#I think its so frustrating to me because the original version of the characters is something that is not accessible to me

[puppyeared]

I made a lmk oc

[vamptastic]

danganronpa is whispering its siren song to me but alas nobody shares my big brain million iq opinions (drv3 hater) (korekiyo defender) (ishimaru understander) (celeste and hifumi apologist) (kaito hater) (protagonist love triangle poly advocate) (post sdr2 anime enjoyer) (fucking hates the writing bar the first half of sdr1 and ending of sdr2) (never even finished v3 because it was so dogshit terrible and also i genuinely can barely get through the minigames) (problematic psychological horror fan)

[g0nta-g0kuhara]

@narciso-anasui You said this much better than I did. The localization is its own text and I feel like it's valid in its own right for the story it portrays, even if its different from the original

It kinda frustrates me when people say others misunderstand or misinterpret the characters because of the localization. I know the localization did a lot of weird stuff (and some stuff that’s genuinely awful, like what they did with Angie) but for overall character and story interpretations it just gets on my nerves. Because I know there are direct translations out there that you can see and compare but it doesn’t compare at all to experiencing the game first hand. And having your thoughts or feelings about the story or character dismissed because it is different in the localization really sucks

[cy-cyborg]

It's been confirmed that there are 3 amputees in the main cast of Dragon Age: the veilguard - Neve (leg amputee), Bellara (arm amputee) and your inquisitor (arm amputee). So as an amputee myself, here are some things I'd like to see.

Note: these aren't predictions, just things I'd really like to be included.

The inquisitor doesn't use a prosthetic (I already talked about this in its own post but with 3 amputees, and 2 of them already being shown to use prosthetics that, lets be honest, do look like "perfect replacement" prosthetics, it would be nice to see at least one who doesn't)

We will get to customise our inquisitor in chatacter creation, so I would love, if they do use a prosthetic, for there to be some customisability to it (im not holding my breath there but still).

Neve and Bellara's prosthetics aren't perfect prosthetics, and they are actually acknowledged as being disabled while still being active members of your party.

There's some kind of party banter between Neve and Bellara about some of the downsides/problems with their prosthetics, not necessarily in a "poor them" way, but in a "ugh, don't you just hate it when you can't get the stupid thing on in the morning" kind of way.

I get a kind of jokey/adventurous vibe from Bellara, I hope they aren't affraid to let her use her prosthetic for pranks or jokes. I don't think neve would, but I can see bellara having a blast with it.

I hope the prosthetics come off during down time. No amputee wears their prosthetics 24/7, it's uncomfortable, and they get heavy and sore after using them all day.

I hope we see Neve express some frustration or see her alter her walk animation on rough terrain. It's hard to get a clear look because the trailers she's been shown in are so dark, but her foot doesn't look articulated, which is going to change how she walks, even just a little bit.

I hope the prosthetics don't break - this is a trope I'm starting to notice more and more, where someone has a perfect prosthetic that is only not a perfect replacement when it breaks, usually for plot reasons, at which point the character in question is forced out of the action until its fixed. DA has forced companions out of your party for story reasons before (e.g. solas after you free his spirit friend and he needs to cool off) so I can see this being used for plot, and I really hope it's not.

The inquisitor, Neve and Bellara compair prosthetists (the maker of the prosthetic) and maker techniques.

I really doubt they'll do this but I'd love it if random NPC's approach you if you have any of the amputees in your party to ask what happened and/or make weird comments at them ("but cy, that would be so annoying and inconvenient!" That's the point. So many people do that to irl amputees, and it's never at a convenient or even safe time, and I've never seen it happen in media. A game is arguably the best place to have it happen, in, say, a random event similar to the ones that could happen in origins)

In that same vein, I'd love to see a scene where someone approaches the inquisitor to call them an inspiration- you and the inquisitor assume it's for, you know, beating corripheus (I know I spelled it wrong lol) and saving the world, but it's revealed the chatacter has no idea who the hell the inquisitor is and just means it's inspiring that they're out in public "like that" - referring to their arm. This also happens to me all the time, and you can't tell me some snooty orlesean or tevinter noble wouldn't make those back-handed compliments, lol. You also can't convince me that any version of the inquisitor would just accept that

I hope none of the chatacters are used as inspiration porn ("don't you worry Rook! I can still pull my own weight on the team despite being an amputee, you just have to give me a chance to prove myself!")

At least one of the chatacter's stories of how they lost their limb is left untold in game (we don't always need to know how it happened if it's not relevent to the plot).

Like I said, these aren't predictions, just my hopes. I wouldn't hold my breath for any of these to be honest (bioware has not been the best in term of disability rep in the past) but A lot of them wouldn't be hard to implement and could take the representation from hardly even acknowledging their disability to something actually pretty decent disability rep-wise. It's also pretty rare to have so many characters with the same kind of disability in the cast of such a mainstream piece of media, and I really, really hope they do something with that because you can have a lot of fun with that.

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[shutupineedtothink]

Alright, y’all really got me goin on this “we’re still in the trial” idea, so here’s the potential evidence:

Spoilers below the cut in case I turn out to be right lol.

The color grading when they got back on the road was Weird. Almost orange, when the road has been very blue tinted overall this whole time

Maybe the orange-y ness is because there’s still a blood moon but we didn’t pan up to see it?

Or maybe its just visual code for “this is not the real Road”

Jen and Alice both came out of their trials having gained something, confidence for Jen and freedom (from the curse) for Alice. Agatha really walks out with nothing except more trauma. If we go with the theory that the Road is making them deal with their trauma in order to overcome it, then the trial isn’t over. Agatha has more work to do. (We have to face our worst fears.) On the other hand, maybe Agatha just failed her trial. Maybe that means she gets another one later. Idk.

I keep wondering where we would go back to if we were still in the trial, and I think it’s when they first spelled DEATH with the ouija board and Rio laughed. At that point, everything that happened after that was her game to play. She knows Agatha’s past, and she’s trying to get her to face her inner demons, show some fucking vulnerability, and acknowledge that maybe she wasn’t born evil. Rio (and/or The Road) wants her to face her past so that she can show up as her real self, the Agatha she’s known all along 👀 (and to get Agatha to stop freaking running away from her). Rio’s still the only one who sees her (te veo), even Agatha can’t see herself. Rio exists separate from the events of the trial, and yet she’s still on Agatha’s side, being the protector she needs even as everyone else is slowly turning against her. With a little bit of crazy/murderous intent thrown in of course bc that’s how she is.

Also can’t get over the look Rio throws at Agatha as she climbs the ladder to get out of the house. It reads as frustration to me, like really, you’re running away from this again? You’re gonna keep pushing this down and repeating the same old patterns instead of facing your trauma again? Jesus fuck what do I have to do to get through to this woman.

I was originally thinking this was playing out as is due to the fact that we end on Teen/Billy and his powers, with Agatha basically gone. But then it occurred to me that those last few minutes were truly her worst fear manifested, that he began to hate her, turned on her, and became evil himself, partly due to her own taunting. Her worst fear is that SHE will turn the boy she thinks could be her son evil, passing it down because it’s an innate thing inside her, just like her mother said.

Bonus points: IF we’re still back in the trial, Alice isn’t dead, Jen was never quite as vicious as all that (that was Agatha’s own mind berating her), and Teen is still “Teen” and never went on a murder spree to kill the coven. But imo, everyone still remembers this version of events, which makes for some hella interesting character moves all around. Particularly for Alice, Teen, and Agatha. I actually have a whole headcannon for how this plays out, but idk if I should share it or not, because it will be ALL the spoilers if it happens.

Thoughts?

[creativesplat]

A doodle of Link and Mipha defeating a Lynel from @only-by-the-stars wonderful fic Song of a Champion!

So this battle was beautifully fluid and the description of the two working perfectly in sync was just breathtaking. I decided to try and illustrate the scene, and I really enjoyed it, (it gave me an awesome excuse to read the scene very carefully and with an eye to the visual which I only really do if I'm going to draw it, and its always so fun to do)!

I couldn't get this image of Link parrying to open a space for Mipha to attack out of my brain because of the fluidity with which they both fought together just felt like that probably happened. I don't know about you, but I just saw them fighting as though they were in a dance, even though Mipha is so firm on her lack of ability and Link's superior skill, I bet he was entranced by her too!

Link's outfit is the stripped back version of the Soldier's Armour Set from BoTW, as though he took off the particularly intense or cumbersome pieces before coming to meet with Mipha, which I thought might be a good nod both his desire for familiarity with Mipha and to Mipha's concern for his safety and frustration with perceived arrogance. He's not even properly equipped and yet he says he can and will fight this Lynel alone.

on Mipha's end, I decided to go for a yellow glow, to not only pin her as the most key character in this scene - she is the central protagonist after all - but also to show that she is actually 100 years in the future, and this is her sinking back into the past, in her memory.

In the beautiful way only-by-the-stars creates a story, I fell into this memory description as well, and I love the conflict and emotion in this, so yeah, just a little note on the writing, but honest to goodness, give this a read!

Other composition ideas:

the original idea was to have something a little more like this:

with a more fluid attack from Mipha and I think overall this would have served the scene better now that I've finished 😅, but I also wanted the impression that it was Mipha's memory, you're seeing this through her eyes, so having her facing away from you connects you more I think, it feels more like she's witnessing it if its from her perspective.

so this, from Mipha's perspective, whilst a little less easy to understand visually, would have given the whole thing the fluidity I wanted the piece to have originally.

Anyway that's my two pence, and I hope you go and read Star's fic!

[1ightsen]

Maxie Infodump #1 - Little known character details from official media

I promised to post some of my maxie infodumps and headcannons, and I think I'll start it off with something simple. His official character bio that was hosted originally on the first release of ORAS (this will be ORAS Maxie focused)

here is a transcript for easy reading: "Maxie is the leader of Team Magma, the team seeking a world ideal for humanity. He pays attention to even the smallest of details, and is quite sensitive in some regards. He has a habit of describing situations in numerical terms. He possesses a cool-headed outlook, thinking that some sacrifices cannot be avoided if he is to achieve his goals." Okay, so first, after looking at the original japanese version of this page,

小さいことまで細かく気にする、神経質なところがあり、さまざまなことを数字を交えてあ��わすのが口癖。 目的を果たすためなら、犠牲が出ても仕方ないと考える冷徹な思想の持ち主でもある。 The one word in here I wanted to be sure of was 'sensitive' since it can have many meanings, and the original japanese gives us some possibilities with:

Personally I think (being) highly strung is the most likely option here, but either way its an interesting character trait. And we all know he certainly builds up frustration and tension and explodes a bit like a volcano. Even if he does manage to correct himself afterwards.

~ ANYWAYS ~

Now that we have the bio, let's break it down a little and look at some fun examples of it in action! Maxie has a habit of describing situations in numerical terms. This typically comes out more when he is nervous or stressed. Here are some examples: Ill just take ORAS as an example here since this is already getting pretty long... In ORAS after fighting him at mt chimney, he lets you know in a specific numerical way, how much he fell behind:

And then again, when you battle with him and lose in the Battle Resort where he just has to let you know the situation in numerical terms by giving you the exact lose chance according to his own calculations of course:

"So the great Maxie has fallen, even when battling alongside your team... I shall commit this curious phenomenon to memory. It had less than a 1 percent probability of occurring, you know."

this culminates in a really interesting interaction between him and courtney after the delta episode. While It's pretty clear that Maxie cares for his team and especially his admins, he definitely struggles when faced with his crying admin, and being unsure of what to say, he settles with a numerical quantifier again.

He assesses the situation, and decides to comment on how MUCH courtney is crying. His "paying attention to even the smallest details" trait also ties into this habit of his, and is probably why he jumps to conclusions a little too early because of small things he's noticed. Accusing Tabitha of wanting his spot as leader, just because he disagreed with him is one of those situations.

Pokemon Masters EX has a lot of new scenes with Maxie, and I would love to talk all day about them, but I'll just pick out one here, and that's from the "A pasio Spectacle" event. In this event, Maxie overhears team break members simply say the word 'glasses' and instantly jumps to the conclusion that not only did they want to talk to him, but that they noticed his "magnificent mega glasses" and would like to hear a lecture on how they were scientifically made.

https://www.youtube.com/watch?v=rZmmaf9bhD8&t=144s here's a link to watch it, its worth it :D He certainly picks up on small details, but tends to miss the bigger picture sometimes, which is fun because I believe archie tends to do the opposite. Perhaps his mega glasses are actually designed to reflect this, because they work like horse blinders, and keep maxie looking straight ahead (trust me, I've made a pair of these, and you cannot see someone standing to your immediate side). Looking straight ahead is also relevant to his life goal, of ensuring the bright future of humanity, and as he says: "propel humanity to greater heights of progress and evolution." And that concludes my infodump regarding this one little bio that is no longer available without the wayback machine, and I just wanted to share it with any other Maxie fans out there :D Next I think I might tackle the bigger topic of how Archie and Maxie have so many fun contrasts in personality and more. and then maaayyybe I'll feel comfortable enough sharing my headcannons and theories. But only if people want more lol, I am not good at writing big posts :>

[melonteee]

ok im anon about nami. firstly, im actually really sorry for spoiling you. i did not know about how you only read them while streaming them and i only saw streaming posts about anime episodes. it was not my intention, im sorry!! secondly, i understand everyone's arguments about similar instances pre-timeskips, nami opening up more and who wouldn't be scared of bugs, etc. i didnt mean to make it sound rude esp about sakura, it was just an emotional response bc i love nami sm. yes girls can be silly but its just one of those "vibes/feelings" grievances that when put to words doesnt make sense. yes nami previously ran away scared just like now but its just the way she does it now since timeskip feels so weird? like it felt almost comically stereotypical the way her face was and her being on the floor like that? i cant explain it well, yes nami would cry and run but the way she would is so different. "waah save me" doesnt feel like nami even an opened up one. and its not about a woman not being able to be scared, im not asking her to solo giant bugs. this is just one instance, ive felt weird about her post-timeskip, she feels more hollow. i want more genius navigation nami, in general, than "weak person of the group that always needs help" nami which is why i loved that scene in fishman island of her being complimented. i think this is more of a agree to disagree cause i cant shake the feeling. anyways sorry to everyone again!

sorry anon I didn't mean to be rude I was just frustrated since I quite publicly read the officials when they come out (livestreams and such) but yes I'd say it's an agree to disagree situation.

As someone who read through/watched all of One Piece in the span of 3 months (with no nostalgia for the original ig) I didn't notice a decline in Nami's character at all - all it feels like is she's just gotten more comfortable with the Strawhats. I seem to be one of the rare few who likes her ts version more than her pre-ts version and it's because, as I've said, she feels happier and more comfortable with her crew WHILE still navigating the seas AND being the witch that she is - as we saw with her laughtale discovery and her navigation at the beginning of Egghead.

I think it's a shame to think a character developing into a warmer person through the love they're receiving means they've become lesser of a character, while I'm not saying you do that anon, this exact same thing happens to Robin in the ts as well. Design aside (and yes I totally understand that issue) Robin's ts character is a lot softer and a lot sweeter because she's HAPPIER! Watching/reading One Piece from start to finish all in one go is how you can truly feel the joy in these character's hearts becoming something more imo

[lillified]

Just curious, why do you ship Megastar?

[long post incoming, apologies, you activated my sleeper phrase]

Short answer: I like these characters and their potential. I like the idea of them, and I made up new versions because I want to see their dynamic and subtext taken seriously, and not flanderized/made into a meanspirited joke by media that is supposed to be "mature"

Long answer:

when i was watching transformers as a kid i was really interested in the dynamic of two characters who are mean and jaded and instinctively push eachother away, but work extremely well together. i didn't really understand coding yet, but in my interest in the decepticons as an entity with an ideological identity that wasn't just "bad guy" (transformers was like. the first time i really started thinking about deeper meanings and propaganda in media, which probably explains why i am as obnoxious as I am) I was always sad with how megatron and starscream never really got the chance to have their dynamic approached in a different way. in a lot of ways those two are the heart and soul of the decepticons, and I've always thought that putting more care and attention into their relationship and not just writing it off as a cruel plot device would be the first step in having a more nuanced view of the Decepticons as a whole

personally I believe that, in a similar way to batman and the joker, those two have always had a dynamic that kind of blurs the lines, and at times is outright suggested. unfortunately though, like batman and the joker, over time an unwillingness to engage with the reality of that uncomfortable, sort of meanspirited coding just led to the near-sighted stereotyping becoming crueler and more abusive. acknowledging that it exists at all means acknowledging there was that bias, so the "joke" was just repeated until it became the only thing their interactions were really known for. it's an act of flanderization, and that makes me sad

i guess my case in point is--they have a lot of potential that just isn't realized. even in places where their relationship is given depth there's still almost always this really tonally dissonant violence to their interactions that's never unpacked, not really, because how are you going to sell toys of that? moreover, how are you going to make megatron "redeemable" after that? what could be considered strange, poorly executed slapstick in its origin became aesthetically worse and worse, but was never given serious thought--and I think that makes the story, overall, worse! "maturing" the brand didn't make it smarter, it just made an elephant in the room, and now Transformers is so locked in to its decided status quo that we haven't had a different perspective on any of these characters since Animated.

I apologize for the rant, but it's something I think about alot and your question is somewhat related to that. I'm frustrated by how dismissively these characters are written in versions of Transformers that are supposed to "smart" and "mature", I'm frustrated by how that negatively impacts the story, and I'm frustrated by how the people who like these characters can be dismissive of it. I think there's a lot of story potential and thematic insight into the decepticons that can be gained by looking at these two as characters with a history, and not just a bad joke! I think that you can have all the best parts--the sabotage, betrayal, bitterness, and the irony of someone you refuse to trust who still manages to know you better than anyone else, and have that shown through actions and character development, and actually written instead of having to be overscored by unintelligible violence for the sake of being "dark" and reaffirming, in the cheapest way possible, that you're looking at characters who are evil! I want to see that in a story!

my work is honestly not really about what I think transformers IS, or HAS to be, but what I think it has the potential to be, and what my interpretation of the themes means to me. I want to see all of the Decepticons viewed with a different lens, and these two are probably the most important Decepticons, both on a story/thematic level and a cultural one. transformers was the first piece of media I was really consciously critically thinking about, entirely by chance, and in the interest of art and human expression I want to make something different that is interested in being more thoughtful

anyway, sorry again for rambling. I might delete this later to keep my page clean, but I appreciate the question! I'd give more specific examples of why I like the stuff I made up but those would be spoilers.

[mattivoda]

This post isn’t targeted towards this person in particular but I see this same sort of tiktok come up on my timeline every couple of months and it feels me with a very specific RAGE because of how wrong it is about the core message of this show.

For those who don’t know, the music from the TikTok comes from the musical The Last Five Years, made by Jason Robert Brown. It originally opened in Chicago in 2001, then making its way to Broadway in 2002 after great reviews from critics and audiences.

the elevator pitch of the show is simple; a writer exploding with success (Jamie) and a struggling actress (Kathy) and the rise and fall of their marriage.

Normally this would be a pretty basic musical, right? However the true genius comes from one key part of its storytelling: the order at which the story is shown to you.

Jamie performs his side of the story in chronological order, from the start of the relationship ending with their divorce. Kathy, however, tells her story flipped; starting with their divorce and ending when Kathy first meets Jamie.

The two actors almost never interact on-stage, singing solo songs for every single song except for the act one ending song The Next Ten Minutes, where Jamie proposes and the two marry.

Now you might be asking: why is this important to the story? and which character was supposed to be the “bad guy” in the marriage?

If you delve into the story and look at the way the story depicts both characters’ perspectives on what happened then an obvious fact becomes clear:

Jamie is an asshole and was the main problem in the marriage. You aren’t, and never were supposed to side with him.

Throughout the show, Jamie is shown to be obsessed with his own fame, gloating about how he seems to only be able to exponentially succeed in his writing. His obsession makes him blind to the struggles of his wife, even going as far as deluding himself into thinking his wife’s struggles is simply her being jealous of his success. By the end of the show, Jamie cheats on Kathy and proceeds to blame her for not allowing him privacy.

THAT’S why the storytelling of The Last Five Years is so compelling. By only showing these characters seperate from each other, it forces us to become familiar with Jamie and Kathy as individuals rather than a couple. It allows us to see Jamie’s douchebaggery up-close and personal, with the entire first act highlighting this glaring detail and allowing us to see the consequences of this as his marriage devolve in the second act. Just the simple fact that Jamie’s story is chronological creates a beautiful dichotomy between Kathy’s frustrations, sadness and abandonment and Jamie’s cocky, happy-go-lucky success story.

Before I finish writing this and go to bed, i’d like to say I don’t blame those who hold this view for thinking this about The Last Five Years for one reason only; the only way they got to see it was the movie version.

the film adaption of The Last Five Years (2014) decided that the reason the musical worked was because “interesting timeline go brrr” and decided to keep the original timeline, but instead had both characters constantly interacting.

Instead of having this abstract deconstruction of these two characters, with both Kathy and Jamie monologuing their personal thoughts and emotions separately, they mash together and create this weird, realistic depiction of a breakup. The performances from Anna Kendrick and Jeremy Jordan were amazing, don’t get me wrong, but these choices in the adaption rip the emotion and soul out of its inspiration and sell the corpse for $20 a viewing.

Jamie and Kathy’s marriage is a cautionary tale about what happens when you don’t listen and understand your partner. It is not a desperate attempt of a composer to appear in the right about his marriage and it shouldn’t be a sloppy retelling of a failed marriage with a quirky form of storytelling. Please please PLEASE if you agree with this original TikTok’s message just know you are so UNBELIEVABLY wrong.

tldr; you are not supposed to side with Jamie!!!! he is in the wrong!!!! that’s the whole point of the musical!!!!! don’t watch the movie it sucks and is innacurate!!!!!!! RAHHHHHHHHHHHH

[maddy-k-reads-all-day]

Okay... so I'm pretty sure the "Play My Way" song is canon considering its an official Amanda 2 song and it's listed in the games credits.

So I'm also gonna consider the two animations the song is based on as canon, too. Bear with me.

If we consider all 3 videos canon then things get really interesting.

Timeline wise, I think all three videos take place before the first game.

The first where everything in the Hide and Seek tape goes smoothly where it's just a storyboard happens before Amanda and Wooly got trapped. I think this may have been a pilot to the animated series. It feels like it sets up what Amanda The Adventurer was supposed to be like. Amanda and Wooly are super friendly with each other, plus Wooly is missing his ears just like the games original pilot.

The second version might be sometime after they got trapped. Supposedly Amanda didn't originally remember her life as Rebecca in the first game right? I think this might be where she started to notice something off. When they replay the Hide and Seek tape, Amanda clearly gets the feeling they've done this before. I'm so sure about Wooly here tho.

Now let's talk about the song on its own, ignoring the timeline and just acknowledging that the characters find this tape familiar.

By the third time (the song), Amanda clearly notices that they've done this before and freaks out. And I think here if Wooly didn't notice something off before, he does when his part comes when he's repeating the lines from the animatics he sounds really unsure? "Right, you're the best... you must play this a lot." Like there's a weird sense of unease in his voice when he says this.

The chorus to me feels really interesting because I feel like we're getting Amanda's true feelings about this situation.

"Now watch us play our part. Now watch us dance and sing. Don't want to fall apart like kids who never seem to scream."

I love the puppet-like vibes these lyrics give off.

After this it seems like the tape resets cuz it's suddenly Amanda's turn again. And Wooly seems like he's really frustrated that he's not getting his turn. But Woolys verse is the most interesting to me.

"Now watch us play our part. Now watch us dance and sing. Don't let it break your heart just play along and-" He gets cut off.

This almost sounds equally passive aggressive as Amanda's chorus. There seems to be an equal amount of resentment. But the "just play along" part seems very fitting for Wooly. One thing I think about Wooly is he seems very avoidant of things that upset him. And it got me wondering if the reason he's always trying to redirect things isn't because it's some "job" of his, instead he simply doesn't like it. He doesn't like tragic stories he doesn't like talking about death or people you trust hurting you. But a lot of these things seem like things that Hameln intentionally wanted in the show so I'm really starting to belive that Wooly himself is the one who doesn't want to talk about it.

Another thing I find weird is how adamant Wooly was about wanting a turn and then how the moment Amanda was gone, he started to panic. As his verse continues after Amanda's chorus, he sounds more and more upset. I can't wait till the animation for this comes out because I really wanna know what Wooly was talking about when he says, " I don't wanna go in there." Omg. Didn't Amanda say that once?

Now, when he finds the "cat under the box," this time it's Mr. Fox? And then Amanda sings about killing someone. I don't think it's Wooly because, continuity wise, that doesn't make sense. We found out that killing Wooly does nothing he just comes back. So Amanda wouldn't try it twice, right? So I think it's Mr. Fox before the first game. Maybe Mr. Fox was a character similar to the opossum? Idk why Amanda would kill Mr. Fox unless if he was in their way. Actually, I know it isn't Wooly because Wooly is still alive at the end of the song- (imagine the music video comes out and makes me look like a fool)

I also wonder what Amanda's "it's you" is supposed to mean. Maybe Kate was the one watching this tape?

Anyway, these are my observations and theories. They are kinda messy and subject to change, but what do you think?

[lyon-77]

I’ve been curious as to why Erlang Shen, who was once depicted as a heroic lord with strong ties to the mortal realm, was turned into this cold-hearted "hound of heaven" figure. I get that his influence had waned, and you've said that it was an unconscious effort to revive key themes from his lore. That might make sense during a decline in his worship. But why did they have to lean into a more negative interpretation of his character? Sorry for the example, but it reminds me of how characters who were originally portrayed as good and fair sometimes get flipped into their opposite, and that darker version sticks. It’s kind of the reverse of the trope where villains become heroes. Take Sun Wukong, for example: he originally wasn’t some oppressed freedom fighter for the yaoguais (like he only cares about his children, which isn't bad but yeah). He was a warlord whose pride got wounded, and he threw a massive tantrum because he wasn’t getting the position he thought he deserved. Black Myth: Wukong shows him as a misunderstood revolutionary. But with Erlang Shen, it's the opposite—he started as a popular hero and deity, and yet he’s been reduced to a villainous enforcer. From what I’ve heard about his original stories and your and many others posts, he was a good person and a hero, not the oppressive figure he's been turned into over the years. It’s strange to see him constantly depicted in such a terrible light when his lore is so much more complex and positive.

Yeah, it can get frustrating, but I’d say the tide has turned since the early 2000s. Erlang is almost always portrayed as charismatic and dependable in Investiture of the Gods adaptations. In JTTW-inspired works, he's meant to be a positive figure as well, though some adaptations that focus solely on the main hero can end up oversimplifying or even discrediting complex supporting characters. To me, it always feels like such a waste of the rich source material.

In the past two decades though, the trends has leaned towards depicting Erlang Shen as a misunderstood hero. When the Black Myth: Wukong intro first came out, many people were disappointed, though not entirely surprised, to see Erlang cast as the antagonist again. So when it was later revealed he was more complex than he first appeared and had been our ally all along, the Chinese audience were both relieved and greatly satisfied.

I do think part of the reason Erlang wasn’t more fully developed in modern media previously might be precisely because he’s a righteous god—a character archetype that doesn’t always translate well in eras that celebrate antiheroes, individualism, and self-made rebels. Figures like Wukong and Nezha, who actively defy traditional values, fit the idea of a hero as someone who challenges the status quo. Meanwhile, the classic hero archetype can get pedantic and lose its emotional impact. Erlang Shen is a classic hero but is also more than that: his nuances bridge the old and the new and can resonate well with the audience today. Yet, his complexity isn't always easy to convey in the short-form messaging more typical of today's media.

In the end, all canonized characters need to adapt to remain relevant, and new audiences need a bit of patience and curiosity to get to know them. I think it just took Erlang some time to find his place in our era, but for a folk god with millennia of history, that's not too bad at all 😉

[opbackgrounds]

So I finished the live action and have taken a little time to get my thoughts together, and I'm very much of two minds about this show. I don't seem to be quite as high on it as some other people and the parts I didn't like I *really* didn't like, but I think the bones of the show are good and that the problems I had could be improved upon in future seasons.

More detailed thoughts under the cut

I've said all along that the live action will need to carve out its own identity if it wants to survive, that it needed not to copy the source material, but rhyme with it.

I feel like the first four episodes do that best. There was a lot to cover in the East Blue, and the more disconnected, episodic nature of the manga wasn't going to work. The solution was to combine and condense the manga content, and then add a significant B plot with the marines to help tie everything together.

The problem I have is that the addition of the marines takes away too much time from the Straw Hats without adding enough to make it worth it in the end. While backstories and story arcs were rushed to hell for our main crew, everything with Garp slogged, with the final payoff being nonsensical and poorly executed. I get what they were trying to do with Garp, shifting from childish temper tantrums to laughing maniacally, but it just doesn't work. Garp just doesn't work. Which is a shame, because I think that the growth for Koby and Helmeppo had a lot of potential and the actors exceeded my expectations. The material they had to work with just wasn't good enough.

Syrup Villiage worked best for me, because of all the arcs in the manga it was the most dragged out and poorly executed. It benefits from being condensed and leaning into the horror vibe over the generic shonen battle of the original was inspired. Plus, it validated my head canon of Kuro poisoning Kaya, which is always a nice feeling.

But even here, there's a knock-on effect of what came before it. Because Shells Town and Orange Town were cut down so drastically, Zoro's backstory and some of Nami's development were kicked on down the line, making Usopp more of a bystander in the arc where he should have shined the brightest. Later on the Baratie, Sanji's inner turmoil and struggle to follow his dream is reduced down to a "hey, the chore boy offered me a job, I'm gonna bounce".

And for what? So we can spend a painfully long scene of Garp eating a fucking steak?

The show needed its original ten episodes of runtime to let the characters just breathe. The chemistry amongst the crew is great, there are cinematic moments that took my breath away, the soundtrack is fire, the fights were enjoyable, and the set design is fantastic, but the depth of the manga is flattened. In the East Blue, every villain--even the shitty ones--acted as double foils. For example, Captain Morgan's narcissism contrasted with Zoro's willingness to throw away his good name in order to follow his dream, where his more villainous nature foiled Koby's heroism. In the show, Morgan barely counts as a villain, with his more disturbing and evocative acts such as telling his subordinates to shoot themselves (and more chillingly, them willing to do it) are cut out entirely, and it makes Garp's decision to later tie him up to the same post as Zoro seem almost insane.

Of all the arcs, Arlong Park left the worst taste in my mouth, which is so frustrating when it's supposed to be the crown jewel of the season. The changes they made to Nojiko are baffling and the one time I honestly don't understand why a change was made. Nami's backstory, the most powerful in the East Blue, was chopped into pieces and condensed so much that I felt nothing when Bellemere died. Luffy's decision to actually listen to Nami's backstory, while it made sense for this version of the character, went so against the spirit of the original that it took me out of the moment, as well as removing one of the aspects that makes Luffy such a unique character in the first place.

And for what, so the season had time to end with Luffy fighting Garp in a hopeless fight, only for Garp to let him go because "it was all a test"? Bullshit. Bullshit, bullshit, bullshit. The whole point of the East Blue is to establish the Straw Hat Pirates. They shouldn't be playing second fiddle to anyone, let alone this deranged, poorly written version of Garp.

I said that the bones of the show are good, and I stand by that. The Straw Hats are the Straw Hats. The One Piece world is the One Piece world. I do remain hopeful for improvements should there be a season two, because the marine B plot with Smoker is already in the manga, and the overarching story of Alabasta gives the writers the ability to be more flexible with the limited time that they have. I have to believe that it's easier doing one big story over the course of a season than it is trying to shove 5 origin stories into 8 episodes, but I'm not a TV person so I might be wrong.

However, my concern is that in some ways season one benefited from the pandemic. The series was in pre-production for like 7 years, and all the interviews I've read have credited the extra time the series had in the developmental oven for my favorite aspects of the show--particularly the sets. That's not going to necessarily the case going forward, and my worry is if future seasons aren't given the time to get it right that it's all going to fall apart. At the same time they can't wait too long, because that's not how live action works.

The live action isn't a bad show, but it isn't a good show, either. I'm glad that it exists, even if it's only to point back to the original. I wouldn't be devistated if it were cancelled, but would certainly check out season two should it get renewed.

Just, please. No more Garp. I'm begging Matt Owens and Oda himself, please. Just let the man do cool stuff off screen for a couple seasons, and when he's reintroduced pretend all this never happened. Your show will be better for it, I promise.

[nibeul]

i really love your bad batch redesigns and i am super disappointed in the show for whitewashing and also the voice acting of the clones, but i'm confused because you seem to hate the show? the show is problematic but it must have given you some inspiration or happiness in order to begin drawing the characters, right? 😅

only asking because i enjoy (some parts of) the show while realizing that it could have been so much better, but it seems like you just don't like any parts of it so i was curious about that. also, i will for sure check out your rewrite!

I do hate the show lol, I find that it has pretty much no redeeming qualities and I think the writing room—if there even was one—was probably the equivalent of an improv comedy club going "yes, and" to every suggestion someone made. the original reason I made the redesigns and started the rewrite back before the show even came out (so basically when the bad batch episodes of tow s7 dropped) was because I was pissed with the whitewashing and had come to the conclusion that nothing good could come out of a show that had its narrative built off its racism ("these white guys are genetically superior to regular clones btw").

I think it would be wrong to say that it "inspired" me, except maybe if you want to say it motivated me to remake it because I simply believed I could do it better. Not in a self-jerking off way either, as I truly think even a 12 year old with nothing more than a box of markers and a stack of printer paper could write something more interesting. I do genuinely enjoy the characters as I have written/drawn them and I'm having fun with the story that I'm making from it, but the inception of my version came from frustration and a wanting to fist fight Dave Filoni in a parking lot, and the characters that I've drawn/written exist separately in my head from the versions in canon. Also, I appreciate that people like my designs 🤙🏽

[krispdreemurr]

oh oh i have an interesting discussion/query ! what do u think the meta purpose of making kris act like they do at the end of chapter 1 was? specifically like the imagery of a kid in a green/yellow shirt manipulating a red soul, pulling out a knife, having red eyes and grinning evilly cause like... i feel like deltarune definitely incorporates the memory of undertale throughout? like its advertised as a game for people who finished undertale and theres lots of references and things that are only as impactful if you had an emotional connection to the original game, like spamton neo and gaster saying "have you been looking for me?" and just.. so many things but most interestingly imo being that ralsei almost comes across like a fanonized "cinnamon roll" version of asriel that was so popular way back when? ofc he's more than that but thats like. a Part of him anyways what i mean is like, when chapter 1 released many people (myself included) saw that and instantly assumed that kris was being controlled by chara because of how strongly chara-esque (*especially* to the fandom, like ralsei) the imagery was, only for chapter 2 to come out and many people (myself included^2) completely disregarded chara as having any bearing on the story whatsoever and that kris is just themself trying *not* to be controlled by us. i think we can all agree that the latter is correct, and some people were clearly smarter than me in chapter 1 and deduced the truth even then (e.g. lynxgriffin in their comics), but i am left wondering what the point of that was almost? i thought you might have some interesting thoughts on that, cause like, if kris's frustration with the player is essentially the main plot of the game (give or take), the allusion to chara was a little bit 'distracting' for the fandom i feel like? some ppl are (somehow) still confused & blaming chara even! i guess im just wondering, what if kris had wore a different shirt and menaced the player in a different way at the end of chapter 1? do you think it would have improved the story to eliminate the possibility of confusion, or do u reckon toby fox want us confused? idk LMAO just thinking aloud atp. just been on my mind the past few days bc in retrospect, while the intro to deltarune is obviously trying to trick you into believing this is "undertale 2", post-dark-world the game is unambiguously super different, to the point where it feels a little bizarre that there'd be a red herring *after* deltarune already smashed the notion that it's a prequel or sequel into pieces doesnt it?

i think it's most legible to me as an attempt by Kris to psych us out that they sort of get lucky with thanks to toby helping them!

like, obviously they have no way to know you've been menaced by nonbinary children before - the specific parallels aren't a thing they're reaching for. but they're trying to get the player freaked out, and toby sort of lends them a helping hand by making them coincidentally charalike.

it's not the first time he's had a character freak us out with knowledge they don't have (thinking about sans and the talking flower in grillbys), and it's not the first time in Deltarune alone where a parallel is arguably sheer coincidence in world but happens to echo something to the player. i don't think it's like cheap or anything - toby fox does a really good job building up a language of associations and connections and motifs and then sometimes uses that to trick you just the tiniest bit lmao

but just like Chara, the ways to see thru the trick are there if you're looking. if you pay attention to Chara, you learn their oh so ominous faces and scares were originally just a thing they did to have fun with their brother, and maybe you get an appreciation that they were a child trying to scare you in childish ways. similarly, if you talk to everyone in town, you learn that Kris is a prankster by nature who delights in freaking everyone out (and also someone who would eat an entire midnight pie), and maybe you get the chance to go "oh, they're pranking me, huh?"

a little like Chara, Deltarune ch1 uses Kris to ask if you've been paying attention to the material. did you notice this really, really wasn't Undertale? and if you did, what conclusion do you reach about this new kid?