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priniya · 8 hours ago

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ᯓᡣ𐭩 END OF THE DAY ! ᡣ𐭩ᯓ

pairing. lando norris x reader

summary. being a supportive girlfriend during an awfully stressful time is hard, so when reader and lando ends up fighting, neither of them is surprised. however, she can’t help but be in love with him at the end of the day.

notes. pretty short and not proofread 😕😕

YOU WERE WALKING ON EGGSHELLS FOR THE PAST two weeks around your boyfriend. he was thrown into contention for the title mid-season and as the last race weekend of the season was getting excruciatingly closer, lando’s mood was dropping drastically. you understood it, not in the way that you were in the same situation as him, but frustration, pressure and disappointment weren’t strangers to you. you could see that your boyfriend was gradually becoming a ticking bomb, yet unsure when will his breaking point happen.

as it turned out, it happened on a second day after he got back from brazil. it was a silly argument that escalated to a major fight, resulting in you, driving back to your apartment in ventimiglia to give the brit his required space.

it wasn’t ideal, coming home, you hardly stepped a foot into your apartment, when lando was in monaco as you usually stayed at his place to get as much of him as possible in the — usually — short period of time. norris, unbeknownst to you, immediately felt terrible just as he watched you left. guilt creeped up his spine, yet he made no effort to stop you, knowing that he needed some space to get ahold of himself. no title could make him fill the void if he lost you.

so, after a few days of radio silence from one another, you were starting to feel like you were losing the precious time you had with lando. the clip from max fewtrell’s stream with your boyfriend there, saying that he’s eating food that sat in his fridge for more than six months or staying awake for 26 hours, has found its way into your twitter feed. it made you worry restlessly.

thirty or so minutes later, while lando was still playing some game with max and a few of their friends, you let yourself into his apartment and started rummaging through his to find all those expired items and threw them out, already making an order for new groceries. as much petty as you could be sometimes, you didn’t want your boyfriend to end up with food poisoning, it was kind of oscar’s thing now.

cleaning his fridge took you fifteen minutes at most, considering that you threw up a huge portion of its content. it was just then, when you decided to put on your big girl pants and face him. you made him some tea with lemon and honey, before quietly tapping him on the shoulder.

“jesus christ!” he shrieked, causing you to giggle. “mate, i think i’m having some sorta proper hallucinations.” your boyfriend spoke into his headset, not believing the sight in front of him — not believing that he was seeing you. you could’ve easily picked up the guys taking a piss out of him, which made you laugh even harder.

“you need sleep, lad.” “yeah, you sound like a maniac.” “that’s the expired meat speaking.”

“don’t worry ‘bout it, lads. i’ll take care of him.” you moved closer to the microphone to let the guys know that everything’s taken care of, fully aware that max, your boyfriend’s best friend, would get concerned.

“i’m super sorry.” lando spoke softly, once you left the discord call. his arms snuck around your waist, pulling you flush against him — almost as if he had really missed you. “i love you so much, please don’t break up with me.” he added. you pulled your bottom lip between your teeth to bite back the chuckle upon not only hearing his words, but also upon seeing his childish-like expression.

you managed to escape his embrace, dropping your hand into his, while trying to drag him back into his room for a nap. it wasn’t a hard task with lando trailing right behind you until you sat him down at the edge of the bed.

“i’m not mad at you, baby.” you reassured him in a gentle tone. your hand caressing his cheek. “i still love you, okay? but you gotta go to bed, lando. we’ll talk later, alright?” you tried to coax him into listening to you and you’ve succeeded.

WHEN YOUR BOYFRIEND WOKE UP A FEW HOURS later, he thought that your presence in his apartment was just a dream. having pushed himself off the bed, he walked to the kitchen to finish off his expired chicken. that’s when he found you lounging on the couch, while eating something that smelled incredibly well.

yup, he must’ve been hallucinating.

with that in mind, he didn’t even approach you, trying not to feed into his delusions. if his mates knew that he started seeing his girlfriend after eating something that spent a few months in his fridge, they would never let him live it down. he furrowed his brows at the sight of a pan full of carbonara that he had no recollection of making — maybe he should go see a doctor?

lando sighed in relief after having taken a sniff of the dish, realising that somehow it’s not gone bad. how did it ended up in his place? no idea.

“bloody hell, no more eating expired food. i’m seeing stuff.” the brit muttered, rubbing his face in slight frustration. upon hearing his quiet mutter, you let out a small chuckle, tilting your head to the side in amusement.

“lando, you know i’m real, right?” you mused, a small smile creeping up on your lips. your boyfriend’s forehead creased in confusion. god, he seemed so out of it. “as in, i came here this afternoon, you’re not seeing stuff.” your words were coated with hilarity as you gave him a look.

lando was bewildered. twenty six hours of sleep weren’t that much, how did he forget that you got to his apartment and, apparently, talked to him? his cheeks flushed in embarrassment as he put the plate down on the coffee table and sat next to you.

“i, uh, wanted to call.” he spoke, his head hanging a bit lower. “t’was unnecessary, my outburst, i mean.” a sigh escaped his lips. he was slowly beginning to look like a sad, kicked puppy.

“it was super unnecessary.” you agreed, running a hand through his hand in a slow motion. “we can’t really go back in time, can we?” he shook his head at your words, taking your hand in his hair as an invitation, so he moved closer to you, his arm sneaking around your waist.

“but you still love me?”

“yes, lando. i still love you.” you leaned your head on his shoulder.

“good, i would probably kill myself, uh, or die without you.”

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gingerteawrites · 3 days ago

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Autumn in love - Nanami Kento

A/N: Another comforting and self-indulgent fic but what is new? I wish it could be cold already. Can't believe that its still 80 degrees F in November😭.

Content: tooth-rotting fluff, husband! Nanami, female reader, barely proofread.

Fall was Kento's favorite season. Call it basic or boring, but to him, there was nothing better than the crunch of the reddened leaves when stepped on. The crisp aroma of fragrant air. The beauty of the world as it burst into shades of deep auburns and ambers. The mellowness of it all felt so enticing, much akin your husband's nature.

Taking the time to breath in the world on his way to and from work and sketching delicate figures during the evenings were among his favorite ways of enjoying this wonderful season. However, he was also much receptive to the ways you preferred to experience the autumnal weather. Your world was by extension, his own.

And with time, a beautiful fresco of collected memories painted your shared home. Trinkets that bore testament to your little adventures.

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The beautiful branch mounted on your wall

"Oooooo, look at this one!" You crouched to pick up yet another branch from the orchard's soft soil. Nanami turns away from the apple tree, a pristine pink lady in hand.

He chuckles when you run to him with a small branch whose tendrils curled in the shape of outstretched fingers.

"That sure is something, love." a smile pulled at his soft lips. "Though I am not sure if branches are included in the apple-picking fee."

You clung to his arm, nuzzling close with a simper that matched his own. "Well, good thing I'm not asking them."

Ever your accomplice, Kento helps you 'sneak' the branch out of the farm and insists on coating it to preserve it for you.

"You don't have to indulge my stupid fixations, Kento. Really." You watch him carefully handle the piece of wood in your garage, feeling bad about how much effort he's putting into this.

"Stupid?" He asks, deep voice tinged with a hint of surprise. The thought had never even occurred to him. He walks to you, and rests a tender hand against your cheek. Eyes holding your entire world as they looked at you with so much tenderness. "There is absolutely nothing that you, my dear wife, could enjoy that I would think is stupid."

You melt against his touch, and even more at his words. "Plus, that is an outstanding stick. Think we can record a video and send it to that one stick nation page?" He asks, pulling a honest laughter out of you.

"Great minds think alike, I see."

---------------------------------------------------------------------------

The hand-made mug sat atop your night stand.

While on the way back from a quiet afternoon walk, you and Kento had stumbled upon a yard sale. The owner of the house, a little old lady beckoned you over the second she noticed how you had not so discreetly eyed her book collection.

Having spent what felt like a wonderful eternity browsing through the collection you believed to be way too big for one person to own in a lifetime, you realized you had lost sight of your husband. You hoisted your picks close to your chest and turned in search for Kento.

But as if sensing your quest for him, he practically materialized beside you.

"Let me help with that, darling." He coaxed most of the books from you before you could even think to refuse, holding them gently under one arm.

"Thank you, Ken" You smile, linking fingers with his other outstretched hand. "Did you find anything you liked?" You were hoping he was not bored.

"Uh-huh." He nods. "The owner's husband had an interesting tie collection. I left everything I liked at the entrance with her. Just wanted to come see how you were doing." His thumb rubbed gentle circles against your skin.

You reach the lady, with multiple items laid out on the big table that served as check-out station on top of which sat an old-fashioned cash register. She helps pack your purchases in a paper bag, while you absently look around the yard and admire the beautiful house behind you.

Unloading the purchases from the brown bag in your home, your eyes go round with curiosity when your fingers touch a delicate porcelain frame. You pull out a mug from the bag, its wide cream base decorated with small mushrooms and flowers. The handle curled like a vine, and you spent more than a few minutes admiring the glaze.

That means you did not notice Kento, who came leaning against the door frame, looking at you with a fond smile.

"Do you like it, love?" He asked, pulling your attention towards him.

"Do I like it??" You took a deep breath. "God, it's gorgeous. How did I not notice it?" You ask to yourself.

He pushes himself off the wall and walks to you, wrapping strong arms around your waist, your back pressed to his chest.

"It was in a pile of miscellaneous items. I knew you would enjoy it the second I saw it." He explained, his warmth seeping into you.

"You know me too well." You set the mug down and spin around in his arms so you're facing him. Eyes meet and before you know it, your lips follow in a tender embrace. "I need to get you something too." You whisper against his cheek.

"Having you here is more than enough." Kento replied earnestly.

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Just the sight of these small things warmed you through and through, reminders of Kento's love. Of his tender care, that made you want to open your heart even more than you already did. Hold him close for the colder months, and never let go even when the heat comes.

Hope you enjoyed it! Comments and reblogs are much appreciated (❁´◡`❁)

#another one #jjk #gingerteawrites #nanami kento #jjk x reader #jjk nanami #jujutsu kaisen #jujutsu nanami #nanami x reader #husband nanami #nanami kento x you #nanami kento headcanons #nanami kento x reader #kento nanami #jjk drabbles #jjk fluff #jjk x y/n

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lumarhorrors · 16 hours ago

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Hiii i had this idea of like a nerd and hes like student counsel president and hes obsessed w the reader. and maybe like make him a service top w overstimulation

I had to look up what service top is and still have no clue 🫠. If its bot what its supposed to be I'll rewrite it later.

Cw: smut, service top,

You and the student Council president were good friends. You were more of a soft-spoken, but stern person in the Student Council. You voiced your opinions and ideas very strongly which got his respect quite quickly. And his heart too. You happily accepted his confession when he did and it was so sweet to see the stoic and strict Council president just crumble and stumble to even get the words "I love you" out of him.

When the two of you first got frisky he told you that he just wanted to do whatever you wanted and to please you in any way. You found it so sweet especially when he was so soft and gentle your first time. He's check on you and if you were uncomfortable with something or a position he's change it so you'd also enjoy yourself. You learned pretty quickly he found pleasure in making sure you were happy and comfortable and enjoying yourself. If you weren't liking it neither was he.

As time went on you suggested more kinky stuff such as tying him up and riding him. He was all for it especially when the time came and he saw how much enjoyment you got from it. He loves it when you call him baby or pretty boy in bed and out of bed. That man is such a sucker for you. He loves to call you his Prince or baby boy and he adores how flustered and giddy you get at the names. When you both made your relationship known to your student Council members the council president absolutely brags to his friends has amazing you are and how you treat him like he's the most perfect this in the world.

But poor boy can get insecure especially if one of the jocks takes interest in you. He'll never bring it up because he doesn't want to seem like a jealous boyfriend but he can't help but think you'll be better off with someone more dominant. During sex, you have to reassure him many many times you love what he did how he makes sure you're enjoying what he does and how he puts the effort into changing what he does if you're not comfortable or aren't enjoying things.

Trust me this man can be obsessive and he'll love you to death. But his stern and cold attitude still applies to everyone but you and that ticks off a lot of council members so they always have to get you to ask him things because? He can never say no to you man's to in love and obsessed. Your his cute nerd that's stern but fair of course he's doing what you want. Especially to see that big smile and giddiness you do it makes his heart flutter

His favourite things to do with you during sex are have you ride him or pressing your legs against your chest so you can feel him hitting your prostate over and over. God he loves hearing the small gasps and moans you make it drives him to the edge till he's painting your insides white.

I'm so upset because half of this got deleted on post 😭😭😭

#bottom male reader #top character #male x male reader #male reader #male x male #student Council president x male reader #service top

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prettyboysdontlookatexplosions · 2 days ago

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the thing about Getting Involved In Your Community is i think, based on my own experience, it’s easy to think of it as an “eating your vegetables” type thing that you know you should do, or feel like you’re supposed to do, because it’s Good and Right. you want to be the kind of person who does it. and perhaps as a result times like these filled with people talking about Getting Involved In Your Community can feel like a lot of pressure in an already stressful time. like a call to do more when it feels like you’re already doing all you can. and i am not interested in arguing with anyone’s assessment of their own lives in that regard. but i do just want to say because i have not seen this expressed a lot and i think it’s worth hearing if you haven’t that volunteering and getting involved in my community has been maybe the best thing i have ever done for myself on a completely selfish level as measured solely by its impact on my own personal mental health and quality of life. i didn’t know that was going to be true before i did it and maybe it isn’t true for everyone. but for me and i have to believe for at least some other people who haven’t had a chance to learn this wonderful news yet, it is just unparalleled in terms of effort expended for good feelings created for me to feel in my own head. (and fwiw this was also true like almost immediately even before i found the sort of “niche” i have settled into with its attendant routine and social circle lol. like the first time i did a grocery delivery route during lockdown i felt like i had taken a party drug.) i am not telling you to eat your vegetables, i am cheerfully and without pressure or judgment recommending a restaurant i like a lot and strongly suggesting you get the roast broccoli as a side because it’s one of the best things i’ve ever tasted. the fiber and vitamins are just a bonus wholly irrelevant to the reasons you should order it. up to you! we all have our Things and preferences! but, yknow, i just think it’s a natural human tendency that if something is Good it’s probably also not, like, good, iykwim, but some things, like roast broccoli, are both! and i would just hate for anyone to miss out on learning they love roast broccoli because they’re assuming it can’t be good for you and also rock.

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richarlotte · 1 day ago

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What did you do/use for your facial beauty glow up?

Lip Filler.

I have 1.5 mL of lip filler at the moment and probably won’t get more any time soon. In my mind, it’s the perfect amount; it gives my lips a delicious, just bitten look, and it doesn’t look or feel unnatural. I’m someone who loves subtle changes; I’m not the sort of girl who’d go crazy with surgery, and I prefer to make my changes slowly. I started with .5 mL, slowly went up to 1.5 mL over the course of two more appointments, and I think plumping my lips up completely changed my lower face and made me look younger and more feminine.

Polynucleotide Injections.

This treatment is major in South Korea; it’s very popular, and one of my best friends went and came back singing its praises. After weight loss, this is the most important thing I have ever done for myself. These injections boosted my collagen production and made the terrible dark circles and puffiness under my eyes disappear. It took a few weeks for me to see the results, but I look like I’ve had an upper and lower blepharoplasty now; my eye area is completely rejuvenated and the skin is bright, and while my initial reaction to the set of treatments I had was intense, the end result was better than I could’ve ever hoped for.

A Comprehensive Skincare Routine.

The skin is the body’s largest organ, and the first step to learning how to care for it is understanding that you and it must be hydrated. Learning that what I put into my body was just as important as what I put onto my skin helped me change my approach to skincare. I mostly use French, Korean, and medical-grade skincare products, and I switch them out each season so that I can approach my needs correctly. Washing and changing my sheets twice weekly, going on a low estrogen birth control, and adding N-acetylcysteine to my supplements helped me more than I could ever say.

Minoxidil.

Using Minoxidil to grow my eyebrows out was one of the best decisions I’ve made for myself. I love the look of thick, lush eyebrows, but I don’t actually like thick brows. I used minoxidil to grow my eyebrows until they were thick and I could have them threaded and thinned out just a bit, straightened, and tinted until they were the shape and shade I wanted. Minoxidil is a great tool; it's decently affordable, and while the results take a while to appear, once they've been appearing, they’re very noticeable. I also use a regular lash serum on my lashes to grow them; it’s from The Ordinary, and I think it works slowly but nicely. You do have to be very precise with your application of Minoxidil, but other than that, it’s very good for filling in sparse eyebrows.

Weight Loss.

Losing over 80 pounds, doing a complete overhaul of my diet and limiting the amount of processed foods I consume, making an effort to care for my body and mind, and changing my mental and physical health for the better completely changed my world. My insulin resistance is totally gone, I’m healed from the PCOS that once plagued me, I no longer eat the foods I have sensitivies to, and the inflammation and water retention I’d have the morning after are gone, and I feel like my best self. My double chin has been vanquished, my bone structure is visible again, and I love the way my nose looks, and I am so much more confident about the shape of my face. Losing weight is the best thing I have ever done for myself, and I’d recommend it to anyone who feels like they need to overhaul their life.

Proper Styling

Learning how to do my makeup, contouring my face with self-tanner, and styling my hair were all major parts of becoming more confident with my face. Now that I know what I’m doing with myself and I’ve been able to identify what suits me best, things come easier. Proper styling is what’ll make or break you. You could be the most beautiful woman in the world, but if you don’t care for your appearance, you’ll struggle. I put a lot of time and effort into learning what looked best on me, learning how to style myself, learning what worked with my facial shape and bone structure, and figuring out which lash maps, brow shape, makeup style, and colors suited the overall aesthetic I was going for. Learning about makeup products, trying a variety of different makeup styles, and new makeup techniques made a world of difference for my styling journey too.

Braces.

I had braces on for just over a year—traditional metal, power chains most of the time—and they were worth every cent. I was always insecure over my teeth, and fixing them has really made it easier for me to smile and express myself. Although they’re not perfectly straight or blindingly white (Kirsten Dunst is known for her smile for a reason), I’m confident, and I love them. Taking care of my teeth is something that I really struggled with at one point, and I have had to make a real effort to get better at that. I still have my dental routines, wear my retainer at night and through the day, and do brightening treatments, but I’m focused on the health of my mouth instead of aesthetics now.

These are the major things.

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thosewickedlovelies · 6 hours ago

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A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once.

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject.

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there).

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties.

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later.

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures

You can get information from objects without taking samples, but samples are usually worth the information.

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves.

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

#hopefully this is useful to people as Gladiator II comes out <3 #i dont really know how to tag this lol #museums #fic advice #writing advice #reference #writing resources

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hainethehero · 2 days ago

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No hate, genuine question. Why do yous think bucktommy was such a good relationship? Tommy bought him tickets to basketball when its established he doesn't like basketball and buck didn't even know if Tommy was gay or bi after 6 months like that doesn't seem like they knew each other at all what makes it seem like they have such a good relationship?

Genuine answer, I liked that Buck finally had someone that was upfront with him and really interested. Before then, it was mostly him chasing interests.

As for the basketball tickets etc., it was terrible writing. The writers clearly got direction from whoever (showrunner, execs etc) to just half-ass it. The writing was just terrible bc Tommy up until then was very in love with Buck, and even Oliver said, they were in the early stages of learning/exploring each other.

And again, there was clearly a miscommunication between the show & the interviews that Tim and Oliver did.

Tim said he liked Lou a lot and felt like Tommy was the perfect guy to set up Buck's queer storyline and relationship with. He also said he wanted to give the relationship respect and didn't want to make a big deal about it because a lot of shows do that, when queer couples should be treated not as something gratuitous and showy, but as something natural. He also said that he wanted to change up the fact that Buck has always been on a rollercoaster of relationships and has never quite settled and he wanted the opposite of that to happen with Tommy.

Oliver said that he wanted to do the same and be respectful of showing a genuine queer relationship. He even said that Buck and Tommy were taking things slow and getting to know each other and exploring this new territory for Buck. He even said he wanted a slow burn where the desire just builds etc.

Then, in the show, after season 7, there were barely any Buck and Tommy scenes. Yes, Buck and Tommy were there for Christopher's birthday, but that was more about Eddie. There was no genuine effort to develop their relationship. Most of season 8 was about Bathena & Henren, (not even Eddie or Chimney got enough screentime tbh). But they clearly showed through the writing and the pacing that the Buck/Tommy relationship was no longer something they wanted to spend time and energy on. The discrepancies then, are the difference in the interviews and then the show. People genuinely thought they were going to do what they said (see interview above & Google the rest of interviews bc there were a lot with the same sentiment expressed about being respectful about Buck and Tommy.) But they clearly didn't and went with the, "oh we were tricking you and rly just going to break them up so that Buck can kick off his yt boy angst" arc.

Honestly I'm still confused af:

Why did they dive into this plot if Tim and Oliver knew they were just going to half-ass it?

Did Oliver just not like Lou and ask Tim to end it abruptly?

If Oliver/the cast didn't like Lou, why did they keep him on?

If they did like Lou, why did no one defend him when he was getting sent death threats, petitions to get him off the show, degrading comments about his looks, name-calling etc?

And if Tim and Buck were genuinely truthful, that they wanted to be respectful in developing and building this queer relationship, why did they let it get railroaded by sloppy writing, bullying from stans, no promotion of the relationship ship whatsoever and minute long scenes where there's no deep conversations or focus on their dynamic?

If the 911 cast didn't like Lou so much, whyd they keep him on? Why did they continue the storyline? Why lie in interviews and say things like slow burn, instead of being brave and saying, well, i don't like the direction my character is going in, so we're scrapping Buck and Tommy?

It all just seems like blatant cowardice to me, from the entire cast, but specifically Tim and Oliver. And now that they broke up, Oliver's brilliant response is, "i want Buck to fuck this guy and that girl, and that girl and this guy and this girl..." like, CLEARLY he did not give a f--k about the relationship, so he should've expressed that earlier, instead of making stuff up about slow burn and desires, and getting over hurdles together.

So to answer your question, we were expecting what Tim and Oliver alluded to, (and up until 8x05 they seemed smitten with each other, even with boils on Buck's face- and then immediately broken up next ep) and instead got shitty pacing, little to no development of the relationship, and weak, half-assed writing that seemed more from a middle-schooler than an actual writer.

#evan buckley #911 abc #bucktommy #tommy kinard #911 spoilers #911 show #911 fandom #tim minear #911 cast #oliver stark

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apoloadonisandnarcissus · 6 hours ago

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“some wounds that cannot be wholly cured”

What will be the most likely consequences of Morgoth’s crown wound on Galadriel? Let’s us explore the possibilities, clues and foreshadowing:

The parallel between Galadriel's series arc and Frodo's arc as well, and you can look at... you know... a couple... sort of commoneries they have. You know, Frodo getting stabbed by the Morgul blade and Galadriel getting stabbed by the crown of Morgoth. And you know, his, sort of like, push and pull relationship with the Ring, her push and pull relationship to Sauron, which is basically the Ring personified. Hum... there's some interesting things to look at and unpack there across the series. - J.D. Payne

Galadriel/Frodo and Sauron/One Ring parallels in “Rings of Power”

At the same time he struck at the feet of his enemy [Witch King of Angmar]. A shrill cry rang out in the night; and he felt a pain like a dart of poisoned ice pierce his left shoulder […] With a last effort Frodo, dropping his sword, slipped the Ring from his finger and closed his right hand tight upon it.

“I fear, Sam, that they believe your master has a deadly wound that will subdue him to their will […] He is not slain, and I think he will resist the evil power of the wound longer than his enemies expect. I will do all I can to help and heal him. […] Findol will lead you onward, he shall see you safely to Rivendell.”

“What happened at the Ford?” said Frodo, after they had recovered. “It all seemed so dim somehow; and it still does.” […] “I don’t know.” Frodo answered. “They [the side and shoulder] don’t feel at all: which is an improvement, but” -he made an effort- “I can move my arm again a little. Yes, it is coming back to life. It is not cold,” he added, touching his left hand with his right.

In “Fellowship of the Ring”, Frodo is injured by the Witch King of Angmar, using a Morgul blade. In spite of being physically healed by Elrond, this wound never fully heals, not even after the One Ring is destroyed and Sauron is defeated. And on its anniversary, Frodo becomes seriously ill.

In Two Towers, Frodo can sense the wound whenever the Witch King is nearby:

a Rider, all black, save that on his hooded head he had a helm like a crown that flickered with a perilous light. Now he was drawing near the bridge below, and Frodo's staring eyes followed him, unable to wink or to withdraw. […] Here, yes here indeed was the haggard king whose cold hand had smitten down the Ring-bearer with his deadly knife. The old wound throbbed with pain and a great chill spread towards Frodo's heart.

Frodo also got a nasty scar for life:

One evening Sam came into the study and found his master looking very strange. He was very pale and his eyes seemed to see things far away. “What’s the matter, Mr. Frodo?” said Sam. “I am wounded,” he answered, “wounded; it will never really heal.” But then he got up, and the turn seemed to pass, and he was quite himself the next day. It was not until afterwards that Sam recalled that the date was October the sixth. Two years before on that day it was dark in the dell under Weathertop. Time went on, and 1412 came in. Frodo was ill again in March, but with a great effort he concealed it, for Sam had other things to think about.

“Alas! there are some wounds that cannot be wholly cured," said Gandalf. “I fear it may be so with mine," said Frodo. "There is no real going back. Though I may come to the Shire, it will not seem the same; for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?” Gandalf did not answer. Return of the King

This wound forever changes Frodo, and it’s only a blade forged by Sauron, what consequences will Morgoth’s very own crown, a object filled with dark magic, have on Galadriel?

If Frodo’s wound is anything to go by, the hypothetical consequences will be it will never heal; and, straight out of “Harry Potter”, the wound will hurt whenever Sauron is near.

And can 2x08 already have provided us with some foreshadowing on this?

Galadriel's case

First things first: Morgoth’s crown is not a Morgul blade, per say. “Morgul-knifes” were dark magic weapons forged by Sauron in Minas Morgul, to gift the Nazgûl. This is necromancy, and they, indeed, turned victims into slave wraiths to the Nine and to Sauron himself (and this was the goal in stabbing Frodo, for him to surrender the One ring).

The difference here is: the tip of the Morgul blade would remain inside of the victim to complete this wraith-transformation process (this happened to Frodo, and the tip had to be removed); and the sun would vanish/destroy them (this also happens in “Fellowship of the Ring”, when the Witch King leaves the blade behind).

We know neither of these things happened with Morgoth’s crown (which was forged by Morgoth, and reforged by Sauron, to fit himself). And I highly doubt Morgul-blades had the power to destroy Sauron’s physical form, either (this is another misconception: he lost the ability to take on “fair form” after the Fall of Númenor, not physical form).

Unless we are assuming Sauron “took notes” from this event with Galadriel, and perfected the method with his own Morgul-knives, but his overall attitude and his smile of victory seems to imply he knew exactly what he was doing in this scene.

Which leads me to the next theory: blood binding. The entire fighting sequence appeared to be a charade building towards one moment: Sauron binding Galadriel to him. He did, after all, stabbed her with a dark magic object infused with his own blood (Adar used it to destroy his previous physical form, in 2x01).

2x01 / 2x08 parallels: “Only blood can bind.” (Adar; 1x05)

We saw Sauron mind-communicating with Galadriel after the stabbing. To me, this scene marks the beginning of his grouping of her mind, for thousands years to come (because we haven’t seen this in the show, yet).

Visually, we have some clues that seem to indicate this, indeed, happened:

These shots can imply blood binding theory is correct, and Sauron might have transferred some of his powers to Galadriel. This is not mere “camera work”: in the first screenshot it’s Sauron looking down at Galadriel, and the second is Galadriel waking up. The effect on both is the same; hinting a sharing power between them.

And Sauron didn’t do this “by accident”; not only he’s been a master in blood magic for over thousands of years (probably for longer than Galadriel herself has been alive), but this was his intention ever since 1x08: “you bind me to the light, and I bind you to power.”

Then, "Rings of Power" appears to have taken some inspiration from these dark veins on Galadriel's chest in her "elf-witch" form in Peter Jackson adaptation of "The Hobbit", for Sauron's wounds from Morgoth's crown in 2x01:

We can see the dark veins appearing on his neck, face and forehead:

Interestingly enough these are the same veins on Frodo’s wound from the “Fellowship of the Ring” adaptation (2001), so I’m not sure why Peter Jackson decided to place them on Galadriel’s chest, in 2014.

Anyway; can this be a clue towards something? Will we see this version of Galadriel in “Rings of Power”?

In Tolkien lore, Galadriel is a powerful “elf-witch”, an Elven queen of great magic and power, however in "Rings of Power" we haven't seen her either dealing nor displaying any kind of magical abilities. Yet. Having her blood bound with Sauron can be the show’s explanation for her source of magical power, as well as to why she never faces him directly, working against him from afar, and why Sauron couldn’t conquer Lothlórien unless he went there, himself; as well, as for Sauron’s grouping of her mind for thousands of years into the future, and how Galadriel is able to see into his mind, as well.

The Unexplicable Wound on Galadriel's Face:

A mysterious wound appears on Galadriel’s face, and some fans seem to think this might have been an error in editing. But, is it, really?

We know, for a fact, Sauron didn’t cut her face; he didn’t had time for that. Galadriel cuts his face, he turns around and goes for the stabbing in the next minute. But, in the meantime, the wound is already on her cheek (and is the same as the one she cuts on his face):

However, there’s another character with the same wound:

And this wound isn’t meaningless, because the scar is still visible on Galadriel’s face, even after her healing by Two of the Three Elven rings of power. She had several cuts on her face, but they were nearly gone but this one (besides the obvious camera focus).

And this scar looks off, because it doesn’t look like a cut scar, but a burn mark, almost.

Even stone cannot hide the mark of one whose very hand is flame unquenched. He was here... Sauron was here. Galadriel arrives at Forodwaith, 1x01

But what does this mean? When did Sauron ever touched Galadriel's cheek? He touched her chin, in 1x08. And how is Elrond connected to all of this? Why do these three characters share the same scar, in the same place?

Because the "Elrond in the tent" in 2x07 was not Elrond, at all. It was Sauron. Context: here, here, here, and here.

#rings of power #the rings of power #galadriel rings of power #galadriel rop #sauron rings of power #sauron rop #saurondriel #sauron x galadriel #galadriel x sauron #haladriel

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i-live-inyourwalls · 1 day ago

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more haikyuu characters i think would be friends as adults (PLATONIC! I WILL SELF-IMMOLATE BEFORE I BREAK UP MY FAV SHIPS)

bokuto + ushijima

- first of all, part of my reasoning is that it would be funny as fuck

- HOWEVER: bokuto is kinda gullible, takes a lot of what he’s told at face value without questioning it. he’s honest and open about his emotions

- ushijima is VERY literal, also takes things at face value, and doesn’t generally understand other people if they aren’t being direct

- bokuto’s inability to keep anything to himself would actually be helpful for ushijima

- he’d never be confused about bokuto’s emotional state which (as we know) is not something he would pick up on unless he was told

- bokuto would also benefit from being around someone who was incapable of sparing his feelings (ego probably would take a hit at first, but i think as an adult he’d be more capable of handling it)

- also bokuto is insanely social so he wouldn’t stop trying until he and ushijima were friends

- bonus: he’d get to hang out with tendou which would be fun for him

tendou + tanaka

- they are both insane

- high energy, like messing with people, weird hair

- somewhat self-centered but still socially aware

- i think tanaka would find tendou entertaining and i think tendou would find tanaka funny

- also the potential for them fucking with people to an honestly diabolical degree? yeah, i’m sat for that

- i think they would both mess with ushijima, but i don’t think they’d ever actually be mean— and they’re smart enough to know some of their friends should be left alone (…iwaizumi….daichi….oikawa but only because oikawa would put an honestly neurotic effort into getting revenge—which could only be learned through experience)

nishinoya + kuroo

- i mean… i feel like this one is obvious

- obsessed with themselves, enjoy causing chaos

- kuroo is so much smarter than noya but noya is more unpredictable so…they could definitely be a dangerous combination

- smarter than the tendou + tanaka duo because, like, kuroo

- kuroo would probably take advantage of how willing noya is to do dumb shit and get noya to do his stupidest ideas (noya would not realize he was being strategically convinced, also he probably wouldn’t even care if he knew because he was having fun)

- also, absolutely would be each other’s wingmen. probably with asahi and kenma. can almost guarantee they would NOT be good at this and the other men would just find it confusing

akaashi + kenma

- said in my prev post about this, i think akaashi would be friends with kuroo because they took of kenma and bokuto in high school so have a shared (ish) experience

- he’d be friends with kenma for different but adjacent reasons

- they’re both somewhat quiet and reserved but capable of being sarcastic or harsh if the situation requires it

- dating bokuto and kuroo (IN MY WORLD THEY ARE. ITS REAL TO ME!!!)

- anyway, both dating people with VERY different levels of extroversion who like to spend time together

- can sympathize with the sensory overload that is being around bokuto and kuroo at the same time

- BokuAka & KuroKen double dates??? yeah bro. bokuto’s idea, kuroo talks kenma into them.

- they’d probably enjoy watching Bokuto and Kuroo entertain themselves when they all hung out even if it was overwhelming

- ^^^ both of them have a much shorter social battery so would be allies in the situation (if they don’t want to talk, they hide from everyone in silence— my mental image is them quietly doomscrolling in the same room, or kenma playing video games while akaashi reads a book or something— point being, i think they’d be able to be around each other comfortably without it feeling like actual social interaction)

edited for spelling :-)

#haikyuu headcanons #hq headcanons #haikyuu #bokuto koutarou #ushijima wakatoshi #tendou satori #tanaka ryuunosuke #nishinoya yuu #kuroo testuro #akaashi keiji #kenma kozume #kuroken #bokuaka

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theoutcastrogue · 1 day ago

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Bounded Accuracy, why it was necessary, and why it doesn't have to apply to skills

"Why Bounded Accuracy?", by Justin Alexander

"Let’s start by talking about bounded accuracy. Endless ink has been spilt on this topic, but I think one of the clearest way to understand bounded accuracy — what it is, why it works the way it does, how it’s supposed to be used — is to look at the design lineage which created it.

To do that, we need to go back about twenty years to the development of the Epic Level Handbook for 3rd Edition. The concept was to extend play past 20th level, allowing players to continue leveling up their characters forever.

The big problem the designers faced was that different classes gained bonuses to core abilities — attacks, saving throws, etc. — at different rates, which meant that their values diverged over time. By 20th level, the highest and lowest bonuses had already diverged so much that the difference exceeded the range of the d20 roll. This meant that any AC or DC you set would either be an automatic success for some PCs or impossible for others.

The designers of the Epic Level Handbook tried jumping through a whole bunch of hoops to solve or ameliorate this problem, but largely failed. As a result, the Epic Level Handbook was a pretty flawed experience at a fundamental level (and its failure may have actually played a major role in Wizards of the Coast abandoning the OGL and the doom of 4th Edition, but that’s a tale for another time)."

[The Rogue notes: I think the big problem with 3.5 was that the breaking of the d20 roll (where the AC or DC you set could be auto-fail for some and auto-success for others) happened LONG before epic levels, if players made characters with different levels of optimisation. Which was sometimes a result of, well, studying, pouring through splatbooks and looking up combos on the internet, but other times it just happened, without any effort. Some classes had to jump through hoops to keep up with the rest, and that was bad.]

"On that note, fast forward to 4th Edition: The designers knew this was a problem. (Several of the designers had actually worked on the Epic Level Handbook.) They wanted to avoid this problem with the new edition.

Their solution was to level up everyone’s bonuses across the board: Classes would be strong at some things and weak at others, but the values wouldn’t diverge. This methodology was, furthermore, wedded to 4th Edition’s design ethos of “level up the whole world with the PCs” and more or less fundamental to its My Precious Encounter school of encounter design.

Fast forward again, this time to 5th Edition: The 4th Edition of the game had burned down, fell over, and then sank into the swamp, and 5th Edition’s mission was to win back the D&D players they had lost. The whole “level up the world” ethos was widely identified as one of the things people who hated 4th Edition hated about 4th Edition, so it had go.

Bounded accuracy was the solution. Importantly, bounded accuracy was about two things:

Controlling AC & DC so that the target numbers never become impossible for some of the PCs.

Controlling bonuses so that the results don’t become automatic successes for some of the PCs.

In other words, all of the results exist within that boundary. Hence, “bounded accuracy.”

If you go back to the original problem experienced in 3rd Edition (and which metastasized in the Epic Level Handbook), you can see how this solves the problem. It also avoids the 4th Edition problem where your numbers get bigger, but your results never actually improve because the numbers increase in lockstep: As long as the DCs remain consistently in bounds, the moderate increases to the PCs’ bonuses will see them succeed more often as they increase in level, resulting in high-level characters who feel (and are!) more effective than 1st level characters."

– Justin Alexander | The Alexandrian, September 2022

Commentary: Bounded Accuracy and Skills

This very well-written summary was part of an article roasting the 5e skill system, and specifically arguing that Expertise is bad because it breaks Bounded Accuracy, and Reliable Talent makes it worse. And with this, I disagree.

I think that Bounded Accuracy is excellent for combat's standard rolls: attack vs AC, and saving throw vs DC. That's when you need numbers that challenge the whole party: some characters may have a better chance than others, sure, but the d20 roll doesn't become irrelevant because this one is guaranteed to succeed and that one is doomed to fail.

But for otherwise interacting with the world, I actually don't think the numbers need to challenge the whole party. I think immersion and simulation (I like these!) are better served by making such challenges tricky. Occasionally they will be too easy for some, and/or too hard for others, depending on where the characters focused their training. And when that happens, it's up to the party to figure out ways to make up for it, to look for other, creative solutions rather than get stuck on a skill check that one or more of them are doomed to fail, and in the end to acknowledge that some tasks are suited for only some of them.

So maybe half the party auto-failing to scale that wall means they need to find another way in, or use their spells, or have the athletic ones climb up and throw down a knotted rope. That's good! It's a complication that requires a solution other than rolling a single check! Maybe only the Wizard (with 2024 rules) has a chance of making that extreme Arcana check about a long lost artifact. That's great! It makes sense and it's immersive, they should be the only one able to make it. And maybe, if your goal is to stealthily scout ahead, don't send forth the clanging armoured warriors, only send the sneaky rogues. That's fantastic! It's basic tactics! What's not to like?

I have BIG beefs with the 5e skill system, on account that it's half-baked (and 5.5 is somehow even less baked), and doesn't give details or DCs even for the most bog-standard skill uses that you expect to come up at every campaign. A generic DC table from very easy to nearly impossible is great as a guideline for niche cases, and crazy things the players came up with. But things like climbing walls and picking pockets should come with instructions and numbers. As is, the DM is either winging it every time and the players are in the dark, or the DM is doing the designers' work for them, and homebrewing DC tables for everything. But bounded accuracy is not the problem here, imo.

#trs #Justin Alexander #crunch #d&d #how to rogue #5e #5.5 #d&d history #bounded accuracy #3.5 #4E #skills #3.0 #Epic Level Handbook

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princeloww · 5 hours ago

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-Campbell and his mother used to be super close, especially when he was young and before his illness became obvious. Whenever he started struggling and becoming harder to manage, I think a rift was created in their relationship -- particularly because I think his mother blames herself for Campbell's issues. Campbell's dad says that she's worried sick. She's literally made herself unwell with worry for Campbell - yet we never once see her visit. Maybe she can't bear to, because despite loving him so much, she feels responsible for his illness; a guilt that accidentally pulls Campbell even further away from her, because it comes across as being ashamed of him. She pulls away and becomes a shell of herself because she's so worried and worries that she did something wrong to cause his illness - which leads to Campbell also pulling away, for obvious reasons.

-For some reason when I'm writing her I always imagine her a bit like Francine? I always write her with dark curly hair and I have no idea why. Since she's literally made herself ill with worry, I imagine she's a bit frail and not herself half of the time. She's eaten up with guilt over what she perceives as a parental failing, to the degree where she's sick and barely herself. In one of my fics, I wrote in a specific detail that she would often pretend to watch the TV, while just zoning out in that general direction, because she's so lost in thought. Campbell basically calls her a loony as well, for the aforementioned sick with worry thing - so maybe she does display some traits of mental illness?? Because he would know what he's talking about, really

-Especially in the play, Campbell has very clear issues with his father. He literally shouts at him to fuck off (or is it fuck you? not sure) in the play. There is definitely major tension there, and I get the vibe that while his dad might be well-meaning, he completely misunderstands Campbell's disorder and doesn't make any effort to understand it. I think this leads to further stress and conflict between them, and therefore more stress for Campbell's mother. It's a sticky situation, when someone's parents make no effort to understand or accommodate for their needs. Campbell's dad wants him to get a proper job and squash his dreams just like he did. Campbell is all about dreams. That shit is not going to end well.

-Campbell's dad is also just really mean for no reason in the play its so sad. I hate that guy. I imagine he has a bad temper, especially when it comes to Campbell's behaviour (possibly in the lead up to his hospitalisation) - so his temper and stubbornness combined with Campbell's mother's guilt would create tension between them as well, possibly causing disagreements WHICH, terrible cycle, would probably only fuel Campbell more. Leading to an entire dysfunctional, stressful situation that 1) can lead to a person being hospitalised and 2) can create even more misunderstanding and a lack of empathy.

-I think that really, Campbell's mother feels very deeply about him and has his best interest at heart, but due to the times and where they are (Glasgow in 1994) lacks the proper guidance on how to deal with that sort of situation.

-Also for angsty fanfiction reasons, on a less foundational note, I definitely think his parents fought a lot and really struggled to properly manage his disorder when he was still living at home. Something had to have gone on for him to actually be sent to the hospital. I know in the play it's the whole BBC Scotland thing, but - again, primarily for angsty fanfiction reasons - I think it's gotta be more than that.

-So, for summary, I think that Campbell and his mother used to be very close - but they've drifted apart because she feels responsible for his illness and thinks she did something wrong while raising him. This obviously alienates Campbell, creating a rift in their relationship - combined with the fact that she never visits, he easily gets the impression that she is embarrassed of him.

-And angst and issues follow idk im too tired to conclude this idk where im going. also this is all headcanons and mostly not based on actual facts. i am jumping all over the place to every possible conclusion

i have so many headcanons about campbell bains mother and you WILL be hearing about it

#david tennant #campbell bain #takin over the asylum #takin' over the asylum #taking over the asylum #tota #headcanon

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starry-bi-sky · 2 months ago

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do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

#dpxdc #danny fenton is not the ghost king #dp x dc #dp x dc crossover #dpxdc crossover #dpdc #danny fenton is a clone #clone danny fenton #clone danny #thinking about the inherent trauma that comes with growing up as a clone and not knowing and questioning everything about yourself #thinking about the amount of effort and lying that Jack and Maddie would've had to to do if they wanted to pass Danny off as their bio son #the MEDICAL RECORDS #danny's medical history is completely different from theirs. any generational health problems the waynes have would/could be passed down to #danny and he's completely oblivious to it up until the reveal. he'd have no idea about any medical risks until they hit him before that.#so many little things and inconsistencies that would just build and build and build until it finally came to a head and the truth came out #forever and ever and ever fascinated by the underlying horror of being a clone. there's a horror in being cloned but there's also a horror #in BEING a clone. like yes he could've always known from the start and that comes with its own set of issues BUT. just. him not knowing #for the longest time. the lies and deceit and betrayal. you know how adopted kids come out and talk about how they didn't know they were #adopted for the longest time and how traumatizing and betrayed they felt when they're finally told 15-20 years down the line? yeah that #i imagine finding out you're a clone is a lot like that.#i read a book in middle school once abt a girl moving to a new town with her family and getting these horrible nightmares and noticing how #everyone was acting strange around her. one of her nightmares was about the 30yo police officer being a shambling corpse talking to her #and at the end of the book she finds out she's actually the clone of a dead older sister and the police officer was her sister's boyfriend.#and she was in gymnastics but quit and her parents were so disappointed bc the og sister was a champion/award winning gymnastics player #and i never did finish the book but god am i reminded of that.#i love reading the dpxdc clone danny posts and they usually have him brush off being a clone which is literally totally fine but duUUDE #just imagine his own horror over it. its SOOO good

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