De verdad lo lamento pero tengo que compartir esta parte de la conversación entre la prota y el narrador.
—A ver, sí, pero que muermo seguir esperando. Nor, entiéndeme.
—Si te entiendo, pero es que no piensas.
Nor es el mejor narrador jamás visto.
I'm terribly sorry but I have to share this part of the conversation between the protag and the narrator.
"I mean, yeah, but it's so boring to keep on waiting. Nor, you gotta understand me"
"I do understand you, but you don't think"
Nor is the best narrator ever.
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that laios/shuro (toshiro?) argument means a lot to me because on one hand i have been laios and i have been excited to be around people who just would. not. say. that they didnt like me around until they did it in a way that was incredibly painful and confusing when that could have been easily avoided by a short conversation at the time of offense.
on the other hand i have been shuro experiencing that naive racism from someone who doesn't know much outside his bubble & its really hard to confront directly because its not coming from a bad place necessarily, but it is truly drenched in the racial biases that a culture has baked in. and that can be very exhausting to try and explain to someone after being bombarded by such, especially if they seem completely unaware of it being a problem.
its a situation where both characters are sympathetic to me, at least a little.
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another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
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honestly you can say anything about the ravens (and you'd be right to) but you can't say the concept of them isn't delicious. a group of collegiate athletes in their intimidating raven motifs and their black uniforms who are basically bred to become the best of the best in a bloodsport. the adrenaline rush of every game being a competition between yourself and your teammates. knowing you're not just gearing up towards court but following in the footsteps of the alumni before you. the parties and the victories and the mindless sex and the way everyone around you somehow seems to always be thinking the same thing as you are. you are never alone and you will never be again if you just do as we say. who knows the kind of relationships that can happen in a place like that?
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You know something I don't think I've ever seen people talk about is how Freddie changed the lyrics for Big Spender.
Because in case you don't know, all original versions of the song are sung by women - and it is made very clear that they are singing to men:
The minute you walked in the joint
I could see you were a man of distinction
A real big spender
[....]
So let me get right to the point:
I don't pop my cork for every man I see
Hey, big spender
Spend a little time with me
Probably not too surprising, then, that when Queen performed this song in 1974 Freddie had to do a bit of a gender-switch on it:
Though, it would probably be more accurate to say that Freddie made this song gender-neutral because he didn't change it to be about a woman. He eliminated the first use of "man" entirely and then sang "I don't pop my cork for everyone I see" (instead of "every man").
And honestly there's probably a whole dissertation you could write just about those changes alone, but what I really love is when Queen brought the song back in 1986 and Freddie changed the lyrics again:
Because yes he still dropped the first "man" but the "everyone" is changed and Freddie instead sang "every guy" with just the barest hint of a "-rl" sound at the end to give him plausible deniability if anyone asked about it.
So much of Freddie's music speaks to his experiences as a queer man but, because of the nature of the times in which he lived, he couldn't always be directly open about that fact. Most of his love songs are intentionally vague, and he sang about "somebody" or "you" to avoid having to use gendered terms as much as possible.
Freddie singing "I don't pop my cork for every GUYrl I see" wasn't just an adjustment to the original lyrics, it was a specific change from how Freddie had sang it before in order to make it more gay in a way that he could rarely be with his own music, and that is what I adore about this. It's such a little thing, but it gives such a unique insight into how Freddie balanced his sexuality and his stardom, and how the relationship between those two changed over the nearly 12 years between these performances.
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ive had ezra for three episodes now and i am already gifting him headcanons. anyways with how often and easily he gets force jumping down i think he has been using the force for small things all throughout his life and just. never noticed that most people cant do a eight foot vertical leap
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tried to order a different brand and size of bra and the band is too big and the cups are too small (?) and then I spiralled into online shopping and top surgery research and measuring tape for an hour and now I can't sleep because my tits are too loud
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