#I think this woman just don't know how to write women

[oediex]

You know what, yeah, that bell hooks quotation wasn't appropriate, it doesn't say what the person who added it think it says.

But I don't think it's fair to say that that man who everyone is pissing on somehow claimed we had to "hold his hand" or "coddle" him or whatever. Or even that women had to do it.

He never once even mentioned the word 'woman' in that post. I'm not excluding that that what he was implying - it's very possible! - but what he said was "the left", and let's be clear, this is his understanding of what the left is. I saw people saying that a "self-proclaimed leftist" should understand that his answer was still drenched in patriarchal thinking. But he never once proclaimed he was a leftist. Perhaps he thinks he is, but all he said was that he got "out" of the "alt-right". For all we know, that means he voted for the Democratic Party and we, who are on the left, all know that's not the fucking left.

The question that was posed was how do we keep young men from turning right wing, and he offered an explanation. An explanation! Not an excuse! Again something that a lot of people just assumed.

And yes, it was a flawed explanation, and yes he has some things to learn, and yes it was uncritical and terribly phrased.

But can we recognise that not everyone has the necessary critical thinking skills to completely dig their way out of the overarching ideology that fucking rules our lives? Critical thinking skills aren't something that we are born with. It's something that is learned, something that you have to train. It's a never-ending project. And from what I know of the educational system in the US? That's not where you get it.

Speaking of bell hooks, at least she understands this. In that book (The Will to Change) she writes that "most men never think about patriarchy - what it means, how it is created and sustained." She writes how the patriarchy sees men's violence and the one emotion they're allowed to have, anger, as "natural". Understanding the patriarchy is something that has to be learned, and you either figure it out yourself by reading, but most of us probably had someone in our lives who talked to us about it, taught us about it, and then we might have started reading more about it.

What if you don't have someone like that? What if all you hear is that the things feminists tell you is bad is what was imprinted on you as "natural" to you?

Here's bell hooks:

Yet no one talks about the role patriarchal notions of manhood play in teaching boys that it is their nature to kill, then teaching them that they can do nothing to change this nature—nothing, that is, that will leave their masculinity intact.

Here's what she says of her own brother:

As patriarchal thinking and action claimed him in adolescence, he learned to mask his loving feelings. He entered that space of alienation and antisocial behavior deemed “natural” for adolescent boys.

She clearly pinpoints the moment of these patriarchal ideas taking hold to be in adolescent, and the question that was posed was, what can we do to stop that from happening? I've seen people say that nothing can be done until we change the material conditions that make it so that men systematically have power over women. And yeah, undoubtedly that is a fight we need to have. But is that truly the only way we can keep (some) boys from falling into the grasp of the (alt-)right? Is there no hope in at least reaching them in the meantime?

I've seen a post saying, "omg of course he goes for misandry" and while misandry isn't real in that men are not systematically oppressed, that doesn't mean that there aren't some out there who express hatred or disgust of men. That's not what the left stands for, obviously, but it is not absent. Here are some comments from the notes on some of these reaction posts (and presumably these are all people who consider themselves leftists):

"you should be hunted for sport"

"makes me want to commit homocide"

"kys right now"

"'leftists constantly said i should die' yeah fucking right"

"we need to double male loneliness and I'm not even kidding"

"I HATE MEN AND THERE IS NOTHING WRONG WITH THAT. THEY HATE US MORE AND THEY HAVE ALL THE POWER TO DO ACTUAL HARM TO US. Misandry is NOT FUCKING REAL but I wish it was"

"we should kill people who don't get it"

Is that hatred of men (non-systematically)? Not all of it, but some of it definitely or possibly qualifies. And it sure does look like some people (who probably think themselves leftists) think this man (or men in general) are the "scum of the earth" and that they want him/them dead. How else do you interpret some of these phrases?

Now imagine that this is something that you encounter online, and with the help of the stranglehold of the patriarchy, whispers of right wing ideology, confirmation bias, and negativity bias? I can imagine you might end up concluding they "hate you for your immutable traits" (remember patriarchy teaches boys that violence and anger is natural to them) and that they "blame you for everything that's wrong in the world".

Is that the right conclusion? No. But as much as being able to use reason is part of being human, so is not being immune to ideology and propaganda. We wouldn't fucking be where we are right now if that wasn't the case.

How do we teach boys that anger and violence aren't "immutable traits"? How do we educate them about the power of the patriarchy? Well, where does it have to come from if not from the fucking left?

Does it have to be you? No. Does it have to be women? Also no. It's probably good if it's men, and especially men who themselves walked with the right at some point (if someone has already been pulled into the right, rather than catching them before).

It can be a woman though, if there's someone who wants to do it. I don't mind doing it if someone wants to talk about it. Will I be nice? No, I won't hold back and I will tell them if what they're saying is wrong. Will I coddle them? Fuck no. Will I keep trying if someone clearly isn't listening? No. Will I be compassionate? Yeah, I think I will.

Because compassion is really important when you're trying to keep people from falling into the far-right, or even if you're trying to get them out of it (which again, isn't what we were talking about in the first place).

Here's Pete Simi, professor of Sociology, talking about Life After Hate, an American non-profit that tries to help people leave the far-right:

The organization was started by former hate group members who have been doing a lot of outreach in terms of providing testimonials and trainings to schools and law enforcement and other community groups across the country. The focus of their message is the importance of using compassion to inform prevention and intervention efforts and aftercare for individuals who want to change their lives but may need various types of support. I think LAH is a very promising development and I hope it will continue to find the resources that it needs to expand the services it provides.

Being compassionate doesn't mean coddling. It doesn't mean holding their hands and it doesn't even mean being nice to them. It doesn't exclude holding people accountable for their views. It does require patience, though. And I understand that if someone is holding the belief that you are not allowed to exist, that isn't something you can do. And that's fine. It doesn't have to be you.

But somebody has to do it, and it has to be someone on the left.

Now none of that means that the suffering of men under patriarchy, and the fact that this has to be addressed loud and clear, are more important than the suffering that women, and especially women whose oppression intersects with other levels of oppression. I've seen some tags on reaction posts that stated "omg of course centring men in discussions of gender" - but the post was about men. That was the whole starting point!

Because men do suffer under the patriarchy. And it's pushing them to the right, towards misogyny and racism, unless they develop the necessary critical thinking skills to understand their own suffering. And you know who thinks so too? bell hooks.

Often men, to speak the pain, first turn to the women in their lives and are refused a hearing. In many ways women have bought into the patriarchal masculine mystique. Asked to witness a male expressing feelings, to listen to those feelings and respond, they may simply turn away.

Since men have yet to organize a feminist men’s movement that would proclaim the rights of men to emotional awareness and expression, we will not know how many men have indeed tried to express feelings, only to have the women in their lives tune out or be turned off.

It is a form of abuse that this culture continues to deny. Boys socialized to become patriarchs are being abused. As victims of child abuse via socialization in the direction of the patriarchal ideal, boys learn that they are unlovable.

The patriarchal model that tells men that they must be in control at all times is at odds with cultivating the capacity to be responsible, which requires knowing when to control and when to surrender and let go. Responsible men are capable of self-criticism. If more men were doing the work of self-critique, then they would not be wounded, hurt, or chagrined when critiqued by others, especially women with whom they are intimate. Engaging in self-critique empowers responsible males to admit mistakes. When they have wronged others, they are willing to acknowledge wrongdoing and make amends. When others have wronged them, they are able to forgive. The ability to be forgiving is part of letting go of perfectionism and accepting vulnerability. At the same time, constructive criticism works only when it is linked to a process of affirmation. Giving affirmation is an act of emotional care. Wounded men are not often able to say anything positive. They are the grump-and-groan guys; cloaked in cynicism, they stand at an emotional distance from themselves and others. Affirmation brings us closer together. It is the highest realization of compassion and empathy with others. One of the negative aspects of antimale feminist critiques of masculinity was the absence of any affirmation of that which is positive and potentially positive in male being. When individuals, including myself, wrote about the necessity of affirming men and identifying them as comrades in struggle, we were often labeled male-identified. The women who attacked us did not understand that it was possible to critique patriarchy without hating men. Indeed, recognizing all the ways that males have been victimized by patriarchy (even though they received rewards) was a way of including men in feminist movement, welcoming their presence and honoring their contribution.

“in order to create loving males we need to love males” means teach boys that they can be themselves without being less of a man. it means being encouraging and nurturing of their emotions so they don’t become cold and hateful. it means showing boys, early in their lives, that they have value outside of what our society deems proper masculinity. what it doesn’t mean is that it’s our job to handhold men who see women as walking sex toys through the concept of empathy, and maybe if we’re really really nice to them and don’t say things that hurt their feelings they’ll stop killing us for saying no

[amethystina]

Dear Amethystina,

How could you do this to me????? I think I'm going to perish. PERISH. You posted about Mad Dog and twinky Woo Do Hwan and??? How could I not watch it???? And now I've just finished episode 12.

And let me tell you. I have suffered. The PAIN of watching Jang Ha Ri (who I really want to like, mind you) and Kim Min Joon doing their stupid flirty thing. Maybe it's because I haven't finished the drama, but I feel like Ha Ri is being done dirty. And without even mentioning the surprisingly homoerotic bromance of said Kim Min Joon and Choi Kang Woo.

Since you are the reason I started watching Mad Dog in the 1st place (curse my similar taste), I'm ranting to you. I know you have no particular obligation to reply. :) But these are my thoughts, and I must tell them to someone because I don't know anyone else who watches this drama, and the tumblr tag for it is a vacuum. Let the rant commence.

How could the writers do this to Jang Ha Ri's character?? Maybe it's just bc I haven't gotten to that part yet, but she barely got any backstory, and I'm 3/4 of the way through this drama. Just a couple lines abt her father being saved by Kang Woo. And that's it. That's it! Even Cheetah got a friggin flashback. Even though he's a less significant character. (Pardon me, Cheetah, but it's true.) Since she has no backstory, her character feels rather ungrounded. We, the audience, don't really know who she is w/o the two main leads. With every other character, we know who they are on their own, because they got a rather thorough backstory.

But Jang Ha Ri has barely any, which I think is strange, since she's pretty important. Therefore, whenever I see her on screen, I just can't connect with her. In the beginning of the drama, I was like "wow, this is such a good setup for her character! i can't wait to see what the writers do with her". But now I'm 3/4 of the way through this drama, and she's got almost nothing. That causes me to feel like she's been shortchanged, and that her relationship with the other characters (especially Min Joon) is built on a foundation of sand. They told us abt her background, but they didn't show it, which kinda invalidates her relationships w/ other characters, because she's barely a character by herself. That's not to say that she doesn't have personality, but we don't understand her on her own, we can only access her thoughts when she's with the two male leads, or doing smth for them, etc.

She can't have a romantic relationship with someone else if the audience doesn't know who she is on her own. (Kinda like how, in real life, you have to know who you are and love yourself before you can love someone else.) That's why her and Min Joon's relationship feels so insincere, because in it she's basically just Min Joon's love interest. As you can tell, I'm a lil salty.

And on top of all that, Min Joon and Kang Woo have such promise as a couple!!!!! Kang Woo choked Min Joon up against a wall. (parallels to the Devil Judge) They were living together. For God's sake, Min Joon cooked Kang Woo a thank-you meal for caring enough about him to check on him when he was in trouble, for saving his life. How Min Joon looked so crushed when Kang Woo told him they weren't living together! And I can't even read any fanfics about it, since there's literally only 3 fanfics for their pairing on ao3! And none of them are written the way I think the characters should be written. So I may have to write a fanfic for them myself, since I need them to kiss.

For my ask, I request a few words of comfort involving Min Joon and Kang Woo. I would ask for a short lil drabble where they're happy together, but if that isn't smth you want to do, just pretend I never asked. Just say "They kissed and lived happily ever after. The end." Those words from you would bring me great happiness in my time of sorrow.

Ever your faithful reader,

Sofapup

(P.S. And btw 39 of WHTD was heartwrenching and I loved it sm and I cried why do you do this to me)

I'm sorry this took a little longer to answer than usual but when I got this ask, you were actually ahead of me in the drama since I've been putting it off for so long x'D So I had to wait until I had also finished episode 12, just in case there was some important information there that might influence my reply.

Also, I want to point out that I never actually told anyone to watch Mad Dog since I still haven't finished it myself. So you only have yourself to blame, my friend ;)

ANYHOW. Your feelings about Ha Ri mirror my own. She is done SO dirty. I was SO EXCITED when she first showed up because it seemed like she was going to be a really interesting character, but, pretty soon, I realised how wrong I was. I agree that they've given her almost no backstory whatsoever and so nothing she says or does feels truly anchored in anything. And she fluctuates wildly between confident badass and flustered damsel in distress in a way that's genuinely baffling to me.

Like, in episode 12 when she got chased into a dead-end by the baddie and everyone was freaking out — including her. But, like, my dudes. Did you all forget how she literally parkoured her way down a three-story building in episode 1? Her ability to climb and acrobat her way out of trouble has been firmly established. But now she can't even climb the pile of rubble in front of the one-story house she's caught next to? What the actual fuck is going on?

I am FURIOUS on her behalf.

And that is actually one of the reasons why I'm having trouble getting through this drama. That and the general inconsistent characterisation (not just Ha Ri), plus the shoehorned flirting. The general plot and setup of the drama are fine and I like quite a lot the characters and their relationships, but it's also forcing a lot of confusing and contradicting information in my face in a way that instantly makes my hackles rise. It feels almost clumsily unprofessional?

Like, don't get me wrong — I'm still enjoying most of this drama and I'm pretty sure I'll finish it — but dear LORD is the characterisation bad in some cases. At this point, I think I can say I'm pretty good at characters without that being taken as bragging, yeah? I have a pretty easy time pinning down their personalities, behaviour etc. etc. And when I can't it's usually a bad sign because, nine times out of ten, that means your characters are inconsistent. Either because the writer doesn't have a clear picture of who they are, or because they keep making the characters do things they usually wouldn't because they want to advance the plot (poor Ha Ri suffers from both, I'm afraid to say).

That's not to say that a character has to be predictable. Kang Yo Han is a good example of a character who was unpredictable enough that I couldn't say for sure I understood him until I had watched the whole thing. I needed all the information before I could form a clear picture. But, even then, he was consistent in his characterisation throughout the entire drama. To be honest, he's one of the most consistent characters I've ever seen, especially since, even on a rewatch, his actions don't change. You understand his motivations better, sure, but his actions are exactly the same and that, right there, is something I am in awe of. Even the impulsivity, recklessness, viciousness, sudden swings in direction — all of it was consistent in the end because his core personality and values were. Kang Yo Han is a marvellous character from a craft perspective.

But in Mad Dog? Shit's all over the place for the majority of the characters. The most solid ones are the bad guys since their core personality trait is "hilariously evil." Which might not be a very nuanced personality, but at least it's consistent. Almost everyone else has been forced to be out of character for convenient plot purposes at some point.

And the worst crimes by far are committed against Ha Ri and Min Joon in order to force their romance. Now, don't get me wrong — I LOVE romance and the actors have some pretty nice chemistry — but none of it really fits. Not with the rest of the story, the pacing of the rest of the story, the (small amount of) backstory we get for the two of them, the tone of the rest of the story, or the initial characterisation we were given. It feels like a literal case of "here is a male and a female of roughly the same age and now we need to make them kiss because heteronormativity" with no thought to how to actually make it believable. So they cram in cutesy and supposedly romantic scenes (often with Min Joon feeling a really confusing need to protect Ha Ri? Even if she could literally kick his ass? But because she's a woman he has to I guess?) that either happen out of the blue or just way too early in their relationship for it to be believable and it just annoys me so much.

I swear, after the car explosion thing in... can't remember the episode. But Kang Woo drags Min Joon out of the burning car, yeah? And Ha Ri shows up and FOR SOME GODDAMN REASON pulls the unconscious and clearly injured Min Joon into her arms? Ma'am. Girlfriend. Bestie. He's got a bleeding head injury — possibly also a neck injury. Maybe don't move him more than necessary? Also, isn't he a conman? As in, the type of person you claim to hate most because of your tragic past? Why are you suddenly pulling him into your arms like he's your injured boyfriend? He was fine just lying on the ground, I promise. This really isn't necessary.

And THEN you find out it's because she needed to get blood on her jacket so that Min Joon could get worried and ask her about it when he was at the hospital later and she could tell him she was fine because it was all his but ooooh loooook, he caaaares about her! Isn't that cuuuuuute?

Someone please put me out of my misery.

I legit had to pause the episode and just stare out into space for a couple of seconds when that happened because that's just SUCH TERRIBLE WRITING. I can do better than that and writing isn't even my job! It made NO sense for her to act the way she did and it honestly just made her look stupid. All for a clumsy attempt at furthering her romance with Min Joon? I am FUMING.

(Is the script forcing you to be stupid, Ha Ri? Blink twice if you need me to come save you)

And the forced romance between Ha Ri and Min Joon is only made more hilarious by how effortless his connection is with Kang Woo. It's more consistent with their characters, consistent with the overall pacing, and genuinely more interesting. And it just baffles me how completely off the mark the writer was since Kang Woo is getting all the important emotional scenes with Min Joon, not Ha Ri.

Like, the scenes where Min Joon is vulnerable and talking about his childhood and dead brother? Which would be great in order to build trust between him and Ha Ri? He's having all of those scenes with Kang Woo. Which I don't mind, of course (it's HILARIOUSLY gay) but that just proves that the romance between Min Joon and Ha Ri was an afterthought and the build-up of it was just slapped on without much thought to the characters. It's romance for the romance's sake. Because the actual building of a relationship, sharing of emotions, of grief and painful memories? Min Joon doesn't do that nearly enough with Ha Ri to make the romance stick, especially due to the aforementioned problem with her having too little backstory and firm ground to stand on. He honestly has more connection, more in common, AND more chemistry with Kang Woo.

So, long story short, I feel your pain. Ha Ri is being treated so, so unfairly and it makes me so angry. But, on the other hand, I find the gay romance brewing between Kang Woo and Min Joon absolutely amazing. And, to my surprise, I might just have to retract my earlier statement about the writer not having any idea about how gay this is. Because I actually went to check who the screenwriter was and turns out it's the same woman who worked on Beyond Evil. Which I have not seen but reports tell me it's hella gay. So, tbh, the gay might not be as unintentional as I first thought?

Like, I obviously don't know this woman but it would be HILARIOUS if she's just sneaking gay shit into her shows and subtly sabotaging the straight romances by making them this shitty. I know we're reaching conspiracy theory levels here but I would definitely do that if I were her.

Thank you for your service, ma'am.

(Too bad you write such shitty female characters, at least in this drama)

Anyway. I'm genuinely confused by the tone of Mad Dog because they play it very straight (pun intended). I mean, looking at The Devil Judge I think it's pretty clear that there's a cheeky little undertone of "we know what we're doing but we're not going to say outright what it is — if you know, you know ;)" But in Mad Dog? They don't even really address the fact that Kang Woo and Min Joon have all the deep, emotional scenes while Min Joon and Ha Ri only get cringey and clumsy "romantic" scenes. But Min Joon and Ha Ri is the endgame?

While Kang Woo is probably meant to become a substitute older brother to Min Joon or something? But I really question why they had that whole "whoops, Min Joon accidentally impersonated Kang Woo's wife there for a second" plotline in that case. Man, I was laughing so hard x'D Like, Kang Woo outright says that Min Joon is the first person to cook for him and share a meal with him in that apartment since his wife died.

Sir. I... don't think you realise how unintentionally gay that sounds.

(But maybe your writer does. I'm keeping my eyes on you, ma'am)

Because if Min Joon had been a woman? That admission would have been taken as a hint of something romantic possibly brewing between them. Not necessarily that Min Joon was taking Kang Woo's wife's place, but stepping up as the next candidate, at the very least. And I find that absolutely HILARIOUS.

Okay, this is getting really, really long. As you can see, I also have A LOT of thoughts on Mad Dog x'D But also, as mentioned, I haven't finished it yet and if I ever were to write anything (which I honestly can't promise since it depends on how the drama ends and what my (already packed) schedule looks like) it wouldn't be able to until I have. But trust me when I say that I am quite intrigued to see where this goes — even if it means I have to suffer through the shoehorned flirting between Min Joon and Ha Ri.

(For the record, I am ANNOYED by how much I dislike those scenes. I WANT to like their romance! But it just feels so, so incredibly clumsy and forced and I, unfortunately, have standards. So it's a no from me so far)

Also, fun fact: I started Mad Dog as a palette cleanser after a lot of gay romance dramas, wanting something different. And, I mean, a story about life insurance fraud can't be gay, can it? So I went in with the best and purest intentions.

But then I started watching and somewhere around the point where Kang Woo slams Min Joon up against a wall for the first time I just put my head in my hands. Because I could see where this was going.

And then I made the mistake of looking up the poster for the drama and, I swear, I was beginning to have war flashbacks.

That's not gay at all.

And this isn't even the first time this has happened to me

Or even the second, third, fourth, or fifth. I think I'm up to seven or something? At this point, there's a joke amongst my friends that I have a gaydar meant specifically to locate gay dramas that aren't actually gay dramas — especially when I'm not actually looking for them.

It's a weird superpower to have, but there you go.

ANYHOW. Yes. Good luck with finishing this drama, I guess? I'll try to do the same but, considering my current pace, I can't say when I will. It's a bit of a drag sometimes, not going to lie. But I do like the plot and characters enough to want to see through to the end.

Also, I'm so glad you liked chapter 39 of Who Holds the Devil! Thank you! Now take care, darling 💜

[sskk-manifesto]

Ep 5!!!

[darkestmetamorphosis]

THIS THIS THIS. It's just the perfect woman/incompetent man sitcom couple that's been the standard for literal decades, now with ukefication yay :|

Like can people just... write female characters as people it's not that hard! If you're trying to write a woman - whether that's an oc, or a canon character who probably already has a personality beyond what you're flattening her to - and all you can think of is either "girlboss" or "cringefail" with no middle ground; if you really cannot comprehend a woman being a normal three dimensional person, do some fucking introspection PLEASE. Stop taking inspiration from media and tropes and look at real live people

And the obsession with "queering" relationships is... ugh where do I even start. First of all that does not make it any more or less "pure" or whatever. Second of all if you have a straight man and a straight woman, they're still both straight no matter who's doing what in the bedroom

If one or both of the characters is queer though that's its own set of nasty stereotypes. If one or both of them are bi it's the "all bi men are feminine so they must also be (insert laundry list of infantilizing stereotype)"/"all bi women are badass girlbosses because they're Not Like Other Girls". If they're trans it's "penis=dom/vagina=sub" reducing them to their agab and parts they may not even want. Like it's misgendering with extra steps, in complete denial of things like bottom dysphoria, surgery, or the fact that maybe trans people might have more reason than most to be averse to the whole gender role reversal thing because having that expectation imposed on you your whole life really fucking sucks and it sucks even worse to be pushed back into the same box. Except the box now has a thin veneer of fake wokeness, repackaging the same old shit

And for all the people in the notes going "where are you seeing this" it's not even just on this webbed site, it happens irl too. ime it comes from the girls who say things like "all men are trash" and people who make nasty jokes/assumptions about me because they think I look like a ~smol uwu soft boi~

All the stereotyping aside, the vibe I get from these sort of dynamics is like... neither of the characters is even really into it? Like it's not about love, not even lust, it's just about power and dominance with no aftercare (because surprise surprise, they don't know how bdsm - including actual femdom - works) Like it's just there because the writer thinks it's the only way you can have a straight relationship without being sexist

can't vibe with the pathetic sopping wet generic sub boy man/pristine feminine perfect goddess woman dynamic people try to put onto every m/f pairing in existence. don't you want something more interesting? characters don't need to have perfect psychologist approved relationships in fiction obvs but it's just so boring. don't you want something in character? don't you want something more interesting?? oh she pegs him? and you write this in a way that implies penetration is about domination and power? wowee. never seen that one before.

[antiyourwokehomophobia2]

I had a dream about library girl

[slut-lord]

i kinda want to write a deep dive essay on silence of the lambs WRT gender and transmisogyny bc it's actually a much more complicated topic than a lot of people realise

[faroes]

beginning to actively mistrust anybody who doesn't post about or discuss female characters with the same level of investment as male ones.

there are definitely posts that explain what I'm saying better, but the amount of misogyny in pretty much every fandom space is genuinely exhausting. m/m is consistently most popular even when there are barely any men in the work. women are acknowledged by relationships first, demoted to male characters' sisters and mothers and daughters and annoyed lesbian best friends. most of what people manage to say about girls and women lacks depth, merely "omg i love her!" or "she's such a bitch."

and there is a lot of popular media where female characters are vastly outnumbered by male ones, so focusing on male characters may seem less insiduous, but... why are there only male characters to begin with? or better yet - why do so many people ONLY engage with media that centers men, or curate a fandom experience that centers men?

[yallemagne]

#fully agree #and to add #it makes me mad when people are like #i don’t get the issue she can still have sex just get creative #and like. wow the point flew way over your head #yeah im sure she could. do you know how agonizing that would be though?

Hope you don't mind me nabbing these tags! Yeah, that response is just... kinda gross. Like if they're saying it just as a joke, it can be kinda silly I guess, but it's missing the point entirely. Yes, contactless/clothed sex exists. Yes, power-inhibiting collars exist. We know. It's not just about sex, you dolts.

#and also! #sorry i dont even think it’s JUST about romance even! #that’s a HUGE part dont get me wrong #but god like. just imagine not being able to touch any living thing. with your own hands. #that’s hard! #that’s agonizing #and that’s her number one source of trauma #and i feel like people boil it down to ohhh woman want romance want sex but cant boo hoo #when that is so. not the issue and the surface level

I don't mention the other conflicts that arise in the original post because I felt like saying "noo you're wrong that's not the only thing about Rogue!!" would be kinda pointless. These people are already ignoring all the non-romantic conflicts Rogue's powers cause so they can write her off as a one-note character. The point of my post was to illustrate how the intimacy conflict is worthwhile, not cliché or overdramatic like these people like to say. Not to weakly justify it by pointing out other stuff.

I'll use X-Men: TAS as an example. I believe the first instance of exploring the pitfalls of Rogue's powers is when she has to resuscitate Cyclops and gains his powers as a result, temporarily losing her ability to see in a dangerous situation. Most other times she uses her powers, she is trying to depower overpowered people, and she gains the powers and the mentality of those characters and it is often very overwhelming. Poor woman has to absorb so much damage from villains to do her job. And the other powers she has belong entirely to someone else! She was forced by Mystique to absorb Ms. Marvel's life force, taking her life in the process. The only thing that can relieve her of the guilt (and prevent Ms. Marvel from taking over) is to completely suppress those memories.

But since people don't take women seriously it's all just "she's being overdramatic about not getting to fuck her boyfriend it's sooo annoying, she needs to get creative or get her priorities straight".

I keep seeing posts criticizing Rogue for her most explored conflict being how her powers affect her romantic relationships, and I don't wanna be like "those people don't get it" because, of course, it's not that simple. It's a matter of opinion to go "I don't hate Rogue I just wish she'd stop having intimacy-related conflicts because I feel she's defined by the men in her life". But I don't agree...

I've seen posts that are like "I'm sick of the romance, do something else, what if her powers did something in this scenario? in this scenario?" and you can have that and still have the romance because, like it or not, it's just a part of Rogue's character. The conflict has the potential to be poorly written, but it also can be amazingly written and I feel these people would still dismiss it because it has to do with romance and romance is frilly and frou-frou and has no substance to them when coming from a woman's perspective. Maybe I'm assuming too much, but it comes off that way.

I think it's fine for a female character to be preoccupied with romance and to place physical intimacy on a pedestal because its something she can't have/can't normally have. That's just human. People fixate on things, and it can get exhausting watching this character beat herself down, but that's how you're supposed to feel. I mean, if you get to the point where you're just sick of the story, yeah it's just not for you. But it is exhausting to have this insecurity eating at you constantly, making you feel less-than, making you feel unworthy of affection because you can't give or receive it in the way you imagine is the most important.

Of course, it's a conflict that needs resolving. It's just that it's not a conflict you can resolve in one interaction. Rogue will need to actively tackle her insecurity every day of her life. She'll have to power through seeing others share bare touches without beating herself up about it and shamefully cutting herself off from those who love her. And you know, maybe, every day it gets easier to accept that this isn't the life she wished for, but it's the life she has, and she's blessed to have that life and to have a partner who loves her just as fervently as he would if he could touch her. She doesn't need touch to prove her love is real because it just is.

[fideidefenswhore]

[Henry] had asked Lady Shelton whether Mary [was] persisting in her obstinancy. Hearing that she was, Henry became certain that she was being encouraged by secret communication from Katharine. Lady Shelton thought the only possible messenger was Mary's chamber woman. In this she was correct. The maid had been smuggling letters in and out. She was dismissed, as was Mary's confessor, to be replaced by one whom Chapuys characterised as 'Lutheran'.

The King’s Pearl: Henry VIII & His Daughter Mary, Melita Thomas

[musical-chick-13]

Cannot BELIEVE I had to have a conversation with someone where, after I complained about people Not Wanting To Write About Women, I then had to explain that yes, I DO write about men sometimes, actually; no I don't hate men; yes I write from the POV of the men in numerous cases and also analyze them.

[dennisboobs]

i wrote another rambly dennis analysis and deleted it <3 y'all don't need that

[zyafics]

CAN YOU PLEASE, PLEASE ON MY KNEES WRITE ABOUT BITCHY!READER X RAFE AND IT'S SMUT?? I FEEL LIKE YOU'LL DO IT JUSTICE!!! thank you

you literally read my mind because i was just thinking of this prompt that works so well with bitchy!reader!! hope you'll enjoy <3 (if it’s bad, look away!!)

WHATEVER SHE WANTS | Rafe Cameron

MASTERLIST (Blurb) | x Bitchy!Kook!Female Reader

Content — 18+, power/dominance play, p in v, doggy style, orgasm denial, and dirty talks

Word Count — 2.2K

lıllılı Whatever She Wants by Bryson Tiller

You always wanted Rafe.

It's your right. Since you were a child, you demanded the best in everything—toys, clothes, boyfriends. They had to be perfect. Had to be yours. And yes, it may come off a little superficial but who cares? It's what you deserve, and it'll be hell if you don't get it.

Since the first look, when you caught Rafe lounging on a chair with his friends, tipping the rim of his beer onto his lips, while his eyes scanned over the room in an attractive lazy way, you knew you had to have him. It didn't help that you were competitive, and Rafe garnered attention with women. They flocked to him and begged for a minute of his time. It became a game to you, and that heightened your need.

Everything was calculated. The makeup you wore, the outfits you curated, the glances. You always timed your arrivals—when you knew Rafe would be watching the door—and marked your exits. You knew exactly what to wear—dresses that tantalizing exposes your ass, but only as a preview—and the cosmetic style he liked. Rafe's the type of man who believes he wants a bare-faced woman, but truly, he wants something natural that enhances your features.

You came with friends. You left alone. You drank enough to loosen your nerves and danced with the crowd, but not enough to make a fool of yourself. You knew your tolerance and knew Rafe didn't like a messy girl.

At least, in public.

You caught his gaze a couple of times, flashing a flirtatious smile over your shoulders, but never lingered longer than three seconds. Rafe can't know how easy he can have you, because Rafe, like most boys, loves a chase. You're not easy, you're spoiled. He had to come to you.

And he did.

Rafe tried to introduce himself on several occasions. On those nights when you're leaving early—as planned—Rafe would cut to the door to pay a parting remark. "You're leaving so soon?" he would ask, "Alone? Again?" He would add. You always told him it was because no one caught your eye, and Rafe took that as a personal challenge. He would then try to tell you his name, as if he were different, to which you nod—detached—as if it didn't matter.

It drove him insane.

Because you didn't offer the same courtesy. You kept him guessing. He had to finally ask around to learn your name, which he would use to tease you the next time he saw you. And he did. And you laughed. But you acted like you didn't care. Like all the trouble he went through didn't prove a thing. That's when Rafe knew he needed you.

Tonight's no different. Just as you're about to leave, Rafe catches you with another smooth pick-up line. You just giggle. He studies how your eyes crinkle with amusement, the curve of your lips painted in his favorite shade of lipstick, and the lithe tilt of your head to the side as you ask him with your gaze, is that the best you got?

It isn't. But Rafe's determined to get further with you tonight. He continues to talk, asking about which men disappointed you and the reasons for your constant disappearances from these parties. And, for once, you're answering his questions with little resistance. Perhaps, it's because of the amount of cheap wines you consumed, or maybe you—for once—are tired of the games and want it to come to a fruitful end. Because when Rafe finally asks to take you home, you don't say no.

The walk to his truck is brisk. His arm wrapped around your waist, directing your path, while his fingers trail over the backless cut of your dress, producing a buzzing feeling beneath your skin. He's whispering something in your ear, but all of it is incomprehensible as you revel in the feeling of his touch and his touch alone. The feeling of your game coming to a conclusion.

And, just as you're about to reach the car, Rafe slams you into the side of the vehicle with a searing kiss.

His mouth catches yours and everything feels perfect. As if the buildup leading to this precise moment had been worth it, and every needy emotion rises to the top. His hand travels down the length of your body, to your hips, pulling you closer, and needing to eliminate all the space and wait you made him do.

Rafe's movements are swift and controlled. One of his hands props open the backdoor of his car, pushing you inside, and laying you against his leather seats. All without breaking the kiss.

"You don't know how long I wanted this, wanted you," Rafe blubbers between wet kisses. "Seeing you at every party, in these tiny dresses, not being able to touch," he rasps, bundling the hem of your dress into a tight fist. "Tell me you wear them for me."

"And if I did?" You say with a moan, tipping your head back to grant him access to your neck. "Did you like them?"

"Of course I did," he murmurs against the curve of your neck, the vibration of his words sending heat straight to your core. "You dressing up for me like my own perfect doll."

You want to retort that it's him who's in the palm of your hand, but Rafe sucks on a sensitive spot, causing your eyes to roll back and a whimper to escape your lips instead. He grabs your wrists with one hand, throwing them over his shoulder as he pulls you flush against his chest.

"So pretty, so fucking untouchable," Rafe kisses down the length of your throat, his fingers collecting the spaghetti straps of your dress before sliding it down the slope of your shoulders. "I'm going to fuck you so good."

His words snap you out of your haze. And while Rafe continues to expose more of your body, lamenting each reveal of flesh with a kiss, you withdraw enough to grab his attention.

"You're not fucking me in a car."

"What?" Rafe breaths, unable to snap out of the trace you had him in. Delirious with want, his mind warped around the idea of you being so close to attainable, that all rational manners left his system. He tries to kiss you again, to resume the moment, but you pull enough to send him a deadly glare, pouty and spoiled.

"Rafe, take me somewhere nice or we're not fucking at all."

He can't believe what he's hearing. He can't believe he's contemplating it. But Rafe doesn't understand that you have it all planned out to result in a perfect moment. You won't let it be disrupted just because Rafe can't drive the extra mile to take you somewhere nice. You'd rather leave him with blue balls.

"Are you serious?" He asks slowly, his eyes drawn to your swollen lips, the little pout, and the desperation to have them back on his. Sure, Rafe's had girls who wanted something more than a casual fling. He had them ask him for a better spot, but he never obliged. He never cared. But you're different. He wants you, and it's been a hell of a chase to get you here. He'll be damned if he lets it slip away because of a pretentious standard.

"Does it look like I'm joking?" You cross your arms over your chest, pushing your breasts further up. He nearly groans at the sight. "We're not having sex here."

"The nearest place has to be at least a fifteen-minute drive," Rafe argues. And it makes you upset, brows pinched together. "We can just—"

"I don't care," you snap. "Take me somewhere nice or I'm leaving."

You're serious. He sees it on your face. Rafe can't risk that, despite wanting to protest, because he knows he if he messes this up, he won't have another chance. Swearing under his breath, he drags himself out of the backseat and into the driver's side, pulling the car out of the parking lot.

Dangerously, Rafe speeds down the road, while you're sitting in the backseat with a self-satisfied demeanor, fixing your makeup through the rearview mirror. Occasionally, Rafe spares a glance through the same reflection, connecting with your gaze, and while there's subtle bitterness coiled in his chest, he recognizes the bigger prize at hand.

And what he can do with it.

Because, despite your bratty attitude, Rafe is a person who wants control. You want perfection. You two can have both.

That's how you find yourself in a newly-booked penthouse suite at one of the bougie hotels in Kildare, your head digging into the soft comforter of the bed, your ass in the air, as Rafe drills into you from behind.

When you reached the room, everything moved frantically. Rafe slammed you against the nearest wall to kiss you again—needing your lips, needing your taste—while his hands roamed over your dress and pulled down your cleavage, revealing your tits. Your hands wandered down his pants, unbuttoning them hurriedly, needily, and he assisted you by pulling them off alongside his boxers. His cock was big, slightly red with a pearly bead of pre-cum that rolls off the tip. And you could tell by the look on Rafe's face that he wanted you to suck it.

But you told him, "I don't do blowjobs."

So fucking pretentious.

It didn't matter. He hauled you over to the king-sized bed and pushed you onto the mattress. You landed with a soft thump, while Rafe hauled you up to your ass, pushing up your dress, until it became nothing but a bundle around your waist. His movements were urgent, and he wanted—no, needed—to be inside you because a bratty girl was going to be a great fuck.

And he was right.

You're perfect. The way you wrap around him, the way he sinks inside you. He doesn't know if it's because of the delirium of wanting you so desperately, of chasing you for so long—but he never had better pussy. And it doesn't help that your moans are sweet, breathy, and loud—begging him to go faster.

"Such a pretentious brat," Rafe grabs your throat, hauling you upwards till your spine rest on his chest, airway constricted by his harsh grip. "Making me wait this fucking long."

"R—Rafe," you mewl, eyes rolling to the back of your skull at the way he's angling his cock deep into your cervix, bullying the sensitive spot over and over again until you're seeing stars.

"Had to get the princess treatment, did you?" He murmurs hotly into your ear, nibbling a spot on your neck as you rest the back of your head on his shoulder. His thrusts grow more erratic. "Had to make me earn you, didn't you?"

"You weren't going to fuck me in a car," you persist, and despite how cockdrunk you became, and how much of an attitude you're willing to sacrifice to feel good, you were still adamant about receiving what you deemed enough. He respected that. "I'm not one of your whores."

"But I'm fucking you like my own personal slut. Is that any better?" He bites the lobe of your ear, and his other hand wanders up to grab a handful of your breast, squeezing the fat before rolling your perked nipple between his fingers. You moan louder. "What does that make you?"

You can't seem to answer him, can't seem to find your senses. The words Rafe uses are vulgar, but there’s still no regrets about this entire thing. Rafe wanted you so badly, that he was willing to spend hundreds of dollars on a hotel he probably won't even stay the night in. All because you demanded it.

You win.

"Shut up," you stammer, your stomach tightening. "Shut up and just fuck me, Rafe."

Rafe grins. The hand playing with your tits slips between your thighs to assist, finding your clit easily as he rubs it with his thumb in sync with his thrusts. Breathy moans escape you as you arch into his palm, while he pistons deeper inside of you, bottoming out.

"You sound so pretty, doll," Rafe murmurs against your heated skin, "Come on, take my fucking cock."

Everything’s so dirty. The way he handles you, the way your wetness drips down your thighs, the way his words breathe onto your skin and tighten your core. But you love it. You do, but you're not willing to give in so easily. No matter how good it feels. No matter how much he feels like a prize.

"You don't deserve me." You whisper with a mewl, body tightening with the familiar wave of your undoing.

Yet, Rafe merely grins.

"But you're sucking in my cock like you need me," Rafe taunts, pleasure coursing through his body at the way your walls grip him in a vice. The way your words spark challenge and invitation. He knows, despite your spoiled attitude and pretentious demands, he'll do anything to get another chance like this. "Now, behave like a good girl or you're not coming tonight."

IMPORTANT: if you want to follow my fics and updates, follow @zyafics-library and turn on notifications!

tagging @starkeysprincess bc she saw it first <3

[strawberry-miiiiiiiiiiiilk]

sitting in my room for a half hour thinking about how if we lived in a better world Ada Wong would be the Ilsa Faust of Resident Evil (primarily in how she's introduced in Rogue Nation), with a dynamic to leon not unlike Fujiko Mine's and Lupin's in which they are both extremely competent and in situations in which they may have to work against and occasionally with each other on a mission, but ultimately are forced to stay apart and while they may be apart and even have different love interests from each other, ultimately still care deeply for one another. They are compelled to go after each other in part because it's so difficult and they are so often in circumstances in which they can't be with each other. The thrill of the chase and all that.

Ada being only tangentially related to the other character's stories because the world is simply larger than them and she has her own concerns and problems to deal with, and to have that be given any care or weight in a story, let alone focus. That she can be cunning and even manipulative but because she needs to and will still choose not to when the chips are down because she is genuinely caring--which I know none of that is new ground for her but I wish it was done in a more interesting way and *without leon at all*. She chooses to show mercy in a key point not because she's in love with that other character.

And also that she has more personality. I dig the subdued nature of her in 4r and her subtle sarcasm but it's just crumbs. I want her to be silly on occasion and say dumb jokes because she's alone like in 2r. I want her to shed a bit of that seriousness when she's on the clock because she's confident in herself as a professional and again has no one to put up a façade to.

It's honestly kinda embarrassing reading this back as I realize most of what I'm writing is not only already present in the games but incredibly tropey in and of itself, and wouldn't improve the character much. Dear god I think too much of my view of the character has been marred by shallow fanworks depicting her. I think if anything it's a sign that:

I'm a shit writer and need to do way more than watch movies and gesture vaguely at them to come up w a decent story or character (that being said as much as I prefer Fallout as a film, I stand by my earlier statement of Ilsa Faust being the ideal spy woman as she's depicted in Rogue Nation as she has a distinct set of goals and needs that are complex and developed largely tangentially to the protagonist's, at least initially).

It's going to take a completely new approach to her character to get something remotely interesting and that takes advantage of her potential.

For as mired in tropes as she and every other character and story in Resident Evil is, Ada could be far more memorable and enjoyable if only there was more care and effort to giver at least some interests and goals (perhaps even...characterization) on her own other than being a sexy love interest and potentially traitorous (as so many femme fatales already are).

[cashmoneyyysstuff]

dinner prep engagement ♡

a/n : aaaand its finally here, the final part of the ring pop proposal miniseries after decades !!!! im sorry it took me so long to write this final part yall, i just finally felt enough inspo to write it and im super happy w how it came out ! i hope yall do too ! lemme know if you wanna be added to the taglist ! much luv xx

fem reader, literally pure fluff between mama n son, katsuki gets emotional very quickly bc i believe he does and you cannot make me think otherwise, a lil emotional but pure sweetness, mentions of making dinner, lmk if i missed sum else !!

this time, mitsuki has no idea what her son is planning. sure she’s had her hopes for years now, and her suspicions, but nothing truly concrete.

that is, until she gets a call in the middle of the night.

"katsuki..hello ?" she answers groggily, heaving a sigh and rubbing at her eyes. she checks next to her to make sure she hasn't woken her husband up, her eyes dart over to her digital clock " 'ts one in the morning."

"uh..hey." her son's gruff voice sounds over the phone, she raises a brow at his hesitant tone of voice, but she let's him continue "yeah, i know. sorry.." he mumbles out.

the older woman shakes her head affectionately "it's fine..is there something you wanted to talk about ?"

it's silent on the other end for a while until katsuki mumbles something. "katsuki, you know i can't hear you if you don't speak up." she scolds lightly, causing him to growl under his breath.

"not..not right now, no--just..can i come over tomorrow ?"

taking in her silence for hesitance he continues " it's nothin' bad..i just--feel like it's something i needa say face to face, i guess.."

"okay..yeah, of course. you know you can come over whenever you want." she urges "is yn comin' along ?"

"no, she isn't." she can practically hear his eye roll and it makes her smirk "she'll be busy tomorrow anyway so, not this time. i'll tell her you said hello though, since you're always tellin' me to."

she's about to retort when katsuki speaks again, only not to her. she hears what she knows is your voice quietly chatting with him as he reassures you that he'll be right there with you and for you to go back to bed. the soft tone in his voice makes her eyes soften.

never could she ever have imagined her katsuki ever speaking so softly to anyone, because her katsuki is, despite having calmed down over the years, still quite the brat. (she's pretty sure she knows where he gets it from now..) he's still temperamental when interviewers and journalists get on his nerves. he's still awfully moody , but he's different now. he's just a little bit gentler with the way he handles kids or older women who's cats have gotten stuck in trees. complaining that this isn't his damn job but still doing it anyway with utmost care as the kitties sink their sharp claws into his skin or cling to him for warmth.

he's a still a little rough around the edges but it's the thought that counts. he's different than when he was younger, but he still is the most different with you. his rough and gruff voice that he uses to bark out orders and complain, complain, complain, he uses so softly around you, keeping you as calm and sleepy as possible. it's not perfect, but he manages to usher you back to your room to sleep, and that makes the thought count so much more.

"m'gonna go now." he warns, his mother hums in agreement, telling him she'll see him tomorrow and he reciprocates the goodbye.

"night, ma."

"night, kiddo." she grins, a happy sigh leaving her when she hangs up the call and lays back down. cozying herself up next to her husband.

she's had her suspicions and her hopes for a while now, but she can't be too sure what her son could possibly want from her tomorrow.

katsuki comes back home like he's never left.

the day goes like any other day would've went a few years ago when he was still living in the family home. mitsuki almost expects her son to run off upstairs to do his homework.

he greets his dad with a half hug, and is forced into a tight embrace by his mother, which he grumbles about. grumbles turning into a growl when she grips his cheek, scolding him for not greeting his mother properly.

it's a lot of catching up from the few months he's been busy with hero work. talking about his latests achievements and his quick climbing of the hero ranks, accompanied with barely suppressed smiles and softened eyes when you're brought up. mitsuki remembers how nervous he'd been when he'd told her he was planning on asking you to move in with him, so she's happy to hear from the both of you, since she has your number and you like to catch up every now and then, that everything was going well. though she already knew it would.

katsuki volunteered to help with dinner, his mother happily agreeing saying she could use some help. it makes her a little bit nostalgic and she wills herself not to get teary eyed at how much her son has grown.

but she sees that the opportunity has presented itself to bring up the topic that's been on the tip of her tongue the entire day now.

"so.." she sings "you wanted to talk about something, right ?"

katsuki stiffens like he'd forgotten, although his expression stays the same besides the slight squint of his eyes. the rhythmic cutting of vegetables has stopped and it takes him a moment before he speaks quietly like he's revealing a secret.

"i wanna ask yn to marry me."

oh.

so that was it.

"oh." she breathes immediately. a broad smile slowly grows onto her face and she beams "took you long enough, ya brat !" she exclaims, slapping her sons muscular arm. he growls lowly at her, leaning away from her though she remains undeterred. poking at his sides while he tries to smack her hands away.

finally, she relents "when are you gonna ask ?" she asks excitedly. katsuki huffs, eyebrows still heavily furrowed from her earlier attack. he turns back to the cutting board "soon. i arranged my schedule and we'll both be free, so in two weeks from now."

"you already have a ring ?"

he grunts in agreement. and mitsuki besides being proud of the fact her hunch was right, feels her heart warms at the burst of nostalgia of her little boy. her katsuki, kicking his feet in the backseat of her car. tightly gripping his bag of ring pop candies he'd give to you the next day. her little katsuki, who'd proudly claimed he was going to marry you when he grew up in that very same car, exclaiming that he'd proposed to you with those very same candies he'd almost had a tantrum over her not getting.

her little boy, who'd gotten oh so big, and so, so much more enamoured with you.

"good." she utters sweetly, voice just a bit wobbly "good. that's great, katsuki."

he nods to himself " i've thought about it for a while now..long while." he scoffs to himself, eyes focused on the cutting board in front of him. "got the whole day planned out too."

"yeah ?" he nods. her eyes soften as he speaks mostly to himself, he's had this little self hype up habit ever since he was a boy. trying to calm himself down and reassure himself. it's a smart move, but as strong and mature as he is, katsuki is nothing more than human. and anxieties can creep up on the best of us.

she's seen it before, and she sees it again when he bites his bottom lip in thought, and she smiles softly.

and again, she coaxes him into it " that sounds nice, looks like you got it all planned out, huh?"

and he nods again. but it doesn't take him, long before he breaks.

"..what if she says no ?"

and mitsuki wants to laugh. she really does, because the thought of you ever saying no to him sounds absolutely ridiculous to her. she snorts. shaking her head while her son looks at her incredulously.

"katsuki.." she tuts, chuckling to herself before she looks up at him. "you've got absolutely nothing to worry about. you've got it."

his eyes widen, then her son's expression drops as he raises a brow "how do you know that ?" his words make her smile widen this much more and she really wants to laugh.

how does she know. she scoffs

she knows because she knows him. she knows her katsuki better than anyone else, he's her son. she knows he's rude, rowdy, quipy, temperamental and everything else. he's all of that and so much more.

and yet you still love him. you're still so incredibly patient with him, you still offer him all of your kindness despite him once confessing to her he doesn't understand how you do. despite all of the times he's messed up, the times he's fallen down, you stay by his side you care for him, you care about him.

she knows her katsuki is absolutely infatuated with you, he always has been. from tantrums about being separated in class and knowing your favourite ice cream flavour to him being overly protective over you when you were paired up with your lab partner that ended up not being him and to him wearing the stupid stuffy tux mitsuki tailor made for him to take you to prom.

you've always been his number one best friend, but he's always been yours as well : he loves you, but you love him just as much.

and so mitsuki smiles "call it mother's intuition. and, not to brag, but i think most of my hunches have been right by now" and it widens when katsuki scoffs and rolls his eyes at her boasting, another bratty little habit he has that he's practically mastered over the years. she sighs, spreading her arms out towards him "well come over here. you've gone and gotten so damn tall, i can't reach you myself !" her son rolls his eyes again, but he scoffs softly to himself and with a shake of his head, he closes the distance and hunches over to hug his mother. she wraps her arms around him tightly and he grumbles when she squeezes but he doesn't try to get away.

"there's nothing for you to worry about, katsuki. absolutely nothing." she repeats, rubbing his back. "you love each other, and that's more than enough. just be yourself, it's been working out for you this far..somehow." she jests. katsuki scoffs indignantly but they both end up chuckling about it. after a few more seconds they pull away and mitsuki pats her son's chest with a sniffle. right on top of his heart that she knows, she's seen, has gone through oh so much.

but still remained entirely yours throughout all the years and still so so so enamoured with you.

gripping onto his shoulders, she whispers "you got this." the glossiness in his eyes is impossible to miss, he's always cried very easily. but she guesses she mirrors his expression exactly. her son is the spitting image of her after all. she places a hand on his cheek and he leans into it.

"thanks, ma" he whispers sincerely. and mitsuki feels her heart soar.

"any time."

during dinner, katsuki announces the news to his father. who after getting over his shock immediately wraps his son into a hug. congratulating him and encouraging him with teary eyes, she knows where katsuki gets that from, before they all settle down to have dinner before katsuki leaves a few hours later. waving off his mother's insistence to pass you a greeting with a grumbled acknowledgement.

she shakes her head as her and her husband watch him drive off but her heart is full of pride.

"we raised a killer son didn't we ?" she giggles looking back at masaru, who agrees with a smile as they share a laugh.

and the next time you both come over, you're giddy. unable to keep your excitement in check as you keep excitedly looking back at katsuki, who finally relents with an affectionate sigh and you happily show off you're ringed finger with a squeal.

mitsuki squeals right back, wrapping you up in the tightest bear hug she could. masaru takes his turn hugging you, sweetly congratulating you both. of course, they'll tell you they both new in advance, but that was all for later.

sure, she didn't know what her son was planning in advance, but she had her hunches and her funny feeling from all those years ago that you'd be sticking around. she guesses it's good enough that she was the first to be told.

she sends her son a proud and teasing smile when they make eye contact. he rolls his eyes, but the smile on his face doesn't fade as he watches you talk with his father. she doesn't have to say a single word for him to know what she's saying.

i told you so.

taglist *if your name is pink i unfortunately couldn’t tag you :(( : @73isthebestnumber @gold24fish @m-inluv @katsuisbaby @teddiiursulas-ink @moonbabysstuff @brandydel @queenpiranhadon @chuugarettes @starieq @aishio14 @andysdrafts @hyunorue @touyasprettydoll @itsfiive @annoying-bitxh @h0nestly-though @atinytiredpanromantic @mikalame @itzjustj-1000 @deepressed @evam23 @erenstitanweave @m-0ona @chaoticgay13 @lotusstarr @koreluvsspring @giannitaa @waterstarz @nayeonsdoormat @the-crazy-star-12 @kovu-bunnbunn @kvk6433gkcigv @coolgirl458 @beekeepingageissome

[thinkinonsense]

old!logan and his obsession with the cute diner girl *mdni

a/n: this is my first attempt at writing something smutty so if it sucks im sorry lmao also if any writers have any tips please share! :)

logan has been around for long enough to know when a woman is attracted to him. there was a certain essence given off that was always a dead giveaway. usually it came from women close to the age he looked like and it tended to be brief moments of lust before all hope was lost. this was until he met you.

the pretty young girl working at the diner during her time off from college. everyday, he came in and ordered a black coffee. the coffee wasn't even that good but logan would spend two dollars every single day of his life if it came with the view of you bending over in that tiny uniform skirt.

logan would watch you for hours while he drank and skimmed the news paper alone in a booth. your hair was always up in either a ponytail or held together with a hair clip. he loved seeing your pretty handwriting as you scribbled on your notepad, taking orders. it was part of your job to be nice to everyone but you were especially nice to him. even your friends began to notice how you would linger by his table, constantly topping off his coffee mug and making small talk; sometimes giving him a slice of cherry pie on the house.

"don't you think he's kinda old for you?" one of your friends whispers to you behind the counter.

it's stung but you suppose she had a point. what would a man old enough to be your father want with a young wild girl like yourself?

"i-i guess so?" you stuttered, embarrassed at your previous attempt at flirting with him.

the rest of the night, you hoped he would leave before close so you could have some time alone with your feelings. summer was almost over and you would go back to the city soon. it was time to forget these silly fantasizes.

by ten, all the other waitresses went home except you, the older woman in the back who counted the drawer every night, and a few of the cooks. the only customer still there was logan. he flipped through one of the books he brought with him; still sipping away at that damn coffee.

"isn't it getting a little late for you, sweetheart?" he asked nonchalantly, not even looking up at you as you bent over to scrub the table next to his. the fifth table you've cleaned in the last hour and the second time you've cleaned that specific table. logan noticed but you didn't.

"need the hours." you mumble, frustrated by a stubborn stain. all logan could focus on was your scrunched nose and how your tight top pushed your boobs together just right for his viewing. "college is fucking expensive plus grants and scholarships only cover so much."

"hmm.." logan grunts. grants? scholarship? what a goody fucking two shoes, logan thought to himself. "if you bring me piece of pie, i think i can help you out."

you lean off the table and go get what's left in the glass container. it's probably a little hard so you definitely didn't plan on charging him for it. you sit the plate down in front of him and before you could turn around to walk away, logan reaches for your wrist softly.

"join me." he offers.

you knew you shouldn't but what was really the harm? at least your friends weren't here to make fun of you. the radio played quietly on an older station while you watched logan take a bite of the pie.

"why did your friends leave you here alone?" he asked, watching your face turn sour at the memory of them.

"don't wanna talk about it." your voice was small in the empty diner.

"why? think an old man like me can't relate to it?" logan chuckles. your thighs squeeze together without thinking. so much for not embarrassing yourself.

"no, no, not that." you shake your head and a strand of hair falls from your bun. "just sort of juvenile, you know?"

logan could tell that you were trying to come off more mature around him. you didn't want him to see you as some college kid.

"juvenile, how?" he eggs on, pushing down his glasses a bit.

god, those glasses got to you; and logan knew it.

"they don't understand how i feel about someone." you sigh.

"how do you feel about this person?" logan noticed you now avoiding his gaze, not liking it one bit. "eyes on me, princess."

the nickname caught you off guard like a dear in headlight; blinking and trembling up at logan. something logan enjoyed very much and could get used to.

"it's not important, just some stupid crush." you lie through your teeth. "they will forget about me in a month."

"why don't you think it'll work?" he cocks his head to the side a bit. "you're a pretty young thing, dollface. anyone of those college boys would be lucky to be wrapped around your little finger."

"i don't want college boys." you mumble, slightly annoyed by the memory of your friends.

logan felt himself getting hard at you admitting you had a taste for someone older. his eyes grew dark as he leaned in a little over the table.

"then what do you want?"

your moment to answer was interrupted by the older woman from the back, releasing you to go home for the evening. this was your chance to get up and leave before you admitted anything else that you would regret.

both of you stood up. logan threw down some cash while you went to collect your stuff behind the counter.

"i'll see you tomorrow, lo-"

"you didn't answer the question."

"i must go now if i want to catch the last train."

logan worried about you taking the train back to your apartment alone this late at night. usually you drive back but your car has been in the shop for almost three days now. he would watch you get to your car every night to make sure you were safe.

"i can drive you home." logan offers.

you shouldn't be this excited to be sitting in a strangers truck alone at night but here you were. the two of you sat in silence for a few minutes before logan brought up the conversation from the diner again. what did you even want?

"i want someone who understands me..." you begin rattling off the first things that come to mind when you notice logan's hand on your knee. you don't dare move.

"someone who is responsible..." with every word, his hand creeps higher and higher up your skirt. logan is more than pleased when he notices your legs spread on their own.

"someone who is m-mature..." logan's fingers inch towards the delicate skin of your inner thigh. there's no way this was happening, you thought as his index finger plays with the lace on the center of your pink underwear. he smirked at the wet spot front and center, waiting for him.

"treats me r-r-right." every word was a struggle to form as he stroked you softly. back and forth. back and forth.

logan nods along, not letting up down below. his index finger hooks onto your underwear, pulling it aside. you weren't even sure if you were breathing at this point; all this teasing was torture.

"p-p-please, logan..." you whine. "touch me."

his thumb rubs tiny circles on your button, adoring the way his name pours from your glossy lips. your hands fly to his wrists, needing more; nails digging into his skin in the most delicious way.

"where did this greediness come from?" logan groans, dipping his index finger inside of you. "what happened to that good girl from the diner?"

logan's finger barely fit in the tight space. your head fell back and a loud moan escaped you.

"oh, you weren't letting those college boys touch you at all, huh?" logan mocks, adding another finger and creating a steady pace.

"n-no!" you whine, lifting your hips a little.

"you were waiting for a real man to have his way with you, isn't that right, pretty girl?" he growls, pushing your hips back down.

you completely missed logan pulling off to the side of the road until now. his pace increases becoming rather rough now that he isn't driving. logan leaves deep purple bruises down your neck and across your chest, praising you to no end until you gush around his fingers, completely soaking his palm.

your heart pounded like you had just finished a marathon. logan allowed you to catch your breath as he carefully removed his fingers, bringing them up to his mouth to lick clean. he can feel your dazy eyes staring at him as he does so, making a real show of it.

"i've been wanting to do that for months now." he admits with a smirk.

"me too." you said, leaning forward and pulling him into a kiss; tasting yourself on his lips and tongue. logan wraps his hands around your hair, pulling you back a little when another moan falls from your lips.

"and we aren't even close to being done."

[ek-ranjhaan]

She has not just been raped and murdered, she was very much tortured and brutalized like Nirbhaya. It is all over the Bengali news. I don't understand why no one is talking about this.

A 2nd year Respiratory Medicine in a well known government medical college in Kolkata, West Bengal, India is found in a semi-naked state and the college/ hospital called it a suicide.

I'm a MBBS student in second year. After reading about her, what crossed my mind is the amount of times she would have felt this fear, before this worst fear of hers eventually materialized.

"A young resident doctor was found dead in the seminar room of her medical college in Kolkata. Initial autopsy report suggests possible rape and murder."

As all are saying,

She wasn't walking the street at odd hours. She wasn't wearing clothes that were provocative. She wasn't loitering in dangerous neighbourhoods.

She was a resident doctor, looking for a place to rest in her own hospital.

She had been on duty and had gone to rest in the early hours of Friday.

The one place which was supposed to guarantee her safety failed her, miserably.

Someone comes, rapes a female pg who is merely resting in a seminar hall because there is no proper place for her to rest, brutalized her and kills her. How did NO one know? The college and police initially call it a suicide. Excuse me? It is also being said that under pressure from local politicians, the Principal and Dean attempted to alter the post-mortem report. Autopsy confirms sexual assault.

What are the actions taken? One man arrested because his behavior seemed "shady". This is clearly not an act of one man. And this was a very well aware of and a well executed criminal act.

Also, all this happening in WB right when the situation of bangladesh is in turmoil and news of Bangladeshi Hindus being killed and tortured, seems wrong, VERY WRONG. Happening right before NEET-PG, as 24 lakh doctors prepare to write an exam on Sunday to be resident doctors, this news has wrapped us all in agony and rage,

What are they working so hard for? Why should they aspire to be in a system that ignores their basic needs? The minimum requirement of a workplace is safety. That should be non-negotiable.

This profession demands extereme hardwork, a lot of mental strength and Physical Assaults, harassment, low paying jobs with odd working hours with intense humiliation. Now its the worst of all seeing a bright mind losing her life in the most disrespectful state of all. This should never happen to any woman.

I'd also like to question why isn't any big media house covering this news, where are all the international news channels all this time.

What are the students in other medical colleges doing? This talks about their own safety and lives. What are the medical students across the world doing? It's time for us to stand for the most basic Human right, safety.

Yesterday when my roommate, an MBBS final year intern was heading for her night posting, I feared and prayed for her to come back safely. Thinking about it, in a few years I will also have night posting, I'll also return from my hospital duties late at night. I'll also have to go through the same fear, and I'll also have to keep praying that my worst fears don't turn into reality. So many female doctors, nursing staffs, other Healthcare workers, other working women, non-working women go through the same fear, probably multiple times a day.

It is a shame to be born in such a disgusting world and society, it is shame to witness such a brutal crime, and it is a shame to live in this fear daily.

Those RAPISTS need to be hunged infront of the whole natio...if needed burned alive. People should fear the idea of raping, more than getting raped.