#I was able to get things done

[honeycombhank]

1/13/24

So today my focus was on getting my rats to spend a LOT of time mingling in a safe environment where I could watch them because I really want everyone getting along and things have been so difficult lately and strange but that’s a story for another time but my rats have spent a lot of time together today and I’m really hopeful all the girls will finally be able to live together in the big CN. Fingers crossed!

The other thing I focused on was cleaning the house, I was able to get a lot done around the house and I’m feeling really happy about that, I even used my brand new steam mop that I was gifted for Christmas!

Honestly I’m over the moon about the new steam mop and the house feels a lot better, I am not finished but I just wanted to take note of this good feeling I’m having today and share a happy feeling.

[noodles-and-tea]

Our hextech dream….

[hinamie]

i'm exactly as normal about him as I thought I'd be

[choccy-milky]

part 2 to my modern AU📘📗💕 (part 1)

[spkyart]

Been watching HxH lately

[poorly-drawn-mdzs]

Congratulations to TEAM CHEESE for winning the popular vote on the Charcuterie poll!

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[foxprints]

Hello @mishikaiya! I'm your gifter for this year's @masseffectholidaycheer event! I've never drawn Kasumi before but she's so much fun! I hope you like her! 💛

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[elbdot]

Ooooo. Alola disliking Mega evolutions but Haru and Guzma being okay with Dyna-/Gigantamaxing is so fun take

My understanding of pokemon lore and gimmick mechanisms are vague at the best, but honestly... If we remove the increase of size, what is the difference between mega evolutions and gigantamaxing?

Is Alolans issues with megas based on how it "forces" a physical change and therefore potentially painful for the pokemon? Gigantamaxing does the exact same thing or even "worse" changes (in my personal opinion: mega vs dynamax gengar)

Is their issue about mega evolution making the pokemon more violent? Dynamax raids and a huge part of the Galar story line proofs that dynamaxing does the exact same thing. One could even say it is even more dangerous since it can not be predicted/controlled without modern science.

Is it because Megas are based on "mystery energy"? Again... Dynamaxing...

So either there is history between Galos and Alola that has lead to huge bias or Alolans just like Galar's culture more due the similarities it shares with their own (the Galar Legue being quite similar to Alola's Island Challenge but with a big stadium fight at the end)

As said... I probably forgetting some lore that explains this all (outside the multiverse and Alola being older region than Galar, ergo could not comment about Dynamaxing in their pokedex) but I am really interested to see how the boys will justify their stand on dyna-/gigantamaxing IF you decide to take the story there.

I postponed answering this ask to THIS WEEK since my reply would've been quite spoilery for todays update

PERSONALLY I like to think that Guzma and Hau *ahem, excuse my strong language* are talking out of their asses and don't actually know much about Dynamaxing/Gigantamaxing and especially not the problems Galar is facing due to the unstable energies causing Pokemon to randomly turn gigantic in the wild.

If they were more informed about it, I think they'd be far more critical of it, since you are correct: Dynamaxing causes FAR more damage and is an active threat in the region, unlike mega evolution, which is a state that doesn't randomly happen and CAN be controlled.

But Hau and Guzma literally only know Dynamaxing from watching the League matches on TV - and with Galar hosting one of the biggest and most reputable Leagues in the world, how could there POSSIBLY be anything wrong with Gigantamaxing, riiiight?

It's the typical scenario we're all too familiar with of knowing a little bit but thinking we know everything about something without actually having done much research on the topic.

[squirreltastrophe]

I LOVE WHEN I GET TO DRAW PONIES FOR WORK!!!!!!

[clownsuu]

Howdy My Beloved

(I’m so down bad for him it’s horrifying)

LMAOOO mostly mutual howdy love

speaking of howdy iv been seein cowboy/Wild West aus for welcome home and I decided to dip my toes in it a lil while I was hyper KXHDGDH

cw poorly drawn guns and messy sketches

I was just gunna make Home a sheriff’s buildin’, but I thought it would be cooler if he was a big bad spooki

also howdy’s lil bugdega is both a convenient store and a restaurant/bar (same building, all shopping stuff at the front while the restaurant is in the back) howdy can make a mean beef n cheddar KDHHFH

[powerfulkicks]

so many tips for budgeting/being frugal are just twice as hard when you have a disability

"meal plan!" idk if i'll be feeling well enough to cook every day so it's hard to plan for what to eat

"cook in advance!" i can't cook meals for a whole week at once and plus i can't count on that because again idk if ill feel okay to cook at the same time every week

"use cloth napkins and towels!" those need to be washed and folded, i already have trouble doing my laundry

"delivery is expensive, always shop in person!" going to the grocery store can wipe me out for the day.

"base your food shopping on whats on sale that week!" one, allergies are a thing and some people don't have that luxury, two, that's a lot that you have to prep for and that takes energy.

"DIY!" takes time and energy. maybe i could do it by myself but would it be worth all the time i need to take to recover?

i mean none of these are bad ideas or trying to exclude people. most of it is cutting out conveniences. but for disabled people, something that's a convenience for someone can be a necessity to others

[crownedwithstars]

the reasons I think Fëanorians should not get the Silmarils back

it's a better and more compelling story this way. their fall from grace and the way they corrupt and destroy themselves because of a hopeless quest is peak tragedy, which would be ruined by their success.

it's a justified consequence of the Kinslayings: the right of ownership is not and cannot ever be more important than somebody else's right to live.

it's also a justified consequence of them stealing and destroying someone else's priceless semi-sacred property: Teleri will never get their ships back because Fëanor burned them out of spite, so it's only fair and square that the Silmarils are never returned to him or his heirs. 

if Stuff is so important to you that it causes you to ruin the lives of all your children, losing that Stuff forever is probably just karmic justice. (see also: "if more of us valued food and cheer above hoarded gold...")

And no, nobody else should have the Silmarils either. It's clear that having a Silmaril messes with your brain. At the end of the Silm, they should become public property. I would go even further than this and say that the actual resolution of the Silm, where nobody can have them and the single surviving jewel is carried as a star that everyone can indiscriminately see by a guy who never expressed a desire for it, is probably the only correct one. 

[mobius-m-mobius]

#a man who DESERVES A SLICE OF PIE