#I think this woman just don't know how to write women
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avelera · 3 days ago
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I've been thinking about this meta and laughing actually because I want to reiterate, the foundations of Jayce's Season 1 plotline was clearly a typical morality play where he has an angel and a devil on his shoulder and he's tugged between politics and science.
To briefly sum up the meta above, what subverted this very reductive plotline was making Mel not evil (actually, not evil at all, just her own person with her own goals which are indeed mostly altruistic) and to make the motivations for Jayce 90% of the time to be helping Viktor and their work.
I think originally, the plot was supposed to be "Viktor and Science are Good" "Mel and Politics are Bad" "Jayce is Seduced by Bad Politics and Sexy Mel Away from the True Value of Brotherly Friendship and Science" with him only coming back too late to his Good Science Bro and realized his Evil Politics and Girlfriend Mistakes after Viktor has tragically decided to go full Machine Herald after Jayce's abandonment.
Now in this simplistic version, this failed morality play on Jayce's part is a Tragedy because he realizes his mistake and returns to his bro after it is Too Late and now he must use the lessons he learned to Save His Bro from Evil (that Jayce caused with his initial abandonment).
Then a bunch of other better storytelling drafts happened and we got the plot of Arcane as we saw it BUT
BUT
The thing that is absolutely cracking me up about this proposed timeline of storytelling decisions and where it got us (which I firmly believe to be true) is that it led to the absolute gayest take on Jayce & Viktor ever like, seriously, by fleshing out this story the way they did, it went from "Save the bro you tragically abandoned" to "Save the man you did EVERYTHING for because only YOU can rescue your soulmate across all timelines, all possibilities, and you must give more than you did before, you must give everything of yourself to this cause and you do so gladly, in the most romantic gesture of all time." Like...
Ok, I'm gonna say something potentially unpopular here but I don't really blame Christian Linke for seeing Jayce/Viktor as brotherly, because that's what like 99% of straight male showrunners see when they write the gayest relationship of all time and given what we know of what Jayce & Viktor looked like in the earliest drafts, it probably was more brotherly in the earliest versions that he had the most influence on before he handed it over to better writers and artists.
(I speculate the reason for male showrunners not getting how romantic the "friendship" stories they're writing are is because for many cis straight male creators, "brotherhood" as defined by "not blood relatives but more than a best friend" with another man is the closest relationship you can have, while romance is just a relationship with the best sex you'll ever have, maybe, or just the woman you're "supposed" to settle down with, whereas for women and queer writers, they tend to write the love interest as being your most important person, not a blood relative but more than a best friend, and this is where the wire gets crossed because these cis male writers don't realize they've written a catnip romance for everyone who isn't them ANYWAY I DIGRESS).
SO, this re-write of Jayce's reductive morality-play plot where Science Bro Good and Politics Girlfriend Bad to make Mel and Viktor more nuanced and complicated and not really dragging Jayce into two directions because he's doing everything for Viktor 1) makes all his motivations realign to be just about Viktor which is insanely romantic. But 2!!!
2) In the original morality play plot with Science Bro Good, Jayce returning to Viktor in S2 but it's Too Late is just tragic but it could still just be a story of betraying a friend and your own principles.
But in the revised arc, where Jayce did everything in S1 for Viktor, including overthrowing the government, but in S2 realizing that he wasn't helping Viktor in the way Viktor wanted, that he should have instead stayed in the lab to help Viktor instead of trying to save him elsewhere, and then re-writing Jayce's entire life purpose in S2 to be about saving Viktor's soul and oh, also the world I guess, goes from being "Reductive Jayce making Amends for Leaving his Science Bro for Evil Politics Girlfriend" and instead makes it, "Man who gave everything for his best friend but it wasn't enough to save him then course corrects and figures out how to give his best friend what he REALLY needs, but only does so tragically too late, and must then go on a Tragic Quest, tear himself down to shreds and build himself back up again to become a vessel of but one singular goal, which is the salvation of his Science Bro's SOUL, rescuing him from a fate of loneliness worse than death, because in all timelines, in all possibilities, only HE can rescue his Science Bro from himself oh, and also the world, I guess." And it just becomes the most insanely romantic story of all time.
And I can see how in the foundations of the old story, this would be a much more "friend-coded" story for Jayce and Viktor but because of all the nuanced writing levels that were added later, it just got 10x and then 100x more romantic until it's the most undeniably, mind-breakingly romantic story ever of literally saving one another's lives and souls over and over again across the multiverse because only you can save each other, you are doomed without one another, and yeah, if originally you just wanted to show Jayce being torn between his evil politics girlfriend and his good science bro buddy and then spending act 2 redeeming himself for his act 1 temptations then yeah, I can see how as CL or other show runners you might not have realized what you were cooking until after it came out of the oven!
I feel like so much of the silly Mel vs. Viktor discourse when it comes to Jayce would be resolved if people realized that the plot was originally conceived as a basic morality play arc with Mel as the devil on one shoulder and Viktor as the angel on the other for Jayce.
The bones of Jayce's plot in Season 1 is of a good-guy scientist who is tempted by the allure of politics and fame, with a beautiful femme fatale politician seducing him towards power on the one side and his humble 'brotherly' relationship with his scientific partner representing Jayce's 'true self' that he is drawn away from by her machinations. It's a very, very old school, reductive, male-centric plot that literally boils down to "bros before hos".
It even makes sense for S2, with Jayce overcoming his corruption arc in S1 and returning to his "bro" only for his prior sins to tragically launch Viktor's own corruption arc as the Machine Herald only after Jayce has learned his lesson.
And then the Arcane writers and Fortiche subverted this plot. Here's how:
They made all three characters multi-faceted adults with their own agency and motivations. None of them are puppets for the others or, if they are, the time one character spends controlling the choices of another becomes part of that controlling character's sins that must be atoned for (namely, Jayce resurrecting Viktor against his will, Mel manipulating Jayce against his will, Viktor trying to control everyone against their will).
For example, they made Mel complex and interesting and a good person in her own right. Yes, she still has elements of the beauty, danger, and allure of a femme fatale but by making her her own person with her own plot and motives, none of which are malicious (at most, they are self-serving until she changes her views on Hextech and how best to bring peace to Piltover).
Jayce is still torn between Mel and Viktor but he also fully has his own agency, as many are quick to point out. He is often dragged around by the manipulations of others too (Mel yes, but also Marcus, Vi, and Ambessa influence Jayce into bad decisions). Part of his arc is learning how to be true to himself and his own goals after his time spent in the Anomaly future. But, even there, you can still see the bones of the original morality play arc, where the "Good Ending" for Jayce is to go back to his lab partner "bro" and bring both of them back to being true to themselves.
Viktor isn't just helplessly standing by while Jayce ignores him. In fact, Viktor often deliberately cuts Jayce out of his experiments. He doesn't tell Jayce about the Shimmer, or the self-experimentation, or even about Sky's death until after Jayce resurrects him with the Hexcore. Viktor has agency, he has his own goals, and while he frequently chastises Jayce for abandoning their shared dream in what I believe is another hint of the bones of the original morality play plot, he also has his own flaws and his own journey to go on independent of Jayce.
Much of the silly bickering I see between Mel and Viktor fans comes down to who "deserves" Jayce, who is "erased" by not ending up with Jayce, whether or not Mel is manipulative, or if Viktor thinks about Jayce at all when he's busy pursuing his own goals, and I think all of those are absurd arguments.
Mel is manipulative, it is part of the bones of the morality play plot that has her as the antagonist, but they made her so much more than that, that I think it's an active disservice to the character they made to reduce her story down to whether or not she ends up with Jayce. I get why people get hung up on it, because I do believe it's the core of the first draft of her plot, but the richness of her character comes from moving beyond that. Indeed, in S2, the least important part of her character is her relationship to Jayce. She has her own stuff going on.
Whether or not Jayce is a victim of manipulation or whether or not he pursued power for its own sake is also showing an understanding of the basic, core plot they built the richness on top of. Jayce was seduced by Mel's manipulation and he did grasp after power, but they enriched his character by making his goals more noble and more tragic. He's always trying to fight for Viktor, for Hextech, for their shared dream, and for making Piltover a safer, better place, but how he goes about it often makes matters worse until he learns, grows, gains wisdom, and makes terrible mistakes he arguably can never make up for fully.
Jayce also isn't fully a victim of Mel's manipulation, just as she is not fully a mastermind able to control his every move. He breaks away at a certain point and makes his own (poor) decisions in ways that frighten her and make her regret her actions, until he grows enough to recognize the wisdom in her advice (though he later grows again and recognizes the original manipulation, which leads to him breaking up with her in 2.08 because Mel's sins are still there and they are the reason she and Jayce don't have hope for a future together once he realizes he can't trust her because actions have consequences in Arcane).
As for Viktor, he doesn't like Mel. In that, I think we again see the original morality play roots, with him as the angel on the shoulder disliking the devil who is seducing Jayce. But they enriched his character by having him respect Jayce's choices even as he may have privately disapproved of them, and to have his own arc to worry about with his failing health, and his other flaws like intellectual tunnel vision/naiveté, and his tendency to self-isolate in the face of his terminal illness. He has his own stuff going on.
They also subverted the morality play arc to a certain extent by having Viktor stop being the angel in S2. Indeed, the framework more or less falls away entirely and it become Jayce trying to save Viktor from himself, and from Jayce's own mistakes of not destroying the Hexcore, while Mel is busy with her own story of politics, war, and magic.
Anyway, I hope some of this makes sense. But I think if people just recognized that yes, there are elements of Mel as a bad guy in the fabric of the story, of a story where Jayce is in a balancing act between his demons and his angels, but that good writers came in and layered real people over these simplistic plots, made it so Mel's story isn't just about Jayce, Jayce's story isn't just about getting corrupted by a femme fatale, and Viktor's story isn't just about being abandoned by Jayce, and thus elevated the trope beyond its tired-out, simplistic roots, there'd be a lot less wank.
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practicalgauntlet · 3 days ago
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~You're still my person. Even if I'm not yours.~
Part two
"We kept crossing paths, near misses and almosts, when all I ever wanted was for us to collide." -Jessica Katoff
Synopsis - Some time has passed, and you think you've healed. But when you're shot by an unsub, old wounds are ripped open for all to see.
Category- Angst, hurt/comfort, happy ending.
Notes - Hurt/comfort, you get shot, Canon typical violence, blood and gore, angst, self-loathing, self-blaming, a year has passed between this and part one, gender-neutral reader (I only use They/Them pronouns because I know everyone likes Spencer not just the girlies), I'm so sorry this is so long, you're a trooper if you get through all of this. The fic started writing itself :/
A/N- this is for @bloodredrubyrose and everyone else who wanted the happy ending. I hope this is okay.
WARNING- This one-shot has violence similar to the cases in the show, but I wanted to bring attention to what transpires and is mentioned in this fic. The case revolves around murdered pregnant women and their fetuses. If the topic is too sensitive for you or can trigger anything, I suggest not reading this.
⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆
A year has passed since J.J.'s wedding.
You still find yourself hurting, lying awake at night thinking of the possibility of "What if?". You still have to shake away the thoughts of inadequacy, of not good enough.
Sometimes, when you're particularly tired or inebriated, you find yourself still unable to look away from him.
It was three weeks and two days after the wedding when Spencer invited you to hang out with him again. It was a month, two weeks, and eleven hours when he greeted you with a genuine smile again.
It was eight months, three weeks, six days, and two hours when you felt like you could breathe again.
Everything was back to normal. It wasn't bright, shiny rainbows and glittery kittens like Penelope said it would be once you healed. But it was normal.
It was easier to ignore the festering pit in your stomach during the day, easier to look your team in the eye, say, "I'm okay." and mean it. It was easier to watch Spencer heal the same way you were.
You were so proud of him. It felt like your Spencer was back. His long-winded speeches about something that didn't seem relevant but ended up helping the case drastically, his magic tricks in the bullpen when Hotch was in his office, and his goofy authenticity. All of it was back, at least partially.
He still got quiet when J.J. was around and closed in on himself. But compared to those days after the wedding, he was making immense progress. You just wished he let you in so you could help.
"I don't think they're listening."
You barely hear Morgan's voice over the bubbling thoughts that threatened to take control and invade your mind.
"Oh, sugar they're definitely not listening."
Penelope's hand was slamming down on your desk, startling you out of your reverie.
"What's on your mind, honey pot?"
She asks, propping herself up on the table. With her quirked eyebrow and intense look in her eye, you knew what she was asking.
"Are you still hurting?"
She was right to be worried, right to involve herself in case you got worse again. But instead of thinking about Spencer and how you'll never be on the receiving end of his affectionate gaze, you were actually thinking about the case.
There was a lull in leads, the ones you had only took the team to a dead end. Dead body after dead body and still nothing.
"I'm fine, Pen. This case is just taking a lot out of me."
And it was true. The BAU had been called in because a dead body had been unearthed by a gardener somewhere East. A heavily pregnant woman had been murdered, her unborn child ripped from her body and buried with her.
It was horrifying, to say the least, the brutality of the unsub turning your breakfast sour. But it had been seven hours since the team landed in the small town, and you were still no closer to finding the culprit.
"Why don't we get something to eat, hmm?"
Penelope suggested, hopping off the table and holding out her hand for you.
"If you're getting food, get me a little somethin'. I'm in the mood for Chinese!"
Morgan yelled from across the room, his hip propped against the clear board Spencer was mumbling at.
"I guess we're getting Chinese."
You chuckle, standing up and following Penelope out of the makeshift conference room the local police allowed you to use. As you were passing Spencer, you turned to him and called his name.
"Do you want anything specific?"
He looks to you, eyes reluctantly leaving his equations as he's pulled from his thoughts.
"What?"
There was a surge of affection at the sight of his pursed lips and furrowed brows. The way his hands fiddled with the marker, clicking the lid on and off the end.
"We're getting the team Chinese takeout. Do you want anything?"
"Just a fork."
You nod your head, peeling yourself away from his attentive gaze. When you and Penelope get in the car, she places a hand on yours. You didn't take your eyes off the road, but you could tell that she was looking at you with that look again.
"How have you been, sugar?
It felt good to have someone watching over you, someone in your corner, to ask if you were okay even after time had passed and you were healed.
"I've been doing good."
She was the only one to know of your breakdown on Rossi's front porch. She was the only one you allowed to see what it did to you those weeks afterward. How depressed you were, how hopeless. Penelope Garcia was your best friend, and she was the only one to know you were still unconditionally and irrevocably in love with Spencer Reid.
"Are you sure about that? I know this case is a doozy but I know that look in your eye."
You briefly take your eyes off the road once you reach a red light, patting the hand that now rested comfortingly on your thigh.
"Yes, I'm fine. It doesn't feel like the world is ending anymore. Plus, life is unfair sometimes. I just need to roll with the punches."
She looked at you, her knowing eyes always privy to the storm that rolled beneath your skin. In one final attempt to comfort her worry, you flash her your most believable smile.
Penelope quirked an eyebrow and looked away, not at all convinced but persuaded to leave it be for the time being.
The trip for food was brief. You got various dishes in case the team was in the mood for a certain thing. You were back at the station within twenty minutes, walking into the conference room to something you never wanted to see.
Your team was gathered around the table, faces grim as they spoke towards the phone sitting in the middle.
"Another body..."
Penelope whispers, catching the eyes of Morgan as he shakes his head solemnly. Hotch was already giving the team their orders.
Morgan and Emily were dispatched to question the family as the local police had already ID'd the girl. She was a well-known and loved woman; she was a part of the PTA, led the neighborhood watch, and hosted bake sales for all parts of the community.
J.J. was asked to stay behind and deal with the journalists and news anchors that suddenly surrounded the station.
That left you and Spencer to follow up with the police at the scene of the crime. Spencer drove the two of you there, your knee bouncing in the passenger seat as you watched the scenery pass by.
"I don't get it..."
Spencer mumbles. When you look to him for an explanation he was already glancing at you.
"Why pregnant women? Why take the baby out and bury it with the mother? It makes no sense."
You flip down the visor, both because you need to get the sun out of your eyes and to do something with your hands.
"Maybe they're surrogates for his real target? A mother? Maybe he's upset at his mom and taking the baby is a way to give mercy to his inner child."
"Or maybe," Spencer counters, long fingers drumming on the steering wheel as he pulls into the crime scene. "They're surrogates for a wife."
The scene before you was gnarly. And unfortunately, the unsub had changed M.O.
The woman was buried in a shallow grave like the others, dressed in a thin white gown, poised perfectly like Snow White with her child tightly swaddled in a towel and tucked safely in her arms. The only difference was the lack of blood, the lack of brutality. That, and she had blonde hair whereas the other victims were brunettes.
"He's devolving."
You mutter, feeling sick at the sight of her.
"Or he's getting close to what he's wanting to do."
You look up at him from your squatted position, taking in Spencer in all his glory. He looked so good in his FBI vest, with his sweater and tie peeking out from the collar.
You shouldn't be thinking of him like that. Not when a woman and her child had lost their life and they lay decaying in front of you. Not when you should already be over him.
"What do you mean?"
"She looks perfectly preserved. Sure, she's laid out in the same outfit and the same position. The color and the way she's laid are meant to symbolize purity. So we know he isn't murdering for hatred. He feels sympathy for these women. But look at this,"
He crouches next to you, the movement sending your heart into overdrive. His sleeves were rolled up as he shoved his hands into some blue surgical gloves. You could even smell his cologne.
"Her hair," He picks up a strand. "Her hair had been styled. There's a texture to it that means he used hairspray. And while the others' hair was wild and unkempt, most likely because he kept them for some time or they fought back, her's is washed and curled."
"So we know this woman is a surrogate, but he's not acting on any sexual or vengeful impulse?"
Spencer turned to you, looking at you from above his sunglasses.
"I think we're ready to give the profile."
⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆
"We are looking for a white male in his mid to late thirties."
Morgan starts as he leans against one of the desks, his arms folded against his chest. Emily stepped up, continuing on as she stared each and every officer down to make sure they were taking this as seriously as it was.
"Look for someone who had recently lost a wife and child during the birth, someone who is most likely blue collar. He would have been a normal man up until his loss. Now, he would be agitated and easily riled up. Getting into fights or arguments when he normally wouldn't. "
You step in, delivering the line you rehearsed in your head over and over on the ride back to the station.
"He's kidnapping pregnant women so he could relive the birth. So he could hold his child and kiss his wife. But he's desperate, so he is taking the babies out prematurely and amateurly that neither victim survives. He would need a space to do all of this, a garage, a second home, or a place of work. Somewhere concealed enough to not draw attention but spacious enough to perform the c-section."
It was now Hotch's turn to deliver the final line of the profile.
"He will continue to take women until he gets what he wants. We need to make sure Kate Smith is his last victim."
⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆
You found him. Carl McGregor, a welder for a construction company. His wife of six years died giving birth to his child, and he went off the rails.
You sympathized with him, knowing that he was in so much pain. But that didn't excuse what he did to those poor women and the families they were a part of.
Carl was hiding out in his garage, a woman in the last week of her second trimester strapped to the table; screaming for help.
You were the first on the scene, your legs carrying you just a bit faster than the others. When you opened the garage door, you had to put every ounce of will not to tackle the guy to the ground.
"FBI! Put the scalpel down Carl!"
Carl was hovering over Debbie Park, a young mother of three and a half. He had her strapped to a makeshift stretcher and her terrified screams broke your heart.
"No!" Carl said with a crazed look in his eyes. "My wife is about to give birth, give her space!"
You lower your gun so the barrel isn't aimed straight at his skull but keep it raised just in case. When you spoke, you made sure you sounded as calm and understanding as possible.
"Carl, your wife died three weeks ago giving birth to your son. Let Debbie go so her husband doesn't experience the loss you did.
You don't know how or when Spencer made it into the garage but he suddenly appeared in the shadows, his gun aimed at Carl.
"No, please!" Carl was focused on you, his shaking hands still holding Debbie down. "This is my wife! Why are trying to take her away?"
You lower your gun entirely, feeling safe with Spencer there to have your back. You approached Carl slowly, keeping your body crouched as if you were approaching a scared and wounded animal. Because that's exactly what he was. A scared and wounded animal.
"Carl?" You put a hand on his shoulder. He winces but doesn't attack. "Debbie has a family, she has three kids and a husband who are worried sick about her. Do you want to put her husband and kids through the same pain you're feeling?"
It all happened so fast. First Carl was lunging at you, a gun you didn't know he had raised before you could pull your own. Debbie's screams mixed with yours as Spencer fired his gun and took Carl down.
There was a sharp sting to your chest, your right shoulder to be exact just under your collarbone. Upon Carl's death, his finger squeezed the trigger and put a bullet three inches from your heart.
Spencer was in front of you before you could collapse, cradling your head to save it from bashing against the concrete ground.
"I need a medic!"
Spencer yelled into his com, his face wild with worry as he pressed his hands into your wound.
It hurt, sending a blazing fire throughout your body. In the back of your mind, you heard yourself scream from the pain, your throat raw and ragged. Your hands uncontrollably gripped Spencer's vest, clutching him closer to you as you tried to breathe around the sharp, boiling pain.
"You're going to be okay, the medic is on his way."
Spencer's voice sounded far away, garbled and hazy like he was underwater. Panic soon tore across your body, thrumming through your veins as you tried to ignore the sticky warmth pooling through your shirt.
"No, no, stay with me. Stay with me please!"
You barely felt Spencer's cold hands patting your cheek. You had to say it now, as you were dying. This was your last chance to tell him how you feel. You already felt yourself slipping away.
"Spence..."
Your mouth felt so dry, your tongue sticking to the roof of your mouth. He was shaking above you, pulling your body into his lap as he rocked you back and forth.
"I'm here, I'm here. I'm not leaving, you'll be okay."
You felt he was saying that more for himself than he was for you.
It was hard to unfurl your fingers from his vest but you did it, lifting your hand to cradle his cheek. It was now or never.
"Before I dye, I need you to know-"
"No!" Spencer seethed. You had never seen him so emotional before, so upset he looked feral. "You are not going to die! Where's my fucking medic?!"
"I need you to know, that I love you."
He smoothed his hands over your face, brushing the sweaty strands of hair away from your eyes. "I love you too, you're my best friend."
You let out a breathy, strangled, humourless chuckle. Of course he'd make you spell it out for him.
"I'm in love with you, Spencer..."
Black was edging your vision, your ears ringing as you watched Spencer blink once, twice, before the medic pushed him away.
Faintly you felt your body being moved, that white-hot pain once again rendering you speechless as you finally succumbed to the darkness that was calling to you.
⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆
Spencer couldn't breathe. Couldn't think. Couldn't taste, or hear, or feel. Frantic, animalistic worry overpowered every other emotion. Logic be damned, facts be damned.
"Reid, calm down or you're gonna wear a hole in the floor."
"There is a high chance the bullet nicked a vital vein or artery. It took us fifteen minutes and thirty seconds to get her to the hospital and another six minutes for the doctors to start operating. There is a higher chance that she lost too much blood and will need a transfusion. If she needs a transfusion there is a chance she could have a Febrile non-hemolytic transfusion reaction or a Transfusion-related acute lung injury. There are so many possibilities to think over and every time I think I've found a way to stop them another one pops up. Do not tell me to calm down!"
Morgan backed off, holding his hands up in mock surrender.
"My bad, man."
Emily was next to approach him and he had to look away from the worry on her face.
"Only thinking about what could go wrong will only cause you more stress. Maybe you should go home and take a shower."
"Stop telling me what to do."
He didn't recognize his voice, and he knew his friends didn't recognize him. So he backed off, settling himself in the uncomfortable waiting room chairs, and put his head in his hands.
Emily was right. Derek was right. But if he thought about anything other than the complications that could take you away from him all he would focus on were the last words you uttered before blacking out.
"I'm in love with you, Spencer."
He didn't know what to do with that information. After J.J. he didn't allow himself to even look a second longer at someone that was out of his league. Which was everyone. Especially you.
You were so kind and gentle with him. You let him go on his rants, asking him to finish what he was saying if the team not so subtly told him to shut up or bluntly interrupted him. You loved his endless facts and knowledge and you told him often.
You were like a beacon of light when you entered the room, his gaze unconsciously looking for you wherever he was. You were his best friend; you knew everything about him and still treated him like a human being. Not some computer, not some freak.
Spencer let out a shaky breath, adrenaline still pumping through his veins. His hands were shaky and he couldn't keep still to save his life. He had never felt like this before, not when a gun was pointed in his face, not when the bureau was infiltrated. Not even when Emily was in the hospital.
He'd never been this scared shitless before.
And then it hit him.
He was in love with you.
He had been for a while. Maybe after J.J., maybe before. Spencer didn't know when it happened or how deeply it had been buried. All he knew was that it was now so fucking obvious.
It felt so natural. He had always thought you were going to be a permanent fixture in his life. Always thought that you'd be a phone call away when he needed you and he'd be the same. Whenever he thought of something you were always there, in the back of his mind like you belonged there.
He faintly heard a commotion, the sound of chairs scraping against the ground and footsteps running away. He looked up from the floor, his body fuzzy from the realization.
Spencer bolted from his seat the moment he saw the doctor standing in front of his team. He gently shoved aside Morgan and J.J. needing to hear the news as close as possible.
"They're stable and awake. It had just barely missed their heart, but they will heal with no permanent damage."
Spencer could have dropped to his knees with relief, his body sagging and his lungs deflating.
"Can I- we see her?"
"Of course, but we still need to take their vitals frequently. And a room full of people would not be best stress-wise so I suggest one to two people at a time."
Morgan clapped him on the back, a knowing look on his face before shoving him forward.
"We're going to get something to eat. You check on our sunshine."
After all the attitude he threw their way, he was dumbfounded that they would give him such a precious opportunity.
"Thank you,"
"No problem, Pretty Boy."
When Spencer entered your room, it was like he walked into a different reality. You were usually so bright and shining, carving a path of light and kindness wherever you stepped, but now you were lifeless. The tubes and wires hooked up to you made you look so uninhabited; pale, and sickly from the blood loss.
Spencer approached the bed, being careful not to make any noise that would startle you awake. Your eyes were closed and he assumed you were probably in and out of consciousness due to the pain meds they were pumping into you.
He hated seeing you like this.
"Spence?"
He hadn't realized you had awoken, too focused on all the machinery you were hooked up to.
"Hey, how are you feeling?"
Spencer didn't know what to do with his body so he just stood there, willing his emotions into submission and picking at the skin of his thumbs.
"I feel like I just got hit by a train."
You groan and he is at your side immediately, checking the monitors and making sure your pain meds are working. They were, but he needed to make sure.
"What no fact about processing pain or how it affects the body?"
You were looking up at him now, a pained but genuine smile on your face. In the hour that he worried relentlessly about you, he feared he'd never see that again.
That smile faded into something akin to concern when he didn't respond.
"What's wrong Spence?"
"I thought you were going to die."
He sounded so small, even to his own ears. Weak, scared. Like a child.
You waved him over closer, and he listened. If you told him to, he would follow you to the ends of the earth. It surprised him when you grabbed his hand and placed it over your heart, the roughness of the gauze grazing his shaking fingers. He tried to pull away, but you kept him there so he could feel your heartbeat.
"I'm still here, Spencer. You can't get rid of me that easily."
"Do you-" He couldn't stand not knowing anymore. The probability of people saying things they didn't mean while bleeding out was too high for him to think clearly any longer. "Do you remember what you said to me?"
He watched your face turn sad, your lips turn inward and your eyes drop to the hospital-grade blanket. You also dropped his hand, the limb numbly swinging back by his side.
"Yes," You refused to look at him. "I'm sorry, I shouldn't have put you in that situation, it was unfair of me."
"No, I-"
"I understand if I've ruined everything. I don't blame you if you don't want to be friends anymore."
Before he could think and rehearse a thought-out sentence, his mouth moved and spoke for him. "I don't want to be friends."
He realized his mistake not a second later. And to make up for it, to take away the pain on your face, he gently grabbed your chin and made you look at him.
"I love you too, so much so that the idea of you dying turned me into an illogical and emotional mess."
Tears lined your wide eyes as you stared up at him, your cheeks regaining some color. Now that he's said it out loud, he couldn't keep his mouth shut even if he tried.
"I love you so much, that I want to take away all your pain. All the bad memories and shitty feelings that take away that pretty smile. I'd do anything for you."
You reached up and cupped his cheek, much like hours before, your lip quivering.
"I'd do anything for you too, Spence."
"I know."
It felt natural to kiss your forehead, to settle into the small hospital bed, and tuck you gently into his side. It felt natural to, days later after you were discharged, take you on a proper date and call you his.
A/N- Realistically I know there would be more turmoil, less trust, and more self-doubt during the confession part but this is fiction of fiction so let's just pretend okay:) I'll save that stuff for the full-length stuff. Also along the lines of reality, I know that there is such a thing as a bulletproof vest, but I needed drama so forgive me.
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nubiawrites · 3 days ago
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chapter five
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Pairing: Aaron Pierre x Black Original Character
Warnings: Slow burn. 18+. Smut. oral (giving and receiving). alcohol. talks of safe sex.
Summary: Aaron and Iriye have a nightcap, tensions being released as new connections are formed.
Notes: Everyone say thank you to GQ and Aaron's sleeve. I told you all the next chapter would be worth it. Enjoy and let me know what you think
MASTERLIST
Aaron's fingers drummed steadily against the wheel as he drove Iriye and himself back to his place. The Bluetooth in his card played some Sade as Aaron drove them in comfortable silence. 
This was not Iriye's first one-night stand, but it was with someone like Aaron—a collaborator, an artist, an actor. As they inched closer to his place, her anxiety got the best of her.
"I've never done this before," Iriye blurted out. Aaron had parked the car in the parking garage of his apartment, and he paused.
"Like had sex?" Aaron raised both eyebrows, and Iriye swatted his arm. 
"I've had sex. Trust me," Iriye sighed. "I don't sleep with talent. I never have,"
"Okay," He nodded.
"Because I respect you. And I love my job. And I love this project. And I don't make this a habit," Iriye rambled.
Aaron just smirked as she kept talking, seeing the defenses fall. She was always so sharp and on it, and he liked that, but this made her more endearing.
"What are you thinking?" Iriye asked. "Because if it is and I'm crazy, I will happily Uber home, and we can just—" He cut her off by leaning in for a kiss. The movement took her aback, but she ultimately relaxed into the gentle and sweet kiss. 
Iriye pulled back once fully relaxed and hummed, her eyes opening to look at Aaron's face. 
"Well, if you're wondering what I'm thinking, I don't care if you've never done this or have done this a million times," Aaron stated. "As Nelly and many other women I know would say, you're a grown-ass woman,"
"Please say that again. I need to hear it with your accent and all," Iriye teased. Aaron rolled his eyes before leaning in. 
"Grown-ass woman," Aaron repeated, and Iriye giggled. "Let's just see what happens. No pressure,"
Iriye nodded, and Aaron got out of the car. Iriye would do the same when he rushed to her side to open the door, holding his hand out for her. She took it and got out of the car.
"Thank you," Iriye said. Locking up his car, his hand never left hers as he guided her inside the apartment building.
They entered his apartment, and Aaron let her step inside first. She smiled at the place once he switched on the light, which matched Aaron's energy. 
"Your place is nice. Very homey," She moved to sit on the couch.
“Thank you,” He said before stepping into the kitchen. “You want anything?”
“I’ll have whatever you are having,” Iriye said, looking around at the record collections under the TV. She saw a few books stacked neatly on his coffee table, her eyes peeping at a familiar title. She smiled to herself when Aaron came back with two glasses.
“My whiskey sours may not be as great as yours,” he said, placing the glass in her hand. She chuckled. 
“I’ll be the judge,” Iriye sipped the drink and hummed. “Just a little bit more lemon,” She moved to pull the book on the top of his stack. “How are you liking the Last Days of Ptolemy Grey,” 
“Interestingly enough, I like it. I figured I would read it first before watching. Someone has great taste in literature,” Aaron tilted his head towards her.
“I mean, I do know some things about writing,” Iriye shrugged playfully. Turning to him, she moved to make herself more comfortable but realized her boots were still on. She was about to reach down and take them off, not wanting to seem like she didn’t have any home training.
"I got you,"  Aaron said, his British accent with that deep timber of a voice. Her stomach clenched deliciously, trying to be demure. He moved to lift her legs into his lap. “May I?” Iriye was too distracted by how smooth he was, nodding her head along.
Aaron kept his eyes on her before unzipping the first boot, his thumb smoothing over the revealed skin along the way. Iriye let out a soft breath, feeling him pull the boot off. He did the other, and she kept her legs over his lap.
“Was that an excuse to keep me close?” Iriye raised a brow at him, Aaron rubbing her legs.
“Would that be so bad? To want you close, love,” Aaron questioned.
“No,” Iriye felt his hand moved to her cheek. 
“Come here,” Aaron stated, pulling her closer by her chin. She leaned in and kissed him softly for a moment. Getting reacquainted with the soft, full lips on hers, the feel of his trimmed mustache near her face. When she pulled back, he leaned his head against hers. “I’m taking this however you want to,”
“That might be the hottest thing I ever heard,” Iriye admitted, pulling him close again and kissing him. His hand moved to stroke her legs as they were on his lap. She hummed, his fingertips sending shivers up her spine. They fell into a comfortable rhythm, her hands moving to his neck and cheek. His tongue looked for permission to lick into her mouth, and she gave it to him gladly.
They continued kissing that way, tongues clashing as they moved in sync. Aaron pulled away, moving his hands to pull her closer. But Iriye stopped him, lying back on the couch.
“You look so good like this,” Aaron stated.
“I’m still in my clothes,” Iriye stated.
“Imagine what you would look like splayed here without them,” His words made her press her legs together. 
“Then get me out of them,” With those words, Aaron advanced on her, legs falling apart to fit his hips against hers. Her jean dress pushed up some, and she let her hands fall to his neck as she connected their lips again.
Aaron placed one hand by her head, not wanting to settle too much weight on her as they made out. She felt his hand trail to her thigh, and she pressed herself closer to his chest as she arched her back. 
“Aaron,” Iriye moaned against his lips, her clothes feeling too suffocating. He pulled back, and his hand went to the zipper on the front of her dress, pulling it down till the dark brown bra she wore came into view. Iriye sat up to shimmy out of her sleeves, sitting confidently as she felt Aaron’s eyes take her in.
“You’re so beautiful,” Aaron’s eyes trailed over her breast. 
“I know,” Iriye giggled. She had soft curves from pilates, and her body had changed over the years, but under his eyes, she felt even sexier. “Your turn,” She pulled at his black shirt. Aaron smirked before lifting his shirt. Iriye was trying to stop herself from watching her eyes pop out at his muscular body. His broad chest, the tiny speckle of hair leading into the dark corduroy pants he wore. It didn’t help his left arm was covered in tattoos, and Iriye needed to know how it would look around her neck in the worst way.
Aaron moved to lean down and kiss her as he pulled her closer. Her hand went between them, and she found the button to his pants. He pulled back to give her some space, her fingers quick to get the button off and his zipper down, her hand brushing against his length through his boxer briefs.
“Shit,” Aaron breathed, a grin appearing on Iriye’s face. Hearing him curse was all she needed. She brushed her hand against him again, feeling his length twitch a little. 
“You want me to touch you?” Iriye teased. Aaron kissed her again, Iriye moaning softly into his mouth. She teased her hand against him, and he pressed into it.
“Fuck yes,” Aaron stated, his resolve slowly slipping. Iriye tried to wiggle her hands into his pants, but she needed them out of the way. Aaron moved off the couch to remove his pants, the bulge even more apparent in his briefs. Before she could even marvel at it more, his hands were on her dress, pulling it down her body.
Aaron groaned as he saw how her boyshorts had a wet spot, a telltale sign of how turned on Iriye was for him. He was about to take them off when Iriye stopped him. 
“Last time, it was about me. This time, it’s about you,” Iriye stated. “Do you have condoms?”
As much as Aaron was a giver, a woman being straightforward and dominant with him was attractive. It made him want to just bend Iriye over and fuck her into the couch. But patience was key. So was protection.
“Let me go check,” Aaron got up, kissing her deeply and letting his tongue slide into her mouth, needing to after taking her whole body in. She let her nails drag against his neck, and he groaned before moving away and heading towards a door.
Iriye laid back against the couch, trying her best not to let her hand slip down between her legs and keep working herself up. But the way her clit throbbed in anticipation, she rubbed her legs together to try and calm herself down, only making it worse.
After a few minutes, she heard Aaron come back into the living room, sitting up at the frown on his face.
“I don’t have any…” Aaron rubbed his hand over his chin.
“None,” Iriye asked again.
“None,” 
Aaron gauged her face for her reaction, seeing her chuckle. 
“I don’t know if I should be happy you have none or nervous because you used them up,” Iriye shook her head. A grin went to Aaron’s face.
“I’ve been busy with work. Plus, when it comes to matters of the heart, it takes me a bit to open up,” He said as he moved to sit by her. Iriye leaned into his side. “I can go run for some,”
“It’s too late to be driving around for protection,” Iriye scratched at her scalp softly. “Honestly, maybe this is just what we needed. Let us think straight for a minute,” She said.
“Right,” Aaron agreed, even if he was looking at her lips. He leaned in to kiss her, and she let her hands slip to his neck. “There are other things we can do that don’t need condoms if you want to,”
Iriye purred at the temptation. “And what’s that?” She teased. Aaron’s hands moved to cup her ass with one big hand, and the other slipped between her legs. 
“Open up for me,” Aaron stated, and Iriye slipped her legs open as he asked. He let his hand tease the hem of her panties. 
“I was trying to take care of you first,” Iriye moaned as she felt him toying with her panties. 
“There’s this thing called doing it simultaneously,” Aaron said cheekily, and Iriye gasped at him, slapping his chest playfully. “Some even say the same time or mutual,” Iriye grasped him through his boxer briefs, and he groaned. “Shit,”
“What were you saying?” Iriye asked as she got a hold of his length and stroked him. She felt his head go on her shoulder, and then she was pushed back onto the couch. 
Aaron crawled over her till he was right between her legs, and she kept her eyes on him as she felt him finally slip his hand into her panties, his middle finger already slipping past her folds and her back arching into his hand. 
“That’s it,” Aaron moaned, slipping the finger to press against her entrance before he dipped it in, Iriye rolling her hips toward his hand. “Oh god, Aaron,” Iriye whined. She felt him thrust a single digit into her a few more times, going slow as her body worked itself up. She was getting even wetter as he watched her face, moving to kiss him deeply.
"I wanted to get you off," Iriye gasped against his lips, his finger sinking into the fleshy spot inside of her.
“Trust me, watching you get off turns me on,” He moved to kiss down the side of her neck. Those words went straight to her core, gasping as she felt him pressing a second finger inside of her, and she tried her best to recover. She loved how his fingers and hands were so big, remembering how he gripped her ass.
Iriye needed a bit more control, so she slipped her hand into his boxer briefs and was met with the leaking head of his length. She let her hand wrap around him, stroking him slowly, trying to keep up with the rhythm he was setting inside of her. She stroked her hand up upward towards the head, feeling a vein against her palm, and he groaned, his fingers stopping. Iriye giggled, seeing Aaron, who was very calm and collected, lose his cool.
“You good?” Iriye smirked. Aaron’s eyes grew darker, groaning into her mouth as he kissed her deeply. “Please Aaron… I wanna make you come,” She had ground her way to bliss, and god damn it, she needed to see what he looked like when he came. He heard her pleading and pulled his fingers out of her. 
“Afterwards, I’m tasting you,” Aaron stated matter-of-factly. “I’m clean. I can show you,” 
“Aaron…” Iriye giggled as she pushed his chest so she could get up. She moved to her knees, taking the pillow he handed her. She got herself adjusted and caught sight of him licking his fingers that had been inside of her. So, of course, she leaned up to kiss him, moaning as she tasted herself on his lips.
Iriye adjusted herself until she was comfortable, her hands going to his boxer briefs and pulling them down till his length popped up, her seeing the heavy length twitch against his stomach. She leaned forward and licked the tip, hearing the breathy moan that left his mouth as she teased the tip.
Iriye wouldn’t say she was a dick-sucking enthusiast for just anyone. She had to be comfortable with the person before she would show them how much she loved sucking dick. And it should have freaked her out that she hadn’t let Aaron take her on a proper date before she was on her knees, teasing the tip and tasting the pre cum his tip pushed out. 
Iriye played with the tip, realizing Aaron was very sensitive there quickly. She allowed herself to take the tip further into her mouth, sucking softly as she didn’t want the moment to end. There was a sweetness to his taste, and she hummed as she bobbed her head on his length.
“Fuck,” Aaron breathed, feeling her beginning to slide deeper. He knew he was slightly above average, but he didn’t want to hurt Iriye even then. His hands squeezed the couch respectfully, wishing he could grip her head. But he groaned as Iriye pulled from the tip, him looking down at her eyes as one hand focused on the tips as she began to mouth at the sides, tongue licking him like a popsicle that she wanted to melt. He saw that sparkle in her eyes as she licked back up his length. He let his hands move to the goddess locs, carefully grabbing some in his hand and guiding her when she took his length back in her mouth. He felt her trying to tease the tip again, and he tightened on her hair, not wanting to pull too hard.  
Iriye’s eyes met his, preening at how Aaron was looking. 
“Take that cock deeper, Iriye,” Aaron spoke, that South London boy coming out. She bobbed her head again, working him deeper and using her hand to stroke whatever she couldn’t fit in her mouth. She moaned around him, feeling his length twitch at the sensations. “Fuck, love,” He said. “You look so good sucking my cock,” He breathed, his eyes focused on her.
Iriye could feel her panties soaking through as she continued sucking Aaron’s dick. Hearing him groan and moan, his words turned her on as she worked herself up to relax around his length. She let the tip hit the back of her throat some, finding when she gagged on his length, his hips thrust up as he wanted to get deeper. She gagged a few more times, the gaps and moans coming out more, his fingers tightening and flexing in her hair.
Iriye pulled back, a string of saliva attaching to her lip from his length. She stroked him, looking up into Aaron’s eyes.
“Don’t hold back. Take what you want from me,” She playfully winked before moving to suck his length back in, gagging twice around his length before she swallowed him, sucking on him. Aaron let off grunts and whines as he thrusts up into her mouth a few times, gasps coming with every movement until she felt the warm cum spill down her throat. As much as she wanted to choke on his cock, Aaron pulled up, his length twitching and coming a little on her lips as she stroked him. 
“Iriye,” He moaned as she attempted to clean off the tip of his cock, Aaron still sensitive. She let her tongue out, hoping to catch some more spurts of cum on her lips before she swallowed.
Aaron watched on as the woman who was so confident and could command a room swallowed his cum, feeling so satisfied as she did so. It was so fucking nasty and hot.
“You’re gonna be the death of me,” Aaron breathed before kissing her, licking into her mouth to catch a taste of her and his cum on her tongue.
Iriye moaned into the kiss, whining as she was so turned on for more. 
“Come up here,” Iriye felt him manhandle her up off her knees and turn her to suit up against the couch. She couldn’t help but giggle as Aaron had to push the coffee table back across the floor so he would have more room on the ground. “Something funny?”
“Not at all,” Iriye said, the man a giant in his home. He grinned up at her before kissing the inside of her right thigh, playfully biting at her. She let out a moan. He kissed down till he made it to her center. He then moved onto the next thigh, kissing up till he pulled back, his hands tucked into her panties.
“Yeah, you’re not gonna need these,” Aaron chuckled, moving to pull them off. Iriye’s most delicate parts of herself were revealed, and she moved to lift her legs so she could take her socks off. 
“I’m not gonna need these either,” She teased. But she quickly shut up as Aaron sniffed her panties.
“You smell so good,” Aaron chuckled, throwing her panties into his pants. Iriye figured she wasn’t getting them back, and honestly, she wasn’t mad at it. Panties were replaceable, but Aaron smelling hers was not.
Iriye let Aaron hook his hands under the back of her knees, propping her open for him like a feast.
“Let me know what feels good,” Aaron said as he looked at her. Iriye nodded. He kept her eyes on her as he swiped his tongue slowly through her lower lips, collecting the sweet juices, a moan rolling out of her.  He repeated the motion a few more times, every swipe causing her back to arch and her moans to float in the air, but it wasn’t enough.
“Aaron,” She whined softly. “I need more,” He heard her words, and she felt the two fingers he used inside of her teasing her slit. She pressed her hips down, wanting to slide onto them, but Aaron held her thighs back.
“I let you have your fun. Now let me have mine, sweetheart,” Aaron spoke. She saw his smile and let him get away with talking to her like that. His fingers slipped into her pussy, and she arched her back, almost shutting her legs around him. “Nah, keep them open for me,” He said. 
Iriye was holding them, but Aaron guided one leg to his shoulder and then the other, caging him in. His fingers began searching for that fleshy spot inside of her; Iriye whined as she felt him hitting spots along the way.
“Oh my god,” Iriye moaned as she realized he wasn’t going to stop, especially as he found her g spot again. She rolled her hips against his fingers, hearing how wet and gushy he was making her pussy for him.
“That feels good to you, Iriye,” Aaron asked, his lips kissing her thighs. Her moans were enough answers for him, the tiny twitches in her thighs. But he knew she needed more. “Tell me, baby,”
“Your mouth,” She cried. “I need your mouth… this is not enough to make me come… please,” She said between breathy moans and gasps.
Aaron obliged her, his lips sealing around her swollen clit and sucking it to find the proper pressure. It took him a few moments to try to see what Iriye wanted. What sent her hips surging to his face or gave him nothing, but he loved discovering a lover’s body.
“Oh shit,” Iriye knew when she cursed during sex, something was being done right. She moved to look down, seeing his lips sucking her clit as his fingers rubbed a path inside of her. She moved to let her hands run over his scalp, her nails dragging up and down his scalp.
“Aaron,” She cried, his name a mantra she would repeat if it meant he never stopped. She felt him stop sucking her clit before she caught a peek of his tongue beginning to flick at her clit; short cries left her body as he moved his tongue with precision, almost pornstar levels even. “Oh fuck!” She whined, more words falling out as he moved his fingers in tandem with his tongue. She would gladly pay the toll if this were payback for the teasing.
Iriye continued to roll her hips toward his hand as he fucked her with his fingers, tongue flicking and sucking at her clit. He pulled back for a moment.
“You’re gonna come for me?” He asked her, almost a plea for her. She looked into the darkening hazel eyes and nodded. 
“I will! I will!” She wanted to scream. She would do anything for him.
“Good,” Aaron moved his to flick and suck at her clit as his fingers moved to usher her orgasm forward. At first, it felt like a tug-o-war, a push and pull for it to come forward. She let herself fall into it, the first crescendo warning her of what was to come, quite literally. She threw her head back before focusing on him, licking her lips and whining out as another thrust of his fingers and the gates flooded. Short cries became gasps and moans as her orgasm rushed in, and she came, her juices flowing down her pussy, and she felt her walls sporadically tightening around Aaron. 
Instead of letting her enjoy the fall, Aaron continued to work her through it, seeing how good she tasted and how she reacted to being overstimulated. It was almost too much as he sucked her clit, rubbing at her g-spot. She wanted to close her legs, but Aaron had her spread and locked in with his shoulders.
Iriye whined as he prolonged her orgasm, her nails scratching at his bare shoulders until she tapped him.
“Aaron,” She whined, feeling him finally let up off of her clit, and she felt him work her down with his fingers, her juices sliding down his fingers and wrist. She sighed as she slumped against the couch, his fingers sliding out of her. Aaron trailed his hand, wet with her juices, up her body until he teased her lips with them. She grinned and opened her mouth, letting him slide them in so she could suck her juices off of him, mimicking how she suckled his dick before. 
Aaron straightened up, their lips connected passionately as Iriye let her hands wrap around his neck, him leaning into her. She giggled as she could feel him and her pussy clenched, 
“How you feel, love?” Aaron asked her, pushing one of her goddess locs behind her ear.
“Good,” Iriye hated that she had no words except that, but he gave her the feeling. She couldn’t wipe the grin from her face. 
“You sure you’re a writer cause good,” Iriye swiped at Aaron’s face. 
“You play too much. To think I wanted to give you morning head,” Iriye leaned back, and he followed her, his head leaving between her clothed breast.
“You want to give me morning head?” Aaron questioned her.
“I did, but that’s only if we head to sleep,” Iriye challenged him. Aaron moved to hoist her in his arms, Iriye giggling as she wrapped her arms and legs around him, letting him carry her towards his room.
After cleaning themselves up in his bathroom, Iriye was currently in one of his shirts; her five foot eight stature and curvy waist had his shirt hitting right at the top of her thighs and giving a little peek at the bottom of her ass. She forgone her underwear as Aaron repeated that he wouldn’t give them back. She threatened to take his underwear but knew if she took them off of him again, the snake between his legs would not be going to bed. Tangled up in each other arms in his bed, both talking about whatever came to mind
“I honestly haven’t had a reason to need condoms,” Aaron mentioned, Iriye looking up at him. 
“Really?” Iriye said. “I would think it was being thrown at you,”
“It is,” Aaron admitted, and Iriye raised a brow. “But that’s not me,” He stated honestly.  Iriye propped herself up on his chest some. 
“Pussy being thrown at you doesn’t suit you,” Iriye teased, hoping a red flag popped up. Because he was so unreal. “You have an arm tattoo, Jamaican, and a Gemini. You could have anyone dropping the draws with just one look,” Iriye joked, and Aaron looked at her.
“I could have anyone, but at the end of the day, I want someone who wants me. Who chooses me. Not just anyone,” Aaron stated. There was a truth and a depth there that she loved seeing. Iriye leaned forward and kissed him softly.
“I’m sure you’ll find that,” Iriye yawned. 
“What are you looking for?” Aaron asked her. She thought about it for a moment. 
“Someone who can love my ugly parts,” Iriye explained. “Someone who can be around me not only during the good times but the bad times,” 
“Well, I hope you get that,” Aaron stated, his hand rubbing her back some. They lay in comfortable silence, Iriye hoping that what he said was true. That she would ge tit. She hoped for a second… she would have it with Aaron. @wildwomanalereyia @teenage-aria @skvrpion @absentmindeddreamer @blackpinup22 @liv10002 @styleismyaddiction @jungwonsgfs @hooliemooliedonutshawp @hippiesandpeacesigns @blowmymbackout @justagirlwho-believes13 @caribbeangyalsworld @melovedorks @moihasarrived @ashanti-notthesinger @xx-mintyxx @iluvchrisbrown @ash-ketchumzzz @deijalee @pyramidlight @xosharieee @kaylaahisthebestest- @chaniceandrea @kimmivlixx @saveadanc @kaylalb @queenbritbrat @kceeee @naughtynolly-blog @myawesome56 @chainingxday @nononoks-blog @kinginwithbreezy-blog @apple123cg @jazziejax @lauren1000000 @withoutmusiclifewouldbflat @venusincleo @loveschrisbrown20 @brwnskingirlll @iamfredtina @cozyashhh @modelmemoirs @kimiasinterlude @rpayn22 @mscarter123 @lolola22267 @thesweetestdrug @valarghoulis @nyifly22 @zimsilandela @teheeboo @blveeeeeee @5starsirl @yassbishimvintage @23jammy @prettiegal @vadeadiugularis @gabbywontlose @pinkkycherrish @slashervalley @aqueenwasmadehere @lee-jennie @wuzzzgoood
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genderkoolaid · 3 hours ago
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I really respect Jules Giles-Peterson, her work is great, and she's pretty good at consciously trying to avoid casual anti-transmasculinity from what I've seen. But I do really wish she could talk about transmasculine history with the same depth she talks about transfem history. Not because she should HAVE to– I have no issue with her focusing mostly on what she knows best. But every time she brings up transmasc history I'm like!!!! if this is a topic you want to bring up there's SO much more you can be saying here.
I just read this article by her:
And I think it's in general good! I was really happy to see a well known transfem scholar writing something on this topic, since so many people seem to have blinders on when it comes to the very obvious intersection of trans and abortion issues.
Additionally, she uses this as an opportunity to talk about transfem/transmasc community and the support networks between us, which is lovely. She illustrates not only the connection between trans people and abortion but also how that has been an opportunity for collaboration and shared resistance.
However... it feels to me like there's weirdly little focus on transmascs in this article about trans abortions? It feels like more time is spent rehashing the "trans men went stealth and moved away, trans women formed communities in the cities" model rather than exploring the relationship trans people have had to their abortions throughout history. She acknowledges that the chance to achieve that ideal "cis passing married successful straight man" life was slim, but then she doesn't explore what possible experiences OUTSIDE of that slim chance where like.
And I fully acknowledge that it's hard to talk about a lot of transmasc history because so little has been recorded. But that doesn't mean nothing has. While not technically related to abortion, I feel like it would be well worth it to bring up Ferdinand Alexander Bruce, given that he is a historical trans man that we know gave birth. Even more, we know it because he wrote an memoir, so we actually have his own words in his gender and life. Bruce was stealth at certain points in his life, but his transition was public and he was outed repeatedly, leading to constant discrimination. It's not known if his pregnancy was the product of sex or rape. He is an invaluable look into the history of transmasculine pregnancy and the relationships trans people had with pregnancy throughout history. This is the kind of trans man in history we don't think about because his life did not fall into the standard narrative of "transition, pass, marry a woman, get outed after death."
She also brings up the association of trans women and sex work, as a point to how trans women would have established a network of care for trans men using their knowledge as sex workers (a group that has always been closely tied to abortion). I think this a really good and interesting point, but I also think she misses the opportunity to explore the history of trans men in sex work. Sex work and general promiscuity has been associated with FTM crossdressing throughout history (also see this). Many trans men and nonbinary people present as feminine cis women while doing sex work today. There was even an anthology released recently on the experiences of transmasculine sex workers.
I think this is a good article but it's just... disappointing to see people approach this topic, that so much can be said about, and barely even scratch the surface of saying something new. Especially when her work on transfem history is so good.
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kurokawaia · 3 days ago
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thoughts on sasuke with pregnant reader (˶˃ ᵕ ˂˶) (don't feel pressured if you don't want to write it Honey!! you know i love what you write either way 🫂)
Oh my goodness^^ ofc i'll share my thoughts nonnie!! you're too sweet omg 🫂🫂
CW/TW :: pregnancy, fem!reader, thelast!sasuke/postwar!sasuke, reader is a medical ninja
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I can just imagine that on his travels that you are there with him. He is the one that asked you to come which surprised you because you'd never thought he would, until he did. During the time you were together, wondering outside the village, going to various places, you landed up pregnant.
This wasn't something to be disappointed of! No! In fact, Sasuke was the one who first brought up the topic, expressing his interest and you wanted to as well. The only problem was... how dangerous it would be for you now that you are having a child.
Sasuke and you managed to come to an agreement, that you'd go back to the village and he'd continue to travel around for two weeks before coming back for a week to spend time with you until you were further along, to which he'd stay three weeks and leave for only a couple days.
You were around 19 weeks pregnant and the both of you have been in the village for only a mere couple of hours after reporting in with the Hokage. He didn't even suspect a thing, you were wearing a coat which covered your body so he couldn't tell, only that you informed him that you wouldn't be travelling anymore due to some health issues.
But, this is were all the 'drama' starts. You're out getting some groceries because there is nothing in the house, nothing. You changed out from your ninja attire to something more comfortable, a fitted maxi dress which did, very obviously, show of your growing baby bump. Casually, you were just plopping in the stuff you and Sasuke needed into the smaller trolley's (sasuke isn't here bc naruto dragged him away to get some ramen, you said you're a strong independent woman who can shop herself (●'◡'●) )
This is when the stares start to begin. Because not only can they see your pregnant, but they can see the Uchiha Clan symbol sewn onto the back of your dress. The Uchiha symbol on your back wasn’t exactly subtle, and with your bump showing, it was pretty clear who you were and what was going on. You can feel the stares, you were only gone for what 7 months, that's not that long but you guessed that it was the fact that you left not pregnant and came back so.
It wasn’t every day they saw Sasuke Uchiha’s partner out and about anyways, since you work at the hospital AND being pregnant. That's a shocker. A group of older women passed by, their eyes lingering a little longer than usual. You didn’t blame them. Sasuke wasn’t exactly the type to be open about his personal life, and here you were, very obviously carrying his child. They probably never expected to see this side of him.
After a while, you headed to the checkout, noticing the stares hadn’t really stopped. You couldn’t help but think about how different life was now. Being with Sasuke always meant people were watching, but now, with a baby on the way, it felt even more intense. But you knew it is only because they never thought they'd ever see the day he'd settle down, and now he has!
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Do not copy, steal, modify, etc. Relogs and like are appreciated.
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hawkogurl · 1 day ago
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To add on, to say that the MCU or TASM's female love interests are less sexist in their writing feels as though it engages with sexism in writing only on a very surface level. Yes, those movies do participate in less of the surface level, damseling, screaming woman type of very obvious writing. But the trade off there is that both Gwen and MCU MJ don't get to have a lot of the humanity and flaws that Raimi MJ does. Because of the reaction that MJ got in those movies, both of those love interests are restricted to the same, very narrow idea of what female love interests usually are in action movies with male protagonists, in which they have to be likeable enough to be desirable by male audiences, their worlds generally have very little scope beyond the male protagonists, and their flaws and personalities are very restricted by what can be viewed as romantic when compared to their male counterparts.
Part of the reason I think MJ is so disliked in these movies is that, in a definition of only conventional writing tropes, she's bad at being a female love interest. Her world and flaws exist very much outside of Peter, she has a life and interests and trauma outside of him. We only see what Peter sees of her trauma, but it effects her life and behavior to an extent far larger than that. Her flaws aren't restricted to what can be considered attractive, they're generally rather unattractive--as you can see from the violent responses some male fans have to her. She simply exists as she is, she's portrayed with a neutral empathy towards her humanity that most of the characters are treated with--with the exceptions of Eddie and Norman, the only two characters who aren't given a heroic moment and also the only two characters who are violently sexist and sexually violent towards her!
Peter puts her on a pedestal, but the movie does not. The movie shows her as she is, flaws and all, and treats her with the same compassion it generally treats all of its characters, because all of the characters are just as flawed as she is. This is a treatment not generally extended to women in fiction.
And here's the thing, here's why I tend to disagree with the idea Gwen from TASM or MCU MJ are written with less misogyny. I don't generally need to tell people that the damseling in the Raimi movies isn't great. People know that. But people generally don't meaningfully know, or at least apply, the idea that good female characters are not just... likeable, passably interesting female characters. Women in fiction should be just as flawed as the men they exist alongside. Their worlds should exist with just as much depth and they should be just as human. This is a lesson those movies don't apply. Raimi MJ is still, at the end of the day, infected with a lot of 2000's action conventions, but she was a step in the right direction that was seen so poorly that it's still effecting how characters like her are written and I think that's a real shame.
And for the record, don't drag down those characters like people have been doing to Raimi MJ. That's not better. Just learn from it.
Spider-Man? (The Sam Raimi trilogy)
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Spider-Man (Film Series, 2002)
Explain your reasoning in the tags!
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stvrdrops · 3 days ago
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eternal eclipse ☆ | drolta x fem!reader (castlevania;nocturne)
to share only night together was not enough, only an eternity could quench your thirst for drolta.
warnings : talk of death, kissing, vampire stuff
word count : 1.5k+
note : soooo, it's been a while since i've posted any fanfic. not gonna lie life been really kicking ass and i struggled to write for my normal shuri stuff cause i lost my fixation. but i hope this little niche fanfic finds those who enjoy it :)
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p.s. i recommend listening to "no ordinary love" by sade :)
"why don't you ever stay the night?"
"i stay every night." drolta says to you, licking her lips and recalling the fresh taste of your magnificent blood.
"or rather, morning." you whisper out, finding yourself a little too frail to sit up all the way. your dress falls as you sit up slightly. an exposed bite causing blood to run down your chest. drolta watched through pink eyes. the dark surrounding them was something so hypnotizing that you always found yourself falling into it. it was like some kind of inviting abyss.
"mortals and their silly questions. how you grovel for my touch and teeth among your skin is ever so amusing."
"i grow older drolta!" you weakly yell out to her. this grabs her attention, not once have you ever yelled at the higher powered being. you shed a single tear, letting out a sigh of utter desperation. "i age with every sunrise and dawn. my bones grow weaker and some day you will come to see me only to find an old woman in my place. i know i am young now, but i've aged over the last couple years and nothing about you changes. you're still as beautiful as the day we met and you will forever remain this way."
drolta's eyes drop away from yours, taking in your words of anguish. she knew you were right, because she'd have other companions before. she had bed women and men far before you were ever born. she'd watch them go and come, their children or grandchildren sometimes even becoming her next fling. it was a cycle she had grown oddly accustomed to, not feeling any certain emotion for one or the next. she liked the fact that she aged and grew more powerful in the search of the vessel for her goddess while others perished. it made her feel the power she knew she had within her.
your hand finds her exposed arm. she turns to look at you.
"drolta, i envy that some day i will be too old for you and yet someone will be just young enough. it is not fair that you help me to discover such deep emotions. not ever will i feel for someone the way i feel for you. all this feeling, just for it to one day end once i can no longer serve you."
"there have been some before you and there will be many after you. i am a soul that walks this earth with no true claim anymore. you have a purpose, and warm blood to keep you living in the way your story speaks."
"what if my story is simply for me to serve you? i want to be your companion in this feeble mortal life that i share with my human counterparts. then, have that companionship follow into a new world my soul can not comprehend. i do not want to age among the rest, i want to have a face that is young but a mind that is aged by love. your love."
drolta had heard many a confession, but this one did something different to her. she swore that if she had a heartbeat she could feel it perhaps skip a beat.
"do you know exactly what it is that you're asking of me? what that means to be my partner eternally?" drolta asks, clearly enticed by the idea.
"i don't now what all it means, but i'd have an eternity to learn. i want to devour the sunlight with you, devour the world alongside you. what if i am the vessel that you desire?"
drolta's pink eyes lock onto your dark ones. for the first time she thinks she can feel a devotion to someone other than her goddess. or, perhaps, for her goddess in a new twisted discovery. this shocks her, renders her unable to think properly. she had spent so long devoting her life to a woman that she didn't know what it meant to have true devotion back. her body tingled, and her pink hair began to flame up from the idea.
you were the vessel for her messiah.
"you will devour the sun, me alongside you. first, i shall devour you."
the word devour sent chills through your body.
she extends a hand out to you. you gracefully accept the invite. she uses her enhanced strength to pull you up, your warm body next to her cold one as she spreads out her wings. the two of your exit out of the french doors and onto the balcony that your family's wealth had graciously provided for you. it was where you first met drolta.
her wings flap and for the first time you find yourself floating in the air. your eyes grow wide and a childlike smile spreads across your face. drolta gives you a devilish smile in return.
oh, to be in love with something so unholy as she.
no angel could ever look this beautiful.
"romantic, isn't it?" she asks, licking over the neck wound. it sends you into a euphoria, as your blood sends her into a similar one. you can feel the heat from her inflamed pink hair grazing your skin.
"i love you, drolta."
your lips find hers as you're both suspended in the air over a lake. your eyes are closed but you can still see the pink hues from among your eyelids. as if you were stuck in a trance, she kisses you harder and faster. you can taste your own blood in her mouth, ever so addicting. now you can see why she can't seem to leave you alone.
a moan escapes from inside of you, one out of the millions drolta had heard before. she had come to see you every night since you met, which was three years ago. some nights she'd stay for a chat or a simple couple of minutes. others she would ravage you and drink you almost dry just to do it again the next night.
"take me!" you beg to her, causing her flame to grow bigger and eyes to grow wider. god, how she craved your mortal being. your naivety and free outlook. anyone else feared death, and yet you welcomed it, knowing the transformation may not even work with how powerful drolta's blood truly was. she had turned others before. you were just the first in a very long time.
she stops her feverish and hungered kisses, diving for your neck. sharp teeth overtake you, a pain echoing from your neck to the rest of your body. it was a familiar pain, but it never got any easier to get accustomed to. you welcomed the pain and the feeling of being drained entirely. you enjoyed the feeling of her tongue sweeping over the blood seeping from your neck. just as you loved the way her tongue swept over your feminine autonomy. the devil was draining you and you desired it to never end.
it didn't matter that you were losing the color in your body. nothing mattered anymore. as you could feel your life force being drained from your very being. she was bringing you death, but she was also bringing you to a new life. an eternal one.
your hand fell from her neck, losing all of its feeling. drolta senses that you're near the end and rips her teeth away from you, finding it hard to control herself. your blood was unlike any other that she'd ever tasted. it was blood good enough to compare to the likes of her messiah.
the moonlight shone on the two of you, bouncing off of the tiny ripples that existed among the waters below you. it was beautiful, a perfect end to a beginning. your eyes closing slightly, drolta being the last thing you see. she was smiling at you, but not out of love, more out of accomplishment.
"drink." the words slither out of her mouth. she rips into her own wrist, causing a new blood to seep from within her.
surprised in yourself, you don't waste any time reaching fervently for the blood of your lover. your mouth clings onto her wrist and suckles in any blood she can spare for you. your eyes are closed as you fall into a bliss. her moans filled your ears every so pleasantly.
she pulls you away from her wrist, knowing that if you get any more you may kill her.
when she sees your face again it is still the same shade she's always adorned. yet, your eyes are different this time. no longer a dark brown, but a light one, almost a shade of gold. it reminds her of egypt.
it reminds her of sekhmet.
your fangs are dripping with her blood.
"my bringer of death!" she shouts out to you. you don't register what she's saying due to the unfamiliar new being you seem to find yourself as.
her lips once again collide with yours. there's a newfound hunger shared between the two of you. something much deeper than anything ever felt before. drolta did not know what it meant to love, you did. yet, somehow this seemed like something so unfamiliar to the both of you. was it lust? or was it something much deeper that transcends both vampire and human?
it didn't matter, as the two of you kissed deeply and passionately in the air above the lake. the sight so beautiful that even the sun not dared to come up in fear of interrupting the moment. for a second, it seemed as if the night would be eternal, just you and drolta suspended in the air for an eternity.
an eternity you were sure to bring, as the vessel for the new messiah.
˖⁺。˚⋆˙✧⋆。°✩☼⋆。°✩☽
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amethystina · 11 months ago
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Dear Amethystina,
How could you do this to me????? I think I'm going to perish. PERISH. You posted about Mad Dog and twinky Woo Do Hwan and??? How could I not watch it???? And now I've just finished episode 12.
And let me tell you. I have suffered. The PAIN of watching Jang Ha Ri (who I really want to like, mind you) and Kim Min Joon doing their stupid flirty thing. Maybe it's because I haven't finished the drama, but I feel like Ha Ri is being done dirty. And without even mentioning the surprisingly homoerotic bromance of said Kim Min Joon and Choi Kang Woo.
Since you are the reason I started watching Mad Dog in the 1st place (curse my similar taste), I'm ranting to you. I know you have no particular obligation to reply. :) But these are my thoughts, and I must tell them to someone because I don't know anyone else who watches this drama, and the tumblr tag for it is a vacuum. Let the rant commence.
How could the writers do this to Jang Ha Ri's character?? Maybe it's just bc I haven't gotten to that part yet, but she barely got any backstory, and I'm 3/4 of the way through this drama. Just a couple lines abt her father being saved by Kang Woo. And that's it. That's it! Even Cheetah got a friggin flashback. Even though he's a less significant character. (Pardon me, Cheetah, but it's true.) Since she has no backstory, her character feels rather ungrounded. We, the audience, don't really know who she is w/o the two main leads. With every other character, we know who they are on their own, because they got a rather thorough backstory.
But Jang Ha Ri has barely any, which I think is strange, since she's pretty important. Therefore, whenever I see her on screen, I just can't connect with her. In the beginning of the drama, I was like "wow, this is such a good setup for her character! i can't wait to see what the writers do with her". But now I'm 3/4 of the way through this drama, and she's got almost nothing. That causes me to feel like she's been shortchanged, and that her relationship with the other characters (especially Min Joon) is built on a foundation of sand. They told us abt her background, but they didn't show it, which kinda invalidates her relationships w/ other characters, because she's barely a character by herself. That's not to say that she doesn't have personality, but we don't understand her on her own, we can only access her thoughts when she's with the two male leads, or doing smth for them, etc.
She can't have a romantic relationship with someone else if the audience doesn't know who she is on her own. (Kinda like how, in real life, you have to know who you are and love yourself before you can love someone else.) That's why her and Min Joon's relationship feels so insincere, because in it she's basically just Min Joon's love interest. As you can tell, I'm a lil salty.
And on top of all that, Min Joon and Kang Woo have such promise as a couple!!!!! Kang Woo choked Min Joon up against a wall. (parallels to the Devil Judge) They were living together. For God's sake, Min Joon cooked Kang Woo a thank-you meal for caring enough about him to check on him when he was in trouble, for saving his life. How Min Joon looked so crushed when Kang Woo told him they weren't living together! And I can't even read any fanfics about it, since there's literally only 3 fanfics for their pairing on ao3! And none of them are written the way I think the characters should be written. So I may have to write a fanfic for them myself, since I need them to kiss.
For my ask, I request a few words of comfort involving Min Joon and Kang Woo. I would ask for a short lil drabble where they're happy together, but if that isn't smth you want to do, just pretend I never asked. Just say "They kissed and lived happily ever after. The end." Those words from you would bring me great happiness in my time of sorrow.
Ever your faithful reader,
Sofapup
(P.S. And btw 39 of WHTD was heartwrenching and I loved it sm and I cried why do you do this to me)
I'm sorry this took a little longer to answer than usual but when I got this ask, you were actually ahead of me in the drama since I've been putting it off for so long x'D So I had to wait until I had also finished episode 12, just in case there was some important information there that might influence my reply.
Also, I want to point out that I never actually told anyone to watch Mad Dog since I still haven't finished it myself. So you only have yourself to blame, my friend ;)
ANYHOW. Your feelings about Ha Ri mirror my own. She is done SO dirty. I was SO EXCITED when she first showed up because it seemed like she was going to be a really interesting character, but, pretty soon, I realised how wrong I was. I agree that they've given her almost no backstory whatsoever and so nothing she says or does feels truly anchored in anything. And she fluctuates wildly between confident badass and flustered damsel in distress in a way that's genuinely baffling to me.
Like, in episode 12 when she got chased into a dead-end by the baddie and everyone was freaking out — including her. But, like, my dudes. Did you all forget how she literally parkoured her way down a three-story building in episode 1? Her ability to climb and acrobat her way out of trouble has been firmly established. But now she can't even climb the pile of rubble in front of the one-story house she's caught next to? What the actual fuck is going on?
I am FURIOUS on her behalf.
And that is actually one of the reasons why I'm having trouble getting through this drama. That and the general inconsistent characterisation (not just Ha Ri), plus the shoehorned flirting. The general plot and setup of the drama are fine and I like quite a lot the characters and their relationships, but it's also forcing a lot of confusing and contradicting information in my face in a way that instantly makes my hackles rise. It feels almost clumsily unprofessional?
Like, don't get me wrong — I'm still enjoying most of this drama and I'm pretty sure I'll finish it — but dear LORD is the characterisation bad in some cases. At this point, I think I can say I'm pretty good at characters without that being taken as bragging, yeah? I have a pretty easy time pinning down their personalities, behaviour etc. etc. And when I can't it's usually a bad sign because, nine times out of ten, that means your characters are inconsistent. Either because the writer doesn't have a clear picture of who they are, or because they keep making the characters do things they usually wouldn't because they want to advance the plot (poor Ha Ri suffers from both, I'm afraid to say).
That's not to say that a character has to be predictable. Kang Yo Han is a good example of a character who was unpredictable enough that I couldn't say for sure I understood him until I had watched the whole thing. I needed all the information before I could form a clear picture. But, even then, he was consistent in his characterisation throughout the entire drama. To be honest, he's one of the most consistent characters I've ever seen, especially since, even on a rewatch, his actions don't change. You understand his motivations better, sure, but his actions are exactly the same and that, right there, is something I am in awe of. Even the impulsivity, recklessness, viciousness, sudden swings in direction — all of it was consistent in the end because his core personality and values were. Kang Yo Han is a marvellous character from a craft perspective.
But in Mad Dog? Shit's all over the place for the majority of the characters. The most solid ones are the bad guys since their core personality trait is "hilariously evil." Which might not be a very nuanced personality, but at least it's consistent. Almost everyone else has been forced to be out of character for convenient plot purposes at some point.
And the worst crimes by far are committed against Ha Ri and Min Joon in order to force their romance. Now, don't get me wrong — I LOVE romance and the actors have some pretty nice chemistry — but none of it really fits. Not with the rest of the story, the pacing of the rest of the story, the (small amount of) backstory we get for the two of them, the tone of the rest of the story, or the initial characterisation we were given. It feels like a literal case of "here is a male and a female of roughly the same age and now we need to make them kiss because heteronormativity" with no thought to how to actually make it believable. So they cram in cutesy and supposedly romantic scenes (often with Min Joon feeling a really confusing need to protect Ha Ri? Even if she could literally kick his ass? But because she's a woman he has to I guess?) that either happen out of the blue or just way too early in their relationship for it to be believable and it just annoys me so much.
I swear, after the car explosion thing in... can't remember the episode. But Kang Woo drags Min Joon out of the burning car, yeah? And Ha Ri shows up and FOR SOME GODDAMN REASON pulls the unconscious and clearly injured Min Joon into her arms? Ma'am. Girlfriend. Bestie. He's got a bleeding head injury — possibly also a neck injury. Maybe don't move him more than necessary? Also, isn't he a conman? As in, the type of person you claim to hate most because of your tragic past? Why are you suddenly pulling him into your arms like he's your injured boyfriend? He was fine just lying on the ground, I promise. This really isn't necessary.
And THEN you find out it's because she needed to get blood on her jacket so that Min Joon could get worried and ask her about it when he was at the hospital later and she could tell him she was fine because it was all his but ooooh loooook, he caaaares about her! Isn't that cuuuuuute?
Someone please put me out of my misery.
I legit had to pause the episode and just stare out into space for a couple of seconds when that happened because that's just SUCH TERRIBLE WRITING. I can do better than that and writing isn't even my job! It made NO sense for her to act the way she did and it honestly just made her look stupid. All for a clumsy attempt at furthering her romance with Min Joon? I am FUMING.
(Is the script forcing you to be stupid, Ha Ri? Blink twice if you need me to come save you)
And the forced romance between Ha Ri and Min Joon is only made more hilarious by how effortless his connection is with Kang Woo. It's more consistent with their characters, consistent with the overall pacing, and genuinely more interesting. And it just baffles me how completely off the mark the writer was since Kang Woo is getting all the important emotional scenes with Min Joon, not Ha Ri.
Like, the scenes where Min Joon is vulnerable and talking about his childhood and dead brother? Which would be great in order to build trust between him and Ha Ri? He's having all of those scenes with Kang Woo. Which I don't mind, of course (it's HILARIOUSLY gay) but that just proves that the romance between Min Joon and Ha Ri was an afterthought and the build-up of it was just slapped on without much thought to the characters. It's romance for the romance's sake. Because the actual building of a relationship, sharing of emotions, of grief and painful memories? Min Joon doesn't do that nearly enough with Ha Ri to make the romance stick, especially due to the aforementioned problem with her having too little backstory and firm ground to stand on. He honestly has more connection, more in common, AND more chemistry with Kang Woo.
So, long story short, I feel your pain. Ha Ri is being treated so, so unfairly and it makes me so angry. But, on the other hand, I find the gay romance brewing between Kang Woo and Min Joon absolutely amazing. And, to my surprise, I might just have to retract my earlier statement about the writer not having any idea about how gay this is. Because I actually went to check who the screenwriter was and turns out it's the same woman who worked on Beyond Evil. Which I have not seen but reports tell me it's hella gay. So, tbh, the gay might not be as unintentional as I first thought?
Like, I obviously don't know this woman but it would be HILARIOUS if she's just sneaking gay shit into her shows and subtly sabotaging the straight romances by making them this shitty. I know we're reaching conspiracy theory levels here but I would definitely do that if I were her.
Thank you for your service, ma'am.
(Too bad you write such shitty female characters, at least in this drama)
Anyway. I'm genuinely confused by the tone of Mad Dog because they play it very straight (pun intended). I mean, looking at The Devil Judge I think it's pretty clear that there's a cheeky little undertone of "we know what we're doing but we're not going to say outright what it is — if you know, you know ;)" But in Mad Dog? They don't even really address the fact that Kang Woo and Min Joon have all the deep, emotional scenes while Min Joon and Ha Ri only get cringey and clumsy "romantic" scenes. But Min Joon and Ha Ri is the endgame?
While Kang Woo is probably meant to become a substitute older brother to Min Joon or something? But I really question why they had that whole "whoops, Min Joon accidentally impersonated Kang Woo's wife there for a second" plotline in that case. Man, I was laughing so hard x'D Like, Kang Woo outright says that Min Joon is the first person to cook for him and share a meal with him in that apartment since his wife died.
Sir. I... don't think you realise how unintentionally gay that sounds.
(But maybe your writer does. I'm keeping my eyes on you, ma'am)
Because if Min Joon had been a woman? That admission would have been taken as a hint of something romantic possibly brewing between them. Not necessarily that Min Joon was taking Kang Woo's wife's place, but stepping up as the next candidate, at the very least. And I find that absolutely HILARIOUS.
Okay, this is getting really, really long. As you can see, I also have A LOT of thoughts on Mad Dog x'D But also, as mentioned, I haven't finished it yet and if I ever were to write anything (which I honestly can't promise since it depends on how the drama ends and what my (already packed) schedule looks like) it wouldn't be able to until I have. But trust me when I say that I am quite intrigued to see where this goes — even if it means I have to suffer through the shoehorned flirting between Min Joon and Ha Ri.
(For the record, I am ANNOYED by how much I dislike those scenes. I WANT to like their romance! But it just feels so, so incredibly clumsy and forced and I, unfortunately, have standards. So it's a no from me so far)
Also, fun fact: I started Mad Dog as a palette cleanser after a lot of gay romance dramas, wanting something different. And, I mean, a story about life insurance fraud can't be gay, can it? So I went in with the best and purest intentions.
But then I started watching and somewhere around the point where Kang Woo slams Min Joon up against a wall for the first time I just put my head in my hands. Because I could see where this was going.
And then I made the mistake of looking up the poster for the drama and, I swear, I was beginning to have war flashbacks.
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That's not gay at all.
And this isn't even the first time this has happened to me
Or even the second, third, fourth, or fifth. I think I'm up to seven or something? At this point, there's a joke amongst my friends that I have a gaydar meant specifically to locate gay dramas that aren't actually gay dramas — especially when I'm not actually looking for them.
It's a weird superpower to have, but there you go.
ANYHOW. Yes. Good luck with finishing this drama, I guess? I'll try to do the same but, considering my current pace, I can't say when I will. It's a bit of a drag sometimes, not going to lie. But I do like the plot and characters enough to want to see through to the end.
Also, I'm so glad you liked chapter 39 of Who Holds the Devil! Thank you! Now take care, darling 💜
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sskk-manifesto · 6 months ago
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Ep 5!!!
#Episodes that make me go “The author has never talked with a woman ever” 😓😓😓#I don't like how Lucy's character is handled at all. And I feel like I can't talk about it because I'm just going to sound like a bitter–#ss/kk shipper... But I really don't like it. And if it can help my case I'm a multishipper so I really don't take any–#issues with atsu/lucy I like the ship quite a lot actually.#So you're telling me there's this girl... Who meets this boy who pretty much ruined her life by directly causing her to lose her job...#And the next time she sees him she's going to sacrifice her own freedom for him as well as tell him “when you're done doing your things–#come and save me” (longest ewwww ever)... And when she regains freedom (author didn't bother to explain how because they don't care)–#she goes to work... As a waitress at the café beneath his workplace. So he can keep doing his Cool Superpowers Job while she literally–#must serve him every time he visits the place. It's just ?????????????????????????????????#Look‚ I don't dislike Lucy and I feel general affection towards her. It's just that they make her act like no one ever would#Just for the sake of the plot I guess#And like I knoww it's (probably just a little) more nuanced than that. I know Lucy is living her own fairy tale fantasy.#It's just that what I've said about her story is still true‚ you know?#I'm sorry but as sweet as atsu/lucy can be. I really hate the author for making Lucy a waitress. Sorry. Sorry. Sorry.#It's so weird. This anime has women writing standards that feel like dating back to the 20s#Same with Katai and the ideal woman tbh. Like why are women to be seen as this abstract impersonal entities? Why can't they just be people?#Ideal for WHO. It's like super screwed up of a concept. What even is an ideal woman? What does it mean to be a woman anyways?#They just want to say “ideal wife”. But women aren't made to be wives their existence isn't functional to another person.#Sorry. I derail. Next episode is going to be even worse on this front ughhhh#Back to the episode: once again it really shows they were running out of budget with this season‚‚‚ the animation looks very suffered#Too many flashback also... I feel bad for the animators tbh#I don't really like the shift in art style :( Not even Atsushi I found particularly pretty this episode my heart cries#The nail pulling thing made me feel like throwing up afhsjyabfsbfwasfvb I feel like I can bear worse gore but there's a couple of little–#specific things I can't stand and this seems to be one of them pffftttt#I like Higuchi I think she's both very funny and cool. I really wish she was explored more (but then again looking at Teruko... )#The relationship between Kunikida and Katai looks so interesting even though we only get glimpses of it. Kunikida regrets Katai leaving–#the ada but is also happy for him but also worries for him. He comes to his house seemingly to check on him and starts cleaning around.#The way he loves him and cherishes their friendship and shared history is really evident and it makes for a compelling dynamic.#Perhaps I should read their short story... In any case. Going to someone's house and compulsively start doing the dishes half out of will–#to help out half because he can't bear the mess sounds a lot like something I'd do lol
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fideidefenswhore · 8 months ago
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[Henry] had asked Lady Shelton whether Mary [was] persisting in her obstinancy. Hearing that she was, Henry became certain that she was being encouraged by secret communication from Katharine. Lady Shelton thought the only possible messenger was Mary's chamber woman. In this she was correct. The maid had been smuggling letters in and out. She was dismissed, as was Mary's confessor, to be replaced by one whom Chapuys characterised as 'Lutheran'.
The King’s Pearl: Henry VIII & His Daughter Mary, Melita Thomas
#as i'm going through this refresher in tandem with reading weir's new novel...#she actually writes shelton as being the one that managed to get her mother's letters to her into her hands#even for fiction that feels...far fetched#ostensibly someone had to be getting her letters from chapuys as well; even chapuys reports at times#that he doesn't know how it's possible she's getting letters out to him#but i doubt it was either of the boleyn aunts here#nor margaret bryan; anne's maternal aunt#even the interpretation that anne was a nonentity by this point and had no clout; basically#would not bear this out; if they didn't fear anne then they certainly would've had reason to fear henry#and i doubt they would've circumvented what he ordered#until after jan 1536 (where shelton is allowing visitors from chapuys bcus she's been sent gifts) this just does not seem to be the case#melita thomas#(also had weir been more faithful to primary sources. then this interpretation would mean shelton threw this chamber woman under#the bus...which she did; but in her rendering it would be to save her OWN skin#rather than at great personal risk which is what she#portrays; for the construction a sympathetic character in lady shelton)#i also think there's a question of agency on this unnamed maid's part that i don't really ever seen given space...#insofar as the hierarchy of privilege etc#was she actually willing to risk her income to do this? that's generally how it's portrayed#but it's just as possible that she felt constrained to do so bcus mary; despite her demoted status; was obviously her superior#even if not her employer#not to mention after being dismissed for such a reason; it's not like she was going to get a reccomendation to another household#it's fair to talk about how both coa and mary were placed in these hostile environments but the hostility and tension#those placed as their servants (not those that had chosen to be there; like elizabeth darrell for coa)#is again...not given the same space; generally#it was probably very frustrating to serve two highly privileged women that refused to answer or look at or acknowledge them#because they were addressing them as the law required.#you can imagine the eye-rolls of the servants which coa called 'gaolers'. since. yk.#a person of a servant's status was likely to have a friend or relative that spent time in an *actual* jail cell. if not themselves .
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antiyourwokehomophobia2 · 3 months ago
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I had a dream about library girl
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dennisboobs · 5 months ago
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i wrote another rambly dennis analysis and deleted it <3 y'all don't need that
#ada speaks#this happens every time im on my period like fucking clockwork there's something wrong with me#dennis' essence is contained in the ovaries#it was some shit about how he's not actually the cis male power fantasy so many idiot dudebros think he is#and that he's like. ok listen. this will sound insane and probably piss Someone off but.#dennis is like. the worst and most repressed aspects of a female power fantasy#which. the way glenn treats him is.#basically that#yes his character is inextricably linked to misogyny and male privilege but#it's almost like its coming from a perspective that lacks that and he's somewhat of a hypothetical and very opposite exploration#does this make sense#anyway i dont think i can explain this �� but i think he's somewhat of a guilty pleasure to write because of this#all sunny characters are sort of meant to be the Worst parts of humanity that you want to Exorcize as glenn puts it#but dennis feels so.#i don't know.#guy who fears loss of power & fights for it not bc he's aiming for the top but bc he is so afraid of being at the bottom ever again#partiarchy and all. you know.#his privilege (primarily in terms of wealth but also his gender) has been just as much of a curse as it has become a weapon#his parents' neglect & their wealth allowing them to throw money at maids lead to him being taken advantage of by an older woman at school#the view of the abuse and it being recontextualized and forced into a positive that shaped the rest of his life because men can't be raped#but i can't explain the. Thing behind this that feels so#pardon the binary#womancoded.#he's like a love interest in a pulpy romance novel written#and i think its partially because he tries to emulate that and its why he is somewhat successful with women#but i don't think it's because he's catering to them i think he's just. oddly a character that comes across like Women Writing Men#i will Not be commenting on what this says about glenn--#cw csa mention#i cant believe i deleted a post and then wrote a rant in the tags about the deleted post this is my curse#the other one was worded better too 👍
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faroes · 6 months ago
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beginning to actively mistrust anybody who doesn't post about or discuss female characters with the same level of investment as male ones.
there are definitely posts that explain what I'm saying better, but the amount of misogyny in pretty much every fandom space is genuinely exhausting. m/m is consistently most popular even when there are barely any men in the work. women are acknowledged by relationships first, demoted to male characters' sisters and mothers and daughters and annoyed lesbian best friends. most of what people manage to say about girls and women lacks depth, merely "omg i love her!" or "she's such a bitch."
and there is a lot of popular media where female characters are vastly outnumbered by male ones, so focusing on male characters may seem less insiduous, but... why are there only male characters to begin with? or better yet - why do so many people ONLY engage with media that centers men, or curate a fandom experience that centers men?
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musical-chick-13 · 1 year ago
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Cannot BELIEVE I had to have a conversation with someone where, after I complained about people Not Wanting To Write About Women, I then had to explain that yes, I DO write about men sometimes, actually; no I don't hate men; yes I write from the POV of the men in numerous cases and also analyze them.
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llycaons · 1 month ago
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reese reese it rhymes with grease
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zyafics · 3 months ago
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CAN YOU PLEASE, PLEASE ON MY KNEES WRITE ABOUT BITCHY!READER X RAFE AND IT'S SMUT?? I FEEL LIKE YOU'LL DO IT JUSTICE!!! thank you
you literally read my mind because i was just thinking of this prompt that works so well with bitchy!reader!! hope you'll enjoy <3 (if it’s bad, look away!!)
WHATEVER SHE WANTS | Rafe Cameron
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MASTERLIST (Blurb) | x Bitchy!Kook!Female Reader
Content — 18+, power/dominance play, p in v, doggy style, orgasm denial, and dirty talks
Word Count — 2.2K
lıllılı Whatever She Wants by Bryson Tiller
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You always wanted Rafe.
It's your right. Since you were a child, you demanded the best in everything—toys, clothes, boyfriends. They had to be perfect. Had to be yours. And yes, it may come off a little superficial but who cares? It's what you deserve, and it'll be hell if you don't get it.
Since the first look, when you caught Rafe lounging on a chair with his friends, tipping the rim of his beer onto his lips, while his eyes scanned over the room in an attractive lazy way, you knew you had to have him. It didn't help that you were competitive, and Rafe garnered attention with women. They flocked to him and begged for a minute of his time. It became a game to you, and that heightened your need.
Everything was calculated. The makeup you wore, the outfits you curated, the glances. You always timed your arrivals—when you knew Rafe would be watching the door—and marked your exits. You knew exactly what to wear—dresses that tantalizing exposes your ass, but only as a preview—and the cosmetic style he liked. Rafe's the type of man who believes he wants a bare-faced woman, but truly, he wants something natural that enhances your features.
You came with friends. You left alone. You drank enough to loosen your nerves and danced with the crowd, but not enough to make a fool of yourself. You knew your tolerance and knew Rafe didn't like a messy girl.
At least, in public.
You caught his gaze a couple of times, flashing a flirtatious smile over your shoulders, but never lingered longer than three seconds. Rafe can't know how easy he can have you, because Rafe, like most boys, loves a chase. You're not easy, you're spoiled. He had to come to you.
And he did.
Rafe tried to introduce himself on several occasions. On those nights when you're leaving early—as planned—Rafe would cut to the door to pay a parting remark. "You're leaving so soon?" he would ask, "Alone? Again?" He would add. You always told him it was because no one caught your eye, and Rafe took that as a personal challenge. He would then try to tell you his name, as if he were different, to which you nod—detached—as if it didn't matter.
It drove him insane.
Because you didn't offer the same courtesy. You kept him guessing. He had to finally ask around to learn your name, which he would use to tease you the next time he saw you. And he did. And you laughed. But you acted like you didn't care. Like all the trouble he went through didn't prove a thing. That's when Rafe knew he needed you.
Tonight's no different. Just as you're about to leave, Rafe catches you with another smooth pick-up line. You just giggle. He studies how your eyes crinkle with amusement, the curve of your lips painted in his favorite shade of lipstick, and the lithe tilt of your head to the side as you ask him with your gaze, is that the best you got?
It isn't. But Rafe's determined to get further with you tonight. He continues to talk, asking about which men disappointed you and the reasons for your constant disappearances from these parties. And, for once, you're answering his questions with little resistance. Perhaps, it's because of the amount of cheap wines you consumed, or maybe you—for once—are tired of the games and want it to come to a fruitful end. Because when Rafe finally asks to take you home, you don't say no.
The walk to his truck is brisk. His arm wrapped around your waist, directing your path, while his fingers trail over the backless cut of your dress, producing a buzzing feeling beneath your skin. He's whispering something in your ear, but all of it is incomprehensible as you revel in the feeling of his touch and his touch alone. The feeling of your game coming to a conclusion.
And, just as you're about to reach the car, Rafe slams you into the side of the vehicle with a searing kiss.
His mouth catches yours and everything feels perfect. As if the buildup leading to this precise moment had been worth it, and every needy emotion rises to the top. His hand travels down the length of your body, to your hips, pulling you closer, and needing to eliminate all the space and wait you made him do.
Rafe's movements are swift and controlled. One of his hands props open the backdoor of his car, pushing you inside, and laying you against his leather seats. All without breaking the kiss.
"You don't know how long I wanted this, wanted you," Rafe blubbers between wet kisses. "Seeing you at every party, in these tiny dresses, not being able to touch," he rasps, bundling the hem of your dress into a tight fist. "Tell me you wear them for me."
"And if I did?" You say with a moan, tipping your head back to grant him access to your neck. "Did you like them?"
"Of course I did," he murmurs against the curve of your neck, the vibration of his words sending heat straight to your core. "You dressing up for me like my own perfect doll."
You want to retort that it's him who's in the palm of your hand, but Rafe sucks on a sensitive spot, causing your eyes to roll back and a whimper to escape your lips instead. He grabs your wrists with one hand, throwing them over his shoulder as he pulls you flush against his chest.
"So pretty, so fucking untouchable," Rafe kisses down the length of your throat, his fingers collecting the spaghetti straps of your dress before sliding it down the slope of your shoulders. "I'm going to fuck you so good."
His words snap you out of your haze. And while Rafe continues to expose more of your body, lamenting each reveal of flesh with a kiss, you withdraw enough to grab his attention.
"You're not fucking me in a car."
"What?" Rafe breaths, unable to snap out of the trace you had him in. Delirious with want, his mind warped around the idea of you being so close to attainable, that all rational manners left his system. He tries to kiss you again, to resume the moment, but you pull enough to send him a deadly glare, pouty and spoiled.
"Rafe, take me somewhere nice or we're not fucking at all."
He can't believe what he's hearing. He can't believe he's contemplating it. But Rafe doesn't understand that you have it all planned out to result in a perfect moment. You won't let it be disrupted just because Rafe can't drive the extra mile to take you somewhere nice. You'd rather leave him with blue balls.
"Are you serious?" He asks slowly, his eyes drawn to your swollen lips, the little pout, and the desperation to have them back on his. Sure, Rafe's had girls who wanted something more than a casual fling. He had them ask him for a better spot, but he never obliged. He never cared. But you're different. He wants you, and it's been a hell of a chase to get you here. He'll be damned if he lets it slip away because of a pretentious standard.
"Does it look like I'm joking?" You cross your arms over your chest, pushing your breasts further up. He nearly groans at the sight. "We're not having sex here."
"The nearest place has to be at least a fifteen-minute drive," Rafe argues. And it makes you upset, brows pinched together. "We can just—"
"I don't care," you snap. "Take me somewhere nice or I'm leaving."
You're serious. He sees it on your face. Rafe can't risk that, despite wanting to protest, because he knows he if he messes this up, he won't have another chance. Swearing under his breath, he drags himself out of the backseat and into the driver's side, pulling the car out of the parking lot.
Dangerously, Rafe speeds down the road, while you're sitting in the backseat with a self-satisfied demeanor, fixing your makeup through the rearview mirror. Occasionally, Rafe spares a glance through the same reflection, connecting with your gaze, and while there's subtle bitterness coiled in his chest, he recognizes the bigger prize at hand.
And what he can do with it.
Because, despite your bratty attitude, Rafe is a person who wants control. You want perfection. You two can have both.
That's how you find yourself in a newly-booked penthouse suite at one of the bougie hotels in Kildare, your head digging into the soft comforter of the bed, your ass in the air, as Rafe drills into you from behind.
When you reached the room, everything moved frantically. Rafe slammed you against the nearest wall to kiss you again—needing your lips, needing your taste—while his hands roamed over your dress and pulled down your cleavage, revealing your tits. Your hands wandered down his pants, unbuttoning them hurriedly, needily, and he assisted you by pulling them off alongside his boxers. His cock was big, slightly red with a pearly bead of pre-cum that rolls off the tip. And you could tell by the look on Rafe's face that he wanted you to suck it.
But you told him, "I don't do blowjobs."
So fucking pretentious.
It didn't matter. He hauled you over to the king-sized bed and pushed you onto the mattress. You landed with a soft thump, while Rafe hauled you up to your ass, pushing up your dress, until it became nothing but a bundle around your waist. His movements were urgent, and he wanted—no, needed—to be inside you because a bratty girl was going to be a great fuck.
And he was right.
You're perfect. The way you wrap around him, the way he sinks inside you. He doesn't know if it's because of the delirium of wanting you so desperately, of chasing you for so long—but he never had better pussy. And it doesn't help that your moans are sweet, breathy, and loud—begging him to go faster.
"Such a pretentious brat," Rafe grabs your throat, hauling you upwards till your spine rest on his chest, airway constricted by his harsh grip. "Making me wait this fucking long."
"R—Rafe," you mewl, eyes rolling to the back of your skull at the way he's angling his cock deep into your cervix, bullying the sensitive spot over and over again until you're seeing stars.
"Had to get the princess treatment, did you?" He murmurs hotly into your ear, nibbling a spot on your neck as you rest the back of your head on his shoulder. His thrusts grow more erratic. "Had to make me earn you, didn't you?"
"You weren't going to fuck me in a car," you persist, and despite how cockdrunk you became, and how much of an attitude you're willing to sacrifice to feel good, you were still adamant about receiving what you deemed enough. He respected that. "I'm not one of your whores."
"But I'm fucking you like my own personal slut. Is that any better?" He bites the lobe of your ear, and his other hand wanders up to grab a handful of your breast, squeezing the fat before rolling your perked nipple between his fingers. You moan louder. "What does that make you?"
You can't seem to answer him, can't seem to find your senses. The words Rafe uses are vulgar, but there’s still no regrets about this entire thing. Rafe wanted you so badly, that he was willing to spend hundreds of dollars on a hotel he probably won't even stay the night in. All because you demanded it.
You win.
"Shut up," you stammer, your stomach tightening. "Shut up and just fuck me, Rafe."
Rafe grins. The hand playing with your tits slips between your thighs to assist, finding your clit easily as he rubs it with his thumb in sync with his thrusts. Breathy moans escape you as you arch into his palm, while he pistons deeper inside of you, bottoming out.
"You sound so pretty, doll," Rafe murmurs against your heated skin, "Come on, take my fucking cock."
Everything’s so dirty. The way he handles you, the way your wetness drips down your thighs, the way his words breathe onto your skin and tighten your core. But you love it. You do, but you're not willing to give in so easily. No matter how good it feels. No matter how much he feels like a prize.
"You don't deserve me." You whisper with a mewl, body tightening with the familiar wave of your undoing.
Yet, Rafe merely grins.
"But you're sucking in my cock like you need me," Rafe taunts, pleasure coursing through his body at the way your walls grip him in a vice. The way your words spark challenge and invitation. He knows, despite your spoiled attitude and pretentious demands, he'll do anything to get another chance like this. "Now, behave like a good girl or you're not coming tonight."
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tagging @starkeysprincess bc she saw it first <3
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