neither does abby.

you’re planning to lure him in an concealed area with your enticing charisma, make him believe you’re going to sleep with him before slicing him dead with your blade. you prowl through the many people, scanning the area with a keen eye to find him. claude debussy plays as background music, taming your harrowing nerves. killing is never easy.

“found him yet?” abby sighs.

“please don’t distract me.” there’s way too many people and it’s beginning to stress you out. what if you never find him? failing the mission is the last thing you wanna do.

“i’m getting bored. plus, small talk with strangers pisses me off.” she complains.

“not my goddamn problem.” you retort, the ends of your tight-fitting dress flailing against your legs as you pick up the pace, worrying if there’s not enough time, worrying if he’s even here in the first place.

“literally what is your problem? acting extra fuckin’ snobby tonight...”

your eyebrows knit together. abby always finds a way to get under your skin.

“let’s not fucking start—“ you’re about to snap and make yourself look like a fool in front of all of these people until somebody accidentally bumps into you: spilling his drink all over your dress. great!

“oh shit. sorry, i didn’t mean that.” you hear a man’s voice as you stare down at your ruined dress in disbelief. you slowly glance up at the culprit; only to find the noted brown hair and rugged beard staring right back at you. owen moore.

despite your worked up embarrassment and your extreme annoyance, you manage to flash a smile.

“it’s okay, but... you do realise you owe me now right?” you bat your eyelashes, hoping you don’t look silly.

“and what’s that?” owen chuckles, rubbing the back of his head and making immense eye contact. he’s already flirting back, you think. this is about to be so fucking easy.

with a few drinks, owen’s already tipsy and you’re leading him to the vast room. you make him believe you’re just as woozy; stumbling and giggling away. you take advantage of his obliviousness: your hand brushing against the slit of your dress, fingers cupping the wooden handle of the blade in the garter wrapped around your thigh. whilst he laughs and babbles nonsense, you carefully trace the edge of the blade — feelings of excitement rushing to the surface. regardless of the fact that killing is never easy, it’s also never not exhilarating.

you’re about to fully whip out the blade until owen decides to be bold: setting his slobbery hands against the small of your back and trying to lean in for a kiss.

“woah.” you feign a grin, pulling his hands away. “we go at my pace.”

“aww… please?” he mumbles, trying to seem like an adorable puppy but instead making it look disgusting. this is sad, you think. you try to grab your knife again but he’s now grabbing your arms; desperate for a fruitless smooch.

“come on… don’t play hard to get.” he growls, his sudden aggression catching you a little off guard. no need for stress, you know what to do. your knee prepares itself to kick hard in between his legs until somebody’s arm suddenly emerges from behind, wrapping around his neck and squeezing hard.

“what—“ you breathe in bewilderment, eyes widening. despite owen choking and uselessly clawing at abby’s arm for escape, her gaze stays intently trained on yours; a death stare. it’s unnerving.

it doesn’t take long for owen to turn cold and slack, eyes rolling to the back of his head. abby lets him go, but not without cracking his neck first, and you watch as he flops onto the floor.

“what the fuck, abby…” you mutter, palming a frustrated hand across your face. “where the hell did you even come from?”

“there’s doors.” she tilts her head towards the backdoor behind her. you hadn’t even noticed it. your eyes travel back to her; irresistibly ogling at the black suit clinging to her body, complimenting her form. you almost forget you’re supposed to be mad at her.

the blonde chuckles wryly, a petty exhale. “you starin’? assumed pussy boys were more your type.”

“real fucking mature.” you snarl. “i had him. i was this close to killing him, abby.”

“you were taking too long.” abby shrugs, condescendingly pouting. you grit your teeth.

“jealousy? really? grow up.”

“at least i watch where i’m going. nice dress, the wet splotch is a nice touch, really.” she slanders, narrowing her eyes. you scoff, trying to pretend as if that dig didn’t offend you.

“you’re a fucking child. help me with the body.”

you two leave the building with ease, pretending as if owen is a friend that’s had too much to drink, wrapping his arms around the both of your shoulders and leading him to your car. abby opens the boot and you two push him inside. you two will decide on how deal with the body later.

for now, you’re sat on the passenger’s seat whilst abby drives, the two of you salty and quiet. abby’s driving way too fast; her hand gripping the steering wheel like her life depends on it. she’s obviously fuming.

“can you slow down?” you glare at her.

“you owe me… i mean, who even says that?” abby grumbles, ignoring your request.

“a lot of people do. now slow down, we don’t wanna attract attention from police knowing there’s a dead body back there.”

“not to mention that you’ve had an attitude since last night! the way you were flirting with that oliver guy? or whatever the fuck his name was, had to be on purpose. to spite me.”

abby starts driving even faster, increasing your stress. “owen.” you correct, “you’re so self absorbed!” you continue to beg for her to slow down.

“he’s, like, the embodiment of revolting too. don’t even get me started at the way he was trying to force himself on you. i should’ve put a bullet in his brain.” abby rattles on, pure jealousy oozing from her tone.

“you were definitely enjoying it too. i know you were.” she turns her head to look at you, not paying attention to the road.

“abby. abby!” you scream as abby almost runs through a poor family trying to cross the road.

“fuck.” abby murmurs as she swerves messily, just in the nick of time, steering into a deserted field. the two of you are out of breath from the fright, hearts racing from the adrenaline. abby rests her head on the wheel, letting out a long sigh.

“just what the hell is the matter with you?” you scold, “all this shit over a mission? are you serious?” abby’s lack of response leads you to continue yelling at her.

“of course we’re going to have to flirt with our targets now and then! the fuck happened to your professionalism? if i had known you’d be acting like this then i would’ve never—“

“why didn’t you kiss him?” abby raises her head to look up at you, her face blank. you blink, a little taken aback by the unexpected question.

“i…” you look away. you’re not exactly up for abby knowing that you couldn’t kiss him because of her. “where even are we anyway?”

“nice try. since you’re so professional, why didn’t you kiss him? he clearly wanted to. you could’ve easily killed him then.” the corner of abby’s lips arch up into a smirk — the familiar smug look of hers that never fails to get you weak.

“for someone who’s had so much to say just a second ago…” she leans in a little, arm resting against your headrest, “…you’re awfully quiet.” her voice is hushed down to a soft whisper, and you swear you’re beginning to feel a little lightheaded.

“look, abby, you’re my wife… so…” you mumble in response to her pressing question, avoiding eye contact. abby chuckles, loosening her tie. here comes the floodgates.

“don’t play dumb and pretend as if the agency didn’t arrange that.” her finger presses against the dome light of the car; illuminating your embarrassed face. just what she wanted to see.

“you’ve been enjoying yourself, seeing me all jealous like this. you liked playing femme fatale, hmm?” her finger slowly twists itself around a strand of your hair, before she yanks a handful, forcing your head closer. you wince, eyes clenched shut. your cunt decides to flex too — reminding you that she’s got a mind of her own, and that she finds being in an empty field like this, in abby’s car, pretty fucking hot.

“let’s face it…” abby whispers, so close that you can feel her breath tickling your ear, shooting heavy tingles down your body.

“you want me so bad it hurts.” her eyes drift down to your thighs that are starting to shift uncomfortably in your seat. it’s beginning to ache down there and it seems like abby’s aware of that. you can’t help it. after all, abby sitting so close: loose strands of hair framing her face, unfastened tie and darkened eyes fixed on you, feels so good that it’s suffocating.

you squirm a little and abby grins, her fingers still laced in your hair. her grip slightly tightens as she licks her lips. she looks hungry.

“maybe what hurts is your fingers in my hair.” you quip, though your voice is a little shaky.

“maybe you need to fix your attitude.” abby retorts, “like, seriously, pipe down… you’re probably soaking down there.” she snickers, right on the money.

“fuck you.” you glare at her, gauging her reaction. you want to believe you’re saying this out of sheer anger for what went down tonight, but deep down, you know that’s not the case. in reality, you just want to get under abby’s skin. it’s what you’ve been craving since the beginning; to get her pissed.

you wipe the pleased look off of abby’s face, which is now replaced with a frown. your heart pounds with anticipation: so much so that your chest faintly heaves, lips parted.

abby’s eyes wander to your lips and in one swift movement, she pulls you in; pressing her lips against yours. you’re quick to kiss her back, the sweetness of her mouth sealing yours. fervent can’t even begin to explain the way you two are kissing. akin to wild animals, small muffled groans escape the both of you.

desperation is thick in the confined air of the car, as abby pulls away and shrugs her blazer off. you stare up at her.

“hurry… with your slow-ass.” you whine.

“watch your fucking mouth. c’mere.” abby commands. you naturally do as she says and she begins to unzip your dress — not without making sure to go deliberately slow.

“why do you have to be so mean?” you sigh, burying your face in the crook of her neck.

“oh, trust me… i’m only gonna be meaner.” she warns whilst planting gentle kisses on your neck. you’ve always admired abby for her ability to vary from being sour to tender in seconds. little did you know, the peppered kisses on your neck served as a prior apology to how cruel she’s going to treat you in a second.

once everything is off, abby marvels at your body. like a painting in an art gallery, she makes sure to pay attention to even the minuscule details of your body. it���s her favourite thing in the entire world.

“turn around.” abby mutters, her eyes hazy; voice bleeding with lust.

“what?”

“just do it.”

you hesitantly do as she says. abby beams: finding your weak resistance amusing yet is also excited to break you.

“now… bend over.” she coos, clearly poking fun.

you shoot her a glare, cheeks flushed. “what am i, your dog?”

“don’t piss me off.”

you glare at her for a few seconds longer before sighing, reluctantly bending over.

“arching that back and everything… wooow.” abby teases, “and to think i haven’t even touched you yet.”

“oh, just fuck off, abby…” you complain, the embarrassment beginning to overwhelm you.

“what was that?”

“i said fuck—“ but you’re cut off by a yelp when abby brings her palm down flat against your ass. you flinch violently; very, very taken off guard.

“mm? didn’t quite hear you. repeat yourself.” abby taunts, smacking you again. you grunt and flinch yet again, feeling the sting of her slap coarse through your body. abby’s humiliating you, milking every last drop of your embarrassment. the worst thing yet? you’re enjoying this way more than you should be.

“i’m not kidding. speak.” abby commands, showing no signs of mercy. your skin is already starting to gleam red, and your pussy? well, it’s a fucking party down there.

“abby…” you cry, completely under her control. the more she smacks, flesh recoiling under her palm, the more your head goes blank.

“go on babe… finish what you were saying before.” abby prods. this time, when she smacks you, her fingers grasp the flesh on your ass tightly; watching in delight as her fingertips leave little red marks. you’re trembling like a leaf, both from the pain and the arousal.

see, the thing with abby is that she never likes to let things go. she adores jabbing at you until she gets what she wants.

another smack, this one so hard that you need to press your palms against the window. abby then grips your waist and pulls you way closer; making your ass press against her hips.

“you wanna get fucked?” abby mutters, teasingly bringing your waist back and forth against her hips: hard, playful thrusts. your bare cunt pressing against her crotch is, without a doubt, driving you insane. you frantically nod in response to her question, in which abby replies with latching her hand around your neck; forcing you upright so that your back is now against her chest.

“use your words.”

“y-yes…” tears begin to stream down your face. you’re desperate, yearning for her touch as if it’s a life or death situation.

“so finish what you were saying.” her fingers slightly squeeze around the sides of your neck.

“i-i told you to f-fuck off but i d-didn’t… haa… mean it.” you splutter. the you a while ago would’ve had her mouth agape in horror at your behaviour right now.

“see? that wasn’t so hard, was it?” abby coos, her fingers tracing down your stomach, in between your thighs. long, drawn-out circles are traced on your swollen clit, her fingers pressing just the right amount of pressure. you groan, and abby taps her chin against your shoulder; smirking at how your legs are writhing, desperate for more.

“where’d all your attitude go?” the blonde ridicules. her other hand moves over to your breast, squeezing it, her thumb caressing your nipple. as to the hand working on you, her middle and ring finger brush against your folds; up and down. she’s touching you but it doesn’t feel like it’s enough: abby knows that.

“don’t do this to me, abby…” you exasperate. she lets out a breathy chuckle before flipping you over and setting you down onto the car seat. she reclines it back, eyes yet again fixed on you. you stare up at her with big glossy eyes, your head blank as if you’ve been dumbed down.

abby gloats at how helpless you look, grabbing your face with one hand and squishing your cheeks. “you look stupid.”

“shut up and fuck me.” you mutter in a muffled tone. abby laughs as if what you’ve said was the funniest joke in the entire world. you wonder if abby can feel your cheeks burning up against her palm.

before you know it, abby plows her thick fingers so far inside your cunt that you’d squeal, if it wasn’t for abby’s hand still clenched on your cheeks.

“this what you wanted?” abby purrs, fingers curling up against your g-spot already. you moan, back arching and squirming.

“oh! riiiiight, you can’t speak.” she gloats, playfully shaking your head with her hand. you whine in embarrassment, yet you secretly enjoy how she’s handling you like a doll.

abby’s finger-fucking you rough, wet squelch noises filling up the car. the sound of it is so erotic that it leaves you dizzy, eyes rolling to the back of your head. the blonde releases her grip on your face but not her thumb, that slips inside of your mouth.

“suck.” you mindlessly do as she says, as if you’re brainwashed. you can see abby’s cheeks tint red when you slowly suck her thumb, making sure to keep eye contact.

abby chuckles, looking away. seems like she didn’t think you’d actually do it.

“you’re shy.” you point out. you triumph over the fact that now it’s her turn to be embarrassed, but not for long.

“shut the fuck up.” abby says brusquely, her fingers operating way harder than before; relentlessly pounding against your g-spot. you cry, feeling overwhelmingly good.

that rigid attitude you had a moment ago? now dead and buried. you feel surreal, a series of mewls and sobs leaving your lips.

“nothing smart to say anymore? you look fucking pathetic.” and she’s right. you look like a hot mess. abby smothers your tears all over your face. you mindlessly move your hips, fucking yourself on her fingers. she smirks, loving what she’s seeing. you feel a knot beginning to untie in your stomach, sublime throbs coursing all over your body.

“i’m cumming…” you manage to choke out.

“i know.” abby buries her face in the crook of your neck, and you shiver at the feel of her breath against your skin.

“i’ll decide to be nice and let you finish.”

and that’s your cue. with an ending moan to seal it off, you feel your body tense up, eyes widening. abby leans in and presses her forehead against yours. you squeeze your eyes shut, before your body relaxes. you’re panting like a dog, staring up at abby with foggy and depleted eyes.

“so cute…” she murmurs before cupping your chin and kissing you — this time, soft and tender as opposed to the way she was kissing you before. you feel warm.

so absorbed in each other, you two forget about how you’re in the middle of nowhere and how the body in the car boot needs to be dealt with. for now, you two have something more important to worry about: how you’re gonna clean up the mess you’ve left all over the chair and dashboard.

a/n: you made it !!! thought it’d be funny if the target was owen😭😭 hope u enjoyed reading <3

[local-dragon-haunt]

hey! i’m an artist and i was wondering what about the httyd crossover art made it obviously AI. i’m trying to get better at recognizing AI versus real art and i totally would have just not clocked that.

Hey! This is TOTALLY okay to not have recognized it, because I DIDN'T AT FIRST, EITHER. Unfortunately there’s no real foolproof way to distinguish real art from the fake stuff. However I have noticed a general rule of thumb while browsing these last few months.

So this is the AI generated image I used as inspiration. I will not be tagging the account that posted it because I do not condone bullying of any type, but it’s important to mention that this was part of a set of images:

This is important because one of the BIGGEST things you can use to your advantage is context clues. This is the thing that clued me in: right off the bat we can see that there is NO consistency between these three images. The art style and outfits change with every generated image. They're vaguely related (I.E. characters that resemble the Big Four are on some sort of adventure?) and that's about it. Going to the account in question proved that all they posted were AI generated images. All of which have many red flags, but for clarity's sake we'll stick with the one that I used.

The first thing that caught my eye was this???? Amorphous Blob in the background. Which is obviously supposed to be knights or a dragon or something.

Again, context clues come into play here. Artists will draw everything With A Purpose. And if what they're drawing is fanart, you are going to recognize most of what you see in the image. Even if there are mistakes.

In the context of this image, it looks like the Four are supposed to be running from these people. The thing that drew my attention to it was the fact that I Didn't Recognize The Villains, and this is because there is nothing to recognize. These shapes aren't Drago, or Grimmel, or Pitch, or any other villain we usually associate with ROTBTD. They're just Amorphous Blobs that are vaguely villain shaped.

Which brings me to my second point:

Do you see the way they're standing? There is no purpose to this. It throws the entire image off. Your eye is drawn to the Amorphous Villain Blobs in the background, and these characters are not reacting to them one bit.

Now I'm not saying that all images have to have a story behind them, but if this were created by a person, it clearly would have had one. Our group here is not telling a story, they are posing.

This is because the AI does not see the image as a whole, but as two separate components: the setting, and the description of the characters that the prompter dictates. I.E. "Merida from Brave, Jack Frost from ROTG, Rapunzel from Tangled, and Hiccup from HTTYD standing next to each other"

Now obviously the most pressing part of this prompt are the characters themselves. So the AI prioritizes that and tries to spit out something that WE recognize as "Merida from Brave, Jack Frost from ROTG, Rapunzel from Tangled, and Hiccup from HTTYD standing next to each other".

This, more times than not, is going to end up with this stagnant posing. Because AI cannot create, it can only emulate. And even then, it still can't do it right. Case in point:

This is not Hiccup. The AI totally thinks this is Eugene Fitzherbert. Look at the pose. The facial structure. The goatee. The smirk. The outfits. He's always next to Raps. Why does he have a quiver? Where's Toothless? His braids? His scar??

HE HAS BOTH OF HIS LEGS.

The AI. Cannot even get the most important part of it's prompt correct.

And that's just the beginning. Here:

More amorphous shapes.

So these are obviously supposed to be utility belts, but I mean. Look at them. The perspective is all off. There are useless straps. I don't even know what that cluster behind Jack's left arm is supposed to be.

This is a prime example of AI emulating without understanding structure.

You can see this particularly in Jack, between his hands, the "tassels" of his tunic, and the odd wrinkles of his boots. There's just not any structure here whatsoever.

Lastly, AI CANNOT CREATE PATTERNS.

Here are the side-by-sides of the shit I had to deal with when redesigning their outfits. Please someone acknowledge this. This killed me inside. THIS is most recognizable to me, and usually what I look for first if I'm wary about an art piece. These clusterfuck bunches of color. I hate them. I hate them so. much.

Anyways here's some other miscellaneous things I've noticed:

Danny Phantom Eyes

???? Thumb? (and random sword sheath)

Collarbone Necklace (corset from hell)

No Staff :( No Bow :(

What is that.

So yeah. Truly the best thing to do is to just. study it. A lot of times you aren't gonna notice anything just looking at the big picture, you need to zoom in and focus on the little details. Obviously I'm not like an expert in AI or anything, but I do have a degree in animation practices and I'm. You know. A human being. So.

In conclusion:

(Y'all should totally reblog my redesign of this btw)

[luna-loveboop]

@kikker-oma

Happy Fan Joy July, Oma!!!

Oma, thank you so so much for making Fan Joy July and sharing it with us! Our fandom, our artists, writers, readers, etc have loved seeing or taking part in this crazy challenge.

This is our gift to thank you- from artists all around who were affected by, or got gifts from, or took part in Fan Joy July. We all love you so much- so we made letters/art for this (Zelda themed!). Many said that they had already wanted to make/write you something, and this gave an opportunity.

One of the things I've loved about this month is how community/interaction centered you made it. The challenge was for yourself to make art each day (you absolute maniac /affectionate)- but then others joined. This July we saw or made art or fics with recommendations. Every day you made art for a writer with a scene from one of their fics, and inspired others to do the same, and writers even wrote every day for an artist based off an art piece they made! This led to a month of gift giving- everyone interacting and getting love for creating.

You truly led to a month of Joy for a lot of loz/lu fans- making the name "Fan Joy July" quite accurate

Thank you, Oma

Thank you for the gifts you gave all of us and the way you inspire others

Additional ramblings and art credits below the cut :P

I'm so grateful to all my artists who stepped up so we could do this when I asked- almost 36 hours and 19 artists. The art is like patchwork, with all these different styles, both traditional and digital put together. But that's exactly what happened- we all got drawn together, just like the other month-long challenges. It's so cool how art always connects people.

The artists who participated are @zolanort @la-sera @nancyheart11 @galenfeadraws @shade-pup-cub @arecaceae175 @isasan347 @ghosthoard @smilesrobotlover @unexpectedstormy @skyloftian-nutcase @knight-of-aether @uniquevoidflowers @jinxedruby @windwakingwhale @skyward-floored @xaeorian @blarefordaglare and me Thank you to all of you- You are all so cool and I'm glad! If I accidentally missed tagging or listing someone please let me know I'm so scared of if that happened djskdjdkd

There are letters based off of the colours/theme of each of the Lu boys- it's mainly Zelda and linkeduniverse themed... but we couldn't not have frogs for Oma! I did a frog, his name is Froggy and I'm very proud.

Here's a picture with a list of who did what-

Normally I would apologise for my handwriting, but you guys would just tell me it looks good anyways and honestly it does look good. :D Sorry for the ink splotches tho, and I hope you can read it.

We did this for you, Oma, because... well you are awesome /gen. You gave us the opportunity for a great month and we wanted to say thank you for all the joy you brought us so... thank you :)

Art :D

As for everyone who said they wanted to talk to Oma or other Fan Joy July artists who they loved sharing this month with... feel free to tag and share in the reblogs. Share the joy I guess- there's enough to go around :D

Happy Fan Joy July, Oma :))

[kelocitta]

I'll say that I have been in some fandom with extremely impressive and dedicated artists but consistently some of my favorite artists are ones who technically make 'unimpressive' art to outright loving posting 'low effort' doodles. I love skilled work thats beautiful, but I also deeply admire a freedom from perfectionism and ambition. Sometimes those are just non-complicated but still clearly skilled works, and sometimes thats loving the wobbly simplicity of crude lines vs. rendered beauty. One of my favorite artists back when I was big into Hollow Knight was a korean artist who could absolutely make some extremely beautiful stuff, but many of the pieces I remember most and loved the most looked like this

Even here I know I mentally worked harder to make this imitation than they did for the OG. I can't draw fast and loose, and I like work that is clearly faster and looser than I can do. I envy people who can do things imperfect and carefree. Sometimes thats still very obviously skilled work, sometimes its very stupid doodles that were blatantly done in 30 seconds in mspaint. I don't think its say, disrespectful to love the doodles more than the rendered stuff said artist makes- but my love for it comes from a place that a lot of people wouldn't guess. That is to say, its hard to tell who, why, or when something you make might click with people- and it doesn't take a masterwork for someone to see something in your art as inspiration.

[kanmom51]

https://twitter.com/parkjmwins/status/1782358915939774874

Idk whether you will even answer this ask or will block me but this is exactly why JK had similar concept pics like Jimin. Jikookers made it to be romantic while Fandom made it to a joke 'JK always copy Jimin' (ofcourse). I've seen you making multiple posts about Jikook concept pics being match is a proof of them being a couple when in reality Hybe don't even take permission of original artist before using their ideas for another. One hybe label just got into trouble for copying newjeans and according to CEO min heejin it was BANG SHIHYUK who wanted to copy newjeans to create a second version of them through illit. And guess what he made sure illit gets 10x more success than newjeans, a 2 day song was already charting in different charts including hot 100. The same bang shihyuk who ignored every bit of Jimin's success but shamelessly copied his ideas and visions of concept pics for another favorite member. He shamelessly asks staffs to copy original ideas of artists who created them and use them for a cheap version of the said artist, Newjeans and Jimin are just examples.

Was it JK's fault ? Not necessarily but unlike rookie Illit he had power and capability to make his own decisions and use his own visions instead of doing what he was asked to do by the staff (his words) but he didn't and sat comfortably while using another person's hardwork. If you still think those similarities were because they were couple then idk what to say because in that logic Newjeans girls and Illit girls are dating.

Talk about TikTok generation ask.

Linking me to a tweet that has zero actual information and/or proper discussion, just stating a fact that isn't necessarily even a fact. Ignoring the full picture (like y'all do when it comes to Jikook as well, btw).

And I also find it so so funny how you are basically hanging your all on something that a very problematic figure within the Kpop industry is claiming, all to try and deflect from despicable behaviour she's being accused of, including using and revealing private info of Hybe idols obtained in illegal and despicable manors, perhaps including having to do with certain private info leaking of certain BTS members (including the one person that you so vehemently claim to love and stand in defense of).

You think that by sending me this link you are proving something?

You say that you read through my posts. Well, obviously you've missed those many posts I've written explaining how JM and JK being a couple can be deducted not from one action or one behaviour alone, but the combination of many many actions or behaviours. A puzzle built of not 10 or 50 or 100 pieces, but one built of so many many more.

I find it funny how with everything that has been going on with JM and JK you guys are still at this.

We're back to JK copying JM.

Like seriously.

Like even if the whole NJ Illit thing was true there was some kind of a comparison to be made with these two men.

Like JK, who's album concept is 180 degrees different than JM's doesn't have stylists at his beck and call to create a concept that isn't a full on copy of JM's. Right down to the studs and colours and minutiae details of some of the outfits.

Like if he did copy JM, that same scorned poor JM (that's how you guys love to portray him, as a damsel in distress awaiting you to swoop in and save him) CHOSE to fly to NY to be with JK and spend Silver day there with him, travel with him multiple times and spend his entire 18 months in the army with that awful copy cat JK.

Your ask tells me that you have zero understanding in human interactions and relationships. JM saying time and time again, JOKING time and time again, about JK copying him, it's a tease but also something that he LOVES. How he inspires JK, how JK perceives him as his catalyst.

But this here, the photo concepts and the whole of JK's wardrobe while promoting, claiming it's all about copying JM is just bull crap. This was planned. And it was planned by the two of them. It's not a coincidence that JM happens to wear the bottom part of a two piece outfit months before JK wears the top part of the same exact outfit.

And if we are talking about copying, is it the concept he's copying or is he so far gone that he's literally copying down to the smallest of details?

Like seriously. You think that's about copying JM?

Or because it worked for JM so he thinks it will work for him? Literally same hairstyle rocking as JM had in Face? Cause why not use a concept that works? Seriously? JK's all "I should do this cause it worked for JM so it will work for me"?

Was that what he was thinking when he rocked a highlight of JM's hair colour over the years? That the colour works for JM so I should have a strand of that colour in my hair as well, copying his success? Is that the theory you're working with?

Or when JK wore the same jacket as JM on Valentines day, you know, in a clip that JM himself records and uploads, that JK also copying JM?

Babe, this isn't just about the concept pics either. And it's not just about Face and Seven or Golden. Wearing the actual same black leather or leather-like pants just because he couldn't find any other pants? That level of copying? Or perhaps it wasn't about copying and more about mirroring.

About "You are me I am you", which they have been screaming at the top of their lungs for years now!!!

It amazes me how you have zero issue in taking an over decade long complex super close relationship (no matter how you perceive it they are super close) and simplifying it into "JK copied JM's concept because JM's concept worked for him", or to even compare whatever went on with JK and JM and those similarities to a claim made (by a disgruntled and caught red handed employee of Hybe) about one new GG copying concepts and whatever from a GG that's been around for 2 years now. No connection between them. No long term relationships between the groups. One group supposedly copying from another. Yeah, definitely the comparison needed to be made between that and Jikook's behaviours or decision making.

How infantile of you.

Oh and that paragraph of yours at the end. Laughable really.

Like I already said, go compare 2 GGs in two different companies to 2 men that have been close for over 10 years now. And let's also disregard the long history of those two doing the similar and same outfit (during official shoots, performances etc, or during their free time) thing and look at this one single concept.

Probably styled (funny how the styling seems to be similar for years now on many occasions, and just with the two of them)

Not styled.

These are just examples of MANY MORE instances.

Oh, and I suggest you go read this post too. Not mine, but recently written and oh so relevant to the conversation.

I can't help but wonder how different your pov would have been if one of those two young men was a female. Just thought I would throw that in here too.

But I gotta give you an A for persistence. You guys, you never give up, do you? No matter what JK and JM will throw at you, you will find a way to twist it around to fit your narratives. I guess you also think that JM was forced into enlistment with JK, ah? And their trips together and the content that will drop, also forced on him? I guess him saying otherwise isn't enough to convince you guys either, right? I love the way how you guys are so intrenched in your belief of victimhood that you don't even listen to what JM himself tells you. You love him so much that basically call him a liar. Good for yous I guess.

So, to clarify my answer to you, just in case it wasn't as clear as day already...

You do you, cause nothing I tell you, or show you, or you know what? Nothing that even JM himself will tell you or show you will satisfy you. Because you are living in a self built fantasy of what and who JM is and what and who those that surround him are, all to fit that narrative of yours in which he needs you guys as his saviours and knights in shining armour to swoop in and save him from the big bad JK.

One more thing.

JM's Face was a masterpiece.

We all agree on that. JK included.

He adores JM, he's his no. 1 fan and he's been showing us this throughout 2023.

JK is not a person that would callously copy a concept used by a bandmate just because it succeeded for his bandmate and might work for him too.

Let alone from JM.

His person.

Not even if, as you put it, he was told to do so by the powers at be (which yeah, he'd tell to go shove it up their asses if they ever did 'tell' him to do that btw, and they wouldn't do it anyway seeing that they know that would be his exact reaction).

So, no.

That is my answer to you.

Just a whole big fat NOPE.

No to copying. And surprisingly no to blocking you.

Yet.

[godbirdart]

Hey there. Ive been admiring your work a long time and I was hoping I could get some advice from a more experienced artist.

How do you go about deciding which commission submissions will proceed forward? If you decide to decline a request how do you go about it? I recently started accepting commissions and get nervous when certain requests are too vague, too difficult or the requester isn't fully answering my questions and I dont know how to go about justifying a decline. Is it okay to decline a commission submission?

aAA thank you for enjoying my work!!

i could talk for Days about commissions and how I handle my own work, but I'm going to try to keep this short and simple for ease of reading:

i use a Google Form in combination with a number generator for my commission openings

reasons why i use a Google Form and number generator: - to avoid favoritism / client bias - to push my comfort zone with a variety of projects - to ensure i'm not taking on more work that i can handle

The Google form will automatically assign a number to each form, making it easy for me to pull up a website and ask it to generate a number between [insert number] and [insert number]. That said, I will still manually go through each form. Occasionally I'll pick up a project if I notice someone's reapplied a couple times who wasn't selected during previous openings, or if a project especially appeals to me, or isn't something i'd usually draw!

declining a commission / project:

yes, it is always okay to decline a project! you are not obligated to accept every submission that comes into your inbox / form / etc. there are many valid reasons to decline a project, from a conflict with your Terms of Service, to making sure you don't take on more work than you can reasonably handle.

if the project doesn't inspire you or spark that creative passion, it may result in frustration, exhaustion, and you might wind up handing the client a subpar art piece that you're not at all proud of. it's much more honorable to be upfront about it than to subject yourself to such grief as you waste your time and energy and your client's time and money.

ways to decline: it's always important to be polite. depending on your reasoning, you could say "Thank you for considering me for this project, but, ...." - "... This is not a project I'd be comfortable taking on." "... This project conflicts with my Terms of Service and I cannot accept it." "... I cannot accept it at this time." "... but I would not be able to fulfill your request to the detail / complexity you are expecting for this piece."

there's no shame in saying "i would not be a good fit for this project". i've had clients ask me for hyper-realistic work, which is quite far from my art style. while i could do it, i'd rather not put both myself and the client through months of frustration and waiting for a project i am not completely confident in executing.

if a client is being too vague, not answering questions:

it happens! not every client will communicate thoroughly. some clients will over-communicate, and for others there may be a language barrier so their difficultness may be entirely unintended.

you can't do the job if you don't know what you're supposed to be doing. never be afraid to ask your client for clarification on their request. phases you can use would be: - "I do not have enough information to begin work on this, could you clarify these details: [insert questions about details you need elaboration about]" - "I cannot proceed without knowing more about [insert thing], can you tell me more about [thing you need clarification on]". if your client being deliberately obtuse and refusing to supply the necessary information, you can be more firm with them such as: - "I will not proceed any further with this project if I do not receive [insert details]."

on clients being too difficult:

"difficult" is a bit subjective here. what may be considered difficult for one artist may be a walk in the park for another. this said, i'm going to use some very generic common examples here.

too many irrelevant notes, or randomly forwarding details / requests instead of condensing their ideas into one message:

"Thank you for these additional notes, however: ..." - "... please only supply notes that are directly related to the project at hand." [such as notes on the expression, environment, pose, etc - things that you need to know for the artwork you are working on] - "... please condense them into one message instead of sending multiple messages. I want to stay organized / do not want to lose track of your notes."

frequent requests for updates, or changes to the WIP / final art:

note: you should always be communicative and receptive to a client's request for updates, but here i am referring specifically to excessive requests such as numerous requests sent multiple times a day. additionally, what is considered "excessive" will vary depending on an artist's average turnaround time. "Thank you for reaching out, ..." - "... but I do not yet have an update for you at this time. I will reach out when I have an update ready for you, thank you for your patience." - "... but these requests are too frequent. Please allow more time to pass between requests for updates." You could also ask your client if they have concerns about the turnaround time, if they need the work by a specific date for a birthday / event, etc. It is important to consider that some clients may have been scammed by an artist in the past and their insistence on updates could be a result from that. if a client keeps requesting edits on the concept / sketch or final piece, you're within your right to say enough is enough. this will also vary depending on the artist's individual work process. if the changes are getting excessive, you could say: - "As we've undergone numerous edits to this, I will permit one final request for editing after which I will -" [move on to the next stage, cease work on this project, issue a partial refund, start asking fees for edits, etc; insert next step of your preference]

ignoring work hours / terms of service / communication channels

as an artist, you should set a firm boundary of what is a working day and what is not. you are not in a profession that is "on-call" 24/7. you can save some headache by having your schedule posted on your website / social media or wherever your queue is publicly posted. anywhere that is readily accessible for a client to easy find. - something you could say is: "My work days are [insert days], I answer work-related messages, work on art, and send out updates [if applicable] on those days. Thank you for your patience." if you prefer to have your work messages confined to one social media account or email, it's okay to enforce that! but be sure to have it posted in easily noticeable spots like pinned posts. - something to say here would be: "If you need to reach me, please do so via [insert platform / email etc]. I will not respond to [comments / DMs on other social media, etc]." terms of service, same as above, should be in an easy-to-find location and should be easy to read. if a client's prompt or action conflicts with your ToS, you could address it with: "As mentioned in my Terms of Service, [address thing that conflicts with your T&C."

language barriers

sometimes you may have a client with a language barrier. we live in a vast world, after all! be patient with them, and depending on their fluency, do your best to simplify your questions for them. if you know your client is using an online translator, try and avoid using jargon. we've come a long way with online translators, but they're not going to spit out the right translation if you ask "are they supposed to be super shredded and beefy" and the translator tells your client "should they be shredded meat".

dropping a client

this is an absolute most extreme last resort, but i bring this up since we're on the topic of difficult clients and this particular stage isn't spoken about often. no artist wants to up and drop a client, but sometimes it's better for all parties involved instead of dragging out a bad experience. dropping a client could result from a variety of factors, including: the artist is retiring from art, something has come up in the artist's life and they are unable to continue, a client has become abusive, or an agreement cannot be made on a project or the project has caused a conflict of interest between the artist and the client. if you must drop a client, you could say: - "I apologize, but for [insert reason] I cannot continue with this project. I will be [refunding / partially refunding] this project." If it's for medical reasons, you can say "due to a medical complication, I am unable to continue" - and leave it at that. Your client does not need elaboration on your private medical information. The same goes for private family matter or other personal issue. artists shouldn't let guilt eat at them if they are physically incapable of completing a project due to personal reasons. things happen, life happens. the vast majority of your clients will be understanding and appreciate that you reached out to them to address the situation instead of leaving them in limbo. If you have to drop a client because they're being genuinely abusive and hostile and not respecting you, your time, or your work, you can say the same thing as above. There's zero need to retaliate or be hostile back. The situation will likely make you feel awful, sure, but firmly staying professional is the best thing you can do. When issuing a refund, always specify when the client should expect their refund to arrive. "A refund has been issued and will be processed through [insert payment method] shortly." or "A refund will be issued on [insert date]."

This wound up long anyway despite my effort to shorten it, but ah well.

If you'd like more elaboration on something, don't hesitate to ask! Some sections did get pruned down in my futile effort to keep it short, so things might've ended up a bit vague or convoluted [my apologies].

[art]

Creator Spotlight: @velinxi​

Hello! I’m Xiao Tong Kong, better known as “Velinxi.” I’m the creator of the webcomic Countdown to Countdown and have been doing freelance artwork since I was a teenager. I love telling stories with my illustrations! Tumblr was where I first got my start as an artist, specifically a small fandom artist as a hobby… and now I’m somehow here! When I’m not trying my best to stay awake in front of my tablets, I’m usually cooking, gaming, or sleeping. Sometimes all three, in my dreams.

Check out our interview with Velinxi below!

Did you originally have a background in art? If not, how did you start?

Yeah! I’ve basically been on track to become an artist since I was a child. I went to a middle school with an emphasis on arts and a high school specializing in it. I went to SVA briefly for computer arts but dropped out to pursue freelance and webcomics after my first year.

Over the years as an artist, what or who were your biggest inspirations behind your creativity?

My biggest inspirations growing up were Yuumei and Shilin Huang, two titans on DeviantArt back in the day. They still inspire me today, but the list of inspirations has grown exponentially over the years, including artists, movies, entire art movements, etc.

What was your thought process behind the creation of your webcomic, Countdown to Countdown?

Well, Countdown to Countdown started as a passion project back when I was 15, in high school, and pretty depressed. I just wanted to draw whatever story I thought was cool, inspired by my favorite media at the time. There was a very loose beginning and outline, but I was truly just writing as I drew the story. That’s why I had to stop the comic in 2018 and restart from scratch the year after. Now, the story has a set story and a clear outline. It still has similar roots, characters, and themes of neglect, abuse, and escape—but I think the story is a lot easier to follow now. It’s got an artstyle I can actually keep up with in the long run. The origin of why CTC exists also remains the same: I simply wanted to make a story I wanted to read for myself. Which happens to be about two dumb boys with superpowers navigating a hostile world that wants them dead or caged—together.

Have you ever had an art block? If so, how did you overcome it?

Oh, all the time. It’s part of the process. Personally, though—I just have to draw through it. Every month on my Patreon, I have my patrons vote on a theme I have to draw by the end of the month, and I try my best to make it as interesting as possible. I draw quite a few—tens even, of doodles or compositions for each of these themes to try to make something that tells a story while still being aesthetically pleasing and clear. I think pushing myself like this helps with art block, really. I also do remember to take breaks and simply consume other media I like! It gets the inspiration juices flowing.

Advice you would give to an aspiring creator?

If you do one—your first webcomic should be a short, fun, messy thing. It’s not often you can get it right the first time, but you’ll certainly learn a lot through sheer experience. This goes for a lot of things in art, to be honest.

What is a medium that you have always been intrigued by but would never use yourself?

3D Animation. I briefly learned it at SVA, and I think that’s enough of that tech for me. I accept that there are some things that are truly beautiful if done right, and I am too simple and lazy for it.

What is your goal for the rest of this year?

Get Countdown to Countdown book 2 finished! And live HAHA

Who on Tumblr inspires you and why?

@yuumei-art on Tumblr, still! They’ve been a huge inspiration for digital artists and storytellers online for years. I have no doubt that many digital artists of my generation have been influenced by them, and they’re still here, making beautiful art and stories. It’s a thing to behold.

Thanks for stopping by, Velinxi! If you haven’t seen her Meet the Artist piece, be sure to check it out here. You can also follow her for more amazing art over at her Tumblr, @velinxi!

[silassinclair]

Like Looking into a Mirror

(PolyLostBoys x Fem!ArtistReader)

Summary: Being a vampire has it's ups and downs. But one of the biggest downs was that you couldn't see yourself. Whether it be in photographs or reflections. This means that neither of the boys have seen what they themselves look like since they were turned. So when a shy little artist introduces herself to the boys with a painting of all of them they realize they not only know what they look like but also have found their mate.

Santa Carla is a city of opportunity. A place flourishing with job opportunity and people buzzling about everywhere. But for yourself, a struggling artist, it was the opposite. Running away from home was supposed to be your fresh start, a way to get away from it all and live your life to the fullest. To paint to your heart's desire. But it was nothing like that.

There were no places for you to work and use your artistry to the fullest. The only place you found where you could work was the library. Reading itself was an art but not exactly your forte, but it was close enough and payed decently.

It was 8 at night. The sun set and the amusement park alive with people. By the beach wall you sat with a miniature canvas, paints, and brushes. Every night you'd come to the boardwalk and paint it's colorful passerby's. Unlike your old small town people here dressed unique. So many colors and style subcultures.

Scanning the crowd you hunted for your new inspiration. Person or people to replicate onto your canvas. Your direction was pulled to the sounds of purring engines. To your left under a streetlamp by the very wall you were sitting on, four men looking your age parked their bikes. Their fashion stood out amongst anyone you have ever seen on the boardwalk.

A bleached platinum blonde. His mullet stood sharp, almost as sharp as his eyes. A tall brunet with no shirt under his long coat. His long hair rested on his back. A natural blonde with wild hair and a just as wild personality. And finally the short one with long blonde curls and a face that could combat a cherub's.

Everything about them was perfect. You studied them for minutes and looked away when you felt their curious gazes turn to you. Having all their features down to memory you painted away. You painted all of them standing together standing in their own way. Straight and confident, collected and cool, laid back, goofy.

As you painted each of the men's features you smiled to yourself. This may have been one of your best works yet. When you finished the piece in an hour or two you would definitely give it to them as a gift. Usually you would give the paintings you made of people to them to see their reactions. Every time they were always very grateful and happy, seeing them smile is the reason why art is your passion.

You really hope they would appreciate it though, since they are your temporary muse of inspiration and these four seem pretty intimidating.

.

.

"Yeah man I'm telling you she kept looking at us. But when I would look at her she'd look away and start writing shit on her canvas or whatever." Paul said while nudging David. He didn't care when his friend told him that the girl to their right kept sneaking glances at them.

Girls stare at him and his vampiric brothers all the time. What can he say? He knows him and his brothers are hotter than hell so who wouldn't stare?

"What Paul, you wanna talk to her or something? Just go talk to the chick like what you always do." David said with an eyeroll and a freshly lit cigarette hanging from his lips.

Paul bashfully looked down and scratched his neck. "Dude I dunno.. she doesn't seem too interested. Probably looking at us because we dress weird?"

Now David was confused. Was his flirt machine of a brother.. shy? A sly grin curled onto the platinum blondes lips. He looked to Dwayne and Marko and those two seemed to catch on quick about Paul's little crush.

Putting his arm around his blonde brother David said, "Do you perhaps like this girl Pauly?"

Paul growled and shoved him off making Marko and Dwayne holler in laughter.

"Dude you're fucking whipped! Why didn't you tell us sooner?" Marko laughed and held his chest. Paul hit him upside the head with his palm.

"Shut the fuck up!"

Dwayne's laughing reduced to small chuckles. He looked over at the girl who Paul seemed so flustered over. She was wearing a long frilly black skirt and a sage green blouse. Her hair styled uniquely and anklets and bracelets adorned their respected limbs.

"Hm.." Dwayne hummed, "I get what you mean Paul."

Paul shot his taller brother a glare. "Yeah. Should have at least checked her out before makin' fun o' me."

Marko looked over to see what all the fuss was over. His eyes widened a fraction when he saw the most beautiful girl he's ever seen. And she was painting too, something he adored doing.

Sensing someone looking at her Y/n looked up and four pairs of eyes were on her. The eyes of the subjects she was painting at the moment. Feeling like she had been caught doing something wrong, she looked back down at her canvas in a flash and finished up the final finishing touches.

"She was totally checking us out." Paul said smirking, well his insecurity flew out the window.

"Dude she's cute as hell man. How'd we not see her around before? And why didn't you tell us Pauly!" Marko grabbed his terror twin by the shoulders and shook him back and forth.

David snapped his fingers and the two instantly stopped with their rough housing. "We're all going to approach her. Perhaps we will have a meal tonight boys, or more."

Deadly smiles grew on the pack's faces. Time to do what they knew best. Lure and capture.

.

.

You stood up when you finally finished the painting. The four of them painted in their signature clothing. All standing together. Two of them smiling and two not. Honestly, you were scared to give this painting to them. What if they didn't like it? Or what if they thought you were some kind of weird stalker?

Walking to the group of the four bikers they all seemed to perk up at your sudden presence.

"What a surprise, we were just about to walk over to you babydoll." The curly haired one said. Your grip on the canvas tightened. Seeming to notice the tallest and only brunet of the group asked,

"What's that you got there sweetheart?"

Ignoring the soaring feeling in your stomach you avoided eye contact with the group and quietly muttered your explanation, "U-Uhm I'm an artist and stuff... It's a hobby and stuff and I paint people on the board walk all the time. And when I saw a-all you four I couldn't help but notice how uniquely dressed you all are. So I painted all of you!"

Looking up at the group finally with a crooked smile on your face you showed them your work and flipped your canvas around revealing your work.

All four of them brought their faces close to the canvas, the two wild blondes started to push and shove and what seemed like the leader of the group punched both of their arms.

"You really did this?" The platinum blonde said. He looked into your eyes, a mixed emotion behind his. His gloved finger pointed at himself painted realistically.

"That's me?"

You nodded and handed the painting to him which he gently accepted.

"Of course that's you silly. I painted the four of y-you. Hope you all like it!"

The four boys looked up at you gratefully. It was sudden but the brunette pulled you into a hug. He didn't seem like the touchy type and it surprised you with his sudden action.

"Thank you sweetheart. My brothers and I appreciate this... a lot. A lot more than you may think." He released you from his chilling yet warm embrace.

"No need to thank me.."

"Dwayne."

"Dwayne, I do this to make people like you and your brother happy. It's what I love about art ya'know?"

He smiled and introduced each of his brothers. David, Paul, and Marko.

"I am truly grateful for this kitten. Say, you wanna ride with us? You know where Hudson's Bluff is right?"

Nodding you let him continue.

"Wanna hang out with us four for the night? Promise we won't let you be bored for even a minute." His black gloved hand twirled a lock of your h/c hair around his finger.

Shyly moving away you muster up the courage to agree and go with him. He asked who you wanted to ride with and Paul seemed to be the most eager to get you to ride with him, so you gave in and got on the back of his bike.

"Hold on doll!" He revved his engine while his brother did the same. Hooting and hollering they sped down the sandy beach taking you to their cave.

"This is just the beginning!" Paul yelled over the sound of the engines. Not understanding him well you tightened your embrace around his torso and leaned in closer.

"You're gonna love us I promise!" Now that one you heard.

this was lowkey dogpiss but my head hurts so oopsie daisy

[genericpuff]

Ive read a few of your LO esaays (all of which are really well written!) But I was wondering something.

Many people talk about how Rachel loves the story Lolita, and has talked about it before, but nobody has ever shown screenshots. I was wondering if you had any or knew where to find any. This is just being curious, not doubting your statements

Ah so I actually responded to a comment just like this a while back on reddit with all the receipts (it was particularly someone who was claiming it was all "made up" because like you, they couldn't seem to get any proof of it, which is totally valid) so I just had to go and dig those back up haha

DISCLAIMER: I want to make it clear that a lot of people tend to run amok with these suspicious pieces of evidence towards Rachel either "thinking Lolita was a romance" or being a pedophile. I want to make it clear that I do not think any of this is proof towards either of these claims. I do not think that she blatantly thinks Lolita is a romance, or that she was trying to perpetuate pedophilia in any sort of way, just that she may have wanted to have her cake and eat it too by acknowledging the age gap but embracing it anyways as she does throughout LO. I think, at best, she's a terrible writer who's still using the things she liked when she was a teenager / young adult as inspiration without actually going back and re-analyzing those things with an updated 38-year-old viewpoint (as she does this with a lot of things, not just Lolita). Claiming that the following receipts is 'proof' of Rachel being some kind of sex pest / pedophile is at best not constructive at all for the real discussions to be had concerning LO's subtext, and at worst, a serious claim that can ruin someone's life if thrown around without cause. Let's please be responsible and level-headed in how we approach this topic.

Old MySpace + DeviantArt bios with her interests listed:

Her old art site where she labels herself as a "lolita vamp" artist:

Her intro post from a lolita-themed forum she ran:

She does express that it's not THAT kind of lolita, which I'd like to think she never intended in the first place, but it's really telling that LO still manages to be that kind of lolita in a lot of ways, to the point that there are many scenes in LO that feel a little too similar to scenes from the 1990's Jeremy Irons adaptation, such as seen here.

(the above image are song lyrics written about the book, Lolita)

Also despite Rachel saying it wasn't "that kind" of lolita, she still made it clear back in the 2017/2018 run of the comic on Tumblr that Hades is, indeed, a "grown ass man", and that Persephone is a teenager.

And of course the proof is in the pudding, the comic itself is well aware of Persephone's age:

(either Rachel has been using Apollo as a mouthpiece for criticism for years, or she seriously thought this was supposed to make Hades look like the better partner for Persephone because "look at how mean Apollo is" when... he's deadass spitting facts LOL)

As I mentioned in my disclaimer, I don't think Rachel herself is in any way a sex pest or a pedo or whatever you might jump to assuming. Rachel has a history of being inspired by things she watched when she was a child without ever actually going back to re-analyze it or ask herself if what she read was credible or real-

(this isn't the only proof there is of her behaving this way, there's also the fact that she was clearly a huge Disney fan as a child but never asked herself why those movies worked as a piece of written media).

So again, I think at best she's just sort of dated herself by not going to the effort of researching the things she was into when she was a child, she tends to just throw things in that she likes haphazardly without a single thought as to why they worked in the first place or whether or not they would work in LO. Though this is a bit of a saltier opinion, I think when it comes to the Lolita thing specifically, I have a feeling she never actually read the book, just sorta did that thing where she watched the movie adaptation from the 90's and assumed that counted as reading the book and so she put it down as her favorite book / Nabokov as her favorite writer.

But none of that speculation really makes much difference because the evidence is 20+ years old. What does matter is that despite her tastes being what they were 20+ years ago, they're still present in LO and it's not even subtle, there are so many times Rachel has outright said both within the comic and outside of it that Hades is a "grown ass man" and Persephone is a literal teenager. Her fans, of course, will still go to the effort of explaining it on her behalf ("they're gods! ageing isn't a thing for them!" "how old you are doesn't matter when you can be immortal!" "well she probably doesn't mean LITERALLY 19, just like, the god version of it..."), but you can't deny what's coming from the horse's mouth - Hades and Persephone are in a relationship based on an intentionally massive age gap. Regardless of what completely speculative parallels we can draw between H x P and that of Lolita's Humbert Humbert and Dolores using 20 year old MySpace bios as evidence, Hades and Persephone having a massive and intentional age gap is undeniable fact made canon by the creator herself, no matter how you try and slice it.

[neil-gaiman]

Hello Mr Gaiman, if you don't mind, could you please tell me if the fact that you once asked an official in China that Chinese people need more sci-fi stories to fuel their imagination and hence innovation, hence their invitation of sci-fi writers and yourself many years ago, was a true conversation?

I once found this in one of your journals but somehow I couldn't find it anymore and thinking of digging deeper in your archives through China tags sound way too daunting as I just had many exams today and in one essay I cited this very example and you in it to prove a point that scientists need artists (I see writers as artists too) in this world, and now I'm kind of freaking out on whether I hallucinated the whole story or something.

Whatever it is, if you managed to read this ask, thanks a lot and hope you have a good day/night ahead!

It was in 2007 in Chengdu, at the first offically approved and endorsed SF convention. Here's Bob Sawyer talking about it on his web site at the time:

And here's Michael Swanwick:

and a Chinese article from the time:

And yes. When I asked why the disapproval of SF had turned to approval, I was told that Chinese fact-finding conversations at Apple, Microsoft and Google had revealed that most of the engineers, creators, designers and inventors had read SF when younger and had become interested in making what they made because of SF, and that the official Chinese position in 2007 was that SF should now be encouraged -- thus the convention.

From the article at the time:

The 2007 China (Chengdu) SF/Fantasy Conference hosted the event. The theme: “Science, Imagination and Future” is an ambitious Chinese effort designed to inspire public creativity toward future scientific and technological development as well as promote national insight for scientific exploration. The conference has been scheduled immediately before the World Science Fiction Convention in Yokohama, Japan.

The conference has designated August 25 as “China Imagination Day”. SF and fantasy lovers signed their names on a banner to commemorate this day during the opening ceremony.

“Imagination is an important premise for creativity. Science fiction literature plays an important role in inspiring people’s imagination and creativity,” said Li Xiuting, vice director of the International Department of the China Association for Science and Technology, at the opening ceremony on Saturday.

“Our (science fiction) words become the world and our words become places that you can visit. They become books and stories that inspire people. It is both surprising and reassuring to know by accident that the places have helped to make a future we are now living. Places like Microsoft and Google, Apple and places like MIT are packed with science fiction readers and fantasy readers,” Neil Gaiman said on Saturday.

[sir-adamus]

i've got the blu ray for volume 1 playing and i'm watching the behind the scenes video and Monty explicitly spells out how important collaboration with other creatives was in building RWBY, saying how he wanted to work with Kerry and Miles on it in creating the world and how he mostly gave them broad strokes. and it's mentioned how they all put the show bible together - i'm gonna put the whole transcript for the video under the cut (which i'm having to do myself because no one has uploaded this video anywhere as far as i can tell and there's no fucking subtitles)

Monty Oum [Creator and Director]: It’s the stories I’ve always wanted to tell versus the idea I came up with about, a little over a year ago. And we were talking about doing another show, and I just kind of half-asleep came up with the idea of a color rule for a bunch of characters. The red, white, black and yellow color scheme was something that was very prominent even in my previous work, so I started matching names up, matching ideas up. Also thinking about like, some of the ideas I’d stored up over the years. At some point or another the word ‘RWBY’ came to me.

Monty: Starting the show out originally, I designed the original character, Ruby, as well as going into the other characters. So once I had the first trailer done, and thinking about the rest of the characters for the show, I started bringing in other artists who I had watched for years. People I’d always said “someday I’ll work with them, someday I’ll have them design for me.” And when I was certain about having certain characters, I first contacted an artist I admired and found over DeviantArt. Her name was Ein Lee, she’s actually from Taiwan, and I found her art probably well over five years ago, and just loved her art style, and therefore wanted to incorporate it into my characters. So, I would do rough designs for team RWBY as well as designs for team JNPR, and she would flesh that out to be even further. To the point where eventually I didn’t need to design characters anymore, she started designing a bunch of the rest of the characters down the line.

Monty: The second person I brought on to RWBY was Kerry, because we had just been having conversations about the kind of show we could make. I’d been working with Miles on Season 10. He was writing scenes while I was making scenes, and so the three of us would have a lot of meetings and collaborate on the show to the point where I just started coming up with the broad strokes eventually and they had pretty much written the bulk of the show. Collaboration’s a big deal here, and I tried to include as many people as I can.

Kerry Shawcross [Co-writer]: Right after RvB ended, we wanted to just go straight into RWBY, but that was like right when we were going into commercial season. So we would work our normal hours here. Like 10 to 7-ish, then we would go back to one of our apartments and just start writing.

Miles Luna [Co-writer]: Monty really was enthusiastic about having these characters that may appear really one-dimensional for like the first few scenes that you see them, but the longer you get to know them, you realise “Oh, Yang isn’t just a dumb blonde party girl. She’s a very caring and nurturing girl, that has had to essentially be there for Ruby when she was young.”

Kathleen Zuelch [Producer]: When Monty and Miles and Kerry came to me, and really took me through the story. I started becoming a huge believer, because I’m a big fan of old school, traditional fairy tales, I love the Brothers Grimm, I love all the Snow White, and I love Little Red Riding Hood. I grew up with all of those stories, and the way that they were very clever in creating this whole world that’s kind of making homage to all of these amazing stories really inspired me to get more on board with what they wanted to do with this whole anime show.

Taylor McNee (née Pelto) [Art Director]: The world of RWBY, it looks very familiar. We wanted a blend of very classic looking architecture and clothing and cars, but we’re also mixing in this really kind of futuristic feel, like these little touches of some really futuristic stuff like holograms and things that you wouldn’t find in a classic [inaudible]. And that’s how we’re making this world unique. Our assets have to go through this pipeline of concept, modelling, texturing, and then finally being able to be put into the 3D program. So we start out with the concept and we usually bring that image into Maya, which is the main 3D software that we use. We have to make a 3D model that looks exactly like the concept that we were given, and it’s quite a process. Basically, we’re pushing polys and extruding stuff until we make the perfect shape, then afterwards we have to UV unwrap it, and then lay everything out on a texture sheet and then paint it, and that will put the image on the model. After that we’re basically done with the model and texture, and then we have to give it to the animators. So then we will set it up in Poser so the animators can grab it and use it for their characters.

Gray Haddock [Lead Editor]: There’s a lot of people working on this show, and there’s a lot of different elements in the pipeline. Editorial kinda serves as a hub between all the different departments, so we help all the communication and coordination between all the different pieces of the show, depending on what part of development that they’re in. Editorial’s getting involved way early in the process, we work alongside the director and the writers and the storyboard artists, and we use the scripts to help develop the storyboards and the camera angles for all those boards. So editorial is responsible for building up the moments of any given scene in terms of the timing and what you wanna look at, at any given moment. So we take the script and we help develop the camera angles and how long you wanna linger in a particular camera angle, look at one character or another or the scene as a whole, and the rhythm of the scene in terms of how long is it gonna take to spend on a particular line or when you want the music to come in, things like that. So we build up a set of animatics with the storyboards, and the first pass of all the audio. This is what then is handed off to the animators, so they can know exactly what is in what shot and how long do they have to animate it in a given shot. And once they’re done animating and their shot’s been approved, then their shot goes to the render farm, we get the rendered shot back and we drop it into the timeline for our episode and finesse the cut a little bit if we have to. But for the most part, we’ve done our job right and everything should pretty much be locked in for the most part by the time we’re getting animation.

Kerry: What’s kinda interesting as we’re creating the characters is, we kinda knew what kind of character they’d be. We knew Ruby would act a certain way, we knew Weiss would act a certain way, but we didn’t really know much about them. So we would get to the point where we’d be figuring out plotlines or figuring out dialogue and we’d be like “What would Weiss say here? What would Nora say here?” And then it turned into “Oh well now we know.”

Miles: Obviously we put a lot of thought into Ruby, Weiss, Blake and Yang before we started writing the dialogue. I remember sitting upstairs and we made a show bible, and we’re starting- we talked about likes, dislikes, personality traits. One of the first things I remember making was “Weiss drinks coffee. Blake drinks tea.”

Kerry: It’s important. It sounds not important at all, but it’s very important. It says so much about them

Miles: But it’s so important. So much about them, also it says nothing about them. It was just like- that’s just what it is.

Monty: I want the show to have resonance with people who are growing up. Cos everyone’s story is the story of kind of becoming who they are. Especially these days when the path of becoming who you are tends to be marginalised with reality. Having done what I’ve done, where I’ve essentially dropped out of high school, started learning this stuff on my own, and therefore land in a position where I get to take the things I was dreaming about when I was growing up and make it real. I tend to get a lot of response from people who are also not sure what they’re meant to become, a lot of them also have the same bright imaginations and with the way the world is, the hardships of what it means to grow up tends to marginalise who you are, and I would hate that to happen to anyone because the future is in creativity and that’s not something you can just manufacture. I actually would like this show to grow up with the people, so unlike most shows where they tend to be ageless or age very slowly, I’d like our fifteen-year-old fans watching fifteen-year-old Ruby, when they’re twenty-five, to be watching twenty-five-year-old Ruby, and to actually have some resonance with the character. Probably one of my favourite types of feedback is to say “I know this person” or “this person is just like me,” and that’s probably one of the best things about coming up with these characters.