#I understand why people may want this

[sihtryggr]

“They should just keep Jaehaera with Aegon and get rid of Daenaera and give Daenaera’s kids with him to Jaehaera. It's a fitting ending for the Dance to bring the two branches of the dynasty back toge-”

[hwoaarang]

I'm running out of time...

[nebuladreamz]

The voices are loud and I am WEAK

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[sea-jello]

hong kong miku,,,

[t-u-i-t-c]

"That's the kinda thing... That I hate."

[57sfinest]

calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.

in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.

but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open. 

and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.

[vagun1ka]

tw // fatphobia, o word

I'll end your "suffering" of looking on my drawings with block button, thank you. That's a warning for anyone who will say such offensive and cruel things towards people whom I represent in my art.

Today made me quite famous in twitter when my Ganyu collage got more than 12k likes and 1k retweets, and I believe this person is one of many people who discovered me through that hit post.

I've received tons of nice comments which I'm thankful for. Yet there were toxic responses of genshin fans tm.

I try to ignore harsh comments and send my appreciation to people, who like what I'm doing and I'll continue doing so in the future.

I'm showing this tumblr ask with one goal in mind. If you, as a fat person, or any other person, come across unfriendly reply under my art, please don't ever think that person deserves your slightest attention. A hate speech like that only prove that person is ignorant and uncapable of love.

If my art made you feel happy, please save this feeling. Allow yourself to be happy. You deserve it.💙

[nyxi-pixie]

not to sound like an exclusionary bitch but some media has age ranges for its intended audiences and a significant number of problems arise when a fandom is comprised of people decidedly outside of that.

[tinystepsforward]

ngl it makes me want to die a little bit that it's so often trans people who feel that sex is mutable but oppression is always-forever based on asab in ways that allow them to demand that information from other trans people. like it feels fucking bad. it feels bad when it's people holding up someone who posts a lot of selfies as transition goals to a degree they have to clarify what they have or haven't done or what "direction" they're going in, it feels worse when people are out there like "caster semenya is not tma" or whatever the fuck. i am, as always, not a trans woman, but here's a sentiment echoed by many of the trans women around me who log the fuck off, quoted directly from one: "people who draw a clear line where they say that semenya or khelif are tme and then call me tma are just calling me male at this point".

like i get it. i really do. we seek community and shared experiences, and we feel betrayed when people have less in common with us than we thought they did. [*more on this later.] but that's not those people's faults and my god in the case i'm seeing play out on twitter rn this poor person did absolutely nothing to intentionally mislead people, just posted pictures of their actual kid self. who looks a lot like i did, because shockingly enough "we can always tell" doesn't fucking work for trans people either!

on the one hand i move in intersex circles which are unapologetically welcoming in cis "dyadic" people with pcos, because it serves nobody to draw a clear line where mutilation or genetics or some ineffable childhood suffering are what make somebody intersex, especially when most of us (esp in places like nz) have never been karyotyped and are being treated for symptoms without a pinned-down cause anyway. the more of us there are the stronger we are, the more pressure we can exert on a medical profession which doesn't like to consider how common outliers are, how uneasy sex is at all. and then on the other hand there's dyadic trans people on the internet who've yelled me out of spaces because a couple of traumatised incarcerated trans women i worked with as a prison abolitionist assumed i was also a trans woman and i didn't immediately tell them my entire csa-involved history of being sexed in varying ways as an infant and child and/or exactly how big my phallus was at birth or where in my junk config my urethra lives so they could decide i was tme or whatever.

returning to the * for a related but not identical thought: i think presuming shared experiences leads to some fucked shit in general! "oh we all had a radfem phase" or "oh we all were channers" no we fucking weren't and it's particularly obnoxious when me & mine are trying to build trans community locally to organise and resist the growing wave of far-right backlash against our existence, and there's just white people in there on a spectrum from "straight up being antisemitic and trying to get the n-word pass" through "handwringing about how they need to make space for people who aren't politically correct" to "handwringing about how brown people are right to be mad at them but doing shit fuckall". and then the other fucking brown people in the space are on some identity politics shit where they're like "trans joy inherently excludes those of us who could get deported" or "big city white queers are killing us by being visible instead of going stealth bc it stirs up the discourse" or whatever the fuck i've heard pulled out this year. there's a bunch of reasons i primarily organise outside of trans spaces and that's one of them. i've never felt more alone in spaces where people claim we're all the same than being left as the brownest moderator or organiser in a space full of people to whom "this is a safe trans space" apparently means they get to abdicate all other responsibilities not to lapse into presumed shared patterns that are fucking racist or otherwise alienating. i've never felt more alone than surrounded by exclusively trans people who sort people into boxes and assume everyone in those boxes has the transition goals they have. like i was on cypro until it disagreed with me to the point of endocrine crisis and now i'm on t and at both those points people were so fucking presumptive or entitled to my reasons or journey or personal relationship w my body

literally just submitted on (and was invited to consult on) the nz law commission's review of the human rights act and like. it's straight up fucked how many nz trans people fully do not comprehend that any "sex assigned at birth" type definitions fundamentally exclude migrants who have no way of proving it and many intersex people who happen to have been reassigned later or many times or never assigned at all as a baby. we can't make law with this shit and that's why we have to have symmetrical protections for all genders/sexes/expressions/presentations, bc naming and defining a protected class here often leaves the people who already are left out from those shared experiences of marginalisation out in the cold when they face violence

[narzissenkreuz-ordo]

people who scream 'dan heng is NOT dan feng whatsoever' yet always tag any dan feng content as 'dan heng'

[dreamaze]

Planet Nine : ISOTROPY Beautiful Ashes ✧ Shoot It Out ✧ Meteor Shower draft vs. final versions

[change-the-rules]

oh Wait A Second

Hang The Fuck On

Ive Got Another Thing Actually my beloved eloise Also came up with the dumbass plan to claim to be whistledown when she was backed into a corner by the queen it was a stupid plan then same as it was for cressida

the difference being eloise was confiding unwittingly To whistledown who immediately did everything in her power to shut that shit down for obvious reasons

ELOISE WAS IN DAMN NEAR THE SAME POSITION AS CRESSIDA WAS

at least in terms of personal desperation and impending doom closing in like for the love of fuck no one else could have possibly been in a better position to if not help then at the very Least EMPATHIZE

if everything went exactly as it had but *before* the dropping of the 'friendship soured' Out of Nowhere eloise had tried to comfort or reason with cressida Especially from this VERY RIDICULOUSLY SPECIFIC AND NICHE common thread but nuture and fear won out and cressida still went ahead with her ill-advised gambit?

and their friendship imploded accordingly

I would Not be nearly as annoyed as I am now because hey I like angst WHEN ITS GOOD STORYTELLING like damn

IT WAS RIGHT THERE Y'ALL ELOISE LITERALLY EXPERIENCED IT SHE HAD THE SAME THOUGHT WHY DID NO ONE USE THAT

[razzafrazzle]

hi there. heres your every-so-often reminder that incest and sexual abuse portrayed in a positive light is a bad thing and that should not be up for debate but here we are.

[a-really-bad-decision]

The fallout show isn’t NOT anticapitalist, but it’s anticapitalist in that way that a lot of recent media goes for, where it makes vague gestures towards ideas like ‘There Is Wealth Inequality, Perhaps’, or ‘maybe a few dozen people having more money than god Isn’t A Good Thing, Actually’. But ultimately it kinda just tiptoes around commenting on anything systemic by offloading the blame onto its shadowy cabal of the ultra-rich, and turning the wastelander underclass into a constant running joke that the audience is expected to laugh along at. Which like. Fine. That’s honestly more than I was expecting I guess. But bad-appling fallout feels like missing the point extra hard, given how much it absolves the US of its role in everything, up to and including literal nuclear armageddon

[wizardnuke]

um personally i think that if your girlfriend is insecure over you being friends with another girl you should run far away really fast. but i may be misreading the situation. i don't think i am though.